Dear Poet Friends, Torin Galleshaw from Charlotte NC, a Member of this Site, had requested me to compose about the Rise of Third *****. Therefore, I have commenced with the causes for its Rise in my Part One posted below. Planning to compose Part Two with ******’s Blitzkrieg campaign of Poland later. It is unfortunate that I am unable to post related Maps & Photos for better appreciation of my Readers! Such options are not available for us here! However, I have managed to post a copy with maps & photos in the E-mail ID of my friend Torin!  Kindly give comments only after reading this researched work of mine, during your spare time.  Thanking you, - Raj, New Delhi.

            STORY OF SECOND WORLD WAR – PART ONE
                            RISE OF THE THIRD *****
                                       By Raj Nandy

                                  INTRODUCTION
In this part I shall mainly deal with the causes leading to the Second World War,
Which had also created favourable conditions for the rise of Third ***** under ******.
The word ‘*****’ derives from old German word ‘rihhi’ meaning ‘realm’;  
But is also used to designate a kingdom or an empire in a broader sense.
Historically, the First ***** was the Medieval Holy Roman Empire which lasted till the end of the 19th Century.
While the Second ***** was the First German Empire from 1871 to 1918, when dynamic Otto Von Bismark had united all of Germany,
Which ended with its defeat in World War One and birth of the Weimar Republic.
The Third ***** refers to the **** German Empire under ******, Which lasted from 1933 till 1945, for twelve traumatic eventful years!
Historians opine that the ending of a war is equally important as
its beginning;
Since the causes for the start of a war is often to be found embedded in its ending!
The First World War came to an end on 28th of June 1919 as we all know.
With the signing of the Treaty at Versailles by the German Foreign Minister Hermann Muller and the ‘Big Four’.  (Britain, France, America, & Italy)
Yet it is rather ironical, that this Peace Treaty of Versailles, considered as President Woodrow Wilson’s ‘brain child’,
Had sowed the seeds of discontent resulting in the outbreak of the Second World War, and Adolf ******’s dramatic rise!

Though several causes are attributed for the outbreak of the Second World War by our Military Historians.
Let me try to summarise those causes which are considered to be more relevant.
Commencing with the harsh Treaty of Versailles, the British and French Policy of Appeasement, followed by Hyperinflation and the Great Depression of 1929, and failure of The League of Nations to maintain peace;  
Are relevant factors which collectively combined resulting in the outbreak of the devastating Second World War, scarring human memories for all time!
But not forgetting ******’s forceful and persuasive eloquence which mesmerised the Germans to rise up as a powerful Nation once again.
Since ****** promised to avenge the humiliation faced by Germany following the Treaty of Versailles,
Which was drawn up with vengeance, and dictated by the victorious Allies!

THE  ARMISTICE  AND TREATY OF VERSAILLES:    
Armistice means a truce for cessation of hostilities, which provides a breathing space for negotiating a lasting peace.
Now the Armistice ceasing the First World War was signed inside the railway carriage of the Allied Supreme Commander Marshal Foch, in the Forest of Compiegne,
On the 11th of November 1919, sixty km north of Paris, between the victorious Allies and vanquished Germany.
But in the meantime naval blockade of Germany had continued, and the German Rhineland was evacuated and partly occupied by the combined Allied troops!
Release of Allied POWs interned civilians followed subsequently; And the Reparations Clause of monetary compensation was strictly imposed on Germany!
Now, following a wide spread German Sailor’s Revolt towards the end of October 1918, Emperor Kaiser Wilhelm-II had abdicated;
And on the 9th of November Friedrich Ebert, as the new Social Democrat President of Germany, authorised his representative to sign the Compiegne Armistice.
We should remember here that this Armistice seeking cessation of hostilities did not stipulate any unconditional surrender;
And the signing of the Armistice by the German Social Democrats, was considered as ‘a stab in the back of the German army’ by majority of the Germans!
These issues get repeatedly mentioned by Adolf ****** in his eloquent speeches subsequently,
To arouse the spirit of German Nationalism, and resurgence of the ‘Master Aryan Race’ of the Germans, - in Germany!

The Versailles Treaty was signed on 28th of June 1919, exactly five years after the assassination of Archduke Ferdinand which had sparked World War One.
Let me mention few aspects of this Treaty which was detested by the Germans!
Germany lost 13% of its land, 12% of its people, 48% of its iron resources, 15% of its agricultural production, and 10% of its coal, following its implementation!
German army was reduced to 100,000 men, its Navy reduced to 36 ships with no submarines, its Air Force banned, and its union with Austria forbidden.
Now to use a Shakespearean phrase the ‘unkindest cut of all’ came in the shape of Article 231,  the ‘War Guilt Clause’ of the Versailles Treaty,
Which provided the legal basis for the payment of war reparations by Germany.
The reparation amount of 132 billion gold marks (US $33 billion) to cover the civilian damage caused during the war, now had to be paid by Germany!
Thus the humiliation, resentment, and the virtual economic strangulation following the Versailles Treaty,
Was exploited by extremist groups such as ******’s **** Party.
And in the decades to follow, ******’s Nazis would take full control of Germany!

NOTES: Following Versailles Treaty, Alsace-Lorraine captured by Germany in 1870 was returned to France. The SAAR German coalfield region was give to France for 15 yrs. Poland became independent with a corridor to the sea dividing Germany into two. Danzing, a major port in East Prussia, became a free city under the League of Nation. Finland, Lithuania, Latvia, & Czechoslovakia became independent. Industrial area of German Rhineland, forming a buffer zone between Belgium &France,was
demilitarised.

WOODROW WILSON’S  14 - POINT PEACE INITIATIVE  & THE LEAGUE OF NATIONS:
American President Wilson was an idealist and a visionary, who in a speech to the US Congress on 8th Jan 1918,
Introduced a 14 Point Charter as a platform for building global peace, based on the principles of transparency, self-determination, and Democracy.
But for the first time in US history, the Republican-led US Senate rejected this Peace Treaty, and prevented America from joining the newly created League!
The US Senate wanted to retain its sovereignty without external entanglements;
Free from the League of Nation’s political dictates in its foreign commitments!
The Irish immigrants refused to support Wilson's Fourteen Points because Wilson was concerned about stopping WWI, rather than forcing the British to set Ireland free.
Many Jews also refused to back Wilson, since he was paying too much attention to the War, and not enough to the Balfour Declaration of 02 Nov 1917, -
Which promised an Independent Jewish State with a distinct Jewish identity.

The League of Nations had emerged from Wilson’s 14 Points on the 10th Jan 1920, with its HQs at Geneva, Switzerland, but it had no peacekeeping forces those days!
The League had failed to prevent invasion of Chinese Manchuria in 1932 by Japan;
Italy’s invasion of Ethiopia in 1935; annexation of Sudetenland and Austria by Germany!
The Axis countries Germany, Italy, and Japan, withdrew from the League subsequently.
Thus the League of Nations was disbanded in 1946 officially!
But President Wilson’s ceaseless efforts for global peace did not go unrecognised,
Since on the 10th of December 1920, he was awarded the Nobel Peace Prize!
While his disbanded League of Nations, as the first global humanitarian organisation,
Continued to survive in spirit with the establishment of United Nations Organisation on the 24th October, 1945.

ECONOMIC CAUSES - FOLLOWED BY THE GREAT DEPRESSION OF 1929 :
Germany emerged from the First World War with loss of 25,000 square miles of territory;
Loss of seven million inhabitants, and a staggering debt imposed by the Versailles Treaty!
The Wiemar Republic, after abdication of Emperor Kaiser Wilhelm-II  to Holland,
For the first time in German history, established a Democratic Constitution with Friedrich Ebert as its first President.
But The Republic first had to consolidate itself by squashing the Spartacist Revolt of January 1919 led by the extreme Leftists, and inspired by the Russian Bolshevik Communists!
The Freikorps, in March 1920, an Ex-Soldiers Rightist Group, tried to overthrow the Wiemar Republic with support of their Rightist allies and their own veteran troops!
This was soon followed by a Communist attempt to takeover of the Industrial Rhur;
But fortunately, all these uprisings against the Republic were effectively subdued!
But the 33 Billion Dollars of Reparations hung over the Wiemar Republic like the legendary ‘Sword of Damocles’, followed by the Great Depression of 1929;
Coupled with the ‘Policy of Appeasement’ practised by the British and the French;
Became the most important causes for ******’s expansionist ambition and his short- lived meteoric rise to fame!

GERMAN PAPER CURRENCY & HYPERINFLATION:
Gold Mark was the currency used by the German Empire from 1873 to 1914 only.
But to pay for the costs of the ongoing First World War, Germany suspended the gold standard, and decided to fund the war by Borrowings entirely,
Hoping to pay back the loans after Germany achieves Victory.
But having lost the war, and faced with a massive debt imposed by the Allies,
Exchange rate of the Mark against the US Dollar steadily devalued and declined!
Papiermark became the German currency from 04th August 1914 onward, when link between the Mark and gold reserve was abandoned,
In order to pay for the ongoing expenses of the First World War with paper marks, which was constantly being printed!
But later after the war, when the London Ultimatum of May 1921 demanded payment of war reparations in gold or in foreign currency only,
Even more paper marks got printed by the Republic to buy those foreign currency !
By December 1922 hyper-inflationary trends emerged, when the US Dollar became equivalent to 7,400 German Marks, with a 15-fold increase in the cost of living !
By the fall of 1922 when it became impossible for Germany to make further payments,
The French and Belgium armies occupied Germany’s Ruhr Valley area, its prime industrial region!
French and the Belgians hoped to extract payment in kind, but a strike by the workers of the Ruhr area their hopes belied!
The Wiemar Republic printed more paper notes to pay and support the workers of the Ruhr area,
When hyperinflation had peaked at 4,210,500,000,000 German Marks, to a US Dollar!
Paper currency having become worthless, some form of ancient barter system began to be used instead!

STABILISATION OF GERMAN ECONOMY WITH ONSET OF  THE GREAT DEPRESSION:
Following the hyperinflation Chancellor Josef Cuno’s cabinet resigned in August 1923,
When Gustav Stresemann became the new Chancellor of Germany.
Stresemann’s Government had introduced the Rentenmark as a new stable currency,
To end the hyperinflation which had plagued Wiemar Germany.  
Rentenmark was backed by real goods, agricultural land and business,
Since gold was not available in a beleaguered German economy those days!
When One Rentenmark was equivalent to One million, million, old German Mark;
While One US Dollar was equivalent to only 4.2 Rentenmarks.
Though Stresemann’s Government lasted for 100 days only, Stresemann continued to serve as the Foreign Minister in successive Coalition Governments of the Republic,
Till his death in the month of October 1929, but working for the betterment of Germany all the while!
His ‘Policy of Fulfilment’ stabilised German economy with a 200 Million Dollars loan from America under the Dawes Plan in 1924,
Which had also ensured the evacuation of France from the occupied Ruhr area, with their future reparations payments ensured.
Stresemann’s signing of the Locarno Pact in London on 1st Dec 1925 with France, Belgium, Great Britain, and Italy, was considered as his achievement and a feat!
Since it made Germany to enter the League of Nations ensuring stability and peace;
While the Noble Peace Prize was awarded to Stresemann for his efforts in 1926!
Later, the Young Plan of 1929 further reduced German reparations payment by 20%, while extending the time frame for the payments to 59 years!
But following a sudden Wall Street Stock Market Crash in late October of 1929,
The American Banks were forced to recall money from Europe and the Young Plan;.
Which created acute financial distress when unemployment soared to 33.7%  in Germany in 1931, and quickly rose to 40% during the following year!
Lausanne Conference was held in Switzerland in 1932 by Great Britain, Germany, and France, to further reduce the War Debts imposed by the Versailles Treaty.
But in Dec 1932, the US Congress had rejected this Allied War Debt Reduction Plan completely.
However, no further payments were made by Germany due to the Great Depression;
And by 1932, Germany had paid only 1/8 of the total sum required to be paid as per their pending wartime reparations!

NOTES: Rentenmark was issued on 15 October 1923 to stop the hyperinflation in Wiemeer Germany. Reichmark was the currency in Germany from 1924 to 20 June 1948 in West Germany , when it was replaced by the Deutsche Mark; but had continued in East Germany until 23 June when it was replaced by East German Mark.
During the Stresemann Years of Stability from 1924 to 1929, (prior to the onset of the Great Depression), with help of American financial aid, created more housing & production in Germany. Dada & Expressionist Art forms flourished, followed by modern architecture; also the Philosophy of Existentialism of Thomas Mann – influenced the Western culture. Paul Whiteman's Band for the first time brought in American Jazz to Germany, and Jazz signified the liberation of German youth and women folks of the younger generation generally. But the US Stock Market Crash had unfortunately ended this short lived euphoria, and as it soon became a global phenomena!                                


FAILURE OF THE WIEMAR REPUBLIC & THE GREAT DEPRESSION WHICH BENEFITED THE NAZIS:
Last Days of Wiemar Republic:
Ever since Otto Von Bismarck that ‘Man of iron and steel’, united Germany into a single Empire in the year Eighteen Hundred & Seventy One,
For the first time a Constitution for a Parliamentary Democracy was drawn up in August 1919, in the eastern German city of Wiemar.
Wiemar was the intellectual centre of Germany associated with musicians like Franz List, and writers like Goethe and Schiller.
The Wiemar Republic of Germany which had lasted from 1919 till 1933 had seen,
20 different Coalition Governments, with frequent elections and changing loyalties!
Due to a system of proportional representations, and the presence of very many political parties those days,  
No single party could obtain absolute sole majority in the Reichstag Parliament!
The longest Coalition Govt. was under Chancellor Bruning, which had lasted for only 2 years and 61 days!     (From 30 March 1930 to 30 May 1932)
Now, to understand the reasons for the failure to maintain a Democratic form of Government by the Wiemar Republic,
It becomes necessary to monitor its ‘dying gasps’ during its closing years so to speak!
Since faced with the economic depression Chancellor Bruning had worsened the unemployment situation by adopting stringent and unpopular measures!
Thereby having lost popular political support, Bruning with the approval of President Hindenburg, invoked emergency powers under Article 48, to survive his last few months and years!
During the years 1931 and 1932  it is seen, Bruning had used this Emergency Clause 44 and 66 times respectively!
Thus his so-called ‘Presidential form of Govt.’ had undermined Wiemar Democracy!
If Burning was the ‘Republic’s Undertaker’, now remains a debatable issue of History!
But Burning’s vigorous campaign made Hindenburg to get re-elected as the President;
Thereby he had removed the defeated Adolf ****** out of the Presidential race!
Therefore, later when ****** became the Chancellor on 30 Jan 1933, Bruning had very wisely fled from Germany!

