Poems about Icarus

These are poems about Icarus, flying and flights of fancy...



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps

and *****
its white rebellious wings,
and all

the houses watch with baffled eyes.



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
, upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide

heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle...

Feathers and wax
and the watchers huddle...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than Moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!

Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam’s Song” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess or wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, etc.). In the final stanza Icarus agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one along the way, no matter how intensely they glow and radiate. The poem can be taken as a metaphor for the death and rebirth of Poetry, and perhaps as a prophecy that Poetry will rise, radiate and reattain its former glory...



Free Fall (II)
by Michael R. Burch

I have no earthly remembrance of you, as if
we were never of earth, but merely white clouds adrift,
swirling together through Himalayan serene altitudes―
no more man and woman than exhaled breath―unable to fall
back to solid existence, despite the air’s sparseness: all
our being borne up, because of our lightness,
toward the sun’s unendurable brightness...

But since I touched you, fire consumes each wing!

We who are unable to fly, stall
contemplating disaster. Despair like an anchor, like an iron ball,
heavier than ballast, sinks on its thick-looped chain
toward the earth, and soon thereafter there will be sufficient pain
to recall existence, to make the coming darkness everlasting.



Fledglings
by Michael R. Burch

With her small eyes, pale and unforgiving,
she taught me―December is not for those
unweaned of love, the chirping nestlings
who bicker for worms with dramatic throats

still pinkly exposed, who have not yet learned
the first harsh lesson of survival: to devour
their weaker siblings in the high-leafed ferned
fortress and impregnable bower

from which men must fly like improbable dreams
to become poets. They have yet to learn that,
before they can soar starward, like fanciful archaic machines,
they must first assimilate the latest technology, or

lose all in the sudden realization of gravity,
following Icarus’s, sun-unwinged, singed trajectory.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins... thus, Her jeers.



Notes toward an Icarian philosophy of life...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict...
torture a confession from him,
get him to admit, “I did it!...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed―

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?―

the higher you “rise,” the more halting?



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay―
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites―amazed,
in dream of shocks that suddenly came true...

but came almost as static―background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away―
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom (All-Star Tribute), The Fabric of a Vision, NPAC―Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals(Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks, A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ―― extend ――
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ―――――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.

Published by Chrysanthemum, Poetry Super Highway, Barbitos and Poetry Life & Times



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem that I believe I wrote as a high school sophomore. But it could have been written a bit later. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! ― MRB



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring―
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.

Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?

You watch it as it disappears;
its plaintive calls cut through you.

The indignant crows ignore you both:
the bickering, bantering multitudes.

Du Fu (712-770) is also known as Tu Fu. The first poem is addressed to the poet's wife, who had fled war with their children. Ch'ang-an is an ironic pun because it means "Long-peace."



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam―
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.

Po Chu-I (772-846) is best known today for his ballads and satirical poems. Po Chu-I believed poetry should be accessible to commoners and is noted for his simple diction and natural style. His name has been rendered various ways in English: Po Chu-I, Po Chü-i, Bo Juyi and Bai Juyi.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
―Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
―Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
―Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
―Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
―Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
―Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
―Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
―Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
―Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
―Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
―Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
―O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
―Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height―
our ancestors’ wisdom
―Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
―Yosa Buson, loose translation/interpretation by Michael R. Burch



Critical Mass
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.

"Gravity" and "particular destiny" are puns, since rain droplets are seeded by minute particles of dust adrift in the atmosphere and they fall due to gravity when they reach "critical mass." The title is also a pun, since the poem is skeptical about heaven-lauding Masses, etc.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss―
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back―
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts―
this way and that...

Contentious, shrewd, you scan―
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
―spinning its chrysalis,
gluing rough seams―

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works―
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence―one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving―immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,

and teach the pallid poem to seethe.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same―
light captured at its moment of least height.

You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh―
but something more, made less. Your humanness
this moment of release becomes a name
and something else―a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
―jarring interludes
of respite and pain―
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed

into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Lines for My Ascension
by Michael R. Burch

I.

If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.

If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.

If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.

And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review



Keywords/Tags: Sports, locker, lockerroom, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation


Keywords/Tags: Icarus, Daedalus, flight, fly, flying, wind, wings, sun, height, heights, fall, falling, ascent, descent, imagination, bird, birds, butterfly, butterflies, hawk, eagle, geese, plane, kite, kites, mrbfly, mrbflight, mrbicarus

This is a poem of a girl. A girl who is so cliché, that she needs to write angst-filled poetry to keep herself conscious and her thoughts free, but is too hipster to believe it. A girl who is too freckled to be fair, too fleshy to be flirty, too conspicuous to be classy, too prominent to be petite, but too small to be seen. A girl who’s piercing blue eyes absorbs everything and regurgitates emotions like a tampered slots machine—excessi vely and noisily. This is a poem of a girl who is so over-stimulated with color, texture, love, and life that the numbness in her head is a pink eraser. A girl who was brought up to have opinions and dreams as long as they kept her on the path to perfection, poise, and parenting. A girl who is experienced enough to know the difference between sorrow and guilt, manipulation and cowardice, hysteria and hyperventilation but is too naïve to know why certain boys are a bluish green, why math is a bafflement, and why ground up chili peppers in dark chocolate ice cream isn’t everyone’s favorite food. This is a poem of a girl who salivates at the mere thought of classical music, couture fashion, and feminine heels. A girl who breathes in culture like a caterpillar inhales hookah smoke. A girl who Alis volat propriis (flies with her own wings) but ultimately plummets to nosus decipio (Let’s just cheat) because her humanity held down her Heredity. A girl who thrives on music of every variety: as long as it can paint out her emotions in front of her. This is a poem of a girl who is so acerbically witty and harsh that she could unarm Napoleon but is so vehemently protecting that Mother Theresa herself would be awed. A girl with an attention span of a fish, short-term memory like sea foam, thoughts that outnumber armadas, and a bad habit of dehydration. This is a poem of a girl who talks but shouldn’t, speaks but doesn’t, and who is so badly burnt by the enticement of affection that her wallflower camouflage is now charred ashes around her stubby toes. A girl who has such infatuation that she could pin Lust against the wall and make Passion jealous. A girl who wears red lipstick because she knows it will keep a man’s gaze for 8.2 more seconds than with chapstick and the 50’s will never grow old. A girl too nervous and traditional to make the first move, but too strategic and over-analytical to lie back and forget. A girl who loathes the word mamihlapinatapai because it describes her every circumstance since the day she befriended the purple-brown boy who thought her personality tasted of Raspberry ice cream and to this day she still can’t pronounce it. This is a poem of a girl who needs a bed so crowded and protected with blankets and pillows that her monsters can’t penetrate her mazed-up mind. A girl who drinks tea with her lips, and philosophy with her soul. A girl who can’t spell the alphabet backwards but can make great mnemonic devices. A girl who can’t tie ends together because she doesn’t want to leave anything unsaid but whose tangents are kite-strings. A girl whose sentences are distracting fences in front of her literal eyes but doors for her mind’s eyes. A girl who has Synesthesia but keeps it quiet because of the condescending kids in kindergarten who called her a freak, and a liar. This is a poem of a girl who thinks about Death and whether he is a snatching thief or just the ferryman. A girl who dances with her eyes shut, her heart open and her toe-socks on. A girl who will clean her room at 2 am because she can’t handle the sight and the night is too lively for sleeping anyways. A girl who wears her heart not only on her sleeve, but on her chest, open as a blushing book playing poker with hockey players and still winning a game. A girl who’s emotions are kept in a Tupperware box and left in the refrigerator but if you shake it hard enough the lid just might pop open

