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Breannah Cross Apr 2015
Take a breath
Breathe it in
To figure out
How you'll pretend
That you're not breaking
Caving in
Just so you don't harm
A so called 'friend'
You hear the lies they always speak
Are you still listening

Unravel
Please let it all fall out
Unravel
Now and scream it loud
All their lies their pretending
Everything they've done
Every misplaced feeling

Unravel
Let them see the pain
Let them see the anger
And everytime you've walked away
Show them how
They've underestimated
They picked fights
You walked away
They don't believe
One day you'll break

Unravel
And show them their fears
That you won't be walked over
Or critized
You won't be knocked down
And you will fight

Unravel
And show them who you are
All of your thoughts
Because they think they can push you
But it just taks once

Unravel
And show them what you are
RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
unravel my thoughts,
like a bunch of necklaces tangled together.
unscramble my words,
like a puzzle.
decode the meanings behind my Instagram captions,
to try to understand my ways.
theater class brought me to write this, haven't been in the best state of mind and the whole class i was playing with a small piece of paper.
Alison K Aug 2014
It's the color of her eyes; the color of the sea. In both you could drown, or find God himself. It's the space between cities. Road signs & right turns, and the quiet determination to unravel in her arms. The sheets on her bed at 3am, where she whispers "I love you" and you've never been so sure of anything. The breath you exhale after you kiss her; it's the color of the blood pumping through your heart. The heart that she keeps beating. The heart that has her name written all over it. It's the heaviness in anticipation. The insatiable desire for a minute, just one minute. It is not the opposite of passion, like once suggested. It is passion itself. It is the sound of whispers. Her breath on your neck, and shivers down your spine. The color that fills in the weeks until you see her again. But most importantly, it will always be the color of her eyes. And it is no coincidence they are the color of the sea.
Aseh Sep 2018
I was never looking into you
I was only pouring an image of myself onto your canvas
Of course I didn’t know
it was me looking into me
this was the mirage of my desire
always in the shape of a question mark
and you
a sweeping mystery
oozing something toeing the peculiar line between *** and titanium (cold, edgy, sharp - trembling
between pain and principle
like blazer and tie
or more like halfway-unbuttoned-shirt-and-slacks on-with-no-tie
(it was like you were making an effort!))

It was ***
but it also wasn’t ***
(I am empty
I am full)

I keep building up and up and up
all these images in my Mind
(which never shuts up)
(a never-ending narrative
She spins and spins and succumbs
only in those rare and passing circumstances)
constructing people like buildings
only the scaffolding is imaginary and when
the architecture folds in on itself
soulless
and my beloved figurines come toppling down on me
why do I still get so surprised
so stung
so lonely in that
hollow and distant way
(like your Mind is echoing
in on
Itself)?

My Mind is like quicksand
devouring streams of memory with ease
forever unsatisfied and craving more of the same
sharp edges and all
praying for a satiation in some distant future
She knows will never come

Only here
in this tiny universe
can I spell out anything resembling rationality
from the mess and junk and tangled tendrils of my Mind
Only here
can I extract bits and pieces of thoughts
and try to puzzle them together
until they make sense
until I can separate “Me” from “Reality"

And what doesn’t make sense
what I need to understand
is why I feel so beset
with this heavy magnetism that
overpowers me to the point of
paralysis
(with little to no room for breathing)
and why it was you
who pushed me into this feeling
and you
who is still pulling me along
far past the threshold of my resistance
and I am done
and it stings
cosmic poet Apr 2014
i'll spend forever
picking at threads on my sweater
and listening to the wolves howl to my wild side
soon the threads will unravel
and ill be free to embrace corruption
a corrupted soul is better that the light and weary
Robin Carretti Aug 2018
Our salvation taking
another high-life (Lip)
The middle-income lip
Our lips leaked
Being possessed the kiss
on empty

Humpty Dumpty sat
on her Lego lips
Singers the Talking Heads
Where are the feds to late
Those stolen lips
State of a wedding trips
Rainbow chalk the state was
on lip nightmare call
Being stalked (Lumber Jack)

The devil filler up poverty
The world being pulled
Push her lip up
                    > >

Arrowsmith bow and arrow
                    >>
  Losing elasticity lips go
UPSTATE gravity

"What an under(state)meant"
"The press (God Bless)
    the golden child
     lips filling in
       the gaps
What!! no comment"

 So sad we need the happy
Irish lad too many
    Sugar Dads
lip recession deadlines to meet
The curveball
Another sip we joined the
Navy but eyeshadow deep-over
the edge gray
The Seal had an unusual tail
Her lips fast food drive smashed
Her Meal

The peace lips blew far away
"Medieval Swords heart lips
            will pay"
Times come and go its excruciating
Lips went too far always mating
Imitating people takes a whole village
Of pain

But the spiritual blessing rain
In Woodstock concerts
What perks to gain
The acid trip music we can
sip each other's lips

    Now if this wasn't passion
What a state got smeared
Like a crime scene
of fashion
Her lips could rise
Like the Millenium

         Max
Playing the jazz sax
Still the income tax

But the state in a crisis
of sales tax
Star a stage minimum wage
All the states we travel her lips
The water stays refreshing where
On her body, he really sees it on
her lips nowhere else

How many states can you
count on your finger
Long lip Ranger

The Victoria Secrets
The Tra la the bra's on the
Five-star Hilton Hotel
hanger

Holding onto her guns
Going right or to the left
Powerful lips he went
off the cliff

Getting Burned and
the State tax
You earned
The Swearing
Her lip talk so caringly
Can we move her lips to
another state more cautiously
How her hips look like
they will inflate

I am not a painting by
your candlelight fate
I felt like a tax right off
Taxi yellow race her lips
on the meter money bluff
I ended up in the state of
*
Michigan
Tricks are ****
Like a lip magician

Kentucky home was barrels
of Bourbon
I never said I wanted a drink
my name is Robin

Going to Deleware
what hardware did anyone care
So humble like the bumblebee
She was way too soft as her software

Have gun we travel but have lips we rumble

We need courage this world of states
can be savage
Gold bonds of "Dynasty European"
top dollar vultures mean
funds that's a grand entrance

Now I see how these states
start to unravel
California here I come right
back where
my lips started from

Her upper society lip could use
Champagne and caviar
The star was getting fat a nice trim
Grumpy beard make it a
short tax cut with him
Text and tweets no lip sweets
Rocky Colorado mountain men

French lips played art
Like Van Gogh perfect 10
Scenic route crazed
So many states should
be sued overly sexed suites

In Alaska, she was on a freeze

All the money in the world she got New York Token

All I asked the waitress
for State fair pie
My lips could have
used *Sweet Peach * so
pucker up
Don't be a sucker
Alabama state trooper
in Kansas City

What a spell click of heels

Georgia is always on my mind
Is New York only a state of
Frank Sinatra singing mind
What a big foot in her mouth
Nancy Sinatra dark lips Goth
State boots softly made
for loving that's just
what lips do one of these
Days my lips are going to
gloss all over you
Who's the Boss
So fasten your lip belts
The spiritual state always does the cross

Bumpy ride (Bette Davis) Eyes
Taking a trip to the end of the
boot of Sicily vineyards
Whats mine Jailbirds
She cut her lip when she was
in (Connecticut Movie cut)
On the Mystic Seaport lips were
getting hot ****** fit

Like a state disease fire pit
State of a lip disaster
But the state couldn't
resist her
Ending up in Arizona
Something is swizzling
it's not Kevin Bacon

Make no mistake when you plan
a state trip you better have your
weapon ready
Mafia bullets Bonnie and Clyde
they rob *Banks money Lips
Stae of mind we are traveling again but our lips will be the walking the yellow pages old news Staes can rock up she has the Wizardly Oz shoes
Strange strings of thought.
Thoughts of loyalty and love,
thoughts of friendship and of ambition
and my condition;
thoughts of submission of subtraction and addition.

Unravel the secret of the continent,
oh how you are persistent.
The road uncoils and I uncoil down the pavement.
Off i go.
Twisted days of golden glow.
Off I go, into the black hole
of the road.
MBJ Pancras Sep 2015
An enigmatic smile she’s dressed with to chant mystery,
Poets and bards with their magical poesy tried the mystery,
Philosophers and thinkers broke their minds to unravel the secrecy,
Scientists and law makers built hypotheses and verdicts to read hers,
Painters and sculptors fatigued with their colours and clay,
Actors and directors enacted to unknot the thread of obscurity.
Odes and epics, long-written, attempted to sing Lisa’s Smile;
But reflections of their beloveds’ smile read in their verses,
Philosophies and thoughts expressed in huge volumes;
But less understood even the painter’s invention,
Theories and laws built around Science and Law;
But little is the outcome of their propositions sans the mystery,
Colours and clay played on mighty imaginative realms;
But Mona Lisa ne’er spoke of her mystery Smile.
Enactments on massive stages thrilled the collective audiences;
But Mona Lisa hid the mystery of her Smile.

I walked around the garden of poetry with fragrance of mystery,
I saw a poem in her distinctive beauty ruling my mind’s eye.
She smiled at my heart and in turn my heart smiled at her,
Her smile taught me a mystery and it took time to read it;
Yet there was a veil betwixt us, and I took my plume to write.
She took my heart unto her, and I romped in joy.
She’s been decked with melody and rhymes,
And the string of verses stretched beyond the horizon,
Where the mystery of Lisa’s Smile be found.
She took me with her beyond the horizon,
And I followed her with no utterance till our destination.
She laughed at me for my silence;
Yet she smiled unto me; but her smile looked unfathomable.

She smiled and smiled at me; yet she had no utterance for me;
She looked a little bit puzzling unto me, and I had no answer;
Yet her smile dwelled in me, and I invoked the Muse of Poetry.
“Thou art to be a silent lover, and her smile is the answer unto thee,
She’s the Mona Lisa; she can’t speak, but smile and smile.”
I lay on the soil of the kingdom of poetry, imbibing Lisa’s Smile,
I adorn her smile; I worship her smile; I revere her smile,
Let me not move away from the garden of poetry
Till Lisa’s Smile is translated unto me.

I waited and waited and I found the answer:
Lisa smiles and her smile is the love of silence.
My heart rests in silence that her love is felt within.
She uttered into me:”Speak not, but love with smile,
And that the mystery of my Smile and my Smile lasts.”

I know why Mona Lisa smiles.
She loves me with her silent Smile.
About Mona Lisa
zebra Apr 2017
i'm your o so wanna be lover
I'm afraid not what you would expect though
i admit to being a difficult pleasure
perhaps
a tad strange looking
squishy with long tentacles
half man half octopus
with a winking cycloptic eye

i entreat you
looks can be deceiving
how many pretty boys have you loved
crawling worms for a soul
that have left you a ruined creel
a jagged cry chattering tears of desolation

have you ever asked your self
who adores you
who would give all to protect love and cherish
i'm waving my eight arms at you
from the center of the universe
i eat black holes to kiss your ***
am i not a cosmic horror
with my big Cthulhu smile
quivering with tenderness

do you hunger for butter **** lollypop
i have two big **** heartbreakers
with teardrop curves
a feast for your ravenous holes of emptiness
and many armed tentacles to hold you tight
to slither all over your tender woven caves
to pull you into me
with suckers that thrill
during swirling inky *****

i will unravel your mind
your soul tilthed
if you can get passed
my
gray rubbery boneless head

i can push this shape-shifting balloon face
through your annul tubular contours
all the way up your beautiful ***
licking
salivating
tickling into your
tender bowel and throat
like a great dancing tongue
a stretched waving goodness
entering your mouth from the back side

can pretty pretty do that?

come slowly unto me my beloved
i am all chromatophores
endless glittering nightlights
incandescent
so we may wander our way through long dim nights ******
in the deep deep dark
with tentacle ***** galore
an infinity of entertainment
for every crevice and desire
and one winking cycloptic eye
that pierces your soul
MBJ Pancras Sep 2015
An enigmatic smile she’s dressed with to chant mystery,
Poets and bards with their magical poesy tried the mystery,
Philosophers and thinkers broke their minds to unravel the secrecy,
Scientists and law makers built hypotheses and verdicts to read hers,
Painters and sculptors fatigued with their colours and clay,
Actors and directors enacted to unknot the thread of obscurity.
Odes and epics, long-written, attempted to sing Lisa’s Smile;
But reflections of their beloveds’ smile read in their verses,
Philosophies and thoughts expressed in huge volumes;
But less understood even the painter’s invention,
Theories and laws built around Science and Law;
But little is the outcome of their propositions sans the mystery,
Colours and clay played on mighty imaginative realms;
But Mona Lisa ne’er spoke of her mystery Smile.
Enactments on massive stages thrilled the collective audiences;
But Mona Lisa hid the mystery of her Smile.

