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"sequences" poems
Can I be graced by a kiss from your aura, Does the same feeling reside deep down inside, We’ve been separated for so long my friend, It scares me to see you like this, Abrupt erections long gone, The insecurity of prolonged exposure, Sequences of nausea, Seek and destroy, The sickening of the tunnel vision, How strange it seems now, To look back at you, How amazing it is, To be myself again, Made different by time, The same ****** hole, The singular aspect of oneness, The grand expanse seemed so small, Ironically, Now seems to drag on with the whistles and clangs, The bangs the song the spiral never ends. Somewhere a part of my innocence was left behind, Left to wither in the shared tunnel, The smell of the air expelled made the hairs In my nostrils stand on end and dissolve. Now that I think about where I came from, What happened to me to this point, I’m happy it didn’t end so soon, That I’ve been reunited, Drawing a conclusion doesn’t seem so difficult, When the beginning is just around the corner.
0
Nov 15, 2012
Nov 15, 2012 at 11:31 PM UTC
REUNITED
You aren't going to **** yourself tonight because, in one of the spun sugar fragile sequences of the events in your life, it works out. There is a place, somewhere amidst star stuff and cosmic collisions, where you are not the problem daughter or the biggest disappointment or the most regretted kiss. There is a place where you sink into a desk in your eight a.m. class and a boy with bags under his eyes and a hole-y sweater pulled over his knuckles says, "hi." There is a place where your father comes back from the war with sand grit in his eyes, blood under his fingernails and lets you save him.  There is a place where you live in India, where you aren't afraid to love, where everything hurts less, where you stopped punishing yourself for the faults of your parents. You are a girl. Not a dart board or a guilty verdict or the final, desperate ****** of a sword through someone's chest. You are made of the same stuff as Marie Antoinette and Catherine the Great and Elizabeth, and you can command the winds too. You aren't going to **** yourself tonight because no one ever asked you about the scars on your thighs but that doesn't make them nonexistent or unimportant. You aren't going to **** yourself tonight because you've grown: stronger in some ways and weaker in others, but you are still a result of rhapsodies in violet and trees bowed to the sea and soldiers with wind burn on their cheeks. Tonight, you are going to wrap your own arms around your own chest and breathe, swaying silently to no music. You are going to memorize the sound of silence, and you are going to listen hard for the even, jagged, pitter patter of your heart. You are going to thank your body for waging war against itself, you are going to apologize to your head for bruising your heart. You are going to feel the roughness of the floor and the vastness of the entire world and all of the eventualities spread before you. You are going to remember that this is only one, that atoms and molecules are flighty, whimsical, prone to selfishness and longing for the promise of stability. You are going to press your lips to your own wrists and know, as surely as Anne Boleyn knew when she walked to the guillotine, that no one can save you but yourself. You aren't going to **** yourself tonight because you are not an accident of the multiverse. You are purposeful and beautiful and young and reckless with your feelings, but you are not a mistake. Listen to the trembling of your heartbeat and breathe. You aren't going to **** yourself tonight.