Dear Readers, concept of Time has bewildered our ancient sages, philosophers, poets, artists,  including our famous scientists and physicists even to this day. It has no doubt also impacted my    
mind in several ways! Therefore, this series about the ‘Enigma of Time In Verse’ is now being composed and posted to share my thoughts with my Poet friends on this Site. If you like it kindly re-post this poem. Thanking You, - Raj Nandy from New Delhi.
             

   THE ENIGMA OF TIME IN VERSE : PART ONE
                           BY RAJ NANDY

                 A  SHORT  INTRODUCTION

During my childhood days, time appeared to be joyful and endless.
Though my parents had observed the clock all the while,
Telling me when to rise, when to eat, play, do my homework, -
till it was my bed time.
Alas, my childhood days as cherished memories are now left behind.
With rest of the world  I am now chasing that winged arrow of Time!

Those Management Gurus say, that our twenty four hours day,
Is time enough for those who can manage time from day to day.
Yet I do find, that I am generally chasing time, not to be left behind!
Hoping that a full time job will provide, some quality time, with the desired comforts of life.
Therefore, I abide my time, hoping to have the time of my life one day, with some quality time coming my way.
But in this mad race against time, while chasing that butterfly of happiness,
I must learn to cool down and breathe, before time decides to elude me!
For with patience and perseverance, that butterfly of happiness, will alight gently on my shoulder in good time, and perhaps at
the right time!
While time is universally regarded as the fourth dimension by our physicists,
It is said to flow at different rates for different individuals as mentioned by Shakespeare the English dramatist.

          FEW  LITERARY  QUOTES  ABOUT  TIME

In ‘As You Like It’ Act 3, Shakespeare refers to ‘the swift steps’ and the ‘lazy foot’of time  in a relativistic way.
Time ‘trots’ for a young woman between her engagement and marriage when a week feels like seven years for her every day!
Time ‘ambles’ for a priest who doesn’t know Latin and a rich man without gout;
Since the priest is spared the burden of exhausting study, and the rich man is spared the burden of exhausting poverty - no doubt.
But time ‘gallops’ for a thief walking to the gallows, for even if he walks slowly, he happens to gets there too soon!
While time ‘stands still’ for lawyers on vacation, since he sleeps his holidays away!

Now moving forward to Einstein who once described his ‘Theory of Relativity’ very humorously in the following way; -
“When you sit with a nice girl for two hours you think it’s only a minute, but when you sit on a hot stove for a minute, you think it’s two hours,” he had said with a chuckle!

Getting back to Shakespeare’s ‘Macbeth’ Act One on that blasted heath,
Macbeth asks the three witches, “If you can look into the seeds of Time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear…”
And finally that brilliant piece of soliloquy about Time by Macbeth in Act 5:
“To-morrow, and to-morrow, and to-morrow,
  Creeps in this petty pace from day to day
  To the last syllable of recorded time,
  And all our yesterdays have lighted fools
  The way to dusty death….”

John Milton’s poem ‘On Time’ composed in 1930 ends with his optimistic lines:
“Fly envious Time, till thou run out thy race,
  Call on the lazy leaden-stepping hours,
  Whose speed is but the heavy Plummets pace …..
  When once our heavenly-guided soul shall clime,
  Then all this Earthly grossness quit,
  Attired with Stars, we shall forever sit
  Triumphing over Death and Chance, and thee O Time.”

Alexander Pope in his ‘Imitations of Horace’ (1738) writes:
“Years following years steal something every day,
  At last they steal us from ourselves away.”
Romantic poets have dealt with the transience of time, which got popularised by the Latin phrase ‘Carpe diem’ which tells us to ‘seize the day’;
This Latin phrase has been borrowed from the Roman lyrical poet Horace of ancient days.

Charles Dickens’ novel ‘Hard Times’ is an autobiography describing his difficult childhood days.
While the famous opening lines of his historical novel ‘A Tale of Two Cites’ take us back to 18th century London and Paris under times sway.
I quote Dickens’ memorable opening lines:
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us ......”

We have the Nobel Laureate Tagore’s well known poetic lines on the subject of Time:
“The butterfly counts not months but moments, and has time enough.”
“Let your life lightly dance on the edges of Time like dew on the tip of leaf.”
He described the Taj Mahal as “a tear drop on the cheek of Time,” in his unique poetic style!

