You say you love me,
Then threaten to leave me.
When does this love
Become unhealthy?

When you tell me that
After this
I can't have any more partners?
As though I had any say in yours.

When you enforce a set of boundaries
While completely disrespecting
Those I ask of you?

When you don't want to hear about it
But you do want to hear about it
And if I don't tell you about it
Then you're just as upset
As if I'd brought it up?

When you call me while I'm working
Yelling because you say I ****** up
And you want to hear me cry
Because then you'll know
That I still care about you?

When you're telling me
How in love you are with me
And how you love when we connect
While telling your other partners
That I'm really just immature
And a horrible person for
Trying to hold your hand?

What about when
You're trying to control
Your partner's and my behavior
By telling them that
They can't hang out with me
Or be my friend anymore
Since it's a choice of solidarity
And it breaks their loyalty to you?
Completely disregarding that
We are best friends too?

Or when you expect me to call into work
Because you aren't satisfied with
The way our discussion ended
And you think that you need to be
Always my main priority
Over even my financial security?

When I'm expected to be present
Whenever you want to talk about us
Or about an issue we're having
But if you don't want to talk about it
Then you'll just turn your phone off?

Or what about when
You boast about how
Open and transparent you are
Then turn around and
Expect me to know what your feeling
And how to fix it
Before we even talk?
And if I don't know
Then I guess I'm just stupid
Which only makes you more angry

And lastly,
What about when
I'm trying to talk to you about the things
That are causing me pain
But you can't even listen to me
Because you just get angry
Because of course I'm just demonizing you?
And even if my feelings are valid
So are yours
And you think I'm wrong
So nothing ever changes

When do I draw the line
And walk away from this "love"
That I honestly
Don't know if I feel anymore?

Yes, we have been discharged from The Law,
but we’re not freed from our responsibility;
as Children of Almighty God, we acknowledge
the duties of our spiritual accountability.

We’re to be obedient to the Spirit’s prompts
and not blindly to a codicil of written rules;
the framework of Godly principles assists us,
when circumstances of Life suddenly turn cruel.

The underlying difference is when perspective
changes from a slave to one of His servants;
with a proper mindset and divine viewpoint,
we become… the embodiment of His new covenant.

Are we just disregarding the old regulations
or are we redefining them by Love’s Salvation?
.
.
.
Author Notes

Inspired by:
Rom 7:6

Learn more about me and my poetry at:
http://amzn.to/1ffo9YZ

By Joseph J. Breunig 3rd, © 2015, All rights reserved.

we always want to re-invent ourselves when we feel
rejected, unwanted, left to the side.
we dye our hair or cut our hair or style our hair
so differently, so drastically, so unrecognizable.
we pack on make-up or strip our make-up
or pierce our faces, belly buttons, get tattoos, choose a permanent mark
to remind us of something solid;
something that represents
self-sufficiency or this too shall pass,
because we know we are gonna feel
rejected, unwanted, left to the side again
(and again, and again).
we buy new clothes, give away old ones to our friends,
new shoes, new bags, new look.
and we’re always picking up new vices, new habits, new addictions.
cigarettes, alcohol, razors,
all the late night reckless binges on wine, narcotics, food, cutting ourselves.
sometimes we pick up healthy ones too,
like running, swimming, dancing, yoga, meditating, resetting sleep patterns, taking vitamins, treating ourselves to the spa, eating regularly, getting out of the house to see friends.
we either avoid intimacy at all costs because we can’t fathom
the concept of trust anymore
or we dive into it with practically anyone, just to feel something real
because we are so ******* lonely,
but we never really feel anything real at all.
we make resolutions, goals, plans for our next relationships
so that they won’t follow the same patterns as our last crumbling ones
(they usually still do).
some of us change what we like, what we want, what we need
to impress people so that they
fall in love with us and will never leave us.
we begin disregarding ourselves for another person,
or disregarding everyone else for ourselves,
both because we don’t want to get hurt again.

and then somewhere, somehow after weeks, months, maybe even years of
the full fledged wavering of
destruction meeting recovering meeting ignorance meeting shyness meeting loneliness meeting accepting meeting fear,
we start to see the intricacies of the pattern much clearer -
we make all of these sudden changes because
we just want to feel better,
we just want to be better;
that’s all.
it’s taking charge, which is healthy.
it’s also making fact and point that we need to change to deserve love,
which is unhealthy.
all of it is like learning algebra for the first time,
some of us take a bit longer to understand it all; the formulas, the variables, the balance.
and once we understand the formula, the variables and the balance,
then we can welcome back the beautiful,
real version
of ourselves we’ve been trying to
cover up.

checking potent aftershock
observing seismic anniversary
checking another tremor
resuming constrained writing

annexing hidebound constituents
hugging incoming eschatologies
fighting pervasive insomnia
battling invasive fatigue

damning incompetent fools
awaiting furtive escape
abandoning corporate wasteland
summoning celestial syzygy

detesting spaghetti code
protruding riparian dolphin
establishing unilinear escritoire
glowing cybernetic cynosure

avoiding eternal invisibility
supporting valued customer
performing lexical gymnastics
scrooping notification sounds

restoring usual happiness
glorifying darkwave fanfares
collapsing old relationships
raising ambient awareness

defining wolf people
propagating yesteryear's spectre
achieving hemispheric virality
testing weekend legerity
installing iron curtain

propagating today's spectre

developing niche audiences
transmitting abstract propaganda
disappearing thought experiments
overusing various condiments

double-checking hyper-real emotions
rubbernecking celestial explosions
observing splendid holiday
exploding volcano day

erupting bucolic mountain
disrupting hectic shouting
perfecting suggestive triptychs
checking festive pyrotechnics

drifting across multiverse
regifting glossy paperwork
writing six-lined hexagrams
liking two-toned instagrams

recalling pygmalion sculptures
brawling tatterdemalion cultures
"rambling corporate shill
rattling rapid prosody"
"battling hamburger hill
ambling hundredth library"
"sensing ideological schism
pending guttural neologism"

glowing verdant background
foreshadowing palmyra takedown
developing geopolitical mess
geminating quasi-couplet stress

