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"plumped" poems
They are always with us, the thin people Meager of dimension as the gray people On a movie-screen. They Are unreal, we say: It was only in a movie, it was only In a war making evil headlines when we Were small that they famished and Grew so lean and would not round Out their stalky limbs again though peace Plumped the bellies of the mice Under the meanest table. It was during the long hunger-battle They found their talent to persevere In thinness, to come, later, Into our bad dreams, their menace Not guns, not abuses, But a thin silence. Wrapped in flea-ridded donkey skins, Empty of complaint, forever Drinking vinegar from tin cups: they wore The insufferable nimbus of the lot-drawn Scapegoat. But so thin, So weedy a race could not remain in dreams, Could not remain outlandish victims In the contracted country of the head Any more than the old woman in her mud hut could Keep from cutting fat meat Out of the side of the generous moon when it Set foot nightly in her yard Until her knife had pared The moon to a rind of little light. Now the thin people do not obliterate Themselves as the dawn Grayness blues, reddens, and the outline Of the world comes clear and fills with color. They persist in the sunlit room: the wallpaper Frieze of cabbage-roses and cornflowers pales Under their thin-lipped smiles, Their withering kingship. How they prop each other up! We own no wilderness rich and deep enough For stronghold against their stiff Battalions. See, how the tree boles flatten And lose their good browns If the thin people simply stand in the forest, Making the world go thin as a wasp's nest And grayer; not even moving their bones.
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The Thin People
They are always with us, the thin people Meager of dimension as the gray people On a movie-screen. They Are unreal, we say: It was only in a movie, it was only In a war making evil headlines when we Were small that they famished and Grew so lean and would not round Out their stalky limbs again though peace Plumped the bellies of the mice Under the meanest table. It was during the long hunger-battle They found their talent to persevere In thinness, to come, later, Into our bad dreams, their menace Not guns, not abuses, But a thin silence. Wrapped in flea-ridded donkey skins, Empty of complaint, forever Drinking vinegar from tin cups: they wore The insufferable nimbus of the lot-drawn Scapegoat. But so thin, So weedy a race could not remain in dreams, Could not remain outlandish victims In the contracted country of the head Any more than the old woman in her mud hut could Keep from cutting fat meat Out of the side of the generous moon when it Set foot nightly in her yard Until her knife had pared The moon to a rind of little light. Now the thin people do not obliterate Themselves as the dawn Grayness blues, reddens, and the outline Of the world comes clear and fills with color. They persist in the sunlit room: the wallpaper Frieze of cabbage-roses and cornflowers pales Under their thin-lipped smiles, Their withering kingship. How they prop each other up! We own no wilderness rich and deep enough For stronghold against their stiff Battalions. See, how the tree boles flatten And lose their good browns If the thin people simply stand in the forest, Making the world go thin as a wasp's nest And grayer; not even moving their bones.
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47
Plumped rouge with pigment her lip fills to graze the ******** intent to disquiet the likes of de Sade autografted with ocular detachment should a Marquis wish to harness the song of the morning within a bandolier of Seine to ensnare any bustled Persephone gilted by discharge of ions into a ménage of torment through the Porte des Lions. Hers is the tincture of doxy caramelized and debrided of naivety, empowered by the eve of invention, swollen to curves and grounded in Paris. Illumination defies pervasion down to every gear and pulley she has hushed through mechanization and lulled by steam, swaging a cacophony of flickers encased in glass by the Lady’s watch, where every rivet of her plate glisters silken reverberation in cascade, elegant, caged, and towering, outspoken in silence, ever challenging the Champ de Mars. "Paris by Gaslight," written by Dionne Charlet, is the title poem to be featured in the upcoming steampunk anthology Paris by Gaslight, the third anthology in the By Gaslight Series from New Orleans small press Black Tome Books. Look for the first two collections of poems and short stories set in Victorian Times, New Orleans by Gaslight (ISBN 9780615801186) and Cairo by Gaslight (ISBN 9781516961528). Both collections feature poetry by Charlet, under the pseudonym Dionne Cherie.