TS Eliot’s ‘Four Quarters’ of 1935,  include extended rumination on the nature of Time:
“Time present and time past,
  Are both perhaps present in time future.
  And time future contained in time past.
  If all time is eternally present,
  All time is unredeemable.
  What might have been is an abstraction
  Remaining a perpetual possibility,
  Only in a world of speculation….”
(Notes: This concept will become clearer in my Part Two, presently under construction.)

Next I have a quote from WH Auden’s poem ‘As I Walked Out One Evening’composed in 1937:
“But all the clocks in the city
  Began to whirr and chime:
  O let not Time deceive you.
  You cannot conquer Time.”

Subject of Time forms an important part of science fiction even to this day.
HG Well’s ‘The Time Machine’ (1895) interests both the layman and the Scientific community even today!
Finally, I would like to conclude my Part One on ‘The Enigma of Time in Verse’ with my favourite poem composed by the British poet Ralph Hodgson:
  
TIME, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day?
  
All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,
Oh, and sweet girls will
Festoon you with may.
Time, you old gipsy,
Why hasten away?
  
Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;
Under Paul's dial
You tighten your rein—
Only a moment,
And off once again;
Off to some city
Now blind in the womb,
Off to another
Ere that's in the tomb.
  
Time, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day.

In Part Two I shall cover the Concepts of Time along with its Philosophical speculations.
Before moving on to Einstein’s concept of Time, and its present Scientific interpretations.
Thanks for reading patiently, from Raj Nandy of New Delhi.

What Hope Remained?

What hope remained when hope for hope was spent?
        When putrid plumes dulled morning into night
        Hope lived in heart-struck deeds of bold intent,
        As mortals wept and earthborn angels went
        With downcast eyes to clamber heavens height.

What hope remained when hope for hope was spent?
        When panicked sirens wailed a lost lament
        And backs were bowed beneath ungodly weight,
        Hope lived in heart-struck deeds of bold intent
        As boots bore souls up treadmills burnt and bent
        To scale a void devoid of dawning light.

What hope remained when hope for hope was spent?
        For those in sight of angels heaven sent
        Atop the world to aid their mortal plight,
        Hope lived in heart-struck deeds of bold intent.

        When wingless brethren conquered feared ascent
        To gift last hope to all who saw their might:

                What hope remained when hope for hope was spent?
                Hope lived in heart-struck deeds of bold intent.



In The Fall

I chanced upon a stranger in the fall,
Cosmetic garb of office black and white
Portraying calm demeanor of his plight
As shadows panicked on a stricken wall,

And oft' I find my mind in numb recall
To look upon that helpless human kite
Who tumbled from the terrors of a height,
Yet graceful as an eagle in a stall

Before it plummets earthward --   'Neath the pall
Of twisted steel rended by follied flight,
That stranger lives forever in the light
Suspended in iconic timeless sprawl.

        I wonder, in the briefness of his fall,
        Did he derive the meaning of it all?

The black and white has lost its silhouette
The lines slip from the page
Who can say what reality remains?
Those who exist in three dimensions
Will decide where the truth of the matter lies
And if we're better off

The world pauses, a little more than eight
A man's lost his breath to another
It wasn’t theirs to take
Those who exist on the other side of the screen
Will decide where the truth of the matter lies
And if we're better off

A bounty is placed, a renegade is born
The long arm reaches for another soul,
Another soul is pawned
Those who exist for the law
Will decide where the truth of the matter lies
And if we're better off

A man is led to the edge of the world
He's pushed and plummets into the unknown
Everything in him breaks, but he survives the fall
Those who were standing behind him
Will decide where the truth of the matter lies
And if we're better off

Is any justice worth an injustice?
Can it still be called justice?
When the means don't justify the ends,
Is anybody really, truly, better off?

As the world plummets
So will my mind

As the sky becomes polluted
So will my eyes  

As the bright lights start fading
So will my dreams

What I think has become infinity

I can't see what is right in front of me

Because the bright lights are nowhere to be seen

A shooting star,
falls from the skies,
through the mist,
clear to the eyes,
make a wish,
as it plummets to the ground,
smoke,
surrounding it,
floats all around,
hear the sound,
of it hitting the barren earth,
make a wish,
for all that it's worth.

In the stands, down 35-3 with two minutes left in the fourth,
Fred Carson picks at the sticky, white remnants of a Coke bottle's label.
He leans over to me,
"Do you mind if I talk to you again?"
I don't, and haven't since kickoff.

"You know, I played running back on this same field."

"Oh yeah?" I say, allowing the story to commence.

"Started all four years. Rushed 1,000 yards as a freshman."

"Wow."

"It took five guys to bring me down by my senior year."

"That's insane."

"I probably still hold the record for most rush yards,
but I doubt they keep up with things like that."

He takes a sip from his drink. It's half empty.
His hair -- greasy, most likely on its third unwashed day --
parts to the left and clings to his skull.
He's wearing a long sleeve, plaid dress shirt.
The shirt is buttoned to the top.

"Hell, that was back in 1968," slows, "I graduated in 19-68. Jesus."

Fred retired from the post office six years back.
He claims he's never missed a game of Blue Jay football since 1970.
The high school band starts playing in the section next to us --
a misshapen cover of "Louie, Louie".
Fred raises his voice,

"You know, I've been to every football game since 1970."

"Yeah, you mentioned that last week."

"I apologize. Yeah, if it wasn't for that first year of college.
I got a scholarship to play ball at Florida State.
Couldn't be there and here at the same time, you know? Kinda hard."

He runs his big-knuckled right hand along his khaki'd thigh, checking his pocket.
He checks the left thigh -- nothing.
Reaches into his shirt pocket and reveals a lighter.
Then a soft pack of Marlboro Lights emerge.

"You know, I ran the fifty in less than five seconds."

To the dismay of cheerleader moms sitting behind us,
he lights the cigarette.
He stares at the Bic lighter with some NASCAR driver -- number 88 --
I don't recognize.
The cutout of the NASCAR driver's scraggly face
sits atop a navy blue and spiraling purple backdrop.
He starts to scratch at the label on the lighter.
A screech from a clarinet rises above the rest of the band,
Fred grimaces, takes a drag, continues,

"The coach at Florida State said I was the fastest boy he'd ever seen.
He said I was going to go pro. Sure thing, he said. I rushed for nearly
300 yards in the first game my freshman year. After the game,
the coach was like, see boy, I told you. You are going to tear it up
this season."

