We both know you would've broken my heart until there was nothing left to break, and I would've let you. I would've scattered petunias over the wounds you have re-opened. I would've carved you poems on flickering streetlights. I would've set sunrises on fire — kissed you as it died down. I would've skinned your neck open to know what turns my kiss into heartbreak, and what turns that heartbreak into poetry. And we both know you would've broken my heart until there was nothing left to break. It had been years, my love. It had been years on end.

And still, I would let you.

// "December has a softly cruel way of reminding me this."

i would dip kisses on your freckled back, as though it were an arched door of a baroque cathedral. i would strain my arms cradling the frailty of your sadness. i would weave to my lips your whispers, made of cold and lonely december rust. i would dust my bones and flesh, and i would lie there next to you — a clean slate, in silence and awe and uninhibited longing. my love, we could stay like this for a while.

the streetlights flicker and the sunset blurs. but they know —
my heart has always been yours to break.

i.
the scent of sorrow, hanging in the air
rotting away what's left of this skin.
wrists — sewn shut
are wrists undone:
the morbidity of it all pervades —
this i confess.

ii.
look not. turn not, for
each careful stare, each scornful gaze
has me falling back into darkness;
maybe eurydice has found comfort in its arms.
maybe so have i.

maybe this is how it's always meant to end.

iii.
lately, sunsets no longer melt
into an afterglow —
they just turn into the night.
at least it dims
the futility of drawing each shallow breath
from places filled with smoke and dust;

there used to be something there:
this, i confess.
this, i remember.

there used to be something there.

there used to be something h e r e.


— fray // november, must you be so cruel to my trembling hands left with no heart to break?

this is no place for songs; songs are for heroes
and the carpets and garlands are all floating lifelessly:
a striking resemblance
of the islands —
our islands —
disappearing one by one.

this is no place for songs;
instead, you will hear the sirens screaming —
haunting the walls of your home
and you shall never again watch
and they shall never again drown.

and in the shadows, they lurk.
in the depths, they await.

save your breath for prayers,
save your words for a scream.
from the phantom waves where you'll be drowning,
gods spare not a sight.

i had missed too many sunsets hurting in silence. to this day, the sky is in a graying shade of blue. to this day, it is mournful and decaying over me — or inside me, i do not know. i had lost count of the months i shunned the sunsets and headed straight — disgracefully, to the arms of the dusk. besides, falling apart looked harsher, and messier, and more vivid in the light. and so i had missed too many sunsets; this too, is becoming a wound.

i wish i were kinder to myself.

i wish i could forgive myself.

i miss loving you; i miss the calm and easy and content way of just kissing in the blue hour — clothes, falling out of flushing skin; mine was a map of scars named after estranged people, and yours, an anomaly of carnelians breaking at the softest touch.

and yet, nothing hurt enough. not the fading autumn days leaving us to fall apart in october. not the poems that painted this love to be more beautiful than it actually was. not the carnelians, breaking everywhere.

and i miss loving you, but this october rain isn't cleansing — it just falls cruelly on a heart too eager to break itself.  i miss loving you, but all these blue hours have corrupted what's left of your first tainted kiss. i miss loving you, but betrayal still rests comfortably on my skin: a map of scars named after people. a map of scars cut by carnelians. a map of scars named after you.

and this october rain isn't healing; it's just cruel.

it's just cold.

— fray narte

oh, to live with sadness, so deep — it has started spreading;
i can feel its crushing weight: a stampede.

my trampled bones have started to resemble
wildflowers as they decay
and the soil flinches at the sight
of something so pure —
something so tainted.

behold, the lamb of god
has become the big, cruel wolf;
this is what happens to delicate things
after they're done breaking —
after they're done rotting.
this is what happens to pure things
after the sins and sacrificial rites.

behold, the lamb of god —
the scapegoat
has become the wolf

and one day, it will outrun the forest fog — spreading —
consuming.
devouring.
one day, it will outrun the howling in its chest.
one day it will outrun the ironic aching of ribs, long emptied.

oh, to be a girl and not a wolf.
to live with sadness and trampled bones.
maybe one day, i too, will outrun myself

i am fluent enough to understand emptiness when it speaks to me; if you dust off my skin enough, you'll see traces of the sighs we exchange — spilling down gracelessly, they bruise a fragile skin. i have mastered the art of naming them after wild lilacs.

maybe for once, i can say that i am soft enough to grow flowers on my wrists. my lungs. my sternum — all the parts of me that hurt.

but i know too well all about screaming in barren lands. i have thrown my poems in a forest fire. i have forgotten how to breathe without hands around my neck. i have wished to fall on a sword, way too many times to still call these open wounds as bruises — these bruises as flowers — these flowers as soft.

i am fluent enough to understand emptiness when it speaks to me — kindly, and yet, how can i tremble over gentle things? maybe pain isn't what it always is, and i wish to unlearn this language — the mother tongue, whose every word i know by heart. and maybe one day, when it sighs my name, i finally will stop sighing back.

but now, this bed is caving in under all these lilacs and glassy, distant eyes. oh, such a classic case of a girl gone mad at the sight of sunbeams on dying flowers — aching in silence, as she watches it all.

i am fluent enough to understand emptiness when it speaks to me. and outside, the sun rises in vain.

and how do i crawl out of this chest — this skin — this lonely, grave, without choking on all the dirt?