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Nov 3, 2016
Nov 3, 2016 at 2:44 PM UTC
Paris by Gaslight
satin slats plumped slick sepal pearls Elysium entreats welcoming warm
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Mar 14, 2017
Mar 14, 2017 at 11:55 PM UTC
do come inside
Fly so fast the years they do and my mind is not as once it was, forgetting things such as dates and names and going round as though I´m lost, in every room I stop and wonder why did I come in here, what is it, that I´m looking for, not a clue I fear. Have you seen my reading glasses Yes! she says, you´ve got them on your head, and what about my car keys I´ve looked everywhere, including in the shed, and when I bend, why is it that I always grunt and groan, and my back today, is not the best of backs I am so racked with aches and pains. My eyesight´s not as sharp these days and my hearing, Sorry, what d´you say, no longer do I walk upright and my thinning hair is turning grey, but although the body´s ageing and the memory´s fading fast, my brain still thinks I´m eighteen and I can do things, as I did in the past. So I´m off to run a marathon and the channel I shall swim and when I get home from clubbing I´ll be heading for the gym, I´ve parked my zimmer in the corner and my pillows I have plumped, the douvet I have pulled up tight as I start to snore and dream, and trump.
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Jun 12, 2018
Jun 12, 2018 at 3:51 PM UTC
Ageing, But Not So Gracefully
I stepped out, finally, a terrestrial in Istanbul. My leveled shoulders carried an empty satchel of undone buckles To let every fresh sip of raw experience tumble inside, my adventures impatiently plucked from the closest branch   of a banyan tree bearing a crisscross of endless tales. I rescued my lungs with air, thick with resentment while swallowing astringent flavored symphonies and ballads of orchestrated ruckus as women deflated their lungs blowing out antipathy, through high pitched whistles - A forgotten kettle blowing off steam. Adorned in scorn, sardonic welcoming mats lined the airport. Women pushed at their car horns as if the dragging sound, like a severing saw can cut through the tenacity of the ones with innate ear plugs. They have become obsolete traffic signals - First, their green light diminishes - like their wages Then, their red light is dimmed - it stops too many people in their footsteps. And thus the world just races past them, And they are left only with yellow - Telling them to slow down. They said it was an act of love. That their plumped crimson lips, Glossily complimented with nails that matched the tails, of the so-called mile high club was just too much to handle. Priming for work meant neglecting their love for the perfect shade of watermelon lipstick, No more sweet ketchup fingertips Showing you the emergency exits. No more, lipstick stained glasses of a self made woman. These cumulating lip kissed glasses   stack up like trophies, that sway in the heavy panting of the ones who can’t keep up with this generation. So the women gracefully conducted the orchestra and through lipstick stained whistles, They tried to drown out the dogmatic policies And with unrelenting strife, they passed on some advide stop shattering our liberties And underminining our abilities for Endless possibilities. Because we are the ones Who fly high and soar And we will always look fabulous while doing it.
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Aug 5, 2013
Aug 5, 2013 at 7:45 AM UTC
To the ones who fly and soar, May you always look fabulous while doing it.
I stepped out, finally, a terrestrial in Istanbul. My leveled shoulders carried an empty satchel of undone buckles To let every fresh sip of raw experience tumble inside, my adventures impatiently plucked from the closest branch   of a banyan tree bearing a crisscross of endless tales. I rescued my lungs with air, thick with resentment while swallowing astringent flavored symphonies and ballads of orchestrated ruckus as women deflated their lungs blowing out antipathy, through high pitched whistles - A forgotten kettle blowing off steam. Adorned in scorn, sardonic welcoming mats lined the airport. Women pushed at their car horns as if the dragging sound, like a severing saw can cut through the tenacity of the ones with innate ear plugs. They have become obsolete traffic signals - First, their green light diminishes - like their wages Then, their red light is dimmed - it stops too many people in their footsteps. And thus the world just races past them, And they are left only with yellow - Telling them to slow down. They said it was an act of love. That their plumped crimson lips, Glossily complimented with nails that matched the tails, of the so-called mile high club was just too much to handle. Priming for work meant neglecting their love for the perfect shade of watermelon lipstick, No more sweet ketchup fingertips Showing you the emergency exits. No more, lipstick stained glasses of a self made woman. These cumulating lip kissed glasses   stack up like trophies, that sway in the heavy panting of the ones who can’t keep up with this generation. So the women gracefully conducted the orchestra and through lipstick stained whistles, They tried to drown out the dogmatic policies And with unrelenting strife, they passed on some advide stop shattering our liberties And underminining our abilities for Endless possibilities. Because we are the ones Who fly high and soar And we will always look fabulous while doing it.
