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"beaded" poems
Why Men Cry in the Bathroom For so many reasons. I will tell you the why. I think you know, Or perhaps, you think you know. Men are always O.K., Even when not. We expect the worse, Accept the worse, Nonetheless, We are forever unprepared. Wearily, we cry, In the bathroom, in private, Lest sighs slip by, We be unmasked, Early warring, strife signs warning. Copious, tho we weep Before the mirror confessor, It is relief untethered, Unbinding of the feet, An uncounting Of beaded rosaries, Of freshly fallen hail stones, Of night times terrors By dawn's early edition's light, and welcomed. But look for the mute tear, The eye-cornered drop, *** tat, that never drops, But never ceases formation and Reforming, over and over again, In a state of perpetuity of reconstitution, *The tippy tear of an iceberg revealing, And I see you peeping, wondering, What is beneath* Look for: the torn worm-eaten edges of spirit, thrift shop bought, extra worn, grieving lines neath the eyes, where the salt has evaporated, discolored the skin. worry lines, under and above, browed mapped, furrowed boundaries. the laugh line saga, where better days are stored, recalled, as well as recanted, publicly, privately. Why just men? I don't know, Perhaps, it is all I know. end.<nml> Jan 6, 2013
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Jun 22, 2013
Jun 22, 2013 at 10:46 AM UTC
Do You Know Why Men Cry in the Bathroom? (2013, can u believe it)
♪♫♪♪ Your beaded snakeskin loincloth strung beneath humid palms cool rippling breeze that calms our hammock hung under thatch what a catch . . . your Amazons running into my Congo lost track of my bongo back about one mile from the sources of the Nile: your jungle smile. Restoring all celestial things deep within your tropical clearings . . . flowing slowly, going loco at the mythic mouth of the Orinico; shake your nut-brown biospheres and banish all my worldly fears. Dusk is nearing — clearing the hill insects trilling a sinuous thrill; the yuca half-mashed in the clay *** the witch doctor hungover in his hut while our little fire smolders near the mountains of the moon —or are they only boulders? Come soon Jesus, Lord of the Jungle . . .
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Nov 10, 2015
Nov 10, 2015 at 9:22 PM UTC
Jungle Smile
Bent Near to breaking by her burden of fruit, swollen with seed In that thrashing by wind Bearing down on the sun in her labor— of  Need to bear the pain to bring her yield to his hands— her harvest of warm juicy softness ___ Gone— the upright reach of untouchable spring When stems, stern and smooth wore a lace-beaded bodice of bloom of coral chiffon First leaves a scarf with a fringe of lime green wrapping her gifted and lean to the buzzing She was lighter than dew to the amateur insects smeared with her Her only accessory-- a robin They had left as evidence they had ravaged its song ___ Now broken and leaking more damage endured   Ripe fruit in rough hands He leans against limbs by his weight sternly pressed   so suffused in the fragrance of peach intoxicants which he will have-- He is lost to his lust He is forcing his need into another year's beauty asserting his claim over and over again of that lost and ancient bounty
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Aug 3, 2018
Aug 3, 2018 at 3:59 PM UTC
Peach Tree
I treasure those nights of unexpected surrender when hands molded caressed and made me tremble waking from slumber with body afire as he inched gradually into me bathed in my welcoming heat one palm curled protectively 'round the weight of my breast as finger and thumb drew on beaded peak and breath caught in my throat as his full depth was reached unable to remain still rocking back to achieve a deeper sink his sudden hiss scalding my neck teeth worrying my bottom lip neither willing to move afraid it would all end too soon and as the flames continued to rise groans replaced whispered sighs no hurried pace or rapid ****** slow and sensual movements dragging us ever nearer the edge denying that final release drawing closer but holding it back sensation heightened beyond bearing until that fraying tether breaks causing walls to tighten and quake drinking every last drop of his lust clutching inside and out desperately seeking his mouth sealing the cataclysmic moment heart pressed to heart breath to breath
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Mar 23, 2018
Mar 23, 2018 at 6:54 AM UTC
Nights
Braided brushed tied up the princess and her jewels hair fair platted with history servants standing by swords ready gold hats seamed silver pulled tight with silk ribbons and scarfs full beaded this is a Viking girl astride her war horse
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Oct 27, 2014
Oct 27, 2014 at 10:20 PM UTC
Viking Saga
I’m knitting something new, it feels good. The new ball of yarn unraveling like time but I’ve still got plenty left. There’s potential in this dark teal wool and satisfaction when I decide the way I want to weave it. I make mistakes, I change them to become part of the pattern. The stitches are like a song in my head, I sing them, I tap them out with my foot and whistle along to the tune I’ve made up. I thought it might be a hat when I saw the skein but now I know it will be an infinity scarf. My six inches of beaded rib is a metaphor for my worries. Working my hands intricately help me forget them. I have time.