The NASCAR decal comes completely off. Under that purple and blue label,
Fred uncovers a white lighter.

"Would you look at that. I wouldn't have bought the **** thing if
I knew it was a white lighter. That's bad luck, you know. Hendrix and
that--uh--Janis Joplin lady both died with a white lighter in their hand.
Bad luck. A white lighter is bad luck."

"What happened at Florida State?" I ask.

"Well, we were playing Notre Dame during the second game that season.
Down by five with three seconds left on the clock.
We were on our own thirty, and the coach of Florida State was like,
run the hail mary play. But in the huddle, I look the quarterback
square in the eyes, and I say to him, captain -- he was team captain --
I say, captain, I'm hungry for that ball. He knew I could do it.
He took the snap, the receivers rushed down field, and I bolted toward
that line of scrimmage, took the handoff and I was gone, baby."

The crowd begins to cheer as the Blue Jay quarterback throws a long pass
to a wide open receiver. Fred freezes mid-story.
The cheer blurs into a silence, as each person in the bleachers
watches the ball ascend.

For the first time all night, the band lowers their instruments from their lips.
Just a ball floating.
The buzz from the stadium lights becomes audible.
One person gasps.
Then like dominoes the stadium follows suit.

The high arc of the ball betrays the distance,
and the pigskin plummets sharply.

"Interception!" the announcer cries through the speakers.

"That's a **** shame. I thought he was going to have it.
What were we talking about?" Fred asks as he drops his
finished cigarette into the nearly empty, naked Coke bottle.

"You were talking about Florida State. You were down five and--"

"That's right. So, I break up the middle. I dust that noseguard.
I stiff arm a linebacker. I looked like a Heisman trophy in motion.
I travel 69-yards down the field. I'm slowing down at the endzone,
thinking nobody is around, and sure enough -- plow -- the cornerback
dives right into my leg. I broke all kinds of bones and tore all kinds
of muscles. The doctor told me, he'd never seen anything like it."

The band plays the fight song as the clock winds down and the Blue Jays lose.
I try to disappear in the sea of blue and silver exiting t-shirts,
but Fred slows me down,

"It sure was good talking to you. I'll have to tell you more about Florida State
next week. Be sure to sit by me."

"I will," I say as the band director, Mr. Morton, steps in front of me.

"Hey, Fred," Mr. Morton says. He looks at me, then back to Fred.
He's trying to decide whether or not I'm of relation.
"Son, I went to Seminole State Junior College with Fred here
when we got out of high school."

"Really? Did you guys play football together?" I ask with innocent inquisitiveness.

"No, we weren't really into that. Though, we were at all the games.
We were in band together. Until Fred's wild streak got the best of him,"
Mr. Morton laughs, "am I right, Fred?"



The fight song came to a close.
With a lowered head, Fred walked into the silver, blue crowd
with a plaid dress shirt buttoned to the top.

Will a Phoenix doused in water reignite?
Should the Sun ever disturb the night?
As my eyes take their rest my mind takes flight
Then quickly plummets straight into blight
Straight into sorrow; reigniting my rage
And keeps me awake as if it were day
Awake to write my story/Awake to dwell on the last page
How dare I wallow over someone engaged?
Great Leviathan, Demon God of water and life
Lend me your strength as I overcome this strife
Baptize me in your waters and revitalize my sight
Clear away all the salt and callus to turn my scleras white
Drown the anger in my heart; cease its return!
**** the Phoenix, for its presence burns!
Drown the Sun so that the moon may take its turn
Allow my brain to rest so that I may have the capacity learn
How to fully move on…

When humanity loses their beacon
Future plummets to deepest chasms
No light to welcome the future
No hands to hold, in our weaknesses
Only shenanigans
Will finally obliterate us
Leaving this celestial space lonelier

Boom... Bang.
There he lays… There she stays all alone and cold.
She’s bad… He’s in a gang.
Where all the good things?
Cause all I hear is the bad’s that have been told.
Cuz all I hear is the wrong, slavery in my family they were sold,
But we’re just learning about the past, not doing anything to change it.
Don’t get me wrong, it’s permanent so we can’t rearrange it,
But why are we just learning about it, instead of learning from it.
We try to make a slight change, but then give up and it plummets.
I know I’m young, so I don’t know much about life,
But I feel like the way the world is it’s not going right.
Yeah, it’s a “New Year. New Me.” kinda feeling,
But in this way of life, I don’t know how we’re dealing.
With being in a world where so much is revealing,
So many are hurt, but yet there is nobody healing.
There was judging back in the day, I know, I shouldn't I say “back in the day” but I have to say that I was taught this way.
To look not only in your future but look back in the past,
But focus on your culture because you're black and you’re “Free at last”

You can taste
the psychosis on my
lips but there's no
guarantee that I will feel it.
There's an umbilical chord
holding me down to ***** reality
and depending on my
perspective
it either looks like a
dog leash or a
noose.

Inject a sedative with a rusty
needle at the end of my
nervous system. I'm immune; there's
misery mixed in with my
white blood cells that swallows
all sense of introspection. When my
soul plummets down like an anchor
and the floating stops
feeling safe, I welcome the chest
pains with open arms. The pins and
needles in my lungs are better
than burning them.

Look through my eyes
and sometimes nothing is real.
Live through my heart and
it hurts like hell when
I'm not drowning in air.
Think with my head and
either you will want to get out,
or it will kick you out.

