Narcissist I


Money questions hidden in cultures
Instead of debates, we have the vultures
They will overspend whatever their budget
Destroy years hard work, their odour pungent

Often called users, epiphytes of highest order
Those that cannot earn sufficient to quarter
Or manage their own, so they use others
Spending, unfettered, is their druthers

Cannot accept responsibility for damage
Continue to feast on their host, they ravage
Hollowing out from inside, funds they suction
Weakening the structure for eventual destruction

And weakened, debates then start about savings
Too late, funds gone, too late for the cravings
Absent conversation, leaves a bad situation
Long ago, train of debate left the station

What we have now is death and decay
All caused by silence, as the vultures flay
It will not be long until they seek a new host
Just when their former home needs them most

So leave they will, to claw the next poor victim
Removing their talons of love and devotion
Moving on, leaving behind just carcasses
Warm used bodies, mark of a narcissist

he once said to me...

                 “I would blow warm
                         moist breath through
                                          your toes...
                           I would do all the
                  wonderful things
                to your big toes
                  that you do to me.
                      And most certainly
                         all the tension would  
                             drain onto me...
                               I would draw
                                every last drop
                               from your toes
                          with little messages
                         along the way of my
                      charted course
                         to come up
                      your inner channels.
        Resting in the sensitive eddies  
      behind your knees
  we both breathe fire
    wafting up and down
                         your thighs.”

.... like drips of seduction off his tongue.

And he lingered on, saying...

                   “Flaming lips wafting
             together with desire,
       reaching and pulling
          with firey licks.
       As I slide
   my wet tongue
    on up and hover,
           breathing
                     you in
                           deeply...
                           through my nostrils
                         filling my *** senses.
                       Drunk on your fumes,
                I'm consumed.
           Circling the tip
       of my nose
   around
your hard,
   pearly knot
       feeling the heat
             from your butterfly wings
            my parted lips surounding
          and easing the warmth
     of my soul onto you
with wet hot breath.
   And I ease the length
          of my tongue to rest
      completely over
    your fire breathing wings ,
               warm capable and ready..
                   leaving you in suspense.
                      Sliding ever so slightly
                           and slowly up your      
                              slick silky lips,
                     tightening the tip
                   of my tongue -
                      flick flick
                             flick flick...
             And I look deeply
           into your eyes,
                  into depths
                    you've never known.
                       And then I'll take you
                        all in, with a suction
                           you'll never escape
                             or ever want to.
      Never breaking eye contact
my tongue slides from bottom
        and presses, emphasis
         at the top slowly
        over and over
            settling you in.
                We fall into
                   a oneness
                        and find  
                        our groove.”

And I said...

“I wish I wasn't
still irritated with you
so I could fully
enjoy your seduction.”

You want ******* well here I ***
I'll be the trigger to make those ***** juices run
**** with your lips I wanna eat you like a peach
Take you to Hawaii and ******* on the beach
Friction from my licking up and down your ****
Hand full of **** as you grab my ****
My **** starts leaking lusting for your ***** fire
Sixty nine every time let me lick your desire
Exploring every inch of your body and skin
Oops I missed a spot let me do it again
Juices are a flowing I love how you taste
Suction sporadic as my **** enters your face
Bodies in sync I'm feeling all your lust
Making you *** with my tongue is always a must
Your ***** my playground watch me swing
You can play too, here play on my ding a ling
Pulling your hair while I nibble on your neck
As I position your ***** umm so wet
My **** on your **** up and down sideways rubbing you
Begging to be entered, so I do, now I'm ******* you
***** gripping my **** doesn't want to let it go
As we play tug of war in and out your ***** hole
Deep inside you I'm feeling your ***** walls
As I ****** in and out you feel my flapping *****
Finding your G spot oh there it is
Your ***** bubbles up and begins to fizz
Pounding on your ***** turn you around like a dog
*** up in the air ******* you into a fog
My poking keeps stroking as you *** on my ****
Writhing up and down bouncing on my stick
Intertwined in our minds ******* at the same time
Staring in each others eyes while our pleasure climbs
Taboo sextasy with you I'll commit every sin
When we are done turn around and do it again..

Here we are just me and you our emotions boiling like stew for each other as we gaze at one another. I approach you standing before you in ****** thought. Studying your beautiful **** figure so innocent in your taunting  poise. I give you my crooked smile with a raised brow. Wanting to show you if not everything I know how. Everything that's not allowed. Now I take you boldly and without warning close to me.

Pressing my lips to yours overlapping each others. My lips almost curl to yours as I enclose over your mouth like a puzzle piece fitting in place. I close slightly to interlock our mouths passionately head tilted to complete the exchange. My tongue exploring your mouth teasing your tongue to play. Ever so long we kiss as we wrap our arms tightly around each other. Not wanting to let go.

Inevitably my arms loosen only to grab your sides my hand slipping down beneath your pants swaying slowly as a tree limb in the faint wind. Fingers expanding apart into your ******* like the tentacles of a sea creature over your patch of ***** hair above the sweet lips of your ******. Longest finger going threw the folds feeling your **** harden. You start to moisten with every touch I give to you playing with your *****. I stop only to have my lustful kisses go to your cheek, on your neck my lips as a suction cup feeling the warm pules of the blood beating in your jugular vain.  Tasting the salty sweat on your skin ******* the blood to your skins surface I leave my mark as a vampire on your neck. My **** hardens unbarring wanting to escape the enclosure of my jeans. I push you on the bed of seduction caused by your temptress ways!  We feverishly tear off one an others clothes all while caressing and pressing ourselves to each other.

My eyes exploring your **** body every curve and shape it brings so lovely in its beauty. It's form can not be duplicated. I stare into your eyes hands at each of sides the prettiest face I've ever seen on a girl. I left your head close to me as I lay over you. My lips going for more of you. My body nudging between your legs you spread them apart slightly I balance over you as if I was readying myself for push ups. We can't stop making out I go to your ear kissing your lobe flicking and nipping the bottom of your ear with my tongue.

My body slides down a little further as I explore you. Going to the finest breast Ive seen. Shape just right I circle  my hand around and over it feeling your ******* hard between my fingers. I massage them firmly and lightly. Kneading them in my hand I start to Kiss and suckle them playing with your ******* in my mouth. Teasing them ******* on hard and softly with the hot and cool air as I breath and blow on them.

I raise up a little kissing further down your body as your legs spread more before me. I adventure to your belly kissing your belly button in a playful manner tickling you. Hearing your cute giggles laughing so soundly sweet. Now at the entrance of the ***** I french kiss your ****** in a romantically way. My lips pressed to your *****. Licking you rubbing my tongue through the folds and over the pearl that is your ****. Turning my head back and forth as I bury my face more between your thighs as you push my face up to it wanting me. You lift up spinning around to sit on my face. Sliding your self to and fro as your ***** mounted on my lips. Thighs against my ears. I Lick and lick  kiss and kiss in all manner of ways I **** on your ****. Turning over you grab my **** kissing up an down the shaft of my ****. Kissing the head of my ***** your mouth engulfs my ****. ******* on me rubbing me squeezing my ***** with your hand playing with me only as you know how. I continue to make out with your special spot while grabbing your *** cheeks and spanking you playfully. entangling around like two serpents mating. I have you down back on the bed.

My **** hard as its ever going to be in this moment of lust, passion, and ecstasy. I insert myself and enter you sliding my **** in the entrance of the begging of life. Giving you my love and tenderness. Feeling your warm wet ****** around my hot ****. You gasp and moan inhaling and exhaling with every push and release of me in you. Faster and faster I go exploring your insides every which way probing you with every inch. We are at a rhythm of love making. Kissing caressing my movements are like a crazed caterpillar crawling in its way. I tug at your hair as I'm going back and forth inside you. Pounding vigorously against you more and more.

We spin around once more to have you ride me. Back forth up and down. I buck you like a wiled horse. Lean up to you kissing you between your breast. Playing with them once more. In the moment of ****** you ****** uncontrollably scratch my back. We turn over and I lay you back down once more. Never exiting you keeping that good rhythm inside you. Alas I pull out as you can't take no more only to roll you over on your back side and protrude your tight ***. My **** swelling once more. You tighten your *** cheeks while I'm inside you again. I rigorously pound against you as I did in your ******. My hands massaging your back as I press against you. Leaning over to kiss and cress your back with my face. I pull your hair with one hand playfully. With the other I massage your neck. Now with both hands I go to your shoulders and pull your body closer to mine. I *** in your *** as I came in your *****. Our breath exasperated from the pleasures of love we muster up the very little energy we have to shower and cleanse one another. So we can lay and cuddle in our bed of love with a kiss to fall asleep.

