Submit your work, meet writers and drop the ads. Become a member
Wack Tastic Nov 2012
Not just a passing fancy,
What I really long for,
Right now and once in a hot and heavy while,
Is to be left in warm comatose,
Next to a breathing and living form,
Grateful to feel a comfort pleasure,
A heart heavy desire fulfilled,
Satisfied in yet wanting more,
Left there in warm comatose,
Stroking with a finger the brilliant cherry skin,
The lotus of sensuality spilling over the brim,
Cascading down in defiant decadence,
Leaving me in warm comatose,
My mouth would search and explore,
Discovering each new second with every sensation,
Realizing that each dawn is witnessed two fold
And that the only ones left are we,
Carelessly left in warm comatose.
murari sinha Sep 2010
1.
the wind is prone to grand festival
if you cook your own food
by burning your hands
in the day time
at night
then you will be also eligible
for having a ticket  
this train will not stop at any station
then how would you get on board
why
then do jump in front of the wheel
the door gets open automatically
you would also be a companion
of that joy
your name will also come up
on the list of the blood donors
with blood there will also hang
pus and spew
the colonialists
with a black face
will wind up their indigo-factories
in the fire of the intellect
the undergarment will burn
there will come running
bolder and bitumen
the road is made
your lipstick will be
sometimes deep
sometimes light
tearing open the yellow afternoon
a storm will take birth
there will be no darkness
in the amloki-grove  

2.
the ship is scheduled to start
from jetty no 3
i come to stand on
platform no 13
when i get on board the carriage
standing near
it takes me and runs to a vast
run-way
there are the lines of
sweet briar
i do not feel the pain of detaching
from the soil
when i  am flying
through the smoothness of the lotus-leaf
i see a musk-deer was also running
in a parallel line
she stretches her hand
to take me
to the valley of her flesh
we are turning round and round
to enter into a volcano
and  the flow of its eruption
is carrying us towards a ever-snow land
Prabhu Iyer Aug 2015
An evening comes wading through the clouds
crimson the feet wet in mists unfurling

silences whisper hushed in shadows and leafless
stalks, tangled hair, moist in the mellow winds
foreboding the hour when minnows sleep

it will rain tonight
                   soft on the lotus ponds
landing by the dancing canvas leaves
                   painted in hues of cream-white
                            birthing buds of pink
                                     smiling shy

robed in the regal hues of the moon
blushing behind the mourning palms
painted against the skies
solemn

whirling, whirling like a dervish

it is the hymn of the skies
it is the early moon
it is the late koel
the pond overflowing
in longing


I will swoon rhapsodizing

Saying your name in syllables
whirling, I rise levitating
You are there in the distance
You are here by my side
Well, I guess we need
To send out the hounds.
For the crafty sheepdogs
To go pick out the bad actors
Hiding among the crowds.
Look over your shoulder,
There's that chill again,
The heat is rising
And you can feel something creeping.
Let it take you on,
Lest it take you over.
We've been
Building momentum,
Silently growing
Like a beautiful lotus
Or festering fungus.
It's just a matter of perspective,
It's only a matter of time.
Give in, or give up.
Fly if you will,
Fight if you think you must,
But listen to your neighbors.
Are you honest?
Are you trusting?
Are you nurturing?
Don't worry, don't stress out;
We're gonna figure each angle,
Lay out all the motives.
It's all there
On the internet,
And freely given!
You had a choice, you made a choice-
You dressed up the bed, now rest in it.
Idonotexist Mar 2014
On the chariot of moon beam silver
the goddess of love appeared before me
dumbstruck i stood staring at the infinite sky
it was not her face, neither her color
but her glowing soul, her blooming heart
that captured me into affection.

Oh my violent brother, be at peace
Know the truth, let this hatred cease.
Even if you cut me out
this rock shall not shed blood but water.

You can be the sun, she revolves upon
I plead to be a moon, revolving around her.
You can be the light reflecting from her
I can remain back as mere shadow.

Mesmerized by her grace
I admire her without blinking my eye
the glint from the blade now shows the edge
my heart is bandaged and cut cut simultaneously
Oh my violent brother do you not see.