"hugging cultural diversity
shrugging irrational adversity"

distancing spooky raindrops
avoiding potential burnout
implementing lexical databank
approaching crash-scene sudser

becoming increasingly selective
escaping tyrannical bureaucracy
perpetuating cut-throat capitalism
purchasing contrived happiness
incorporating chance elements
relaxing rigid structures
reheating your retweet

holding theoretical design
smiling beach life
scrutinizing eternal simulation
rushing artificial apothegm
annexing facetious document
freaking creepy centipedes

writing neural structure
congratulating yestreen's warriors
encouraging seatbelt usage
boosting abstract setting
sensing frivolous ochlocracy

keeping hypothetical metropolis
blurring metaphorical æsthetic
scrutinizing computational festival
memorializing towel day

raising six-fingered paw
eternizing fragment schedule
liking subtextual repository
quoting quintessential quidnunc

finding ideological style
disregarding their slovenliness
planning spatial factoid
spinning glacial ellipsoids

enjoying eternal spreadsheet
deleting repetitive tweet
awaiting festival lineup
gainsaying unethical startups

observing turgid experiment
contemplating conniving contrivances
enjoying dynamic project
dropping two-toned simulation
finding harmonic space
finalizing warring cavaliers

detecting enigmatic apathy
retrieving potential exchange
meddling middling muddling
baking hypnagogic pizza

spinning galactic dinosaur
building trans-pacific partnership
finishing theoretical mission
giggling agog googlers

crashing atypical tessellation
cherishing precious hexagons
proliferating western lottery
cretaceousing funkaholic skeletor

blurring turgid gallery
cancelling tsunami warnings
extemporizing incoherent neologisms
transmitting harmonic rave

gliding black hawks
hiding quacked ducks
archiving animated light
googling moonbow imagery

ignoring relatable messages
observing unfinished world
generating optional content
continuing exponential growth

Achieving self-confidence and self-worth can be difficult when there are so many outside factors in the world that are constantly weighing in on people at all times. Once you achieve self-confidence however, you can truly achieve happiness. Being confident in one’s self has nothing to do with other people and their opinions, once this concept is understood, one can look at themselves in a way in which they can love themselves for who they genuinely are.  In order to achieve self-confidence, one must know themselves, accept themselves for who they are, be themselves without worrying about other’s opinions, and always do their best.
The first step in the journey to self-confidence is to fully know who you are, inside and out. Once you identify your flaws, your assets, and your likes, you can then further develop into a well rounded and unique individual. It is important to become independent because being independent creates self-confidence. If you know that you can do anything that you need to do without feeling uncomfortable, only then you can become confident in what it is that you are doing. Whether you like to paint, write, collect things, make things, whatever it may be, dive into it head first and don’t blink twice. If you want to do something, then you should do it. Doing what you want to do is very important because it does not matter what anybody else thinks you should do. What’s important is knowing what you want to do and feeling one hundred percent confident in doing it, regardless of what outside circumstances or people tell you otherwise. Once you figure out who you are, you can be confident in knowing exactly who you are, exactly what you want, and exactly where you want to go in life.
The next step in becoming a self-confident individual is to accept yourself for exactly who you are. Once you know exactly who you are, it is much easier to accept yourself, your flaws, your mistakes, and your opinions. Once you accept yourself you can then love yourself and all of yourself. Every single person is different, unique, and complex in so many different ways that you absolutely cannot compare yourself to anybody else. What you’re doing when you compare yourself to somebody else is tearing down your self confidence and setting yourself up for disappointment. There is not one definition for beauty, nor is there just one definition for smart or funny. You must also keep in mind that just because somebody else is smart and beautiful, does not mean that you are not smart and beautiful. You must keep the mindset that when you love yourself, it’s a lot easier for other people to love you as well. Once you truly become happy with who you are, that will shine through and you will radiate happiness wherever you go.
Once you know yourself and accept yourself, it is important to always be yourself. You now know who you are and what you like, so there is no reason in hiding that. If you are out with friends and they want to go see a scary movie and you absolutely hate scary movies, don’t be afraid to tell your friends exactly how you feel. They may end up going without you and that’s fine. People always appreciate somebody who is truthful and can make decisions for themselves. If you pretend to like what everybody else likes then you will become lost and your self-confidence is going to go right out the window. If you are comfortable with yourself and what you want, then you should have no problem making decisions for yourself and saying no to people. If you have an obsession with old newspaper articles then put them up in your house, on your fridge, or on a bulletin board. No matter how different your likes may be from those of others, you must embrace what you like. Don’t hide them away. Show them off to the world, show yourself off. If you can be yourself and make your own decisions, disregarding anybody else, then you are on your way to self-confidence.
The last step in achieving self-confidence is to always do your best. As simple as this sounds, it is greatly impactful on one’s self-confidence. If you always try your best no matter what, then you will never have a reason to feel bad about yourself. What more can you ask from someone than to always do their best? At the end of the day if you know that there was nothing that you didn’t try your best doing, then you can go to sleep feeling confident and fulfilled. What is important about this step is to apply it to even the smallest of tasks. Even if you are having a terrible day at work, you must at least try your best or you will feel bad about it later. For example, your boss may ask you to sweep the floor. You may not think that something so little as sweeping the floor can impact your self-confidence, but it most definitely can. Sweep underneath the tables and in all of the hard to reach corners, because it’s only going to take a fraction of a minute longer and at the end of the day you can say that you did your best and that you are proud of yourself. You might have a terrible boss, but you at least don’t have to question whether or not he may be right about you being a bad employee, because you will know that you are the only one who sweeps the corners and does your job to the best of your ability and so therefore it will not matter what your boss says or thinks. You will have no reason to doubt yourself if you know that there was nothing else that you could have done to do a better job.
Achieving self-confidence is truly as easy as following these four simple steps. Once you know who you are, accept who you are, be who you are, and always try your best, you will be self-confident and happy with yourself. Once you choose to love yourself for who you are and you achieve self-confidence, the possibilities in life are truly endless. Self-confidence will guide you and help you to live a self full filling, happy, and exciting life.

In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.

As I was laying in my bed, I noticed my eyes straining.
I wasn't blinking, so they were pretty dry at this point.
I reached into my night stand drawer,
pushed aside my grinder and grabbed the cure.

Eye drops.

I ******* off the cap, grabbed my left eye and up with the bottle.
As the pressure was building from my light squeeze, a glistening ball appeared at the tip.

The cure.

And then, it
dropped.

Causing a refreshing blur.