I'm a schizophrenic hypocrite
thankfully not in a medical way
i don't have to pop pills everyday
to keep an essence of danger under control
and to stop my head doing backward flips and forward rolls
to curtail bad thoughts and contain OCD
wake up and think "what's happening to me?"
but sometimes i'm full of mazey bomb blasts
and crazy contrasts,
I'm a schizophrenic hypocrite
I say work i'm not even gonna give 50% percent never mind double
but i'll stay just below the warning threshold so i don't really get in trouble,
i do see my sick days as extra days of annual leave
but my bums on my seat most of the year and at least one Eve.
I'm always ducking and diving, i hide and they seek,
but i hit my targets every week.
They can say put down your pens,
strip your pencils of lead,
you can't stop me writing in my head
But you'll sometimes dictate what time i go to bed.
I'm a schizophrenic hypocrite
Nearly every road i walk down i've got a ***** cat friend
there meowing never drives me round the bend
but if me owing then just a letter i'll send.
I’ll rescue  spiders from the bath, without any exception,
But I’ll clean their webs and evict them when I have a house inspection.
Giving up pork, on a parity with pigges at last
But then i broke my faste with bacon for breakfast
Watching lambs a gamboling there frolicking is fab,
but i'll see you on a plate later if i'm craving a kebab.
I'm a schizophrenic hypocrite.
Money and the capitalist structure baffles, no thanks, no ta
but before i go out a quick sub off Ma and Pa.
I'll pay for a taxi, i don't care about the amount,
while checking fervently the statement from my bank account.
Cash cannot be eaten it just gets you into Eton
but i'll rifle through my pockets for pennies to get an eat on
i don't adore you, i'll say your the means to an end
but then i spend some more and ask for a lend.
I'm a schizophrenic hypocrite.
I'll say anarchy  is everywhere, petition and abstain
then  read in the late edition who i think should take the reins.  
I scream smash the system without any regrets
but then start stubbing out where they deem no cigarettes.
I'll say **** big business they are always looting tons
while cutting out Asda coupons to get the soup with croutons.
i'll say **** materialism, to that i am adverse,
"ohh if you want to get me some trainers Mum can you make em Converse? "
I'm a schizophrenic hypocrite
One Saturday i found it hard to move
crying out for water, more than needing food,
stomach emptier than the packets in my pockets
Early winter scribble
spoiled by the ripple of rain,
deadened and dull
on a precious day,
the time I crave
passes through a husk
full of caves.
Each inhabitant curses
and burns
the stagnant soil under their feet,
I want something to eat.
I need to drink.
The cold slab of sink
lures flesh to rest,
unsatisfied
with retched offerings
flung from a scorched earth
so next Friday, a few beers and l I’ll hit the hay
Ten beers later, where’s the MDMA?
And my staunch resolutions go up my nose
Chatting through the night, striking a pose,
Music accentuated, stars sparkling hard
World’s discussed in magic back yards,
Focused and fraught in tumultuous thought
Ten cigs in an hour
An hours too short,
As the morning comes, I start feeling a mess
It slowly disintegrates the treasure in my chest,
Feelings of strength crumble to a feeble frame,
Spears in my head, WHOOPS I’VE DONE IT AGAIN.
You’ll stop this time, I curse and lecture,
Two bottles down next Friday etc etc,
I’m a schizophrenic hypocrite
I remember an uneventful Tuesday when i wasn't working
belly full of rice
and i saw you twice,
two times a day,
on a day in lieu,
time stood still,
smiling at you
i thought i'm gonna have to write about you,
so i park myself in a bar after a joint in Netto carpark
and start using words to build an arc
and if you you do wanna walk in two by two,
can i walk in with you?
Is it this green ride that's getting me high
or the regret i seen in the gleam of your eye
that as soon as we said hi we said bye,
as disappointed as the catcher when he dropped the rye.
If i may be so bold,
if you were cold
i wouldn't hail these stones
i'd pummel Jack Frost until he knows he's lost,
i'll leave all the lights on to hasten global warming
make Obama declare winter a season of mourning,
If you met an iceberg of Titanic  proportions
i'd cut through it quicker than the Ripper does back street abortions.
If you were in prism
i'd try to unrangle the science of triangles
so i could build you a pyramid with all the right angles,
my stomachs in knots;
the most tranquil of tangles.
Then i saw you get out of the lift
and i wanted to play you a rift
until you exposed your midriff
because you set me adrift from chains and shackles
my mind goes crazy and fills with cackles,
i crackle with lightning, my energy heightens
my heart tightens
and not cos of cholesterol
cos i think you're special
and celestial!
I got dreams from naught, my head feels taught,
i prised a lesson from your eyes,
love is the greatest prize.
But now that's gone, all things
pass evolution in transience
faces that were everything lost to balance
blue it merge
but seldom a residual surge
and your bark today was worst than your bite
it said something softly,
i sow the seeds for the sycamore trees
we can carve our names on next summer.
Under an endless stretching sky
you wrote you
and i wrote i,
the lights in our eyes don't lie
they are gateways to the suns inside,
our hearts couldn't hide from this brightening tide.
I'm a Schizophrenic hypocrite
I remember this guy from work, cooed to me
look at the **** on this page 3
he drooled over Nuts magazine like he belonged in a zoo
i bet he frequented strippers too.
He said seen this clip, it's ******* great,
it ad turn a couple of queers straight
it was these two twins with rouge lips being rude,
the way she chomped on her like food
and they defo loved it,there is  no doubt
it's just just ***** Eskimo ******* kissing snouts
and sharing with her sister the joy of getting licked out.
Wonder how they looked in the family car?
giggling about some exciting destination,
like all kids displaying a lack of patience,
“are we there yet” chorused with glee and duality,
dressed in the same clothes to ensure parity.
Ice cream for tea.
Maybe they might be way into drugs
or addled with addiction
lacking hugs
and sore from the friction.
Not liking the glare
feeling scared.
maybe?
He said nar they love it up them baby.
But then,
i have it
about 3 or 4 times a week
after the 5th time of hitting snooze,
or a heavy night on the *****,
or sometimes no beer,
even after a sonnet of Shakespeare
a sudden urge comes over me,
GET THE LAPTOP!
GET THE *******!
Then it's
Japanese teen lesbians spitting,
finger ******* wearing mittens,
****'s ******* Britions,
oap creampies
***** covered eyes
***** flicking,
extreme suction,
**** destruction,
Captain Birds Eye gobbing
Batman ******* Robin,
A ten inch plumber ******* in a kitchen sink drama
Robert de Niro unpeeling Bananarama
Marty doing the Doc
a gimped up Kirk whipping Spoc
Rita  ******* Norris
Gail licking Fizz
Sally doing Dev
and Kevin doing ki.............Kevin, get out of the room.
Back to
a **** doing a ******
a pre op pleasuring granny
two ***** one *****,
then i chuck my muck all over my tunic
flip over and continue reading The Female ******,
I'm a Schizophrenic Hypocrite,
i've gotta split.

the world is a dryer.


if there is a washing machine section within our universe, I am unaware of it.

I don't work that rotation. I work the dry shift.

tumble low heat, fluff, repeat.

repeat.

in almost every dryer known to mankind, some contraption serves as the lint trap. collect all of the lint and excess laundry fluff as it goes through the dry cycle.

in this world, in this universe; if the human race consists of the articles of clothing in the dryer, I am the lint trap.

it sounds almost cutesy when phrased like that. dryer lint is fluffy and soft and the combination of all the different fibers of the various clothing.

I'm the trap, though. the filter.

I must absorb and filter the excess fiber from every article of clothing. if the entire human race is in this dry cycle; I absorb and filter their raveling ends.

it's ******* exhausting.



here's a better analogy. have you ever had your stomach pumped?

they handle this differently now, but when the doctors, nurses, and staff working in the ER would get a patient who swallowed an entire bottle of ****** with a ***** chaser; or a new mother's young son swallowing her bottle of sertaline, they would get to work. one hand activated charcoal, the other hand with a large suction tube.

activated charcoal is what neutralizes the bottle of ****** or the bottle of Zoloft. the charcoal can absorb **** near anything. it pulls out stains and poisons, neutralizing and absorbing.

this is where the tube comes in. the charcoal is harmless on its own, but the ER staff is in a hurry to console (get rid of) the screaming mother; to move the seventeen year old girl with the ****** ***** chaser to the psychiatric unit, and continue their night.

insert the long tube to suction the charcoal out of the stomachs of the two children. this is often haphazardly shoved down the back of the throat, down the esophagus, reaching the stomach. flip the switch, undo what peristalsis cannot. it's not pleasant. gagging, rough, foul, I've been told.

the body is working in reverse order. vomiting may be easier. the suction tube is fighting the natural flow of the body. the esophagus is attempting to push everything down down down, and the tube is fighting back.