I walked around the garden of poetry with fragrance of mystery,
I saw a poem in her distinctive beauty ruling my mind’s eye.
She smiled at my heart and in turn my heart smiled at her,
Her smile taught me a mystery and it took time to read it;
Yet there was a veil betwixt us, and I took my plume to write.
She took my heart unto her, and I romped in joy.
She’s been decked with melody and rhymes,
And the string of verses stretched beyond the horizon,
Where the mystery of Lisa’s Smile be found.
She took me with her beyond the horizon,
And I followed her with no utterance till our destination.
She laughed at me for my silence;
Yet she smiled unto me; but her smile looked unfathomable.

She smiled and smiled at me; yet she had no utterance for me;
She looked a little bit puzzling unto me, and I had no answer;
Yet her smile dwelled in me, and I invoked the Muse of Poetry.
“Thou art to be a silent lover, and her smile is the answer unto thee,
She’s the Mona Lisa; she can’t speak, but smile and smile.”
I lay on the soil of the kingdom of poetry, imbibing Lisa’s Smile,
I adorn her smile; I worship her smile; I revere her smile,
Let me not move away from the garden of poetry
Till Lisa’s Smile is translated unto me.

I waited and waited and I found the answer:
Lisa smiles and her smile is the love of silence.
My heart rests in silence that her love is felt within.
She uttered into me:”Speak not, but love with smile,
And that the mystery of my Smile and my Smile lasts.”

I know why Mona Lisa smiles.
She loves me with her silent Smile.
Mona Lisa's Smile
Scott M Reamer Apr 2013
Man life know just set eyes way like young world soul day hunger space mouth earth thoughts ignorance blind things mind knew final moment human creation kind creatures souls high forgotten dream love spoke self existence face holy deep bound think home void say surrender ear forever called held ephemeral red state end shall heed hope edge living waking fall sea wake garden need February thought past wanderer got men page colored tepid terrible **** proudly untitled features point painted faceless box forgot render wild spring splendor  handfuls looking half brain lost torn ancestral  unseen vision inner summer honor mister owned banner save today fear groans wasn't smoke  street fable strange year contrast black years  able pain body spoken word known motion  palpitate reeling nature culture disclaimers  cancer beg attentive frames ****** base profound double remember wholly finger death token  cries continue folk oh fishing form broken true  divides spread ah twas away breathe wait warning hallowed wish closer lens turn eye live  constant current author hung theory dangle  bramble chemical new force changes adderall  anymore giving beneath possess pardon commentaries eternity internal walk reason  long change does idea glimpse consciousness  wandering simply wonder physical dreams war  sleep told rest benign prior begging truth little  2012 born tale crow bowels allegory animal rule  exasperate making horse curse hands ones read  rearrange capture doing command fail awake  aperture seedlings shift steely sir nap spead ****** demons slits clever telling loud spits la-la-di-dah killing slip game reflected nameless ask  lovers rabid bear salivate plunder shameless  famously savior mint rides menthol bully fate traded melodies play misunderstand mammals gentle witless fine utterly savage silt tongue-less  dirt dilutes pure non-sensory taste briefly ravage dismember it''ll shedding ruined curtain  knots offers plot fulfills munificent two-act  relegates boxz bug altruistic wintergreen tossing  callously guise grovels one's singers treachery ashes mid-life mutter fashion parading  ambiguity separatist liars staple steeping neath  guidelines scoffing stitch moans civil wrote  Fictitious undoing fables table effigies serve  sonnets staged remark psalm swoll praise harken  beggar verse bread lines heavily electricity detection snow sack-happy preaching credit  spotted wicked best gravity gun campaign owe  barge choir revelry celebratory satiated sinking  headline pack hound persistently propaganda  gentlemen excluding diminished ******* run idles  occupied levies wolfishly honestly misinformation cuba vehemently dumb grace spectator erasing  toned sage crowded secrets inter-connectivity  loaned prayer hymns grave mistaken magnified  vandals selective jump leak escapes says minister  buckle mass honesty shut tar children's hats  monument doping long-lived electrical ladle  exaggerated cartoons address seconds cool cradle bleak yang's mind-framed hypnotic  walker caps folly treble claim streaks mixtures  swelled interstate elapse teasing spoon mobile  succulent witchcraft borderline fatal 99 temple stacks sups plastics creeps neurotic ills tossed  meek sipping old crack interlock wax alleyway  coughing blown freak clock birthdays societies  slow flashing viscous candy argument toothless  pills cerebral rapt wall bisect lives wheezing  photo kid starter foiled pair saturated self-castrating pre-packed naked uncertainly pill  used came chaos coated reprisal fells wrack  irreverent mirth sickly disinherited proudest  collate wheeze appearance palette disharmony  discontented bastardized emotive bio inhale diction beat spoiled reclamation loudest tempo  totally disembodied matte imperfect shells flat  struck sounding imparts flak origin severance remarked bone walls snared leaflets mocking  hot scripting adjective noun agape seemingly  resistant gawk calamity passage paintings wind  trashcans signings sits cheap makers poetry persist scrap slipping individual talk wonders  leaving questions fold actor fancy parchment  fates engenders flown jaws stripped longer music  sacrifice fakers book boldly frown sigh atop patient hang trade occupation blows spectacular  whispers worthy backward waving certainty danced suppose needn't ‘drawkcab’ second-guessing  boys forget marched motto heads tightly lies two-tone earthbound harp twice turns goodnight  lying ***** internally indiscriminate nickname  drunk convictions myth steep  in-consumption  fitting artist **** universal sick expressions bad  du spell melody big siphon proud learn sprawls song spastic something temperaments utter check  fissures stomp totality blend definitely thrall sing rug voice shade pestilence ties commiserate round devil steady brains emotional certain gate  suckling gates dearth decay weight bounce pound  carrier pangs glass startle contest earthen web  tug pressed air patience flush amassed guest gone apprehension staring empathize captain believe fading in-perceivable deathbed guarder makes surrounds scatter drooling ebb blink cob tome  venom near door lair derision draws host stairs scent parts curiosities spider webbing surprise wares tips stepping ascetics starkness realize picture surroundings dictations grand pillars  deaf limited comparisons greet visual residents  personal settings dismiss alien law stability common earthly shiftless places prelude  understanding mosaic keen trifling embodiments  geared inception whisper visible jowls kiss murky  puddle rank dawn dichotomy single faithful fraying pays tailor veil climb mores pence whim  breath wellspring samara god stony pear  shadows fruiting forebodes moonlit looming  shown passed bog gold wracked faint tongues  noble preachers mirror shifting layered depth  threads jungle narcissus bemused seamstress self-worshiping architect's wore slumber anomalous  opened barren seam lip caustic scene coupled brick gardener's clenches -with forms idle breed  embodied lore starving empathy design illusion  tree coat fabricate lucid mason scatter-all  narrative seeking imbued 16th shivering chemicals 17th 15thrisk improperly dare  deliberate plan purge try brought chapter speed  aide utmost spirit leading intervention felt  recall recent advent sincerity times diary  lackluster piously lasting happy holding hear  stem tasteless whimpers wet spine monstrosity  dripping causes position quite softly claws pallet  answer digging tearing beast satiating circle breaks skips redwoods beckoning rotted hushed  gray lapsing monoliths deities creborus  imbuement hand stroll paradigm rendered chorus shy whispering forest residual tension  surrenders tolerance lull anew sentenced  bearing tide birds dirge divergent rim joined  cogs wood hesitant mist emergent towering offer  awareness confinement inverted faultier stowed  plane sanctified blanketing trusting memory fossil flash twists laden self-indulgent fleeting invitation agony grip shore impetus lingering  crows promise gift union swallowing endless floor supposed ecstasy sensory intent  psychotropic cradling placement interned  jagged connectivity exchange congenial begun  summons singular spiral assumes ambient reciprocates re-entry fruition reached aggregate lifetime limbs birthed instinct  frightening tarry proper entire light  boundaries innocence pursuit ago discover left  youth's unknowing sacred time place meager  simple fact cast ceaseless wide-eyed literal  apparent coincidence create boldness morphed  crooked kempt mere stumble buried shutter fairy  pivotal definitive months worth shear ambition sound required journeyed self-reflections title  facets vague restless intimation gut wanderer's  leap motivate path account boy soon bears faith  question tripped reasons uproot awaited confronted days step heal provocations wisps crushing transcend chronicles instance  directness raw drove occurrence objective-less  real enters slightest confident nondescript  typify  foreshortened interment paradox bitter heart  devoid jeopardy angry sensation confidential guilty arrogance mercy compliance reprieve  vincent deadening factual sign emotion awe  inhibition shackled butterflies absence actual sciences acknowledgement violent stagnant  spiritual American doors roots lack matted fore  gestures society cause streams intensity hair impossible discord lonely hearts resounding  jest  what's flavored pains closed toxic contented  happenstance scientific knowledge yeah  wizardry shaking stifled withdrawn bloom  jitter dreads settle asocial hulton make  predisposed figurative reflections demeanors  wondered affect hulton's projected sense  morning industry arrays ghosts feeling  certainly endomorphic where's partially wrath  passer mornings jovial unease advertized asking  trash onward wished tempers media mentality connect pasts sharp-toothed scramble great colours trial test salvation continually lent  degree secretly subjection social waned  disconnected colors grimly intellectual civilization cash trading baffling particular  digest myths monumental ending seasons winter  repetition introducing agent everlasting  shoulders delivered honestly-- possession funny  continence history unsightly function suffering propulsion profession divulge familiar tugs era  importance capability perpetuation spite inventory words entirety leveling fray insight  date record continues writer getting evermore fellow tongue possessions identical proof accuracy education similar sack admittance  favor unravel conveyance guilt gives beginnings  predicting audacity definition bobby heady eaters frameless learned release stone grandeur sang  speak molds sleeps split built seats people folded  sheer pour evoked playhouse liquid boring  tellers frayed stark walked reality pleas doth  preformed shows beak pride squawks opinions  greatest bold stunning sightings he'd loudly slain  sunk watch legend precipice theater deeper compound commentator civility justly silly sin  reverent seen prophetic moral confounds notion  lacking explain attempt prolific viral estrange proclivity scorn hide blur pious strung eden's  horror cut skin arch cruel twig mother vile  pass lend woods peach shrunken trail man's canopy worn 434 eat warm limb familiar father delete.

You are what your reading lady. Now would you hold this gun?
Unravel the night as it nods off
to become a wall of darkness
until the sun looks into your eyes
once again
and you feel the pain of truth.  
Then tell me what is real
among the promises we have made
and why the blood running through our veins
speaks of us,
as our hearts are seduced.

How can we continue to live on the edge
where each breath we take
challenges our bodies to become
victoriously in control?  
When our hearts' wish to speak
of the need to see each other's face
and how love's flame  burns
within our eyes then moves
inward to the depth
of our souls.
Copyright @2012 - Neva Flores-Changefulstorm
ryn Jan 2015
Backdrop of hues from heaven's palette
Two silhouettes stood hand in hand
A pair so in love on their deserted islet
Only witnesses were the sky and the sand

Two silhouettes with roles of lovers
Frolicked forever in the setting, evening sun
Only they'd know what laid under covers
Secrets of pure passion in their blood did run

Their merriment presented bare in a playful dance
Two silhouettes engulfed in their own private universe
Kisses and embraces offered in a reciprocative trance
Dark lips matched the other's voiceless whispers

Two silhouettes then dissolved with the set of sun
Strained my eyes to unravel this sweet shadow clad mystery
Last few moments pierced through like a shot from a gun
Because I realised that one was you while the other wasn't...