I looked up and moved my eye around…
and around before placing my eyes to the
floor.

Disregarding,
the floating woman at my door.

The three stood listening to a fresh access
Of wind that caught against the house a moment,
Gulped snow, and then blew free again—the Coles
Dressed, but dishevelled from some hours of sleep,
Meserve belittled in the great skin coat he wore.

Meserve was first to speak. He pointed backward
Over his shoulder with his pipe-stem, saying,
“You can just see it glancing off the roof
Making a great scroll upward toward the sky,
Long enough for recording all our names on.—
I think I’ll just call up my wife and tell her
I’m here—so far—and starting on again.
I’ll call her softly so that if she’s wise
And gone to sleep, she needn’t wake to answer.”
Three times he barely stirred the bell, then listened.
“Why, Lett, still up? Lett, I’m at Cole’s. I’m late.
I called you up to say Good-night from here
Before I went to say Good-morning there.—
I thought I would.— I know, but, Lett—I know—
I could, but what’s the sense? The rest won’t be
So bad.— Give me an hour for it.— **, **,
Three hours to here! But that was all up hill;
The rest is down.— Why no, no, not a wallow:
They kept their heads and took their time to it
Like darlings, both of them. They’re in the barn.—
My dear, I’m coming just the same. I didn’t
Call you to ask you to invite me home.—”
He lingered for some word she wouldn’t say,
Said it at last himself, “Good-night,” and then,
Getting no answer, closed the telephone.
The three stood in the lamplight round the table
With lowered eyes a moment till he said,
“I’ll just see how the horses are.”

“Yes, do,”
Both the Coles said together. Mrs. Cole
Added: “You can judge better after seeing.—
I want you here with me, Fred. Leave him here,
Brother Meserve. You know to find your way
Out through the shed.”

“I guess I know my way,
I guess I know where I can find my name
Carved in the shed to tell me who I am
If it don’t tell me where I am. I used
To play—”

“You tend your horses and come back.
Fred Cole, you’re going to let him!”

“Well, aren’t you?
How can you help yourself?”

“I called him Brother.
Why did I call him that?”

“It’s right enough.
That’s all you ever heard him called round here.
He seems to have lost off his Christian name.”

“Christian enough I should call that myself.
He took no notice, did he? Well, at least
I didn’t use it out of love of him,
The dear knows. I detest the thought of him
With his ten children under ten years old.
I hate his wretched little Racker Sect,
All’s ever I heard of it, which isn’t much.
But that’s not saying—Look, Fred Cole, it’s twelve,
Isn’t it, now? He’s been here half an hour.
He says he left the village store at nine.
Three hours to do four miles—a mile an hour
Or not much better. Why, it doesn’t seem
As if a man could move that slow and move.
Try to think what he did with all that time.
And three miles more to go!”
“Don’t let him go.
Stick to him, Helen. Make him answer you.
That sort of man talks straight on all his life
From the last thing he said himself, stone deaf
To anything anyone else may say.
I should have thought, though, you could make him hear you.”

“What is he doing out a night like this?
Why can’t he stay at home?”

“He had to preach.”

“It’s no night to be out.”

“He may be small,
He may be good, but one thing’s sure, he’s tough.”

“And strong of stale tobacco.”

“He’ll pull through.’
“You only say so. Not another house
Or shelter to put into from this place
To theirs. I’m going to call his wife again.”

“Wait and he may. Let’s see what he will do.
Let’s see if he will think of her again.
But then I doubt he’s thinking of himself
He doesn’t look on it as anything.”

“He shan’t go—there!”

“It is a night, my dear.”

“One thing: he didn’t drag God into it.”

“He don’t consider it a case for God.”

“You think so, do you? You don’t know the kind.
He’s getting up a miracle this minute.
Privately—to himself, right now, he’s thinking
He’ll make a case of it if he succeeds,
But keep still if he fails.”

“Keep still all over.
He’ll be dead—dead and buried.”

“Such a trouble!
Not but I’ve every reason not to care
What happens to him if it only takes
Some of the sanctimonious conceit
Out of one of those pious scalawags.”

“Nonsense to that! You want to see him safe.”

“You like the runt.”

“Don’t you a little?”

“Well,
I don’t like what he’s doing, which is what
You like, and like him for.”

“Oh, yes you do.
You like your fun as well as anyone;
Only you women have to put these airs on
To impress men. You’ve got us so ashamed
Of being men we can’t look at a good fight
Between two boys and not feel bound to stop it.
Let the man freeze an ear or two, I say.—
He’s here. I leave him all to you. Go in
And save his life.— All right, come in, Meserve.
Sit down, sit down. How did you find the horses?”

“Fine, fine.”

“And ready for some more? My wife here
Says it won’t do. You’ve got to give it up.”

“Won’t you to please me? Please! If I say please?
Mr. Meserve, I’ll leave it to your wife.
What did your wife say on the telephone?”

Meserve seemed to heed nothing but the lamp
Or something not far from it on the table.
By straightening out and lifting a forefinger,
He pointed with his hand from where it lay
Like a white crumpled spider on his knee:
“That leaf there in your open book! It moved
Just then, I thought. It’s stood ***** like that,
There on the table, ever since I came,
Trying to turn itself backward or forward,
I’ve had my eye on it to make out which;
If forward, then it’s with a friend’s impatience—
You see I know—to get you on to things
It wants to see how you will take, if backward
It’s from regret for something you have passed
And failed to see the good of. Never mind,
Things must expect to come in front of us
A many times—I don’t say just how many—
That varies with the things—before we see them.
One of the lies would make it out that nothing
Ever presents itself before us twice.
Where would we be at last if that were so?
Our very life depends on everything’s
Recurring till we answer from within.
The thousandth time may prove the charm.— That leaf!
It can’t turn either way. It needs the wind’s help.
But the wind didn’t move it if it moved.
It moved itself. The wind’s at naught in here.
It couldn’t stir so sensitively poised
A thing as that. It couldn’t reach the lamp
To get a puff of black smoke from the flame,
Or blow a rumple in the collie’s coat.
You make a little foursquare block of air,
Quiet and light and warm, in spite of all
The illimitable dark and cold and storm,
And by so doing give these three, lamp, dog,
And book-leaf, that keep near you, their repose;
Though for all anyone can tell, repose
May be the thing you haven’t, yet you give it.
So false it is that what we haven’t we can’t give;
So false, that what we always say is true.
I’ll have to turn the leaf if no one else will.
It won’t lie down. Then let it stand. Who cares?”

