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"tristan" poems
Route 84 would not lend me the light of a star last night Radio blazing at 75 mph nonsense noise to chew gum by Crackling political commentary Static of distance and thick clouds Invisible mountains blocking Memories seeping through the cracks coating the music in a film I rub my eyes watch myself punch alert buttons But it’s the angels’ jukebox tonight Roll down the window Watch the heat escape Summer again I am building a castle of ancient stones pulverized by relentless tides Dragged across maps by mastodons and mammoth glaciers The scouring hiss the ocean sighs Time has lulled these smoothly rolling them in the softest hands of sand and gels of life’s comings and goings tenderly tumbling in the millionth moonrise— Time deposits them here wet and glistening For the girl with the plaid two-piece to gather Shoulders sun-burnt barely say one week only, one week of the fifty two “It’s the time of the season…” and daddies on the beach are watching…. She has chosen yet another stone And the castle continues— in oblivion to all but her legend…      The queen will be safe here      from the rabble      The disgraced Tristan will surely seek her      Among these lofty cliffs      Between the raging circuit of the tide      Here winds forbid the vengeful mob      Here lovers learn      the debt of love’s bad timing      “Drink ye all of it!”      --the potion that assigns our sorrow….      She will not sleep—      while I chew this gum--  GUM? Roll down the window! Angels escape with the heat Waking me with the brush of their wings As that eighteen-wheeler hugs my flank And leans on the horn Lights flashing Rude rumbling under right tires Tantrum of snow In the draft of mass and velocity …and the angels? They’ve chosen another good one! They must’ve liked the 80’s Their wings slapping the windshield madly   Their hands steady the wheel
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Sep 13, 2016
Sep 13, 2016 at 1:20 PM UTC
Angel's Jukebox
Route 84 would not lend me the light of a star last night Radio blazing at 75 mph nonsense noise to chew gum by Crackling political commentary Static of distance and thick clouds Invisible mountains blocking Memories seeping through the cracks coating the music in a film I rub my eyes watch myself punch alert buttons But it’s the angels’ jukebox tonight Roll down the window Watch the heat escape Summer again I am building a castle of ancient stones pulverized by relentless tides Dragged across maps by mastodons and mammoth glaciers The scouring hiss the ocean sighs Time has lulled these smoothly rolling them in the softest hands of sand and gels of life’s comings and goings tenderly tumbling in the millionth moonrise— Time deposits them here wet and glistening For the girl with the plaid two-piece to gather Shoulders sun-burnt barely say one week only, one week of the fifty two “It’s the time of the season…” and daddies on the beach are watching…. She has chosen yet another stone And the castle continues— in oblivion to all but her legend…      The queen will be safe here      from the rabble      The disgraced Tristan will surely seek her      Among these lofty cliffs      Between the raging circuit of the tide      Here winds forbid the vengeful mob      Here lovers learn      the debt of love’s bad timing      “Drink ye all of it!”      --the potion that assigns our sorrow….      She will not sleep—      while I chew this gum--  GUM? Roll down the window! Angels escape with the heat Waking me with the brush of their wings As that eighteen-wheeler hugs my flank And leans on the horn Lights flashing Rude rumbling under right tires Tantrum of snow In the draft of mass and velocity …and the angels? They’ve chosen another good one! They must’ve liked the 80’s Their wings slapping the windshield madly   Their hands steady the wheel
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63
“Angelica arguta”, He shows her his wildflowers “Angelica Susannah”, he says. And prodded further by her His heart. Lingers briefly with the night; Her affection has power, But not enough To keep him From marching off to fight. Tristan, son of One Stab, Brings wildness from the mountains. Lovely woman from the East, Fascinated by her, His passion. Revels in her bridal bower, And stops her Loving any other. Alfred, eldest son of his father, Full of rectitude and romance. Angelica abandoned, Adrift between the mountains Becalmed far from the sea. He takes advantage, Snatches her soul with riches, But never captures Her longing heart. Years pass and one son gone, The other lost and mad. Year of the red grass and Happiness found Is felt too soon. Tristan loves young Isabel, But Angelica is his doom. Yet only he survives The waves that lash her shore, “Like water in the ice, She breaks them.” And in the Spring, Is gone once more. Angelica Susannah is buried Above the box canyon in the meadow Among the many dead. Near Samuel’s heart, The executed Isabel, And others who follow soon. Until only Tristan remains, Left to hunt his nemesis, The bear inside him. And dream of one wife lost, And a lover left behind: Angelica Susannah Beside whom he should lie. He is slain by the bear in Sixty-three, After forty years of solitude. And laid to rest in the plot Between two women he loved, Isabel, his ingenuous wife And Susannah, his tragic love. Do their spirits meet at last And wander the golden fields, Or ride out to bathe in the hot springs, Under the moon of the falling leaves?
