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 May 2016
A
What does it mean to lose?

What does it mean to be stripped down to your core and stand, yielding, for the entire world to judge?

I sit alone, among snowy abundance and beauty so severe, that the very thought of countering it is laughable. The sky is poised with such excellence, whilst all around me, the birds display their intentions through a chorus of chirps and chatters, and yet, somehow – all is still. I ponder the idea of loss.

And wonder if, in this noble cycle, anything is really lost at all...
 May 2016
Maple Mathers
Marshall is the Only Thing that Mathers: Lessons of Elementary School

When I was in third grade, I found religion.

Well. Kind of.

My older sis brought a CD home one day - "The Eminem Show" - and explained how cool - how popular, rather - it made her. This was news, as the both of us personified the textbook social pariah - we were weird, or something. And kids made sure we knew it.

"Eminem?" I wondered. "Who names themselves after candy?"

Slim Shady did, apparently. Cannibalism, at its prime.

"Duh, stupid idiot! It's spelled differently!" Scoffed my sister. She loved to remind me who was boss; she had a ball making me feel even smaller than she did (I'd assume). A talent amplified by her superior intellect, which isolates her to this day. Back then she could do as she pleased, and I'd readily adapt. She was many thing, but predominantly, she was there. And I adored her for it.

She told me everyone had or knew this music. This Eminem band.

I listened till I could recite every track, verbatim. Captivated instantly.

The very next day, I came to school, ratty and grimy looking as ever (my mother hadn't taught me any different - for, I suppose, she had looked my way but saw only herself. Thus, I frequented the principal's office those days, teacher sent me from class every morning for disrespecting the environment.

Apparently, looking homeless isn't  acceptable - even if you're 9.

Anyways. At least I got to miss class.

Nobody would play with me those days. I had just one friend for all those years. They'd kick me and spit on me, lock me out in the snow, call me Spider.

Typical grade school semantics.

However, that CD was a game changer, I anticipated. Things were different. I knew about Eminem, and since my sister's peers were obsessed, mine would soon be, too. Thus, they'd finally play with me, wouldn't they?

Those were my expectations.

But. Conclusions drawn by a 9-year-old aren't exactly conclusive, it turns out. I approached a handful of children during recess. And promptly, terrified them.

Estatic, I exclaimed, "I'm going to hell! Who's coming with me?!"

I was beaming. For a couple seconds. And then Everyone ran, screaming and crying, yelling back at me with the appropriate intonations for a sewer rat.

I didn't understand why. Baffled nobody percieved my announcement as hysterical. And brilliant.

Yet, I got what I wanted, I suppose. Invisibility negated by taboos and vulnerability; I, the Satan freak, finally became interesting. Interesting enough to be picked on, and bullied.

It was an upgrade at the time.

Though, I had yet to understand why it'd occurred; the quote was hilarious to me. God meant nothing to me - "insulting" the lord, what did that even mean?

How would I know?

Alone, again, I snuck behind a tree and wrote all the lyrics I could recall - it was all okay, cause soon, I'd be home.

And home meant Eminem. Someone I could count on to be there. No matter what.

Funny how those same kids arrived at high school, and learned what a real bully can do. Bullies who never messed with me once, and never would. It's unwise to provoke a bee, you see - especially the queen of the hive. ;)

And laugh it up, but Shady is forever my religion.
Shady is My Religion.
❤️
 May 2016
Maple Mathers
When I was six, my grandmother enrolled me in ballet class.

     This choice was the first of many attempts to negate my tomboyish nature. Perhaps, she’d hoped that instead of collecting insects and cutting apart Barbie dolls, the pirouettes and glitzy attire might spin me. I was spun, eventually, but that had nothing to do with dance.

     Blame it on my peers; blame it on the tutus. Truth be told, my time was generally spent out of sight; but I got my kicks sneaking a reptiles home, playing with dinosaurs - never dolls, or - of course - taming earwigs. Alone.

     I don’t remember the classes, or the other little girls. In fact, the sole (no pun intended) impression left behind by those dance classes was why they'd end.
It was to be my first recital. The whole class had been coaxed into flashy leotards and uncomfortable tights. We’d been instructed to skip in a single file line onto the stage, which catalyzed my predicament, as I hadn’t a clue about the routine.

     As the girl preceding me danced into view, I floundered in terror – my turn had arrived. I fumbled along in her wake, passing the curtain and reaching the stage.