                            me...
RAJ NANDY Jun 2017
Dear Poet Friends, this poem was composed as a tribute and praise
to the Creator of heaven and earth way back in the year 2008, & was posted on ‘Poemhunter.com’. The Creator’s handiwork has inspired Poets, Artists, and Humans alike since the dawn of our
civilisation, and shall continue to do so for our future generations! Hope you like this poetic composition. I will be grateful if you comment only after having read the entire poem.  Thanks, - Raj

VISIONS OF THE VAST BLUE EMPYREAN
                * BY RAJ NANDY*

       '’The heavens declare the glory of the Lord,
        The sky proclaim His divine handiwork!’’
                                                   - Psalm of David.

(I)
The SKY is a multidimensional manifestation of God's
creation,
A translucent blue canopy above all and one.
The sky has inspired humans for centuries to aspire
and dream, -
To seek His blessings and guidance from above;
And shall continue to do so for centuries to come!
The sky beckons and lures with its mystical spell;
Making humans with leaping aspirations to try out
and reach, -
Those frontiers where the sky is the unlimited limit of
all our hopes, aspirations and dreams!
The sky, lush, luring, luminous, and sweet, -
Invites, entice, and fills us with a sense of wonder!
How God-like in appearance, and almost human in
its expressions!
The sky has remained as a silent witness to the birth
of our planet,
Since God created the firmament and the heavens,
before creating the Earth.
The sky, a silent spectator since eons past,
Shall continue to see the fading away of old stars;
And formation of baby galaxies in a cosmic drama of
His creation,
Lying beyond the comprehension of Mankind!
While we try to delve His secrets with our space probes,
Which we can neither fully comprehend nor unravel;
And shall only continue to wonder and marvel!

(II)
The blue sky continues to inspire and even melts,
While its blue translucence silently seep into the
Poet's heart,
As he sits to reflect and shape his thoughts,
And the vast expanse of the ethereal sky,
Stretching his mind with future dreams and
visions!
While the azure blue begins to flow through his
veins, and gets transmitted through his pen, -
To convey his exalted thoughts and deepest feelings,
in poetic lines and verse, -
Which becomes the Poet's sole mission.
And at night when the Poet meditates, he catches a
falling star,
And writes a poem on it and keeps it in his pocket, -
Saving it for a rainy day!
And during the silence of the night, when the hours
grow dark and deep,
And the sky gently droops and drips;
The poet wakes up to write, and writes to sleep!

(III)
The sky flows on to the canvas of the Painter,
As he tries to depict its varied complexions and moods,
With his limited colours, shades and hues,
Flashing and spilling his canvas with touches of tints
and tones,
To captivate the capricious, transient and fanciful moods,
which the sky adorns!
The deep blue empyrean is at times blissful and sublime,
Changing from a radiant, opulent, and iridescent, -
To threatening, cruel, and violent;
Both devastating and destructive as the sweeping
tornado or a hurricane!
Yet when God decides to paint the Aurora Borealis those
magical Northern Lights, -
Those glowing diaphanous curtains of waving, swirling
streamers of lights,
With its red, green, blue, violet, and luminescent spell-
binding shades;
How can any artist foolishly dare to compete or replicate
His celestial art?
For the Auroras are a reflection of His live real time
handiwork, -
Which shall never diminish or fade!

(IV)
The crystal blue arch of heaven, a glorious canopy
cover over our head,
Blesses us with the much needed shade;
From the tormenting and scorching rays of the
relentless Summer's sun.
With its varying layers of passing clouds, -
As the sun completes its diurnal rounds!
Those high cheerful cirrus and cirro-stratus clouds
of the Winter sky,
The meditating alto-cumulus and alto-stratus clouds
of medium heights;
And those upward swelling, ambitious clouds of
cumulonimbus, -
Carrying the thunder bolts and lightning of the great
Zeus do confound us!
And finally those low sheets of stratus clouds of the
rumbling monsoon sky;
Bringing incessant rain and lightning darts, -
Flashing like a whip lash across the sky and the earth!
With the speed of sound always lagging behind that
of light, -
Thus thunder bolts always follow those blinding flashing
darts of dazzling blue lights!
While the good Earth absorbs it all like some suffering
soul,
And forever regenerates itself to transcend its
tormenting plight!

(V)
The clouds floating like fluffy wool of cotton and
the downs of white goose feathers,
Adds dimensions, visual depth, definition and a sense
of perception;
For the human mind to behold and meditate, -
Those vast measureless depths of the infinite space!
The clouds with its varying forms and shapes,
At times like the ice cream cones with vanilla
tops and wisps of cream;
Keep floating across the cerulean blue, forming
and melting, -
From one nothingness into another,  below the
arched vault of the heavens!
And at times the clouds coalesce to dissipate as
gentle rain,
With rhythmic beats, or follow some wild musical note,
Lashing against the earth like a dancer in trance!
While it brings down the cool aqua, the very elixir of
life to earth.

(VI)
The sky is held captive by its own void of eternal
silence.
As nature's mirror, it reflects and also shows us a
glimpse of the infinite!
While the night sky by itself exhibits a wondrous
sight,
With the sentinel stars shining like a living hymn
written in light!
And the ebony treasure vault of heavens hold the
sparkling and glittering countless gems;
Of pearls of lily white, rubies with red sheen,
And galaxies shimmering like hyacinth of purple
light!
The sky envelopes the earth all around in an elusive
embrace of unconsummated love!
But each night, in hope and expectations the Sky
adorns itself, -
With diamond necklace and pearls of milky white,
Woven round its dark black flowing stresses;
Casting longing looks towards the beloved Earth,
To whom she is attracted from her very birth!

(VII)
The sky despite its wide range of colourful
spectrum and moods,
Forever retains its pristine colour of azure blue,
behind its gray and somber clouds.
Each morning the sky presents us with a clean
blue slate,
Where nothing ever remains written or etched!
Inspiring humans to make a new beginning,
Before time runs out and it becomes too late!
Yet the sky never forgets to reflect the arched
rainbow over its brow,
Once the thunder clouds and storms dissipate!
Keeping our hopes and aspirations forever alive;
And impelling us to strive in all our endeavours
and to excel!

(VIII)
The sky remains as a revelation of God's immaculate
handiwork.
The blue welkin, God's treasure trove, with its
capricious moods,
Sometimes furious, sometimes iridescent, but by nature
divinely sublime!
The sky a recurrence of happenings, with its speckled dance, -
Of colours, cadence, and of light and shade,
Giving us a taste, smell and feel of eternity, -
Which appears as real, though illusory and ephemeral!
Transcending all our scientific formulas, speculations
and intricate *******-up logic;
Since many mystical and unknown energy forms exist in
our sky and space,
Beyond the realms of Quantum Physics , String Theory,
the Higgs Field and Relativity!  * ( see Notes below)
And forces can even be made to emanate from the human
mind and soul and to transcend, -
To blend with those vibrations in the celestial spheres of
the Divine!

(IX)
The sky shall forever remain a source of exhilaration
and exhortation for mankind, -
And as an exaltation of God's divine and lofty thoughts!
The sky also remains as our ultimate frontier, -
Stretching the dimensions of human consciousness,
Till our consciousness learns to merge with the Divine;
To become one and to blend, under the blue vault of
our blissful Empyrean!
                                                       -  by RAJ NANDY, NEW DELHI

(*NOTES: The five different versions of the String Theories know as the 'The M- Theory' of Quantum Physics, which tries to explain the origin of all things through the vibrations of nano strings. The latest discovery of the Higgs Field, which is said to add mass to subatomic particles; are our humble and insufficient efforts to understand God’s mysterious creation of the universe and space!)
      (ALL COPY RIGHT ARE WITH THE AUTHOR ONLY)
Ignite Mar 2019
Some of my friends and family do not understand anxiety
“It can’t be that bad”
“You don’t have anything to be afraid of”
“Just calm down”

“It can be that bad” I tell them
Anxiety strings barbed wire across doorways and coats people in broken glass
You can’t go anywhere
Anxiety is like a room in an adventure movie where water is steadily pumping onto the floor until it’s up to your chest
Except there’s no magic lever or button for anxiety
It just keeps going until you’ve drowned
Anxiety is a boulder strapped to your back
It keeps pressing and pressing
Even when you’re tired and you just want to sleep, it keeps pressing
Even when you fall, it keeps pressing
Even when you stop struggling to move, to survive, it keeps pressing

“There’s plenty to be afraid of” I say
Anxiety is a monster with giant bulging eyes and thousands of teeth and claws
And the worst part is that no one else can see it following you down the hallways at school
Stalking you in the bathrooms at concerts
Hiding under your own bed
Anxiety is like an uninvited party guest
You never know when Anxiety is going to join the party
It just shows up
And you never have enough snacks or blankets for Anxiety
It always wants more
And it doesn’t leave until 4am when you’re shaking from exhaustion
Anxiety doesn’t even say Thank you
For taking up everything you had in you
It just leaves
And you know Anxiety will be back
Eventually
What’s scary about Anxiety is that it keeps you from doing something you really wanna do
Like spending the night at your friends
You really wanna go but you just don’t
Because you don’t want to have to explain why your body has begun to unravel itself, time traveling back to when anxiety kept humans alive and why apparently your body thinks your friend’s sweet little French bulldog is the equivalent of a modern day saber tooth tiger  
Another scary thing about anxiety is the fact it’s something your brain makes up and your body BELIEVES it of all things
“I’m dying” your brain says
And so your body believes it
Because why would a piece of your body lie to itself?
Why would you lie to yourself?

“I can’t just calm down” I say to them
The whole thing with Anxiety is not just the fact that the guy next to you could be a suicide bomber or that the girl across the isle could have a knife in her pocket or  the fact you’ve got a test to pass or that your shoelaces aren’t symmetrical
It’s that anxiety gives you anxiety
What a beautiful self-destructive cycle
And if I could calm down don’t you think I would?
Do you think I would scratch myself raw trying to force the anxiety out of my skin?
Do you think I would spend my friend’s birthday party having a panic attack in the bathroom?
God why is it always bathrooms?
Do you think I would spend my every waking hour anxiously figuring out how I can avoid all the things that give me anxiety?
The thing about anxiety is that nothing can “get rid of it”
There is no cure
A million billion poems and hugs and dark closets and angry songs and therapists could not get rid of anxiety
Anxiety has embedded itself into me and I don’t have enough strength to dig the scalpel into my own skin and carve it out
I don’t think anyone has that kind of strength

“Anxiety is a part of me” I tell them
And the thing I ask now even gives me anxiety
Isn’t that ironic?
But I still ask it
I always ask it
“Will you still accept me?
Hi guys! I have no clue what I’m doing here, but hi!
Eleanor Rigby Nov 2018
You grab the thread
And start walking away
And I, still pinned to a twig
Unravel, unravel
And become but a trail
Behind your sail.


-- Eleanor
Left Foot Poet Jun 2018
a thousand brilliant lies
(Hafiz,  Iran 1320-1389);      (L.F.P., USA 20~21st century)

- Hafez -                                 - Left Foot Poet-

“I have a                                  if only, in my meager possess,
thousand brilliant lies,          but one lie when easy asked
For the question:                    the simplest damning of,
How are you?                          are you generally happy?

I have a                                    what is god you ask,
thousand brilliant lies.          no lies required,
For the question:                    many answers upon my face visible,
What is God?                          unsure if any worthy of believing

If you think that the               8 centuries separate us, yet
Truth can be known,              you lie; we poets - you, I, all believe

From words                             in the divinity of words

If you think that the                a thousand brilliant sparkles
Sun and the Ocean,                 when Sun loves the Ocean,
Can pass through that            each one a poem passing,
tiny opening Called                my mouth, my wide eyes,
the mouth,                                uttering a Cohen's hallelujah

O someone should                 So we gleam, mirthing in glorious
start laughing!                         and gleeful delight at ourselves
Someone should start             for your brilliant happy lies easily
wildly Laughing Now!"       
                            