To untangle her tangled hair
I have now become a comb
Or I shall be reborn as a slipper
to her lotus petal feet
Even though dooms day
arrives the intentions of
true love shall never fade away.

and
On the chariot of moon beam silver
Goddess of love stands before me.
Back drop:
Two people are deeply entrapped within love. There is a third person who is also feels love deeply for the girl and the boy is his close friend
and this is how expresses his feelings to his friend.
Brandon Conway Sep 2018

The ocean's wave rolls
and beats repeatedly
carving a way into the soul
of this precipice
foaming at the mouth

no, wait....

that's just your tongue
coated in a miasma of
a siren song
you ******* liar  

sunbathing on my pyre
the whole town now congregates around
with devil-red
containers of gasoline
while your devil-red
lips act the fire

Only the clever witches
survived the trials

the whole town now dances around
feasting on the lotus petals
that root in the palm of your hand

look at them move
locked in each others hands
chanting
"This will bring peace"
while they nod and agree

"Pour more gasoline"
escapes between those sharp teeth

happiness is a moveable feast
at least your eating
like a queen

go ahead and **** the marrow
out of these innocent bones
tomorrow I will be gone

once I thought of you as Ithaca
now realize that these
are Troy's stones

it's time to sail back home.
A Mareship Sep 2013
Close your eyes.

         Imagine a white room.

There are objects in the white room.

Each object represents something in your life that worries or stresses you. Each object binds you to the external world. Each object stands for something that keeps your mind active, keeps you worrying, keeps you awake.

Imagine a white room.

I really am trying. My eyes are tight, eyelashes stuck to my cheek.

(I can feel the blood trickling through the veins in my sclera, ******* itself from end to end like cherryade through a drinking straw.)

I have my toes resting on my knees like a good little lotus, my fingers resting on top of them making the ‘ok’ sign.

This is a hard trick. It takes concentration. It takes effort to clear your thoughts from a metaphorical room (Jean’s room, tidy but never clean.)

What if I fall asleep upright? Will my neck break?

You ever see spiders playing dead? They roll onto their backs and cradle their bodies inside a disjointed prison that they’ve made with their own limbs. Their legs bend back at jaunty angles, crooked at the knees.

A spider ran at me once whilst I was sat on the toilet. I was reading an encyclopedia at the time, just flicking through, and in my panic I hit the spider with the spine of it. He curled up into a crumpled ball in the middle of the pink bathroom mat. I thought he was dead, but by the morning he had moved on, not leaving a trace.

In the grand cosmic metaphor of it all, we’re all just bristly little gymnasts looking to be left alone.

The white room is flying over the sea.

Objects that represent your daily life are sitting in the white room.

There is a door in the white room.

There are windows.

Using your imagination, remove each object from your room one by one. Throw them out of the door. Pour them out of the window.

Clear your mind.

Throw it all into the sea.*

My laptop is drowning. My journals are dissolving like sugar paper. White birds come from nowhere and lift up the corners of my bookcase, shaking it out into the ocean as one would air out a bed sheet. My memories are eating sand. The people I have loved are unsmiling shop-window cutouts, rolling along the waves of a mythical sea.

How far do I have to go? It seems like this means more than just Sleep. Every night do I need to be new, need to empty myself out like a clogged up sea-shell? How far do I have to go before it’s just me that’s left?

I can never make my sea deep enough because I don’t wish to drown. I’m not Ophelia.

I’m really not.

I don’t hold flowers neither.

I just can’t sleep.

(White isn’t a colour, it’s an absence.

Put a tick against my name. Use a bright red pen.

I’m right here. For always.)
SCK Mar 2016
lotus in my hand,
alive and full of color,
smell the lovers dance.
Tam Robbie Nov 2010
I can see no Islands
Across the glittering sea
My mind is alone within itsself
Playing among the sands

No thaught, no reason
Only feeling, in sepia light
Everything is distant and dreamy
Like a smile from long ago

The nagging emptiness
drowned out by shimmering birdsong
the feelings of dread engulfed
by something worse

Beauty so sinister
A dark whispering among the lights
painful euphoria
and the urge to escape

I washed up here again
so soon after I built my raft and set sail
Hypnotised by the sound of crashing waves
on the island of the lotus eaters
To the tune of "Like a Dream"

I always remember the sunset
over the pavilion by the river,
so tipsy we could not find our way home.

Our interest exhausted, the evening late,
we tried to turn the boat homeward.
By mistake, we entered deep within the lotus bed.

Row! Row the boat!

A flock of herons, frightened,
suddenly flew skyward.
Newdigate prize poem recited in the Sheldonian Theatre
Oxford June 26th, 1878.

To my friend George Fleming author of ‘The Nile Novel’
and ‘Mirage’

I.