0
Sep 26, 2013
Sep 26, 2013 at 12:51 PM UTC
Why You Aren't Going to **** Yourself Tonight
You aren't going to **** yourself tonight because, in one of the spun sugar fragile sequences of the events in your life, it works out. There is a place, somewhere amidst star stuff and cosmic collisions, where you are not the problem daughter or the biggest disappointment or the most regretted kiss. There is a place where you sink into a desk in your eight a.m. class and a boy with bags under his eyes and a hole-y sweater pulled over his knuckles says, "hi." There is a place where your father comes back from the war with sand grit in his eyes, blood under his fingernails and lets you save him.  There is a place where you live in India, where you aren't afraid to love, where everything hurts less, where you stopped punishing yourself for the faults of your parents. You are a girl. Not a dart board or a guilty verdict or the final, desperate ****** of a sword through someone's chest. You are made of the same stuff as Marie Antoinette and Catherine the Great and Elizabeth, and you can command the winds too. You aren't going to **** yourself tonight because no one ever asked you about the scars on your thighs but that doesn't make them nonexistent or unimportant. You aren't going to **** yourself tonight because you've grown: stronger in some ways and weaker in others, but you are still a result of rhapsodies in violet and trees bowed to the sea and soldiers with wind burn on their cheeks. Tonight, you are going to wrap your own arms around your own chest and breathe, swaying silently to no music. You are going to memorize the sound of silence, and you are going to listen hard for the even, jagged, pitter patter of your heart. You are going to thank your body for waging war against itself, you are going to apologize to your head for bruising your heart. You are going to feel the roughness of the floor and the vastness of the entire world and all of the eventualities spread before you. You are going to remember that this is only one, that atoms and molecules are flighty, whimsical, prone to selfishness and longing for the promise of stability. You are going to press your lips to your own wrists and know, as surely as Anne Boleyn knew when she walked to the guillotine, that no one can save you but yourself. You aren't going to **** yourself tonight because you are not an accident of the multiverse. You are purposeful and beautiful and young and reckless with your feelings, but you are not a mistake. Listen to the trembling of your heartbeat and breathe. You aren't going to **** yourself tonight.
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42
Math Numbers The only things everyone And everything have in common You can find mathematical proofs written In between the stars Numerical sequences hiding beneath a fern That unfurls to reach the heavens No one can deny, one will always equal one And the sum of two numbers will never change Truths remain truths no matter the language I can't see how my friends can say 'I hate math' Or how people say 'numbers are stupid' Numbers and math comprise the essence of life On another planet the number pi and Sierpinski's triangle may have different names But their rules remain the same Math and numbers make up geometry Which is full of tesselations, and fractals And beautiful diagrams and principles How can you not love something like the Golden Ratio, or the Fibonacci sequence? They provide the curl of a fern, the twist of A snail's shell, the spiral of a pineapple And rotation of axial leaves Such a beautiful, never changing system That appears in so so many forms Why be bored when you can play with fractal-y Tesselating doodles? And don't even get me started on science...
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Nov 19, 2012
Nov 19, 2012 at 3:03 PM UTC
math and numbers
Tattoo The universe Captured At the ends of fingertips Like gentle tattooing needles Synnapses firing Chemical arrows In sequences Drawing patterns tattoos On receptive skin Mapping new sensory territory memory Tattooing eternity In a dream
0
Mar 4, 2013
Mar 4, 2013 at 5:25 AM UTC
Tattoo
I took a slice of the moon and brought it to my lips ever so carefully Head heavy with thought, soul dripping with poetry The heart’s different phases of color painted upon every wall in my home Ever changing, raw art of emotion For a moment as I glance out the window, the breeze combing through my hair and the fresh smell of the night meeting my nose I begin to imagine stars dancing up in the vast sky, twirling around and breaking apart, some fading out to let the others shine Shooting across the sky to emphasize their passion of the night Crickets watching and singing their songs to one another, a language only they share Humans wishing upon the stars from their homes, secrets floating around within their minds, never to be uttered I smile and place the slice of the moon in my mouth as if it’s a sacred fruit I close my eyes.. and lo and behold! It’s so powerful, I am unsure if I am merely dreaming this magic So many stars and even angels, all dancing together as if in an orchestrated play I dance with them, twirling around