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"Genuine poetry can communicate before it is understood" T.S. Eliot (1888 - 1965) ~~~ perhaps. can I communicate what I cannot fully comprehend? my voice poetic keener, age-softened, grows less popular for it no longer reaches for christmas ornament words and creamy cake-in-the-rain imagery leave that to the better ones. cherish simplest: coming home to fresh sheets, plumped pillows, music, tousled hair on pillowed histories, river walks, the lightest hand touch that rouses the fireplace of contentment to glow briefly, from logs that are more embered ash moments than substance capable of more flaming the rumpled strivings of the young poets, creativity of the masters of voice and dancings bodies, shopping lists of life~items that reshape, restore my old~ness, the revelations of the historians, inducements to believe in yet, more. these exteriors are comprehendable. don't forget the orange juice, the first chilled swig from the plastic, confirms I am breath-yet-capable, one more poem-mission ready, the mission objectives still not published. Sun east welcomes me, woman puttering kitchen coffee noises it is neither spring yet or winter gone, in-between like me, in-between naissance and history remnant question thy fiat, Mr. Eliot, cannot frame myself, my who-I-am six decades of myself. can it then ere be said, his poetry communicated or ere contained ever a single genuine word? can I communicate what I cannot fully comprehend?
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Mar 15, 2014
Mar 15, 2014 at 8:38 AM UTC
Genuine poetry can communicate before it is understood
After a lot to negotiate toing and froing you exchanged your teeny heart for my bag of 18-something stones I carried it home in a hurry much lighter than I expected for what looked like a big cherry it was shaking when I checked it I worried at its odd little quivering a bit timid and nervy like a leaf blown from its tree but happy to have a new owner in me I nestled it carefully in my mother's best white sheets but was scared to see it start to bleed quite a bit not that it might die but about what my mother would say about the red in the laundry and what she might tell her mother if she got it back needing a doctor I decided to pat it with a towel to keep it dry no even better shower it each day keep it a bit moist sprinkle it with Eau de Toilette every morning blow it a kiss like having a sweet pet to greet after I shave I wanted to rub my hands with glee but it needed treating with kid gloves and exercised in carefree handling but first I had to squeeze it not hard in case it burst just in the middle bit around its plumped up waist it felt soft and squidgy and beat quite quickly not like my stones I wrapped it up in a cooler using styrofoam aluminium foil and a brown paper bag... Styrofoam is a good insulator and will keep the love from oozing out the aluminium foil is a heat reflector and the paper bag I am not sure about but grocery stores offer them to put your ice cream in so it doesn't melt as fast I had a meal of cheese on toast then returned to check my box your heart was not there to be seen isolated in polystyrene O dear I wished I'd cut a window giving it room to see it grow but then I spied you in the garden painting stones to a wondrous glow so lovely I traded back my carton and your heart lit up inside for me
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Jul 12, 2014
Jul 12, 2014 at 9:08 PM UTC
Trading Lost Cherries & Losing Marbles
After a lot to negotiate toing and froing you exchanged your teeny heart for my bag of 18-something stones I carried it home in a hurry much lighter than I expected for what looked like a big cherry it was shaking when I checked it I worried at its odd little quivering a bit timid and nervy like a leaf blown from its tree but happy to have a new owner in me I nestled it carefully in my mother's best white sheets but was scared to see it start to bleed quite a bit not that it might die but about what my mother would say about the red in the laundry and what she might tell her mother if she got it back needing a doctor I decided to pat it with a towel to keep it dry no even better shower it each day keep it a bit moist sprinkle it with Eau de Toilette every morning blow it a kiss like having a sweet pet to greet after I shave I wanted to rub my hands with glee but it needed treating with kid gloves and exercised in carefree handling but first I had to squeeze it not hard in case it burst just in the middle bit around its plumped up waist it felt soft and squidgy and beat quite quickly not like my stones I wrapped it up in a cooler using styrofoam aluminium foil and a brown paper bag... Styrofoam is a good insulator and will keep the love from oozing out the aluminium foil is a heat reflector and the paper bag I am not sure about but grocery stores offer them to put your ice cream in so it doesn't melt as fast I had a meal of cheese on toast then returned to check my box your heart was not there to be seen isolated in polystyrene O dear I wished I'd cut a window giving it room to see it grow but then I spied you in the garden painting stones to a wondrous glow so lovely I traded back my carton and your heart lit up inside for me
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61
In these ways unlike any other You have made me a bigot How can I trust someone With your nose; broad as any stereotype Your eyes; The color of over-circulated dollar bills Your lips; billowing, plush, plumped like a fresh Challah Over-flowing like your Manischewitz Wine. Lying mouth A liars mouth You look like a lender You look like a heathen You are an Aryan Mother Mary Your hair is blonde. No, it’s yellow. No, it is ***** blonde ***** blonde Stop controlling my multimedia experience Mismanage the tasteless fruits of my love no longer But who am I to hold your cultural tropes against you? The way you hold my state of mind Up to my eyes, only to make me see what it is you view You are the jew. And I’m the one burning alive.