A year ago I breathed the Italian air,—
And yet, methinks this northern Spring is fair,—
These fields made golden with the flower of March,
The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet’s gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.
Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.
A year ago!—it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.
Full Spring it was—and by rich flowering vines,
Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse’s feet,
And musing on Ravenna’s ancient name,
I watched the day till, marked with wounds of flame,
The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers!—On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna’s walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter’s rain and snow,
And have no thought of sorrow;—here, indeed,
Are Lethe’s waters, and that fatal ****
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.
For though thy brood of warrior sons hath ceased,
Thy noble dead are with thee!—they at least
Are faithful to thine honour:—guard them well,
O childless city! for a mighty spell,
To wake men’s hearts to dreams of things sublime,
Are the lone tombs where rest the Great of Time.

III.


Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain,—
The Prince of chivalry, the Lord of war,
Gaston de Foix:  for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.
Taken from life while life and love were new,
He lies beneath God’s seamless veil of blue;
Tall lance-like reeds wave sadly o’er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,—
There, prisoned now within a lordly tomb
Raised by a daughter’s hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.
Time hath not spared his ruin,—wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed their glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.
His gilded shrine lies open to the air;
And cunning sculptor’s hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante;—to this day,
Here in his place of resting, far away
From Arno’s yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives,—the exile’s galling chain,
How steep the stairs within kings’ houses are,
And all the petty miseries which mar
Man’s nobler nature with the sense of wrong.
Yet this dull world is grateful for thy song;
Our nations do thee homage,—even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes:  sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.
The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.
Byron dwelt here in love and revelry
For two long years—a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
’Neath any wiles of an Egyptian queen.
For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna:  never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas!  Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain:
O Salamis!  O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well—ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.
No longer now shall Slander’s venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner’s face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea,—
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee,
In hidden glades by lonely Castaly;
The laurels wait thy coming:  all are thine,
And round thy head one perfect wreath will twine.

V.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright;—
I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet,
Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.
O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i’ the quickening veins, while once again
The woods are filled with gods we fancied slain.
Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face
Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart!  O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent’s vesper bell,
Struck on mine ears amid the amorous flowers.
Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see
Caesar ride forth to royal victory.
Mighty thy name when Rome’s lean eagles flew
From Britain’s isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and *** were seen.
Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float,
The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria’s purple waters used to flow.

O fair!  O sad!  O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia’s royal warrior hath passed
Rome’s lordliest entrance, and hath worn his crown
In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant!  Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante’s dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour:  far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa’s waters, by the mountain-side
Of Aspromonte, on Novara’s plain,—
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine
From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.
Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well,
Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows,—rest thee there,
To mock all human greatness:  who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings’ ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria’s stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now—thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.
O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter’s cold;
As from the storm-rack comes a perfect star!

O much-loved city!  I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna’s way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth’s hill go down,
And marked the ‘myriad laughter’ of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet’s city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn’s livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory;—poor indeed
Is the low murmur of the shepherd’s reed,
Where the loud clarion’s blast should shake the sky,
And flame across the heavens! and to try
Such lofty themes were folly:  yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse’s feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer’s lordly bloom;
And soon the grass with brighter flowers will blow,
And send up lilies for some boy to mow.
Then before long the Summer’s conqueror,
Rich Autumn-time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.
So runs the perfect cycle of the year.
And so from youth to manhood do we go,
And fall to weary days and locks of snow.
Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu!  Adieu! yon silent evening star,
The night’s ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.
Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet’s laurel crown.

Adieu!  Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Carolin Jul 2015
On lotus flower petals
that float into the Nile
too I will write the words
of I love you* ~
K Balachandran Feb 2016
Prelude
"Let's go" his soft whisper
the mantra, in his voice she hears

the esoteric voyage through
the cryptic high seas of self,
fathomless, unmapped,
uncharted and reachable
only by the most fearless
ready to unbind and make
the self free for it's adventure,
begins thus for the peaceful pair
complementing the absolute
for a life time, til they reach there
and find themselves one with
                      pure consciousness.

"Let's let's, but only together"
she chants in unison,with him.