“I shouldn’t want to hurry you, Meserve,
But if you’re going— Say you’ll stay, you know?
But let me raise this curtain on a scene,
And show you how it’s piling up against you.
You see the snow-white through the white of frost?
Ask Helen how far up the sash it’s climbed
Since last we read the gage.”

“It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the window-pane.”

“Brother Meserve, take care, you’ll scare yourself
More than you will us with such nightmare talk.
It’s you it matters to, because it’s you
Who have to go out into it alone.”

“Let him talk, Helen, and perhaps he’ll stay.”

“Before you drop the curtain—I’m reminded:
You recollect the boy who came out here
To breathe the air one winter—had a room
Down at the Averys’? Well, one sunny morning
After a downy storm, he passed our place
And found me banking up the house with snow.
And I was burrowing in deep for warmth,
Piling it well above the window-sills.
The snow against the window caught his eye.
‘Hey, that’s a pretty thought’—those were his words.
‘So you can think it’s six feet deep outside,
While you sit warm and read up balanced rations.
You can’t get too much winter in the winter.’
Those were his words. And he went home and all
But banked the daylight out of Avery’s windows.
Now you and I would go to no such length.
At the same time you can’t deny it makes
It not a mite worse, sitting here, we three,
Playing our fancy, to have the snowline run
So high across the pane outside. There where
There is a sort of tunnel in the frost
More like a tunnel than a hole—way down
At the far end of it you see a stir
And quiver like the frayed edge of the drift
Blown in the wind. I like that—I like that.
Well, now I leave you, people.”

“Come, Meserve,
We thought you were deciding not to go—
The ways you found to say the praise of comfort
And being where you are. You want to stay.”

“I’ll own it’s cold for such a fall of snow.
This house is frozen brittle, all except
This room you sit in. If you think the wind
Sounds further off, it’s not because it’s dying;
You’re further under in the snow—that’s all—
And feel it less. Hear the soft bombs of dust
It bursts against us at the chimney mouth,
And at the eaves. I like it from inside
More than I shall out in it. But the horses
Are rested and it’s time to say good-night,
And let you get to bed again. Good-night,
Sorry I had to break in on your sleep.”

“Lucky for you you did. Lucky for you
You had us for a half-way station
To stop at. If you were the kind of man
Paid heed to women, you’d take my advice
And for your family’s sake stay where you are.
But what good is my saying it over and over?
You’ve done more than you had a right to think
You could do—now. You know the risk you take
In going on.”

“Our snow-storms as a rule
Aren’t looked on as man-killers, and although
I’d rather be the beast that sleeps the sleep
Under it all, his door sealed up and lost,
Than the man fighting it to keep above it,
Yet think of the small birds at roost and not
In nests. Shall I be counted less than they are?
Their bulk in water would be frozen rock
In no time out to-night. And yet to-morrow
They will come budding boughs from tree to tree
Flirting their wings and saying Chickadee,
As if not knowing what you meant by the word storm.”

“But why when no one wants you to go on?
Your wife—she doesn’t want you to. We don’t,
And you yourself don’t want to. Who else is there?”

“Save us from being cornered by a woman.
Well, there’s”—She told Fred afterward that in
The pause right there, she thought the dreaded word
Was coming, “God.” But no, he only said
“Well, there’s—the storm. That says I must go on.
That wants me as a war might if it came.
Ask any man.”

He threw her that as something
To last her till he got outside the door.
He had Cole with him to the barn to see him off.
When Cole returned he found his wife still standing
Beside the table near the open book,
Not reading it.

“Well, what kind of a man
Do you call that?” she said.

“He had the gift
Of words, or is it tongues, I ought to say?”

“Was ever such a man for seeing likeness?”

“Or disregarding people’s civil questions—
What? We’ve found out in one hour more about him
Than we had seeing him pass by in the road
A thousand times. If that’s the way he preaches!
You didn’t think you’d keep him after all.
Oh, I’m not blaming you. He didn’t leave you
Much say in the matter, and I’m just as glad
We’re not in for a night of him. No sleep
If he had stayed. The least thing set him going.
It’s quiet as an empty church without him.”

“But how much better off are we as it is?
We’ll have to sit here till we know he’s safe.”

“Yes, I suppose you’ll want to, but I shouldn’t.
He knows what he can do, or he wouldn’t try.
Get into bed I say, and get some rest.
He won’t come back, and if he telephones,
It won’t be for an hour or two.”

“Well then.
We can’t be any help by sitting here
And living his fight through with him, I suppose.”


*****************

­
Cole had been telephoning in the dark.
Mrs. Cole’s voice came from an inner room:
“Did she call you or you call her?”

“She me.
You’d better dress: you won’t go back to bed.
We must have been asleep: it’s three and after.”

“Had she been ringing long? I’ll get my wrapper.
I want to speak to her.”

“All she said was,
He hadn’t come and had he really started.”

“She knew he had, poor thing, two hours ago.”

“He had the shovel. He’ll have made a fight.”

“Why did I ever let him leave this house!”

“Don’t begin that. You did the best you could
To keep him—though perhaps you didn’t quite
Conceal a wish to see him show the *****
To disobey you. Much his wife’ll thank you.”

“Fred, after all I said! You shan’t make out
That it was any way but what it was.
Did she let on by any word she said
She didn’t thank me?”

“When I told her ‘Gone,’
‘Well then,’ she said, and ‘Well then’—like a threat.
And then her voice came scraping slow: ‘Oh, you,
Why did you let him go’?”

“Asked why we let him?
You let me there. I’ll ask her why she let him.
She didn’t dare to speak when he was here.

Their number’s—twenty-one? The thing won’t work.
Someone’s receiver’s down. The handle stumbles.

The stubborn thing, the way it jars your arm!
It’s theirs. She’s dropped it from her hand and gone.”

“Try speaking. Say ‘Hello’!”

“Hello. Hello.”

“What do you hear?”

“I hear an empty room—
You know—it sounds that way. And yes, I hear—
I think I hear a clock—and windows rattling.
No step though. If she’s there she’s sitting down.”

“Shout, she may hear you.”

“Shouting is no good.”

“Keep speaking then.”