I am the activated charcoal found in every ER across the globe. I absorb the poisons that human beings put into​ their bodies.

I can pass someone on the street, and my activated charcoal soul absorbs the negativity, the poison, the hatred, the emotional chaos from that individual.

I often wonder if the person feels lighter, noting the absence of the venom that once crippled them. I never ask. I just keep my gaze down and ignore the tempest ensnared within my activated charcoal lint trap.

there are others like me. activated charcoal hearts, lint trap souls.

Liturgy in Time of War

I will go to the altar of God
To God who gives joy to my youth

ENTRANCE ANTIPHON

The dawn (evening) is coming, another hot, filthy, wet dawn (evening).  Let us arise, soaked in sweat, exhausted, to speak with sour, saliva-caked mouths, to meet the deaths of this day (night).

GREETING

In the name of Peace in Our Time,
For the Hearts and Minds of The People,
For the Land of the Big PX
For round eye and white (black) (brown) thigh,
I greet you, brothers.

PENITENTIAL RITE

All:

I confess to almighty God
And to you my brothers
That I have sinned through my fault
In my thoughts and in my words
In what I have done
And in what I have failed to do,
And I ask Blessed Mary…

But how can I ask Her anything now?

My brothers,
Pray for me to…

But how?
Priest: (But there is no priest)

KYRIE

Lord, have mercy
Christ, have mercy
Lord, Lord, have mercy on us now

Have mercy, Lord, on a generation
That sits smugly in college lecture halls
And protests endlessly in coffee shops
The war they hear, see, on T.V., for free
Justice and peace by the semester hour
Like, y’know, peace, love, Amerika sux
Play the guitar, ****, apply to law school

Have mercy on us
Who crouch behind sand bags
And clean our weapons
And protest nothing
And **** in the heat
And die in the hear
And throw ham and lima beans away

GLORIA

Glory to God in the highest
how many bodies yesterday?
And peace to His people on earth
Vietnamese? Or us?
Lord God, heavenly King, almighty God and Father
ham and lima beans?
We worship you, we give you thanks, we praise you for your glory
Doc, I can’t go home to my wife with this clap
Lord Jesus Christ, only Son of the Father
cigarette, canteen cup of instant coffee
Lord God, Lamb of God, you take away the sins of the world
******* magazine
Have mercy on us
relief behind the sand bags
You are seated at the right hand of the Father
i rot
Receive our prayer
i want to be clean and dry
For You alone are the Holy One
clean and dry.  just once.
You alone are the Lord
why do they chew that?
You alone are the most high
you mean the betel nut?
Jesus Christ, with the Holy Spirit, in the glory of God the Father
incoming!
Amen


PRAYER

A

Father, you make this day holy.
Let us be thankful for
The many little joys of
This day, for life, for
The chance to worship
You.  In the end, bring
Us to you, so that we
May be cleansed of mud
And sweat and filth and
Guilt, and live with you
In peace forever.

B

Father, just get me through
Another day of this mess.

LITURGY OF THE WORD –

FIRST READING

From the Intensive Care Unit, NSA DaNang

A twilight world
Of neither peace nor battle
And of both

A man world
Embracing life and the grim death
Both

Peering into infected wounds
Night building shiver
Down from the black sky flares float

Broken bodies from the war somewhere
Eyes of a shattered nineteen-year-old Marine
Staring at the door to Yokosuka

PSALM

A Song of Descents

I cast down my eyes
Into the mud
Into the blood
It seems cleaner than death and drugs and casual ***
Drink Coca-Cola

I turned my eyes away from you, O Lord
And made this
Build this
Came to this
Samantha and Darren on Bewitched

Have mercy on…but how can we ask?  How dare we ask?

SECOND READING

Old Man, Viet Nam

Old man, a dog is barking at your heels
Old man, with the tired, weathered face
Are you afraid to turn around and deal
This dog a kick, to put him in his place?

Or is it, old man, that you’re just too tired?
Just too tired to turn and show anger
Just too tired to have your temper fired
Beaten by years of contempt and danger

Where are you going, trudging so slowly?
What are you thinking, behind those tired eyes?

Probably not about ham and lima beans

GOSPEL

In the Cold White Mist

After an all-night run on the river
Our boats arrive in the village at dawn
Dawn is never cold along that rive
Along that steaming, green, hell-hot river
But the mist is cold, the grey-green dawn mist
And after the engines are cut – stillness
Foul brown water laps at the mudding bank
Sloshing softly with fertile, smelly death

In the cold white mist

The boats are secured, and watches posted
We step off the boats and onto wet land
And follow the track into the deep mist
It becomes the street of a little town
A dairy lane along which cows slopped home
And where dogs and chickens and children
      played
Bounded by carefully swept little yards
And little wooden houses with tin roofs

In the cold white mist

But some of the houses are burnt.  The smoke
Still hangs heavily in the whitening mist
The lane is littered with debris.  A lump
Resolves itself into a torn, dead child
Across a smaller lump, a smaller child
Their pup has been flung against the fence, its
Guts early morning breakfast for the morning
      flies
We smoke cigarettes against the death-smells

In the cold white mist

Beneath a farm tractor rots a dead man.
When they – they – had come at sunset
He had hidden there.  And they shot him there
A man with bare feet and work-calloused
      hands
His hair is black; his teeth need cleaning
They shot him beneath the village tractor
His blackening blood clots into the mud
And our lungs choke in the white mist of death

In the cold white mist

White mist.  The path disappears into it
Smoky skeletons of little houses
In which there will be no tea this morning
No breakfasts of hot tea and steaming rice
No old widows to smile in betel-nut
No children to mock-march alongside us
Pointing at our ******* boots, and laughing
At us, for wearing shoes in the summer

In the cold white mist

They are dead and rotting in the white mist
On the edge of the jungle on the edge
Of the world, here along the Vam Co Tay
And the people pour out of their houses
To greet us on the fine summer morning
A corpse across a doorway, another
******-doubled across a window sill
Still another strewn down the garden path

In the cold white mist

The other patrol doubles back to us
And they tell us that the Ruff-Puff outpost
Must have been overrun the night before
He had heard their radioed pleas, and had
Run the river at night to get to them
And the ARVNs had fled through the village
And the VC had stormed in behind them
And it was knife-and-gun-club night in town

In the cold white mist

A little girl is the lone survivor
She looks may six.  Cute, except for the
Bubbling, *******, bayoneted chest wound
We patch her, and tube her, and use suction
Sort of like fixing a bicycle tire
And in the wet, gasping heat take her back
With us downriver, where a charity
Hospital leaves her on the steps to die

In the cold white mist

It will be our turn again tomorrow
Not a one of us died today.  Today.
But a village is gone, burnt and rotting,
Soon to disappear into the jungle
Along the green Cambodian border
Up some obscure river.  Up there.  Somewhere.
A few hundred people.  Their ancestors’ graves
Will fade with them untended, forgotten

In the cold white mist

Radio Hanoi might blame it on us.
But maybe not.  We made our report and
Nobody really noticed; no one cared
The talk is of the VC battalion
And where it has gone, and where it might go –
Maybe into death under an air strike
“And you guys better get in some sack time,”
Says the C.O. as he turns to his maps.

In the cold white mist

HOMILY

I’m scared, and I want to go home.  I don’t care any more about justice or fighting Communism or winning the hearts and minds of the people.  I can’t think about all that right now, because I’m scared, and I want to go home.
I don’t care about truth or loyalty or bravery or honor.  If Miss March were here she wouldn’t get cold, but she sure would get sunburnt.  And in a few days her skin would start rotting.  Then nobody would want to see her in the **** anymore.  
I’m scared, and I want to go home.
Up the Vam Co Tay, everyone is scared, everyone is tired, everyone is sick, everyone could die: sailor, soldier, officer, priest, farmer, fisherman.  Everyone rots in the wet heat.  The skin bubbles and flakes and peels, and is pink again, to bubble and flake and peel again.  
I’m scared, and I want to go home.
I’m Doc.  I’m a scared, stupid kid with an aid bag and a few months’ training.  But I’m Doc.  I’ve got to fake it.  I’ve got to be cool and calm because this other kid with his guts hanging out will probably make it if I don’t ***** up and if the dust-off from Saigon can get out here now.
I have an old dog at home, and my folks write and tell me she sleeps outside my window at night, waiting for me to come home.  Someday we’re going to run and play in the woods and fields again.  She’ll bark and run wide circles, and dare me to catch her.  I will laugh under the autumn leaves.  But now my nights are glaring darkness, fits of sweat-soaked half-sleep, then sirens and falling glares and falling mortars, and then the Godawful racket of all our engines of destruction.  There isn’t any use in all this.
I’m scared, and I want to go home.

And I don’t want any ham and lima beans.

