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"afresh" poems
and there i am in the midst of it all, conscious of what appears to be existent, yet knowing it is illusory.  and if time is occurring synchronously then how can i look back with contrition?  for if i have the capacity to move backwards and forwards in quantum leaps, i can erase the past like pastel chalk on an antique blackboard, then start anew.  is not the sky my canvas and the arc of the rainbow my palette?  and the stars in lustrous luminosity light my way so that ev’n at dusk I can paint.  yet pain ne’er ceases to hollow me out.  then through a barren vessel i catch more rain, and pour it out upon the parched terrain.  just when i thought enlightenment was nigh, a sharp edge is discovered.  must it necessitate additional sandpapering from the wind?  when will the gemstone sparkle without further pressure?  does it lie in its power to simply shimmer sans duress?  perhaps it was dazzling at its inception, relinquishing its luster upon domestication.  with this proviso, as it nears twilight i shall tarry and blend with the night.  i’ll dance with a moonbeam knowing the jewel will glisten afresh upon the rise of the golden sun. @2016janetaylor
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May 5, 2016
May 5, 2016 at 11:37 AM UTC
nearing twilight
You were forever finding some new play. So when I saw you down on hands and knees I the meadow, busy with the new-cut hay, Trying, I thought, to set it up on end, I went to show you how to make it stay, If that was your idea, against the breeze, And, if you asked me, even help pretend To make it root again and grow afresh. But ’twas no make-believe with you today, Nor was the grass itself your real concern, Though I found your hand full of wilted fern, Steel-bright June-grass, and blackening heads of clovers. ’Twas a nest full of young birds on the ground The cutter-bar had just gone champing over (Miraculously without tasking flesh) And left defenseless to the heat and light. You wanted to restore them to their right Of something interposed between their sight And too much world at once—could means be found. The way the nest-full every time we stirred Stood up to us as to a mother-bird Whose coming home has been too long deferred, Made me ask would the mother-bird return And care for them in such a change of scene And might out meddling make her more afraid. That was a thing we could not wait to learn. We saw the risk we took in doing good, But dared not spare to do the best we could Though harm should come of it; so built the screen You had begun, and gave them back their shade. All this to prove we cared. Why is there then No more to tell? We turned to other things. I haven’t any memory—have you?— Of ever coming to the place again To see if the birds lived the first night through, And so at last to learn to use their wings.
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The Exposed Nest
You were forever finding some new play. So when I saw you down on hands and knees I the meadow, busy with the new-cut hay, Trying, I thought, to set it up on end, I went to show you how to make it stay, If that was your idea, against the breeze, And, if you asked me, even help pretend To make it root again and grow afresh. But ’twas no make-believe with you today, Nor was the grass itself your real concern, Though I found your hand full of wilted fern, Steel-bright June-grass, and blackening heads of clovers. ’Twas a nest full of young birds on the ground The cutter-bar had just gone champing over (Miraculously without tasking flesh) And left defenseless to the heat and light. You wanted to restore them to their right Of something interposed between their sight And too much world at once—could means be found. The way the nest-full every time we stirred Stood up to us as to a mother-bird Whose coming home has been too long deferred, Made me ask would the mother-bird return And care for them in such a change of scene And might out meddling make her more afraid. That was a thing we could not wait to learn. We saw the risk we took in doing good, But dared not spare to do the best we could Though harm should come of it; so built the screen You had begun, and gave them back their shade. All this to prove we cared. Why is there then No more to tell? We turned to other things. I haven’t any memory—have you?— Of ever coming to the place again To see if the birds lived the first night through, And so at last to learn to use their wings.
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36
I am starting afresh, starting new, not with the many, only with a few. I left behind what did not grow, held the door open, asked them to go. For this year, my head is very clear, who doesn't uplift you, really ain't your dear. For this year, my heart is very aligned, who is not kind, really ain't worth your time. -Paras Bajaj #PoetrybyParas Instagram : @mr.parasbajaj
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Jan 1, 2019
Jan 1, 2019 at 12:09 PM UTC
Mindset
i wish to unmeet you          only to meet you again.