     The stage!

     An arena of ruthless lights, unveiling my anonymity. I faltered in terror, registering the audience registering me. How vast the auditorium looked against my tiny body! Betrayed by those blinding stage lights, I cowered at the mercy of the whole world.

     The instructor, a faceless female, was showing whose boss as girls began skipping around me.

    And yet, there I stood. Petrified that moving forward negated any hope of escape. My proximity to the curtain merited two options... the bright side of the curtains, which would soon claim everyone else in the vicinity, or the dark. I engaged in a mental game of Tug-a-war that lasted all of about half a second.

     The dark curtains won.

     So, dodging around the obnoxious ballerinas, I descended back into safety. It mattered not where I went, as long as I put distance between myself and the audience. Distance between myself, and detection.

     At some point, I discovered a backstage crevice, in which darkness sheathed me. For, even at five, I understood dark and safety to be synonyms.

     So, I crawled inside, and I hid.

     I don’t remember who went seeking. Nor, do I know who found me. Nobody is a possibility; it was an “Ollie, Ollie, Oxen Free” forfeit, perhaps. A rule that defeats the point of its own game. For at six, I was young enough to obey that “come out, come out, wherever you are” nonsense. But, such rules were dropkicked long ago.

     For, your existence – dear hide-and-seek – all but defines me. This game, that darkness, possesses my psyche.

     Some days, I ponder the uncertainty of memories. Vexed, for where memory dies, illusions are born. Illusions romanticizing reality – a reality in which I never came out, lost and unfound, a reality in which I’ll never come out, out, wherever I am. Hidden beneath the darkness.

     For, in truth, I have been hiding ever since.
(All poems original Copyright of Eva Denali Will © 2015, 2016)

Excerpt from my novel, Pretense.
 May 2016
Maple Mathers
~-~-~

Promise after promise
Fell into my head
I carried them with me,
I took them to bed

So hopeful, I waited;
To hold your forever
Intentions negated
This jaded endeavor

Yet, lies soon took shape
And doubt would take hold
Your dormant coercion
Cementing the mold.

You never came through
You never came back
The woodchips, they faded
The bracelets, I lacked

Trapped under my instincts
My innocence, vanished
The moon was relinquished
My purity, famished

Young as I was
I’ll never forget
The impact you left me;
Your stark epithet. . .

You took something good,
You found something pure
My will cut in half
Rose white, and demure.


The root of my psyche
You’ve yet to discern,
Who plundered my childhood;
My chastity, burned.

Existence forgotten;
Defined from within
I’ll never evade you
You’re etched in my skin.

Scar after scar
Fell into my arm
Your ink swam my bloodstream
Your slander, your charm

I swindled the rabbit
And powdered my nose
Freefalling in choices
Defining your prose.

With tasty white pills,
A hand in my throat
A liver that’s grilled;
The bible I quote.

With no one on earth
To save me from me
I sampled the bottle
From under our tree.

I cannot begin
Nor pretend to describe
What happened to Maple,
Who am I inside?

The loneliest girl
In the entire world
The events I’d mistaken
The chastity; hurled


All that I know
And all that I think;
Is this monster within me
Was born in a blink

But who’d tune in now?
The opinions are set.
My mind is jay walking
The lines of regret.

The holes in my person
The doubt I can’t sever;
My husk of normalcy
Braving the weather. . .

For what you don’t know
Is what you can’t nurse
Assumptions you draw
Are making me worse.

Conclusions concocted
Your story, enhanced
My path interrupted
Dismissed by a glance.

So I’ll say goodbye;
There’s no seeds to sew
For this is my truth. . .
Confession bestowed.

Still treading his words
That flood to the brink;
Harassed, used, and left
In less than a BLINK.
To Moses,                                                           
When I was fourteen you told me
You’d never leave me.                      
Yet, it’s been twenty years;                 
My pockets are still filled    
With woodchips.                            



All poems original Copyright of Eva Denali Will © 2015, 2016.
 Mar 2016
Maple Mathers
Once upon a time.

           Once upon a time there lived a young girl. A girl who believed that words could be mastered. This girl was young enough to confuse love with addiction – for in her mind, she knew no difference. She created symbols and motifs wherever she went. Speech failed her, but words did not. And more often than not, she listened, but did not hear a thing. When she listened, however, she maintained an untarnished faith in the words she heard.