Following Bruning’s resignation in May 1932 came Chancellor Papen’s ‘Cabinet of Barons’ consisting of individuals who were not members of the German Reichstag!
While in the election of July 1932 ******’s **** Party won 230 seats, making it the largest party in the Reichstag.
But ****** refused to form a coalition with Papen, because he wanted to become the Chancellor himself !
Now General von Schleicher advised President Hindenburg that the German Army,
Would not accept Papen’s use of Article 48 to remain as the Chancellor of Germany!
Therefore following Papen’s resignation, Schleicher took over on the 04th of December 1932 as the new German Chancellor.
Schleicher tried to restore a democratic form of government to get the Wiemar Republic back on its feet.
But in the ensuing political power struggle Papen wanted to take revenge on Schleicher for his removal from power and defeat.
So Papen persuaded Adolf ****** to become the Chancellor, and retain for himself the post of Vice-Chancellor.
In doing so, Papen mistakenly thought that he would be able to reign in the self-assertive Adolf ******!
Papen finally made President Hindenburg agree to his proposal, and on 30th of Jan 1933,
****** became the New Chancellor, with approval of the President!
A month later a sudden fire in the Reichstag made ****** invoke Article 48, in order to squash the suspected Left Wing Communists;
But while doing so, the Press was muzzled, and many Civil Rights of the German people were abolished, inclusive of their right of assembly and free speech!
****** acted swiftly, and by passing the Enabling Act on 23 March, 1933, armed himself  with dictatorial powers for enacting laws without the approval of the Reichstag whenever necessary!
Thereby ****** threw Democracy to History’s wasteland most unfortunately!
Following the death of Hindenburg on 29 June 1934, ****** combined the powers of the President and the Chancellor, and became known as the FUHRER!
Historians generally agree the Enabling Act of 1933, as the date for establishment of The German Third *****.

THE POLICY OF APPEASEMENT AND GERMAN AGGRESSION:
The horrors of trench warfare with the rattling of machine guns and bursting of poisonous nerve gas shells,
Even after 20 years remained fresh, in the minds of all World War One participants!
Therefore, it was natural for British and French Prime Ministers Neville Chamberlain and Edouard Daladier initially,
To grant political and material concessions to an aggressive Germany, for the sake of peace and stability.
Thus the diplomatic stance of Appeasement between 1935 and 1939 followed by the French and the British, was mainly to avoid another dangerous armed conflict!
But the trusting Mr. Chamberlain had underestimated ******, who had served in the German Army as a Corporal, winning the Iron Cross during the last Great War!
****** was not afraid of war, but wanted to avenge the Treaty of Versailles and its punitive dictated peace;
And also establish for the superior German Aryan race a lasting Third *****!
Therefore, having consolidated his power as the Fuhrer along with his trusted **** Party cronies, he withdrew from the League of Nations in October 1933.
Introduced conscription in March 1935 in Germany, and embarked on a mission to rebuild a new modernised German Army for combat on land, air, and sea!
In March 1936, in another open violation of the Versailles Treaty, ****** re-occupied the demilitarised Rhineland, followed by a Treaty of Alliance with Japan and Italy.
The much desired Anschluss (or merger) with Austria, the country of birth of ******,
Saw the German Army in March 1938, triumphantly and peacefully marching into Vienna!
Now with the Munich Conference of 19 September 1938, this Policy of Appeasement is said to have reached its climatic peak!
The Sudetenland area, consisted of 3 million Germans were made
to join Czechoslovakia when the frontiers were drawn in 1918-19,
Much against the wishes of the Germans!
When ****** wanted to annex this Sudetenland area, Britain, France, Germany and Italy, met at Munich to diffuse an explosive situation peacefully.
It was agreed at Munich that once Sudetenland joins Germany, ****** will not invade Czechoslovakia and honour the terms of peace.
But on 15th March 1939, in violation of the Munich Agreement, ******’s army invade and occupied Czechoslovakia, thereby openly flouting the Policy of Appeasement!

NOTES: ******’s desire for ‘LEBENSRAUM’ or ‘increase of living space’ for the Germans, commenced with his ‘Border Wars’, which soon turned into a Global War because of the ‘appeasement policy’ of the Allies. ****** had secured his Eastern Front with a treaty with the Stalin, since fighting on two fronts would have been very difficult for the Germans.

Now when ******’s army invaded Poland on 1st of September 1939, it became ‘the last straw on the camel’s back’ for the Western Allies!
Committed to the Anglo-Polish Defence Pact of 25 August, 1939, both Britain and France declared war on Germany,
Which I propose to narrate in Part Two of my Second World War Story.  
The Policy of Appeasement no doubt gave some time for Britain, to regain its depleted military strength,  but Adolf ****** had viewed it as a sign of weakness!
With Russia and America initially as non-participants, ****** became more confident and arrogant!
Thereby turning his border wars into a global conflagration lasting six long years.
When the use of advanced technology, resulted in greater loss and casualties;  
Which was followed by the holocaust and unprecedented human suffering!
I would like to conclude my present narration with a poem by English soldier-poet Seigfried Sassoon, who participated in the First World War on the Western Front.

DREAMERS  -  by Siegfried Sassoon
Soldiers are citizens of death's gray land,
Drawing no dividend from time's to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal ****** with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds, and wives.

I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with ***** and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
…………………………………………………………………………
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPYRIGHTS ARE WITH THE AUTHOR ONLY

MARY, MARY, QUITE CONTRARY: A Dreadful Tale about a Dead Anglo Mother, A Dreadful, Avenging Syrian Aunt, A Stolen Baby Sister, and a Hateful, Unfaithful, Defaulting Father.

Mary, Mary, quite contrary
How does your garden grow?
With people, people who hardly know
Your vices, your intrigue, your lies, and so,
You’ve ruined lives, and now I will show

How demonizing you are, with just your thinking
About your “slemly” self,  just linking [Nice in Arabic]
That self to your own, and not us--no one else
You belong in no company, your old-time thinking.
Adopting my sister, without any inkling
Of what it takes to challenge the motherless
And seeing we ended up, also, being fatherless.

Travesties galore made this woman happy
You won hearts, but you seemed quite daffy.      
Childhood, telling us we’d never be as good
As your Syrian daughters - such a strange brood!
This kind of “teaching” by a Syrian mom was kinda lewd.

She verily and surely became our ISIS
She thought who could ever, ever be like us
She raved for hours so very against us
To that red-headed family so she could easily best us!
Humiliating us at every stop
We really, really got a lot
From her, the decadent Queen of ISIS
No, she’d never, ever be like us!

Twenty years to a guileless young person
Is a forever herstory an eternity…
A lesson, an identity…
Carried on secretly, destroying our Syrian identity.
She stole that connection, filling it with confusion
She with cruel humor would **** our loving illusion
Stopped it in its growth,
Forever unseating that family oath.
To care - without any rejection.
It was She that was The Great Defection.

Mary, Mary how does your hatred grow
Picked on those who had no Syrian power
But you didn’t see yourself becoming lower
To the ends of the earth, heartless black flower.

In her mind she’d be our Mother
But as this poet, I did not know it
Things would be better if we like sheep
Worshipped Mary, into the deep
Quite similar to the rest of her Keep
Then mayhap we’d enjoy their fully undeserved sleep.

Taught my dear baby sister like her to hate
Would I had the power to shut up her pate
Her mouth was evil to the core
I never, never could stand more.
Her hatred entered me, made me sore.

Screaming at us to keep us out
Stupid Daddy joined her in this falling out
She, successful -as any lout.
By God I thot I must be evil
Their strange behavior was not legal.
Would that she’d accept me, that dangerous eagle.
I lost my sense of self and ‘came very sad
Would that I could be like she so glad.
‘Tis fifty years now, and I can’t stop crying.
No one ever heard this “mother” sighing.

Hell, Mary, full of Face
Recognizing only your Syrian race
Did anyone else matter? Just your primitive face?
Everyone one was hurt, except you and your nace
There’ll be no one, ever, that could take your place.
Laughing to destroy our wanted Arab destiny
Which you did, and did, successfully, with your fantasy.

Mary, Mary, quite contrary
How does your garden grow?
Like plants, you lined us up all in a row
One good, two bad - you did the choosing
And what did you leave?
Only us, who did the losing.
You didn’t water those two plants.
Treated us two as if we were ants.
Watered sissa so she would grow
Your dreaded deeds no one would know
Judgement is left only to God.
But you and Dad should’ve returned to your sod.
Your behavior to the motherless seems very odd.
My sister and I two tossed peas in a pod.

Deserting us suddenly knowing only this hateful group
There’s nothing to which she wouldn’t stoop
Her sick obsession to hurt the powerless
Speaks of a very worst yes, cruel foulness.

We lived at a convent school very protected
Visiting weekends this aspiring ****,
Two sisters know she made a very strong mark
She was not our blood, we couldn’t take part
Of this constant coldness on her part.

And another Aunt with two daughters, good
They were always with us, always stood
The opposite of this wicked would-be aunt
This family, Americanized and very sane
Never did play the ancient Ottoman game
These Aunts were our world - our windowpane.

Two aunts - endowing us with a Syrian heritage,
One, the bad one, with too much leverage
The good one to teach a cheerful Syrian beverage      
With balance, love, and the length of days
Not like the other, the one who dismays.

We represented that bad woman’s target
What it came from. Could it be her precious Margaret?
No, not at all her peaceful daughter
But the other, gladly joined in on the slaughter
Making serious and even much more, fodder.

We had no tools to breach this hate
I guess that it would have to be our fate.
To live our lives just disenchanted.
Our hearts broke, as if forever lancets.
With Syrians there’d be no more dances

Taking my sweet sis turning her against us
She did truly give strong heed to finally fence us.
What ever could we find for our defenses?

Dad, real Dad, inebriated dad,
Fell in with them: became this negative father
Sought their pity--likening me as a foreign daughter
He was in love with them, weakly turning
But in turn, the two of us, spurning
Back to his Syrian fold back, not farther
Unwittingly, unrepentedly, uncaringly, joining the laughter
Discarding his American daughters to a mental slaughter.

At his picnic - family there - he called us foreigners
Foreigners we were, surely, when with them
They couldn’t ever believe in us,
Dad influenced them, peeved at us.
Made us feel like little fools.
No, we never had the tools
To fight this ignorance - Change these mules?

Punishing, punishing us as wedded women
Accused of all that they gossiped about
What did they say? And this truant dad a lout
Speaking of us in downing tones
I’d feel far better had they broken my bones.

Closing his relationships to his
Two lesser liked non-Arab sisters
Would there would be a better mister
He considered us two a mere sinful blister.

We ran away from this horrible drunk
He hated his daughters and he stunk
And then we suffered the worst of any they would dunk
Uncomfortable at their Arab-speaking home
We stopped visiting long before their moan
We were “no good”  said our Syrian family
Would that we knew that we’d be anti-Family.

They had something to hate and did they do it
We had no idea we were just a joke
Their words, their disgust, far more than a poke.
Their anti-American provincial views
Made little sense - such perverted mews
All we loved, we would really lose.
There was never any right to choose.

That Family didn’t speak, avoided us
At sissa's Syrian wedding. It was all mined
That scene returns to me all of them lined  
Winding its way into my unbidden mind,
They were so, so truly unkind
We always would be to them the “Other”
Yes, us, us, us, without a mother!

We lost three mothers, our real one gone
Also our good step-mother quickly on
Add Mary to that three, glad she is gone
Perhaps Dad guilty of the first two deaths
I shan’t continue - you’d lose your breaths.
  
But Hail that Lady, she would change our world
Sending us suddenly into a whirl.
How to change the young with screaming?
She’d not change but destroy our dreaming
Waking horribly from our Syrian dream
We just didn’t fit their shady crème de la crème.

Everyone was fooled by this greedy witch
She and her daughters I’d deem as *****
What was in them, caused their making?
Taking away, taking, taking, taking.
Good cousins now, have seen an awakening
My work of writing revealed Mary’s faking.

Hail Mary full of Face
Only using her charms to erace
The sisters she wished not to embrace
With threads of lies an unrevealing face
Syrians’ acceptance of her goldarn place  
No one ever will she replace  
In every way she used her mace
A clever poison to keep her place
Successfully, she’d snidely hid her dreams
Wearing a mask to hide her themes.

She’d always hated us through and through
We didn’t know it till she did what she’d do
Her masque did work, from dusk to dawn.
Hatred of us was what she would spawn
She would definitely **** our spirits
Would that I could reveal all her lyrics.

Our Syrian sissa’s wedding put us in place
That even there we could have little space.
No other family events could we be included.
Engagements, baptisms, we would be excluded
Their intentions now were completely nuded.   deluded!

You stole our little baby entering the world
Through our Mom’s Death
You stole my Dad’s affection
He also her straw man, worshiping Mary‘s fiction
Her stand could only be that of affliction.

Hail Mary full of Face
Face that faced nothing exçept winning the Ace
Did no one ever tell you - you were a case?
Using your screams to stuff our mind
And even more shrieking to clog our mind
No other Syrian family could be so unkind.

Always filling us with her delicious food
Only to turn against us, trussing our good mood.
I’d like to regurgitate all that poisonous food
Anything about her became totally lewd.
She bragged of her daughters - were they really that good?
When we were children, told us we’d never be like them
We never wanted to be like those hurting us.
Took our Dad’s affection, he also deserting us
We never but finally saw that they were into hurting us.

She has attacked us screaming, screaming on end
Never an explanation, never to end
She took money, stole sister too, not a lend.
With this cruel treatment, we were not able to fend.
I’ve never heard such venom in any human voice
It seared through both my ears, such an odious noise
Those first twenty years were so very splendid
But later with her actions - all was ended
With her allotted time this is how she would spend it.

Sister, affections stolen, obeying by fear
Couldn’t counter - with a mere
Stand up to this fraud of a Mother Dear.

Our baby sis had became her clay
She would remake her through many a day.
She owes us much, this lying thief
No family tree would know, not even a leaf
She stole and changed our beautiful blood
Returned nothing except a bad bad flood
Of making our names into family mud.