“Hello. Hello. Hello.
You don’t suppose—? She wouldn’t go out doors?”

“I’m half afraid that’s just what she might do.”

“And leave the children?”

“Wait and call again.
You can’t hear whether she has left the door
Wide open and the wind’s blown out the lamp
And the fire’s died and the room’s dark and cold?”

“One of two things, either she’s gone to bed
Or gone out doors.”

“In which case both are lost.
Do you know what she’s like? Have you ever met her?
It’s strange she doesn’t want to speak to us.”

“Fred, see if you can hear what I hear. Come.”

“A clock maybe.”

“Don’t you hear something else?”

“Not talking.”
“No.”

“Why, yes, I hear—what is it?”

“What do you say it is?”

“A baby’s crying!
Frantic it sounds, though muffled and far off.”

“Its mother wouldn’t let it cry like that,
Not if she’s there.”

“What do you make of it?”

“There’s only one thing possible to make,
That is, assuming—that she has gone out.
Of course she hasn’t though.” They both sat down
Helpless. “There’s nothing we can do till morning.”

“Fred, I shan’t let you think of going out.”

“Hold on.” The double bell began to chirp.
They started up. Fred took the telephone.
“Hello, Meserve. You’re there, then!—And your wife?

Good! Why I asked—she didn’t seem to answer.
He says she went to let him in the barn.—
We’re glad. Oh, say no more about it, man.
Drop in and see us when you’re passing.”

“Well,
She has him then, though what she wants him for
I don’t see.”
“Possibly not for herself.
Maybe she only wants him for the children.”

“The whole to-do seems to have been for nothing.
What spoiled our night was to him just his fun.
What did he come in for?—To talk and visit?
Thought he’d just call to tell us it was snowing.
If he thinks he is going to make our house
A halfway coffee house ‘twixt town and nowhere——”

“I thought you’d feel you’d been too much concerned.”

“You think you haven’t been concerned yourself.”

“If you mean he was inconsiderate
To rout us out to think for him at midnight
And then take our advice no more than nothing,
Why, I agree with you. But let’s forgive him.
We’ve had a share in one night of his life.
What’ll you bet he ever calls again?”

P-Postponing all those things until another time
R-Rostering them for attention down the track
O-Offering all sorts of excuses stalls one's climb
C-Constantly one defers the mounting job stack
R-Repeatedly ignoring their pealing bell chimes
A-Acting upon them requires an assertive knack
S-Still one avers in responding to their rhymes
T-Taking not a step forward nor any back
I-Initiative and get in and do it isn't one's paradigm
N-Never does one heed their ever tolling clacks
A-Always sitting in an idle non moving show time
T-The day shall arrive with a great waking whack
I-Into motion one shall soon be called to climb
O-On one's toes the chores are waiting in the rack
N-No more disregarding the many sounding chimes

bespeckled, blotched & blokey
feminine in aspects
only little ****** hair patches
two chins,
or rather a sloped one
the front evenly declining to the middle of the throat
a gradual ***** from the tip, for juices to run if his manner and situation allowed him to be as casual and sloppy as his laziness chose,

torso without form, so there was no curvature on the buttocks or the fly region.
a mass
a blob of bulges on spindly legs

he leans on the wall
stubby in hand he balks
(he means jovial but unintentionally he vocalises mockery)
at the suggestion that the Pies will do better
& that Eddie is a clever man due for thanks, who has done his club well (apparently a straight Aussie arrow tried and true!)

the man ***** his head back & cackles
(the trebly popping bubbles of a gala crackle outwards as the man cackles)
& decides his arms need a rest,
(a long day of up and down they have had indeed, they deserve respect, or rest (or a benching))
  so he places his beer down
on a sloped surface,
& therefore it slips down….

he sees it plummeting, he stretches toward it's tragic trajectory,
…..but he is too slow
it smashes
on his foot (the shards) the beer bottle it transfigures,
and the shards they impart their misery on his toes.  
The shards they intrude on his relaxed state of wellbeing, they intrude on the security sanctioned within the casual footwear of a man at a barbecue; taking it easy.
he swears and hops, reaching in indignation for his bleeding toes
he holds the wound cursing; resisting the impulse to begin convulsive throws
(an oscar worthy performance from a usually suburbaly urbane individual)

the moisture feels degrading
(as it would within a man's pants)
the pain from the cuts it is worsened
by the smirking gazes of others about

he hobbles, disregarding his thong in the wreckage of the scene

off to retrieve a band aid
to mend his ego
and his foot
simultaneously

Before the birds and the bees the sun and the moon
without stars in the sky nor the land nor the dune

Not a sea not a plant not a tree not an ant
there was not a wildebeest nor an elephant

Just one small room
was the Craftsman's dark tomb

He toiled unstoppably without night nor day
in the blackened room he was bound to stay

for eternity the Craftsman seemed doomed
to continuum to be stuck in the loom

Blindly toiling in the binding shadow
with black tools viciously hallow

hammers and nails mud clay ashen bricks
marble chisel mortar pestle tricks

Monotony sparked the craftsman's lost temper
the wall became canvas for angry distemper

His artistic equipment brushed the prison walls
hour upon hour O' mighty hammer falls

He hammered until it whittled away
his fists were red raw like the break of day

The Craftsman was caked in saddened rough sweat
dejection on brow heavy did get

The Craftsman let his head fall low
out of the wall did a light show

A peephole smaller than a rat's tail
was broken wide in the prison cell

Wondrously untamed the light spilled
rolling and soaking all was filled

With light's glory the Craftsman could not see
another blindness that harsh bright brought be

His tools and materials all were a beautiful gleam
the Craftsman pleasantly content with the scene

Slowly but surely the room was filled
and then his neck almost needed t'be gilled

Lacking a need and bound to drown
he singularly thought his problem profound

The Craftsman deftly picked up his tools
and set to building collective pools

To contain flowing light
he took all his might

and built wholly right
a fountain delight

Artistic wonders into his structure
of beast and nature all perfect sculpture

Of timber and clay of marble and grass
he worked until the fountain's completion at last

In the Craftsman's abode was the most beautiful fountain
which all of the light was collectively bound in

Little black Leeches began squeezing through
at first it was only one Leech or two

The Craftsman was able to squish them all out
but even he grew tired bout after bout

They began to stick to his precious creation
Leeches worthy of the vilest waste-bin