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Aug 6, 2018
Aug 6, 2018 at 10:37 AM UTC
Angelica Susannah
“Angelica arguta”, He shows her his wildflowers “Angelica Susannah”, he says. And prodded further by her His heart. Lingers briefly with the night; Her affection has power, But not enough To keep him From marching off to fight. Tristan, son of One Stab, Brings wildness from the mountains. Lovely woman from the East, Fascinated by her, His passion. Revels in her bridal bower, And stops her Loving any other. Alfred, eldest son of his father, Full of rectitude and romance. Angelica abandoned, Adrift between the mountains Becalmed far from the sea. He takes advantage, Snatches her soul with riches, But never captures Her longing heart. Years pass and one son gone, The other lost and mad. Year of the red grass and Happiness found Is felt too soon. Tristan loves young Isabel, But Angelica is his doom. Yet only he survives The waves that lash her shore, “Like water in the ice, She breaks them.” And in the Spring, Is gone once more. Angelica Susannah is buried Above the box canyon in the meadow Among the many dead. Near Samuel’s heart, The executed Isabel, And others who follow soon. Until only Tristan remains, Left to hunt his nemesis, The bear inside him. And dream of one wife lost, And a lover left behind: Angelica Susannah Beside whom he should lie. He is slain by the bear in Sixty-three, After forty years of solitude. And laid to rest in the plot Between two women he loved, Isabel, his ingenuous wife And Susannah, his tragic love. Do their spirits meet at last And wander the golden fields, Or ride out to bathe in the hot springs, Under the moon of the falling leaves?
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63
Stairs fly as straight as hawks; Or else in spirals, curve out of curve, pausing At a ledge to poise their wings before relaunching. Stairs sway at the height of their flight Like a melody in Tristan; Or swoop to the ground with glad spread of their feathers Before they close them. They curiously investigate The shells of buildings, A hollow core, Shell in a shell. Useless to produce their path to infinity Or turn it to a moral symbol, For their flight is ambiguous, upwards or downwards as you please; Their fountain is frozen, Their concertina is silent.
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4.1k
Flight Of Stairs
Here are the names of my lovers, The women I sleep with, whom I use, like they use me. Spent, they discard me, for when their pleasure needs Satiated, they climb aboard another man. What they do not know, Is that in my mind, in my ears, everywhere, I did not let them, or you go, We are still romping, For I Take them as needed. I need them all, For my pleasure needs, like my unshaped heart, Addictive, endless. If your is name is here, I do not Apologize. Pink Adele Lilly Allen Anna Nalick Bess Rogers Beyonce Brandi Carlisle Cat Power Colbie Callait Duffy Eva Cassidy Evanescence Alison Sudol Fiona Apple Florence Welch Grace Potter Ingrid Michaelson You Joni Mitchell K.D. Lang Kate Nash Kate Voegele Leona Lewis Lizz Wright Madeline Peyroux Marie Digby Mary Wells Norah Jones Regina Spektor Sara Bareilles You Sara Haze Taylor Swift and Tracy Chapman Tristan Prettyman Vanessa Carlton So many others, used so long ago, I can't remember the faces, Which can't be googled. Use them hard, use them often, more than daily. Bluntly, I tell you Your name is on my list, Even if I do not disclose it.
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Aug 18, 2013
Aug 18, 2013 at 9:31 AM UTC
Here are the names of my lovers, including you! (Aug 2013)
heavy air, a body beside me, it's face buried in a pillow, resting the two of us like sprawled starfish on a sea bed of blanket here we lie, centered in our narrow room, a room made bright by the single skylight above, clouded   the following forming the soundscape of this moment: - Sam's breath, my breath - a pair of bluebottles buzzing and bumping into the walls - an itch every now and then of sunburned skin, a leg brushing itself against the sheets - a distant Tristan singing songs to his daughter down in the kitchen there is a bucket with sick in it there is a ***** laundry pile there is a red, sun cream stained bikini hanging on the door handle there are two clean, white towels and two holiday cameras: the first's film already finished, the second with a little yet to go Maybe we'll go to the beach Maybe we'll go to the town or discover a new town or ride our bikes out again until we find somewhere just right the day has so much promise and I have so little I have to do but lie here and be grateful for time
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Jun 14, 2023
Jun 14, 2023 at 7:51 AM UTC
Morning in Île de Ré