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May 11, 2014
May 11, 2014 at 6:59 PM UTC
let's start afresh (10w)
Here come I to my own again, Fed, forgiven and known again, Claimed by bone of my bone again And cheered by flesh of my flesh. The fatted calf is dressed for me, But the husks have greater zest for me, I think my pigs will be best for me, So I’m off to the Yards afresh. I never was very refined, you see, (And it weighs on my brother’s mind, you see) But there’s no reproach among swine, d’you see, For being a bit of a swine. So I’m off with wallet and staff to eat The bread that is three parts chaff to wheat, But glory be!—there’s a laugh to it, Which isn’t the case when we dine. My father glooms and advises me, My brother sulks and despises me, And Mother catechises me Till I want to go out and swear. And, in spite of the butler’s gravity, I know that the servants have it I Am a monster of moral depravity, And I’m ****** if I think it’s fair! I wasted my substance, I know I did, On riotous living, so I did, But there’s nothing on record to show I did Worse than my betters have done. They talk of the money I spent out there— They hint at the pace that I went out there— But they all forget I was sent out there Alone as a rich man’s son. So I was a mark for plunder at once, And lost my cash (can you wonder?) at once, But I didn’t give up and knock under at once, I worked in the Yards, for a spell, Where I spent my nights and my days with hogs. And shared their milk and maize with hogs, Till, I guess, I have learned what pays with hogs And—I have that knowledge to sell! So back I go to my job again, Not so easy to rob again, Or quite so ready to sob again On any neck that’s around. I’m leaving, Pater. Good-bye to you! God bless you, Mater! I’ll write to you! I wouldn’t be impolite to you, But, Brother, you are a hound!
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The Prodigal Son
Here come I to my own again, Fed, forgiven and known again, Claimed by bone of my bone again And cheered by flesh of my flesh. The fatted calf is dressed for me, But the husks have greater zest for me, I think my pigs will be best for me, So I’m off to the Yards afresh. I never was very refined, you see, (And it weighs on my brother’s mind, you see) But there’s no reproach among swine, d’you see, For being a bit of a swine. So I’m off with wallet and staff to eat The bread that is three parts chaff to wheat, But glory be!—there’s a laugh to it, Which isn’t the case when we dine. My father glooms and advises me, My brother sulks and despises me, And Mother catechises me Till I want to go out and swear. And, in spite of the butler’s gravity, I know that the servants have it I Am a monster of moral depravity, And I’m ****** if I think it’s fair! I wasted my substance, I know I did, On riotous living, so I did, But there’s nothing on record to show I did Worse than my betters have done. They talk of the money I spent out there— They hint at the pace that I went out there— But they all forget I was sent out there Alone as a rich man’s son. So I was a mark for plunder at once, And lost my cash (can you wonder?) at once, But I didn’t give up and knock under at once, I worked in the Yards, for a spell, Where I spent my nights and my days with hogs. And shared their milk and maize with hogs, Till, I guess, I have learned what pays with hogs And—I have that knowledge to sell! So back I go to my job again, Not so easy to rob again, Or quite so ready to sob again On any neck that’s around. I’m leaving, Pater. Good-bye to you! God bless you, Mater! I’ll write to you! I wouldn’t be impolite to you, But, Brother, you are a hound!