1.
Bidding good bye to ego, clad in red and black
a beast, not easy to bring to it's  knees, submit,
the high horse proud,raring to go,having  sharp horns
sticking out, fierce, that goes berserk,on seeing white.
Altogether a curious construct, that dictates terms-
they set about, invoking the blessing of the flame of light.
2
They stood together,  eyes widely shut, bringing
both palms together,in front of their  chests
creating a lotus bud, symbolizing hearts,bowing
each other in "Namaste",-bows the divinity in thyself-
chanting the mantras of peace, thrice, each time, repeatedly.
3
"Lets go back to the begining of every begining.."
the primordial hum, transcending quagmires of time
in the path of our ancestors,who did see the" unseeable",
without eyes, knew the "unknowable",diving in to the
ocean depth of self,going inwards chanting"Neti, Neti"
Not this, Not this, inquiring each till the essence did reveal.
4
They did this, focusing the eye of the mind, on the eye
beyond all, that watches every small thing in universe.
Mind, sharpened like the blade of a sword,efficient to cut
the Gordian knots,of paradox, duality and illusion,
encountering the silence that thickens at last, speaks
the words of wisdom,patient they are, to know the ultimate,
right there at the source of light that is the true essence of all,
5
Celebrate the pure consciousness, that pervades in every thing,
the thought that begets all thoughts,that  moves on to be karma,
that becomes purer, through the cycles of lives, one after another.
"Let's be humble, utmost, sans the ornamental clothes of pride.
May the thought reigning cosmos, the spirit of peace,chanted aloud,
take us to it's sanctum sanctorum and melt us in to it's divine embrace.
Only one there is, all are it's integrals,the divine cosmic hum 'Aum'
that enliven the universe within each cell, remember , is eternal"
                                                #@@#
Know thy self as an inner  universe, integrated to the outer,seamlessly,
which is, eternal, non-dual, peace in essence, effulgence and happiness
enshrined in the core.All the explorations in to the core by ancient Indian seers, record these findings in the "Veda"s (The "told" chronicles)
Maryanne M Jan 2013
The saline in your teeth bestowed us life
Your canopy of wisdom billows like
death billows the soul
Your memory grasped into our veins like Wysteria
Dropping one by one, wilting


Into the eyes of the crows
that ate the eyes of your dying children
you engraved your name
so that every child that dies
Remembers


Unto the sea of wheat we spew
our rotten teeth so that they may blossom
And the seeds shall be fed to our
wavering kind
So you will be remembered


Behold!
Lotuses of swamps long been forgotten
Blooms that may only blossom within blooms
Whom that dwell in the mud of the ancients
Yet unstained


In our being, a black pearl
that grows from the fields of Israel
So that we, lotus lover
Are worshiped, venerated
and will be remembered
Her voice is like clear water
That drips upon a stone
In forests far and silent
Where Quiet plays alone.

Her thoughts are like the lotus
Abloom by sacred streams
Beneath the temple arches
Where Quiet sits and dreams.

Her kisses are the roses
That glow while dusk is deep
In Persian garden closes
Where Quiet falls asleep.
SamanthaX Aug 2019
2.7.

I see my dreams
are beginning to
line up
What begins
What ends
It’s the
beginning of a
never ending
end

That’s why
in my visions
I’ve been seeing
you again

Now my
number is
10:10
It’s been burning
behind blue
eyes in the sky

I calculated
and
calculated
Then
my calculations
ran away
I didn’t
maintain them
I forget my
equations

Slowly I slip
back into
my insanity
As I welcome
the
destruction
of the
black void
of my mind
I’ve began
the
countdown
It’s the
perfection
of time

So please excuse
me if I
seduced you
with
The Art
of the
Dark propaganda
I write

I got appealing
ways
to make you
question
every
question
you’ve asked
your whole
life

These intuitive
delusions
Confused
Lotus illusions
Queen of the
fallen rose petal
dreamers

Screaming
so loud
to
drown out
the sound
of
the realities
I’ve seen
through
the eyes
of
Dead seas
Madisen Kuhn May 2013
you can either
keep yourself up at night
wondering
          "why me?"
you can hide under your covers
and tell everyone
you're wrong and you'll
never be right

or you can see all this
          heartbreak
          pain
          conflict
          imperfection
as an opportunity
to emerge from the concealed depths
to the gleaming luminescence
and become stronger

it is your choice to decide
whether to drown in your troubles
or to courageously survive

because the harder the struggle
the more spirited you become in the end
         "the deeper the mud
         the more beautiful the lotus blooms"
brandon nagley Jun 2016
Mine lily of the valley, mine lotus of the unrestrained.
Mine Senna alata, mine allay of human angst;
Mine Kalinaw in mine Stygian juncture's,
Mine Kaulayaw aloft the extraterrestrial
Structures.                          Mine Paraluman that giveth me these word's to writeth, the one that bringeth me excite;
In mine core thou art invited.
Mine Kundiman by which I replay in this skull,
Mine hand of time, mine angelic mind-
That I do learn from.
Mine Makisig precious stone, undug from the clay,
Mine, all mine, I canst sayest it all day.
Mine past, present, future; woman of now, forever's our's
Mine Jane. O' how Dalisay, O' how Dalisay, doth ourn water run sparkling; Only because mine love, we sip it as queen and king. One time soon, to shareth wedded ring's, wherein the pain's of the now; art gone and unforseen.