ACT I DAD: in his late 50's. TRISTAN: around ten or eleven-years old GLADWIN: in her early 40's. TRISTAN Dad? Scene 1 Interior of a cheesy, unkempt motel room. DAD channel-surfs the cable television, the remote in his right hand, a cigarette in his left. He's sitting on the edge of the bed. TRISTAN is on the bed behind him, crying. DAD Yeah bud? TRISTAN      Is Mom gonna **** herself? DAD      Well, I hope so. TRISTAN Dad! DAD      (Chuckles). What? TRISTAN      Stop! I'm scared. What if she does? DAD      Why are you worried? I'm not that lucky. TRISTAN      (Screaming). C'mon, Dad! DAD      What? (Chuckles again, longer this time). I'm not. TRISTAN      Dad, stop. What if she really does? DAD      Trist, don't be stupid. No one who's really going to      **** themselves tells you like that. They don't sing it      out loud. She's whistling Dixie. TRISTAN      (Sobbing at this point). Dad, I love Mom. DAD      (Pause). I know, and I-                (DAD'S cellphone rings. He answers                immediately)      Hold on, Trist. It's your fat mother.      Hello? Yeah. Yeah, you have this kid scared to death.      Would you just tell him you're--What? Alright, Glad.      Well enough's enough. (Pause). Okay. (Reacting loudly).      Oh, quit screaming in my ear! Trist, (extends the phone      to TRISTAN) here.           spotlight comes up on GLADWIN, who is stageleft,           lying in bed and on the phone. GLADWIN       Trist! Trist? Say goodbye to Mama. I'm going away. TRISTAN      Wait! Don't do anything bad, please. GLADWIN      I'm gonna swallow my pills, Trist. I'm gonna take them      all and I won't be around anymore, honey... TRISTAN      No! Mom, don't! GLADWIN      ...so just say goodbye to Mama and don't ever... TRISTAN      Mom! Stop. Please, stop, just don't! GLADWIN      ...forget that I love you.            Spotlight goes out on GLADWIN. TRISTAN      No! (Looks at DAD). Dad, she can't!                (He drops the cellphone)      Oh my God!                (Leaping off the bed and fumbling with                the phone in his hands, he hurries it to                his ear) Hello? Mom? Mom?                (He closes the phone and quickly reopens                it. He dials GLADWIN'S cellphone) DAD      Trist, take it easy. She's fine. Stop calling and go to      bed. TRISTAN      She won't answer! (Breaking down). She won't answer.      (Lets out a piercing cry). Dad!                (DAD lights another cigarette and pulls                TRISTAN onto the bed and under his right                arm) DAD      (Rubbing TRISTAN'S back gently). Go to sleep, babe.      She'll be there tomorrow morning. TRISTAN      But-- DAD      Ah, ah! What did I just say? Everything will be okay. TRISTAN      (Calming, but still anxious). You promise? DAD      Promise, kiddo.
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Jan 28, 2013
Jan 28, 2013 at 3:17 PM UTC
She Won't
ACT I DAD: in his late 50's. TRISTAN: around ten or eleven-years old GLADWIN: in her early 40's. TRISTAN Dad? Scene 1 Interior of a cheesy, unkempt motel room. DAD channel-surfs the cable television, the remote in his right hand, a cigarette in his left. He's sitting on the edge of the bed. TRISTAN is on the bed behind him, crying. DAD Yeah bud? TRISTAN      Is Mom gonna **** herself? DAD      Well, I hope so. TRISTAN Dad! DAD      (Chuckles). What? TRISTAN      Stop! I'm scared. What if she does? DAD      Why are you worried? I'm not that lucky. TRISTAN      (Screaming). C'mon, Dad! DAD      What? (Chuckles again, longer this time). I'm not. TRISTAN      Dad, stop. What if she really does? DAD      Trist, don't be stupid. No one who's really going to      **** themselves tells you like that. They don't sing it      out loud. She's whistling Dixie. TRISTAN      (Sobbing at this point). Dad, I love Mom. DAD      (Pause). I know, and I-                (DAD'S cellphone rings. He answers                immediately)      Hold on, Trist. It's your fat mother.      Hello? Yeah. Yeah, you have this kid scared to death.      Would you just tell him you're--What? Alright, Glad.      Well enough's enough. (Pause). Okay. (Reacting loudly).      Oh, quit screaming in my ear! Trist, (extends the phone      to TRISTAN) here.           spotlight comes up on GLADWIN, who is stageleft,           lying in bed and on the phone. GLADWIN       Trist! Trist? Say goodbye to Mama. I'm going away. TRISTAN      Wait! Don't do anything bad, please. GLADWIN      I'm gonna swallow my pills, Trist. I'm gonna take them      all and I won't be around anymore, honey... TRISTAN      No! Mom, don't! GLADWIN      ...so just say goodbye to Mama and don't ever... TRISTAN      Mom! Stop. Please, stop, just don't! GLADWIN      ...forget that I love you.            Spotlight goes out on GLADWIN. TRISTAN      No! (Looks at DAD). Dad, she can't!                (He drops the cellphone)      Oh my God!                (Leaping off the bed and fumbling with                the phone in his hands, he hurries it to                his ear) Hello? Mom? Mom?                (He closes the phone and quickly reopens                it. He dials GLADWIN'S cellphone) DAD      Trist, take it easy. She's fine. Stop calling and go to      bed. TRISTAN      She won't answer! (Breaking down). She won't answer.      (Lets out a piercing cry). Dad!                (DAD lights another cigarette and pulls                TRISTAN onto the bed and under his right                arm) DAD      (Rubbing TRISTAN'S back gently). Go to sleep, babe.      She'll be there tomorrow morning. TRISTAN      But-- DAD      Ah, ah! What did I just say? Everything will be okay. TRISTAN      (Calming, but still anxious). You promise? DAD      Promise, kiddo.