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48
Tis I am just a man, a boy if thou want to sayest, a foolish lad; who hast hurt his blessing of a queen. Tis I am just a man, a sinner, a prehistoric bringer; of sorrows Where bird's dont sing. O' wretched man I am; overlooking this perfect flower, she's arrayed as a petal neath the tropical hours. O' im just the rain that brings the flood of many woes. I wish, O' how I wish, I couldst pour all contentment and merriment into her lonesome soul. Tis she's the rainbow, I the dusky storm. O' how her glow maketh mine day's liveable; O' how her voice is opulent galore. If only she knew, she is mine better, mine best; mine breath of yellow dew. Though I've not shown her the worth that she is; mine trials and tribulations hast become mine abyss. Though I shalt get through This passage of gloom. With God All is possible; Even being set free from this tomb. Tis I am just a man, a boy if thou want to sayest, a foolish lad. Who if couldst wouldst start all afresh; re-giving mine love, and to get all mine best. How a simpleton ive been; To not seest heaven's eastern gem, glimmer her perfect wing's, for mine foolishness, these word's shalt I sing. (Goes into song form, words "I love you jane, please forgive me" sung in spanish, greek, cebuano, tagalog/filipino)....... (Spanish) Te amo jane, por favor perdoname. (Greek) Se 'agapó Jane, Se parakaló synchóresé me. (Cebuano) ako nahigugma kanimo Jane, palihug pasayloa ako. (Tagalog/filipino) Mahal kita jane, patawarin mo ako. ©Brandon nagley ©lonesome poets poetry ©earl Jane nagley dedication (agapi mou dedicated)
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Feb 25, 2017
Feb 25, 2017 at 6:54 PM UTC
Her worth, is worth more than a poem
Tis I am just a man, a boy if thou want to sayest, a foolish lad; who hast hurt his blessing of a queen. Tis I am just a man, a sinner, a prehistoric bringer; of sorrows Where bird's dont sing. O' wretched man I am; overlooking this perfect flower, she's arrayed as a petal neath the tropical hours. O' im just the rain that brings the flood of many woes. I wish, O' how I wish, I couldst pour all contentment and merriment into her lonesome soul. Tis she's the rainbow, I the dusky storm. O' how her glow maketh mine day's liveable; O' how her voice is opulent galore. If only she knew, she is mine better, mine best; mine breath of yellow dew. Though I've not shown her the worth that she is; mine trials and tribulations hast become mine abyss. Though I shalt get through This passage of gloom. With God All is possible; Even being set free from this tomb. Tis I am just a man, a boy if thou want to sayest, a foolish lad. Who if couldst wouldst start all afresh; re-giving mine love, and to get all mine best. How a simpleton ive been; To not seest heaven's eastern gem, glimmer her perfect wing's, for mine foolishness, these word's shalt I sing. (Goes into song form, words "I love you jane, please forgive me" sung in spanish, greek, cebuano, tagalog/filipino)....... (Spanish) Te amo jane, por favor perdoname. (Greek) Se 'agapó Jane, Se parakaló synchóresé me. (Cebuano) ako nahigugma kanimo Jane, palihug pasayloa ako. (Tagalog/filipino) Mahal kita jane, patawarin mo ako. ©Brandon nagley ©lonesome poets poetry ©earl Jane nagley dedication (agapi mou dedicated)
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34
Sky, giving the possibility to fly Like a hovercraft, every time in my eye Endless, it seems as seen every time Timeless, drawn with a blue line Thoughts, giving the possibility to think Transforming, into ideas that act like an ink To write, the clean sheet of Karma With, ecstasy(ies) and trauma(s) End, gives the possibility to start Afresh, anew, straight from the heart Waves, the brain continuously sends Possibility, it never ends |AB|
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Mar 26, 2015
Mar 26, 2015 at 1:42 AM UTC
Possibility
We can be strangers again. Laugh again. Flirt again. Cry again. Smirk again. Create memories afresh. When in doubt, hit refresh. But memories, they are tricky. The moments that you love or hate, simply go away in time-lapse and somehow become the scars in your heart that seem to define you.
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Jan 14, 2015
Jan 14, 2015 at 6:13 AM UTC
Can we start over again?
1. Each of us like you has died once, has passed through drift of wood-leaves, cracked and bent and tortured and unbent in the winter-frost, the burnt into gold points, lighted afresh, crisp amber, scales of gold-leaf, gold turned and re-welded in the sun; each of us like you has died once, each of us has crossed an old wood-path and found the winter-leaves so golden in the sun-fire that even the live wood-flowers were dark. 2. Not the gold on the temple-front where you stand is as gold as this, not the gold that fastens your sandals, nor thee gold reft through your chiselled locks, is as gold as this last year's leaf, not all the gold hammered and wrought and beaten on your lover's face. brow and bare breast is as golden as this: each of us like you has died once, each of us like you stands apart, like you fit to be worshipped.