                      
­                            unravel into a thousand laughs
hafez
Kristina E Sep 2014
I wanted to write about confidence
Not the kind that makes
a girl pout her lips
and hide her spark away.

Not the kind that makes
a woman look presumptuous,
even though she feels like
a little girl inside.

I wanted to write about
real confidence

The kind of inner beauty that
simply shines through.
The type of confidence
that smiles at strangers
and speaks her mind.

I wanted to write
about the type of walk
that isnt afraid of
little flirtig
and the firm step
that knows what she deserves
and what she wants.

I wanted to capture confidence
to unravel it
and put it into a formula
but how can I do this
if I still feel insecure most of the time?
Silence is a hard thing to understand. It has a wide vocabulary, and sometimes rings out so loudly, as if a choir of confusion, that it is nearly impossible to translate. Sometimes it is so void of life that one cannot even hear one’s own heart beating. Silence is never the same twice, for it comes with different emotions and circumstances each time, even if seemingly the same, and it always has something new to unravel, whether it is what we need to hear, what we refuse to hear, or what we’ve been waiting to show, or trying not to show, ourselves or another, all along. Silence can be an ever changing friend, or an unrelenting enemy. No matter the form or fashion, silence is, and will forever remain, the most welcome and unwanted part of our lives.

It is an often overlooked truth that silence can be anything but. The voices echoing within the vastness between one ear and the next are still far more audible than anything exhaled amidst a mixture of lips, teeth, and tongue, so that even when we are not speaking our mind, the mind is speaking, even if only to the soul attached to it, speaking volumes silently as they translate into emotion and action, or the lack thereof, creating a vocabulary of gesture and expression, but also of stillness and blankness, woven together in both intricacy and complication, losing nothing in translation of language, but sometimes losing much in the heart’s translation of emotion to and from a soul other than its own.

Emotions are each a different language in themselves, for each has their own gestures, expressions, and blank stillness. The mind learns new languages by hearing and reading and teaches the mouth and fingers to translate from thought to spoken or written word, and it depends upon the exposure and the depth of study and experience in any given language as to which we become more or less fluent in, both in speaking and in understanding. It is much the same with the heart. It learns each new language of emotion by the experience of feeling, and depending on the depth and experience with each, the heart becomes more fluent in some over others, and sometimes one over any other. But, it is the relationship between the mind and the heart that truly allows us to understand these feelings, in others as well as in ourselves.

We say that it is the heart that guides us. We say to follow our heart. We say that our heart has been broken, or that it has been made whole. We say that our heart hurts, our heart leaps, skips a beat, races, that is swells and that it grows cold, or one of any other descriptive analogies. It is often what we feel inside our chest that dictates what we decide upon in our minds in any given thing of emotional importance. Poetry, literature, art, everyday speak, and even actions and expressions project and profess what it is that we feel in our hearts at any given instance or in any given circumstance. But, this is merely the hearts reaction to what our minds perceive in any given emotion of circumstance.

It is the depth of the understanding of any given thought or idea, fact or fiction, that ties into the emotional in any way or on any level for each of us individually. Depending upon what we think and believe about any given thing, it will have a different reaction in each of us depending on how important or unimportant it may be to each of us based on our individual way of thinking. The differences between what each of us considers important or unimportant has an influence on how each of us feels about any given thing or circumstance. It is our feelings about what and how we think and what we understand (or sometimes believe we understand) that are the basis, the origins, and the essence of our emotions.

The mind could not function if not for the heart performing its own function. In turn, the heart could not function if not for the mind. They are dependent upon one another. They are slave to one another. As long as the two continue to function together in any conscious state of awareness (or in some unconscious states), the mind literally controls the heart and the heart literally sustains and obeys the mind. The mind may decipher and understand what the heart feels in reaction to its thoughts, but it is the heart that feels it. This is why we speak of the heart and not the mind in almost every instance of emotion. This, however, does not mean that everyone’s mind understands the heart's obedience to the emotions created by the thoughts it produces, just as most do not realize it is the heart’s physical reaction in emotion that the mind relates its thoughts and feelings to unknowingly and descriptively. This lack of understanding applies more to the emotions emanating from others, be they audible or silent, than they do to the emotions we feel ourselves the greater percentage of the time.

How can this be so? How is it that the majority of the time, we misread, ignore, or completely overlook the emotions emanating from others when we feel those same emotions ourselves, and often express them in the same ways, whether more or less often, and whether we show our emotions deliberately, or they show despite our failed attempts at masking or hiding them? How is it that we fail to understand, or understand more fully, the torment or elation anyone other than ourselves can be going through at any given moment when we, ourselves, have been through the same or similar circumstances? Even when we have not been through the same circumstances bringing about such emotions in others, how is it that we have such a hard time understanding that the same emotions we experience can be brought about in others by completely different circumstances?

Maybe it is the amount of people who fake emotions to gain for themselves something from another in ill begotten ways so often that it becomes hard to believe what so many try to show or hide from us emotionally. Maybe it is that we are so often trying to understand those things in and for ourselves that we fail to see how those emotions affect others in their interactions with us and in their own lives. Maybe it is where some of the circumstances that bring about the same emotions for others are not quite the same circumstances that bring them about for us at times. Maybe it is where we are in a different state of emotion at times than the person or people we are interacting with, and our absorption in our own emotions takes our sight and understanding away from theirs at any given moment. It could be any one or more of these reasons, or even that we have had our own emotions misread and disregarded so many times that our own emotions have become so deep and ominous at times that we cannot see through the shadows that surround us or the elation we feel for ourselves in those moments. There are so many reasons that could be factors.

Even if we don’t feel the same emotions at the same exact time as someone else, or for the same exact reasons, we still feel the same emotions as everyone else, for despite each emotion being a different language, what we feel is universal. Despite the false witnesses of emotion who seek to deceive for whatever gain or manipulation they so choose, there are still so many good people trying to understand themselves, as well as others. In emotion, regardless of race or nationality or origin, we all speak the same emotional languages, even if some of us are more fluent in some emotions over others due to our personal experiences. If more of us would try, and some of us would try harder, to understand the emotions of others, not only from the circumstances bringing them to life, but in the effect each emotion has on each person in their moments of emotion, just as we so try to understand our own, then maybe, just maybe, there would not be so much confusion, misunderstanding, and in some cases, judgment, at the differences in what others feel and experience in any moment, whether similar or the same to our own, and hearts would heal more so than being broken, and we would see similarities over differences.

Despite how we live, where we come from, and who each of us are personally, we are all the same in what we feel in our hearts and through our minds, and even in our differences, we are still one in the same. Our minds control our hearts, and our hearts control our minds. We all feel, and we all feel the same, even if at different times than one another. Even when there are no words to say, and even when our words won’t bleed upon page or screen, or our emotions will not translate to whatever medium of expression we choose, our silence still speaks just as loudly as our words, for our every thought and action is based upon the language of emotion, and in that, we all speak the same language, even in silence.

Where it is so often that silence from another, or reflected upon another, determines our own understanding and emotion in interaction with the emotions of others, we should listen and try to understand more than just cursory what those silences reflect emotionally.  Sometimes, our silences speak just as much, if not more, than words or other mediums can allow, if we would but listen as closely in others as we do in ourselves in the languages of emotion, with our hearts and minds in equal measure, instead of letting our own emotions in our own circumstances at any given time impede or disrupt how we see or hear these emotions effecting others in their own circumstances, similar or differing, for they are something we should try to relate to, not self-sidedly compare to our own in trying to self-deceptively prove that no one understands how we feel.
It is one thing to write about such things in poetry or other forms, for we are describing our own personal experiences. It is quite another thing to allow ourselves to misunderstand, misinterpret, or ignore the emotions of others for any reason, especially because we have convinced ourselves that no one can hurt like we do or suffer as we have or are suffering, and it is often the silences that have the most impact on how we understand or misunderstand others. This is a thought that rambled on in the best of my understanding.
Nandini Jul 2014
Your smile unveils mysteries
I'm the traveler to unravel them ...
Never stop smiling ..
You never know who's falling in love with it !
TD Jul 2018
I watch as the roaming sea
(whose wandering rivulets unravel
posthumous biographies
with nuances corroding
the mystery of untouched sands)
fills rivers with muffled words.

My eyes travel
(distances beyond our curdled whites
to shores whose cultured tones
roll like restless hills
lamenting their broken lines)
with ships and dying sunsets.

You are venturing
(to dive in mermaids' coves
revealing their buried tales,
wrapped in murky clouds
of tenebrous veins)
and I am content

--to whisk a limpid hand
(in churning waters' waves
reflecting your seeking gaze
and the wanderlust
that simmers)
through my most desolate sighs.
Just a side note...if you get rid of the words in parentheses, the poem still stands alone.. in a brevity piece.
Heather Elise Feb 2015
Empathy is like:

I see the light pouring out of your eyes and into mine

and I know how the whole world

is tugging invisible threads under your skin

and I want to help you unravel them

until you feel free

until you feel safe

until you feel loved

until we both grow apart

until we die

until we’re dust
Dita H Nov 2014
Empty, so unravel me.
Tell me that you see a spark beyond
these brown eyes, that have seen to little
of the world.
In want of travel, in want of love,
in love with lust, in lust with more.
Do you see the fire burning right
In the edges? A small spark
Yet with your heat, it could build up
To burn systems.
Your heat is what I need most in these stranded nights.
Your heat and that arm of yours.
Do you see something in me?
Is it why you always stay so far,
say too little, breaking whatever is
left in me?
Leaving me empty and unravelled.
Lost gems in this fast river.
ryyan May 2011
Once upon a time.
In a land far far away.
Their existed a rhyme,
About the greatest game ever played.
This is the said rhyme 
preserved from the acclaim the game has gained.
Passed on to generations about the game at it’s prime. 

A game that should be reclaimed from the fame its gained at the present time.
This game came from the brain of a person
who aimed to have the time of his life. 

Town ball was for all. In any season: spring, summer, winter, or fall.
Town ball was a ball for all: no despair, grief,  or strife, could spawn.
The rules were simple
Hit ball: bases touch all. 

Teams were never full. 
And the field could sprawl.
Everything was in play just like everyone could play.
No obstacle was in the way, no direction out of play.
Yet, according to the natural law of capitalistic America,
An evolution began to make money.
**** you Jean-Baptiste Pierre Antoine de Monet!!
You may have nothing to do with baseball, 

But you spawned the evilest idea of them all. 

That evolution is caused by natural law, 

and the evolution of baseball is the downfall of all that is America.
Baseball was at one time a game of fun; 

good times shared with one another under the sun. 

Eventually they agreed to decree the official rules, 

And it was not Abner Doubleday who would have the last say in history,
for that story is a myth that we should flee from like fools.
Instead it was Alexander Cartwright who penned the knickerbocker rules.
These rules spread to the rest of the clubs,
and eventually it was coined the New York game. 

No longer could anyone play but only the ones who could slug.
If you wanted to win, it would be a sin,
to put in the has been who brought the game shame.
This game spread during the civil war. 

In down time to escape they played for fun instead of being bored.
The game spread like never before,
and soon the game covered the entire eastern shore.
The N.A.A.B.B.P was formed and by 1867 four hundred teams were born,
and in 1870 the Chicago Cubs actually won!
They actually were good before 1908,
heck some people might even say they were great. 

I don’t mean to taint their slate or bait your hate.
I just wish to point out that its been some time since that date,
and you Cub fans still must await.
Meanwhile these gentleman clubs would compete in the heat,
for they wanted to prove they were the ones to beat. 