The evil pulled petals off of wooden flowers
and the nose off of many clay tigers sin powers

Duly distraught for days he sat
tormented watching his statue crumble flat

Under the weight he watched stone clueless
wondering who endeavored to do this

Disregarding he set to his one task
deep within his mind he firmly did ask

He built a statuette and endowed it with life
by breathily bestowing will to battle strong strife

Using only dirt that had flowed into home
he crafted brains limbs and torso and left them alone

The Craftsman thought and pulled out a rib
and crafted the partner the woman most glib

The Craftsman sat back and watched ambition grow
the seeds thrived and they the **

They fought and they loved they created and destroyed
they lived and they died but survived all the void

The combat with Leeches
embattled stony beaches

Watching the battle
he saw no major rattle

When the Craftsman realized he was needed no longer
he built a chair for himself and sat down to ponder

Years and years more was the Craftsman
stoically sitting watching his creations gain traction

They leaped and progressed
with clothes or undressed

Intervening no more
they handled their score

His beard grew longer and longer and his eyes drooped lower and lower
until finally the Craftsman's heart beat slower and slower

comatose he waited ever in slumber
for his creations to need him to save any blunder

Ever hoping it never was necessary
life flowed around purposefully predatory

He watched their lineage improve naturally and viciously
and off they went history to history
the future was as it will be just a mystery

Mother, do you remember,

Four bare feet in spring grass and the smell of laundry soap?
"When are you gonna have the baby?" I asked as we stood on the crest of that *****.
And you glanced through your lashes at my  face filled with hope.

Then you paused while hanging a dress shirt on the clothes line.
The knowing, closed mouth smile you gave was a favorite of mine.
and you said, "Soon, Sugar." Which with me, was just fine.

Mother, do you remember,

My small, sticky hand grasping the gathers of your familiar skirt?
Never intending for these days to end, curt.
Listening to doves sing of melancholy misfortune,  so overt.

The droning of the box fan, winding through a long afternoon nap?
Gentle breath, whispering chill through my  dampened hair, with my head on your lap.
My knobby knee crooked over your long leg, never wanting to unwrap.

Mother, do you remember,

Dad fresh from work, blowing through the door to kiss your cheek, interrupting the local news?
The lapping of ten content voices at dinner each night,  and the twins in their terrible twos.
You read aloud by the fireplace and I was mesmerized with its oranges and blues.

And Mother, do you remember,

Looking pointedly at me, recognizing I was the youngest in the room?
Beginning The End with "I went to the doctor.." and "..cancer," followed soon.
The shadows continued lengthening, on that evening of lilac perfume.

But Mother, do you remember,

How I returned to the street, roller skates on my feet?
Striding out the last of my innocence, like it was some kind of treat.
Unaware of the worry that swept through in a sheet.

Do you remember,

The lock of your silky hair that dropped from my shocked and trembling hands?

Because I remember,

The quiver of my voice as I whispered my love for you into your unconscious sands

Do you remember,
our Preacher's large hands settling on your head as he prayed for his friend through the night?

Because I remember,
feeling sorrow beyond my years make itself at home and not putting up a fight.

And do you remember,
The way your radiant skin turned grey?
The cool rag on your face wiping the saliva from your chin?
The. unsettling loss of something to say?
The guilt that settled in the place of your husband's grin?

Because I remember,
Acting cheerful until I was alone with the water running.
Sinking to my knees as the sobs ripped through me.
The last time you looked at me, sharp wise eyes so stunning.
Silently confirming what I couldn't bear to see.

Oh Mother do you remember,
how dying felt?

Because I remember,
Witnessing my childhood melt.

Your headstone proclaiming,
"If ever there was a saint, this is she"

Angrily I smeared away the tears that escaped,
disregarding my plea.

Mother, do you remember,
You and I,
Me and you?

Because sometimes,
I hate myself when
I struggle to.

How are you going to tell me about my heart if you've never been in it?

-The lock to your heart is my deep refrain, the path that takes me there may not lead me out again.

Six deadbolts and a wall great like China. Whispering L words while touring my ******. But my heart is not an exhibition. We all seem to love so different, would I just be a sight see should I let you in it?

-Your body is my vacation for exploration, a ticket with no expiration. Head to toe, anywhere on you is my destination. Sight see if thats the thought for you, but to see the sight is what I want to do.  The seductive me wants your toes curled due to warm embrace. My inner dog wants to see your O face.

The wife of a traveler, I print your boarding pass. Cruising along the waves of my saliva; hiking the mountains of my ***. My expedition is one of many, but i think that you should pick it. Theres only one flight departing, and i'm giving you the ticket. The life of an explorer, Oh Captain. The landmarks of my body are for you to conquer and explore. But once you leave your footprint will you set sail from my shore?

-A Brazilian wax or a landing strip, either or it doesnt matter they both point me to your lips. Your shores I see as we watch the sunset, an instinctive kiss, you sigh but its breathless.  As the night falls on this restless traveler, I'll take that one-way red eye ticket; final stop is to have her. I am the Captain of this ship and my journey is unbound, but the question is: when I set sail on your seas will you keep me safe and sound?

Captain, Oh Captain;  I long to be the vessel you navigate. The compass of direction magnetizing towards our fate. All the lonely nights at sea, wont you promise to keep afloat? If you are the propellers, I promise to be the boat. I wish only to fill your soul with warmth and pleasure. I have dived to the bottom of the seven seas, but I have already found my treasure. I want to sail the world with you; full speed until the end of time. But I need to cut your heart out, before I hand you mine.*

-If its yours to replace mine, simultaneously, is a must, because to give you my soul, takes a strong being to entrust, the strongest chess peice, queen to this king, you are my fruit bearer, my last name to follow yours at rear. I'll give you the scissors, but you better cut gently, and if you cut the wrong cord I will not put you down gently.

Oh Captain, Dear Captain, but surely your heart still beats true. Surely the blood is still warm and rich, not deprived oxygen blue. You must understand where I'm coming apart, my intent is not to sever your pretty little heart. I present to you my heart, served on a golden medallion token, But I fear your blood will turn cold once you see that it is broken. Let us not use scissors, the pierce will be too sharp. Let us use our fingers to grip each others heart. I will pump my love through your atriums and ventricles as if they were my own, disregarding any glitches...if you will love my raggedy heart, mending it with stitches

-Your words of kindness, your love not sorrow, pumps through my veins, heart beating days beyond tomorrow. My time will remove the stitches, your heart unscathed, no imperfections, no glitches. Turbulent may be the path ahead, yet a steady path this Captain will tread. Along on this voyage, your light makes bliss, and as long as your heart beats, a beat mine won't skip. I do for you as I won't do for others, fly a path so true, only seen by lovers.