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Adonis
I recently had the great privilege of editing Mike Essig's latest poetry collection, THE BIOLOGY OF STRANGENESS, and I'm honoured to have been entrusted with such fantastic material. Putting together a book like this is every poetry geek's dream. It's a beautifully textured assortment of poems, earthy yet lyrical, narrated by a voice that's uniquely grained with experience. There are pieces that will make you smile, think, wince; there are pieces that hit you in the gut out of nowhere; there are pieces that welcome you into them like old, worn-in shoes; there are pieces you will remember late some night when you're by yourself, and remembering them will make you feel less alone. This collection of poetry makes you look at the banal and the everyday afresh; it finds magic and mystery in the mundane, and even Hawaiian shirts are poem-worthy when Mike Essig's writing about them. The Kindle version is already available through Amazon. A paperback edition is due out next month, and I can't wait to have a copy of this book on my shelf as well as on my e-reader. Mike's previous poetry books, Never Forgotten and Huck Finn Is Dead are also available through Amazon and are excellent.   From his author profile on B Star Kitty Press: "Mike Essig is a veteran of Vietnam and a retired English teacher. He’s also been recruited by the muse as a poet, like he hadn’t already been through enough." Sample poems, links to sales pages and more info can be found at the B Star Kitty Press website.  www(dot)bstarkittypress(dot)com. Please do support this very talented indie author.
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Mar 22, 2016
Mar 22, 2016 at 10:46 AM UTC
Poets Supporting Poets
I recently had the great privilege of editing Mike Essig's latest poetry collection, THE BIOLOGY OF STRANGENESS, and I'm honoured to have been entrusted with such fantastic material. Putting together a book like this is every poetry geek's dream. It's a beautifully textured assortment of poems, earthy yet lyrical, narrated by a voice that's uniquely grained with experience. There are pieces that will make you smile, think, wince; there are pieces that hit you in the gut out of nowhere; there are pieces that welcome you into them like old, worn-in shoes; there are pieces you will remember late some night when you're by yourself, and remembering them will make you feel less alone. This collection of poetry makes you look at the banal and the everyday afresh; it finds magic and mystery in the mundane, and even Hawaiian shirts are poem-worthy when Mike Essig's writing about them. The Kindle version is already available through Amazon. A paperback edition is due out next month, and I can't wait to have a copy of this book on my shelf as well as on my e-reader. Mike's previous poetry books, Never Forgotten and Huck Finn Is Dead are also available through Amazon and are excellent.   From his author profile on B Star Kitty Press: "Mike Essig is a veteran of Vietnam and a retired English teacher. He’s also been recruited by the muse as a poet, like he hadn’t already been through enough." Sample poems, links to sales pages and more info can be found at the B Star Kitty Press website.  www(dot)bstarkittypress(dot)com. Please do support this very talented indie author.
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10
The trees are coming into leaf Like something almost being said; The recent buds relax and spread, Their greenness is a kind of grief. Is it that they are born again And we grow old? No, they die too. Their yearly trick of looking new Is written down in rings of grain. Yet still the unresting castles thresh In fullgrown thickness every May. Last year is dead, they seem to say, Begin afresh, afresh, afresh.
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The Trees
Lets sail way hence . about tempest gale , away from all glance . for you are my Kaye and i your Blessing . lets go by air or ocean. and the sweep of our love will protect and govern. come Kaye where there's no evil but cheer blessing. lets move where fire doesnt hurt . a place there is none to see but Kaye and Blessing's heart. an empty land that belongs to two Blessing and Griser lets move to place of no suffering . a region where moon and stars do not set their racing . that is a place where only love is the ever early riser . lets join into eternity kiss . arm in arm its Kaye and Blessing stepping into bliss . where sun will not dull our beauty but keep us afresh . Kaye hears the tune of Blessing . the only that loves you more as your sweetest dreaming. reach me over my flowery bed and lets unit into one flesh.
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Aug 18, 2015
Aug 18, 2015 at 3:12 PM UTC
BLESSING AND KAYE ...