CREED

We believe in the Land of the Big PX
In presidents in suits, and generals,
In makers of economic strategies
We believe in flak jackets and .45s and peace

We believe in swing ships and dust-offs, yes
In the dark, green omnipresent Huey
Eternally begotten of technology
Blades to rotor, windscreen to machine guns
Made, not begotten, one in being with us
Through it all things are transported to us
For us men and our hunger and our hope
It comes down from the skies
By the high power of technology
It was born of the long assembly line

For whose sake are we crucified today?
Who suffers, and who dies and is baggied?
And on the third will arrive back home
To be neatly packaged in stainless steel

But not in ham and lima beans

LITURGY OF THE EUCHARIST

Preparation of the Gifts

Celebrant:

Blessed are you, Lord, God of all creation.
Through your goodness we have this cheap Algerian wine to offer,
Fruit of the vine and work of human hands.
It will become anaesthesia for our souls.

People:

Blessed be…we just don’t know

Celebrant:

Pray, brothers, that our sacrifice may be acceptable to God, the almighty Father, to somebody.  Maybe.

People:

May the Lord, or the baggies, accept the sacrifice we offer with
our own burnt hands
For the praise and glory of…of what?
For our good, and the good of all His Church.

PRAYER OVER THE GITS

Little green cans, and I don’t care
Little green cans, and I don’t care
Little green cans, and I don’t care
Air cover’s gone away.

EUCHARISTIC PRAYER

Preface for the Monsoon Season:

Father, all-powerful
And ever-living God,
We do well always and everywhere
To give You thanks
Through Jesus God our Lord
Even with diarrhea
thanks
When the mail doesn’t come
thanks
When we rot
thanks
When the heat ***** at our brains
thanks
When the mud ***** at our boots
thanks
When the horror ***** at our souls
thanks
We’re alive
thanks

SANCTUS

Holy, holy, holy, Lord, God of power and might
The bunkers are full of blood and death.
Hosanna in the mud.  Blessed is he who comes with the mail.  Hosanna in the mud.

EUCHARISTIC PRAYER

The Kien Tuong Province Canon:

A sailor is silhouetted against the dawn
Along a steamy river
Mostly helmet and flak jacket
Above dark plastic gunwales

The sailor has lost his New Testament
But there’s a ******* around somewhere
Naked, willing women –
Miss March wants to be an actress

He also carries an old plastic Rosary
To touch occasionally
While whispering a hurried Hail Mary
He hopes She understands

Those who in bell-bottoms and head-bands
Fight Fascism
In Sociology 201
Will never forgive him

A sailor is silhouetted against the dawn
This day he is to be elevated
His body broken and his blood shed
For you and for all men

OUR FATHER

Our Father, who art in Heaven
this ain’t it
Hallowed be thy name
Thy kingdom come
this ain’t it
On earth as it is in Heaven.
Give us this day…
not ham and lima beans
And forgive us our trespasses
as we shoot them that trespass against us
And lead us not into ambush
But deliver us from evil

SIGN OF PEACE

Peace on you.

AGNUS DEI

Lamb of God, you take away the sins of the world: have mercy on us.

Lamb of God, you take away the sins of the world: have mercy….

Lamb of God, you take away the sins of the world: grant us peace.

Priest:

(But there is no priest)

People:  

Lord, I am not worthy to receive you,
But only say the word and I shall be killed.

COMMUNION ANTIPHON

They ate, and were not satisfied
They killed, and were not without fear.

PRAYER AFTER COMMUNION

Lord,
If we do not get out of this
Make some sense of it to those who remain
May we go home.  Home.  Or if not,
Take us unto you, in mercy.
Home.  Where you reign, for you are Lord
Forever and ever.  Amen

BLESSING

May you walk on grass that does not explode
May you sleep without rot
Without fear
May you never see or smell ham and lima beans again.
May you live
May you play with puppies
May you find forgetfulness
May you find peace
In the Name of Him who took your death for you

DISMISSAL

This is to certify that____is Honorably Discharged from the____on theday of____.  This certificate is awarded as a testimonial of Honest and Faithful Service.

CLOSING HYMN

Old men, smoking in the sunshine
Exiled outside the doors of life
Old uniforms, old pajamas
The chrome of wheelchairs, shiny, bright

Inside, polished wooden handrails
Line the hot, polished passages
Something to cling to on the way
To the lab, to x-ray, to death

And more old men, shuffling along
In a querulous route-step march
From Normandy, from The Cho-sen,
From the Vam Co Tay, from the deserts,
Past the A.I.D.S. ward and the union signs
On waxed floors to eternity

Portions previous published:

“Closing Hymn” is from “Outpatient Surgery – Veterans’ Hospital,” Juried Award, Houston Poetry Fest 1993

“In the Cold White Mist” is a Juried Award, Houston Poetry Fest 1991

“Old Man, Viet-Nam,” was published in Pulse, Lamar University, 1982

A hymn to paired planethood: Venus hits Pluto
as death, in cold orbit, collides with biology
smashing to fragments: demonic astrology
(more a black hole than a love-star, it’s true though).
Cynical cure for Eve’s womanly grievance
Concupiscent consequence: lust’s bitter fruit –
ah the thought… changing Sin into mere inconvenience.

Margaret sang her seductive refrain
about weeding the garden and progress and light.
Her sisters should view her with scornful disdain
but instead have adopted her murderous rite.
With sang-froid she promoted her racist eugenics
(as if she had never herself been a fetus),
condemning her heirs to postmodern polemics
while nurturing ardent desires to defeat us.

Suppressing the lives that she flushed down the drain
she would liberate Death – and resistance was vain.
As a midwife to modern life (though on the “anti” side)
Old Matron Margie racked up quite a legacy
singing the praises of sanctioned infanticide
calling the shots for the coming sick century.
Planning, quite calmly, to “cleanse” certain races
her zeal was empowered by murderous graces.
She labored to bring us such pearls of subduction:
“dilation and curettage”, “women’s autonomy”
“viable fetus”, “procedure”, a “suction”
Hippocrates retches to hear the taxonomy;
words that turn Life into mere reproduction.

She enters the realms of the ****** and the motherless
roundly condemned by her feminine otherness.
Man’s first protection: the God-given womb
which no infant should have to regard as their tomb.

Dismembered dark cherubs, assembling, greet her
as demons (in scrubs) holding baby-parts meet her.
Long may she burn with the medical cynics
this mother of Moloch, this founder of clinics.
Convenience is king when abortion’s the Queen
and the profits swell big with each nubile teen…
yet the fruit of such carnage remains to be seen.

I send her this song as a funeral wreath
and a card inked in blood. You may read what is there:
“To the Matrix Supreme of our culture of death
from the souls of the infants you slew on the earth.
May your torment increase with the children you bear.”

All he wanted was a sunny day but those
clouds would just not go away.
He asked them politely;

"Excuse me sirs and madams  please would
you move away just for this one day,

You may ask the difference of clouds?
the madam clouds are purely white they
some times rain a little upon my head.

Where the sirs are the moody grey clouds,
I asked them to leave and now I'm soaked from
my tiny toes below to every part of my head.

"I beg your pardon, why did you only rain on
this one spot, only soaking me and no one else?

So I thought of a plan and got my mummy's
fan pointing it towards the sky, I turned it on
I thought it would take a while.
                                                      
   ­                                                     "A while later,

I looked up to find more clouds then there was
before? was it because I only used Number one?
so I turned up to the highest Number 3.
                                                        
     ­                                                        "A while later,

A look of confusion! as there seemed to be no
movement, but again more than before.
"Mummy I think your fan works in reverse,

So a little man thought, to his toy box he went.
Mummy I'll just be in the back garden, the wind
was blowing blustery, he smiled, its was just right.

Pointing his trusty bow upwards, thinking that
if he could pop one after another, they would
whoosh away and he would get his sunny day.

Away it flew, upward and onwards, so high
like a little bird flying then it fell faster than a
leaky balloon "Bonk, it went as it hit the floor.

This little man with frustration on his face,
thinking thoughts of what went wrong?
"I know I need to get higher up, clouds are high you know,

How many arrows would I need for a sunny day,
he looked in his arrow pack.
"One,
           "Two,
                    "Three..

That was enough he thought, they were quite heavy
to take up that rather big hill. Off he went, bow and
arrows and his idea of a sunny day not far away.

Out of breath but at the top of the world or so
it felt. "I wonder if I can touch the clouds?
His hand reaching up standing on his tip toes.

"I could pull them away, or put them in my bag for another day,
But alas he was just out of reach, his fingers couldn't
stretch that far, even on his little tippy toes.

So his arrows in hand, there little suction cups pointing
towards the sky. The first arrow off it flew quite far but landed
so way down the hill. "Not high enough, a tear in his eye.