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Nov 4, 2011
Nov 4, 2011 at 9:35 PM UTC
Knitting
Squeeze your feet into synthetic fins. See the world in big rubbery lenses. Don’t forget the snorkel, of course! Bite tight. Hobble to the shore, Where the two worlds meet. The sea splashes gently on the sand. It hurls itself forward And then recedes back. Its motions are like gestures, Telling you to draw close And closer. Its peaceful surface is an invitation itself, Painted blue and glittered with sunshine. Accept the invitation with gladness. Don't be afraid! Let the briny waters embrace you. Let the cold tickle your skin. Let the waves rock you back and forth. You have entered a grand ballroom Illuminated with a majestic chandelier of refracting sunlight. The colorful corals with shapes of mounds, disks, and crowns, Sway with the rhythm of the current. The fishes dance around and about, Each beaded with scales of various vibrant colors. And then the reef ends. The colors abruptly plunge into a black abyss.   Look down and allow yourself to be Filled with fear, terror, Or maybe Insatiable curiosity. Now let that curiosity stir discontentment in you: Discontentment with snorkeling. Let it ignite a craving for More thrill, more wonder. It's time to go deep sea diving.
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Oct 30, 2013
Oct 30, 2013 at 10:28 AM UTC
Snorkeling
Blackbird shadow death witness the spiraling madness glide silent over once vital beehive shorn gray paper thin sip raw honey hardening in the merciless heat nourish the suffering concentration-camp thin jutting bone slack skin reflect the boundless light of a shield wrought from love honor these golden futile gestures they are not infinitesimal grains Blackbird with beaded sight testify *do not avert your eyes*
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Mar 4, 2016
Mar 4, 2016 at 9:42 AM UTC
Blackbird
~~~^♡^ black light posters lava lamps purple haze and mega amps bright **** rugs in pink and green long straight hair or Afro-Sheen go ask Alice how time flies starships blast off In her eyes yellow ribbons in her hair Vietnam Scarborough Fair beaded curtain leather n lace brains are gone without a trace Mother Mary let it be flower power love for free you can find a cause to bend but it's hard to find a friend psychedelic music blasts what was "groovy" now the past soulsurvivor 5/10/2015 ~~~^♡^
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May 10, 2015
May 10, 2015 at 7:51 PM UTC
psychedelic
What can you say about Pennsylvania in regard to New England except that it is slightly less cold, and less rocky, or rather that the rocks are different? Redder, and gritty, and piled up here and there, whether as glacial moraine or collapsed springhouse is not easy to tell, so quickly are human efforts bundled back into nature. In fall, the trees turn yellower- hard maple, hickory, and oak give way to tulip poplar, black walnut, and locust. The woods are overgrown with wild-grape vines, and with greenbrier spreading its low net of anxious small claws. In warm November, the mulching forest floor smells like a rotting animal. A genial pulpiness, in short: the sky is soft with haze and paper-gray even as the sun shines, and the rain falls soft on the shoulders of farmers while the children keep on playing, their heads of hair beaded like spider webs. A deep-dyed blur softens the bleak cities whose people palaver in prolonged vowels. There is a secret here, some death-defying joke the eyes, the knuckles, the bellies imply- a suet of consolation fetched straight from the slaughterhouse and hung out for chickadees to peck in the lee of the spruce, where the husks of sunflower seeds and the peace-signs of bird feet crowd the snow that barely masks the still-green grass. I knew that secret once, and have forgotten. The death-defying secret-it rises toward me like a dog's gaze, loving but bewildered. When winter sits cold and black slumped between its two polluted rivers, warmth's shadow leans close to the wall and gets the cement to deliver a kiss.