Ah, my feet hurt these days walking on these hills and slopes and it’s been seven days since my straw shoes were thinned and with holes and become tattered and absolutely useless. I remember I was walking in the fields and I could feel my feet touch the ground and I said: Curse you, you silly straw shoes! Is that how long you last? Is that how you let me down when I need you most? Well, like humans I have known, and so my straw shoes; they too tire of their friends and relatives and they too feel the burden and inconvenience of serving an old parent. But I’ve just thrown old shoes away as one throws old memories and the past away . Let me make myself new straw shoes as I sit below these trees and away from the crowd and with a little peace for an old man like me I can be quiet in this shade perhaps talk to myself or sing some far-off song and make myself straw shoes, new ones and I’ll walk again with new shoes as one may drop, discard and put away all old memories and walk afresh and anew with no shadow of the past over one’s head. Let me make simple straw shoes; that will suffice, just for the purpose; nothing fancy, just so to be able to walk comfortably as I go about my work on the hills and slopes and the fields… that is all one needs… …an old man like me just making his own straw shoes…
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Oct 4, 2010
Oct 4, 2010 at 3:13 AM UTC
Old Man Making Shoes
Have you wondered how tomorrow looks When you've lied about today ? Have you squandered opportunities When you've refused to play ? Have you sought the possibilities ? Have you broken through the ruse ? Have you shed your limitations And tried to fill some bigger shoes ? Will you spread your wings to fly Across the chasm in your life ? Have you shared your closest fears With the one you call your wife ? Do you long to break the mold And try to start the day afresh ? Is there courage there to stride out, Have you the will to make it mesh ? Is there a shade of self deception, Is a colour bar installed ? Are there feelings of inadequacy Has your darling not yet called ? Does your flacid nature falter When pinned against the wall ? Have you moments of reluctance To recall it all, at all ? Does it all really matter That your world is locked within, That the things which hold you back Are simply things you revel in ? That the greatest limitations Are the ones you self impose, That the key which locks the door Is locked outside the door you close ? Marshalg reflecting@theBach Mangere Bridge 28 July 2009
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May 21, 2010
May 21, 2010 at 12:25 PM UTC
Limitations
The magic of summer twilight casts a spell In ink blue incantations and honeysuckle dew. Each shadow stretched out like the years, That spread deeper and darker, stronger too. As the mystery of day's last light is cast afresh, Gentle glows, fearfully goes our sacred time. Hidden there we lose and find ourselves, In the murmur of the evening breeze, our lullaby. It sends us, brings us to a mystic place In which we all relive each memory's hew. Tom Lefort July 2023
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Jul 2, 2023
Jul 2, 2023 at 5:22 PM UTC
Summer Twilight
When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time’s waste. Then can I drown an eye, unused to flow, For precious friends hid in death’s dateless night, And weep afresh love’s long since cancelled woe, And moan th’ expense of many a vanished sight. Then can I grieve at grievances foregone, And heavily from woe to woe tell o’er The sad account of fore-bemoanèd moan, Which I new pay as if not paid before. But if the while I think on thee, dear friend, All losses are restored and sorrows end.
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Sonnet 030: When To The Sessions Of Sweet Silent Thought
I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what's really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse - The good not done, the love not given, time Torn off unused - nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast, moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear - no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anasthetic from which none come round. And so it stays just on the edge of vision, A small, unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can't escape, Yet can't accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.
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Aubade
I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what's really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse - The good not done, the love not given, time Torn off unused - nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast, moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear - no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anasthetic from which none come round. And so it stays just on the edge of vision, A small, unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can't escape, Yet can't accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.
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50
Ten years old again, In a tree ten feet high again, In scuffed shorts with tangled hair, And with the boys I longed to be. Sanctimonious girls in dresses and frills, Boredom and constraint personified, Stare up in incredulity As I heave myself over mossy branches. “Girls don’t climb trees.” I do. I roll in mud, play racing games, Never brush my hair. “You’d be pretty if only you tried.” You’d feel alive if only you tried. The wind on my bare arms, Dirt beneath fingernails, Scrapes on my shins Red and out of place Like smudged lipstick On children’s faces. I’m not you. I’m me. Boxes serve to keep us in, Deliver us neatly packaged To a society which cannot cope With fluidity, Individuality, Uncertainty. Boo! She says those two misguided words: “Make over”. Impossible. One cannot start afresh. This is the result of every waking moment, Of every word heard and spoken, Each memory joyous and painful, A piece of art nineteen years in the making. Not to be destroyed in one act of disguise. Yet curiosity is my mistress. She leads me to boundaries I never knew existed. Up goliath trees, Into foreign beds, To the brink of reality In mind-bending worlds Of parallels. Like a mannequin, devoid of identity I give my image to you And you place yours jarringly Onto my reticent body. The obliging cheers At my transformation Into an eloquent femininity Feel hollow and worthless. I have done nothing of merit. I totter like a toddler Uncomfortable in my own skin. I’m on stage, an act, A project. Not a person. How bizarre it feels To wear a stranger’s façade Of dresses and frills, When you know you belong To a different world Of dirt, and treetops, And freedom.