©Brandon Nagley
©Lonesome poet's poetry'
©Earl jane sardua Nagley ( àgapi mou) dedicated
Senna alata- an important medicinal tree that flowers in Philippines.
Allay- alleviate, alleviation.
Angst- anxiety, dread
Kalinaw- filipino word means serenity and tranquility.
Stygian - very dark.
Kaulayaw- a pleasant intimate companion.
Paraluman- a muse inspires artistically.
Kundiman- love song.
Makisig - dashing, gorgeous.
Dalisay- pure and undiluted.

Put this on SoundCloud.com
Just look me up brandon Nagley if wanna hear it you can find my name brandon Nagley on SoundCloud and find this poem.
Thanks your friend Brandon Nagley..
The Ganges rushes in
torrents from my eyes
and threatens to sweep me
away
it’s been four lonely years
Sai Krishna
I wait in the foothills of Mount Kailash
the sun and the moon wait with me
the earth has ceased its wild spin
and the stars have lost their merry twinkle
O Swami what we wouldn’t give to gaze
once more into your lotus orbs
Sai Krishna
mountain peacocks with bright plumes
chant Your name
and silver tongued nightingales perched in
high branches sing of Your
divine exploits
the empty jhoola is adorned with garlands
and sweet rose petals
Blue skinned Lord
You alone are the source of
Bliss
Grant us Your divine darshan
cuddle close to us
tonight
http://www.sairapture.com/krishna-madhava.html
Metempsychosis and Dream
METEMPSYCHOSIS AND DREAMSCAPES


Dramatis Personae ---


nYxEr0s -
an umbral being wielding the soul "morpheus nyktelios", in the shape of the sword of nocturnal dreams.
he can enter the dreams and sub-consciousness of trees, rocks, rivers, droplets of rain and people in order to restore inner balance, or destroy it.
he is the principality of earth and water intertwined.
the personification of ****** nocturnal desire and the night itself, and he wields the power to restore, fulfill of destroy dreams.


IrUx0iD -
a name that is whispered in nyxeros' dreams. the inverted and warped spelling of the secret name of his second self, his one true love; The Dioskouri.
this astral phantom wields the sword "Philopannyx", because his power and reason for being is to love the night, and all that the night encompasses.
one day these two variations of one purpose will meet, fuse in a loving and resplendent embrace and then the universe will devour itself, overlapping it's inexplicable film of pure darkness, converge the surrounding nothingness upon it's solemn silence in the darkness, and then light will be born and life will begin anew.