She then gave out inimical messages
The taunting that came from her mealy mouth
From Damascus, that lousy mouse.
Couldn’t discuss, but only scream
What ever, ever, did she mean?
This Family into which father bought.
Their apathetic “reasoning” I was never taught.

Her daughters conscripted to the Mary core
Following her words, her iron ore
Inflated us with much heavy criticism
To fill our sissa with a lack of witticism

Lying, lying she always, always hated us
For twenty years, she consistently slated us
For slaughter, just like little lambs
Motherless, she took our little lamb
She won, didn’t she, in her sham?
Mary & dad really fated us with their sick flim flam!

She’d tackle anyone, anything in her path
And she did, with her oh so dreadful wrath.
What powered this extremely devilish mind?
She had never, ever, been really kind.

Our sodden father turned to her
She was Goddess, he deemed Something
While we were nothing, nothing, NOTHING!
It didn’t happen till twenty years after
From kindliness to hypocrisy
One would not believe.
Our real selves never to retrieve.

A sweet child, sissa, full of love
Knew they were cold and she let us know
After those years, sadly though
Turned into another hateful *****
Forced to be like them, else be ditched.

Dad, dad, the precious Syrian lad
Embraced the family gatherings that they had
Youngest of the Ikmuks - he was mad
Allowed them the desecration of our pad
They could say anything--made it their fad.

He wouldn’t speak to them of their travesty
Worshipped them, and ever drastically
Wanted to be Them, lest he be
On the Outs from the Family Tree
Ousted, married out of the Tribe
Hardly now, when this happened, few are alive.
He refused to tell them we both should be here.
He would never, ever, play it fair.
“Dad, if you go, I’ll never be the same.”
He would never, never take the blame.
Of his paltry stabs at being a human
Go stuff him in a jar with more rotten cumin.

Never defended us, never, never
Always took their part like a mismatched lever.
Usually a Dad with a daughter would stay beside her
But then, he gave Mary a far wider rider.

Gatherings went on, by the family Mare.
All our lives had been spent with them before
But Iron Lady with Iron Ore
Came through later and before.
She would win, so well connected to her vile kin
Change, girl, change, you’re just an Anglo fem.
Don’t, please, don’t pay much attention to them.
Sudden hate - my thoughts now were dashed.
I changed - they took all I had and then they smashed.

They brought us into their sickly Ottoman lives
But all of them acted as if we had the hives
They, centuries‘ habit, it was the mid-1950’s why so bold?
They were too much, too much very, to behold
We were stricken, treated as in days of old
We would never be part of their unhealthy mold  [Mould?]

Regular at Church. What kind of God could she worship?
You know who should have been told? The Syrian Bishop!
The She-Devil not even relishing the Church script
Eternally, she would always, rip, rip, and then grip!
Instead looked to those after Church who would serve her!
She did just this with a total fervor.
No Communion, no worship, but her only feats
To seek and add to gossip in the streets
Afterward. When-Where everyone meets.

Se enjoyed the Devil of Power over those she knew
Verily, she should have been thrown in the loo.
Few new. Only the rejected two.

Mary, Mary full of Mace
You never did achieve much grace
Wish you could have finally
Fallen on your ignorant Face
There’s really not going to be any space
To explain your bad translation of a very good race.
The Syrian families I always know very well
Would never have made this kind of hell.

The Syrian race is good, except for this “mother”
I speak from my place as the dreaded ”Other”
You are and were a terrible, mother
You’re a crude example of this Middle Eastern  race.
Very few of them did see through your face.

In that family I barely gleaned this toxicity
But, never, ever, did I witness much felicity.
They llaughed and laughed about any Other
Played well their acts as if they cared
They knew Syrian-like we would not fare
We, Dad, all sisters three - fell for her snare.

What think you, God, of these poor children
How il-ly this Family thoroughly tilled them
Two non-Arab daughters’ given bad repute
Their shocking beliefs really made us mute
All that came from her demented mind
All that encountered Mary’s “kind”
She destroyed our conception of self
This hypocrisy would make one melt.

She infiltrated us, her daughters, and my Sissa
That we were not as good as she - but she lost her mister
Had Uncle [our blood] lived, this would never have occurred.
But Auntie [not our blood] surely had demurred.
Her hooked-nose criticizing, and simple daughters,
Psychologically--against us-- they joined in on these slaughters.
Kindness for two decades to rent, later they spent
Hell on the motherless, but hiding that intent
Taught her daughters: “Don’t be involved with them”
We really do know some of what she did, or said,
This is the kind of meal that she constantly fed
Her masque nearly hiding her evil bent.
Too bad she wasn’t forced back into her Syrian tent.

Mary, Mary quite contrary, How does your world work?
You won, you won, you ignorant, piece of work
You demanded respect from all of us, treacherous,
She got it, didn’t know it, then she brought down the two of us

Sneaky, low-life, hypocrite witch
We always thought we had a niche
But lost kids like us did never snitch
We wouldn’t, didn’t open up about that *****.

We had a twenty-year comfort zone with her
Deserted at last by her flying fur
Stolen, deserted at last by Dad--that foul mister
Stolen, deserted, lastly by our pretty baby sister.

This left us changed by this She-Devil
Would that there’d be a way to counter her evil
We couldn’t - she was always far too strong
An ISIS for us - this would last too long.

After these years, I could not grow
Was I a real woman? -  I didn’t know!
Being a mother couldn’t show
That this Family created a list of woe.

When Sissa had babies & a mom to help
We did this alone - all this we felt.
Her faulted hatred never did melt.
I didn’t know how to take a stance
Nor could I find out how to advance.
We had to oppose Aunt Mary’s dance.

That Sissa could not bo

All americans amply adore adult affairs, as all anarchist adapt alchemy adding astrological anatomy. Again and again advertisements allows affliction adopting and adapting behind ****** beliefs. Besides being boggled, beware big bangs become beginnings. Build beneficial bridges, contemptible courts create credit consuming countries, cops copout. Complement compassion conspire, contact & contest causes constant curiosity can cure cancer, disease & disability. Deep diving dare devils dive deep daring devils designing diabolical deeds daily. Every eclipse emits energy. Employ empathy, empower education, embrace emotion, eliminate elitism. Freedom from forever fetching, fined forgotten fundamentals fully focusing, frantic fools fizzle fast. Gas guzzling gluttons gathering garbage gardens generate generational genes. Gods gilt grows. However hustling hope hype has harmed humanity’s harvest, harboring hateful habits ignorance infects into idiots, idealist imagine, illumination increases imaging. Just join James, Jerusalem’s jackpot, jailhouse jokers, Jesus jumping Joseph just justify Kriss Kringle, knowledge, kings killing kids, ku klux **** kingdoms knowing life & logic loosely. Love loud, live & let live less lords linger, least let light lead loyal lunatics merely mortal magic. Media’s morbid makeover makes morning mindless midnight’s mayhem’s marketplace microwave midfields mixing m16 man made misery muffling many muzzled masses. Newly named narcissistic nations nationalize nc-17 nonsense needing normal numerals natural numbers not nuclear Nazis overseeing oblong objectives orbiting our original origin. Organize outlaws outlanders outcasts overall people pathetically pleased pill popping pissants. Permute perseverance provide physical philosophy preceding prime power, push. Quit quarreling, question quadrants, quests quench qualifying qualities. Realist realize realities rigged, reborn rebels raid reason rejecting rusted routines reducing royalty redoing realities redundant reflection. Reaching scared stars secretes surface scientific simplicity. State symbolism segregates sense spelling spellbound Satanism. Temples trapping truth’s timeline, television tames tons teaching troubling tall tails, turbojeted tanks takeoff targeting trailblazing teachers. Ugly unlawful union undone. Ultimate universal u-turn unites us using unearthed UFOs. Unknown variables vast vacuum, visibly violent volcanoes, vented virus vaults, vanishing voyagers, weather warnings with world wide war warming weapons waking who would watch wandering why x-axis yields yin & yang yet yankees yell yearly. Ziggurats, zodiacs, zen & zion zipped, zombie zoos zigzaging zero zones

Chance
is being in the right place
at the right time,
coinciding with the orbit
of another searching
the aspirations that you to seek.
A connection needs attention,
a compliment, a smile,
an enquiry of mutual interest
that engages instantly.
The abdication of convenient norms,
a shift in behaviour,
adopting a new travel direction.
It requires no discrimination,
but an open welcoming mind,
conjoining parallel convergence,
Meeting.


© Pagan Paul (2018)

i have to admit...

Bulgarian prostitutes

are the most responsible
women i've ever known...

condoms? full bodied
latex?

      contraception pills?

cam s videos?

                 my my....
what a ******* rainbow!


so conversation is
the supposedly "new ****"?
ahead of my "time"...

if ever coincidentally,
the ideal escapism /
entrapment...

          twangy twangy...
American accent
like the sound of a Boston banjo...
the ******* to boot,
with it...

              that awkward uncle?
and some teenage girl making a video
blog?
about how difficult it was
to enter a video-convention?
what is, and what isn't, funny?

      i tuned into the drama brigade...
like you might tune into
the current MTV with teenage moms...

she's bloated, and
making extra making
pregnant teen jerking off videos?!
**** me...
               that's about a month
that has just disappeared from
my calendar!

           Murphy, meet dropkick
McMurphy...
     McMurphy,
meet kayleigh McDurmut...
yeah...
that one... balancing
the one legged hop and spew...

personally?
i like watching videos of 14 old girls...
gets me in the mood,
of anticipating fatherhood...
which, given my drinking...
will never materialize...

in terms of ****?
i already overstated the excesses of
condoms...
   and what, could always become,
the Latino **** crisis of
a Cuban post-scriptum...
            personally?
i don't appreciate unnecessary
surprises?
  pro-life or alternatively...
   i don't like surprises...
not those kind of surprises...
        esp. involved in trans-nationalism
******* strap-on tendencies
of adhered to normalizations...
no...
     sorry...
L O V E... doesn't spell out
    vole...
        or whatever variant...
i wouldn't even have cared to object
to sustaining a unit of family,
by invigorating the concept of
Anastasia!
            bribing an orphan to
fake a biological clockwork of...
supposing you weren't mine...
  but my mind, which you have began to
ingest...
      what is this, folly,
this geneticist argument about,
both the act of procreation,
and the necessity of the said act,
with the attached confinement of
pursuing the tag of proclaiming
a continuum of genes?!
      i can't, and i won't figure it out...
**** it...
         sad old "uncle" syndrome...
     but a sigh of relief...
i'm actually looking for pornographic
alternatives...
         it doesn't actually begin or end
within the confines of extremity...
.gif, pictures, fine art...
     14 year old girls making
autobiographical videos...
   and? less *******,
and more... giggling...
               could i have had the tenacity
of becoming, a father!
   my god!

i guess a man will always find
adopting a child, more appealing...
to the consensus of
the anti-thesis of a prodigy...
once he has allowed himself
a chance...
to pet, an animal.

i like to turn into a girl once in a fortnight
after i just washed my hair...
and take a selfie!
then i read the fashion magazine alongside marquis de sade...
and it makes perfect sense to **** beauty like that...
well according to the marquis it does.
how's my hair? styled properly brushed to the side
long against anti-clockwise curtains of lock
that was propaganda with ****** adopting the charlie chaplin
moustache and people after ****** ensured confusion
whether to split it to the right rather than the left?
i’m right-handed, i need the power base of keratin on my cranium
hanging to the left!

Her mind is the lake
where the rainbow rests.
I stolen the lake
that she withhold to me.
now, I colour to my life
with the shades adopting from the same.

Today we shall have the naming of parts. How the opening of that poem by Henry Reed caught his present thoughts; that banal naming of parts of a soldier’s rifle set against the delicate colours and textures of the gardens outside the lecture room. *Japonica glistening like coral  . . . branches holding their silent eloquent gestures . . . bees fumbling the flowers. It was the wrong season for this so affecting poem – the spring was not being eased as here, in quite a different garden, summer was easing itself out towards autumn, but it caught him, as a poem sometimes would.

He had taken a detour through the gardens to the studio where in half an hour his students would gather. He intended to name the very parts of rhythm and help them become aware of their personal knowledge and relationship with this most fundamental of musical elements, the most connected with the body.

He had arranged to have a percussionist in on the class, a player he admired (he had to admit) for the way this musician had dealt with a once-witnessed on-stage accident that he’d brought it into his poem sequence Lemon on Pewter. They had been in Cambridge to celebrate her birthday and just off the train had hurried their way through the bicycled streets to the college where he had once taught, and to a lunchtime concert in a theatre where he had so often performed himself.

Smash! the percussionist wipes his hands and grabs another bottle before the music escapes checking his fingers for cuts and kicking the broken glass from his feet It was a brilliant though unplanned moment we all agreed and will remember this concert always for that particular accidental smile-inducing sharp intake of breath moment when with a Fanta bottle in each hand there was a joyful hit and scrape guiro-like on the serrated edges a no-holes barred full-on sounding out of glass on glass and you just loved it when he drank the juice and fluting blew across the bottle’s mouth

And having thought himself back to those twenty-four hours in Cambridge the delights of the morning garden aflame with colour and texture were as nothing beside his vivid memory of that so precious time with her. The images and the very physical moments of that interval away and together flooded over him, and he had to stop to close his eyes because the images and moments were so very real and he was trembling . . . what was it about their love that kept doing this to him? Just this morning he had sat on the edge of his bed, and in the still darkness his imagination seemed to bring her to him, the warmth and scent of her as she slept face down into a pillow, the touch of her hair in his face as he would bend over her to kiss her ear and move his hand across the contours of her body, but without touching, a kind of air-lovers movement, a kiss of no-touch. But today, he reminded himself, we have the naming of parts . . .

He was going to tackle not just rhythm but the role of percussion. There was a week’s work here. He had just one day. And the students had one day to create a short ‘poem for percussion’ to be performed and recorded at the end of the afternoon class. In his own music he considered the element of percussion as an ever-present challenge. He had only met it by adopting a very particular strategy. He regarded its presence in a score as a kind of continuo element and thus giving the player some freedom in the choice of instruments and execution. He wanted percussion to be ‘a part’ of equal stature with the rest of the musical texture and not a series of disparate accents, emphases and colours. In other words rhythm itself was his first consideration, and all the rest followed. He thought with amusement of his son playing Vaughan-Williams The Lark Ascending and the single stroke of a triangle that constituted his percussion part. For him, so few composers could ‘do it’ with percussion. He had assembled for today a booklet of extracts of those who could: Stravinsky’s Soldier’s Tale (inevitably), Berio’s Cummings songs, George Perle’s Sextet, Living Toys by Tom Ades, his own Flights for violin and percussionist. He felt diffident about the latter, but he had the video of those gliders and he’d play the second movement What is the Colour of the Wind?