And each day you think it will get better
And each day you rip off a feather
A feather that helped you fly.
Once upon a time I was able to soar
Soar through the darkness and fly
Fly through the haze
but
Now it's pretty foggy
and this high plummets,
Plummets into a blurry daze.
Hurt by words,
the impact was too heavy.
I'm the survivor who made it
but your water broke my levee,
and I can't escape.
My wings don't work anymore.
All my feathers are gone.
I plucked them all
Indirectly, because of you
but, nonetheless, it happened
and I don't know what to do.

the other night,
i had a dream;
usually,
i don’t remember
my dreams—
those unconscious
musings
of my mind—
but this night
was different;
maybe it had
something to do
with the fact
that i had fallen
in the shower
half an hour
before laying it
down on the
pillow...

...a trickle of
blood running
down my forehead,
transforming quite
alarmingly into
a babbling brook
consisting entirely
of chocolate milk;
my raft bobbed
up and down,
the demon who
haunts my nightmares
now clad in a
tuxedo—
a nice change
from the bright
pink trench coat
he usually wears...

...the demon’s
strong hands
propel the
craft forward
with a rather
Huckleberry Finn-like
affectation;
i turn my
attention from
my oldest friend
to the shore,
sparkling with
broken glass,
thumbtacks,
and mathematical
equations;
there,
i glimpse my classmates
doing burpees...

...suddenly,
a car crash
occurs;
the chocolate milk
becomes a very
narrow,
winding road,
the end of which
is obscured by
an angsty cloud
of disappointment;
the elevator
plummets horizontally toward
the 3rd sub-basement
of the shower;
my friend in
the tuxedo offers me
a steaming
cup of hot chocolate...

...which burned
my tongue,
causing me to cackle
wildly
and toss the
mug into the
abyss;
“******* cup!”
i scream,
utilizing my
full lung capacity
as i begin to
fall again,
down,
down,
down;
and then i was awake,
sweating, bleeding;
i may have a concussion...

crammed in corrals
hissing whispers of escape
and hoping their
size and shade
captivates
the next sticky-fingered cart rider

mother's mind so mobbed
and arms so grocery-laden
that the ribbed
and loosely coiled ribbon
remains unknotted, unbowed
to slip
from pudgy-fingered grips

the orb bobs and sways–
laughing, helium-high
as it makes its getaway
unknowingly following Icarus
to a solar ******
that is, if beak or plane
doesn't reach it first

POP!
shattered and tattered, irreparable
it plummets back to earth

its noose
still dangling from its neck

She is like a dandelion on the edge of a cliff
Next to the sea.
The wind-encouraged rapture brings her to her knees as she’s taken
From the rocks into the deadly blue sea.
(She is stronger than she thinks,
I know, that’s why she left me.)

Before the endpoint, the gusting breeze
Meets its end,
So the dandelion plummets into the sandy beach instead.
(No matter what brings her down, she shall always stand up.
It’s the way she is; the dandelion is tough.)

So comfortable now, her stem is stuck
In this thick warm surface,
The tide seems to be interested in this dandelion’s purpose.
(I tried to **** her into me with my love.
She didn’t give me a chance because
I wasn’t enough.)

The tide erupts upon the scene within the lively flower’s green,
And yanks it from the sand to bring her colors to the sea.
(He stole her from me,
she accepted his hand
There was no chance for me)
To the ocean, the flower seemed different from the others;
The dandelion seemed to be tougher.
She has always been strong, my little dandelion,
Even from day one,
(But like I said, I wasn’t good enough)
Nothing could destroy her pride, nothing could be done.
(She told me nothing of her
feelings and left my concerns in the dark)
She brought her roots down within the oceans depths,
And ****** the sea dry until there was nothing left.
And then came the rain.
(She left the door open on the way out,
I was so shattered,
I couldn’t even cry.)

The writer sits and ponders,
filled with empty silent dread,
‘Sorry, this word cannot be found’
the smug spellchecker says.

Weary of petty complications
he drifts, searching for inspiration,
soaring through the African sky
with glorious, lofty liberation.

The yellow plains stretch far below
herds of buffalo, running free
the lions hide amongst the grass
dotted around sandarac trees.

He soars now, over snow-capped peaks
tableclothed in angry cloud,
by eagles, gliding with their young
their talons stretched in readiness
silhouetted in the fiery sun.

He conjures now, Fijian sand, lazy swaying palms
crashing frothy, roaring waves; silky banana ***.
A sparkling ocean glittering, caked with yellow icing,
just a mirror for the setting sun.

But then wings of grace are stripped and
he plummets towards uncertainty,
falling back to swivel chair, staring
at desk lamps, coffee, burgundy.

The rain drizzles down outside,
the heating pours through well-placed vents
as Chinese Communism awaits:
confronting, mocking, dense.

I can’t help but mourn the frogs, flattened
like Wile E. Coyote after the inevitable boulder
plummets from a great height, leaving him
mashed on the pavement while the Roadrunner
speeds off -  vroom, vroom, beep, beep.

I try to steer around them, but they blanket
the road in biblical numbers during the rain
and it’s like some impossible video game
weaving through masses of randomly hopping life
a certain amount of death is unavoidable.

When I walk the road I can’t stop
counting one, two, five, ten, twenty
cartoon-flat bodies littering the pavement
where I extinguished their glittering
copper and golden-green existence.

Last night, on the panes of every lit window
frogs of all sizes and colors gathered
outside, they covered doors, watering cans
even lined up single file on the coiled garden hose
like they were climbing the ladder to frog heaven.

Through the glass, I admired their rhythmic
throats and soft, creamy, underbellies
one, two, five, ten, twenty
fragile creatures seeking warmth
in the hastening darkness.

Whisperings of a morbid night foretell
Of a humble visitor that the velvet shall grace
Hope sears through the indolent air
Mutterings of a sweet dream it lays.