AWAKENING


An eldritch and wyld prescence has manifested itself upon these desolate shores. Emanating from the deep soil of a long forgotten world. Rich with life and benevolence, but also terrible cruelty. It is very old, and at the same time, very young. A will of old, and a spirit of youth. It has taken the shape of a human boy. He has come from beyond the river of eternal sleep. The merciless kiss of death and mortal undoing has left a crest upon that precious dwelling-place of his dreams and young intellect, as it is called in the world in wich his chtonic vessel now unknowingly decays. Now this being has come to us, in his final stage of sentience. Deep in his soul, the nexus of a bleeding ocean, a forgotten dream is trapped in perpetual waxing and waning. Upon his moonlit countenance, two glass-like spheres are set. They belong to him. This luminous soul, fettered to this pathetic configuration of earth and water. two lonely, dark and unfathomable windows into the neverending vacuum of his soul. lying there. poured into infertile soil. alien soil. a mortal coil lying in listless apathy. human apathy. what is this human doing here? from what resplendent dream did he sojourn from and traverse through. oh liminal, boundless being, your tragedy will inextricably unfold, like the petals of a perfectly nourished and complete lotus. there is nothing your dying body can do. the contriving universe has manifested you in this abstract realm for a reason. a purpose. to discover the hidden schemata and destiny that sleeps inside, and to encounter and seek out the other half. your other half. you are a split soul. a mysterious schizm. empty by yourself. whole and compleat when unified. he exists somewhere in this neverending desert of grief. precious limbs that was lost, and throbbing wounds gained in your previous stratum of existance, are in this world reconfigured and presented to you in the form of sacred gifts. weapons and protection and magic that you may wield in order to defend your heart, and the hearts of others in need. weapons of absolute destruction, or benevolent aegis. these curses transmuted as wonders we give to you. absolution for past crimes and malignancy we also give to you, precious dreamer. we exist to guide you. you will find that wich was lost to you. that wich you have longed for all these stringed existances. we incarnate you once again, so that you may resume this task. one day, the interlaced network of dark brooding stars that desperatley glitter and gleam inside of you, will reach out for that wich they yearn and interact and intertwine with your twin light. the one that was made to compliment and render absolute both of your insulated existances. this is the one and only true alchemy. in the black land, lies and misstruths are whispered by venomous tongues. poison poured from dread lips and fill the once pure air. tormenting all fragile life in this sphere. accept this sword, morpheus, in your hand and embrace the hidden music of the night. this is our gift to  you. accept them now into your etherial incarnation and your everflowing, grieving heart. wield your true gifts. wander alone beneath the dying stars of this world, and free the ones who dwell beneath and beside you. living in fear and despair. once you have done this, brave warrior, the hidden path shall be revealed to you, and your love will await at the ends of this universe. at the end of time. go now. into the endless night. dark haired creature. heart of the ocean flowing within. The death and rebirth of stars light the way through the neverending desert of perpetual night. nyxeros the gods whisper. a primordial name. a second gift granted to the warrior, so that all the creatures of this world may speak it and whisper it in benevolent tones amongst themselves. nyxeros had been wandering for 77 nights and 77 sub-nights. weary and lithe in limb and heart. he sat down in a patch of mysterious mercurial grass. everflowing darkness wreathed around him. framing his wyrd existance in silence and a subtle agony. he layed his sword Morpheus on the surface of silver beside him and shut his abyssal black eyes, and allowed sleep’s gentle touch to caress his mind and soothe his aching concience, and thus, for the first time scince he had awakened in this world, he fell asleep. he dreamed of planets making love to each other, and giving birth to supreme music that again gave birth to new planets. of galaxies exchanging wisdom and expanding into one-another. and of a voice, beckoning from some darkness. a darkness from a place in the nothingness. a hollow place. a compression of past, present and future. someone was calling to him. alien words that he could not decipher the meaning of. but his heart fluttered and a deep longing ignited within his heart of chaos. somewhere, in the infinite K0s:m0S, someone was waiting for him. someone had begun a journey at the opposite end of the vast darkness of space. wandering alone, and sad. but forward, always forward. towards him. nyxeros could feel it moving. a faint contraction of the fabric of space. a frequency so weak, barely noticable. but he could feel it nontheless. deep inside. nyxeros opened his eyes. the black stars residing behind the frail lids of his eyes eating up all the blackness of erebus, making the deep, black pools of his soul even blacker and deeper still. his left hand, engraved and scarred with terrible and agonizing poetry clasped around the hilt of morpheus. he stood up and peered deep into the horizon of chaos. The great and wide melancholia of dust and dead wind and withered mountains. The void and the chasm of his cleaved soul urging him to brave onwards. In the ever-expanding distance, a faint light was discernable. His black eyes could scarcely witness it, but it was there, without a doubt, and his heart convinced him that this was true. Something stirred in the distance. So he gripped the hilt of his dream-blade tightly, and began the long waltz towards the strange faint melting light beyond.
I wrote this as an experiment, to see what would pour out if i just kept on writing non-stop, without thinking about anything really...it actually makes a lot of sense to me, but it's mostly just metaphysical mumbo-jumbo, and it's not polished, or meditated upon. Anyway, i just felt like posting it. my reasoning and agenda behind exhibiting this piece is as abrupt and cumpulsive as the mode it was written in. thank you-
zebra Jul 2017
when i was three
i dreamt myself naked
on stage
before a great audience laughing
in the glare of stardust

i was horrified

no doubt the beginning
of a need to cover up

thus
the birth of a liar
my soul and destiny
a terminating lotus bud
nocturnal pulse
a tarnished soul
shuddering in a cave

what i do
a veiled secret

am i despicable ?
being what i should not be
loving what i should not love
wanting what i should not want
and then i discovered you
disguised

will you come out
and be who you shouldn't be
but are
take what you shouldn't want
but crave
and love what you shouldn't love
but die without

im here
frightened and exposed
aghast and in love
waiting for you
Tahiya Nuzhat May 2014
Three bees flew out of the lotus
As it slowly laid open its petals,
Three bees lay dead
As the light shone from its core,
No bees existed
As the light took over,
Its muddy birth, kissing oars.
Shallow waters still

Pond stork meditates upon

The pink lotus blooms
Robin Carretti Aug 2018
A special lace-like card
  *
        *        *        *
Three Star points
       *  *  *
Sword-like smile-Bored-Hike pile-
Western Union Man
Money flies like Superman

Spinning wheel fan too guard
Special words have no regard
He's the Adonis-like the
Lazarus lovely-like Venus
Those effects in motion
That special tip above her lips
Steady as they go but motionless
The stars walk across her
sky lifted dress