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Jan 2, 2010
Jan 2, 2010 at 7:48 PM UTC
Untitled
you of pharmaceutical lens, Concrete handed sharp edges rounded, colours slandered, you womb-safe, blanketed, bleeting sounds non-threatening, Shadow individual Deodorant mojo, the man-made park, well governed hair lips are moist and plumped up, a conveyor belt human, bowel movements and idle chatter are corporate losses, Neglect that which is outside this Kingdom, the office must remain hermetically sealed to ensure maximum shareholder profits breathing in sand and time, this here void of monotony, numbly dispirited poor food and no discipline (that's you), face is sallow sagging, you are nothing, not really, your bonus will be paid at the end of this month.
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Oct 19, 2018
Oct 19, 2018 at 7:00 AM UTC
Anxious worker 5
You sleep sound as I in silence trance your countenance with gentle fingertips... from the gentle slope of upturned chin or' soft plumped lips that earlier bore the taint of rouge and mine own kiss... turning my hand to tenderly back-stroke they cheek moisturised and cleaned of my heated touch... up towards now shuttered eyes in semi permanent state of rest as before fluttered and batted so as to place butterfly kisses upon my aching skin... finally the ears so unadorned by trinkets yet still bearing a trace of me my scent left my nuzzling mouth nibbling gently upon it's perfect lobe... as you sleep sound I in silence trace your countenance with sleepy eyes mirroring my smile as once more I brush back your hair and kiss your neck... sweet dreams my love and may my love bring you sweet dreams.
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Feb 18, 2013
Feb 18, 2013 at 10:16 PM UTC
Sweet Countenance
In between the teeth of weeping angles lurks death and permanent night. Such tragedy is this life. Wolves vent their howls, as I awaken. Ti's a night of dark desire, my weeping soul rises from the depths of the earth. As the moon bow's in its throne of star's, eternal darkness surrounds me I arouse and the light bends for my shadow. Cold breath of winter shrouds my form, a lurking beast with a lust for blood. My black ***** hair cascades over tragic shoulders, as my lips part slightly revealing my true nature. To taste the flesh beneath me as blood streams from my plumped lips, is ghastly and ghoulish. But no peace do I ponder, forever I wander. Now a night of misery and plight, I grow weary of the night. So I go down to the river where it is warm and green, and I enjoy the night until morning brings ash and light. Goodbye! The end! Au revoir! La fin! ©️ 2022 By Amanda Shelton
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Aug 14, 2022
Aug 14, 2022 at 11:47 PM UTC
Eternal Desires Of A Vampire’s Last Night
Expensive leather shoes oevr painted toenails. Long legs, muscular, toned. Rounded apple shaped *** below an (almost) flat belly, a gleaming jewel in the center. None could call large, but appropriate ******* under the face - which takes the cake! Thick eyeliner, plumped lips, painted face, hidden imperfections. Is this the image of society? or is this me?
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Sep 1, 2014
Sep 1, 2014 at 12:00 AM UTC
Untitled
I'm told foie gras will change my life. That it's savory, exemplary to die for. Ironic. Someone already did that. A gavage in his throat... plumped, fed, suffocated by his own fat like an inflating noose on an unwitting neck. Ironic also that his flesh inflates my girth and feeds my gluttony. "Stupid things... don't even know they're dying." Dying indeed. A slow and painful death. And how deserving of it, yes. Stupid things. Too stupid to recognize their plight. After all, don't the stupid deserve their fate? Ironic how - to this day - we still think we're so much more evolved than our forebears. Evolution aside, The Divine Rights of the Food Chain still stand. *I do not understand it, therefore it is less intelligent than I, therefore I have the right to torture it. I made it, therefore it cannot live without me, therefore I have the right to ruin it. I own it, therefore it is mine, therefore I have the right to **** it.* Our strength grants us Divine Right, indeed. May the kingdom prosper under our boots and be grateful, for history has proven us such gracious and kind masters, after all. Are we not?