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5.4k
Returning Native
What can you say about Pennsylvania in regard to New England except that it is slightly less cold, and less rocky, or rather that the rocks are different? Redder, and gritty, and piled up here and there, whether as glacial moraine or collapsed springhouse is not easy to tell, so quickly are human efforts bundled back into nature. In fall, the trees turn yellower- hard maple, hickory, and oak give way to tulip poplar, black walnut, and locust. The woods are overgrown with wild-grape vines, and with greenbrier spreading its low net of anxious small claws. In warm November, the mulching forest floor smells like a rotting animal. A genial pulpiness, in short: the sky is soft with haze and paper-gray even as the sun shines, and the rain falls soft on the shoulders of farmers while the children keep on playing, their heads of hair beaded like spider webs. A deep-dyed blur softens the bleak cities whose people palaver in prolonged vowels. There is a secret here, some death-defying joke the eyes, the knuckles, the bellies imply- a suet of consolation fetched straight from the slaughterhouse and hung out for chickadees to peck in the lee of the spruce, where the husks of sunflower seeds and the peace-signs of bird feet crowd the snow that barely masks the still-green grass. I knew that secret once, and have forgotten. The death-defying secret-it rises toward me like a dog's gaze, loving but bewildered. When winter sits cold and black slumped between its two polluted rivers, warmth's shadow leans close to the wall and gets the cement to deliver a kiss.
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39
My old great-aunt Elaine with her withered hands gave me $200 and beaded handbag "This your mad money," she told me, as we sat on that nursing home couch, "And it ain't for your purse. This goes in your shirt, where only you know you got it." The assisted-living nurse chuckled to herself. They got along, my great-aunt and her. "Why?" "Cuz if you get angry," she said, in that Marlboro-raspy voice of hers, "And you gotta go, you walk out on your date and you leave 'is *** And then you got your money for a strong drink. And your cab." The nurse laughed My aunt re-situated herself on the nursing home couch. Elaine Dauterive. Her mind was going, and so was her health, but she was as regal as a queen on her throne in that moment her fire-red hair, ungrayed, was her crown No cape as royal as that sleeping gown. "Don't you think for once second I can't take care of you, honey," she said in that creole drawl, and I knew what she meant Because even after she'd gone I would have that mad money All stuffed in my bra for when I needed it Because she was older than time, for me, seeing things like The Great Depression, World War II What I read in history books I'd be ****** if I took what she said with even one grain of salt because Auntie-Lane, I'll be ****** if I don't love you And I know you're on your way out and I'll buy you whiskey in the afterlife with some of that $200 cash that you busted your *** scrounging up for me Southern hospitality at its finest And those liver spots redder than wine adorn you like badges of honor for all of the years you've endured My elder - creole woman, with a soul as fire-red as her hair, breathing more smoke than air My old dragon On a pile of gold: her mad money
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Nov 5, 2014
Nov 5, 2014 at 11:00 AM UTC
Mad Money
My old great-aunt Elaine with her withered hands gave me $200 and beaded handbag "This your mad money," she told me, as we sat on that nursing home couch, "And it ain't for your purse. This goes in your shirt, where only you know you got it." The assisted-living nurse chuckled to herself. They got along, my great-aunt and her. "Why?" "Cuz if you get angry," she said, in that Marlboro-raspy voice of hers, "And you gotta go, you walk out on your date and you leave 'is *** And then you got your money for a strong drink. And your cab." The nurse laughed My aunt re-situated herself on the nursing home couch. Elaine Dauterive. Her mind was going, and so was her health, but she was as regal as a queen on her throne in that moment her fire-red hair, ungrayed, was her crown No cape as royal as that sleeping gown. "Don't you think for once second I can't take care of you, honey," she said in that creole drawl, and I knew what she meant Because even after she'd gone I would have that mad money All stuffed in my bra for when I needed it Because she was older than time, for me, seeing things like The Great Depression, World War II What I read in history books I'd be ****** if I took what she said with even one grain of salt because Auntie-Lane, I'll be ****** if I don't love you And I know you're on your way out and I'll buy you whiskey in the afterlife with some of that $200 cash that you busted your *** scrounging up for me Southern hospitality at its finest And those liver spots redder than wine adorn you like badges of honor for all of the years you've endured My elder - creole woman, with a soul as fire-red as her hair, breathing more smoke than air My old dragon On a pile of gold: her mad money
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23
Maid in China she was my ayi in Shanghai a diminutive young lady with a beautiful smile tough as nails though small and shy everyday she would walk a dusty mile to cook and clean at my whim and bathe my tense body of beaded sweat after working out at the private gym her mastery of sponge I would never forget her soft hands and pale skin a visual treat her dark hair and eyes that glitter like an Asian moon large Persian towel there to dry my feet offering me a taste without the use of spoon she was my maid but more my lover though her duties she refused to dash she had pride like no one other her naked body shown thru undone sash I sweep her up and take her in my arms carry her to my bed of silken sheets for hours I avail myself of her charms with rice wine and candied sweets her kisses sweet and always select the beauty of her warm wet ****** she knew the ways to keep me ***** she was my perfect maid in China Gomer LePoet....