In the studio the percussionist and a group of student helpers were assembling the ‘kits’ they’d agreed on. The loose-limbed movements of such players always fascinated him. It was as though whatever they might be doing they were still playing – driving a car? He suddenly thought he might not take a lift from a percussionist.

On the grand piano there was, thankfully, a large pile of the special manuscript paper he favoured when writing for percussion, an A3 sheet with wider stave lines. Standing at the piano he pulled a sheet from the pile and he got out his pen. He wrote on the shiny black lid with a fluency that surprised him: a toccata-like passage based on the binary rhythms he intended to introduce to his class. He’d thought about making this piece whilst lying in bed the previous night, before sleep had taken him into a series of comforting dreams. He knew he must be careful to avoid any awkward crossings of sticks.

The music was devoid of any accents or dynamics, indeed any performance instructions. It was solely rhythm. He then composed a passage that had no rhythm, only performance instructions, dynamics, articulations such as tremolo and trills and a play of accents, but no rhythmic symbols. He then went to the photocopier in the corridor and made a batch of copies of both scores. As the machine whirred away he thought he might call her before his class began, just to hear her soft voice say ‘hello’ in that dear way she so often said it, the way that seem to melt him, and had been his undoing . . .

When his class had assembled (and the percussionist and his students had disappeared pro tem) he began immediately, and without any formal introduction, to write the first four 4-bit binary rhythms on the chalkboard, and asked them to complete it. This mystified a few but most got the idea (and by now there was a generous sharing between members of the class), so soon each student had the sixteen rhythms in front of them.

‘Label these rhythms with symbols a to p’, he said, ‘and then write out the letters of your full name. If there’s a letter there that goes beyond p create another list from q to z. You can now generate a rhythmic sequence using what mathematicians call a function-machine. Nigel would be:

x x = x     x = = =      = x x =      = x x x      x = x x

Write your rhythm out and then score it for 4 drums – two congas, two bongos.’

His notion was always to keep his class relentlessly occupied. If a student finished a task ahead of others he or she would find further instructions had appeared on the flip chart board.  Audition –in your head - these rhythms at high speed, at a really quick tempo. Now slow them right down. Experiment with shifting tempos, download a metronome app on your smart phone, score the rhythms for three clapping performers, and so on.

And soon it was performance time and the difficulties and awkwardness of the following day were forgotten as nearly everyone made it out front to perform their binary rhythmic pieces, and perform them with much laughter, but with flair and élan also. The room rang with the clapping of hands.

The percussionist appeared and after a brief introduction – in which the Fanta bottle incident was mentioned - composer and performer played together *****’s Clapping Music before a welcome break was taken.

First they came for the Muslims
by Michael R. Burch

after Martin Niemoller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

"First they came for the Muslims" was published in Amnesty International’s "Words That Burn" anthology and is now being used as training material for budding human rights activists. My poem was inspired by and patterned after Martin Niemoller’s famous Holocaust poem. Niemoller, a German pastor, supported Adolph ****** in the early going, but ended up in a **** concentration camp and nearly lost his life. So his was a true poem based on his actual life experience. Keywords/Tags: Holocaust, genocide, apartheid, racism, intolerance, Jew, Jews, Muslim, Muslims, homosexuals, feminists, apathy, sisters, brothers, Islam, Islamic, God, religion, intolerance, race, racism, racist, discrimination, feminist, feminists, feminism, sexuality, gay, homosexual, homosexuals, LGBT, mrbmuslim, mrbpal, mrbnakba



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



I Pray Tonight
by Michael R. Burch

for the mothers and children of Gaza

I pray tonight
the starry light
might
surround you.

I pray
each day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels’ white chorales
sing, and astound you.



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



I, too, have a Dream ...
written by Michael R. Burch for the children of Gaza

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.



My Nightmare ...
written by Michael R. Burch for the children of Gaza

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go ...
when lightning rails ...
when thunder howls ...
when hailstones scream ...
when winter scowls ...
when nights compound dark frosts with snow ...
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill,
beyond the capacity of moonlight to fill?
When the only relief’s a banked fire’s glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times and Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...

Published by The Lyric, Promosaik (Germany), Setu (India) and Poetry Life & Times; translated into Arabic by Nizar Sartawi and into Italian by Mario Rigli

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza, who know all too well how fragile life and human happiness can be. What can I say, but that I hope, dream, wish and pray that one day ruthless men will no longer have power over the lives and happiness of innocents? Women, children and babies are not “terrorists” so why are they being punished collectively for the “crime” of having been born “wrong”? How can the government of Israel practice systematic racism and apartheid, and how can the government of the United States fund and support such a barbaric system?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”

(In the poem "US" means both the United States and "us" the people of the world, wherever we live. The name "jesus" is uncapitalized while "Room" is capitalized because it seems evangelical Christians are more concerned about land and not sharing it with the less fortunate, than the teachings of Jesus Christ. Also, Jesus and his parents were refugees for whom there was "no Room" to be found. What would Jesus think of Christian scorn for the less fortunate, one wonders? What would he think of people adopting his name for their religion, then voting for someone like Trump, as four out of five evangelical Christians did, according to exit polls?)



Excerpts from “Travels with Einstein”
by Michael R. Burch

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.  

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



Brother Iran
by Michael R. Burch

for the poets of Iran

Brother Iran, I feel your pain.
I feel it as when the Turk fled Spain.
As the Jew fled, too, that constricting span,
I feel your pain, Brother Iran.

Brother Iran, I know you are noble!
I too fear Hiroshima and Chernobyl.
But though my heart shudders, I have a plan,
and I know you are noble, Brother Iran.

Brother Iran, I salute your Poets!
your Mathematicians!, all your great Wits!
O, come join the earth's great Caravan.
We'll include your Poets, Brother Iran.

Brother Iran, I love your Verse!
Come take my hand now, let's rehearse
the Rubaiyat of Omar Khayyam.
For I love your Verse, Brother Iran.

Brother Iran, civilization's Flower!
How high flew your spires in man's early hours!
Let us build them yet higher, for that's my plan,
civilization's first flower, Brother Iran.



These are my translations of Holocaust poems by Ber Horvitz (also known as Ber Horowitz); his bio follows the poems. Poems about the Holocaust and Nakba often bear striking resemblances, especially when written from the perspective of a child.



Der Himmel
"The Heavens"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

These skies
are leaden, heavy, gray ...
I long for a pair
of deep blue eyes.

The birds have fled
far overseas;
"Tomorrow I’ll migrate too,"
I said ...

These gloomy autumn days
it rains and rains.
Woe to the bird
Who remains ...



Doctorn
"Doctors"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Early this morning I bandaged
the lilac tree outside my house;
I took thin branches that had broken away
and patched their wounds with clay.

My mother stood there watering
her window-level flower bed;
The morning sun, quite motherly,
kissed us both on our heads!

What a joy, my child, to heal!
Finished doctoring, or not?
The eggs are nicely poached
And the milk's a-boil in the ***.



Broit
“Bread”
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Night. Exhaustion. Heavy stillness. Why?
On the hard uncomfortable floor the exhausted people lie.

Flung everywhere, scattered over the broken theater floor,
the exhausted people sleep. Night. Late. Too tired to snore.

At midnight a little boy cries wildly into the gloom:
"Mommy, I’m afraid! Let’s go home!”

His mother, reawakened into this frightful place,
presses her frightened child even closer to her breast …

"If you cry, I’ll leave you here, all alone!
A little boy must sleep ... this, now, is our new home.”

Night. Exhaustion. Heavy stillness all around,
exhausted people sleeping on the hard ground.



"My Lament"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Nothingness enveloped me
as tender green toadstools
lie blanketed by snow
with its thick, heavy prayer shawl …
After that, nothing could hurt me …



Ber Horvitz aka Ber Horowitz (1895-1942): Born to village people in the woods of Maidan in the West Carpathians, Horowitz showed art talent early on. He went to gymnazie in Stanislavov, then served in the Austrian army during WWI, where he was a medic to Italian prisoners of war. He studied medicine in Vienna and was published in many Yiddish newspapers. Fluent in several languages, he translated Polish and Ukrainian to Yiddish. He also wrote poetry in Yiddish. A victim of the Holocaust, he was murdered in 1942 by the Nazis.


Second Sight
by Michael R. Burch

I never touched you—
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then—

eternally present
and Sovereign.



The Shrinking Season
by Michael R. Burch

With every wearying year
the weight of the winter grows
and while the schoolgirl outgrows
her clothes,
the widow disappears
in hers.

Published by Angle and Poem Today



Annual
by Michael R. Burch

Silence
steals upon a house
where one sits alone
in the shadow of the itinerant letterbox,
watching the disconnected telephone
collecting dust ...

hearing the desiccate whispers of voices’
dry flutters,—
moths’ wings
brittle as cellophane ...

Curled here,
reading the yellowing volumes of loss
by the front porch light
in the groaning swing . . .
through thin adhesive gloss
I caress your face.

Published by The HyperTexts



US Verse, after Auden
by Michael R. Burch

“Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.”

Verse has small value in our Unisphere,
nor is it fit for windy revelation.
It cannot legislate less taxing fears;
it cannot make us, several, a nation.
Enumerator of our sins and dreams,
it pens its cryptic numbers, and it sings,
a little quaintly, of the ways of love.
(It seems of little use for lesser things.)

Published by The Raintown Review, The Barefoot Muse and Poetry Life & Times

The Unisphere mentioned is a spherical stainless steel representation of the earth constructed for the 1964 New York World’s Fair. It was commissioned to celebrate the beginning of the space age and dedicated to "Man's Achievements on a Shrinking Globe in an Expanding Universe." The lines quoted in the epigraph are from W. H. Auden’s love poem “Lullaby.”



Sea Dreams
by Michael R. Burch

I.
In timeless days
I've crossed the waves
of seaways seldom seen.
By the last low light of evening
the breakers that careen
then dive back to the deep
have rocked my ship to sleep,
and so I've known the peace
of a soul at last at ease
there where Time's waters run
in concert with the sun.

With restless waves
I've watched the days’
slow movements, as they hum
their antediluvian songs.
Sometimes I've sung along,
my voice as soft and low
as the sea's, while evening slowed
to waver at the dim
mysterious moonlit rim
of dreams no man has known.

In thoughtless flight,
I've scaled the heights
and soared a scudding breeze
over endless arcing seas
of waves ten miles high.
I've sheared the sable skies
on wings as soft as sighs
and stormed the sun-pricked pitch
of sunset’s scarlet-stitched,
ebullient dark demise.

I've climbed the sun-cleft clouds
ten thousand leagues or more
above the windswept shores
of seas no man has sailed
— great seas as grand as hell's,
shores littered with the shells
of men's "immortal" souls —
and I've warred with dark sea-holes
whose open mouths implored
their depths to be explored.

And I've grown and grown and grown
till I thought myself the king
of every silver thing . . .

But sometimes late at night
when the sorrowing wavelets sing
sad songs of other times,
I taste the windborne rime
of a well-remembered day
on the whipping ocean spray,
and I bow my head to pray . . .

II.
It's been a long, hard day;
sometimes I think I work too hard.
Tonight I'd like to take a walk
down by the sea —
down by those salty waves
brined with the scent of Infinity,
down by that rocky shore,
down by those cliffs that I used to climb
when the wind was **** with a taste of lime
and every dream was a sailor's dream.

Then small waves broke light,
all frothy and white,
over the reefs in the ramblings of night,
and the pounding sea
—a mariner’s dream—
was bound to stir a boy's delight
to such a pitch
that he couldn't desist,
but was bound to splash through the surf in the light
of ten thousand stars, all shining so bright.

Christ, those nights were fine,
like a well-aged wine,
yet more scalding than fire
with the marrow’s desire.

Then desire was a fire
burning wildly within my bones,
fiercer by far than the frantic foam . . .
and every wish was a moan.
Oh, for those days to come again!
Oh, for a sea and sailing men!
Oh, for a little time!

It's almost nine
and I must be back home by ten,
and then . . . what then?

I have less than an hour to stroll this beach,
less than an hour old dreams to reach . . .
And then, what then?

Tonight I'd like to play old games—
games that I used to play
with the somber, sinking waves.
When their wraithlike fists would reach for me,
I'd dance between them gleefully,
mocking their witless craze
—their eager, unchecked craze—
to batter me to death
with spray as light as breath.

Oh, tonight I'd like to sing old songs—
songs of the haunting moon
drawing the tides away,
songs of those sultry days
when the sun beat down
till it cracked the ground
and the sea gulls screamed
in their agony
to touch the cooling clouds.
The distant cooling clouds.

Then the sun shone bright
with a different light
over different lands,
and I was always a pirate in flight.

Oh, tonight I'd like to dream old dreams,
if only for a while,
and walk perhaps a mile
along this windswept shore,
a mile, perhaps, or more,
remembering those days,
safe in the soothing spray
of the thousand sparkling streams
that rush into this sea.
I like to slumber in the caves
of a sailor's dark sea-dreams . . .
oh yes, I'd love to dream,
to dream
and dream
and dream.

“Sea Dreams” is one of my longer and more ambitious early poems, along with the full version of “Jessamyn’s Song.” To the best of my recollection, I wrote “Sea Dreams” around age 18, circa 1976-1977. For years I thought I had written “Sea Dreams” around age 19 or 20, circa 1978. But then I remembered a conversation I had with a friend about the poem in my freshman dorm, so the poem must have been started around age 18 or earlier. Dating my early poems has been a bit tricky, because I keep having little flashbacks that help me date them more accurately, but often I can only say, “I know this poem was written by about such-and-such a date, because ...”

The next poem, "Son," is a companion piece to “Sea Dreams” that was written around the same time and discussed in the same freshman dorm conversation. I remember showing this poem to a fellow student and he asked how on earth I came up with a poem about being a father who abandoned his son to live on an island! I think the meter is pretty good for the age at which it was written.