Yet promoters wanted money so they charged the food you eat.
Then they fenced in the meet.
No longer could you watch the teams compete from the street.
If you wanted to know who would defeat you must enter with a receipt
to show that you payed for your seat.
There you would meet, eat, and greet,
and keep track of the game on your score sheet
Eventually the wood frames turned to concrete

in order to hold more people inside their games.
And the players started to earn fame.
And eventually everyone knew their name.
No longer was the game a game for games sake,
instead it was meant to entertain the fame-craved.
All that matter was the money made at the gate,
and since then the game has never been the same.
Before players would score more and their would be less of a bore.
Fielders caught with their fingers the stingers thrown,
but for catchers that was absurd.

Before, fans would abhor to the idea of a fielder with a glove adorned,
but eventually the planted seed, grew steadily, and the fielders glove was born.
At first their was no web extended between the finger and thumb.
Because that would make it so easy to catch it would be just dumb. 

Yet, somehow the web spread and eventually it won. 

Now any *** could catch between finger and thumb
and the hand would not become numb.
This lead the dead ball era dread at the start of nineteen hundred.
And ego went to Owen Wilson’s head as he lead the league with triples.
Thirty six triples the record was set
and will never be broken it has been said.
But instead its embed into the unread
record book for others to go ahead and try to break with dread.
There were several reasons that lead to the dead ball.
First of all, the same ball was used until it started to unravel.
Second, was that you would draw a strike for every foul ball,
And lastly was the spit ball which would dance to any squall.
All these reasons made the pitchers un-hittable. 

And batters seeing their batting average fall
would take a bar crawl and bawl.
But then a savior came to us all. 

This man hit the ball so far that it would fall somewhere past Senegal.
The claims were esteemed that this man was best of them all. 

Yet, he was traded for money to fund a curtain call. 

This man’s name was George “the Babe” Herman Ruth. 

A pitcher turned outfielder because he was a great hitter is the truth.
The great bambino or Sultan of Swat,
nothing could stop him when he was hot. 

And he hit the dead ball era out of the park and it was forever lost. 

He had more home run’s as an individual, than any team,

Except for the Phillies who were good it seems.

Babe was the hit man

Pitcher he was no longer

The same change came

With this emphasis:
Babe Ruth symbolized what was

the rest of the game. 


They said pitch no more.
Sluggers are what fans adore
outfields became small. 


Power was the talk

Every team must have a guy
who hits with power. 


George “babe” Herman Ruth
and Lou Gehrig, the Yankee’s
became the very best.

Then the depression came and rained on the parade of the baseball game.
Yet, families with radio’s would listen to the games as a sort of hope. 

To escape from the world that they known. 

To escape to a game that reminded them of better days.
Then WWII came and stole away the players. 

Baseball’s talent level was now in multiple layers. 

and because of lack of talent Ted Williams batted over .400 percent
and Joe Dimaggio hit the ball again and again. 

for 56 consecutive games he hit the ball back to where it was sent.
Yet, eventually the players would return and baseball would mend. 

But not before the ladies got their own league. 

and men it did intrigue.
Is this for real?
Or a joke?
They would laugh.

Then they would choke. 

When they saw that this wasn’t just an act.
The girls continued,
“Everyone used to be able to play the good old town ball game!
“This is no longer town ball,” the men said, “the present game is not the same,
Instead its now played for money and fame.”

Oh how the good old days always change.

“Give us money” the women exclaimed,
“We’ll take your fortune we’ll take your fame!”

Some men said, “you complain! Its not the same,
you have to be good to play this game,
you can have your separate league if you need,
But this game of fame is only for white men of age!”

Oh how problems never change
Instead they always stay the same.
Yet, it wouldn’t be long
Before the trumpet would sing its song. 

That segregation would possibly end. 

Not for women but for African Americans. 

Segregation had always gone on. 

***** leagues rose up, but finally segregation’s time was gone 

due to a man named Jackie Robinson. 

And in 1947 he broke through with the Brooklyn Dodgers.
Because his team was convinced they’d make more money by Lou Durocher
Yet it came with its troubles because Not everyone on the team was happy 
And some fans were just down right ******.
Some teams such as our beloved St.Louis Cardinals even threatened to strike. 

They were not going to play if Jackie played because they had that much dislike. 

But Jackie and the Dodgers pushed through all the hate that spewed. 

Other players, managers, and fans  were rude, crude and would start feuds. 
Then they would brood every time Jackie’s name the roster would include.
But after awhile people would conclude that he was actually very good.
And after review others would start to include rather than seclude,

But this integration was long over due.
30 years till segregation could be totally subdued.
The lessons we learn are hard ones that is true. 

And it takes awhile for an entire nations perspective to take a different mood.
Now with baseball integrated the game be televised. 

This allows the money in the game to rise. 

The league now expands west; 

New markets they must test.
But hey! the players want some of this. 

They want to start a free agency. 

But this is the last thing the owners need! 

But the players want to be able to move between teams.

The players want money. Oh how things never change.
But the players got what want. 

They now can negotiate and the owners this does haunt. 

The game now is wrapped inside this twisted shame of money. 

Thats all any body wants so they find ways to scheme. 

Thus steroids came to the scene. 

Players now could be payed more if they played well. 

This meant that to hit the ball far, big muscles they would have to build.
In order to get that edge over everyone else. 

These players used steroids to get their help. 

Yet that was not cool with the public 
Because steroids put you at risk. 

They are dangerous at best,
and the league didn’t want to run the risk. 

Plus what about records that have stood the time test?
Are they going be broken now and no longer exist?

All because someone drugs themselves to have a bigger biceps and chest?
Someone please lay this all to rest! 

Baseball today is such a shame. 

Its boring with all of the commercial and pitcher change breaks. 

Something needs to change. 

Because its been turned into a sideshow. 

Thats the only reason why kids even go. 

To see the park, get hot dogs,
and baseballs that when put in the dark they glow. 

Then when you get home. 

you ask them what they remember about the game 

and they say, “I don’t know”. 

This game used to be interesting. 

But now I find my channels flipping. 

Even Golf is more fun to watch. 

at least they hit that ball a lot!
Baseball should but I doubt ever will, 

Get rid of all the pitchers it has to refill. 

No more pitching changes; That would increase the thrill!

Maybe players could hit the ball if wasn’t coming 100 mph every throw. 

and instead of pure talent pitchers had to use strategy,
of when to and not to throw 

That 100mph hour fastball.
Get rid of the sideshow. 

Then maybe kids would go. 

Maybe then we’d go back to being enthralled. 

Back when Baseball was actually Baseball. 

But I doubt it will because money is what matters now.
Sideshows make money so its always going to be allowed.
But I’d like to disavow
I’d like to dropout. 

I never really watched it much in the first place. 

but now I know of a better game.
Oh and one final thing to say. 

We should just go back to town ball. 

That game sounds so much cooler than baseball. 

You could really make some unique obstacles

Put in a fountain or maybe even a wall.
It just sounds like a lot of fun. 

I plan to play it this summer some. 

Everyone will be welcome. 

And we’ll have fun under the sun. 

And it won’t really matter who will win. 

Because its about having fun, building character,
and growing relationships
The end.
Katherine Nov 2012
Your staircase kisses
Changed me
and I felt
real again

I love the way you speak
The way I can't hear my own thoughts
I'm lost
in the flow of consonants
constant
fluttering of
my heart
when you're around

Slow paced
race we're in
isn't it
I don't even know
if I'm winning
or if I want to

Soft lips
Linger
in a drunken state
I wait
for this to
unravel
You, my dear, are a mystery.

I often leave deep crescents on the palm of my hand— leaving them throbbing a shade of crimson— whenever i get frustrated. And, well, I would be lying if I said that you didn't ever frustrate me. Hell, you frustrate me all the time.

You're a mystery not craving to be solved, but nonetheless still leaves everyone wanting to be able to find the answer to a question—unexplainable by any thing besides you.

You're a mystery and I'm just someone who wants to unravel you.
Fah Aug 2015
Forensics couldn't figure out what happened to our bodies because they never looked closely enough into their own eyes.

When we walked out across those wild flower grass plains,
moving
our bare feet meandering , twirling, toes earthy, past the goddess river, bowing our eyes and laying sweet blessings of hopeful poetry at her edges with the mountains ahead of us going on and on and on.

Our heartbeats sinking into the smell of summers afternoons.
We
two beings
stand and watch as the water shows us the way across
her gentle back cool and singing.

We keep on laughing to the forests edge and settle by the Elder Trees to pray for the way ahead and the way already gone, we pray to the sentinel trees for their gracious beauty and we leave a small offering of a song.  

We
two beings

I'm all over Hummingbird
She's all over Dragonfly

Listen to the forest for the sign we can move on,

We
two beings

listen with our eyes and our hearts, ears and noses.
We wait, long moments sensing,
attuning ourselves to the rich forest song.
Later, we see the flash of Owl sister and know it is time to move along

in silence, we listen as we walk and let the sounds we hear guide us.

She's all over Wolf Teacher
I'm all over Lynx Secret Keeper

We're both keeping time alive with our actions.

Way in deep, where the floor is soft decomposition-in-motion and the sky is hardly seen, little tickling breezes stir us, we walk along in silence, side by side, always listening

until our feet meet the edge of a clearing and we whisper our offering:
the story of who we are, why we are here, how beautiful this place is and how it came to be that,

I'm all over Calendula
She's all over Nettle.

Here the sun lays upon us once more and we sit , facing each other

We breathe ourselves into mediation.
We breathe ourselves into silence.
We look at each other
past our skins and through to the light emanating from our DNA

and we start to hum.

We hum our spirit song and begin to unravel so slowly the ways of this world,

we begin to unravel so gently the bags we carry under our eyes
over our knees

we begin to unravel so softly the song of our hearts.

Flowing through us a motion so suspending we seem to no longer be singing, but the sounds somehow pour out of us
our bodies start to sway, no judgment, our bodies start to relax, no suffering

perhaps her toe taps and my ear wiggles
perhaps it's her nose jiggling
perhaps it's my elbow nodding.

We two beings
pray to each other sweet words of beauty
sweet words of honesty

we let those bodies dance
up on our feet
twirling and leaping around the green grass, wildflower clearing
until we feel a twang of connection,

like curious little deer we follow that cord in our chests , pulling us towards each other.

She's on the other side of the clearing and as we make small steps , I feel the boundaries of her person. Her energetic walls , I feel her enter into mine. And we stop, acknowledge the space we are entering and ask for permission to move on. We move on

layer by layer, always stopping to acknowledge, stopping to ask permission until we stand 4 inches between us, breathing.

By now we are no longer thinking, we only sense.
She moves her hand close to my wrist,  I meet her the rest of the way.

All collapses in on itself and opens back up again at our meeting.
She rides her hand up my arm to hold my face so gently.

I bring my other hand to her wrist and she meets me half way. I ride my hand up her arm to hold her face so gently.

I bring my hand to her waist and she leans in softly, she leans in softly.

She brings her hand to my waist and I lean in softly, I lean in slowly.

We move like this, unwrapping each other of clothes, breathing ourselves in meditation, going as slowly, gently as we possibly can.

When we are in our natural way, we wait a moment to take in the beauty, we **** our heads and as our words no longer matter we both know we hear a sounding stream.

We beings
perplexed and amused, find ourselves next to a small rocky stream, somewhere else in the forest. Dappled light finds it's way onto us , the trees and the water. Everything is orange and brown, mossy green with occasional pinks and purples.

She smiles and I smile , we make a motion of gratitude to our Great Water Mother and ask to wash.
When a small fish appears and jumps glistening
we move to scoop up running water in hands, pouring it over each others crowns. Again and again we scoop and we pour, we wash our walking sweat and clear ourselves.

Soon, the stream starts to fade and we are now on flat topped knoll, looking out over shallow banks of a wide flowing river.

The knoll is about the size of a large bed , wintergreen rustles beneath our feet.

We sit together and she brings her face close to mine, I bring my face close to hers and we look into each others eyes until we see.

I bring my lips close to her cheek, she brings her cheek close to my lips. And so we find ourselves tasting each other.
Slowly,
gently,
softly her lips come to my ears and her tongue moves on my lobe. My mouth to her nape and my breath is coming slow. We take as much time as we possibly can.