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Aug 4, 2013
Aug 4, 2013 at 10:03 AM UTC
Maid in China (warning-seductive)
ᗩIᑎᕼᗩᖇᗩ ~ ⚪♫⚪ ~ Ainhara is standing in her Queen's room, staring at the door that leads to her chamber 'My Lady...' she thinks worried before looking at her reflection. Her mistress had surprised her a gift of a finely made dress of rose-silk, making her a flowing vision in blue. ~ ⚪♫⚪ ~ The dress is suitable for the bright and hot morning, light, airy and delicate with one shoulder that is heavily beaded with peacock feathers; the slit reveals her slender legs, the hip appliqued with the white lilies of her Queen's Kingdom, and simple flat shoes. ~ ⚪♫⚪ ~ Her fiery locks are pinned into her usual bun. It is then that she hears a gentle knock on the door which she approaches and opens. "Did you not hear the command of the Queen Mother?" Ainhara gently hisses, "Queen Lyn is not to be disturbe-" "I know, Lady Ainhara, I apologise," a guard whispers as Ainhara stands in the hallway. ~ ⚪♫⚪ ~ "How is Queen Lyn?" *'Drained and exhausted. She has not slept well in three days...* "The Queen is very busy. She is determined to complete the tasks set to her." Ainhara sighs. "Esshi is overseeing her meals currently. Did her mother not say all matters of state should be brought to her?" "Yes she did, but the shipments are set to arrive today. And she said that once they arrive, I am to notify you. They have made way to the Western Entrance." ~ ⚪♫⚪ ~ "I see. Well, let us see to it." "Yes," The guard bows and leads the way with Ainhara at his heels. As she passes the open stain-glassed windows, the cool breeze hit her, making her dress flutter behind her and the beadery shine and glitter.
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Sep 13, 2018
Sep 13, 2018 at 4:47 PM UTC
♪♫♛♕ тнє мαѕкє∂ вαя∂ I ♕♛♫♪
ᗩIᑎᕼᗩᖇᗩ ~ ⚪♫⚪ ~ Ainhara is standing in her Queen's room, staring at the door that leads to her chamber 'My Lady...' she thinks worried before looking at her reflection. Her mistress had surprised her a gift of a finely made dress of rose-silk, making her a flowing vision in blue. ~ ⚪♫⚪ ~ The dress is suitable for the bright and hot morning, light, airy and delicate with one shoulder that is heavily beaded with peacock feathers; the slit reveals her slender legs, the hip appliqued with the white lilies of her Queen's Kingdom, and simple flat shoes. ~ ⚪♫⚪ ~ Her fiery locks are pinned into her usual bun. It is then that she hears a gentle knock on the door which she approaches and opens. "Did you not hear the command of the Queen Mother?" Ainhara gently hisses, "Queen Lyn is not to be disturbe-" "I know, Lady Ainhara, I apologise," a guard whispers as Ainhara stands in the hallway. ~ ⚪♫⚪ ~ "How is Queen Lyn?" *'Drained and exhausted. She has not slept well in three days...* "The Queen is very busy. She is determined to complete the tasks set to her." Ainhara sighs. "Esshi is overseeing her meals currently. Did her mother not say all matters of state should be brought to her?" "Yes she did, but the shipments are set to arrive today. And she said that once they arrive, I am to notify you. They have made way to the Western Entrance." ~ ⚪♫⚪ ~ "I see. Well, let us see to it." "Yes," The guard bows and leads the way with Ainhara at his heels. As she passes the open stain-glassed windows, the cool breeze hit her, making her dress flutter behind her and the beadery shine and glitter.