Son
by Michael R. Burch

An island is bathed in blues and greens
as a weary sun settles to rest,
and the memories singing
through the back of my mind
lull me to sleep as the tide flows in.

Here where the hours pass almost unnoticed,
my heart and my home will be till I die,
but where you are is where my thoughts go
when the tide is high.

[etc., see handwritten version, the father laments abandoning his son]

So there where the skylarks sing to the sun
as the rain sprinkles lightly around,
understand if you can
the mind of a man
whose conscience so long ago drowned.



Ode to Postmodernism, or, Bury Me at St. Edmonds!
by Michael R. Burch

"Bury St. Edmonds—Amid the squirrels, pigeons, flowers and manicured lawns of Abbey Gardens, one can plug a modem into a park bench and check e-mail, files or surf the Web, absolutely free."—Tennessean News Service. (The bench was erected free of charge by the British division of MSN, after a local bureaucrat wrote a contest-winning ode of sorts to MSN.)

Our post-modernist-equipped park bench will let
you browse the World Wide Web, the Internet,
commune with nature, interact with hackers,
design a virus, feed brown bitterns crackers.

Discretely-wired phone lines lead to plugs—
four ports we swept last night for nasty bugs,
so your privacy's assured (a *******'s fine)
while invited friends can scan the party line:

for Internet alerts on new positions,
the randier exploits of politicians,
exotic birds on web cams (DO NOT FEED!) .
The cybersex is great, it's guaranteed

to leave you breathless—flushed, free of disease
and malware viruses. Enjoy the trees,
the birds, the bench—this product of Our pen.
We won in with an ode to MSN.



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.


Step Into Starlight
by Michael R. Burch

Step into starlight,
lovely and wild,
lonely and longing,
a woman, a child . . .

Throw back drawn curtains,
enter the night,
dream of his kiss
as a comet ignites . . .

Then fall to your knees
in a wind-fumbled cloud
and shudder to hear
oak hocks groaning aloud.

Flee down the dark path
to where the snaking vine bends
and withers and writhes
as winter descends . . .

And learn that each season
ends one vanished day,
that each pregnant moon holds
no spent tides in its sway . . .

For, as suns seek horizons—
boys fall, men decline.
As the grape sags with its burden,
remember—the wine!

I believe I wrote the original version of this poem in my early twenties.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



You Never Listened
by Michael R. Burch

You never listened,
though each night the rain
wove its patterns again
and trembled and glistened . . .

You were not watching,
though each night the stars
shone, brightening the tears
in her eyes palely fetching . . .

You paid love no notice,
though she lay in my arms
as the stars rose in swarms
like a legion of poets,

as the lightning recited
its opus before us,
and the hills boomed the chorus,
all strangely delighted . . .



Through the fields of solitude
by Hermann Allmers
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion ...



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky,
and the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our husks into some savage ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze,
blown high, upward yearning,
twin spirits returning
to the world of resplendence from which we were seized.

In the whispering night, when the mockingbird calls
while denuded vines barely cling to stone walls,
as the red-rocked rivers rush on to the sea,
like a bright Goddess calling
a meteor falling
may flare like desire through skeletal trees.

If you look to the east, you will see a reminder
of days that broke warmer and nights that fell kinder;
but you and I were not meant for this life,
a life of illusions
and painful delusions:
a life without meaning—unless it is life.

So turn from the east and look to the west,
to the stars—argent fire ablaze at God's breast—
but there you'll find nothing but dreams of lost days:
days lost forever,
departed, and never,
oh never, oh never shall they be regained.

So turn from those heavens—night’s pale host of stars—
to these scarred pitted mountains, these wild grotesque tors
which—looming in darkness—obscure lustrous seas.
We are men, we must sing
till enchanted vales ring;
we are men; though we wither, our spirits soar free.



and then i was made whole
by Michael R. Burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Bowery Boys
by Michael R. Burch

Male bowerbirds have learned
that much respect is earned
when optical illusions
inspire wild delusions.

And so they work for hours
to line their manly bowers
with stones arranged by size
to awe and mesmerize.

It’d take a great detective
to grok the false perspective
they use to lure in cuties
to smooch and fill with cooties.

Like human politicians,
they love impressive fictions
as they lie in their randy causes
with props like the Wizard of Oz’s.



THE KNIGHT IN THE PANTHER’S SKIN

***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend.

The Knight in the Panther's Skin
by ***** Rustaveli
loose translation/interpretation by Michael R. Burch

excerpts from the PROLOGUE

I sing of the lion whose image adorns the lances, shields and swords
of our Queen of Queens: Tamar, the ruby-throated and ebon-haired.
How dare I not sing Her Excellency’s manifold praises
when those who attend her must bring her the sweets she craves?

My tears flow profusely like blood as I extol our Queen Tamar,
whose praises I sing in these not ill-chosen words.
For ink I have employed jet-black lakes and for a pen, a flexible reed.
Whoever hears will have his heart pierced by the sharpest spears!

She bade me laud her in stately, sweet-sounding verses,
to praise her eyebrows, her hair, her lips and her teeth:
those rubies and crystals arrayed in bright, even ranks!
A leaden anvil can shatter even the strongest stone.

Kindle my mind and tongue! Fill me with skill and eloquence!
Aid my understanding for this composition!
Thus Tariel will be tenderly remembered,
one of three star-like heroes who always remained faithful.

Come, let us mourn Tariel with undrying tears
because we are men born under similar stars.
I, Rustaveli, whose heart has been pierced through by many sorrows,
have threaded this tale like a necklace of pearls.

Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan



Final Lullaby
by Michael R. Burch

for my mother, Christine Ena Burch

Sleep peacefully—for now your suffering’s over.

Sleep peacefully—immune to all distress,
like pebbles unaware of raging waves.

Sleep peacefully—like fields of fragrant clover
unmoved by any motion of the wind.

Sleep peacefully—like clouds untouched by earthquakes.

Sleep peacefully—like stars that never blink
and have no thoughts at all, nor need to think.

Sleep peacefully—in your eternal vault,
immaculate, past perfect, without fault.



don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

I dedicated this poem to the love of my life, but you are welcome to dedicate it to the love of yours, if you like it. The opening lines were inspired by a famous love poem by e. e. cummings. I went through a "cummings phase" around age 15 and wrote a number of poems "under the influence."



Options Underwater: The Song of the First Amphibian
by Michael R. Burch

“Evolution’s a Fishy Business!”

1.
Breathing underwater through antiquated gills,
I’m running out of options. I need to find fresh Air,
to seek some higher Purpose. No porpoise, I despair
to swim among anemones’ pink frills.

2.
My fins will make fine flippers, if only I can walk,
a little out of kilter, safe to the nearest rock’s
sweet, unmolested shelter. Each eye must grow a stalk,
to take in this green land on which it gawks.

3.
No predators have made it here, so I need not adapt.
Sun-sluggish, full, lethargic―I’ll take such nice long naps!

The highest form of life, that’s me! (Quite apt
to lie here chortling, calling fishes saps.)

4.
I woke to find life teeming all around―
mammals, insects, reptiles, loathsome birds.
And now I cringe at every sight and sound.
The water’s looking good! I look Absurd.

5.
The moral of my story’s this: don’t leap
wherever grass is greener. Backwards creep.
And never burn your bridges, till you’re sure
leapfrogging friends secures your Sinecure.

Originally published by Lighten Up Online

Keywords/Tags: amphibian, amphibians, evolution, gills, water, air, lungs, fins, flippers, fish, fishy business


These are my modern English translations of poems by Dante Alighieri.

Little sparks may ignite great Infernos.
―Dante, loose translation/interpretation by Michael R. Burch

In Beatrice I beheld the outer boundaries of blessedness.
―Dante, loose translation/interpretation by Michael R. Burch

She made my veins and even the pulses within them tremble.
―Dante, loose translation/interpretation by Michael R. Burch

Her sweetness left me intoxicated.
―Dante, loose translation/interpretation by Michael R. Burch

Love commands me by dictating my desires.
―Dante, loose translation/interpretation by Michael R. Burch

Follow your own path and let bystanders gossip.
―Dante, loose translation/interpretation by Michael R. Burch

The devil is not as dark as depicted.
―Dante, loose translation/interpretation by Michael R. Burch

There is no greater sorrow than to recall how we delighted in our own wretchedness.
―Dante, loose translation/interpretation by Michael R. Burch

As he, who with heaving lungs escaped the suffocating sea, turns to regard its perilous waters.
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you nosedive in the mildest breeze?
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you quail at the least breath of wind?
―Dante, loose translation/interpretation by Michael R. Burch

Midway through my life’s journey
I awoke to find myself lost in a trackless wood,
for I had strayed far from the straight path.
―Dante, loose translation/interpretation by Michael R. Burch

INSCRIPTION ON THE GATE OF HELL
Before me nothing created existed, to fear.
Eternal I am, eternal I endure.
Abandon all hope, ye who enter here.
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Ladies of Modest Countenance” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

You, who wear a modest countenance,
With eyelids weighed down by such heaviness,
How is it, that among you every face
Is haunted by the same pale troubled glance?

Have you seen in my lady's face, perchance,
the grief that Love provokes despite her grace?
Confirm this thing is so, then in her place,
Complete your grave and sorrowful advance.

And if, indeed, you match her heartfelt sighs
And mourn, as she does, for the heart's relief,
Then tell Love how it fares with her, to him.

Love knows how you have wept, seeing your eyes,
And is so grieved by gazing on your grief
His courage falters and his sight grows dim.



Paradiso, Canto III:1-33, The Revelation of Love and Truth
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

That sun, which had inflamed my breast with love,
Had now revealed to me―as visions move―
The gentle and confounding face of Truth.

Thus I, by her sweet grace and love reproved,
Corrected, and to true confession moved,
Raised my bowed head and found myself behooved

To speak, as true admonishment required,
And thus to bless the One I so desired,
When I was awed to silence! This transpired:

As the outlines of men’s faces may amass
In mirrors of transparent, polished glass,
Or in shallow waters through which light beams pass

(Even so our eyes may easily be fooled
By pearls, or our own images, thus pooled):
I saw a host of faces, pale and lewd,

All poised to speak; but when I glanced around
There suddenly was no one to be found.
A pool, with no Narcissus to astound?

But then I turned my eyes to my sweet Guide.
With holy eyes aglow and smiling wide,
She said, “They are not here because they lied.”



Sonnet: A Vision of Love from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

To every gentle heart which Love may move,
And unto which my words must now be brought
For true interpretation’s tender thought―
I greet you in our Lord's name, which is Love.

Through night’s last watch, as winking stars, above,
Kept their high vigil over us, distraught,
Love came to me, with such dark terrors fraught
As mortals may not casually absolve.
Love seemed a being of pure joy, and had
My heart held in his hand, while on his arm
My lady, wrapped in her fine mantle, slept.
He, having roused her from her sleep, then made
Her eat my heart; she did, in deep alarm.
He then departed; as he left, he wept.


Excerpts from LA VITA NUOVA
by Dante Alighieri

Ecce deus fortior me, qui veniens dominabitur mihi.
Here is a Deity, stronger than myself, who comes to dominate me.
―Dante, loose translation/interpretation by Michael R. Burch

Apparuit iam beatitudo vestra.
Your blessedness has now been manifested unto you.
―Dante, loose translation/interpretation by Michael R. Burch

Heu miser! quia frequenter impeditus ero deinceps.
Alas, how often I will be restricted now!
―Dante, loose translation/interpretation by Michael R. Burch

Fili mi, tempus est ut prætermittantur simulata nostra.
My son, it is time to cease counterfeiting.
―Dante, loose translation/interpretation by Michael R. Burch

Ego tanquam centrum circuli, cui simili modo se habent circumferentiæ partes: tu autem non sic.
Love said: “I am as the center of a harmonious circle; everything is equally near me. No so with you.”
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Love’s Thoroughfare” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

“O voi che par la via”

All those who travel Love's worn tracks,
Pause here, awhile, and ask
Has there ever been a grief like mine?

Pause here, from that mad race;
Patiently hear my case:
Is it not a piteous marvel and a sign?

Love, not because I played a part,
But only due to his great heart,
Afforded me a provenance so sweet

That often others, as I went,
Asked what such unfair gladness meant:
They whispered things behind me in the street.

But now that easy gait is gone
Along with the wealth Love afforded me;
And so in time I’ve come to be

So poor that I dread to ponder thereon.
And thus I have become as one
Who hides his shame of his poverty

By pretending happiness outwardly,
While within I travail and moan.



Sonnet: “Cry for Pity” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

These thoughts lie shattered in my memory:
When through the past I see your lovely face.
When you are near me, thus, Love fills all Space,
And often whispers, “Is death better? Flee!”

My face reflects my heart's blood-red dammed tide,
Which, fainting, seeks some shallow resting place;
Till, in the blushing shame of such disgrace,
The very earth seems to be shrieking, “Die!”

’Twould be a grievous sin, if one should not
Relay some comfort to my harried mind,
If only with some simple pitying
For this great anguish which fierce scorn has wrought
Through faltering sights of eyes grown nearly blind,
Which search for death now, like a blessed thing.



Excerpt from Paradiso
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

****** Mother, daughter of your Son,
Humble, yet exalted above creation,
And the eternal counsel’s apex shown,

You are the Pinnacle of human nature,
Your nobility instilled by its Creator,
Who did not, having you, disdain his creature.

Love was rekindled in your perfect womb
Where warmth and holy peace were given room
For this, Perfection’s Rose, once sown, to bloom.

Now unto us you are a Torch held high
Our noonday sun―the light of Charity,
Our wellspring of all Hope, a living sea.

Madonna, so pure, high and all-availing,
The man who desires grace of you, though failing,
Despite his grounded state, is given wing!

Your mercy does not fail, but, Ever-Blessed,
The one who asks finds oftentimes his quest
Unneeded: you foresaw his first request!

You are our Mercy; you are our Compassion;
you are Magnificence; in you creation
Unites whatever Goodness deems Salvation.



THE MUSE

by Anna Akhmatova
loose translation/interpretation by Michael R. Burch

My being hangs by a thread tonight
as I await a Muse no human pen can command.
The desires of my heart ― youth, liberty, glory ―
now depend on the Maid with the flute in her hand.

Look! Now she arrives; she flings back her veil;
I meet her grave eyes ― calm, implacable, pitiless.
“Temptress, confess!
Are you the one who gave Dante hell?”