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93
I miss the look on your face when you saw me I miss the smell on of the smoke on your skin I miss the small, silver camera you held in your hand I missed you the moment you'd taken me in I miss the long drives past rolling corn feilds I miss the tissue crumpled in my hand I miss the trailer sat 10 feet from your porch light I missed you the moment that I knew I can I miss the family that I'd never known there I miss my neices blue eyes, curly hair I miss when Aunt Nikkie painted my nails green It started chipping, but I didn't care I miss the fireflies that I couldn't catch I miss the movies you forced me to watch I miss the ashtrays all over the house I missed the jokes I continue to botch I miss the grapes that you stuck by my bedside I miss the feel of my neice on my lap I miss my cousins attempting to drown me I even miss Tristan, whom I wanted to slap I miss the day that they took me out shopping I miss watching movies with them late at night I miss winning money on Grampa's 10 slot machines I miss how hard those mosquitos would bite I miss the day that you bought me a pizza I miss the way that smoked everyday I miss the drive to the airport that morning I miss your face, as you drove away
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May 25, 2013
May 25, 2013 at 12:31 AM UTC
Yearning
Chance Operations are methods of generating poetry independent of the author’s will. A chance operation can be almost anything from throwing darts and rolling dice, to the ancient Chinese divination method, I-Ching, and even sophisticated computer programs. Most poems created by chance operations use some original text as their source, be it the newspaper, an encyclopedia, or a famous work of literature. The purpose of such a practice is to play against the poet’s intentions and ego, while creating unusual syntax and images. The resulting poems allow the reader to take part in producing meaning from the work. The roots of using chance operations to generate poetry are generally traced to the Dada movement in Western Europe in the early and mid-twentieth-century, involving writers such as André Breton, Louis Aragon, Tristan Tzara, Philippe Soupault, and Paul Éluard. The Dadaists were deeply interested in the subconscious, and they believed that the mind would create associations and meaning from any text, including those generated through random selections. In one section of Tzara’s “Dada Manifesto on Feeble & Bitter Love," he offers the following instructions to make a Dadaist poem, here translated from the original French by Barbara Wright: “Take a newspaper. Take some scissors. Choose from this paper an article the length you want to make your poem. Cut out the article. Next carefully cut out each of the words that make up this article and put them all in a bag. Shake gently. Next take out each cutting one after the other. Copy conscientiously in the order in which they left the bag. The poem will resemble you. And there you are--an infinitely original author of charming sensibility, even though unappreciated by the ****** herd.” The use of chance operations in contemporary poetry has been used most famously by the international avant-garde group Fluxus, poet Jackson Mac Low, and the poet and composer John Cage. A good example of a poem that was written using chance operations is Jackson Mac Low’s “Stein 100: A Feather Likeness of the Justice Chair," which also includes Mac Low’s explanation of the methods he used to compose the poem.
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Jul 9, 2014
Jul 9, 2014 at 10:02 AM UTC
Poetry Class 7-9-14: Poetic Technique: Chance Operations
Chance Operations are methods of generating poetry independent of the author’s will. A chance operation can be almost anything from throwing darts and rolling dice, to the ancient Chinese divination method, I-Ching, and even sophisticated computer programs. Most poems created by chance operations use some original text as their source, be it the newspaper, an encyclopedia, or a famous work of literature. The purpose of such a practice is to play against the poet’s intentions and ego, while creating unusual syntax and images. The resulting poems allow the reader to take part in producing meaning from the work. The roots of using chance operations to generate poetry are generally traced to the Dada movement in Western Europe in the early and mid-twentieth-century, involving writers such as André Breton, Louis Aragon, Tristan Tzara, Philippe Soupault, and Paul Éluard. The Dadaists were deeply interested in the subconscious, and they believed that the mind would create associations and meaning from any text, including those generated through random selections. In one section of Tzara’s “Dada Manifesto on Feeble & Bitter Love," he offers the following instructions to make a Dadaist poem, here translated from the original French by Barbara Wright: “Take a newspaper. Take some scissors. Choose from this paper an article the length you want to make your poem. Cut out the article. Next carefully cut out each of the words that make up this article and put them all in a bag. Shake gently. Next take out each cutting one after the other. Copy conscientiously in the order in which they left the bag. The poem will resemble you. And there you are--an infinitely original author of charming sensibility, even though unappreciated by the ****** herd.” The use of chance operations in contemporary poetry has been used most famously by the international avant-garde group Fluxus, poet Jackson Mac Low, and the poet and composer John Cage. A good example of a poem that was written using chance operations is Jackson Mac Low’s “Stein 100: A Feather Likeness of the Justice Chair," which also includes Mac Low’s explanation of the methods he used to compose the poem.