graciously in sequences that were prior unbeknownst to me I laugh in such a beautiful and unearthly manner, my voice light and airy like the angels A large crowd of stars group together to form the constellation of a Pegasus, twinkling and sparkling ever so bright with a certain sense of mystery I waste no time to hop on and am carried across this seemingly never ending canvass Until I am slowly brought down to a cloud Softer than a feather, softer than the fur of a kitten Similar to the first embrace of a mother, invoking a deep sensation of deja vu I sigh with comfort and from there I soon fall, as the stars abruptly yet softly alert me with kind smiles that it is time to go The sun is rising, a single tear slips from my eye as I awaken Already grieving and wishing to return But maybe tonight, I’ll find another slice of the wondrous moon And live it all again, as a true child of the sky and the heavens
0
Mar 27, 2023
Mar 27, 2023 at 12:36 AM UTC
A Slice Of The Moon
I took a slice of the moon and brought it to my lips ever so carefully Head heavy with thought, soul dripping with poetry The heart’s different phases of color painted upon every wall in my home Ever changing, raw art of emotion For a moment as I glance out the window, the breeze combing through my hair and the fresh smell of the night meeting my nose I begin to imagine stars dancing up in the vast sky, twirling around and breaking apart, some fading out to let the others shine Shooting across the sky to emphasize their passion of the night Crickets watching and singing their songs to one another, a language only they share Humans wishing upon the stars from their homes, secrets floating around within their minds, never to be uttered I smile and place the slice of the moon in my mouth as if it’s a sacred fruit I close my eyes.. and lo and behold! It’s so powerful, I am unsure if I am merely dreaming this magic So many stars and even angels, all dancing together as if in an orchestrated play I dance with them, twirling around graciously in sequences that were prior unbeknownst to me I laugh in such a beautiful and unearthly manner, my voice light and airy like the angels A large crowd of stars group together to form the constellation of a Pegasus, twinkling and sparkling ever so bright with a certain sense of mystery I waste no time to hop on and am carried across this seemingly never ending canvass Until I am slowly brought down to a cloud Softer than a feather, softer than the fur of a kitten Similar to the first embrace of a mother, invoking a deep sensation of deja vu I sigh with comfort and from there I soon fall, as the stars abruptly yet softly alert me with kind smiles that it is time to go The sun is rising, a single tear slips from my eye as I awaken Already grieving and wishing to return But maybe tonight, I’ll find another slice of the wondrous moon And live it all again, as a true child of the sky and the heavens
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25
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
0
Jan 5, 2013
Jan 5, 2013 at 3:13 AM UTC
On playing the Prelude from Bach’s Second Suite for Violoncello
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
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1
Staring at the ceiling sky Past lover's faces Eyes Dotting The midnight moonless skies Stars twinkling Their light having been cast Many light years ago Each one for their time Had in their eyes - for me - The golden glow Meteor showers of montage sequences faces scenes times fly by Trailing ribbons in the ceiling skies The dots when taken together Tho eons passed and separated Pieces and bits form constellations Eros Aphrodite The Mother Sancho Panza in drag disguise A female Damocles and her sword The Companion Star, still glowing here in the Western sky Looking backwards in time Their presence was once present Now, all have vanished Moved on to other places in space and time Aware of all I have been given All I've learned Remembering I loved each one And when the moon is right and the ceiling is dark and there is no sleep for me tonight Their light still shines On my ceiling night sky.
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Jan 1, 2016
Jan 1, 2016 at 11:25 AM UTC
Planetarium
Sunshine arises a delightful smile on my face For the time of twilight compassionate and sweet The darkness of the night escorts an exotic trance Where music titillates and tingles the tolerant minds We trip the light fantastic ceasing in the catnap room Reach for dreams as hypnotic states are entered To the other side of the tunnel Sequences continue like trees do through seasons At dawn I will laugh from the salty raindrops That declared war to my skin Clouds shooting never ending water molecules Ocean flavoured waterfalls drip down my lips When the sun is sublime The world makes me laugh For people are odd and reality is unsurprising The clock ticks life away as it puts life in time When birds abandon sweet lullabies Sunflowers wind their heads away from the sun And tranquil colours paint the abstract sky My heart is in peace and butterflies tickle my tummy
0
Oct 9, 2012
Oct 9, 2012 at 4:26 PM UTC
What makes me laugh?