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Dec 19, 2012
Dec 19, 2012 at 4:26 PM UTC
As styled by my antithesis
Ten years old again, In a tree ten feet high again, In scuffed shorts with tangled hair, And with the boys I longed to be. Sanctimonious girls in dresses and frills, Boredom and constraint personified, Stare up in incredulity As I heave myself over mossy branches. “Girls don’t climb trees.” I do. I roll in mud, play racing games, Never brush my hair. “You’d be pretty if only you tried.” You’d feel alive if only you tried. The wind on my bare arms, Dirt beneath fingernails, Scrapes on my shins Red and out of place Like smudged lipstick On children’s faces. I’m not you. I’m me. Boxes serve to keep us in, Deliver us neatly packaged To a society which cannot cope With fluidity, Individuality, Uncertainty. Boo! She says those two misguided words: “Make over”. Impossible. One cannot start afresh. This is the result of every waking moment, Of every word heard and spoken, Each memory joyous and painful, A piece of art nineteen years in the making. Not to be destroyed in one act of disguise. Yet curiosity is my mistress. She leads me to boundaries I never knew existed. Up goliath trees, Into foreign beds, To the brink of reality In mind-bending worlds Of parallels. Like a mannequin, devoid of identity I give my image to you And you place yours jarringly Onto my reticent body. The obliging cheers At my transformation Into an eloquent femininity Feel hollow and worthless. I have done nothing of merit. I totter like a toddler Uncomfortable in my own skin. I’m on stage, an act, A project. Not a person. How bizarre it feels To wear a stranger’s façade Of dresses and frills, When you know you belong To a different world Of dirt, and treetops, And freedom.
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63
Once there was a president, Cold and heartless, who set about Finding ways to make his country Great by keeping migrants out. "We'll place soldiers along our southern Border," said the nation's boss. "That way we can easily stop Migrants from making their way across. "And if the migrants become unruly, The soldiers can shoot them, one by one." Advisers turned to the president And said, "No, sir, that can't be done." "Then let the soldiers shoot the migrants Low, low, in the ankles or thighs. We will see the unwelcome Migrants start to drop like flies." Advisers looked at their boss and said, "Sir, that's also out of the question." The president, getting angry now, Said, "Then here's another suggestion: "We will build a moat along Our border wall and fill that moat With alligators and venomous snakes." That idea made him gloat. "And then we'll add spikes to the wall-- Spikes that can penetrate human flesh. Find me the cost for all of this, Or else we'll have to start afresh." Suddenly, he said, "I know: We'll just change asylum laws And separate the families. That should give the migrants pause." Hard, hard the administration Worked together to find a plan, Using words like "riff-raff," "invaders," "Dangerous threats," and "caravan." The whole world watched in horror, Lamenting how democracy fails When an unfit elected leader Goes completely off the rails. -by Bob B (10-4-19)
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Oct 4, 2019
Oct 4, 2019 at 10:10 AM UTC
Bullets, Moats, and Alligators
Who are these? Why sit they here in twilight? Wherefore rock they, purgatorial shadows, Drooping tongues from jaws that slob their relish, Baring teeth that leer like skulls' teeth wicked? Stroke on stroke of pain, - but what slow panic, Gouged these chasms round their fretted sockets? Ever from their hair and through their hands' palms Misery swelters. Surely we have perished Sleeping, and walk hell; but who these hellish? - These are men whose minds the Dead have ravished. Memory fingers in their hair of murders, Multitudinous murders they once witnessed. Wading sloughs of flesh these helpless wander, Treading blood from lings that had loved laughter. Always they must see these things and hear them, Batter of guns and shatter of flying muscles, Carnage incomparable, and human squander Rucked too thick for these men's extrication. Therefore still their eyeballs shrink tormented Back into their brains, because on their sense Sunlight seems a blood-smear; night comes blood-black; Dawn breaks open like a wound that bleeds afresh. - Thus their heads wear this hilarious, hideous, Awful falseness of set-smiling corpses. - Thus their hands are plucking at each other; Picking at the rope-knouts of their scourging; Snatching after us who smote them, brother, Pawing us who dealt them war and madness.