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13
So, I wanna try something. I know this is a poetry website, but I have been writing this story. I stopped for many reasons such as being too busy, not inspired, not sure if it was good enough or not, etc. So I wanna post just a part of it, just to see if anyone will like it. Just to see if it's worth it to continue it. It's called The Sweet Pea, Honey Bee Kiss. I tried not to regret the decisions I had made thus far, so the decision to pack my things and leave San Francisco was my own. I said not a word to anyone—not that anyone cared—and left on a rather depressing Wednesday morning. Leaving was not as hard as I thought it would be, rather, it was easier than well...me. There was an empty feeling in my stomach as I left, a sense of worry and depression lingering, but I refused to let the tears fall. So he didn’t turn out the way I wanted him to. That was fine, I suppose.... But who was I kidding? I thought he was the guy...the perfect guy. I didn’t know he could be so cruel, so detached and so...so much like every other **** there was at high school. Not all guys were bad, I knew that I wouldn’t succumb to blaming every breathing human being with a ***** I just knew now that Tristan Booker was an evil son-of-a-bitch and I was a complete idiot for thinking that he could ever like someone like me. Watching him turn his back away from me—away from the possibilities that could eventually be us—it crushed me. I had never felt so alone in a world filled with people—people who may have experienced the same thing I was going through or at least experienced heartache and heartbreak. I felt so emotionless. I couldn't find it in myself to cry, a cry that I so desperately needed, so desperately wanted. I could go my whole life blaming every guy that was a “Tristan”, I could go on with my life and succumb to the whispers and disappointment that pressed itself against me until one day it wouldn’t matter so much anymore. I could fight back; defend the dignity that was left behind and on life-support. But I did what any rational and distressed human being would do: I ran away. I hid in a tower much like how a Disney princess would, but then I remembered Cinderella was never called a ***** I know it's long. Please bear with me and like/comment it honestly. Thank you so much!!
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Jun 18, 2013
Jun 18, 2013 at 11:16 PM UTC
Just a Test
So, I wanna try something. I know this is a poetry website, but I have been writing this story. I stopped for many reasons such as being too busy, not inspired, not sure if it was good enough or not, etc. So I wanna post just a part of it, just to see if anyone will like it. Just to see if it's worth it to continue it. It's called The Sweet Pea, Honey Bee Kiss. I tried not to regret the decisions I had made thus far, so the decision to pack my things and leave San Francisco was my own. I said not a word to anyone—not that anyone cared—and left on a rather depressing Wednesday morning. Leaving was not as hard as I thought it would be, rather, it was easier than well...me. There was an empty feeling in my stomach as I left, a sense of worry and depression lingering, but I refused to let the tears fall. So he didn’t turn out the way I wanted him to. That was fine, I suppose.... But who was I kidding? I thought he was the guy...the perfect guy. I didn’t know he could be so cruel, so detached and so...so much like every other **** there was at high school. Not all guys were bad, I knew that I wouldn’t succumb to blaming every breathing human being with a ***** I just knew now that Tristan Booker was an evil son-of-a-bitch and I was a complete idiot for thinking that he could ever like someone like me. Watching him turn his back away from me—away from the possibilities that could eventually be us—it crushed me. I had never felt so alone in a world filled with people—people who may have experienced the same thing I was going through or at least experienced heartache and heartbreak. I felt so emotionless. I couldn't find it in myself to cry, a cry that I so desperately needed, so desperately wanted. I could go my whole life blaming every guy that was a “Tristan”, I could go on with my life and succumb to the whispers and disappointment that pressed itself against me until one day it wouldn’t matter so much anymore. I could fight back; defend the dignity that was left behind and on life-support. But I did what any rational and distressed human being would do: I ran away. I hid in a tower much like how a Disney princess would, but then I remembered Cinderella was never called a ***** I know it's long. Please bear with me and like/comment it honestly. Thank you so much!!
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6
I heard the great tumult of noise, Ranging from the hills of Troy, I head Amnon’s earnest whispering, At the banquet of the king. I saw the stark white midnight sun, Blind Edward John Smith on his run, I saw John Franklin not think twice, Before he too was claimed by ice. I was there the fateful day, That earth and fire claimed Pompeii, I was there as horizons shook, And the sand Valdivia took. I felt Isolde’s deep pain forlorn, As Tristan from her side was torn I felt Young Werther try in vain, With love in heart but lead in brain. Yet knowing grand calamity, I sought naught but serenity. Longing for love, as life depends. My suit is cold, as so my end.
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Aug 30, 2010
Aug 30, 2010 at 4:14 PM UTC
The Serenity of Calamity
i remember the first time bryn brought a boy for christmas his name was chris and we had to distinguish between him and my cousin chris so we called him gay chris because he had lots of pockets and he always looked better than my cousins who hardly ever tried to look presentable. i remember last christmas how damon gave elise sweaters from a thrift shop and fleetwood mac records and how happy she was. i never wanted to be allie from the notebook, and i never wanted you to be noah. in the 8th grade, hidden between shelves of a torn-down library where i'd sit for hours, was a short, thick book with pages of romanticized post-it notes and the smell of sawdust. dash and lily's book of dares was all the things i'd been dreaming about. the first-glance feelings in the middle of new york, the warm feeling melting through your bones with an even warmer drink. i've always wanted a chris or a shaina or a natasha. i've always imagined thanksgiving day going differently for once in my life. when my uncle asks me if i'm texting my boyfriend, i want to say "yes, actually" and i wanted to find a boy to take to my grandmother's house. i wanted to show him how tristan would pay me to go sneak him cookies, and the way we fought over couches. but now we took all the couches out of the basement, and i think someone else is living in that house. but there's still thanksgiving, there's still an extra seat at the table, and i'm not sure but i think justin is bringing maya this year. so when it is my turn to go around the house and say hello to everyone, and my uncle asks, "how many boyfriends do you have?" teasingly, i can smile and say "just one" and it can be you.