*So we fly to the moon and we never come down. Queen, so pristine, lounging afloat my crown. So then I am the locket, and you are the key. The combination to set the spell free. I'll be your wonder woman; make my body your home. Yours entwined with mine; sultry metronome. The sweet steady beating of your heart is evoking; and if you look once again you will see my heart creeping open.

Speak the truth and the lies burn out of your life, termites and dust mites shout screaming out because of the fumed existence and pandemonium of the right accord of good things coming into your life

From the time the Creator Parents disobeyed the Law of One, The Father of the Universe has set out to create an Army or Allegiance to help Him polarize back to other Creator Parents, His Brothers, so to return to the Sound and True Light of  FATHER, to be embraced in the arms of Mother, HAROON, to trade tricks with the Priest Son, RAJ.   Many efforts have been made throughout the aeons to achieve this.

This Army then, some might call the Justice League, The Thunder Tribe, The Eliminators, The Time-Travelling Angels, and so on, have been going out to galaxies incarnating as the most common life-form there. On Earth, the conditions have been symbolic with many imbalances, lies, evils, greed and corruption.

Now because these beings or soldiers had given up their own will, what is called freewill, to serve a Higher Purpose; their assignments or missions on the planets they incarnate make for a refined and rapid understnading of life and thus at most, they die very young. They return to a more spiritual state than when they had first incarnated.
There is a story about such an angel who was a reverand who incarnated into a rich human family that owned trucks. So as he grew up he had lessons learned from his home planet ringing at the back of his head, he taught humans humanistic values, to turn the other cheek which means enduring circumstances really, being selfless, earning an honest living, reaching out to higher levels of vibration through doing good deeds one day at a time and treating the body as a temple.

Now because not all humans are the same or at the same dimension and process of spiritual evolution, some students who had been respecting these teachings that stem from the Law of One were progressing in spirituality and were basically living their dreams, it was then up to them to warn about disregarding those laws. Because humans have flaws, some members of this Higher Learning were growing jealous and some dropped out and stopped attending, resorting to having money to salvage their insecurities, having lustful engagements with multiple women to avoid loneliness and the worship of materials to absolve their incompleteness.  

Others were unfair such that they suggested that learners who had earned their colours or accolades be stripped off or not duly compensated and recognized and instead work for them so they can complete their own missions with which they were struggling. See it is important to stress that while these angels were selfless and generous they did not come to wipe the buttocks of impatient, foolish, selfish, irresponsible and greedy men. Those who were done, it was good for them they moved closer to the heavens and experienced the paradise the best parts of their hearts had always dreamt.

It was not a competition of sorts but for like of understanding, it can be seen as a race, drivers, runners or combatants on a track to reach the eternal lap where they live their destinies and eat from the fruits of immortality in the secret garden of heaven. In a prospect it can be seen as an attempt to find Eden. Because it is not a competition, merely a progress taking place at different paces, places, phases and environments. Those who had done well and were competent to ride at the next wave and dimension simply went there to continue in their learning, a cascading journey of life, on Earth or in the Afterlife, once they were done they became immortal and lived outside of time which meant they then waited for those who were still coming.  Oracles have it that this angel-soldier, Julo, chose a truck family because this family had an influence to change the way cars would drive, ~cars being the wings of angels in reality~, not only that but roads would be preserved so the riders would see clearly where they were going and how much length or path and time they had left; the awareness of this creates an urgency to learn about important principles and values in life, so then creating gates to divinity and pathways for the life-forms of that realm to live out their purpose and find refuge which is the home in heaven.

With this understanding it was acknowledged that when lovers become parents, the children weren't obliged to be the replay of their parents' lives, in other words props for their parents to act out a story until they could find perfection. It was a wave or energy field that would allow humans to experience divinity throughout all 14 dimensions, transforming into angelic beings once they reach 15, this was a re-Genesis of Heaven. To finally find the Resort and learn the mistakes that occured when Cosmic Mother, Callia was preganant with Artola. It was about the Ark of the Covenant, The Challice, The Holy Grail... Divinity, Beauty, Love. Liberty of Lifelihood

Two sparkle at xciting find.
Joy, relief, wishes flood our mind.
Reality numbed by ecstasy of find
Hardship, struggle, desires for now behind

Rightfulness of find, reality’s duality
Realization of self, fighting morality
The opportunity loss creates uncertainty.
The opportunity gain, creates possibility

How to capitalize on this potential
Designed improvements appear preferential
Decided, we proceed unconventional
We proceed like natural

Blades of diamonds remove the rough
Painstakingly disregarding, unwanted stuff
Transformation, tough
Mindful, not to lose a bough

Rough turn sparkle, every time
Faceted gem’s birth, sublime  
Artistry creates, perfect rhyme
This treasure set in time

Most beautiful combination
This magnificent creation
Testament of devotion
Evokes amazing emotion  

Bestowed, this incredible treasure
Brings about untold pleasure
Value, without measure
Diamond forever, ours to treasure

Use amethyst for everlasting creativity in your organic endeavors, to keep mental sobriety, to calm the drunkenness that is an overtly analytical mind and an emotional heart. Use lepidolite to remind yourself that love envelopes everything around us, and allow your own to radiate and touch those who need it most, never disregarding yourself. Also to trust and have faith in your unique energy, to channel your strength and allow yourself to dream awake, and live every day in love with the universe.