Heavenly Pillsbury flour
Her hair flower no water
Smile Lift even in debt
Messed her heart so red
White light disaster
Nothing on this earth
we got to lose no control
Here's the *Special Rose

Winter/Sunglow hair
The Flatiron

A spaceship cowardly lion
Your the "Wildcat"
Crazy Oats
Space waves of the neutron
The dream on
Your eyes are blind
A clear day special motif
setting inside your
Word heading leaf
He lifts up your
blinds all
righteous minds

Those special love hands
Nothing was ever
staged starlight and bright
  Never yellow

Winter?Sun
It blocked out
my *Godly
pages
On the good earth leaf
Helen Keller had the
good remedy family
When you are deaf
A green touch of
brown leafs
What you smell and feel
What's truly there
special beliefs

Or at the most
Famous Cemetery,
You got blinded  so
gilded star
you don't
see them

One of a kind that's him
Or the encounters of the
third kind Winter/Sun
The darkness slim-man-run

The cactus desert of my heartlands

Jack of all Trader Joes investments
My E-book and I Phone
best T-bone steak
Spices of theVegetarian Kingdom
Curry in a hurry for Indian Food,
E-T Extra
Terrestrial Space high bill total

ABC Chemical love reaction
A special motif so personnel
"Divine District Attorney"

Taking spiritual love
what lies beneath us
Lotus Tea Panda Bears
Of Journeys
Pyramid or the myriad

A-Special Motif
comes to me
Two Gods surrender me
message
Something you feel but
it's unknown
Never left in the dark
like a treasure
Teeth chatter Gold caps
Chatterbox
Almost happy coffee
almost dark

Too many famous labels
A special romance new leaf
Time change challenging
Winter sun/Wonder fun
Amarous open chorus
Special maid devious
A special Motif delicious
The honest lawyer
Special talent space
of braces
Subsequently or coincidentally

What was special
The board meetings like *Erasers
?
To erase all the special places
in my heart

Dark despair trail parted
Ending up with a trail
of mixed nuts
Cars such a pain with
Synthetic Oil ****** -like Oil

The conjuring or searing
Holding the leaf in spirit
special times remembering
Sapphire September October
Comfort foods November
Thanksgiving
The heartburn living
The Winter/Sun
Special motif holding onto
his one brilliant leaf in
Ancient Egyptian King of Tut
book

*
Yearning the solemn vows
The full moon is
turning a
new leaf
The painted picture leaf
special Motif

Love so committed
The time was omitted
Family poor or rich
Invitation *Winter Sun


Those who are in need
The beacon like a
poem of goodies mend

Heaven that feeling
called my own
Even things that
are special
became unknown
Not always about
being famous

Things that are simple
that's what remains
precious eat sleep Jeep
The fairy came sweet nectar deep
Was so kind humanly rare find
A special note with a motif
I will never forget what was our belief
A special God or Motif a spiritual beauty her leaf but even when you are deaf you can smell the beauty lingering everyone is  work of beauty just living
vanish things Dec 2014
The lotus bobs to the current's
cursive, a snow sud residue
tracing atop listless riverwater.

When it brushes against my
ankles a petal splits like a
broken letter, your goodbye.

There was so much left unsaid.
Axel Jan 2019
every sunday
every gloomy day
I'd go to your home
but you're always not there.

but a book
that you gave
just made my lotus
bloom in a different way.

so I keep
thinking that
you're running
I keep thinking
that you're flying,
but the truth is
you're lying
and you're laying
in your bed
with the flowers
that she gave
and the doorbell ring
is just a song
that you listen
and forget.

so I drove
down to town
to the supermarket
and asked
'where can I find the aisle for happiness'
they said
'I don't think we have that here,
or anywhere else',
that's right
it never existed
in my life
and in my melody.
"try to be positive",they said, but it's hard, because it's not in me.
Wuji Seshat Oct 2014
These words have survived separations
Faces I can no longer remember of loved ones
Poetry has transcended my decades

Spacious and fluent like a last reminder
Of why truth is no longer as important
As beauty, inner beauty of a spiritual quality
Alphabets now shelter this candle
This life that was my hopes and dreams

These most intimate self-deceptions
Wildest faith of wonderful illusions
For a moment still I am there

With moons and roses, aware of nothing
But the shine of creativity on our inner cheek
The mineral blossoms and lotus of our imagination
It’s pure there to write like drunken water
In a light of its own color, reflecting the pauses