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50
The houses are haunted By white night-gowns. None are green, Or purple with green rings, Or green with yellow rings, Or yellow with blue rings. None of them are strange, With socks of lace And beaded ceintures. People are not going To dream of baboons and periwinkles. Only, here and there, an old sailor, Drunk and asleep in his boots, Catches tigers In red weather.
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4.1k
Disillusionment of Ten O'Clock
The devil's speech say they: Rolling, clattering, frolicking, hungry. Billows of charred skeletons embrace the air Black soot pumped straight from the pyres of Hades Congealing to clouds of evil intent wherever it roam. That charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. In the coughing desert Not a thing dares roam Neither wind nor creature And neither stick nor stone. But then the silence disturbed by a horrible shriek - The railway screams in horror and the train itself speaks, saying "Tell me, thou innocent, Why feel you special and best? For when all is done I take you And return you to my nest; Your world is bright and happy Full of high spirits and song, Though soon you too shall step aboard And join my faceless throng." Hot saliva on the heaving engines: Weeping, groaning, ghostly, parched. Rusted joints spewed onwards grinding resisting Movement spat out like a violently beaded string of curses Sloppily uttered as incantations of a malformed mouth! From that charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. That dark train cries out and all around A mourning whimper rises like slumbering fog- Bleak and yellow it obscures the land Seeping out insidious in strange locales all: The old lonely fisherman Sleeping on his wharf, The frustrated hawker's Windblown barefaced booth, Silent streets crying for attention, Dark places hidden at the corner of every eye. That solemn train cries out and all around Her mourning whimper rises like harrowing fog Calling all to upright attention and fear. Looming like a spectre but a breath-span from your window Slowly closing cold dread claws- Naked numbness dumb as ice- Cold dread claws upon thy waist. And you, You poor old thing, Shivering in your pitiful shack of bones, You never had any chance! You were only human. You were only human, you poor old thing. Barreling on with brimstone slang: Clang clang! Dang dang! Beelz Bub! Sputtering an ocean of curses from turgid goat-flesh Born of sadness to cause even more, yawning great maw Jowls clanking with fresh hot oil drool steaming stark and lewd, and yet That charred old shell so terse, Blacker than sadness and slain like a hearse, Is all that gives meaning to our every gain: The dry rolling thunder of the funeral train.
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Oct 4, 2011
Oct 4, 2011 at 12:10 AM UTC
The Funeral Train
The devil's speech say they: Rolling, clattering, frolicking, hungry. Billows of charred skeletons embrace the air Black soot pumped straight from the pyres of Hades Congealing to clouds of evil intent wherever it roam. That charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. In the coughing desert Not a thing dares roam Neither wind nor creature And neither stick nor stone. But then the silence disturbed by a horrible shriek - The railway screams in horror and the train itself speaks, saying "Tell me, thou innocent, Why feel you special and best? For when all is done I take you And return you to my nest; Your world is bright and happy Full of high spirits and song, Though soon you too shall step aboard And join my faceless throng." Hot saliva on the heaving engines: Weeping, groaning, ghostly, parched. Rusted joints spewed onwards grinding resisting Movement spat out like a violently beaded string of curses Sloppily uttered as incantations of a malformed mouth! From that charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. That dark train cries out and all around A mourning whimper rises like slumbering fog- Bleak and yellow it obscures the land Seeping out insidious in strange locales all: The old lonely fisherman Sleeping on his wharf, The frustrated hawker's Windblown barefaced booth, Silent streets crying for attention, Dark places hidden at the corner of every eye. That solemn train cries out and all around Her mourning whimper rises like harrowing fog Calling all to upright attention and fear. Looming like a spectre but a breath-span from your window Slowly closing cold dread claws- Naked numbness dumb as ice- Cold dread claws upon thy waist. And you, You poor old thing, Shivering in your pitiful shack of bones, You never had any chance! You were only human. You were only human, you poor old thing. Barreling on with brimstone slang: Clang clang! Dang dang! Beelz Bub! Sputtering an ocean of curses from turgid goat-flesh Born of sadness to cause even more, yawning great maw Jowls clanking with fresh hot oil drool steaming stark and lewd, and yet That charred old shell so terse, Blacker than sadness and slain like a hearse, Is all that gives meaning to our every gain: The dry rolling thunder of the funeral train.