Manitoban Skies Clouds are the mountains of the prairies Towering cumulonimbus masses Incredible backdrops across an otherwise plain blue sky Warning call that rainstorms may approach Vertical reminders of atmospheric instability Jetted upwards into vast formations stretching miles and miles Promises of unrelenting lighting and thunder Cinematic sequences is country folk are lucky to view Humidity in the summer, ah What would we do without you? Rolling clouds are a fair trade for the lack of rolling hills Clouds are the mountains of the prairies.
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Jul 27, 2015
Jul 27, 2015 at 4:56 PM UTC
Manitoban Skies
We find bottomless holes In our mentalized theories Local logical postulations Cause-and-effect sequences Perceived chain reactions And medical research findings. All those are quintessentially Protein specs floating freely Our words float like protein Fondly called lewy bodies Colorless and unsubstantial Dreams in shreds floating As in amniotic fluid like then. A certain woman of less virtue Was not fit for our society She embraced men in dark In dreams and art and thought. Fuzzy scenes of yesteryears Floated into the present Including ego and power games. Let me know who is this professor- The man who brought it all up. Our language loses meaning. We do not agree you are you. Actually you cease to be a son A brother ,a person ,a human You are a hand or a stone Just a broken splinter for a whole . My part becomes a whole A thing is a word, an idea,an event A daughter-in-law is a hand A son a stone in the wilderness. There is sorrow swirling in the belly The anguish of a human existence The pain in the bloated stomach These forced feet take you nowhere Men came with tails in their necks Forcing down tiny white universes When they go into the nether world There is only a swirl in the belly.
0
May 20, 2010
May 20, 2010 at 6:14 PM UTC
The world of the Alzheimer's disease
I always found freedom in movement In the midst of steps Whether from music Or from the occurrence of those around In moments of reflection, I liked to think I was dancing I moved in between these sequences Fixed in the rules of performance Unable to think past this choreography Never able to make my own But I felt it only appropriate To move as others did One step forward A slight sway to the left Another turn to my right And back And back It was under this prison of routine I found myself in As in every other time But something changed in these steps As in now when I moved towards the next You stood in my wake I knew how different you were, placed to my standing You worried nothing of such structure Taking these movements as yours Away from those who claimed their fluidity Why you would ever take an interest in my polarized side Quite the oxymoron; I still can’t fathom Yet there you were Everywhere I moved Forcing me to look past these fixtures Stepping past their simplicities To find aspects I had thought foreign to me You showed me how wrong I was in this definition of ‘freedom’ One step forward, now two A sway left, although now with your hand in mine A counter to the other side Now with the opposing hand The most complete connection At least that’s what it felt to me Now that I think of that time There were changes greater than I could focus on Besides those most immediate I realize I never did step back Perhaps the most significant change As I haven’t since
0
Oct 4, 2018
Oct 4, 2018 at 10:33 PM UTC
One Step Forward
I always found freedom in movement In the midst of steps Whether from music Or from the occurrence of those around In moments of reflection, I liked to think I was dancing I moved in between these sequences Fixed in the rules of performance Unable to think past this choreography Never able to make my own But I felt it only appropriate To move as others did One step forward A slight sway to the left Another turn to my right And back And back It was under this prison of routine I found myself in As in every other time But something changed in these steps As in now when I moved towards the next You stood in my wake I knew how different you were, placed to my standing You worried nothing of such structure Taking these movements as yours Away from those who claimed their fluidity Why you would ever take an interest in my polarized side Quite the oxymoron; I still can’t fathom Yet there you were Everywhere I moved Forcing me to look past these fixtures Stepping past their simplicities To find aspects I had thought foreign to me You showed me how wrong I was in this definition of ‘freedom’ One step forward, now two A sway left, although now with your hand in mine A counter to the other side Now with the opposing hand The most complete connection At least that’s what it felt to me Now that I think of that time There were changes greater than I could focus on Besides those most immediate I realize I never did step back Perhaps the most significant change As I haven’t since