Silences, spaces in-between relationships and solitude
That was the best quality of the life I lived.
Human action is linchpin of fortune
On which heart dances it is the tune
Active life needs passion with fashion
For lover every season is love season

When beauty blossoms love is to take
From the surroundings that hot cake
Beloved is chaste like lotus in the lake
Fragrance blooms to take and partake

Life is nothing but struggle on altar
Loser always remains the defaulter
At times vision becomes but just blur
Flower dies in autumn ,takes life after

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
Seán Mac Falls Mar 2013
By the dawn's early light,
Casual ties of warring pride,
Who wear the fit of uniforms,
Creasing down the seamy streets,
Who once in his sights were called to order,
By arrow clutching eagles, sandbagged
By the rivers heart of darkness, *****-
Trapped by bootstraps pulled, torn apart
In tiger eyeing fields that lied
In wait while choppers dived, delivering
Payloads of giant dragon flied fire
And this unction was to be their balm
And the swordless Dons were spit out
Of skull hunting windmills, Jonah
Beached to thy kingdom cong.

And over their heads cried the phantom
Jets, bat out of helmet, to the straw
Pulling hairs and these heroes, we
Abandoned without bonds nor blindfold
And lashed them to the flagging pole
With guns saluting while the sirens
Wailed, no wonder they should crack,
Our green jaded Gods, our Greek
Journeymen, due south of lotus land,
No wonder they should break on the China
Seas in that cold, ******* land.
O say can you see, that it is we,
The people, in anger and in shame
Who have no mettle, to give, but tarnish
Foisted on the brave and they
Are worn, like trinkets to dishonor.

And over the deep non-ending sank
Our heroes, betrayed by ism's, discharged
By ghosts in the machining guns,
Unspirited by a corporeal world,
Bamboozled in the muddy thickets
And dropped to the fray on ****** wings,
To foreign soil, where children are lost
In the man eating groves and they
Were thus dutifully numbered by their own
****** arms and all were made
Guilty cold in that sliver of uncivil
And polar eyed land, O say can you see,
The burning of twilights last gleaming?
And, we sutured a wall for the trigger-
Happy dead, we dammed the bleeding,
But can there be no bridges?

And further from those chilling fields
They are casting us letters, address
Unknown and mid adrift are messages
In drowning bottles by the waysides,
They are swimming to our doors,
Where, we the people, have built a wall,
Made of stone, black and shiny, it will
Not smear— and we are polishing off
Our dead, say the cold blooded
Behind that face and in front runs a red
River running down the vane, glorious sun,
Yet, this humble partition, in stories and tears,
Is deconstructing grave white heads,
Quartered in pride and darts to the ground,
That warring bird, crowned to his vacant
Lots.  O— say can you see, the turning
Of twilight's last gleaming?
Poem written in honor of all fallen soldiers and commemorating the 'Vietnam Veterans Memorial Wall' in Washington, D.C.

The Vietnam Veterans Memorial is a national memorial in Washington, D.C. It honors U.S. service members of the U.S. armed forces who fought in the Vietnam War, service members who died in service in Vietnam/South East Asia, and those service members who were unaccounted for (Missing In Action) during the War.
Lyn-Purcell Jun 2018
~  ❀    ✾    ❀ ~

         My heart will bloom like a lotus
                         under the summer sun

     My petals kissed by passion flames
             a languid breeze strokes my lips

        The mouth to my heart opens from
             mud waters as a crown in light

~  ❀    ✾    ❀ ~
The inspiration continues! I have more Lantern poems in the works, but this is another form of poetry I enjoyed! This is a Sijo, a fabulously short musical lyric practices by Korean poets, to whom it is dedicated! ^-^
Information for Sijo poems is here - go to slide 7&8 (https://www.slideserve.com/debbie/poetry-types-part-two)
Each line has be 14-16 syllables resulting a grand total of 44-46 syllables.
Mine is 14-15-16 syllable line by line with a total of 45!
I swear, my love for East Asia continues to grow.
It's giving me such a buzz!

~  ❀    ✾    ❀ ~

I'll definitely do more Sijo poems and Lantern poems!
Be back soon!
Lyn **

© '❀✾ Inner Lotus ✾❀' by Lyn-Purcell
Lyn-Purcell Jun 2018
Cherry blossoms rain down, causing
                        ripples in the still pond

     The bamboo stalks begin to whistle
               with water that trickles down

weathered rocks. Lotus flowers sail and  
          swirl pink as shells, white as snow
Another Sijo! This one has a total of 46 syllables, the max!
More Lanterns poems are coming, dont worry!
As well as my general ones!
Thanks everyone!
Be back soon!
Lyn ***

— The End —