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64
The darkness of the earth And darkness of the sky Are distinguished by the lines of beaded light that run across the edges of our eyes. The steering wheel twists Listlessly between the lanes Of sleep and gasoline dreams. The beauty of blank minds is seen only in reflections From the rear view mirror. Our pavement demons Sear in a stranger's headlights: The Berlin wall stands re-erected out of trees intertwined With the night. The circulatory glow of red, bright against the black asphalt, our driver's lullaby. Seas of blindness illuminate The distance wheels can fly
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Oct 3, 2012
Oct 3, 2012 at 12:18 AM UTC
Gasoline Dreams
I swirl the loose skin of my forehead like the swirls of stars, in weariness of the world. My lashes beaded with drops, from the shower that I was to tired to dry, blur my vision like the floating boat clouds which blur the moon to a wisp of smoke. I lie, wet in my towel uncaring that my body is forming a silhouette of shadowed dampness on my bed.
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May 6, 2014
May 6, 2014 at 5:10 PM UTC
Drip dry on my bed
Eros In my soul Taking my breath Thrumming in my heart Eros In your touch The flitting-fondness of skin to skin Sweat, beaded-trickle down Salted flesh Curly topped, flayed on satin Eros In your taste The sweet tangle of tongue Twisted-cheeky Raspberried laughter Eros In the presence of your wit The clever-confines of your mind Depressed-displacement of your thought Sophia Eros From one being to another Thundering Chaotic in my breast Burning my throat Scalding-stinging Across the distance Eros In the silence of contentment With arms wrapped Smooth Held close to the rhythm of your light The hammering of blood Pacing Pitter      Patter         Sluggish-slowing Lull of sleep Eros, even in my dreams Σε στιγμές σαν και αυτές που φέρνουν μου όλου του κόσμου για να γονατίσει (In moments like these you bring my whole world to its knees.)
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Oct 3, 2012
Oct 3, 2012 at 4:03 PM UTC
Aphrodite is but a Mule
Sitting in a restaurant Over a cup of coffee And silently having our dinner With hardly anything exciting Either to brag or blather My eyes got hooked On the occupants of the table, next Two kids, seated on small chairs A boy and a girl, obviously a pair of twins Adorably cute, their father, so young Who having placed the order Were in wait for their turn Carrying a tray, as the waiter arrived With something of the plainest kind, Small cartons of French fries, Bottles of sauce and plain ice cream The little faces gleamed in excitement Their beaded eyes riveted, And their heads bobbed in happy approval As their Dad opened the carton And placed before them French fries sprinkled with some sauce The children, sprang to their feet With an upsurge of delight, Jumping up and down, Clapping their hands and shouting! At a small distance, sat we ‘Solemnly’ consuming our meal With nothing to titillate our palette Or excite our toned nerves I thought; How, in course of time, Everything becomes a routine ritual And what stark difference Between our subdued composure And the overwhelming excitement of kids! They haven’t learned yet That such open expression of emotions, Is not in keeping with accepted norms To what peaks of joy, they get catapulted With mere trifles and silly baubles While we remain ever at the bottom Unable to be lifted up Is this what we call aging? Or is it The death of spring The summer’s dirge Autumn’s mellowing Or the chill wave of winter’s blast??
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Jan 11, 2017
Jan 11, 2017 at 6:39 AM UTC
Is This What We Call Aging ?
Sitting in a restaurant Over a cup of coffee And silently having our dinner With hardly anything exciting Either to brag or blather My eyes got hooked On the occupants of the table, next Two kids, seated on small chairs A boy and a girl, obviously a pair of twins Adorably cute, their father, so young Who having placed the order Were in wait for their turn Carrying a tray, as the waiter arrived With something of the plainest kind, Small cartons of French fries, Bottles of sauce and plain ice cream The little faces gleamed in excitement Their beaded eyes riveted, And their heads bobbed in happy approval As their Dad opened the carton And placed before them French fries sprinkled with some sauce The children, sprang to their feet With an upsurge of delight, Jumping up and down, Clapping their hands and shouting! At a small distance, sat we ‘Solemnly’ consuming our meal With nothing to titillate our palette Or excite our toned nerves I thought; How, in course of time, Everything becomes a routine ritual And what stark difference Between our subdued composure And the overwhelming excitement of kids! They haven’t learned yet That such open expression of emotions, Is not in keeping with accepted norms To what peaks of joy, they get catapulted With mere trifles and silly baubles While we remain ever at the bottom Unable to be lifted up Is this what we call aging? Or is it The death of spring The summer’s dirge Autumn’s mellowing Or the chill wave of winter’s blast??