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Apr 8, 2014
Apr 8, 2014 at 7:02 PM UTC
Foie Gras
You said this, that I gave more than you wanted that I surrounded you, smothered you with plumped up pillows and forced you into swaddling clothes, too tight for a grown man. You were wrong. And now I wear bedsocks to stave off a chill that has nothing to do with barometric pressure, mocked by a too big duvet in an aftershave scented bed. I take my usual route and stare at the downturned faces of busy people who don’t wish to look my way, no matter, they haven’t realised how special I am. I’m here to win you back. I’ll come at you with perfumed cards. Accost you with sugary tokens. Stab at you with flowered stems. Your letterbox is your eyes and ears and I’m jamming myself into it, waiting for you to come home.
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Dec 19, 2010
Dec 19, 2010 at 12:08 PM UTC
Point of Obsession
I am torn between cookies and cream or raisin and ***    you have plumped    for a vivid blue creation it’s bubblegum    you say as it begins to drip    down your fingers and I’m dawdling so it’s raisin and *** then two magnolia spheres    glittering in the sun and we walk down the street with cold tongues
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Sep 3, 2015
Sep 3, 2015 at 2:15 PM UTC
Raisin and ***
First Poem of the Day: Pillows vs. Poetry Ample Array Four Five Even six, Pillows, Rest My Head. One Or All Nightly Available. No matter combo or organized, a good nights sleep Elusive So poetry is my default rest position, My screen savior. Tho my pillows fail me, they are still the best friends I've ever had. They are my plumped-up critics, those with style, lend me a word now and then. But best of all, they take my tears always, the tears that always come no matter what, most of all when I'm sad satisfied that I wrote something just good enough to share (true), till my woman wakes, reads them and then by way of thanks, Makes the bed, and lovingly rearranges my pillow friends, so I can do this, this poetry thing again, And that is true love. So to my woman, who has given me something that I guess I can say is the best years of my life, I give this gift, this first poem of the day, Hey Pillows, gad ****** get over here, I'm weeping again. June 9, 2013 5:12am
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Jun 9, 2013
Jun 9, 2013 at 5:14 AM UTC
First Poem of the Day: Pillows vs. Poetry
I can still see you and your Crowne Royal sitting on your throne after drowning in the tequila sunrise you left behind yesterday morning You are my home, you are my salvation You are my hell, you are my damnation And I realize I can’t heal you. It’s March now and you’ve been drowning in your sorrow for ten months, praying she can keep you from reaching the bottom of your bottle She is your home, she is your salvation She is your hell, she is your damnation And she realizes she can’t heal you. She isn’t like the woman you’re used to She doesn’t have that plump, patient, strawberry smile and wide eyes with a wolf howl in her throat She doesn’t have that serenity and solitude, walking out of the kitchen with Tennessee whiskey and dried up roux on her apron towards her white Pickett fence, reminiscing on the days when the walls were made of barb wire She doesn’t have her freedom when she roams, barefoot in nothing but your long ***** flannel as she calls the babies in for supper, kicking up red Georgia clay towards the Milky Way sky But she’s a somebody She’s a somebody with her long, fake eyelashes curled up towards the ceiling and her plumped up lips with a price tag on her Cupid’s bow She’s a somebody who’s hair falls flat in the morning, and even though she doesn’t know what it’s like to pull twigs out of her curls when she wakes up after dancing around with you in the barn at three o clock, laughing in whispers so her babies don’t hear her I love her And I hope that she at least believes she can heal you And I hope that I at least believe she can heal you And I hope that one day, you reach your hands up to heaven and remember what it’s like to hold the heart of God on a Sunday morning, and be forgiven And I hope that you’ll believe that he can heal you Because he is our home, he is our salvation He is our hell, he is our damnation And one day, I know he will heal you.