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47
A con artist scurries In white shadows Fickle grooves she casts In sequences Imprinted by vainglory Swift she fleets Veiled with scars that Were sequin rich She spoke of ideologies Subdued by violet myths Exuding colorful flavors Of classic deception Her tattoos spelled the wistful vowels of sin Vexed by the onslaught Of egregious inceptions © 2011 (All rights reserved)
0
Jan 23, 2012
Jan 23, 2012 at 7:59 PM UTC
Kaleidoscope
I can still feel your touch Your kisses You...... You play my body to A perfect consonance Harmoniously plucking chord sequences out along my shape Sweet music singing through my conscious as you take me on this mystical journey Exploring my form with practiced artistry Softly strumming my senses into an allegro of exaltation A hedonistic fusion of bass notes felt deep inside, pulsing, stroking, pushing me towards a sublime cadence Quietly holding me in adagio while A delicate symphony plays within my skin (C) Pixievic
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Apr 15, 2016
Apr 15, 2016 at 11:39 AM UTC
In Harmony
Patterns float obscured by uncertain mists recreating a scene perceived and painted in washes of water colour overlapping, merging transfixed fresh and timeless. The shape of routine activities unpredictably change or shatter behind the inexorable advance of time as sequences inevitably retreat into a fading future until the circle is complete.
0
Dec 3, 2014
Dec 3, 2014 at 12:26 AM UTC
Elliptical Lives
The snail strolls gently Realigning hoped moments A slow pace of consequences ****** and placed on tables Harped to melodic tunes Summed in upbeat sequences The crescendo boils to ****** The climb of beats and undertones All exposed and overlooked The onlookers astonished My ribs pinned out in pain I squeeze to the cracks of normality Attempting to slowly leap To see the darkness of winter To breath the stilled air Yet, a hope lived, a life seen We all shall make it to the end Crawling to cut the finish line
0
Jan 5, 2016
Jan 5, 2016 at 12:29 PM UTC
Streamed Normality
If I could find a way to capture the exact essence of you, believe me I would. And if I could find a way to modify the base pair sequences which code my DNA so that I would be the person you wanted, believe me I would. But I cannot portray you, because I do not know exactly what you are or who you are, or why you are. And I cannot be the person you wish that I would be, because you will not let me inside the bullet proof shell of your head. So I will let it be enough, watching you strut around streets pretending that these things are really all you want, when you are, in reality, almost dreaming of beaches and cliffs and people who I have never met and who I will never be, and I suppose I will just have to pretend to be okay with that.
0
Jul 19, 2013
Jul 19, 2013 at 6:31 AM UTC
You have no idea I write these poems about you.
I asked my math professor if he knew what the equation was when two entities meet at a specific moment in life. Is there a letter to substitute in for her name? Or a number for the amount of time I spend with her. Did the great elucid create any form of geometrical sequences that would allow me to intersect the way life intertwined, the way our hands intertwined. I was clueless when it came to her, being unable to justify what traveled faster her voice against my skin or light across the open space. If I could write out a formula for the way our bodies melt, the periodic table would find a new element within. What would our acronym be, what would our lives become if we solidify or become a gaseous state Our atoms bouncing against each other’s hearts like the core of a star, matter weighing millions of tons that we orbit around each other like two galaxies connecting. Yet illuminating the dead space like a Fourth of July only this is a firework burning for billions of years. Two bodies, hearts beating, melting into one. What will they write down in books about us. What will they think when they start to study about our nebula's. Were their hearts to empty, or were they full of life? Were they human?