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49
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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Oct 12, 2011
Oct 12, 2011 at 10:25 AM UTC
Succumbing to the Succubus
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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51
You have carved for yourselves a home in the crooks of my arms, where the beats of my chest come steady, in the spaces reserved for my 2am thoughts, your laughter echoes over and over and my dreams have turned red, yellow, black. I don’t know much science, but I do know that no thick-rimmed, burnt-brow whitecoat could have formulated a theory quite like the night when you told me: God breathes in your mountain. Speaks morse code in the night skies. Tastes like clear, running waters. Dresses you in deep browns, floating gold. Smells like first harvest, grass just rained on. Honest and wide-eyed, you tell me it’s all too intricate, all too alive to be woven by a wooden fingered god. Your tongues dance the languages that you’ve conquered but not colonized. I am unafraid of stumbling on their steps when I am held by hands that build bridges where walls have been torn down. You have always sent me shaking, crying, braver, with how you, wake to gunfire instead of alarm clocks, choose to wield pencils and paints and bamboo song, how you, who have seen the flesh of your flesh wrapped in a red not made of beads or cloth, walk hostile streets with your fists and prayers, hearts welcoming a shattered sky. How you, have never met strangers without bombs in their back pockets, yet aren’t afraid of my nakedness sharing soap, sharing soup with you, a people, our people, my people. Born of sun, born of earth beaded bodies native to heaven, your eyes constellations, maps for the lost feet finding roads to forgiveness, finding roads to forgiveness.
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Sep 10, 2020
Sep 10, 2020 at 9:48 AM UTC
Lumad Hymn
You have carved for yourselves a home in the crooks of my arms, where the beats of my chest come steady, in the spaces reserved for my 2am thoughts, your laughter echoes over and over and my dreams have turned red, yellow, black. I don’t know much science, but I do know that no thick-rimmed, burnt-brow whitecoat could have formulated a theory quite like the night when you told me: God breathes in your mountain. Speaks morse code in the night skies. Tastes like clear, running waters. Dresses you in deep browns, floating gold. Smells like first harvest, grass just rained on. Honest and wide-eyed, you tell me it’s all too intricate, all too alive to be woven by a wooden fingered god. Your tongues dance the languages that you’ve conquered but not colonized. I am unafraid of stumbling on their steps when I am held by hands that build bridges where walls have been torn down. You have always sent me shaking, crying, braver, with how you, wake to gunfire instead of alarm clocks, choose to wield pencils and paints and bamboo song, how you, who have seen the flesh of your flesh wrapped in a red not made of beads or cloth, walk hostile streets with your fists and prayers, hearts welcoming a shattered sky. How you, have never met strangers without bombs in their back pockets, yet aren’t afraid of my nakedness sharing soap, sharing soup with you, a people, our people, my people. Born of sun, born of earth beaded bodies native to heaven, your eyes constellations, maps for the lost feet finding roads to forgiveness, finding roads to forgiveness.