She answers, “Yes.”



I have also translated this poem written by Marina Tsvetaeva for Anna Akhmatova:

Excerpt from “Poems for Akhmatova”
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...
to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...


Dante Criticism by Michael R. Burch

Dante’s was a defensive reflex
against religion’s hex.
―Michael R. Burch


Dante, you Dunce!
by Michael R. Burch

The earth is hell, Dante, you Dunce!
Which you should have perceived―since you lived here once.

God is no Beatrice, gentle and clever.
Judas and Satan were wise to dissever
from false “messiahs” who cannot save.
Why flit like a bat through Plato’s cave
believing such shadowy illusions are real?
There is no "hell" but to live and feel!



How Dante Forgot Christ
by Michael R. Burch

Dante ****** the brightest and the fairest
for having loved―pale Helen, wild Achilles―
agreed with his Accuser in the spell
of hellish visions and eternal torments.
His only savior, Beatrice, was Love.

His only savior, Beatrice, was Love,
the fulcrum of his body’s, heart’s and mind’s
sole triumph, and their altogether conquest.
She led him to those heights where Love, enshrined,
blazed like a star beyond religion’s hells.

Once freed from Yahweh, in the arms of Love,
like Blake and Milton, Dante forgot Christ.

The Christian gospel is strangely lacking in Milton’s and Dante’s epics. Milton gave the “atonement” one embarrassed enjambed line. Dante ****** the Earth’s star-crossed lovers to his grotesque hell, while doing exactly what they did: pursing at all costs his vision of love, Beatrice. Blake made more sense to me, since he called the biblical god Nobodaddy and denied any need to be “saved” by third parties.



Dante’s Antes
by Michael R. Burch

There’s something glorious about man,
who lives because he can,
who dies because he must,
and in between’s a bust.

No god can reign him in:
he’s quite intent on sin
and likes it rather, really.
He likes *** touchy-feely.

He likes to eat too much.
He has the Midas touch
and paves hell’s ways with gold.
The things he’s bought and sold!

He’s sold his soul to Mammon
and also plays backgammon
and poker, with such antes
as still befuddle Dantes.

I wonder―can hell hold him?
His chances seem quite dim
because he’s rather puny
and also loopy-******.

And yet like Evel Knievel
he dances with the Devil
and seems so **** courageous,
good-natured and outrageous

some God might show him mercy
and call religion heresy.



Of Seabound Saints and Promised Lands
by Michael R. Burch

Judas sat on a wretched rock,
his head still sore from Satan’s gnawing.
Saint Brendan’s curragh caught his eye,
wildly geeing and hawing.

I’m on parole from Hell today!
Pale Judas cried from his lonely perch.
You’ve fasted forty days, good Saint!
Let this rock by my church,
my baptismal, these icy waves.
O, plead for me now with the One who saves!

Saint Brendan, full of mercy, stood
at the lurching prow of his flimsy bark,
and mightily prayed for the mangy man
whose flesh flashed pale and stark
in the golden dawn, beneath a sun
that seemed to halo his tonsured dome.
Then Saint Brendan sailed for the Promised Land
and Saint Judas headed Home.

O, behoove yourself, if ever your can,
of the fervent prayer of a righteous man!

In Dante’s Inferno, Satan gnaws on Judas Iscariot’s head. A curragh is a boat fashioned from wood and ox hides. Saint Brendan of Ireland is the patron saint of sailors and whales. According to legend, he sailed in search of the Promised Land and discovered America centuries before Columbus.



RE: Paradiso, Canto III
by Michael R. Burch

for the most “Christian” of poets

What did Dante do,
to earn Beatrice’s grace
(grace cannot be earned!)
but cast disgrace
on the whole human race,
on his peers and his betters,
as a man who wears cheap rayon suits
might disparage men who wear sweaters?

How conventionally “Christian” ― Poet! ― to ****
your fellow man
for being merely human,
then, like a contented clam,
to grandly claim
near-infinite “grace,”
as if your salvation was God’s only aim!
What a scam!

And what of the lovely Piccarda,
whom you placed in the lowest sphere of heaven
for neglecting her vows ―
She was forced!
Were you chaste?



Intimations V
by Michael R. Burch

We had not meditated upon sound
so much as drowned
in the inhuman ocean
when we imagined it broken
open
like a conch shell
whorled like the spiraling hell
of Dante’s Inferno.

Trapped between Nature
and God,
what is man
but an inquisitive,
acquisitive
sod?

And what is Nature
but odd,
or God
but a Clod,
and both of them horribly flawed?



Endgame
by Michael R. Burch

The honey has lost all its sweetness,
the hive―its completeness.

Now ambient dust, the drones lie dead.
The workers weep, their King long fled
(who always had been ****, invisible,
his “kingdom” atomic, divisible,
and pathetically risible).

The queen has flown,
long Dis-enthroned,
who would have given all she owned
for a promised white stone.

O, Love has fled, has fled, has fled ...
Religion is dead, is dead, is dead.



The Final Revelation of a Departed God’s Divine Plan
by Michael R. Burch

Here I am, talking to myself again . . .

******* at God and bored with humanity.
These insectile mortals keep testing my sanity!

Still, I remember when . . .

planting odd notions, dark inklings of vanity,
in their peapod heads might elicit an inanity

worth a chuckle or two.

Philosophers, poets . . . how they all made me laugh!
The things they dreamed up! Sly Odysseus’s raft;

Plato’s Republic; Dante’s strange crew;

Shakespeare’s Othello, mad Hamlet, Macbeth;
Cervantes’ Quixote; fat, funny Falstaff!;

Blake’s shimmering visions. Those days, though, are through . . .

for, puling and tedious, their “poets” now seem
content to write, but not to dream,

and they fill the world with their pale derision

of things they completely fail to understand.
Now, since God has long fled, I am here, in command,

reading this crap. Earth is Hell. We’re all ******.

Keyword/Tags: Muslims, sonnet, Italian sonnet, crown of sonnets, rhyme, love, affinity and love, Rome, Italy, Florence

Published as the collection "First they came for the Muslims"

By book-ends my stomach is churning,
I'm cantankerous and stand-offish
in spurts, barely there in others.
I could not dig up where my head was
if I had to. I do not have to.
There are some things in my life that
lead themselves to failure. I have dropped
instinct, instead adopting pattern,
a means of coping with the endlessness
of life in a globalized world.
This is not lament. I could part with
objectivity, happy to expire for a
scrap of extra sentience. Please, before
my words become manners and manners become
holes full of dirt, pardon me for the mess.
I only had so much time after all.

NEW DELHI, INDIA: Rifling through sweaters in India’s first Gap store in a glitzy New Delhi mall, 21-year-old Ridhi Goel says her grandmother doesn’t mind how she dresses, as long as it’s not too revealing.

“She’s fine with me wearing Western clothes like a shirt but not jeans and a crop top,” said the journalism student, her grey leggings contrasting sharply with her mother’s colourful kurta.

Taking a stand for big brands

“All my family wears Indian clothes, but I find them too uncomfortable. I think maybe there is a generational divide.”

Most women in India still wear traditional dress such as saris or shalwar kameez — but the picture is changing, and on city streets, dazzling silks mingle with logoed T-shirts and jeans.

Young people’s appetite for Western clothes has led a fresh flurry of foreign brands to open up in India in the past few months, including US chain Gap and Sweden’s H&M.;

Others are expanding fast, including popular Spanish retailer Zara and British high-street staple Marks & Spencer, which in October opened its 50th shop in India, its biggest market outside the UK.

Fashion design outlets sealed for non-payment of taxes

Urbanisation, a growing middle class, rising disposable incomes and one of the youngest populations in the world make India hard to ignore.

“The time has come for Western wear to have exponential growth,” J. Suresh, the managing director of textile group Arvind Lifestyle Brands, Gap’s partner in India, told AFP.

“If you look at any girl born after 1990 she will be wearing Western wear. That is the generation coming into college, getting their first job,” he said. ”They will be completely clad in Western wear.”

While globally women are the biggest shoppers, in India men’s clothing dominates with 42 percent of the $38 billion market in 2014, according to consultancy Technopak.

Lucrative trade: Designers approach PRA in wake of fashion crackdown

Shoppers are also younger — the average customer targeted by Gap in its US stores is 35, but their Indian counterpart is five to 10 years younger, Suresh said.

Gap had a head start in India thanks to Bollywood megastar Shah Rukh Khan, whose ubiquitous orange hoodie in 1990s hit Kuch Kuch Hota Hai handed the brand a ready-made following.

But it is young Indian women, increasingly affluent and joining the workforce in expanding numbers, who are driving change, with data showing sales of womenswear growing faster than men’s.

And while Western clothes currently make up only about a quarter of Indian womenswear, their sales are outpacing traditional dress sales.

Experimental exhibition: Emerging artists explore unique mediums

A Marks & Spencer spokesperson cited its Indigo denim range and lingerie as two of its best-performing lines in India, with more than 300,000 bras sold in 2014-15.

“As an increasing number of women move into white collar and blue-collar roles, they are also adopting Western attire,” Devangshu Dutta, chief executive of Third Eyesight, a retail consultancy in Delhi, told AFP.

read more:www.marieaustralia.com/black-formal-dresses

www.marieaustralia.com/white-formal-dresses

Gorse burnt
bird skeleton
laying beneath
stark, white, crumbly
just calcium
a proto-fossil
that lacks the hardness
derived from
aeons encased
in mud
becoming stone
but this one
will never be
its future is dust
mingled with sand

Close by lies
a golf ball
a wayward one
that strayed
from links
to dune
to deform
in the blaze
become blackend
and split
the skin peeled back
opened to reveal
the tight-wound
elastic strands
fused together
yet penetrable
with persistent
small fingers
and unravelled
in exploration
to be left
in an untidy
forgotten pile
once the sac
at the core
is retrieved
within which
thick white paint
to sqeeze forth
and daub
on wall or fence
or kerbstone

This was the day after
fire had torn
through a thicket of gorse
that I and one or two
others had found ablaze
burning red and yellow and orange
hissing and spitting in protest
radiating heat in aromatic miasma
impressing all senses together
and knowing our civic duty
had run breathless
two streets inland
to fire red telephone box
to dial three nines
and deliver the news and wait
for fire red fire engine
to thunder by with shrilling bell
then to follow on, running back
to observe and to claim
with pride our part
in the resolution of danger
only to face accusation
that we must be responsible
for starting the conflagration
our shock and earnest denials
not entirely convincing
even when we protested that
had we been the culprits
then reporting the matter
would be the last consideration
instead, we were told
we'd clearly done the deed
so we could call out the brigade
and though nothing in the end
came of it, I was left convinced
that adult thought patterns
left much to be desired
and were far too convoluted
too suspicious, too impenetrable
to be ever worth adopting

That episode taught me
the magnificence of gorse ablaze
that discoveries were to be
made in the aftermath
that doing the right thing
wasn't always to be advised
that overly suspicious
too officious firemen
were fishing for payback
that if I were to be judged
guilty of the offence
when I was innocent of it
then I had a credit awaiting
in the bank of misdemeanor
so in due course
I made my withdrawal
and lit the gorse
in assembly at school
we were told we should
not hide our light
under a bushel
but I, not knowing
what a bushel was
lit mine under a bush
I did it only once
and though I had a brief
flirtation with Fraid
Her power scared me too much
no great damage was done
no human life lost
or placed in danger
save possibly mine

Cynthia Pauline Jones, 19/10/13

It began, as these things often do
With darkened skies and all around
The night had paused to draw a breath
And through the streets rebounded sound
A slow and steady fall of foot
I stepped the cobbles free of care
My eyes were drinking vivid light
A fragrance tangled on the air

My purpose set
My heart a grim quartet

The door was mere scenery
A sight to see but not recall
The passing gaze is pushed away
And sees there, just another wall
No movement could I hear within
My knuckles whitened on the knock
Relief recoiled hastily
A scratching from the rusted lock

My fingers clenched
Anxiety deeply entrenched

The woodwork inched a little back
A brow bedecked in withered hair
A pupil sharp as autumn frost
Surveyed me with a butchers glare
Her voice, a blade across my mind
Invited me to step inside
A shiver shook my frozen bones
My feet took up a timid stride

Her tone shallow
Her skin like warm tallow

Within was soaked in tepid gloom
In candle light the shadows danced
The flames grew quick and paranoid
And leaned away as I advanced
Behind me scurried shut the door
And down my spine, an angel tear
A leather chair of ages past
Held consort with my falling rear

She sat near
And whispered in my ear

With lizards hiss and jagged tone
In fragrances of smoke and gin
She sprinkled such a parable
That tingles bounced across my skin
My mission lay ahead of me
But caution of a reckless choice
A curse that fed on failure
And menace edged her ebon voice

Salvation awaited
But hope swiftly abated

Away into the night I strode
My razor wits with terror blunt
I packed a satchel prudently
For sustenance about the hunt
A dagger dangled on my hip
A bow and quiver on my back
Its bowstring plaited spider web
Was ever strong and never slack

Horizon bound
I broke the ****** ground

My quarry was a worthy foe
And many days I tracked until
By moonlight on a starless night
I caught a glimpse and stopping still
A sight I've struggled to forget
My bounty and my nemesis
Was bounding past me heedlessly
As fear wrought paralysis

Eyes like death
****** hung on its breath

It stood a daunting seven foot
With talons jutting from its hands
A mass of quills and tentacles
With extra spleens and mucus glands
A mouth with room for seven men
And teeth the size of ironing boards
A single but enormous eye
With lashes like a row of swords

My face paled
My bladder faultered and soon failed

I faced my prey and crossed my legs
My stricken blood had turned froth
I ****** myself in abject fear
But stopped just short of touching cloth
I turned about and ran away
While screaming out profanity
And crying like a baby
And adopting Christianity

Pleading with fate
My pride a sorry state

I fled the county swiftly
Finding shelter inside a cave
My punishment for failure
Would see me to my grave
And so I existed in exile
Eating only what I caught
In time the wind grew colder
And the days were ever short

Winter grips
The solar zenith slips

I huddle to this very day
Amid the gloom with frozen breath
And keeping warm is paramount
For stretching life, postponing death
Though purely for survival
While I weather every storm
I've taken to bumming weasels
As a means of keeping warm

Blunt trauma
Weasel skin *****-warmer

I'm still stuck in day-drunk unemployment.
A millennial with eyes to a screen,
adopting a science
in a bedroom whisper for Gaza.