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Dec 17, 2020
Dec 17, 2020 at 12:58 PM UTC
Junipers
I can still see you and your Crowne Royal sitting on your throne after drowning in the tequila sunrise you left behind yesterday morning You are my home, you are my salvation You are my hell, you are my damnation And I realize I can’t heal you. It’s March now and you’ve been drowning in your sorrow for ten months, praying she can keep you from reaching the bottom of your bottle She is your home, she is your salvation She is your hell, she is your damnation And she realizes she can’t heal you. She isn’t like the woman you’re used to She doesn’t have that plump, patient, strawberry smile and wide eyes with a wolf howl in her throat She doesn’t have that serenity and solitude, walking out of the kitchen with Tennessee whiskey and dried up roux on her apron towards her white Pickett fence, reminiscing on the days when the walls were made of barb wire She doesn’t have her freedom when she roams, barefoot in nothing but your long ***** flannel as she calls the babies in for supper, kicking up red Georgia clay towards the Milky Way sky But she’s a somebody She’s a somebody with her long, fake eyelashes curled up towards the ceiling and her plumped up lips with a price tag on her Cupid’s bow She’s a somebody who’s hair falls flat in the morning, and even though she doesn’t know what it’s like to pull twigs out of her curls when she wakes up after dancing around with you in the barn at three o clock, laughing in whispers so her babies don’t hear her I love her And I hope that she at least believes she can heal you And I hope that I at least believe she can heal you And I hope that one day, you reach your hands up to heaven and remember what it’s like to hold the heart of God on a Sunday morning, and be forgiven And I hope that you’ll believe that he can heal you Because he is our home, he is our salvation He is our hell, he is our damnation And one day, I know he will heal you.
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Livie told her parents About the cuts on her wrists From the girls at school And the calorie counting In a little green notebook shoved into pockets. Livie's parents Fed her To the dragon called Mr. Therepist Who chewed forever. And he plumped her up With lies So that they spilled from her mouth Like a fountain. And she threw up So many times That she started to believe them. And Mr. Therepist Spit her out In a big Sticky *** Shaped my monster spit And Stomach acid From when she threw up lies. And though she was finally in school, Livie stayed gone. Livie had dissolved in the dragon's stomach, Leaving piles of bones And shadows Under eyes. She never came back.
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Feb 26, 2013
Feb 26, 2013 at 11:17 PM UTC
Livie Told Her Parents.
Thisgoddamnteacup Is     empty                 again Hare       must     of     drank     it. Hipity Hop Mouse In Thisgoddamnteapot Taste Like **** In Vinegar One March hair Two MARCH hair Three MARCH HAIR Plucked  plumped plopped Hot and taut in a steaming food *** last time that march hare empties Thisgoddamnteacup
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Mar 19, 2011
Mar 19, 2011 at 9:17 AM UTC
The Hatter
The thought of my lips against yours are like soft satin plumped cushions that slowly press against each other; slowly seeping, and elevating, yearning for more.
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Mar 5, 2015
Mar 5, 2015 at 9:22 PM UTC
Satin Lips
i bought a chair that i thought was exactly what i was looking for exactly what i needed the style            the shape                         the colour ergonomic perfection that something so simple could align with my needs my wants; i was surprised i admit it caught me off guard but in time the comfort i thought i had found was found wanting dissipated adjustments were made and support toyed with plumped up or reduced as seemed necessary only to achieve further discomfort and anger perhaps this desire (or desperation) to find an idea of perfection dulled my senses forced what did not truly fit i have now spent more time seated upon the floor considering a replacement; unable to commit to discarding this imperfect throne i have no confidence in finding anything better and will likely continue second guessing myself as i second guess myself
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Jan 2, 2022
Jan 2, 2022 at 6:45 AM UTC
the chair
Who lives a still life? he asked. It was the end of the day, he was alone. He could think of a few souls living quietly, not doing much, letting the days go by. They would say they were busy exercising their minds, reading sporadically, worrying a little about distant children, noisy neighbours, absent friends, the state of the house. But they espoused stillness, enjoyed the afternoon light as it fell across the windowed sill illuminating that Venetian vase. They were not anxious about making tea, just yet. It was good, this being still. She often wondered about the still life, the artists’ ultimate challenge, duty even to that most particular of genres; the attempt to catch the moment, the fleeting moment, it could only be a moment when light fell sharp or diffused on objects chosen or arranged, a never to be recovered moment, except by the painter’s hand. Here was a chair, a red armchair in a room almost certainly in Gordon Square, Bloomsbury, a Vanessa Bell, she said, painted in, well, 1934 or 5, and very characteristic then, its dark blue cushion plumped for a soon-to-be sitter. It stands in front of her painted screen, obscuring the lower part of the window open to the morning, yesterday’s flowers in a vase nearby, on a table with books. And above the chair, a small painting hangs, an intimate scene, left of the window where the long curtains fall to a still pool of fabric gathered on the wooden floor.