0
Nov 6, 2013
Nov 6, 2013 at 8:37 PM UTC
holidaze
i remember the first time bryn brought a boy for christmas his name was chris and we had to distinguish between him and my cousin chris so we called him gay chris because he had lots of pockets and he always looked better than my cousins who hardly ever tried to look presentable. i remember last christmas how damon gave elise sweaters from a thrift shop and fleetwood mac records and how happy she was. i never wanted to be allie from the notebook, and i never wanted you to be noah. in the 8th grade, hidden between shelves of a torn-down library where i'd sit for hours, was a short, thick book with pages of romanticized post-it notes and the smell of sawdust. dash and lily's book of dares was all the things i'd been dreaming about. the first-glance feelings in the middle of new york, the warm feeling melting through your bones with an even warmer drink. i've always wanted a chris or a shaina or a natasha. i've always imagined thanksgiving day going differently for once in my life. when my uncle asks me if i'm texting my boyfriend, i want to say "yes, actually" and i wanted to find a boy to take to my grandmother's house. i wanted to show him how tristan would pay me to go sneak him cookies, and the way we fought over couches. but now we took all the couches out of the basement, and i think someone else is living in that house. but there's still thanksgiving, there's still an extra seat at the table, and i'm not sure but i think justin is bringing maya this year. so when it is my turn to go around the house and say hello to everyone, and my uncle asks, "how many boyfriends do you have?" teasingly, i can smile and say "just one" and it can be you.
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40
Dusty roads lead beyond the mountain pass Waterfalls with gurgling rush of foam Tristan, won't you follow me? The truth awaits us back in the woods The gory reminder of our eventful lives. The morning sun rising above the earth Rays of light hit the still calm water The heart of life, the essence forgotten. Collect your tears in a golden *** Save it for a day when grief's afoot. The breaking dawn brings the unforgivable truth When will the birds start their song? Far beneath the layers of the earth Tucked into some corner, oblivious Our names embedded in red. What destruction we have wrought! The unquenchable quest for wisdom Blinded by worldly desires. Our unholy crimes to Mother Earth Will Her scars give us remission for our misdeeds?
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Mar 27, 2014
Mar 27, 2014 at 8:29 AM UTC
Remission
i sometimes watch a cooking show and feed myself, finding old italians very funny with everything simple being a milanese delicacy, ambrosia of a doubly baked bread, sprinkled with water, a juicy tomato and some olive oil... mmm, yeah, am bro sia... where’s the salt? if this is ambrosia please give me a haggis in a bagpipe. by the way... the best sarcasm is found in a hangover. i still don’t know how a cat managed to knock on my bedroom door while slayer’s seasons in the abyss stopped me munching on violins and cellos: i got paranoid being the only person in the house with that eerie sound of knock knock... but i guess greeting him in the morning with a head-butt utilised his head for the ‘being human’ initiation... only yesterday he managed to open the door to the kitchen using the handle - and like any man with his middle finger outstretched in defiance... he did the same, but with a thumb. p.s. poetry and collage have a lot in common, as does poetry and music, i still don't know why philosophy started the fight, poetry has nothing in common with philosophy to be even remotely related for a boxing match, it's poetry as music and collage, the classical stances of philosophy are becoming more and more obsolete; i guess someone had to point that out and side with plato rather than socrates, but i have to add one blatant innovation i'm working on, no not the plagiarism of tristan tzara by william burroughs of the famed 'cut up' method of writing poetry, i'm talking Bach, yes, BACH, polyphony, multilayering, spontaneity, and everything that tzara attempted picking out bingo ball snippets of newspaper articles from a bag like some ****** doing the same, writing a abduction-ransom letter to a rich girl's family enigmatically... also enclosing a portrait of the girl done with crude pointillism in cartoon shock colours with a signature that ræd: antoinette warhol - yep, and some people will be famous for 15minutes in a repetitive loop.
0
Oct 17, 2015
Oct 17, 2015 at 7:06 AM UTC
haggis in a bagpipe and p.s.