Then Number two, Number Three shot off higher than
the ones he let go of before. But none could reach those
clouds up high, and he cradled his hand and began to cry.

Now the wind hears everything, voices carry on the wind
you know. It heard this little boys tears and couldn't let
them fall like the clouds anymore.

So it whispered to each one a favour it asked,

"Clouds of white, clouds of grey, could you please
wonder to another place for an hour or day?

"Just let this little child have his sunny day, no tears
should fall like the clouds hanging up today,

With that a gentle breeze picked up, and one by one the
clouds did wander off. One was stubborn grey, but with
a gentle nudge he did move slowly off and away.

A gust of wind kissed the boys face. Eyes wiped he looked up,
not a cloud in the sky, nope not one.Smiling he ran collecting
his bow & arrows as he ran down.

"Mummy, Mummy, the clouds have wondered off
the fan didn't work? my arrows couldn't go high enough.
But the breeze kissed them all away.

And so a little boy and his mummy went outside,
playing games in the sun, till the sun began to yawn  
on the horizon telling mummy it was time nearly for bed.

So a little man was tucked up in bed, he thanked the
wind, "Thank you, and thanked the clouds "Thank you,
For he got to play with his mummy outside on a sunny day.

ONE
man sits in a pristine state of loneliness
his one heart in perfect singularity
waiting
to be found
not bothering to search
waiting to find himself
as a part
of
TWO
hands held
with two beats, the quiet
lub-dub of each of the
two hearts
slightly out of synchronization
overlapping
just a touch
so the two double beats
become a beat
of
THREE
perfect circles in descending sizes
in each of their
eyes
of which there are
FOUR
lip touches to say goodbye
because the first
would’ve been the last without the second,
the second wasn’t sufficient
and the third wasn’t enough  
and the fourth
would lead to kiss
number
FIVE
fingers locked
around
five
fingers
on the small of her back
and five fingers wrapped up in
his hair
he wishes he had more fingers to make the
hold stronger
he wishes
he had
SIX
syllables spoken between them
the same three words repeated
so they know
that
their hearts beat
a little bit closer
the veins and arteries
wrapping around the other
pulling it in
pulling the beats together
making them a little less
disjointed
but she’s all the nearer comatose,
her slow beats
in this minute
barely reached
SEVEN
sounds
that he counts
in every
minute
that he stands there
unable
to sit
his legs locked, shut
like her eyes
that he wants to stare into
he shakes
she does not stir
even as the sun climbs higher in the morning sky
she does not stir
he counts more sounds
every minute
he counts as they
go from
seven
to
EIGHT
arms and legs
wrapped like tentacles
wrapped so tight
never wanting to release
and show the red
suction marks
from each of their fingers
on the other’s
skin
like an octopus
their eight limbs
holding together
their one heart
it’s dull
lub-dub beat
in perfect synchronization
with itself
in the perfect opposite
of a pristine
state of loneliness

green and filmy algea
whispers by the lone
sea cucumber,
caressing it as it struggles
to suction itself
lower
than the outgoing tide.
its movements, though minuscule,
move it towards the bottom of the tide pool
but not quite fast enough -
a rock could erode
faster than the sea cucumber
could crawl.
but still it moves
with the tenacity of something
that does not realize it is in danger.
and although it is fighting,
it knows not that it is fighting
but merely
goes on.

Ancient doors creak and groan
scraping back the dust
of ages gone
A formidable sight...
like standing guardians
since time immortal

Slinking in
past swirling fog
I pause to calm my fear
adding strength to resolve
when suddenly...
a deafening voice ERUPTS
with EXACTING FASTIDIOUS truths

Solid ground shatters beneath me...
I hover helplessly
Below me...
a noxious boiling maelstrom

The voice of truth EXPLODES from above
ECHOing  my 'Every Sin'
the resounding shock-waves
drive me down

Legs lifted high
to avoid the searing pain
then
a tangle of blistered hands reach out
and drag me within the churning inferno

Blinding spin and unbearable suction
envelope

Scream fades to gurgle

Unconsciousness welcome
though never met

The searing pain still rising yet

Each fibre ripped apart
to molecular particle

Riding the vortex of purification
Separating sins from soul

Finally

Cast out
and caught yet again by the uterine web
with the voice of truth
still taunting ...

" BETTER LUCK THIS TIME "

Across the room
You tempted me
I caved
For a moment
We were alone
We were one
As my lust increased
So did your affection
How could I escape such an embrace?
I couldn't
And then we were no longer alone
And the mayonnaise
And the laughter

Is it not magical, fantastical, terrible
the way my body expands and contracts
like a peach balloon
the more or less I digest.

If I wind mental stitches through
my oesophagus - my bones call
to the skin,
reel it in. ten million krill
trapped in the suction
of the line of a fisherman.

In gluttony, the same line
spills, the tide swells
and multiplies cells
Lipids blossom and my waistband
leaves a discrete red line of rubble
on the shore.

Far be it from me ~ to say that LEAD BALLOONS don't float !     For example,  how thick is the lead,   how big is the Balloon,   is it filled with Helium,  is it to be floated on earth ,  or perhaps the moon,  with much less gravity and,,what about aboard a space craft ?  SO,  just like I said,  I can;t say LEAD BALLOONS  don't float.     Could it be said,  that Man's feelings are like LEAD BALLOONS?    How Thick or Thin skinned are they,  how big and attractive are the temptations?   Who and what are the Tempters,  that will draw our attention  away from  truths ,  carried aloft by LEAD BALLOONS.    In any of these cases I ask ...." IS THERE A TETHER ATTACHED"?      SO,,,, for the floating portion of the test !!     Prepare as follows:  Snorkels,  Diving Suits,  Flippers,  Masks and Weighted Belts.    Just the things we need for Proper Diving { just in case}.   Fully suited Swan Dives may not seem in place at the Olympics,   BUT at these Major Finals,,A fully suited person is REQUIRED.    Double pike with a Full Twist help in escaping "THAT HUGE SUCTION SOUND".   And of course the Perfect Bathing Cap,  to keep hair out of FACE.   There is Something about having  a situation "RIGHT IN YOUR FACE"  .

Let me choke you
A few more times

I slapped his ****
Across my cheek
Held it in my mouth
And did it again

Oh you nasty little girl
You love daddy's ****
Don't you

Suction your head
And make a loud pop
As I come off

Finger up your *** now
Spit and slide lips round and down
Pumping finger in and out

Cupping your ***** like a ring
******* you
Till I scream
Now get every last drop
Mmmm that's right

This is a quick little quote I thought I should post by mine queen earl Jane..  Lol it's a funny thing she said I would like to post.. She make's me laugh hard with her comments sometimes. A very funny queen and always gives me the giggles...  This quote from her comes from s
he keeps telling me she wants to work out for me to quote " look good" though in actuality I told her to hush lol because she is already very beautiful, elegant, and **** beyond mine thought process and beyond mine comprehension.. She's completely perfect to me as is. Though she keeps insisting she works out to flatten her belly to look good for me!!!! Lol she is already a doll... I told her not to work out for me since she already look's godly stunning. I told her if she want's to work out to do it for her to feel good about herself and for her to be happy doing what she wants to do..  Here's her quote. And our convo.... Enjoy lol. Sunday night fun!!! (::

Jane-I better make my tummy smaller than making my voice bigger. Loolll.... I wasnt able to do the work out this morning. Am gonna do it tonight

Me- LOL, Queen u look wonderful. Just work out to be healthy and to feel good about yourself. Don't need to for me. U are already amazing looking to me. Duhhhh....

Jane-I will feel good if tummy is smaller and if i am beautiful. Loolll... Lool so i better do it. Haha.. Its exercise too. Duuuhhhhh......

Me- lol your funny you already look amazing woman!!! Hush! Or I'll ****!!!

Jane- I am not amazing looking... Since we will meet til i become engineer, i wanna look good those times.. Coz u might RUNAWAY if i dont do anything for myself. :( :(

Me- Jane, you already look good so hush! You are the most beautiful woman I've seen in mine life, And ONLY beautiful elegant apple of mine eye queen ever!

Jane- Thank you, but i wanna be better. Its not wrong to be better right??? Am not doing any lypo suction or adding silicone in my **** and *******!!! Looolll. I will just work out,be fit, toned, be better and be beautiful...Lool. Nothings wrong with that right?? Hahaha!

Me- lol silicone to **** LOL.... U are already amazingly looking! But if you wanna work out , go for it hahah!! Will make you happier hahaha!!!

Jane- Loooll am laughing alone here. Looll ....
Its better than putting CRAPS in my body right??!!! Dont wanna be a walking plastic. Looll

Me- LOL craps? LOLL...you should make a poem about that, called walking plastic... I should post that in HP seriously, quoted by you. Lolll!!!