Unpleasant fingers that make a noise that I'm not comfortable with,
Not on my watch will you slander the name of her Boar.
Under the dandruff wigs of fellow coachmen,
I stand and say: Follow the path of preferred map-tracks,
Disregarding the glass of subtle milk,
Disregarding the shattered plastic, all, over, my, head,
Believing in a higher power, is, what, I, said,
Kevin, you need to leave me alone now,
I hate the paperboy.

i swore to myself
that a flick of the tongue
would never shelter self-hatred
so deeply embedded into the patchwork of my being.

contagion is a sad **** thing
and cycles seem to be an endlessly contributing factor
those who hurt cannot become hurt
and so we place our self-pity at the top of our priorities
disregarding emotion so carefully hidden in the fragile mind of others.
however there are few who's torment is only self-projected

i am one
an anathema that exists in silence

my past has been placed in a box full of secrets
along with the evidence of my self-mutilation
is there a way to keep my eyes shut and my dignity revealed?
this world is numb, and the apathy must be getting to me
because i would rather not feel a **** thing
than to be plagued by misery
from myself and the ones i love
however, emotions are not choices
and humans cannot be reprogrammed

it seems the pleas and slurs i leave in place of words
are what my familiars take to heart
bodies speak such complex languages
and not everyone has the patience
or the attentiveness
to listen to anything other than a cry

and although i warn
and beg for warmth
i receive only glaciers
and memories of faces
overwritten with impassivity
what i would give
to reach into the darkest parts of my soul
and rip out this sorrow
that has clung itself to the shadows of my psyche

in the depths of my worst memories
there is a wish
a want
a need
to take this heart of mine
and throw it to wolves
to be destroyed but desensitized
in my heart
is all my pity
my lust
my anger
my sadness
and sunshine darkened and gutted
so very long ago

When I was younger, I saw a meteorite
It fell from the orange sky
I watched it fly in front of me
I was sitting in the back of my family's jeep
Pointing forward,
Eyes glistening,
“Dad..”
“Look there..”
Before him was a white streak in the sky heading down
As if something was announcing
I was here
“It's a plane..” He said
Quickly diminishing my dream
Quickly disregarding what I think
That could have made me lose hope but I didn’t
My eyes still glistened
Looked up knowing it wasnt of this world
That this white streak was all that was left behind
As something miraculous came from the sky
It was special
Different and I knew it
No matter how many times he told me it was nothing
How many times I reiterated that it was more than that
That it was everything
That it was mysterious
And out of this world
He claimed it was nothing
That it  was the same
No ounce of doubt in his mind
He saw a plane
But I saw a meteorite

Throughout my life
I never saw someone that special
So beautiful  that they left white streaks in their wake
So amazing that I would of risked wrecking my car
Just to see the allure they can create
I knew she was out of this world
And what we had was special
Different
But my dad claimed it was nothing
We were just friends
And my love was misinterpreted
Quickly diminishing my dream
Quickly disregarding what I think
But my eyes still glistened  
As the sight of her
There was no one I loved more
My dad swore what we had was nothing
While I swore it was the opposite
That it was everything
That it was beauty
And it was special
And it was different

Later on the news
The reporter spoke of a meteorite that fell in my county
The picture he showed was exactly what I thought it would be
“Wow” my dad said
“You were right”

A  pheasant  is  strutting
around  my  garden  today.

He's  a  very  beautiful  bird
and  he  knows  it.

Strutting  around  as  if
he's  the  king.

Calling  out  now  and  again
disregarding  all  the  other  birds.

I  must  be  close  to  nature
with  him  in  the  garden.

Keith  Wilson.  Windermere.  UK.  2016.

There was a sun
behind  'The Sun'
that burned a little differently.
There was a sun
farther away,
that shone a little differently.

No source of light
No source of warmth
Was not the benevolent of nature.
There was a sun
who looked a lot like you
A sun, of higher stature.

Fierce soldier, fighting hard
Cared not, feared not
the tides, the moon, the death lake.
Would burn and melt and heat and bake
Cared not, feared not
about anyone, but his dear snowflake.

He moved about,
round and round
unlike the many others.
Spellbound by the softness
of the snow ,the tempted young sun
couldn't stay any farther.

And thence moved,
the imperious sun
at a steady but leisurely pace.
Towards the wishful
and restless snowflake
who waited for his wordless embrace.

This twosome of heat and frost
wasn't meant to be
said the Mighty Lord.
Disregarding the Lord's words
The fervid sun said
"We shall be together against all odds"

Hesitant and anxious
were the first touches,
strong was this polarized attraction.
Melted the snow on the Sun's surface,
He couldn't stop this
unintentional percolation.

She gave her life
To the infinite sun
Though ,In his core she was reborn.
Calmed his inferno, the snowflake
Outstretched her empty hands again,
Cooled down the sun's wrath, like she had sworn.

We live in a beautifully harsh world where we often blame society for its faults, disregarding the fact that we are society.  Even so,  this is a world where love lies, where compassion is present and hope never dies. I am not talking about the world as a whole, but rather the world of us people.  No matter how hard it is to live in a world with threats like wars, murders and such, we still try. Because we know that happiness can be grasped, that dreams do come true, that there is someone out there for us, that you love us despite our never ending flaws.  If you are reading this, I want to thank you, for still existing.  At times we always think we need to be doing something,  to make sure we are leaving a mark. Sometimes though, I think it's okay to just be. You'll be remembered in the hearts of the people who's lives you've changed. Because presence in its self is comfort. Most of you don't know me personally and you might never actually get the chance to meet me as I may never get the chance to meet you. But I want you to know, that I am here. I am thankful for your existence. Ah, you're amazing. Thank you.

When upset, it’s relieving to hear the voices in my head,
The whispers guide my deranged mind to the intentions of never fixing situations,
Instead, it takes me to the land of make believe,
Where I live and continue to repeat,
The cycle of excuses to conceal the history of reality.
Battle wounds and scars pierce right through me,
Viewing the ghost within,
I keep my distance from those attempting to come in.
Time and patience will help me heal from the internal pain they say,
However, I confide in ghosting, while disregarding the feeling of void in my heart.
I remain blind to the difference of things,
Self expression, communication and social integrity make it difficult for me to see,
The truth in where liars lie.
But still, I persist,
Despite the fact that in all forms of reality, I’m struggling.
I attempt to pretend like life is going good and my mentality is okay,
This guilt only allows my body to relapse yet again.
Unintentionally and subconsciously, I’m hurting,
The people who “care” for me.
Instantaneously, the late hours control my eyes to remain wide awake,
Oftentimes, I go numb enough to not speak,
I stray away from the support team behind me,
In order to, stay away from the demon externally taking a hold of me.
Soul is too open to close,
Bones and touch are too cold to take,
It’s true, our ends were never meant to mend,
Due to my expectations of plans never set in place.