The Sun has not moved from the afternoon position. We are no longer in a place where time is quite the same.

Soon, I lay on the ground and she comes down beside me. Our dancing hands and tongues never in a rush, at a pace like the tide with movements, repetitive definitive and measured. Washing over our earthen valleys and hills, dipping low to our canyons, serenading our ravines. But never quite touching those extra sacred pleasure places.
She lays on her back and I sit beside her.

I kiss her chest and give thanks to her skin, her blood to milk trees and the crystal caves that lay within. I kiss her belly button and thank her mother for carrying her all this way. Her father for holding her. I move down to her womb and she makes a space for me between her legs, I lay there with my head on her belly listening.

I hear the beating blood and gurgling belly, breath staying slow, I hold her hips. and kiss her womb from the outside. I kiss her womb from the outside. I find I am at the edge of a small curly forest, I pray gently with a song at the borderline and kiss her there too. She tenses just a little and a pause, look to her eyes and see she does not want me further.

I slip out from her legs and lay down by her side.
The wide river is moving and the wintergreen is serenading us with her smell as our bodies movements bruise the small leaves. The sun has moved a little further across the sky, shadows are pulling longer now.

She puts her head to my chest and listens to the heart just below skin , bone and muscle.
She hears my breath and is riding up and down with my diaphragm movements. She slows me down until we are both inside the space between heartbeats. Encompassed in those melodies. We breathe again and see each others eyes. She kisses my heart from the outside and caresses my chest. I open my legs offering her space between them. She moves, lingering, one hand first on my face then on my heart, then on my solar plexus. Then her body is softly laying on mine, her head on my stomach. Listening. She laughs a little because the spaces inside of her don't exist inside of me, she says my secret caves are up in my heart, she heard them. She smiles and sighs a little, resting at the edges of my forest.
We beings
lay here, like this for a long time. Until the Sun is way low.
But we don't move. We just keep right on laying. Our eyes closing.

The wintergreen gives way to a bed of Jasmine vines way up in a tree. When we awake we look at each other and recognize our spirits.
She climbs onto the limb of a tree and sees  way across the forest, to more forest and more forest, to mountains and more mountains.
She begins to transform, her body rippling, scales made of light, emerging from her back, her eyes glistening, her dreams swirling around her, fruits ripe for the picking, some still maturing , her legs start to dance as they form one long tail, four legs with claws follow not long after. She is glowing a vibrant green touched with sparks of grey. A Naga flies out from the trees and is off. Into the night to do what she does.

I lay on the Jasmine, inhale sweet sweet scents and dream my own dreams where I'm an Owl , all my feathers pale pink and deep navy blue. I leap up through the canopy and sweep down into the forest to do what I do.  

Our spirits meet sometime before the Great Grandpa Sun is born again, to greet him with a song, to keep on exploring these earth bodies, to keep on singing to the forests, to keep on smelling and eating and drinking and washing, finding others to play with, to keep on thanking and laughing and moving time along with our movements.

The forensics sent into the forest to look for us didn't find diddlysquat because they hadn't looked deep enough into their own eyes.
releasing this now, letting it become some ingredient someplace else, whatever I was holding out or on to,.
It's been a while since I wrote a story.
Neither beings in this poem are anyone in particular, but it is powered by these past months And doors closing.
Nash Wolfe Dec 2014
A dedication to a Lost Love.

If only my simple words could captivate every emotion that I am trying to convey. To summarize an illustrious story which I hold close to my dearest heart; then I would give you the entire world and then even more. From the deepest skies I would soar, just to bestow a higher power that you deserve; I would revive our love and mark every ocean shore for all to glance upon. My heart sets on fire and burns in blazing flames every time I hear you say “I love you”. I lose control, my nerves kick in and I am frozen within time; with you everything seems endless. The taste of your sensational kiss halts my heart; for when we depart, I hold on to that very last kiss and cleanse to it compassionately; the thought of you ponders everlasting.




The night is glorious; as they lay beneath Earth’s stars and galaxy. He comforts her and clings to her compassionately. He rolls his love on her back, as he blankets her in his arms; he glances through her glamorous eyes and finally spoke with a smile. “I see everything through your eyes. I see all that’s dark and brutal, to all that’s beautiful and filled with light. I see my whole world through your eyes.”
    
       She looks at him with silence as she tries to find the words to speak; then in a moment the words filter out like a waterfall. “For years I could only wonder how your kiss tasted, your lips against mine. Your smell eluded me, like I was knocking on Heaven’s door, just waiting to see the angels fluttering, an exquisite sight to see, an incredible beauty, to love unconditionally; a romance that is endless. Through your soul I can read an illustrious story.”

     He pulls her close; where he can hear every breath that circulates through her lungs. Then he gives her a soft kiss and a flutter of butterflies pours out of his stomach. “Our lips touch and it’s like a surge of electricity between our bodies.”

     “Gravity stops existing. We float through mid air. Flying through Heaven, our lips are still connected.”

     Kevin’s heart skips a beat as it starts to pulse rapidly; pondering over the love of his life, he only wishes to freeze time. “We float through space and time, an infinite dream, free to create our own reality; just you and me.”

She turns away from Kevin as she looks out in the wilderness. A cold breeze shifts towards her, as brisk bumps crawl up her spine. Everything shifts away; the open sky becomes more transparent. The moon still beams overhead; echo of howls vibrate through the wind. The silence between them leaves them both helpless and inert. She stands underneath a tree; the shadow it caste conceals her image. The leaves ruffle the peaceful atmosphere, with each crinkle and niche. The grass swiftly moves under Kevin’s body as he remains on the ground alone.

She glances at him persist, as his eyes connect with hers. They exchange each other’s worlds. Then she starts to dream off in an oblivious state of mind. She quietly speaks to Kevin. “As we drift together through the bewilder reality, we are bound by vines weaving around one another. Correlating a sense of compassion, as we endeavor this sensation, I get lost forever.”

Kevin stands up as he reaches for her soft hand and pulls it close to his chest; every beat of his heart she felt through the palm of her hand, then he began to speak softly. “Forever lost in your eyes like an infinite dream, the most amazing fantasy, our bodies weaving together, our lives intertwine like vines on a building.”

As she grasps his hands she stands bold; her eyes become cloudy, the night manifest deeper. Eagerly she speaks. “I pledge to this raven that stalks the night and watches over our bound vines, preying on its victim, not wanting to lose sight of this *******. It lingers with emotion. For our vibes are so strong that it paralyzes every eye.” She glares directly into Kevin’s eyes. “They choke because they need air to breathe.  We memorize them with our feelings’.
    
     Kevin’s eyes shift as they change from gray to a deep green; he becomes weak as his knees break beneath him. Slowly he loses balance, but before he falls his love catches him; closely they stand together, their strength is upheld by each other. Kevin lightly touches his love’s face and deeply speaks. “We steal breaths from those around us to feed our imaginable love growing ever longer day by day”.
  
     Nearly out of breath, she tenaciously speaks to him. “Unstoppable, undefeatable, I’m breathing slowly as I get closer to a man that sustains a capacity that is like no other”. She grabs onto his chest tightly not wanting to ever let go. “Our love burns hotter than fire and can freeze your heart like ice. What we share with each other you can only seek it once in a life time”.

       A light breeze fills the atmosphere around them; the dark starry night still covers the sky. He stands up, leaving her side. She remains inert on the ground as he stands by a tree grasping for the words to rebut. “It burns ever hotter and freezes ever colder. Growing ever stronger, able to stop an army and break the strongest barriers, never faltering jolts of lightening across the blue sky, able to conquer all in the path of this love”.

She rises to him, as they share a kiss. Their life changes, the sun finally peeks over the horizon creating a new day.

They go their separate ways; as Kevin let’s go of his love’s hand and kisses it one more time. He walks alone with tension in his mind. Finally he reaches home and immediately goes straight to his room.
    
The window in Kevin’s room blows a cold breeze; curtains flutter as his door slams shut. Kevin only hears silence; a pin drops to his floor and lingers through his chamber. The moon’s light is the only source that shines for his sight. Kevin lays in his prison, alone pondering over his life.

“So much going through my mind, my head is spinning in circles; I am losing my balance and I am about to break. Circumstances are not where they should be; my life is slowly crashing. Everything is changing so fast, I don’t know where to catch a grasp. My strength is going down the drain and I don’t know how much longer I can hang on. My paths are caving in; every road feels block. I toss and turn through out the night, just to escape my oblivious mind. I take one step forward to fall three steps back”.

Kevin rolls over on his back, as his mind and heart contemplates over his emotion that tears him apart inch by inch. His insides are ripping out and he holds them in his hands. Kevin’s stomach turns as his heart explodes. His blood pressure rises; then he sinks into a deep inner thought.

      
“When I break, when I fall, when I lose myself and tumble, if I give all I am, when I’m ready to take, will I be strong enough to fight, as I wait? If I search will I find the answers that are hidden? All that I have forsaken, when I am expose to the openness, expose to the brokenness.”

       Kevin’s eyes grow tighter as he shields them shut. Complete darkness surrounds him; Hell burning up in flames touches his skin, red marks crosses his flesh. The heat rises, Kevin’s walls begin to melt; as his life crumbles beneath his feet. He still searches for a higher power to relieve his despair. Kevin’s mind is screaming out and silence falls to the ground. He lays on his casket alone; as he murmurs to himself.

“Here I am it feels like I am not breathing, like I am only dreaming! When I sacrifice, in order to let go, when I lose at every battle, my heart gets fainter as you get closer. I lose control, my body in despair, shaky and scared. I tremble with each step, afraid to fail, to make a mistake. Make me feel like you did when I first gazed through your eyes, I was seeing through Heaven’s gate. The angels flying based upon fate, I get lost in them for days, like pain doesn’t exist on the prosperity of serenity.”

     Kevin falls dead, as he drifts away in a dream. Clouds fill his mind, and then draw blank. Through a far distant Kevin hears a faint voice. The sound of an angel intervenes in his head. She creeps closer and her image starts to become clearer. Her skins like a smooth mocha cream; her eyes cleanses with the night, beauty that he has never seen. Kevin’s eyes become focuses on the angel; as she draws nearer. She opens her arms and softly speaks. “Fall into my arms gently, let me take control. M arms will be your security; your protection to keep you safe in this world. Let me guide and lead the way, a new beginning to another chapter. We can create a life together, fast or slow. I will ease your oblivious mind and erase all of your pain.” The angel comes closer to Kevin, as her hair blows in front of her face. She stares at him then softly conveys. “I will show you a form of love that you desired for so long; there are no limits to this sensation. We are free to take it and run, together we unit as one.”

     Kevin sits in polarization as her glances at the angel. He trembles with each word. “I want to wrap you in my arms and keep you in my warm embrace; to hold you there till the morning light breaks through the window. I will blanket you in my warmth that is my everlasting love”.

     She lays in Kevin's arms as his body intertwines around hers. The atmosphere gets cooler; the clouds are still flying through mid-air. She grabs his hand tightly. “Let’s keep each other company and share a deep compassion, traveling through countries marking territories. Let the moon be the only light, it beams softly on your face. I'm allowed to see your mystical eyes; they tell a long story”.

     Kevin falls back, and the angel follows too. “I will take you through the highest mountains, the lowest valleys, across the coldest tundra’s and the hottest deserts. We will go through the deepest jungles, and the furthest reaches of the ocean, from the rings of Saturn, back to the grass of Iowa, without leaving our room”.

  “Through the great valley we will go; I will follow you till the end of time. You are worth fighting, let all the pain and heart ache subside. Our love is much greater than a storm that roars thunder and strikes lightening.” The angel slides her hand across Kevin’s face; he feels her warm embrace through the palm of her hand.

     Kevin closes his eyes and words unravel within time. “Our love reaches farther than the longest roads; it’s deeper than the deepest ocean. It is greater than the greatest features of human history, more amazing than the pyramids, and larger than life of the greatest man.” He pauses and takes in a deep breath and allows it to circulate deep within.