Now a writer of pretty words and clumsy verse,
there's no place for happiness
in forcing poetry. There are ribbons and bows
around the fenced-off trees,

there are notebooks of unfinished thought.
I'm searching the skies for a scrap of movement,
for some coded message
to **** the engine of war.

There's a wedding in the morning,
and there is somebody who still believes in love.
Rainbow confetti will kick in the sky,
a dandelion is born in the skull of old Palestine.

I'm still stuck in this new-age desperation,
a constant plea for peaceful completion.
I'm changing address
for a clean way of living,

in your sweet floral dress,
let this be the beginning.

I shed tears
You shed humanity
I dread and fear
Your unstable insanity
You loosen your compassion
Like it's your belt
For it's in your fashion
To inflict welts
On the ground I knelt
Doubled over in pain
From a punishing rain
My eyes welled up and my vision got blurry
I was unable to break your encryption of fury
My mind was in constant examination
Of your gift of violent contamination
Lines were crossed on my back
Living life on your torture rack

You become my God
You never spare the rod
My brother may be able
But I'm on *******
I turned the tables
By torching my brain
On the ****** train
I invented a game
Out of ruining your creation
My veins experienced deflation
Until I saw the error of my ways
Adopting your negative craze
You wanted me to get used to pain
But I'd rather get used to change

The effects of corporal punishment are felt
When society hits us with a conveyor belt
Convincing us if something worked it must continue to
Our childhood experience this is imprinted through
We figure our children must be belted
After our minds have been smelted
Forged in fire
Our hearts retired
As we grew colder
The beaten grew older
And reproduced
And re-introduced
A punishing perception of the world
They beat the clam that holds the pearl

(Pt. II)

After the 7/7 bombing ...
This is part of a Trilogy of poems to remind people about
where some of their, " Anti-Islam Rhetoric ", started from ....

Well ...

... HERE WE GO ... !!!!!
  
It Didn't Take Long ... !!!
For ... " Political Players " ...  
To Sing ... " Dud Songs " ... !!!  
    
London's Been BOMBED ... !!!!!  
  
"It was the Muslims, all along !"  
    
Excuse Me Mr. Clarke ...  
I Think You May Be Wrong ... ?!?  
    
The ... HOME SECRETARY ...  
Is Jumping On The Ferry ...  
That's Saying To MUSLIMS ...    
    
They'd ...  
Better Be WARY ... !!!!!!!!  
    
But Let's Get Things CLEAR ... !!!  
    
They've ALWAYS FEARED ...  
Men With A Dark Appearance ...
And A ... LENGTHY Beard ... !!!    
    
But Many Now ...    
Are ... " BRITISH " ... !!!  
    
Adopting ... Muslim Ways ...  
Who Live Their Life ... " In HOPE " ...  
of Seeing ... PEACEFUL Days ...    
    
Their Wish Is For Some Guidance ...    
WITHOUT Old English Tricks ... !!!  
    
That's Why Some Show DEFIANCE ... !!!  
    
This Country NEEDS A FIX ... !!!!!  
    
A Fix of ... " TRUTH " ... !!!  
A Fix of ... " PROOF " ... !!!  
    
A Fix of Things ....  
That AREN'T See Through ...  
    
Am I Getting Through To You ... ?!?  
    
I'm NO MUSLIM ...  
I'm NO JEW ...    
I'm Just ME ... !!!  
    
But What Are YOU ... ?!?  
    
What Do You Believe Is True ... !?!  
    
Don't You Think ... ?  
We NEED MORE Clues ... ?!?  
    
I Think We ........  
Should Be ... MORE Shrewd ... !!!    
    
Instead of ... Jumping Into Shoes ...    
That DON'T FIT RIGHT ... !!!  
    
So What's Your View ... ???  
    
CAREFUL NOW ... !!!  
You'd Best Be Cool ...  
Cos' Views You Share ...  
Could ... DAMAGE YOU ... !?!  
    
We're Being Told .....  
  
" WATCH WHAT YOU SAY ! "  
    
Cos' Leaders Now WON'T Tolerate ... !!!  
Those of Us Who Want To Relate ...  
    
A DIFFERENT View ...  
To ... Political Crews ...    
    
This is WHY ...  
They CONTROL News ... !!!  
    
To Keep The FOOLS FALSELY Schooled ...
In PROPAGANDA, NOT The TRUTH ... !!!!!  
    
So Check This Flow ...  
    
" Do not pass go !  
cos' Old Kent Road,  
ain't there no more ! "  
    
Laugh If YOU CAN ...  
It's ... NOT A JOKE ...  
When Friends of Yours ...  
Die From ... BOMB Smoke ... !!!    
    
A Friend Told Me ...
  
"Shrapnel does make victims bleed,  
but what kills you, is all the heat !"  
    
Stuck In A Tunnel ...  
Frying Like .... MEAT .... !!!  
    
Do My Depictions ...  
Make You ... " Weep " ... ?  
    
Or Give You Heartburn ... ?  
Like ... Meryl Streep ... !!!  
    
Or ... Do You Believe ... ?  
These Political CREEPS ... !!!  
    
Who .....  
Continually Preach ...  
While Others ... " Sleep " ...    
    
NOT For The Night ...  
But .... " ETERNITY " .... !!!!!  
    
MP's Are Free To Walk FREELY ... !!!  
    
But I Fear For Peace ...  
On .... English Streets ....  
    
When War Is Waged ...  
On .... " Communities " ....    
And Freedom of Speech ...  
Becomes ... OBSOLETE ... !!!      
    
Then Men Like Me ....    
Become Government Foes ...  
Because of WORDS ...  
We Put In Prose ... ?!?!?    
    
What Would You Choose ... ?  
Coc' Up Your Nose ...  
Or Political Coups ...    
And ... " Reality Shows " ...    
    
How About ... ?
... " Poets EXPOSED ?!? " ...  
    
Would I Get Your Vote ...  
To Be Your Host ... ?  
    
I ... Reckon So ...    
And That's NO BOAST ... !!!  
    
But Let's NOT GET ...  
Caught Up In Jokes ...    
    
Cos' Government Quotes ...  
May Just .... " Provoke " ....  
    
A VIOLENT END ... !!!      
Where Muslims Choke ... !!!!!  
    
NOT JUST THEM ... !!!  
    
That's The ... PROBLEM ... !!!  
When Bombs Are Left ...  
Around ... " London " ... !!!  
    
This Piece Has Got ....  
Some ... DIFFERENT Flows ... !!!  
    
Cos' Like A Bomb ...  
I'm ... READY TO BLOW ... !!!!!  
    
Things Are Now Out of CONTROL ...    
    
So ... Watch Out Folks ...  
    
Cos' ......  
    
.... " Here We Go " .... !!!

What happens when an artist falls in love with another artist?

She felt as if she wasn’t in love with another artist, but rather, a form of art. He was the kind of art that made artists think that their brains were the ones which conceived the idea of his existence. He was the type of art that made artists pray that their hands were the ones which molded and could touch his face. He was the category of art that made artists wish that their hearts were the ones which loved and could exhibit him to the world. He was the subject of art that made artists realize that their eyes followed him wherever he went.

It was nearing the year-end cold season. Tree leaves were turning a rusty color, ready to peel themselves off from the branches and fall, as the season suggests. This was her favorite time of the year: her being able to wear her autumnal wardrobe collection and her feelings relating to the descending movement of leaves. It was fall. And fall she did as well, for the boy who took up the featured gallery space in her mind of an art museum.

On one of the stone benches across the building of their college, she positioned herself, plugged in her ear buds, pressed play and closed her eyes. The playlist, dedicated to the boy who was a year younger than her, amplified the emotions she felt for him once again.

No, it isn’t strange to like one who’s younger than you, she thought. He is, after all, still towering at least nine inches over me. Crazy how the height of a person could make you tremble yet feel secure, and not to mention, could make them seem older.

He didn’t give the impression of an athlete, especially those fond of outdoors sports with sun exposure. He was pale with a soft glow, much like the first rays of the early morning sun around the time first period starts. He looked fragile with his thin stature. At least that was how her eyes saw him. To her, he was like a prized antique porcelain from the Orient—-a tall, thin, pale jar that held volumes of substance.

Her eyelids snapped open. Like a jar? How absurd, I can’t believe I just compared my crush to a jar, a nonliving object-

Her thoughtful monologue evaporated as soon as it condensed, for there he was, exiting the building. Since she sat directly across the entrance, it seemed as if he was walking over to her.

He was alone. This was her chance. She had pondered on this moment and had planned it out for months. After a bin of crumpled papers, two used pens and a tired brain and heart, she was done with writing her note and poem for him. The papers lay inside her bag, fragile and pale as the person she wrote to and for, yet to be exposed to the outside world.

Letting her eyes float over him, her senses flooded her being as her mind began to swim in the depths of what-if’s and maybe’s. She knew she was as frozen as arctic waters, and she hoped it was the breeze that made her shiver and not his gaze as he scanned his surroundings—her included. She hoped she wasn’t too obvious, at the same time, she hoped he wasn’t too oblivious.

But she could never tell if he was looking at her then. A sun ray peeked out from between the tree branches above and settled on his face, making his eyes disappear almost altogether, like the waning crescent from her favorite moon phases. He raised a long, bony hand to block the glare and soon, he was of her arm’s reach in search of a place to sit.

As much as she wanted him beside her, she didn’t want him beside her in that way. She didn’t want him to sit next to her just because there was space beside her. And she didn’t care if she was being too picky about the scenario. If something is meant to be, it will happen; one way or another.

After seeing her place her bag next to her on the bench (which took up the space he wanted to sit on), he averted his narrowed gaze to the crowded pavilions right behind her and moved on.

Was it a mistake? Was this the chance I missed? Was I supposed to let him sit with me and talk to me? The sudden invasion of such assumptions made her head spin at the reckless act. Now he probably thinks I’m selfish. He might even think I’m reserving the space for a friend. He might even think I’m waiting for my boyfriend, which I don’t have at all. Unless…

This was no time to think up a joke about adopting him as her boyfriend, though; she held the unspoken rule of “paycheck before boyfriend” close to her heart. Soon enough her thoughts settled as he took off his red backpack and sat on the newly vacated stone bench a few meters beside hers.

There it was again: the chance that returned for the second time because it pitied her heart that yearned to get close to his. And there was no denying that she did want to go up to him and introduce herself.

To any passing stranger, both of them seemed to be waiting for someone; perhaps, to be even waiting for each other without them realizing it.

Her hands were shaking. She couldn’t do this. Not right now, not yet, maybe not ever. She didn’t want to disrupt that peaceful life of his. He was the quiet type, and she didn’t want to embarrass herself in case she wouldn’t shut up once she said hello.

Writing in her journal during these unsteady moments made her hands calmer and more focused. Thus did fresh black ink for the boy blossom on a pristine page that very instant. Additionally, because her mind was in turmoil, she penned in expounded bullet forms.

- I want to know him. A lot. I want to know him because I like him.
I like him because I want to know him. I like him. A lot.
- Suddenly, school at 7am doesn’t seem so bad after all.
- He is wearing his navy blue, I suppose knit, pullover. It makes his shoulders wider and makes him taller. He gingerly took his phone out of his pocket, with those careful hands of his. I can imagine him holding my heart the same way. But my heart is the heart of a stranger, so would he be as gentle? I doubt so.
- I’m wearing my navy blue crochet pullover. This is too much of a coincidence. He pulls the navy blue top look off better than I can/do.
- A face like his belongs somewhere else but it seems as if his heart belongs here.
- I don’t care if people think he’s all I have on my mind this very moment. I want to write about him. They might think my writing is useless because it may seem like I’m immortalizing him. But they don’t realize that I write to express my feelings. Yes, my feelings for him will be magnified this way. Yes, my feelings for him will overwhelm me, the more I write about him. Then, before anyone knows it, I have already stopped thinking and writing about him. But for now, I am flooding my head with him. Because one day I know I won’t be able to contain another drop of him. I am flooding my head with him, only to drain him out of my heart in the end.
- I hope he doesn’t know that what I write and listen to have fragments of him. And I dedicate Taylor Swift’s old song Stay Beautiful to him because he deserves it.
- Superficial as my admiration of him may seem to be, I wish we could be friends (?!?) So I can admire him for real. And maybe get him his favorite snack on his birthday without the awkwardness of strangers.
- Wow. He’s looking in my directio-

No way. Is he looking at me? She held her breath again and casted so much of a side glance. It can’t possibly be me; he must have been looking at other captivating girls around me anyway.

The vibration of her cellphone made her tear her eyes away from him; she received a message from a friend whom she was to have lunch with.

Almost there, where are you?

His movement from her peripherals pulled her back to his presence again. He’s packing up? Already? But he just got here a few minutes ago, as much as I want to leave, I want him to stay… if that even makes sense…

He picked up his bag and stood up to walk over to her bench. One step, then two. His long strides were getting to her faster than she thought.

It was too soon. She felt it was still too early. It wasn’t time to get to know him.

Meet me at the carpark, she replied to her friend.

He was making his way to her with his impassive expression thanks to those eastern Asian eyes. Those same, tired eyes which caught her very own two years ago.

In the following seconds she was making her way past him. She held her head high and her shoulders back. He froze in place, confused if she made a mistake in missing him or if it was his mistake into thinking of her wanting to speak to him.

Today was not the day. Then and there she decided she wouldn’t talk to him, give him her note and poem, nor her attention and time. She didn’t even think of the imaginable future, which was unusual of her, if she would give him her number or even her heart in the time to come. One step, then two, she counted; I am walking away from you.

This was as far as she could get close and say hello to him—a walk-by and a silent goodbye.

Seasons come and go, it constantly changes
Like changing a notebook that's running out of pages
Modernization comes and wipe off traditional ways
But does it really help us ?
- That's the big question now a days

Long time ago, we're all living in simplicity
Everything's enough, and there's no scarcity
We're contented with God's gift together with our family
But those travellers came and changed our mindset
Our culture experienced a very big offset
And up to now- we can still see the disparity
-For our country once became a kind of charity
Adopting every detail of other's culture
And had almost forgotten our own
Theirs had grown in stature
While ours was rarely sown.

Tis' one of the sad thing to imagine
But it's like just some of us are concerned
Our culture is experiencing famine
We need to feed it! - that's what I learned.