Jane- Yeah you copy our conversation and paste there. Haha. It will be trending. Looll...

Chat goes on. Lol just gives me a laugh her line saying... Quote
(Its better than putting CRAPS in my body right??!!! Dont wanna be a walking plastic)
Also her quote: ( Am not doing any lypo suction or adding silicone in my **** and *******)

LOL I love you so much Jane Nagley!! You make me laugh so hard baby!!! I love you more...
Don't care if anyone reads this you said to post it so I did lol oh well... I love you moreeeeeeeee queen!!! Me more!!!


©Brandon Nagley \Earl Jane conversation on November 22nd,2015.....

End,
The True Tip of my Tongue,
(Enchanted Bronchial Tree),
holding out the
Cavern of Soft Sultry Silhouettes
that hug the walls.
Clinging to their influence able nature,
tendency to allow pink purity
to fall
to the black blistering blasphemy
of *****-watered bongs.
Inhaling the Damnation of god
And Magic Meal of
Those residing in Gehenna,
Limbo,
And those scouring the pearly whites of
heaven for their 72 ******
***** Calls.
The desperate stench
Of religion
crawling down
my needy trachea
to attach its
sticky suction cup sermons,
trying to trick
My larynx into
Hallelujah’s
And
Hail Mary’s.
Hoping repetition
will etch it into
our subconscious
like a gravestone
set in stone.
So repent,
saunter back into your pen little sheep.
False Anarchic Prophet,
Pretend Goat.
Throw your brain back into the box,
The Individuality Dishwasher,
They built for your mind from the
Start.

back aching, i want more
sweat, suffering, sweet lips
the suction - when two fatless chests
press close
hair in your eyes
in my mouth, brush away
from my cheek
half-lidded peek
grasp me
i want you to hold my hand
into the mattress
breaking the ice
with every push
whisper, tickle my ear
eat my skinny bones
i feel alive
skin is numb
electric
welts across my back
nails carving our way into spine
pillow talk
the awkward walk
another cigarette

tell me i'm pretty
i think I am

Some playful shrimps clean the octolord's suction cups. One of their antennae buzzes a message up one of his orange tentacles and registers in the Octolord's mind: the silly sun is playing! Another shrimp: what's that sun up to now? The Octolord opened his mighty eyehole lids. The sun! What's...
NOTHING

I. To sleep...

As if I needed affirmation
of the weekend from a mouse

As if I needed mutually
indecipherable dialogue

As if I need a hip social setting
when Insomnia gets off on my inside

As if I need a drink for the prodding
of my eyes or charisma for the charming of hers

As if we need a hotel or a bed
for that matter in Dormiveglia

II.* ...perchance to dream.*

Darling Insomnia
how you dazzle in your quilted
queendom of suction

Darling Insomnia
**** out the vanilla gumming
up my timid lungs like sugared venom

Darling Insomnia
I promise I won't burden you with moans of
fantasy-inflicted headaches

Darling Insomnia
let your sirrah latch his inhalation
onto your majestic ***** like an asp

Darling Insomnia
does subordination in my windpipe
do right by your despotic grasp?

Big old jade earring hung from that haunted necklace, swinging from this and that and the other way where and if that sky upstairs let go of the thing I wanted you to be but a break in the system, no a malfunction in that suction of a love that you tried to forget about but feel those typing keys on the fingers that break knees and the heels up and up with the ***** a lingerin' and thats sounding like a new pounding, the one upstairs with the translucent roof ghostly and guess i got a new boot thats fixing itself to elate another prisoner upstate where the worries are always about the women.

Yeah, that women with the diamond ring with her children by her side thinking about the monastery she never visited a big time act act act in a dress that helped her enough and forgot about the rest. But we all move on quick to detest times test with the burritos that she never ate because of the figure she imposed that she got from her transistor radio and the yearly subscriptions of the ghostly ghost that haunted her in the moat around the castle of stairs up ripunzel with dragons a aflame listening to the same wishy washer story of old uncle Maury and the twenty ten twelve salute to the mastery of the fiction of listening, another riddle in the twiddle beneath the sheets that were once painted gold but her husband done left her and she's moving to seattle to start up some new cattle spreading the seed of 1910 where time stands still with his drink in his hand because the guy has got to get around to something with all that talent, with all that anger with all that impulse that proves itself time and time again it will never be enough for a salvation sanitation with the twisty fro's of yearly ye and ye bouts of fights she twisted in that shout that she knew, she knew she swears, what it was all about.

Our lips bond together.
On a limb, but I reach out
for the desire to press my
my tongue against yours.
To feel the suction of you,
******* me in ever so close.

I've slightly fallen

We do the tango, twisting
around, turning me upside
down till I feel dizzy.
And juices leak from each
crease of our mouths.
So sweet, my ears heard a
love song that was unsung.

I've slightly fallen

In his seduction , succulent, ******
pleasures which quench my thirst.
I got a Jones. Both of them attracting
at will. The steam from fevered bones.

While my heart and mind plays
the fiddle. Still we sip as he
****** himself gently, palming my
parts as if they were gems in
his hand.

I've slightly fallen

Like a three pierced tongue ring,
our liquids spill over my lips, cheeks
and chin. To taste him I am confident.
For him I flow as his lady in reassurance.

I've slightly fallen

I'm swimming within this man's wine.
But, if I should drown myself
among his deletable kisses;
there is unharmed because
his love is my ocean.

I have slightly fallen into...

By Jessica Hughes aka JH_Poetry

So many spiderwebs
each with individual suction cups
******* blood and injecting poison....

a collapse lung....
withered and black....
festering in the hot sun
kissing silver scalpels
and ******* yellow pus
into crunchy white tarp....

capsules that release toxins
into a parched mouth

spiderwebs.... make love to my arm

Hold hands and march behind me, buckel up this is a new horror,
A living nightmare unlike anything you have ever seen
Looking at your hollowed out corpse over for the very first time
I saw parts Jeffery only wished while committing his crime.
I'm the piper tricking you along the way; I got you in my trap
And there’s now no escape from my funeral pallor.
Quincy, CSI Miami and even Dr. G,
Could have never prepared me with only what they show on TV.
Downed played and minimalized to the max,
Read my works I'll paint for you all the true facts.
First things first I need for you to stop staring at me
With eye caps and a quick squirt of glue I broke the trance
Good, now I can begin the process and start this slow dance.
Like always I shake their hand and tell them my name
This time was different I got my first squeeze back
For on your right forearm was stained in ink
The first two verses of Psalms one hundred and forty four
After I finished reading I had to get back on track
With an instant snip a stitch is then cut apart
Adding another three ***** to your collection
Pulling them apart I go in first reaching for the clear viscera bag
Holding it up I fondled it all around in the bright light
Looking for the brain I felt it and then saw it come into my sight
Laying out all the puzzle pieces I start with the center first.
So smooth and slick the inside walls of your cage
Everywhere else looked like a time bomb burst.
Feeling all about searching for your iliac artery
Once found you’re now connected to the vat
Using sufficient pressure filling your tissues to full capacity
Injecting first your lower extremities I now see the veins swell
After a six point fill you should look like you’re getting well.
From under the flap and at the root of your neck
I reached in your head and into the hollow space
Because it is now time to try and firm up your mortal face.
With a pair of clamps I kinked your spinal cords fountain flow
Massaging your headless face and then the head *****
All the fluid went right where it had to go
After the fill you looked like you had a new mothers glow.
Now the suction of the liquid residue that smelled fowl
Then came the pressing of a paper towel
Very pleasant smell of wintergreen candy in my nose cause the
Shaking of the can of Bex embalming powder was now to follow.
Pressing here, pressing there, trust it was becoming a pest
Trying to tuck the bag with all your innards back into your chest
Putting the sternum back on top proved it was a perfect cut.
Folding down the three ***** to the point of origin
Was like folding a piece of paper into a paper airplane.
Almost at the home stretch we took turns closing you
And with it a perfect baseball stich and with it a coat of sealer.
Trying hard to keep a secret from for your heads crown
There is no way to do it I can't play it down
Holding the pieces of your skull in my hands
Starring where it has to go back now and back together with no glands
Looking just like what is, "Sweeter than honey and stronger than a lion?"
Me and my youngest son solved Samson's riddle in the Bible,
A seven letter word now needs to be added into the book of Judges because
Together we saw the answer written from a vision in the deserts sand.
Pulling down your face and all the way down to your chin
I lost sight of your eyes I only can see their other side
I now see a notch and the groove where this piece has to go
Gluing it in place I gave back to you your forehead
Tucking and packing cotton towels is your makeshift brain now
With a round file I score four half-moons in the thin bone
So the skull clamps can hold it together and hold it in place forever.
Pulling and stretching your face it was sewed together and with no space.
Now that it's complete you’re ready for a military examination
After getting the green light it's time for the fitting of your uniform
in your aurora steel casket you played in there
looking like the sailor on a ******* jack box.
one last trick to go; have to pull fibers out from the bottom
so your weightless head will look and sink naturally into your pillow.
out the back of a coach with plates that say livery
and into the belly of a plane your shipping container was stamped
Special Delivery.....