     The angel flutters her beauty to Kevin, as his eyes widen with every movement to makes. She solemnly floats away, but she still remains within Kevin’s sight. She quietly murmurs. “Let’s unravel this story and see how great this love really is, unlock every bind that once trapped our hearts. It can finally be released and freed. Lets forget about the past and the pain it once caused, for nothing else matters. We pulled through this far; still happy as a child’s laughter, withering deeper to a place like no other”. She takes a quick pause as she grasps for air. “The rivers flow much deeper, waterfalls flow much heavier, and affection growing greater. For it never decays as it ages; it just becomes more valuable through every night and day.”

     Memorized by every word she conveys, Kevin expresses his love like never before. He shifts to his left side and holds on to his treasure tighter. “I am ready to explore the love we have like the tombs of the ancient kings. I’m ready to take the twist and turns, never knowing what is yet to come, only knowing we’ll be side by side the whole way through, till the end of time, just you and I, on our road of love” Kevin’s heart aches with  prosperity, explosion that is within his soul. His body shakes and quivers every time his heart makes a beat. He looks at this creation as if she is all he could ever see. Kevin kisses her gently; his heart races more. Their lips disconnect and a light surrounds them. He stands behind the angel and whispers in her ears. “My soul is yours, along with my heart for you to take, to do what you wish. My love for you can not be measured. I hope to be in your heart for the rest of days”.

       Kevin’s arms remain blanket around the angel, the night that covers the starry sky. They both look out in the clouds where peace is found. She turns around in Kevin’s barrier and gently the crisp of her fingertips glides through his hair, the lips of the angel moves like calmness of an ocean. “Time can’t capture every split moment. I deprive your touch, your love, never wanting to let go. I still held on waiting for the day. Years passed over and we reunited; we picked up where we left off as if we never lived years without each other”.

     Kevin reminisces for a moment and draws himself back to the past. He stands by the angel as the memories play over in his head. “Days came and went and still I thought of you; the months came and gone and still I thought about you; the years rolled by and by and still I thought about you. Then I thought of you no more because you were in my arms again. You and I entangle like vines climbing up the wall, wrapping around each other”. The angel gives Kevin a light kiss and says her goodbye. He watches her leave his presents then says, “Wait, my love when I will see you again?” The silence answer Kevin’s question
The clouds wither away; the bright sky turns dark and gray. Everything around Kevin vanishes, then a cloud of smoke appears and a whisper conveys “Open your eyes and you will see me soon”. Kevin immediately opens his eyes and there his love was lying next to him. They both lay there sleepless and inert, as they fall asleep together. Their dreams intertwine with one another creating serenity.

         The waves collide as the ocean breaks to sonority then to calmness. A crack in which divides Heaven and Hell, with all the immoral things some how beauty is still found. There is a place where there is peace known as serenity. It helps people see everything; as the ocean departs and a new wave deprives the collision roars till the end of time.

      Kevin took a deep breath and let it lingered in the wind; then took a glance at the love of his life and spoke alluring words. "Walk through the veil from reality, to make believe. Allow your mind to drift into serenity pieces of you and me, together to keep in your heart and in your mind. I will show you the path to serenity."

       The love of his life pondered over Kevin’s words then responded back: "Will you drift with me to a place where there is serenity? A sacred piece that lets us be together, where there is no pain or suffering. Only the monuments that represent all that is make believe, a separation from reality.” She pushed her hair aside. “Where dreams guide the way, saving a memory to capture and remember. Will you grant me this serenity? Walk with me to this place that is unknown."

     Kevin took a few steps forward, and then paused. "This place is known to me. It’s anywhere that you’re with me and anyplace that I am with you, in the darkest dark or the brightest bright, the highest high or the lowest low. Serenity is you with me; happiness is me with you."

     She tightly closed her eyes and drifted away to a paradise in her oblivious mind. "I search for serenity when I reach my darkest hour. When the sun sets and ends another day. It’s never too dark when you’re with me. You’re the greatest light source that I will ever need.” She smiled at Kevin. “Happiness is a term that portrays an emotion where at times it’s inde
All I want is a break.
A piece of time to unwind.
It's not too much to ask,
To want to unravel my mind.

I'm not asking for refuge,
Or to be rescued from this place.
I'm not asking for condolences.
Just a moment from this race.

Take me for drive.
You don't have to say a word.
Just take this journey with me,
And release the stress incurred.

Remember when you were a child?
Your hand out the window in the wind?
Let's listen to the tires on a back road,
And absorb that feeling again.

All I want is a break.
A piece of time to unwind.
If it's not too much to ask,
Would you help unravel my mind?
Val Ajdari Nov 2013
Some fools are born, conditioned by fate,
And they, like all, still procreate.
All useful knowledge flee their minds;
Ignorance fulfill these swine.
And while they swing and cheat for joys,
The watchful eyes of their little boys
Take a glance at what they see,
And what they see is “a bigger me.”
Their little girls, in company of dolls,
On occasion foresee what befall
On them, too, as they soon explore --
An impending battle of love and war.
But then, there exists that little kid
Whose *** and gender shall remain amid
A cloud of quantum mystery;
Their wisdom calls more urgently.
And as this kid sees life unravel
Along Lacanian stages of travel,
Concerned are they with all fuss and mess,
To which most adults do not confess.
As one parent lacks all the care,
The other lives a life unfair.
In times of chaos and audacious cuss
Dear, vengeful killer, Oedipus
Consumes all facets of the mind
Of the little kid who must confine
All pain, and hatred, and all rage,
Enough to place one in a cage,
While free the bird whose wings to fly
Have been broken off, now left to die;
In part, by diabolical norms
That invade a home in all shapes and forms.
But the kid looks up at the two,
Then whispers quietly, “I’m neither of you;
Not the blinded one, on flight to reign,
Nor the indebted one, too tied to pain."
Nor does the kid ever dare to be
A product passed politically:
Ingrained in mind, in heart, and soul
A subordinate being in a bowl
That churns, and churns, and churns, and churns
While glutenous ******* more they yearn.
This ceaseless cycle leaves little choice
For the ill-fated screaming voice,
As a true language for them not made
Because demonic beings must place a shade
Over the stronger ones deprived
Appraisal for their stronger minds.
The kid, all this, can’t take to be
As what they see they wish not to see.
In this unbalanced Yin and Yang,
The kid’s perception hits a bang:
“The power lies within the one
Who mostly governs with a gun.
But, how can a human hurt their double,
When love and passion are lesser trouble?"
A fitting *** the kid cannot choose,
As in every win each *** will lose.
But slowly, as they come to be,
The kid, society directs to see
That to the right *** they must belong
As "genitalia proves feelings wrong."
This funny theory most credits Freud.
But by collective viewpoints the kid’s annoyed:
'No good is said, no good is done
For those who are all, but yet are none.'
Great gender points makes Butler, Judith,
While blind opponents seek to disprove her;
They ink 'she is wrong within her stance!'
That female unity will give rise to chance
To an inclusion of the female word,
And one that’s First...not second or third.
The opposite, still out to bend
The rules and laws, all to pretend
That the other *** does not exist
Because swollen egos must persist
In rule, in art, in build, and biz:
'Fields where opposites lack all wiz.'
The kid, in this silly world of theirs,
Looks at all these foolish heirs
Who bounce and shoot this gendered ball,
While the kid stands back and laughs at all.
Madisen Kuhn Apr 2014
just as you cannot stare at a cut
and watch it heal,
you can’t keep glaring at the pain
and expect it to go away

so look away

let your eyes focus on
daily beauties like sun that shines
through bedroom blinds
and warm sheets
that wrap you up at night

saturday mornings
and crisp november air,
hot showers and the Opportunity
that waits for you at your front step
each and every morning

and one day,
you’ll unravel the bandage
you’ve wrapped around your heart
and the only thing you’ll see is a light scar
that’s there to remind you
of how strong you’ve become

although this life is beautiful,
it isn’t easy
and whether you believe it or not,
you are strong.
written on 11/24/13
Translated into English in 1859 by Edward FitzGerald

I.
Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

II.
Dreaming when Dawn's Left Hand was in the Sky
I heard a voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

III.
And, as the **** crew, those who stood before
The Tavern shouted -- "Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."

IV.
Now the New Year reviving old Desires,
The thoughtful Soul to Solitude retires,
Where the White Hand of Moses on the Bough
Puts out, and Jesus from the Ground suspires.

V.
Iram indeed is gone with all its Rose,
And Jamshyd's Sev'n-ring'd Cup where no one Knows;
But still the Vine her ancient ruby yields,
And still a Garden by the Water blows.

VI.
And David's Lips are lock't; but in divine
High piping Pehlevi, with "Wine! Wine! Wine!
Red Wine!" -- the Nightingale cries to the Rose
That yellow Cheek of hers to incarnadine.

VII.
Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly -- and Lo! the Bird is on the Wing.

VIII.
Whether at Naishapur or Babylon,
Whether the Cup with sweet or bitter run,
The Wine of Life keeps oozing drop by drop,
The Leaves of Life kep falling one by one.

IX.
Morning a thousand Roses brings, you say;
Yes, but where leaves the Rose of Yesterday?
And this first Summer month that brings the Rose
Shall take Jamshyd and Kaikobad away.

X.
But come with old Khayyam, and leave the Lot
Of Kaikobad and Kaikhosru forgot:
Let Rustum lay about him as he will,
Or Hatim Tai cry Supper -- heed them not.

XI.
With me along the strip of Herbage strown
That just divides the desert from the sown,
Where name of Slave and Sultan is forgot --
And Peace is Mahmud on his Golden Throne!

XII.
A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread, -- and Thou
Beside me singing in the Wilderness --
Oh, Wilderness were Paradise enow!

XIII.
Some for the Glories of This World; and some
Sigh for the Prophet's Paradise to come;
Ah, take the Cash, and let the Promise go,
Nor heed the rumble of a distant Drum!

XIV.
Were it not Folly, Spider-like to spin
The Thread of present Life away to win --
What? for ourselves, who know not if we shall
Breathe out the very Breath we now breathe in!

XV.
Look to the Rose that blows about us -- "Lo,
Laughing," she says, "into the World I blow:
At once the silken Tassel of my Purse
Tear, and its Treasure on the Garden throw."

XVI.
The Worldly Hope men set their Hearts upon
Turns Ashes -- or it prospers; and anon,
Like Snow upon the Desert's dusty Face
Lighting a little Hour or two -- is gone.

XVII.
And those who husbanded the Golden Grain,
And those who flung it to the Winds like Rain,
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.

XVIII.
Think, in this batter'd Caravanserai
Whose Doorways are alternate Night and Day,
How Sultan after Sultan with his Pomp
Abode his Hour or two and went his way.

XIX.
They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
And Bahram, that great Hunter -- the Wild ***
Stamps o'er his Head, but cannot break his Sleep.

**.
I sometimes think that never blows so red
The Rose as where some buried Caesar bled;
That every Hyacinth the Garden wears
Dropt in its Lap from some once lovely Head.

XXI.
And this delightful Herb whose tender Green
Fledges the River's Lip on which we lean --
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!

XXII.
Ah, my Beloved, fill the Cup that clears
To-day of past Regrets and future Fears --
To-morrow? -- Why, To-morrow I may be
Myself with Yesterday's Sev'n Thousand Years.

XXIII.
Lo! some we loved, the loveliest and best
That Time and Fate of all their Vintage prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to Rest.

XXIV.
And we, that now make merry in the Room
They left, and Summer dresses in new Bloom,
Ourselves must we beneath the Couch of Earth
Descend, ourselves to make a Couch -- for whom?

XXV.
Ah, make the most of what we may yet spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust, to lie;
Sans Wine, sans Song, sans Singer, and -- sans End!

XXVI.
Alike for those who for To-day prepare,
And those that after some To-morrow stare,
A Muezzin from the Tower of Darkness cries
"Fools! Your Reward is neither Here nor There!"