i sometimes watch a cooking show and feed myself, finding old italians very funny with everything simple being a milanese delicacy, ambrosia of a doubly baked bread, sprinkled with water, a juicy tomato and some olive oil... mmm, yeah, am bro sia... where’s the salt? if this is ambrosia please give me a haggis in a bagpipe. by the way... the best sarcasm is found in a hangover. i still don’t know how a cat managed to knock on my bedroom door while slayer’s seasons in the abyss stopped me munching on violins and cellos: i got paranoid being the only person in the house with that eerie sound of knock knock... but i guess greeting him in the morning with a head-butt utilised his head for the ‘being human’ initiation... only yesterday he managed to open the door to the kitchen using the handle - and like any man with his middle finger outstretched in defiance... he did the same, but with a thumb. p.s. poetry and collage have a lot in common, as does poetry and music, i still don't know why philosophy started the fight, poetry has nothing in common with philosophy to be even remotely related for a boxing match, it's poetry as music and collage, the classical stances of philosophy are becoming more and more obsolete; i guess someone had to point that out and side with plato rather than socrates, but i have to add one blatant innovation i'm working on, no not the plagiarism of tristan tzara by william burroughs of the famed 'cut up' method of writing poetry, i'm talking Bach, yes, BACH, polyphony, multilayering, spontaneity, and everything that tzara attempted picking out bingo ball snippets of newspaper articles from a bag like some ****** doing the same, writing a abduction-ransom letter to a rich girl's family enigmatically... also enclosing a portrait of the girl done with crude pointillism in cartoon shock colours with a signature that ræd: antoinette warhol - yep, and some people will be famous for 15minutes in a repetitive loop.
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35
Once it was labelled You lost what we were Too many opinions You couldn't defer You faked a break up That soon became real Peer pressure forced you To change how you feel For the next long month I took space to recover But on Hallowe'en I found out That you found another You two broke up And Edwin brought us together We hungout just twice In the near-winter weather I thought you liked me Because we kissed at the park But you loved me like a sister Thought there wasn't a spark You moved on to Emma And we drifted apart You found a new family And it broke my heart Every promise was broken You weren't the same Reagen You forgot about my feelings And left with no reason We had the worst fight of our history So many hurtful things said The worst: that you're leaving That ripped me to shreds Two months spent without you But only just physically 'Cause you plagued my thoughts And wrecked my stability Ironically, it was Emma, The girl who stole your attention, That convinced you to come back And repair our connection Our relationship improved But it wasn't restored We only talked about Emma, The girl you adored Eventually, I met a boy Who seemed to treat me much better We started to date He lent me his sweater Everything changed When Jesse moved away You realized who cared And what mistake you had made As we got closer Tristan started to withdraw I was being too clingy It's always been my flaw The saying "History repeats itself" Has never been more true When Tristan and I stopped dating You hoped that we'd get to And just like last summer I made out with Owen But again it felt awkward So it won't keep going They say I've chosen you Like my love's a competition They say I've chosen you I do it like tradition All I know is I love you And I always want to see you smile Just understand that I can't Make decisions for awhile So happy birthday baby May all your dreams come true I hope this year's amazing And I can spend it all with you
0
Sep 22, 2013
Sep 22, 2013 at 12:32 AM UTC
Askew Part 3
Once it was labelled You lost what we were Too many opinions You couldn't defer You faked a break up That soon became real Peer pressure forced you To change how you feel For the next long month I took space to recover But on Hallowe'en I found out That you found another You two broke up And Edwin brought us together We hungout just twice In the near-winter weather I thought you liked me Because we kissed at the park But you loved me like a sister Thought there wasn't a spark You moved on to Emma And we drifted apart You found a new family And it broke my heart Every promise was broken You weren't the same Reagen You forgot about my feelings And left with no reason We had the worst fight of our history So many hurtful things said The worst: that you're leaving That ripped me to shreds Two months spent without you But only just physically 'Cause you plagued my thoughts And wrecked my stability Ironically, it was Emma, The girl who stole your attention, That convinced you to come back And repair our connection Our relationship improved But it wasn't restored We only talked about Emma, The girl you adored Eventually, I met a boy Who seemed to treat me much better We started to date He lent me his sweater Everything changed When Jesse moved away You realized who cared And what mistake you had made As we got closer Tristan started to withdraw I was being too clingy It's always been my flaw The saying "History repeats itself" Has never been more true When Tristan and I stopped dating You hoped that we'd get to And just like last summer I made out with Owen But again it felt awkward So it won't keep going They say I've chosen you Like my love's a competition They say I've chosen you I do it like tradition All I know is I love you And I always want to see you smile Just understand that I can't Make decisions for awhile So happy birthday baby May all your dreams come true I hope this year's amazing And I can spend it all with you
Continue reading...
76
I need that disaster, that chaos which runs through my head and the faster it goes the better I like it,the madness of mayhem that flows from my brain stem is all that I need,feed me flights of sheer fantasy,show me the sights of calamity and let me climb down into the tree with Alice. If I'm Shot through with lunacy like a candy stick I will be,licked into infinity to play with eternity quick games of whist,twist,ludo and who knows the score when one is mad to the core and the maggots of knowledge are eating your brains. How boring I'd be if I was just me, but I'm not I am Napoleon,Leonardo,Joan of Arc and Tristan da cunha..yes, I can be an island, in the crazy of my land it's possible to be, the Island,the sea,the shore and much more. There is trickery in the madness of lunacy,to some I'm quite sane,then again so are they,nothing's as grey as the black in the white within the light of a lunatic's day.