(CARSr. 10-24-12)

some say it's called dart-eyes, a kaleidoscopic venture
that might leave you myopic, oddly enough i know
that people say a lot of far fetched things,
   and the excuses are usually metaphors,
there's the literal cardinal,
the literal spanish inquisition,
  and metaphors of demons in the bible -
          i still want to experience a fully
theocratic world: where man's words come
forth from man, and god's words come from
the mouth of god... again: poetry without
a god is like biology without chlorophyll,
   no one even suggested a kneeling process and
ardent prayer to be invoked,
     all it took was a spare thought away from
the daily commute and the daily invigoration
from some sort of ethic, oddly enough it always
ends up being an ethic of work...
   i guess that's why in the west everyone is
nearing an addiction thoroughly apparent that's
named workaholism... once the relationships
fail, the only saving string of hope is work,
an absurd work ethic, because wouldn't you
take a syringe filled with ink and do shifts in an
office beyond the norm, thus entering the world
of night shifts and anything else antisocial?
   people can't really be friends, we're fired up
toward formal relationships and what's guiding us
to these relationships is hierarchy...
              oddly enough the Aztec or Mayan
pyramids don't have that sort of feel to them,
they don't prescribe interpretations of hierarchy,
quite the opposite,
     ask someone who doesn't have a conquistador
heritage to explain that they are:
  the gallows... guillotines... the tyrant is not
buried within, these aren't caves to entombing a
tyrant with all his riches...
      there are no chambers in these structures...
they were intended as architectural symbols of
common law... those presumptions European
*******... human sacrifice? a myth...
these were sights of capital punishment,
you stepped out of line: you'd get your heart
carved out and your body would drop from
the execution altar down the steps for
           the scavenger mob to tear you apart
even further: had you transgressed communal
consent... justice has to become overpowering
but that does not mean we carve a mount
Rushmore akin to the statues of the valley of
the kings of enthroned pharaohs...
  much of ancient Egypt lingers in what we
call "modernity"... esp. in America...
             and the world is currently establishing
itself into cold war ii (i said that once,
can't remember when)... and until this is firmly
established, that it's clearly accepted that we're
dealing in a cold / intellectual war, then
we'll pass all that intelligence and engage in a hot war /
and emotional war, as characteristic overflowing
of populism, which at present times: has
all the coordinates, but no proper vector to
allow a congregational march toward impeding
dangers... but better a second cold war than
a third world war... so much of ancient Egypt
in America... the washington memorial for one...
what's the other name for it? ah... obelisk;
or what the pagans built to counter the fear of
impotence: well... we've established a bountiful
supply of humans... can we do a floral pattern
now? oddly enough we embraced tomb-pyramid
builders from the north-eastern side of
Africa's brain-dead region, and trusted
conquistadors wiping out a people that used
pyramids to stress the importance of law:
i can't see no reason to think that those pyramids
were intended for human sacrifice...
capital punishment? well, d'uh... because wasn't
Golgotha so unspectacular as to be less
than what it was? had they crucified him in private,
in some back-alleyway crucified to a door,
would history open its doors to the advent of
Christianity? don't think so.
what i'd really love to see is people with
necklaces of silver, and the thing dangling on them
would be a different torture mechanism...
an iron maiden... it's like prescribing pain is
necessary... it's a dogmatic ruling on a once upon
a time (even the briefest) chance of happiness...
but even then certain philosophers say:
why be happy, when you can be interesting?
how interesting do you have to be so many times over
to not even wish for a stillness of neither want
nor drive to go beyond what you already have?
i don't know if this is an adequate comparison,
but in terms of interesting...
   a movie (side effects, 2013) utilises only two songs
in its official title:
   the focal point of a ******
       is staged to a "sleepwalking" woman preparing
a dinner for three (only two people are in the apartment),
the song? thievery corporation's the forgotten people...
i knew the band prior, and i've seen the film
before... but i never bothered to watch the credits...
i remember the odd couple who'd sit in cinemas and
engage in watching the end-credits, always the one
odd bunch: as if saying thank you to all the people
involve... a quick stroll through a graveyard is probably
comparably akin....
   and the other song? Bach's
   orchestral suite no. 2 in B minor, bwv 1067 -
     but i can't remember whether it's actually featured
in the film, simply because there's no focal moment
in the film where it can be heard as prominently as
the first song... and then there's thomas newman in
between (no surprise);
but a film like that is a meditation...
             if only two songs are used, chances are
the dialogue will have many strengths, because there
will be a multiplicity of consistent reinterpretation,
a bit like talking into a Tate Modern and seeing
Rodin's the kiss statue (inspired by Dante's divine
comedy), sketching it from the northern perspective,
the southern, western and eastern perspectives...
    i've seen few films that accredit a very minimalistic
soundtrack... on that note, how songs could literally
be translated into film titles: side effects - the forgotten people,
  dead poets' society - carpe diem, american beauty -
any other name, are there others? there probably are.

but that's nothing compared to last night's antics...
   some people climb the Everest... clap clap clap...
some people design super-suction vacuum cleaners...
clap clap clap...
                    from time to time i solve sudoku drunk
(no clapping)... but there's a narrative involved,
the narrative goes when you try to map out solving
one of these 81 "rubic" squares... applause for
speed with these babies like applause for premature
*******... aren't they compatible?
   we all have limitations, mine came yesterday,
when i allocated superscript numbers to the journey,
quiet literally an optical tangle, i should have used
       things like ª ' “ ‘ ¨ † above the plotted line...
but it only takes one mistake to ground you
   and then you have to go back and make minute corrections,
as the notes themselves suggest (crazy eyed darting):

exhibit a.

0    0    0    0    0    2    7    0    0
0    0    0    0  ­  4    0    0    2    0
2    0    5    1    0    7    0    0    8
0    9    0    0    0 ­   0    2    0    1
7    0    0    8    0    0    0    6    0
0  ­  0    6    0    7    0    5    0    0
4    0    8    7    0    0­    1    0    0
0    1    0    0    0    5    0    0    0
0    0 ­   9    0    1    0    3    0    0

   exhibit b. html that doesn't allow subscript
            or superscript notation, hence the brackets
   denoting movement (pending)

9 (24)    0          3 (23)    0    8 (5)    2    7    1 (2)    0
1 (12)    8 (8)    7 (9)      0    4          0    0    2          0
2            0         5            1    0          7    0    3 (13)   8
8 (7)       9        4 (18)     0 5 (33) 0    2    7 (1)      1
7            5 (16) 1 (14)     8   2 (20)   0    0    6           3 (21)
3 (19)    2 (17)  6            0   7           1 (15)  5           8 (6)    0
4            3 (27)  8           7   0            0         1            5 (28)    2 (26)
6 (30)    1          2 (22)   4 (31)    3 (32)    5    8 (3)    0    7 (11)
5 (29)    7 (10)    9    2 (25)    1    8 (4)    3    0    0

      it is no surprise that the notation played a key part
in having failed to map out the route taken,
       when you're using numbers in a puzzle
  it's almost an inevitable path to failure,
since you're making superscript "bookmarks" at
high concentration, and without any distinction to
what the puzzle demands, hence you go "cross-eyed"
  in solving the puzzle, and superscripting your progress
using the same symbols that are required to solve it,
but given that the puzzle involves 81 slots
  with 9 x 9 identical components (only so rearranged
  to be not contradict the rule of the puzzle
i.e. 9 symbols in each square of the nine in total,
   with a 9 x 9 variation on all linear arrangements not
involving two similar symbols, i.e.
   1 2 3 4 5 6 7 8 9, rather than 1 2 2 3 4 5 6 7 8) -
what became a hope to correct the mistake, but given
the intricacies of the progress, all the more harder to
recount steps and subsequently move forward with
   the spotted error...
hence a refresh, and the need for schematic,
given that there are 81 slots in total, with
     27 already in place, and given that there are 26
units of alphabet... how handy to actually persist in
using these characters, but adding diacritical variations
to make up 54 necessary, without invoking
      a 10 or a sz...

exhibit c.