Come to think of it my fellow Filipinos
Culture is part of each and everyone of us
So let's continue to enrich it and learn more values
For in this modern world that constantly changes, it's the only thing that'll last.

I’m recording this
From the future
Ten years ahead
To warn you that
Growing up is proven
To be a trap.

Inevitable as it is
Here are five advice
That you should keep in mind
And follow right after
Reading this message
To live long and prosper.

Foremost, please try your best
Not to make a hobby
Of talking to yourself
For it will haunt you
Even while you shower
Or as you take a sip on your coffee.

Start adopting a cat
Not for you to cuddle
But as a guard to your home
Aliens have used dogs to invade us
And without a feline, their only weakness
You will not be safe this April 11, 2016.

Double your dose
Of caffeine intake
I regret to have started
When I was already twenty five
The sooner the better
It’s the secret elixir of youth.

Do not believe in commercials
All the likes have been banned
In the year 2020
For they have been shown
To be made up of 80% lies
Which caused a second industrial revolution.

Coke is good, if not the greatest
But try drinking Pepsi more often
For a Pepsi fanatic will dominate the world
And he will release a proclamation
Sentencing to death any Pepsizen
Who cannot reach the required daily intake.

And a post script
Just to let you know
If you can hear the loud noises
At the background of this tape
It’s a horde of zombies
Dancing to the sound of Justin Bieber’s Baby.

Amidst the stench of alley trash
And musky homelessness,
The slicing eyes of a slinking black cat
Were the only silent watchers.

II

I lie at the bottom of a gaping chasm.
High above me, the cat peers
Over the edge.

III

The cold, dark cells
Echo the cries of loneliness.
The soft patter of black feline paws
Walk the halls in waiting.

IV

The car sped down the icy road
Until a black cat crossed its path
And stopped to watch them,
Passing.

V

I peer at the statue of an angel in the mist
And it stares back,
Adopting the beady green eyes
Of a black cat in the shadows.

VI

A woman runs from clawing hands.
The black cat must be in pursuit.

VII

Temptation cries my name
Three times.
The black cat awaits.

(footnote)

2100 years ago a band of Jews defeated the Greek army
And drove them off their land, reclaiming the holy temple
In Jerusalem and rededicating it to the service of god.
when they sought to light the temples menorah
They found only a single cruse of olive oil that
escaped contamination by the Greeks.
Miraculously the one day supply lasted eight days.
The sages instituted the festival of Chanukah
To publicize these miracles.
The Dreidel which is a four sided top with a
Hebrew letter on each side which means
“ a great miracle happened here”
was used later on in the years to give thanks to god
Without the enemy knowing that they were praying.
Chanukah, the Jewish festival of rededication, also known as the festival of lights, is an eight day festival beginning on the 25th day of the Jewish month of Kislev.
Chanukah is probably one of the best known Jewish holidays, not because of any great religious significance, but because of its proximity to Christmas. Many non-Jews (and even many assimilated Jews!) think of this holiday as the Jewish Christmas, adopting many of the Christmas customs, such as elaborate gift-giving and decoration. It is bitterly ironic that this holiday, which has its roots in a revolution against assimilation and suppression of Jewish religion, has become the most assimilated, secular holiday on our calendar.

Christmas and Chanukah are known world wide
But these two faiths do not collide.
They walk hand in hand
For they came out of the promised land.

You see : the son of god was born a Jew
The Romans felt this was taboo.
No other religion could exist
This was controlled by the Romans fist.

JESUS preached in synagogues throughout the lands
Something that the Romans did withstand.
His own people wanted his death
But little did they know
That with this- a new faith would grow.

The cross on which he died became a symbol
Of Christianity, and that’s the way
God meant it to be.

Chanukah is eight days of giving while  the Christian
Holiday is just one day ,but during these
holidays we all kneel and pray.

We give GOD thanks for all the beauties of the earth
And for family and friends, and it is something
That will never end.
As long as man holds a belief in their hearts
And faith,-then all will be overcome and
Let GODS will be done.

© L . RAMS

Selfless service.
Ego-less existence. Robes

Unwearable to mortal
Men, yet their colours are

Worth adopting onto
One's own everyday

Fatigues. I sit with one eye
Closed wherever I am, wondering

Whether this snake uncoiling
Within me is Kundalini awakening

To tell me that Dio's Stand Up
And Shout is not a mantra,

Or just some sense of knowing
That I have not a single reason to

Smile. Until I
Smile.

thin. paper thin.
here is a bonus. (or is it bogus?)

the order of release.
the order of dead pages gliding in the wind.

advertisements for adopting a lonely asteroid or building fire extinguishers in your spare time.

the rain of acceptance comes with dark clouds of shipping and handling.

just check the appropriate box and send it in. send it in now!

I wish to comb the now distant Eden
Adopting Penelope's marble poise
To find her marvelling Polaris' freedom
Not questioning her heart, unlike my words.
Vaulted abaft* her marmoreal* shoulders                                      
Chiliad* tales won, your silhouette
Decorticating* off African suns.
Oil lamp explorer, icy caves your lamp
Cannot warm; There are paths to cross with will,
Verdant* bridges constellated* with time.
Yet you, Inexhaustible human heart,
Beat with love. You gravedigger of the sky,
Estranged Love, brave forevermore the Afar,
Beyond the doubts of your enduring Heart.

I crave to be an owner,
Sedulous and true,
Striving to become a gainer,
Knowing exactly what to do.

The formula is to take a pledge,
To preach authenticity and be determined,
Steadfast with my  thoughts that fledge,
No matter, to what we may be destined.

Ensuring a good state for the wage-earners,
By protecting them with economic shields,
Harnessing all my morals and manners,
Adopting legitimacy and making fair yields.

Civil service, civil trust,
Lawful endeavor is a must.

April 24th around 5:50 pm a group of boys took it upon themselves to laugh.
I proceeded to look around to see if someone had fallen, to see if someone was wearing, or not wearing, something they shouldn’t,
I waited.
I began to walk faster.
“But It’s Better if you Do” by Panic at the Disco was blaring in my ears so whatever they were saying was blocked out by the blare of Brendon Urie’s voice…
I still don’t get what was so funny—but I have an idea.
This isn’t the first time I’ve been subject to jokes about how I look.
I am the **** of everyone’s fat joke,
My comedy is a product of every snicker, every cackle, every time I’ve been called Big Momma or Rasputia.
My pearly white smile is painted by the white lies I tell myself and everyone else to get through the day.
I wonder if people ever stop to think if there is a person, suffocating, lonely in the center of this big, fat meat suit.
I wonder if people ever think before they speak or laughing at me when I eat.
I wonder if people know that I was raised by the strongest single mother in the world, so I have skin tougher than steel so their words can’t hurt me,
A mother who raised 3 children on her own.
A mother of an 8 year old
Whose father died in Honduras 2 years ago after being deported back 2 years before that—she told us it was a car accident,
but my mother taught me was to be nosey and to always search for the truth, especially when it’s being hidden from you.
My little brother’s father, the love of my mother’s life, was gunned down murdered in cold blood.
She is a mother of a 23 year old
Who has had Asperger’s his entire life, has dealt with being shipped from school to school because it’s so hard to find a special education program for him.
My mother taught me patience is the biggest virtue, and that my anger with his repetitive questions and running around is nothing compared to the anger he feels with himself every day for being a “burden” on those around him.
A mother who
Beats herself up over the fact my brother my father’s side is addicted to drugs,
My brother’s mother was a drug addict and so was my father at the time,
And even though my father was able to clean himself up, he had so many warrants out for his arrest it forced him to play hide and seek with the police and his own children
So for months at a time my mom would take care of my brother, thought about adopting him, but of course that didn’t happen—
His mom got clean.
My dad was finally caught, things were looking up
Until his mother got ***** again, rolling with dogs, her arms look like she was eaten up by fleas
My father was never a father,
Disappearing for weeks without so much as even a breath and reappearing as if he never left
No wonder my brother can never stay clean.
My mother taught me to love my brother unconditionally, that no matter what I have to laugh with him when he needs a laugh
Because my brother doesn’t know what stability is, he doesn’t know what standing on his own two feet feels like because he is always high.
She taught me to always laugh with him because I don’t know if he’ll come down the next time he gets high.
A mother of
An 18 year old girl who suffers from clinical depression and anxiety, but has to keep it swept under the rug because the public school system failed in teaching her about mental illness.
However, my mother taught me that as much as I depend on her she depends on me, that I am her backbone and she believes that even if I sink I will learn how to swim before the tide engulfs me and I’m taken too far from the shore.
I’m ripping off this big, fat meat suit because I’m tired of suffocating,
I’m learning how to swim.
I can feel the sun now.

I felt your ghost sitting in that chair with me today.
I don't know when I took to sitting in it too
But I mean, it makes sense that I'd like it.
People develop the same tastes as their best friends,
And as their fathers.

When dad left you were their to make it
Not so bad.
And you didn't like dad very much
So you had no reservations
About adopting his chair as yours.

But then you left too
And six years later
The scars both of you left behind
Have only just now healed enough
For the chair to gain me as its occupant.

I reclined it it all the way today
And as the silence engulfed me
You and I cracked up together
And played video games while my dad
Sat there too: snoring,
Unable to stay up with his kids
To watch The Rugrats
Before putting them to bed.

I was born into a world where your inner pocket
decides your destiny,
A world were dreams have no value
A world filled with people with black hearted soul,
Carrying around big cheesy smiles across their face,
Living with malicious thought but still never fail to
mingle,
Mischievous they are, they depend on your success
for motivation,
Yet our motive is to be innovative,
Seating so adamant not observant,
and end up been their servant,
When shall it end we ask, today or tomorrow ?
tomorrow's better if not today we reminisce,
Hoping for a breakthrough,
After we have been stabbed & left with scars,
Looking for the strength to stand up tall ones again,
Realizing our mistakes & adopting a new personality
trait,
I Never had d chance to dream,
So how do I revive myself ,
Noting inspires me ,
so why should I be affectionate we say ,
We become so ****** nd vained,
Anger & sadness mixed with joy , pain & sorrow,
No one to count on anymore,
All these strains my credulity,
sadness gathered from one mistake
Making me miserable every minute,
Suicide we think of,
but the pain subsidies,
Shivering and capturing ourselves cap sizing
Within a blink of an eye,
But the truth of life's,
We need nightmares to appreciate not been in it,
life is a beach we are just playing in the sand ,"

You used to laugh (and
    pretend my spiny sweet-gum
       words would cringe at the very
  brush of a lifetime), but
                     our seasons are changing
                (everything is all at once an
                  unwavering green), adopting
                      breadth of iceberg proportions
  
    (we dance around forever.)

Captivating hazel eyes, smooth light brown skin
Beautiful girl, short curly hair and a figure too thin
Classy style, a contagious smile, an annoying drunk, a sometimey friend

Full of talent, lacks self control, a troubled soul lost within

Alienated by sisters, cherished by only brother
Intoxicating to her married lover, Pops pills with her mother,
She and I can't stand each other,
but understand one another

Something not right with her desire to conversate every night
Hearing her voice daily with no vision of her in sight
Something not right with her desire to no longer fight
And us now becoming tight

Whereabouts unknown, eerie quiet background convinces me she's all alone
She is holding a secret, I can tell it in the pauses as she talks to me on the phone
She's silently crying I can sense it in her tone
I dismissed it as a sober experience she wants to get through on her own

Six months later she surfaces looking like a different lady
The sudden curvy figure, suspicious behavior convinces me she's done had a baby
When asked, her reply was "No!" then changed to maybe
Rumors confirmed that the whole disappearing act was very shady and she did indeed have a baby

Never could figure out why the secret since she was 25 years old,
But where did the baby go, No one seems to know,
Another secret she isn't letting go on why no baby to show
Why she gave birth on the down low, No one will ever know

Everyone moved on, believing that is one thing she will take to her grave
She moved on back to the wine, Vicodins and Xanaxes she craved
Back with a vengeance to the rude way she used to behaved
Which I easily forgave because adopting out your baby is depressing and very brave

Again, she stops coming around
I wait for her calls and not a sound
People are asking about her, but she is nowhere to be found
I knew she was on a rebound, but still, she calls when she's feeling down

Three days later, there she was right at home
On the floor naked with her rigor mortis hand in the air reaching for the telephone
Blood dried on her mouth and nose, and left to die all alone
Dead, holding yet another secret because her death is still unknown

All ten fingers missing their rings
Before bringing out her body, her missing car, a suspicious friend brings
The cause of death the coroner can't determine from a number of things
An accidental overdose, suicide or foul play from one of her ****** flings
We don't know, Rest in peace Tina girl,
You finally got your wings

I think my problem arises from a chaotic childhood.
No, I'm not saying it was traumatic but
I learned at a young age that I didn't belong anywhere
And I think the problem with my relationships today
Is that I felt that being lonely so long,
And finding someone like him
who wanted me dearly
And wants me still
instilled in me a will to never be alone again.
But it seems, it comes all too natural to me.
My problem is that I want to be with someone.
I want to belong to someone.
I want to be the person that someone comes home to...
Maybe that's just my fatal flaw?
That being so alone even in a house I used to call home
No four walls feel quite right
No pair of arms reach the core of me
I guess I've made a bed and begun to live
In the halfway house of sin
Making my way to strangers beds to see which one will be strong enough to wed
But sadly that's not the point of one-night stands.
That once the deed is done we follow the path of the walk of shame
Carrying our heels and dragging our dignity down a road to what we supposedly call home.
Not all the girls along the road are hoes some are simply misguided fools.
Such as I, when I was kicked from a bed after laying by his side
I had a little too much to drink and stumbled my way home, to face the mirror which hung on my door like a veil
To face a friend with a past like mine
To tell her all just to be told I was an idiot.
It's just my flaw
That I fall for words instead of actions it will surely be my fall
For no amount of painted skin or blanketed lies will stop me from adopting another vice to add to my collection.
Drugs, alcohol, cigarettes and *** my god I've become such a mess.
The lonely girls are always easy targets.
You bribe them with drinking or drugs and a promise of a passion filled kiss to soothe the raging monster inside them,
Now you have them at your mercy.
Eventually, they go numb and forget that they are lonely.
They forget that they want to belong to someone
That they want to create a home for someone
And the four walls of different rooms become sanctuary maybe a night or two,
As this turned nomadic soul turns to her vices
And waits for the one night stand that tells her to stay