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Jun 17, 2014
Jun 17, 2014 at 10:02 AM UTC
Still Lives : Still Life
cold air hits her harshly toes shiver as hair stands up bringing a blanket closer to her self the rain continues to pelt and she continues to indulge herself in words that provide her home and warmth she was a quiet one in tongue but a loud one in hands and heart she wrote endlessly about her pain about how no one ever heard her speak how no one ever saw her tongue dart out she wrote it all to a man who would never notice her words or ever hear her cries the cold air was harsh, and she had no blanket rain pelted down mercilessly on her body bare feet touching little oceans of waters the sea bed being cemented and lined yellow traffic lights  jammed no consistent lighting in sight heart drowned in the flood rain coming from the heart overflowing through her eyes she took a gulp cloudy eyes drifting upwards to a window a man pushing a woman against the glass plumped fleshes on their faces touching one another how she wished to be the woman all her words dried up in her throat every thought became frozen in her mind no pen in sight no paper to crumple and catch her tears the flood was overflowing in her heart and yet it continued to rain she shrugged off her thin jacket and she shivered hair stood up toes trembled no source of warmth silently she lunged herself forward not noticing the eyes from above and the scream that erupted behind the window but instead noticing the car that was swerving recklessly in her direction the one that kept her stationary was the one that pushed her him.
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Aug 22, 2013
Aug 22, 2013 at 12:55 AM UTC
rainy hearts
cold air hits her harshly toes shiver as hair stands up bringing a blanket closer to her self the rain continues to pelt and she continues to indulge herself in words that provide her home and warmth she was a quiet one in tongue but a loud one in hands and heart she wrote endlessly about her pain about how no one ever heard her speak how no one ever saw her tongue dart out she wrote it all to a man who would never notice her words or ever hear her cries the cold air was harsh, and she had no blanket rain pelted down mercilessly on her body bare feet touching little oceans of waters the sea bed being cemented and lined yellow traffic lights  jammed no consistent lighting in sight heart drowned in the flood rain coming from the heart overflowing through her eyes she took a gulp cloudy eyes drifting upwards to a window a man pushing a woman against the glass plumped fleshes on their faces touching one another how she wished to be the woman all her words dried up in her throat every thought became frozen in her mind no pen in sight no paper to crumple and catch her tears the flood was overflowing in her heart and yet it continued to rain she shrugged off her thin jacket and she shivered hair stood up toes trembled no source of warmth silently she lunged herself forward not noticing the eyes from above and the scream that erupted behind the window but instead noticing the car that was swerving recklessly in her direction the one that kept her stationary was the one that pushed her him.
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Behold. The cup is full my love. My ribs are now held close. With silk so tender and nameless. And your lips newly plumped. Your skin perfect finally. Pore less. Take these paper memories, these fragile moons, break them for our bed. Our perfect rest. A final mistake.  Fear for the future. The past is not to come.  Forever leathered throats and close knit bones.  Drink tonight.  It is only a carton away.  The death of your insecurities.  You drive by and smell the rot.  By the creek, the timbers never cured.  Forget the trees lining your sunset.  Drink. Allow your beach to rise as you fall.  Refresh again.  Someone else.  Peel away the layers and remove your face from this haunting.  Step outside into the night's cold brilliance.  Scream.  Allow yourself to wake. And pretend for a pence that this is it. This is light.  With your back against the ceiling.  And again my eternity, with your back against the quilt.  Sweat and tremble, awake in you what stayed weak.  Control emotion in the room, wait for the paint to dry.  A cold abyss grown darker with these moments at work.  These hollows of warmth.  I'm directing this and you are arriving with sickness.  Just a puzzle eternal now.  A walk on the beach chasing sand.  Waiting for dust.  Scream.
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Jan 10, 2015
Jan 10, 2015 at 6:13 PM UTC
We will love and die this way.