You were my only chance at the calm, it's no secret. Not when my skin had become a topography of city light and anomalies waiting to happen. Not when broken wrists and collarbones had defined my name. And for years, my fingers had held onto rusting street signs, pointing to where my flesh had started to decay under the nipping of the butterflies — places to avoid touching, otherwise I'd break.

But you were the calm.

And for so long, it had evaded my side of the bed. And I know you had tasted dead dahlias and maladies off my tongue. Poets don't write about lips like mine — those that repel clarity and softness — those that had forgotten the words to a prayer. And it's no secret that I had spent years walking on a tilted axis and screaming at the pitfalls of my own doing. And yet you kissed me; for once, my skin had learned silence — raw, and in broad daylight. For once, I didn't have to be the storm that I was.

And love, whoever knew you would betray the calm, when you were my only chance at it?

Now, nightfalls just feel like bruises starting to show way too soon. Now, September nights are just cold and are filled with blunders. Now, this heartbreak seems like it may outlast all my well-kept sunsets, waiting for me at the end of this storm. And it could've been you, still — it could've been us. Now all that we were is a wreck to behold. And love, must all beautiful things rot?

You were the calm, but poets don't write about tragedies like these.

Maybe it's better off that way.

I. One day, the moon will forgive me for all the ways I broke myself, until I was a driftwood crumbling into dust, stirring on the edge of your bed — all the faint traces of the ocean gone. The moon will forgive me for growing bruises where your lips once staked claim.

No, that was not my fall from grace, I whisper; my skin has long abandoned tenderness at the doorstep of the first boy who broke my heart. Maybe I had been broken since. Now, there are some things you can never fix: all the bones that you'd once held are all the bones that break.

II. And I know, it'll forgive me for sinking into the comfort a stranger's sheets somewhere in this bleak, forgotten town. It's been a month, and I am made of lows and pathetic attempts to forget your voice. And the moon knows I was never cut out for love — only for things that resemble it. So when you wrung poems out of my tangled pulseline, when you muttered you loved me that July night, it'll forgive me for sighing myself to oblivion, having been undone by your gaze. It'll forgive me for having wanted to die in your arms. And oh, it was beautiful while it lasted.

We were beautiful while we lasted.

III. And still, I am never cut out for love. The one I know is made for burning down cathedrals. For leaving dead flowers in the gaps of your ribs. For throwing poems under the bridge. For throwing myself thereafter. I always had a proclivity for things that leave me hurting in the aftermath of disasters. And there are no poems left to make sense of it all. Just erratic thoughts. Just a flight risk caught in the loose ends where memories are left to rot.

No, there are no poems to write anymore. Just heartbreak. Just lonely rooms, and drawn curtains, and your scent, fading from these sheets — held close. In silence. Despite it all.

IV. And one day, the moon will forgive me for wanting to stay when I should be leaving.

Maybe I will forgive myself too.

Do storms ever feel lighter?

And I hope you miss her so much; I hope the warm glow of her skin, and the aimless walks, and the sound of her laughter, and the blackberry kisses dipping on your tailbone were all worth it — spoiling what I'd hoped was pure.

Delicate.

Home.

And I hope it's hauntingly beautiful — the way she looked at you like you were all the sunsets I've left behind. I hope you would run out of breath everytime she smiled against your neck. I hope the mere way she said she loved you unsettled your knees. And I hope it hurts — the mere thought of her not saying it — no longer saying it. And I hope you at least loved her so much, for those stolen times that you were together; I hope it was beautiful. Magical. And I hope it felt like coming home. Otherwise, you broke my heart for what wasn't even worth it. You broke my heart for nothing.

Where do I start in letting you go?

It's not in the ruminations. All they'll long for are simpler, purer times, back when loving me was everything you ever knew — back when sighing your name didn't hurt. Now it's a whisper, settling on the ground long after the woodsmoke has stopped lingering. Now, it's just a memory settling deep in an open wound.