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2.2k
Mental Cases
1323 I never hear that one is dead Without the chance of Life Afresh annihilating me That mightiest Belief, Too mighty for the Daily mind That tilling its abyss, Had Madness, had it once or twice The yawning Consciousness, Beliefs are Bandaged, like the Tongue When Terror were it told In any Tone commensurate Would strike us instant Dead I do not know the man so bold He dare in lonely Place That awful stranger Consciousness Deliberately face—
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2.1k
I never hear that one is dead
What I choose I plan to do and with Satan's trap, What I think I hesitate to choose but troubled by Satan's trap, When I forget the Word of God I derive pleasure by Satan's trap, When I feel God's Grace below my soul I bargain my soul with Satan, How I play with God's patience that with the tool of Satan, How I use Satan's tool that with my love of the world, Why I love the world of filthiness that I fail to pray, Why I fail to pray is that laziness has sneaked into my soul, Where I look for the place to pray that I find nowhere to do so, Wherefore time and place are no where found but in one's soul. Let me drop myself into the Arms of God in Christ, And look upon Him on the Cross where His Blood still flow afresh, And each drop of His Blood is for my sins to be cleansed. 'O, Lord! Give me strength to resist temptation and sin! In Christ Jesus
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Dec 20, 2011
Dec 20, 2011 at 11:03 AM UTC
My Pleasure with Satan's Trap
She was grateful For the concealers who hid her eyebags She was happy Even for her empty lunch bags. The grumble of her stomach didn't matter As long as her thighs were not touching each other So what if she forgot her in the Victoria Secrets She is no longer named unfit. She still hears the murmurs on the hallway Taining her dreams every day She is aware of their glares That are giving into her scars Her wounds are still afresh and open for more salt But her smile still intact by default All alone she watched them feel her body All along she bit her lips from screaming in agony The scarlet blood joined her maple red lipstick She stood there watching her self worth Dropping like the length of her favorite skirt The corset is painting her skin purple and blue But she has no clue
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May 31, 2020
May 31, 2020 at 9:33 AM UTC
THE ****
Some of you go so far as to disclaim any ability to find you, but I've got you. (sonnet #MMDCCXCV) Dare claim your writing does not breathe a strain Of your dear essence: to be fooled. Thereby Petrarca's soul distills its fervour aye; And Wyatt cool good sense; while Surrey feign With mildest touch and Spenser's pure refrain, Sweet Shakespeare beauing hearts, dare cry Amain. From Milton's kingly strength's reply To Wordsworth's cold hauteur, yea come again? Twas Samuel Taylor Coleridge roused me To think afresh, his lively fancy through Each line with his impress. From Shelley's plea To Keats' indulgence, Missus Browning's blue Yet mystic charm, don't think all cannot see. You don't know me? But ah, I do know you. 31Aug13b
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Sep 12, 2016
Sep 12, 2016 at 7:40 PM UTC
You Have the Right to Remain Silent
What do you think When I say And when I don't What you like And things you don't Say things you think So that I can link And try afresh, try anew A joke on me or two on you But say it please Clear and loud My junk-head is all Smog and cloud With silly adventures of my own with words and friends In times bygone I know me self I miss the point To make a point You get it? No ; I knew it Missed it too!! So bear with me for I need you To bear the self When not with you.
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Aug 25, 2016
Aug 25, 2016 at 11:35 AM UTC
Bear with me