And its wispy arms, it spreads
Turned crystal white with its eternal age
With clandestine diligency it works around
A heavenly glow kindling from its face

It leaps across with its companion
On amethyst streams, through its sprays
The curved drops of life falling with a time-less reflection
Vivifying the wind in the boundless chase

And it blankets the forests in its spell
It plummets meticulously into the dark
Veering down the crevices unwelcome
Effacing the veneer of darkness, on a journey it embarks

It's gentle in its temperament
But of sturdy shoulders it boasts
With an unfaltering expression it entails
With a vivacious drive, all, it endures

Somewhere across a strewn landscape
An irrational vindictiveness comes to work
A carpet of bullets laid across
Sprays the emblazoning red across in its mirth

Fulfilling a painter's dream
The lewd red glistens on the grass
A town awakened to a carnage of dreams
The stars flicker, frightened, the night they grasp

And a clarion mingled with the mud beside
A crestfallen spectacle it boasts
This verbose only euphemising the sight
Knitting the strands of malice, the blood flows

Cries of agony and pain resound through the stench
Corpses of infants clinching their mother's
And the face of a young girl clinging to a pole
Whimpering at the face, numbness inside, it bursts

And this despondent night, the visitor visits
Sweeps across the blown landscape, dispassionate
Stops beside the girl and in its soothing elegy
Tells tales of the battles of happiness lost in time's chase

And Hope, it lingers on
With ardent belief and patience to reap
And the girl weeping with blank, black eyes
The memories that shall never be cast, the mother she shall never see

The young ones of a bird remain
Stranded in their nest, their stomachs inviting
Squeaking and gnawing with their tiny beaks
Oblivious, their mother shall never appear, suffice in this cold, biting

A mother in a furtive torment
Fruits of whose shall have been sweet
A life that may have spawned, laughing with clenched fists
Unknowing, what the vicissitudes shall entail, what fate it shall meet

A boy with a kite in his hand
And a euphoric smile on his face
With dreams of racing with the wind
And mists of clouds that he shall chase

Hope casts an omnipresent shadow, moves along
With a passive effect binding them all together
Harbringing life, sweeps off the tears
Lifts them up to the zenith in its calm, dependent clutches

Kingdoms fall and statues wither away
The tide of time takes its toll on all, in the unduelled race
But Hope suffices, clings on to the little crevices
Gives little flocks of dreams for the girl to chase

Rain plummets from your branches
to my face,
Overflowing leaf's chimb
Onto unvigilant ish limbs
While my blinking eyes are dim,
You long for an embrace,

Without word yet of rejection,
You are ever bold.
You've thrown your achy breeze at me
And now you throw those icy leaves at me
Cause this pain to freeze in me.
With your icy hold.

I do not have a love for you
Deluging tree.
Stay close to your own stem,
You're a cold love I condemn
Leave me in my lonesome,
Can you not see?

I do not want your flowers, berries,
branch nor bark
I don't want your petals' play,
Nor your leafy locks to sway,
I want your leaflets to on this day
remain at far.

Your frosty touch on my skin
it blanches
I'm not ready for love so steely
I suspect I never will be
So stick to your own tree, please
Rainy branches.

I tried to quit smoking last week. And my best friend died for eighteen hours. Such a deep loss has only been felt by rose hips, in the early winter, after the petals have fallen to the ground, like snow, like jumpers from high-rise buildings, like a maiden, after that last, fatal step off the plank, with swords at her back, and the horizon calling to her, the song of the Sirens drifting up from the ocean floor. Dropping, like petals, caught in a harsh winter breeze. The left-overs, the carcases of the flowers that were and are no more, watch with eyes of sorrow and hearts of lead, as each friend, companion, lover, even casual aquaintance plummets, to land on the already frozen soil of a dead, snowless, Colorado winter.
I died with my friend. My roots were tangled, and with each second that passed, a million axes took bites out of them, feasting on my identity. The axes were only gold-plated, it would seem, and not pure, unadulterated precious metal. Engraved in the paper-thin facade was a name, a face, and a hope, all of which were merely a poor excuse for an excersise in willpower. The cold, iron blade shone through the thin, gently curved lines of lip and ear and eye made of nebula. With each breath that passed between loosely parted lips, I felt myself fade, giving my everthing to the world (hope, name, face) that had, only moments before, murdered my closest companion.
My eyes grew steadily hard, increased stone-content. By 6:30, I had been staring into the eyes of my mistress, Medusa, for at least two hours, my head filled with love songs and daydreams, clutching straws and holding out for the one perfect moment that would shed a brief light on my life, which is, in all reality, the afformentioned pirate ship, but void of lamps, candles, or any other means of illumination.
Questions flowed to the surface of my disjointed mind in a stream, a river, an oceanic current of molten rock and sloppy second guesses.
(Will one hurt? Half? Just one puff? Why? Why? Why?)
And as I turned to stone, I finally found the courage to answer one of the questions that my brain shot itself with, injected into its own blood stream. The question was the sole bullet in a revolving, high-stakes betting game, the answer, the fourth trigger pull, with only two chances left anyway.
(Because... I don't know why...)
So stand up, go to the place you have thought about two-million times, and, yes, smoke, smoke, smoke that cigarette.
As my friend rose from the dead, pushing aside the boulder blocking the entrance to its tomb, which everyone knew was just a temporary tenement, and we were reunited, we spoke of fascists. Well, I spoke of fascists, it listened. I spoke of the kind of fascists that exist in grayscale television commercials, spewing ingnorant words about the untimely deaths of beloved family members, who give me ***** looks in public, and have forced me into alleyways, across streets, out of sight, out of mind, to the back of the bus, as if non-smokers live forever, as if everyone can accomplish said impossible feat, if not for the evil plant, the evil spiritual plant that poses a threat to the well-ordered religious structures, pyres built for martyrs and long-dead saviors.
I have only begged for eternity once, and I was very young, with years of rocks and hard places ahead, only pink clouds behind, and eyes incapable of foresight. This boy ate apples, and drew on his arms with black pen every Sunday. Go into the church clean, bathed, come out with temorary full-sleeve tattoos. This boy was made of wonder, myth, and blind acceptance. No longer.
I have now gazed into an eternity made of open graves, lost loves, and harsh, barbed-wire truths, punctuated with sharp, jabbing exclamation points of brief pleasure that only seem to make the reality of eternity worse. I am a *******, and even I don't want that. A body can only function for so long without sleep before the motor wears out, the radiator breaks, the gasket leaks, and the marbles flee from the growing insanity of their owner. We all need to rest eventually, and in my secret mind - the one that grimaces with sick pleasure and only shows its teeth in the lines of a poem, slightly blurred by metaphor - I long for that sleep. I am tired, but the day is only half done. But each sun sets, and we can not deny it that truth, that sensation of finality that settles upon senile eyes like a cataract, that snuggles against warm, pink lungs in all its black, tar-like splendor.
Truth, like so many other things in this solar system, only takes shape when under the eye of a microscope, with a passive viewer sewn to the end of it, with the sole intention of passing judgement before shouting "NEXT," and repeating the process untill they either run out of things to judge (blame, think, guilt-trip) or die.
So, smoke, smoke, smoke that cigarette. Puff, puff, puff it and let us hope they never get to either of us, old friend.