0    0    0    0    0    2    7    1ą    0
0    0    0    0 ­   4    0    0    2    0
2    0    5    1    0    7    0    0    8
0    9    0    0    0 ­   0    2    7α    1
7    0    0    8    0    0    0    6    0
0 ­   0    6    0    7    0    5    0    0
4    0    8    7    0    ­0    1    0    0
0    1    0    0    0    5    0    0    0
0    0­    9    0    1    0    3    0    0

exhibit d.

nb. α = 1, ą (ogonek) = 2, á (acute) = 3, à (grave) = 4,
â (circumflex) = 5, ä (umlaut) = 6, cedilla missing,
   ã (tilde) = 7, b = 8, c = 9, ć = 10, č (caron) = 11,
ĉ (circumflex) = 12, ā (macron) = 13, ç (cedilla) = 14,
d = 15, e = 16, é = 17, è = 18, ê = 19, ě = 20, ë = 21,
f = 22, g = 23, ǧ = 24, ḡ = 25, ĝ = 26
         (now i figure, could have used Greek... d'uh!
ahh, i'll use it for the finishing touches),
        h = 27, i = 28, ı = 29, í = 30, î = 31, ï = 32, μ = 33
j = 34, δ = 35, k = 36, λ = 37, ł = 38, τ = 39, n = 40,
ń = 41, ñ = 42, o = 43, ō = 44, ø = 45, p = 46,
q = 47, r = 48, s = 49, γ = 50, φ = 51, χ = 52, ψ = 53, ω = 54.

before i begin the puzzle... there's a reason why a caron
g (ǧ) might exist, and why a grave z might not...
   and why there's a piquant difference between
an acute z (ź) and ż - depending on the aesthetician,
who decides to move away from the national linguistico-aesthetic
dogma... for example the name George,
orthodoxy states you must learn the aesthetic version
of Grze'gosz... but you would also be able to write
the alternative: Ǧegoš - given that rz is equivalent to ż,
    and given that there is no grave accenting of z,
but there is the acute (ź), perhaps you could consider
the dot a convergence point that could assimilate
sound, immediately over the caron g... of course none
of these remarks are intended for application: because
they would never reach a consideration in a learning
curriculum of any nation, a whimsical idea derived from
the remnants of the esperanto experiment...
  from what i can see, ǧ would equal grz, and
the reason that rz exists at all, and it equivalent to ż
is because a grave version of z is missing, and that
the acute z (ź) exists, and there is no point of balance
that otherwise is the foundation of the caron...
  i wouldn't have thought focusing on such "trivial"
signs above letters provided so much pecking-orders.

exhibit e. focal points in greek notation

9ǧ    4ñ    3g    6o    8â    2    7    1ą    5τ
1ĉ   ­ 8b    7c    5p    4    3q    6ń    2    9ł
2     6γ     5      1      9r    7    4n    3ā    8
8ã    9    4è    3s      5ψ   6ω    2    7α    1
7    5e    1ç    8      2ě    4ø    9ō    6    3ë
3ê    2é    6    9λ    7    1d      5    8ä    4k
4    3h     8    7     6χ    9φ    1    5i    2ĝ
6í    1    2f    4î     3ï      5     8á   9μ    7č
5ı    7ć    9    2ḡ    1     8à     3     4j     6δ

thus completed: there's a reason why the majority
of the narrative is done utilising diacritical marks,
i could have used many more distinct symbols,
but the point is: there are very few focal points
that can be ascribed distinct markings,
most of the puzzle is done on the basis of "crazy eyes",
i.e. darting eyes - focal points do emerge after
much darting about the squares, notably when
a linear sequence is completed, or whenever one of
the 9 squares is completed, or when all nine squares
contain nine 7s or 8s...
      or that's one way to go about not having any whiskey,
the rain pouring outside, and the night stretching
into a near eternity -
            
exhibit f. narrative of correction, actual excerpt

it began at h, i.e. labyrinth corner no. 27,
******* trainspotting! this is going to be like reading
the time for the next train to arrive at Waterloo!
  5(28), 5(33)?, 5(28),
  6(30), 4(31), 3(22), 5(33), 33? 9(38), 4(34),
  6(35), 4(36)...
6(41) < 4(40) < 5(39) < 9(38) < 9(37)....
       4(42) < 6(43) < 9(44) < 4(45) < 5(46) < 3(47) < 9(48) < 3(49) <...>
   6(58) > 9(51) < 6(52)...
        longest period spent on 3(13) / ā -
   and the notation that gave way to this spiral?
5(33), which actually ended up being 5(53) / ψ.

Although not an official list of most searched beauty queries, these trends were searched way more in 2015 than they were last year. You might be tardy to the party, but finally figuring out these makeup and skincare hacks will take next year's selfies to a whole new level — at least until 2016 when these trends are ditched. Till then, get your contour and strobe fixations worked out while it's still in style.

-How to contour

An old trick in any makeup artist's arsenal, contouring steadily gained attention in 2014 before exploding this year. Nowadays high-end and low-end contouring kits are widespread, with both cream and powder options popular for slimming faces. To contour, take a matte brown shade darker than your natural skin colour and buff it into the hollows of your cheekbones. Then blend until it matches seamlessly with your skin, creating a natural-looking shadow. To make the effect more dramatic, use a shade lighter than your skin colour on the high points of your face. You'll look clownish for a hot second, but the effects can be dramatically glam or subtle improvements.

-And how to strobe

Contouring's luminous cousin, strobing, took highlighting to the next level. Instead of creating shadows with contours, strobing illuminates the parts of the face where light hits. You'll want to apply a highlighting product to the centre of the forehead, the bridge of your nose, your Cupid's bow, and above your cheekbones.

-How to beard balm

Mane maintenance went below the chin in 2015, with artisanal ****** hair products going through a boom. Among them was beard balm, a pomade made of nourishing conditioners for making face fuzz soft and silky.

-How to put box braids into a bun

Long-lasting and low-maintenance, box braids are a style that always looks good — especially piled high into a bun. To get a top-knot bun, tie hair into a ponytail, twist around, and then tuck loose braids in. Bobby pins will be your best friend for this.

-How to wear matte lips

Popularised by the Kardashians, the matte **** lip made a comeback in 2015. To mattify any lip, apply a light dusting of face power to your lips (but not so much that your lips dry out). Or buy a matte lipstick, which come at luxe and drugstore prices.

-How to do the Kylie Jenner Lip Challenge

This digital dare inspired by the youngest of the Kardashian/Jenner clan had those aspiring for fuller lips ******* on shot glasses. Suction created by the cups cause a temporary swelling reminiscent of Jenner's pout. However, it might not be a good idea to jump on this long-gone bandwagon now — the challenge inflicted swelling, bruises, and drew controversy that Jenner herself spoke out against.

read more:http://www.marieaustralia.com

www.marieaustralia.com/plus-size-formal-dresses

Profound profanity, he says, is the key to germination.
But why, I say, would one ever want to procreate?
For the experience, he says, which is about the journey and not the destination.
I can understand this,
it's like riding a bike
a stationary bike
that goes nowhere but see, you're going! Going and going.
I do see
and so does he
so what do we do?
Not a whole lot, just sit and talk of trains and temperature and how pirates walk.
He likes to do litmus tests of our saliva and hang them in the windows for all to see
that we are not acidic, but  on acid, and sometimes a bit base in nature,
like the trees and the crysanthimums and corinthian columns in Greece.
We traveled to Greece, once, on our stationary bike
it was beautiful and real and there was much salt in the air-
they grow olives and fish in the trees
and their water is just teeming with rust.
We put our rust on buttered toast like cinnamon and munched at the oxidized metal,
crunching like captains and cheesin like goats
just a random bunch of fools with our silver and tenticals and suction cups of steel.
We are like robots, fighting crime and boredom with music and shrugs
because frankly my dear we don't give a ram or an aries or any other kind of anything.
We simply do not
because we will not, and refuse, above all else, to sleep without a star in the sky.

Take away your knowledge, Doktor.
It doesn't butter me up.

You say my heart is sick unto.
You ought to have more respect!

you with the goo on the suction cup.
You with your wires and electrodes

fastened at my ankle and wrist,
******* up the biological breast.

You with your zigzag machine
playing like the stock market up and down.

Give me the Phi Beta key you always twirl
and I will make a gold crown for my molar.

I will take a slug if you please
and make myself a perfectly good appendix.

Give me a fingernail for an eyeglass.
The world was milky all along.

I will take an iron and press out
my slipped disk until it is flat.

But take away my mother's carcinoma
for I have only one cup of fetus tears.

Take away my father's cerebral hemorrhage
for I have only a jigger of blood in my hand.

Take away my sister's broken neck
for I have only my schoolroom ruler for a cure.

Is there such a device for my heart?
I have only a gimmick called magic fingers.

Let me dilate like a bad debt.
Here is a sponge. I can squeeze it myself.

O heart, tobacco red heart,
beat like a rock guitar.

I am at the ship's prow.
I am no longer the suicide

with her raft and paddle.
Herr Doktor! I'll no longer die

to spite you, you wallowing
seasick grounded man.