XXVII.
Why, all the Saints and Sages who discuss'd
Of the Two Worlds so learnedly, are ******
Like foolish Prophets forth; their Works to Scorn
Are scatter'd, and their Mouths are stopt with Dust.

XXVIII.
Oh, come with old Khayyam, and leave the Wise
To talk; one thing is certain, that Life flies;
One thing is certain, and the Rest is Lies;
The Flower that once has blown forever dies.

XXIX.
Myself when young did eagerly frequent
Doctor and Saint, and heard great Argument
About it and about; but evermore
Came out by the same Door as in I went.

***.
With them the Seed of Wisdom did I sow,
And with my own hand labour'd it to grow:
And this was all the Harvest that I reap'd --
"I came like Water and like Wind I go."

XXXI.
Into this Universe, and Why not knowing,
Nor Whence, like Water *****-nilly flowing:
And out of it, as Wind along the Waste,
I know not Whither, *****-nilly blowing.

XXXII.
Up from Earth's Centre through the Seventh Gate
I rose, and on the Throne of Saturn sate,
And many Knots unravel'd by the Road;
But not the Master-Knot of Human Fate.

XXXIII.
There was the Door to which I found no Key:
There was the Veil through which I could not see:
Some little talk awhile of Me and Thee
There was -- and then no more of Thee and Me.

XXXIV.
Then to the rolling Heav'n itself I cried,
Asking, "What Lamp had Destiny to guide
Her little Children stumbling in the Dark?"
And -- "A blind Understanding!" Heav'n replied.

XXXV.
Then to the Lip of this poor earthen Urn
I lean'd, the secret Well of Life to learn:
And Lip to Lip it murmur'd -- "While you live,
Drink! -- for, once dead, you never shall return."

XXXVI.
I think the Vessel, that with fugitive
Articulation answer'd, once did live,
And merry-make, and the cold Lip I kiss'd,
How many Kisses might it take -- and give!

XXXVII.
For in the Market-place, one Dusk of Day,
I watch'd the Potter thumping his wet Clay:
And with its all obliterated Tongue
It murmur'd -- "Gently, Brother, gently, pray!"

XXXVIII.
And has not such a Story from of Old
Down Man's successive generations roll'd
Of such a clod of saturated Earth
Cast by the Maker into Human mould?

XXXIX.
Ah, fill the Cup: -- what boots it to repeat
How Time is slipping underneath our Feet:
Unborn To-morrow, and dead Yesterday,
Why fret about them if To-day be sweet!

XL.
A Moment's Halt -- a momentary taste
Of Being from the Well amid the Waste --
And Lo! the phantom Caravan has reach'd
The Nothing it set out from -- Oh, make haste!

XLI.
Oh, plagued no more with Human or Divine,
To-morrow's tangle to itself resign,
And lose your fingers in the tresses of
The Cypress-slender Minister of Wine.

XLII.
Waste not your Hour, nor in the vain pursuit
Of This and That endeavor and dispute;
Better be merry with the fruitful Grape
Than sadden after none, or bitter, fruit.

XLIII.
You know, my Friends, with what a brave Carouse
I made a Second Marriage in my house;
Divorced old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.

XLIV.
And lately, by the Tavern Door agape,
Came stealing through the Dusk an Angel Shape
Bearing a Vessel on his Shoulder; and
He bid me taste of it; and 'twas -- the Grape!

XLV.
The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The subtle Alchemest that in a Trice
Life's leaden Metal into Gold transmute.

XLVI.
Why, be this Juice the growth of God, who dare
Blaspheme the twisted tendril as Snare?
A Blessing, we should use it, should we not?
And if a Curse -- why, then, Who set it there?

XLVII.
But leave the Wise to wrangle, and with me
The Quarrel of the Universe let be:
And, in some corner of the Hubbub couch'd,
Make Game of that which makes as much of Thee.

XLVIII.
For in and out, above, about, below,
'Tis nothing but a Magic Shadow-show,
Play'd in a Box whose Candle is the Sun,
Round which we Phantom Figures come and go.

XLIX.
Strange, is it not? that of the myriads who
Before us pass'd the door of Darkness through
Not one returns to tell us of the Road,
Which to discover we must travel too.

L.
The Revelations of Devout and Learn'd
Who rose before us, and as Prophets burn'd,
Are all but Stories, which, awoke from Sleep,
They told their fellows, and to Sleep return'd.

LI.
Why, if the Soul can fling the Dust aside,
And naked on the Air of Heaven ride,
Is't not a shame -- Is't not a shame for him
So long in this Clay suburb to abide?

LII.
But that is but a Tent wherein may rest
A Sultan to the realm of Death addrest;
The Sultan rises, and the dark Ferrash
Strikes, and prepares it for another guest.

LIII.
I sent my Soul through the Invisible,
Some letter of that After-life to spell:
And after many days my Soul return'd
And said, "Behold, Myself am Heav'n and Hell."

LIV.
Heav'n but the Vision of fulfill'd Desire,
And Hell the Shadow of a Soul on fire,
Cast on the Darkness into which Ourselves,
So late emerg'd from, shall so soon expire.

LV.
While the Rose blows along the River Brink,
With old Khayyam and ruby vintage drink:
And when the Angel with his darker Draught
Draws up to Thee -- take that, and do not shrink.

LVI.
And fear not lest Existence closing your
Account, should lose, or know the type no more;
The Eternal Saki from the Bowl has pour'd
Millions of Bubbls like us, and will pour.

LVII.
When You and I behind the Veil are past,
Oh but the long long while the World shall last,
Which of our Coming and Departure heeds
As much as Ocean of a pebble-cast.

LVIII.
'Tis all a Chequer-board of Nights and Days
Where Destiny with Men for Pieces plays:
Hither and thither moves, and mates, and slays,
And one by one back in the Closet lays.

LIX.
The Ball no Question makes of Ayes and Noes,
But Right or Left, as strikes the Player goes;
And he that toss'd Thee down into the Field,
He knows about it all -- He knows -- HE knows!

LX.
The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.

LXI.
For let Philosopher and Doctor preach
Of what they will, and what they will not -- each
Is but one Link in an eternal Chain
That none can slip, nor break, nor over-reach.

LXII.
And that inverted Bowl we call The Sky,
Whereunder crawling coop't we live and die,
Lift not thy hands to it for help -- for It
Rolls impotently on as Thou or I.

LXIII.
With Earth's first Clay They did the Last Man knead,
And then of the Last Harvest sow'd the Seed:
Yea, the first Morning of Creation wrote
What the Last Dawn of Reckoning shall read.

LXIV.
Yesterday This Day's Madness did prepare;
To-morrow's Silence, Triumph, or Despair:
Drink! for you know not whence you came, nor why:
Drink! for you know not why you go, nor where.

LXV.
I tell You this -- When, starting from the Goal,
Over the shoulders of the flaming Foal
Of Heav'n Parwin and Mushtari they flung,
In my predestin'd Plot of Dust and Soul.

LXVI.
The Vine has struck a fiber: which about
If clings my Being -- let the Dervish flout;
Of my Base metal may be filed a Key,
That shall unlock the Door he howls without.

LXVII.
And this I know: whether the one True Light,
Kindle to Love, or Wrath -- consume me quite,
One Glimpse of It within the Tavern caught
Better than in the Temple lost outright.

LXVIII.
What! out of senseless Nothing to provoke
A conscious Something to resent the yoke
Of unpermitted Pleasure, under pain
Of Everlasting Penalties, if broke!

LXIX.
What! from his helpless Creature be repaid
Pure Gold for what he lent us dross-allay'd --
Sue for a Debt we never did contract,
And cannot answer -- Oh the sorry trade!

LXX.
Nay, but for terror of his wrathful Face,
I swear I will not call Injustice Grace;
Not one Good Fellow of the Tavern but
Would kick so poor a Coward from the place.

LXXI.
Oh Thou, who didst with pitfall and with gin
Beset the Road I was to wander in,
Thou will not with Predestin'd Evil round
Enmesh me, and impute my Fall to Sin?

LXXII.
Oh, Thou, who Man of baser Earth didst make,
And who with Eden didst devise the Snake;
For all the Sin wherewith the Face of Man
Is blacken'd, Man's Forgiveness give -- and take!

LXXIII.
Listen again. One Evening at the Close
Of Ramazan, ere the better Moon arose,
In that old Potter's Shop I stood alone
With the clay Population round in Rows.

LXXIV.
And, strange to tell, among that Earthen Lot
Some could articulate, while others not:
And suddenly one more impatient cried --
"Who is the Potter, pray, and who the ***?"

LXXV.
Then said another -- "Surely not in vain
My Substance from the common Earth was ta'en,
That He who subtly wrought me into Shape
Should stamp me back to common Earth again."

LXXVI.
Another said -- "Why, ne'er a peevish Boy,
Would break the Bowl from which he drank in Joy;
Shall He that made the vessel in pure Love
And Fancy, in an after Rage destroy?"

LXXVII.
None answer'd this; but after Silence spake
A Vessel of a more ungainly Make:
"They sneer at me for leaning all awry;
What! did the Hand then of the Potter shake?"

LXXVIII:
"Why," said another, "Some there are who tell
Of one who threatens he will toss to Hell
The luckless Pots he marred in making -- Pish!
He's a Good Fellow, and 'twill all be well."

LXXIX.
Then said another with a long-drawn Sigh,
"My Clay with long oblivion is gone dry:
But, fill me with the old familiar Juice,
Methinks I might recover by-and-by!"

LXXX.
So while the Vessels one by one were speaking,
The Little Moon look'd in that all were seeking:
And then they jogg'd each other, "Brother! Brother!
Now for the Porter's shoulder-knot a-creaking!"

LXXXI.
Ah, with the Grape my fading Life provide,
And wash my Body whence the Life has died,
And in a Windingsheet of Vine-leaf wrapt,
So bury me by some sweet Garden-side.

LXXXII.
That ev'n my buried Ashes such a Snare
Of Perfume shall fling up into the Air,
As not a True Believer passing by
But shall be overtaken unaware.

LXXXIII.
Indeed the Idols I have loved so long
Have done my Credit in Men's Eye much wrong:
Have drown'd my Honour in a shallow Cup,
And sold my Reputation for a Song.

LXXXIV.
Indeed, indeed, Repentance oft before
I swore -- but was I sober when I swore?
And then, and then came Spring, and Rose-in-hand
My thread-bare Penitence apieces tore.

LXXXV.
And much as Wine has play'd the Infidel,
And robb'd me of my Robe of Honor -- well,
I often wonder what the Vintners buy
One half so precious as the Goods they sell.

LXXXVI.
Alas, that Spring should vanish with the Rose!
That Youth's sweet-scented Manuscript should close!
The Nightingale that in the Branches sang,
Ah, whence, and whither flown again, who knows!

LXXXVII.
Would but the Desert of the Fountain yield
One glimpse -- If dimly, yet indeed, reveal'd
To which the fainting Traveller might spring,
As springs the trampled herbage of the field!

LXXXVIII.
Ah Love! could thou and I with Fate conspire
To grasp this sorry Scheme of Things entire,
Would not we shatter it to bits -- and then
Re-mould it nearer to the Heart's Desire!

LXXXIX.
Ah, Moon of my Delight who know'st no wane,
The Moon of Heav'n is rising once again:
How oft hereafter rising shall she look
Through this same Garden after me -- in vain!

XC.
And when like her, oh Saki, you shall pass
Among the Guests star-scatter'd on the Grass,
And in your joyous errand reach the spot
Where I made one -- turn down an empty Glass!
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
The sky puts on the darkening blue coat
held for it by a row of ancient trees;
you watch: and the lands grow distant in your sight,
one journeying to heaven, one that falls;

and leave you, not at home in either one,
not quite so still and dark as the darkened houses,
not calling to eternity with the passion of what becomes
a star each night, and rises;

and leave you (inexpressibly to unravel)
your life, with its immensity and fear,
so that, now bounded, now immeasurable,
it is alternately stone in you and star.

— The End —