A leaf falls
Brown and wrinkled
Starved of it's trees sweet nectar
A leaf falls

And while they are shedding their summer cloaks
We are adorning ourselves with scarves and hats,
Gloves and mufflers
Shivering at their barely clad skeletons
Huddling around their burning flesh

A leaf falls
It twists and dances in the wind
joyous at it's freedom
joyous as it plummets to the earth
Nourishment for it's mother tree

We watch and marvel at the beauty in the entropy
At the renewal that comes with destruction

A leaf falls
A change is upon us
A rebirth into a crisp and clear world
A leaf falls.

At an angle of ninety degrees,
two trees share the same plot.
This one grazes the eaves,
seeking vain attention in the window glass.

The other, its grey ghost lazes
prostrate on the herb garden, reveling
in secrets of lemon balsm and thyme.

At night, the first becomes demonic,
obliterates the universe,
branches scraping the pane, scratching
like fingernails on slate,
its coppery leaves trying to get in.

Its partner slinks to earth,
seeking solace,
wringing conterminous roots till sunrise.

I've had my fill of these unrested moments
fighting the pillow, not settling.
There is no joy in seeking stolen stars.

My dilemma grows horns.

I half dream of ******,
at least amputation.

But even the dimmest light shines in the dark -
I consider its tormented destiny.

At daybreak, like a ****** I scale its gnarled branches
ridiculously one-handed,
the other a keen-toothed weapon.

I am an agile goat shinning upwards
feeding on dreams of peace.

Lost in the sky, I become sap,
melt into its arms,
(a vertiginous release)
I become a curved branch.

(There's someone standing in my elbow!)

Leaves helix down, settling on autumn crocus.
“Look!  Gold on gold!"

The grey ghost yawns, grows its shadow,
waves its arms demanding justice.

I wave back.

Suddenly terrified, I secrete an invisible scent.
The branches contract, tense as ligaments.

My heart plummets, rolls out recumbent,
presses heavily on the earth
listening to fleshy roots recede.

A few deft cuts......

Sun gutters through bereft spaces,
striking the window.
Both trees a shade lighter, a lighter shade.

Tonight I will dream under visible stars,
feel the moon's half-light slide over me.



copyright © Caroline Grace 2012

I feel more sedated than alive,

Defying reason and questioning reality,

It’s like morbidly walking through

The endless fields of familiarity.

Slowly losing the ability to feel,

I can no longer distinct what is real,

Cold melancholy and apathy creep in my heart,

My existence becomes shrouded; like a rainbow in the dark.

Testing the bounds of sanity,

Human excess and passion flood the mind,

Releasing any bonds of any kind,

As I’m consumed by the snakes of vanity.

Laying among the ruins of my life,

As my paradise plummets down to Hell,

Because the confusion of chaos defeated me,

With kind words of reverence.

“Pride cometh before the Fall”,

As narcissism festers in self-loathing,

The feeling which makes your soul crawl,

Will cause intimacy to be exposed like clothing.

Fear is a thief for whom I hold no grudge,

And pain is a rehearsal for death.

I looked down at the abyss and took the lunge,

As my world was compressed into a single last breath.

Will it end as the Mayans predicted?
Will the tornadoes sweep the west,
off the map as smoothly as the tumbleweed drifts?
Off the coast oil seeps into the harbor,
killing life.
Killing economy.
Where will the old shrimpmen go?
When their skiffs are broken down.
Where does anyone go to be safe?
Safety is hidden in the ashes of the towers,
intangible as democratic peace.
Wars blaring in the news,
when will our troops return?
When will New Orleans ever be restore to pre-Katrina days?
Or is it as hopeless as the economy.
15 trillion in debt and still escalading,
as the housing market plummets,
as gas prices rise.
4 dollars a gallon?
I cannot recount  time it was under 3.
What has happened to America?
As I walk through the supermarket now,
California strawberries 6.99 a pound?
Can I get a federal discount?
I text you, as I walk down the aisles,
oblivious as the techno music plays,
and obese children beg their mothers-
for that candy bar.
For that is what America has become.
Michelle Obama tries to prevent childhood obesity,
but we all know this is a fruitless claim.
We are too caught up in the fast paced life,
burger and fries? I think yes.
My cart creeks over the cracked linoleum floor,
this is the fourth supermarket company in 5 years!
Yet none cared to fix the ancient floor,
all they can see is profit.
A quick fix,
You can’t just slap a band aid on it America.
I can still see your wounds.
Cash or Credit?
“Credit” I say as I maliciously slide the sleek plastic card.
Eyeing the grocery boy as he aligns the paper bags,
As my I-Phone hums in my jeans pocket.
Steve Jobs died?
I hear Obama’s remark
“He changed the way each of us sees the world”
“Has he really?”
I say as I stare at my Mac
I realize what Allen Ginsberg did when reading your work.
“It occurs to me that I am America”
I too am dependent on technology,
that barricades my sense of reality.
I realize this as I read your enumerations.
I read articles on what state pass gay marriage,
and wonder who you would have married?
I wonder if you would have help salvage New England,
after Irene’s furry damage countless towns.
Would you have took a stand and protested wall street?
Since you are the 99%,
the common man,
in the tyrant of the few.
You would have advocated for immigrants’ rights.
Fought tarnished racist ideas,
corroding the Statue of Liberty’s ideals.
I spray paint the words of your poems,
on the brick buildings in every city.
Hoping to restore America.