0
Dec 19, 2013
Dec 19, 2013 at 5:47 AM UTC
Changing the guards
Lost in a tavern of doubt Darkness deepens the drought Peace concocted with anger The fury sparks a flame My sorrow is filled with pain My sole aim is to tame the voices echoing Swarming around like bees Chaos and calamity My mental capacity to see Out  of this dark hole Is tarnished I resent the very things I can't contain My tears stain my shirts sleeve I sleep with one eye open, The demons terrorize my dreams I fear what I can overcome I am succumb by disillusioned thoughts My heart, as heavy as shackled feet The dust becomes my perfume The aroma of death touches my shoulder I am an anomaly, eagerly waiting for liberty Conformity is my enemy But it's crude lips deceive me Saying I should strip myself of individuality To be molded by confusion To taste the vile poison of humanity's flaws The struggle The battle The despair Dig me a hole, six feet under And lower me in with the maggots and worms Cover me in darkness Tell me I'm not here Tell me lies I can believe And yet with such shocking imagery Nothing compares to the nightmare of reality There is no escape from this tragedy Cursed from birth Birthed in destruction I am nothing. © Tristan B. (Tristan B)
0
Sep 2, 2015
Sep 2, 2015 at 3:34 AM UTC
Abandonment
Running rings around thirteen hours of opera I sit spell-bound absorbing the angry music Suppressing an urge to re-conquer Poland Music a direct expression of world’s essence **** passion means Israel is Wagner-free Tristan and Isolde unplayed before Ludwig Love and death and passion for Mathlde Eros and Thanathos that predate Freud Arthurian love story interrupted by Minna Overwhelming influence frustrates his peers Worried that his brilliance is simply anger That guarantees you feel undead tonight.
0
Nov 25, 2012
Nov 25, 2012 at 9:27 AM UTC
Wagner
We loved you Pumpkin pie And you Bahzie boy My bridge to the Equine kingdom Mitten, you made My wife like cats Begins a tragedy of three A tale of other kitties Stanley wandered too far A tragedy of traffic Babad not as far… Both waited for us No one wants to die alone But still, we’ve been blessed Goldie, I’m glad You loved me Little dog with A heart too big Thank you, Sue For trusting us with Trudy What a lucky man I am To garner such love and trust And of course, biggie guy, He who once was named Hunter: Gunther. (Inset sadness here) Chessy taught responsibility With insulin shots at 6 & 6 Tristan y Isolde (Stanley and Zolda) Operatic lives lived As comedy/tragedy And, et-hem; yes Even you, Ms. Berry Past denizens Of Chateau Flobo Let’s not not leave out The current cohorts: Free spirit, wild child Lucky Ducky Biggie boy found you You adopted us Ms. Black-in-the-box Moved herself in And Fred—well, Fred is just being Fred They all found us Not the other way around From a big family, We’ve loved/love a big family
0
May 24, 2019
May 24, 2019 at 7:24 PM UTC
ROOTS
I can't smell the night air because your lyrics are getting in the way and I don't like them enough to listen, but you're everywhere, it seems. And I don't mean to be rude, but you're being very rude. Just thought you should know in case you thought you weren't. And I can't see the stars because, crazily enough, I can't see through solid objects. Funny how that works, isn't it? But you must think that I can because you sit with your back to me like I'm Superman or something, when really I'm less: I'm nothing (to you).
0
Jul 17, 2010
Jul 17, 2010 at 10:43 PM UTC
Tristan
We are at the top of a walk up somewhere. There is a skylight above us and the sunlight washes over us, it is so bright that it is hard to see. Your in a sleeveless T shirt and I'm in some hippy dress. We are both laughing and someone calls to us... We look up and smile...It's the same smile, the same face, we are one! "My face in thine eye, thine in mine appears" (Tristan& Isolde) Ilysf
0
Jul 18, 2014
Jul 18, 2014 at 6:26 PM UTC
Vision
I am Tristan, madly in love with Isolde a woman torn between the will of love and of status of a queen without love and I embark on this daisy i feel your neck on the side of my nose and i lift your hair and i feel the white pedal. your face small and yet again you are a small man. I am Tristan and i am destined to love a woman that will never be mine only in the shadows of the night will your kisses ever taste so sublime.
0
Dec 23, 2013
Dec 23, 2013 at 4:33 PM UTC
Don't make me repeat this.
Your words still my blood I am empty. A hollow shell of spirit, Once, Drew fire into my lungs And exhaled with great joy The hope of love. The faith in your divine. A withered knight falling again And again upon the sword Beg mercy to escape the agony of this deed Compounded misdeeds, Now seem Trifle. As the blood hardens thick In veins Refusing to release Upon the steel And guarantee Of An eternal Torment.
0
Aug 7, 2012
Aug 7, 2012 at 7:52 AM UTC
Tristan
You told me you loved me, You swore it to be true, But just as Tristan lost Isolde, I lost you. My memories are fading, It has all been such a blur, Love and happiness in abundance, And gone within a year. Love is fickle, As changing as the tides, Lust is more honest, But never wise. For all my effort, And all my will, Love was never mine, But always yours to **** I won't believe those words again, Nor the racing of my heart, And just like Romeo and Juliet, My world will fall apart.
0
May 29, 2013
May 29, 2013 at 6:43 PM UTC
Love, Lust, Lies