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Apr 2, 2014
Apr 2, 2014 at 1:08 AM UTC
Physics is a complicated subject
This problem has gone on so long we always reach the same old sum divided by lies multiplied by my failure to learn In division, we carried over the sequences of your dishonesty compounded by lack of ownership numbers don't lie you brought a lot of uncertainty into the equation it played a huge factor the lowest common denominator I never was good at arithmetic, but something doesn't add up subtract me
0
May 31, 2016
May 31, 2016 at 10:18 AM UTC
doing the math
The universe and the cosmic system is always renewed daily with the divine helpful ability to heal and refresh our bodies and all that concerns us. Absolutely nothing is ever stagnant in nature. The cloud changes itself to beautiful sequences, even the winds twirling and turning in complex moves gives freshness to change the weather to sooth and calm our nerves. A new door just opened up, though old in nature. Signifying a new way, a new beginning unexplored, untouched, untapped by man. The beginning of a new dawn, another phase of the day, with a new law in place. Subtly efficiently and effectively, unshakable in its chores and in synergy exacts its influence powerfully in order to help our life function without interruption. You don't need any key but just a push. A new door is here,but it's ever so old, the door to your heart with a new law on love engraved deeply within it, though so ancient but ever so modern. Find it urgently please. Would you? ©2018,Emeka Mokeme. All Rights Reserved.
0
Aug 9, 2018
Aug 9, 2018 at 9:36 AM UTC
A NEW DOOR
Eli tossed the ****** novel aside; a radical tale of painters in the far future when paint itself would be illegal; arms dealers, drug traffickers, *** workers gathering in dark interstellar holes bored into passing comets & orbiting meteors docking illegally at satellite ports & unloading chemicals frozen into place by the artists who can never let their identities be known; all colors on earth are registered & trade marked by the Beast's Corporation & so Space Art is highly sought & lucrative but lethal as it can made to explode w/ enough energy & radiation to leave a small planet barren for millions of years; the Beast is reasonably worried as Space Art, or Action Painting [after the ancient school] is wildly popular & traded openly for billions of dollars; the Beast may be able to keep everyone stupid & greedy but Art liberates them into heights of ecstasy & kindled wisdom; freedom of thought the last frontier no one suspected & so abrogated their intelligence & imagination to fembots      who pump their heads full of colorful action sequences; the illegal paintings too stiff,   just stand or lean & look back                       at one w/out blinking & the female-computer-network unable to bear the silence, initiates automatic shut-down of itself;   femportals      abandoned on stations where the painted images    projected on microcells to the clandestine buyers,                  spread as an unseen mist through the various                                              artificial environments;                   the distant star                     paint miners                   smoking up a storm & using steam-powered                                                                fembots                                       to mine for their oil & charcoal;                                        Eli putting on the kettle for tea, thinks about the fembots in the novel & calling a ********** demands she not speak; the girl arriving naked in stockings
0
Aug 29, 2018
Aug 29, 2018 at 8:38 PM UTC
Eli, having read the book
Eli tossed the ****** novel aside; a radical tale of painters in the far future when paint itself would be illegal; arms dealers, drug traffickers, *** workers gathering in dark interstellar holes bored into passing comets & orbiting meteors docking illegally at satellite ports & unloading chemicals frozen into place by the artists who can never let their identities be known; all colors on earth are registered & trade marked by the Beast's Corporation & so Space Art is highly sought & lucrative but lethal as it can made to explode w/ enough energy & radiation to leave a small planet barren for millions of years; the Beast is reasonably worried as Space Art, or Action Painting [after the ancient school] is wildly popular & traded openly for billions of dollars; the Beast may be able to keep everyone stupid & greedy but Art liberates them into heights of ecstasy & kindled wisdom; freedom of thought the last frontier no one suspected & so abrogated their intelligence & imagination to fembots      who pump their heads full of colorful action sequences; the illegal paintings too stiff,   just stand or lean & look back                       at one w/out blinking & the female-computer-network unable to bear the silence, initiates automatic shut-down of itself;   femportals      abandoned on stations where the painted images    projected on microcells to the clandestine buyers,                  spread as an unseen mist through the various                                              artificial environments;                   the distant star                     paint miners                   smoking up a storm & using steam-powered                                                                fembots                                       to mine for their oil & charcoal;                                        Eli putting on the kettle for tea, thinks about the fembots in the novel & calling a ********** demands she not speak; the girl arriving naked in stockings
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37
Dream sequences Made up of random patterns So many faces The rhythm of many heartbeats So many minds So many thoughts- conscious or sub-conscious What is their origin? Only source from within us? Maybe thoughts are planted While we are asleep Played to us like a dream film Some we remember Others we forget Yet, they may be residing somewhere Where do lost dreams go? Or, maybe it’s not meant for us Expunged from our subconscious Our every move has a meaning We may not know the origins For all we know Or actions are mirrored
0
Jun 10, 2015
Jun 10, 2015 at 4:44 PM UTC
Dream sequences
Disembodied sequences of Messages, coming in Intervals between minutes of hours. Fragments of information flung Through tangled webs and into my palm, Waving with letters through a Glass screen. Always in my hand or pocket But never besides me.