Everything stands frozen for an enternity, encapsuled in just a moment of time
Your notice your heart stops beating, the rhythm that has sustained you long before you were aware
Your throat constricts, suddenly unable to draw in the oxygen that feeds your body

Your next breath stagnates inside your lungs, decomposing with each missing heartbeat
Your stomach plummets towards the floor, falling further than the earths crust
Your intestines squirm inside your cavity as they disintegrate into nothingness

As your eyes begin to sting and water, overfilling until they breech the dam
Your heart finally remembers to beat, faster than ever before
And your jaw finally falls, along with the rest of your face to form a silent

"oh"

Will time halt when the Mayan’s long calendar ends?
Or is it a mere cycle, a hoax disclaimed by all scientists alike.
A misnomer believed to have held truth,
such as Pluto being a planet, or a tomato a vegetable.
Will the tornadoes sweep away all the lies?
spread out on the west’s open plains.
Will the oil seep into the veins of politicians?
So that they will know the pain inflicted.
Will it **** the lives of those without health insurance?
Or will it reach out to the moguls of New York?
Where will the old shrimpers go?
When their skiffs are broken down,
on the abandoned Gulf Coast shore.
Where does anyone go to be safe?
Safety is hidden in the ashes of the towers,
intangible as democratic peace.
War news blaring form chrome flat screen televisions:
when will our troops return?
Death tolls pile up like discarded lotto numbers,
yet you keep playing with chance:
hoping for that jackpot to flash in fluorescent lights.
Yet victory is bittersweet when tainted by blood of the innocent.
Osama Bin Laden’s death calls for celebrations,
yet the war still rages on.
When will America be restored to pre-9/11days?
Or is it irrational as solving the 15 trillion dollar debt,
that escalates as the housing market plummets and gas prices rise.
Can you recount a time that it was under 3 dollars?
What has happened to America?
As I walk through the supermarket now,
California strawberries 6.99 a pound?
“Can I get a federal discount” my father asks.
He carries the satchel leaden with letters and packages,
although he is appreciated like junk mail.
3,700 post office closes their doors,
I notice the news article you tweeted.
I text you as I walk down the aisles,
oblivious to the techno music that plays,
and obese children beg their mothers-
for that candy bar with blood mixed in with cocoa beans,
from the African child wage slaves that harvested them.
This is what America has become.
Michele Obama tries to end obesity,
but we all know it is a fruitless claim.
As television ads are imprinted in their brains.
Ronald McDonald noted and not MLK.
We are too caught up in our fast paced lives,
to teach our children how to read,
it’s not our job we decide.
Caught up between late night snacks and filing away-
our dreams on the shelf, so they are not seen.
Ambitions lie in the cracked linoleum tiles,
in this supermarket neglected for countless years;
since no one cares, all that matters,
is profit, a quick fix.
You can’t just slap a Band-Aid on it America!
I can still see your wounds.
Cash or Credit?
“Credit” I say as I slide the sleek plastic card,
my I-Phone hums in my pocket.
Steve Job died? I hear Obama’s remark:
“He changed the way each of us sees the world”
Did he really?
My perception of the world is in accordance to Wi-Fi locations:
Skype contacts, Facebook posts, hashtags-
#TechnologyHasTakenOver.
I talk with the causality of a text.
The glow of screens and keyboard strokes barricade my reality.
I realize this as I read your enumerations.
I read articles of what states pass gay marriage,
and wonder who you would have married?
I wonder if you would have help Emerson,
pick up New England’s shattered pieces after Irene?
I wonder if you would have protested Wall Street,
since you are the 99%, the common man.
Would you have advocated for immigrants’ rights.
Fought the tarnished racist ideas,
corroding the Statue of Liberty’s ideals.
I spray paint the words of your poems,
On the brick buildings of every city,
trying to restore America.

The tide rolling near
the soldiers stood
at attention
saluting the rise
of the eyes of the
oceans salty clear
arms as she
plummets into sand
ripping apart
the grains
taking them with her
as she expands
her encompassing mouth
into it she swallows
all the little soldiers
standing at attention
saluting the ocean
waiting for her
beautiful
return
© 2013 Christina Jackson

Time stopped. I had no bearing as to who, where, or what I was. All that was in my presence was the high, rolling desert painted orange with that odd sand-mud that he called “Geonosian rock;” his ebbing backpack being pulled from his shoulder, just like the ocean tide; his canteen bottle, lidless, slipping out of the rear pocket and whetting the sand with the boy’s quickly diminishing water supply; and the boy, Davy, being torn helplessly from safety by the cool, malevolent hands of gravity, and into the crevasse.
Reaching out desperately for the boy’s damp, warm hands, I grab a hold just in time—to consciousness, as he plummets and I stare wondrously; dumbfounded by my own ineptness in rational thinking. the boy is gone. Davy, my own stepson, my ******* child whom I would do anything for to prove my worth to his mother, Mary, who was the token to happiness with a new family, was ripped from my grasp, and eaten by the New Mexican terrain. So I delved after him.

A plane made of tin cans soars in flames through the sky.
Black smoke trails its tail as it plummets to ground.
I stand.
I watch.
              unfazed.
The nose of the jet crashes to  the earth and it burst,
into tin butterflies,
which undoubtedly, to the skies they return.
                                                         ­                      I wake.
in the same room,
in the same bed.

the same place was I, when the sun rose,
and dove into the horizon.

the same sky,
the same clouds.

the same smell of the sewage rising through the streets I trek.
the same people at the corner store that check,
for loose cigarettes, gossip, trash talk and street knowledge I bet.

I forget.
I'm confused.

What may be normal for you may differ for me,
when gang members intimidate everyone they see,
on the crowded concrete streets of Broad St,
bums ask for change for something to eat,
then run to store like ***** for cigarette.

Is this "Normal" for you?
for me, its as plain and repetitious as a scratched CD.

I wish you could borrow my soul to understand me.