And love, where do I start in letting you go? My hands are still bruised from writing poems, when you already were handing me crumpled paper roses — all etched with endings I was afraid to write. The moment you kissed her lips, did you already let me go? Now here on my shoulder rests the weight — the mess of it all. Tell me, what do I do with these words, falling helplessly on my lap? What do I do with all this hurting? What do I do with all this love?

And where do I start in letting you go, when my shaking hands still refuse to confront your absence? When my throat still refuses to abandon all yearning — a wounded huntress that still screams for the moon. And I'd hoped it is easier to stop loving you after your skin had been tainted by her lips, ghosting gently — forming into the sweetest of smiles.

And I'd hoped it is easier to stop loving you after you had drowned August's promises against her hair when you'd deepen your kiss — after you had surrendered September's 4 a.m.s, November's love letters, December's midnight rains, January's stove-lit dances, February's moonlit walks, March's Irish teas and solitude, and April's quiet peace — all of it, spoiled, in the name of her kiss. Now all of it — in ruins, lying, waiting patiently for a can of worms, burrowing their way into everything I held dear.

Rome didn't burn down in a day. I wish I would. I wish we would; what's left in ruins won't ever hurt.

And so love,
where do I start in letting you go?




// "Tell me all the ways of letting you go."

"Please don't ever leave me."

And love, I never would have left — not for all the serene mornings unsettled by these shapeless thoughts. Not for all the sanest kisses laid gracefully on scarring skin. Not for all the storms that had dissolved into the calm. I never would have left you — not for the world falling away into a mess of sorrows while the sun watches from afar. But the street lights are spent and mornings are colder and my hands are bruised from picking up all the pieces that you broke.

Did you feel most alive when you were killing me?


Now in the silence, my poems mourn over a loss that isn't theirs.


And in the silence, you say, "Please, don't ever leave me."



And in the silence, I answer, "I wish I never had to."

it's almost midnight and i'm drowning in every ******* poem i ever wrote for you — in every ******* poem you'll no longer read.

Maybe it's all still here, like storms made of bruises and the relics of Carthage under siege. Here, like the laments of a Sunday morning while staring back at tragic eyes. Maybe it's all here, somewhere in this layer of skin beneath the white lines on your wrists. Now the blade just feels like another stranger coming home at 4 a.m.

It was right here in the bones of a girl that once was made of sunlit blunders and curiosities; if you dig deep enough, you might exhume the remains of what she used to be — all purple vervains and the poems she swallowed whole.

Oh, that cruel, cruel joke of delicate things, still withering at the wake of storms such as yourself. Has no one cared enough to tell you that maybe, this isn't what getting better looks like? Maybe you just learned how to seem less messed up.

and i will wait for you here on the other side, where the earth and her fields await the footsteps of that girl who dared to swallow pomegranate seeds — each one holding a tenfold of unsaid apologies. i will wait for you here, where the storms i brewed found themselves pressing against the softness of lilacs, where the nightfall forgives the sunset for leaving, where morning smells of teakwood and rain. and you will realize that each sigh does not have to weigh like a thousand bent bromeliads — that each breath does not have to ache in the presence of morning light. you will deserve every bit of softness you tried so hard to ****. you will deserve every bit of moment that doesn't hurt — someday, you'll get here and you'll know. you'll know.

— to my younger self

and my fingers will trace these scars on your chest — they're no fault lines but darling, i can fall and fall and fold myself into wildflowers on which sunlight unfurls. but this world, it's a battlefield and red roses bloom not from the soil but from the skin and every death feels like the first.

every kiss feels like the last.

and darling, tomorrow, we have all the time to be broken. we have all the time to grow up. but tonight, let me hold you close; my hands are weary of writing elegies. tonight, let me drown in your seastorm eyes; i am tired of looking for temporary ports and for all the wrong shades of blue. tonight, i will read you poems about a girl named helen, who loved despite the war. tonight, the world can crumble down and i can stay right here, safe and sound in the comfort of your sighs, like a girl resting against bruised lilacs. i can stay right here watching you sleep until the earliest hours, forever asking myself how can someone so ******, so broken by this world possess this much softness.

this much gentleness.

this much peace.

regardless, rest your weary bones, my love. morning still is far away.

by now, the moon knows that my chest is just a burial ground for this thousandfold of sighs — in their hands, all different ways of my undoing, and i am a breath away from one. you see, some nights are for the softest, gentlest moments of lunacy. some nights, for waging wars and succumbing into these sighs, barely held by the petals tightening around my throat. by now, the moon knows that i had once been a battlefield and it's a pity — growing poems on such an unholy ground, only to fall apart like aster leaves and ancient city walls.

darling, it's getting dark, and this is starting to look less like poetry — and more like spoils of war from inside my head.