0
Nov 11, 2014
Nov 11, 2014 at 5:00 PM UTC
Millennial Romance
I have to turn away from thoughts of what I am not to be the living dream of what I am. See how this dream unfolds, without your plans and figuring. The sequences and cycles and all the stops – all Mother’s Play. Fibonacci only saw it. He, most certainly, did not make it. How could he even know what it is? Sacred Is. We notice when our eyes are cleared of clouds and smoke. If you believe the thought about controlling God, then you believe in your own death. This Mother is out from under that controlling thumb. She is slowly standing up. And, as she extends to reach her fully glorified heights, we fall into her grace. And see what we had, was not at all what we thought. She has already prepared our home. And thank The Lord! The thoughts we had to plan could never amount to much of the mountainous Truth Divine Mother shines out for us to be.
0
Jan 26, 2022
Jan 26, 2022 at 4:25 PM UTC
mountainous Truth
15 March 2018 09:33 PM ​ In everything there appears to be a pure crystalline form Chiseled, clear cut, categorised Perfectly defined We're one touch away from knowing everything and nothing all at once Machines of habit We're predictable, we're sequences and probabilities on a screen Craving what we don't have and ignoring that we do Seeing what's directly in sight and dismissing the depth Imaging intangible possibilities yet living them through a screen We know and don't care We have arduously laboured over assembling a fortress in protection from fluctuation that we have unwittingly forged a cage Lit by screens Ruled by 'don't's Deviation from living to halt death Abruptly it did come, now slow does it wait A blessing perhaps but for the dying, a curse We uncover love so easily, so readily and yet we lose touch of it so fast, despite our ever growing connections We have knowledge We have our memories to scroll through We have lives to read about We have inspiration upon every touch We have it all a second away Yet we spend our lives whiling away In situ Constantly buffering k.g.
0
Jul 9, 2018
Jul 9, 2018 at 1:55 PM UTC
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Catatonic inscriptions etches through my textile discernment Insidious cycles of turmoil encased within a festering distress Uncertainty obscures my comfort into a chaotic complacency Transforming the subtle movement of thought and bewilderment Through the re-occurring sequences of paranoia and my uneasy psychosis Haunting the whole of this psyche and the mental state I've come to fancy A tell-tale apprehension of merriment and contentment may be a dismal reality All the while being obsessed with the unfavorable outcomes I conjure within But, I can't get enough of the disarray that breeds within my frail skull So distant from what I feel in the ecstasy of my self-selected normality The meek proposal of sanity has little to hold against these crooked grins As this chaotic thought process leaves rationality as a vague ideal to null Expansive introspection has no limit to what is perceived as validity And, to be enveloped in the ambiguity and delusion of fact is so enticing We all know that we've all come to recognize the fabrication of our own truth The futile attempts to obtain an immaculate conviction in pure solidity Is so wondrously perfunctory and constant as the life that i'm living That I dread the day of departure from this hysteric observance of aging youth
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May 22, 2013
May 22, 2013 at 10:58 PM UTC
Schizophrenic Philosophers