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48
the sweltering muse ringing like crackling shimmering hue of pearls lost of beaded consciousness to look me in the eyes pearl-less and cast aside under the parent orb of silver moon, a violin careening, weeping like the thrill of dragon scales, magnificent and noble yet isolated in the rubble harder to find a hand about the fog and mildew crumbling pieces of tragic memories, reminiscence of all the hours I wait dwelling without haste among the lone tree tops see you on the dark night with owls swaying in the blue expanse again, once again it's going to be tough on me pearls withstanding beauty and clarity, scattered into the clutches of oblivion falling asleep in restless dreams the day they scattered bring back joy and happiness when I find the will to settle my shaking hands to refine the beaded necklace
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Mar 22, 2016
Mar 22, 2016 at 6:17 PM UTC
That Pearl-Beaded Necklace
blue dress- it is soft, it shapes around your chest like it's supposed to be there, and you begin shaking with no end in sight white feather earrings- your face is softened and you remember you don't want to be soft blue beaded earrings- they match your dress and your dress makes you want to die bird earrings- they are small and bright and you curl up on the floor and wonder which parts of you are real moon and star earrings- they are small and pale and no one but you can ever see sun earrings- you shiver and don't think anything blue crystal earrings- they are the strongest form of feminine you have ever had, and you remember buying these from a street vendor, holding them like some strong piece of the world belonged to you peace symbol earrings- they are small but familiar enough to be recognized and you feel sick in your throat, your face, every part of you that accepted peace is aching, you want to tear it out blue stones and dangling silver hoops- these make you look like a woman, which is a familiar future you have been told of, and you realize just because you understand it doesn't mean you want it dangling iridescent gems- these make you look like a girl, she would love them on you, and you decide to give them to her before you remember she's changed, now you don't know what to do with them warm colored striped dress- it shows all your bones and still makes you look so soft, you are so, so cold black feather earrings- these feel like how you used to try to be strong femininely, both of those at the same time, and you tore yourself apart for years not understanding why it was so hard, blaming yourself black beaded earrings- these make you look like femininity comes easily to you, as you wish it didn't, these seem to belong, as you wish they wouldn't, and these are so heavy, just like everything about this, you are still shaking silver rose studs- these are small, indistinct, you remember being familiar with this small amount of femininity you thought was necessary, and you twitch violently, something itches, you are hunched black pants, shirt, jacket- you have a body, in the most abstract sense, and now no reasonable person could call it what they wanted spider stud- it's small, looks metallic, and delicate yet menacing, like you never could be
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Jan 2, 2016
Jan 2, 2016 at 4:44 AM UTC
from the closet,
blue dress- it is soft, it shapes around your chest like it's supposed to be there, and you begin shaking with no end in sight white feather earrings- your face is softened and you remember you don't want to be soft blue beaded earrings- they match your dress and your dress makes you want to die bird earrings- they are small and bright and you curl up on the floor and wonder which parts of you are real moon and star earrings- they are small and pale and no one but you can ever see sun earrings- you shiver and don't think anything blue crystal earrings- they are the strongest form of feminine you have ever had, and you remember buying these from a street vendor, holding them like some strong piece of the world belonged to you peace symbol earrings- they are small but familiar enough to be recognized and you feel sick in your throat, your face, every part of you that accepted peace is aching, you want to tear it out blue stones and dangling silver hoops- these make you look like a woman, which is a familiar future you have been told of, and you realize just because you understand it doesn't mean you want it dangling iridescent gems- these make you look like a girl, she would love them on you, and you decide to give them to her before you remember she's changed, now you don't know what to do with them warm colored striped dress- it shows all your bones and still makes you look so soft, you are so, so cold black feather earrings- these feel like how you used to try to be strong femininely, both of those at the same time, and you tore yourself apart for years not understanding why it was so hard, blaming yourself black beaded earrings- these make you look like femininity comes easily to you, as you wish it didn't, these seem to belong, as you wish they wouldn't, and these are so heavy, just like everything about this, you are still shaking silver rose studs- these are small, indistinct, you remember being familiar with this small amount of femininity you thought was necessary, and you twitch violently, something itches, you are hunched black pants, shirt, jacket- you have a body, in the most abstract sense, and now no reasonable person could call it what they wanted spider stud- it's small, looks metallic, and delicate yet menacing, like you never could be
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16
There was a homeless lady, one afternoon, outside the hospital. Was she homeless? I don’t know. She had a ladened shopping cart, which, on TV, is kind of a signature. We were inside, waiting for an Uber. She was outside, in chiaroscuro relief. Dressed in bright, multilayered, mismatched florals and brocades, she reminded me of a gypsy. There are still gypsy caravans in France. Are there gypsies in America? She wore boots and long strings of beaded jewelry. They would have had to have been glass, I supposed, but tinseled with the glitter of those pop spangles, she looked, en bloc, the richest and the poorest of us. She wasn’t young and she wasn’t old. She sat alone, on a short retaining wall, her cart within guarded reach. I noticed her because every time I glanced over, she was watching me with the dark unblinking eyes of a bird. She had an easy confidence, in the wild, sitting safe and protected by her clam, obstinate shell of boredom. What must I look like to her - with her tangled hair and unwashed face? Me in my permanent pressed hospital wear, diminished by over-washing. A doll behind glass, whose whole life is patterned by plans? Our Uber pulled up, the number matched and as Lisa opened the car door, I gathered my things and looked back but the gypsy lady was gone, leaving a blank space.
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Jun 11, 2023
Jun 11, 2023 at 10:29 PM UTC
the gypsy