           She was coasting fourteen when she encountered the master of words. He was disguised, however, as an unremarkable seventeen-year-old. His presence solidified a stereotype; he was older, darker, and lurid in his quest for love. Spun from his lust of literature, the boy could read with college leveled comprehension by the time he’d reached sixth grade.

           Once upon a time, a young girl met a boy whose charisma was nothing short of magic.

           Within the time they exchanged, she was too young, and he was needy, broken, and wildly manipulative. Their connection was catalytic and in some instances, he fell in love with her innocence, whilst she grew addicted to his words.

           Words; so trivial, so redundant, and so simple. Yet, so inexplicably controlling. In the same instance that sticks and stones could break her bones, his words would eternally mark her. His words, which enabled her addiction. Words that made it okay to leave her for another, to appear again, only to leave all over again. Words that – months later – talked him into her psyche, away from her companions, away from her family, her academics, her normalcy. Into a space where his redundant sweet-nothings ensnared and enveloped her whole. Into a space where she remained, waiting for the fix she could only find in his mind. Once upon a time, the master of words cajoled this young girl into a space which grew so vast, he eventually couldn’t fill it, so he left.

           On the brink of demise, she examined her feeble body. Within, she found the extra spaces. These spaces weren’t obvious; there were no gaping holes or severed chunks visible. Rather, her body was ravaged by innumerable chasms and hollows, small enough to overlook and large enough to define her; cracks in the foundation. Perhaps a gaping hole was preferable – the equivalent to a broken heart – consuming, but easier to pinpoint and remedy. One large hole in a wall can be filled in. But these cracks she felt, this empty space, it unsteadied her entire foundation.
Nine months into her word addiction, the girl could be found festering within hollows. Miles away from her former self, she dwelled within expired voicemails, his notes, his letters. She knew she had no one to blame but herself, but she blamed him anyways.

           Once upon a time, there lived an extra space in which a girl resided; a girl who was not only surrounded by extra space, but filled with it as well. There lived a recovering word addict. Subsequently, this was all her fault, which she realized in the saddest of circumstances. Yet, she slowly learned to fill the extra spaces with distractions. She encountered drugs, new friends, an environment where she sometimes belonged. She remedied her schoolwork, resurrected her family’s trust, and quenched her addiction with masochism instead. Yet, this new foundation stood a mere ghost of the old one. Within her psyche, there remained cracks and holes and the decaying animal of innocence. As some cracks were filled in, new ones spread forth. Her disrepair did not increase nor decrease in the years to come. Rather, it spread to different locations, as she patched and filled along the way. She strived to fill the void; and yet, nothing she tried, no pain she inflicted and no other drug she tried could fill the extra space inside of her. The foundation of her psyche remained perpetually flawed.

           Months later, the master of words returned. This time, he faced a girl who had been thwarted and mastered by his words, and had grown bitter and stronger. Greeted by this unfamiliarity, he left. Only to come back, and then leave, and return, and then leave again. Frequenting her enough to make sure the extra space remained. As the girl lived on, his magnitude faltered. Somehow, the boy lost his words, and mastered silence. This was mind boggling. How someone who was once defined by charm and charisma could lose his voice. How the master of words could become a pantomime of the past, lost enough to cease speech entirely. Lost enough to master silence.
          
           Once upon a winter night in the midst of February, the boy finally grappled to re-master words, and seek the extra space, so long reserved for him. He picked up a phone, wrote some long forgotten words, and she came to rediscover him – wondering if his words could rekindle her space. They sat on a bed of formalities and spoke of nothing. Later, when he kissed her, she realized something; this boy was human. He was not an addiction, or a master, and he had no talent of filling up her emptiness indefinitely. Whether she had put him on a pedestal or he had schemed it, she never knew. Her crucial realization was that no one can master words. Words are merely filtered thoughts, twisted and abused by manipulators, such as the boy who became human. Most words are not genuine. They cannot be mastered because they are infinite.
          
           Extra and speechless, she realized that she was not a victim to any of his actions. She had invited him in, fell every time for his words, created a void, and welcomed him back whenever he saw convenience. He was nothing special, nothing to crave, just a boy. A boy whose words disagreed with his thoughts.

           The next day, she lost her complete and utter faith in words. And years later, she would write books and letters; ones he could not fill.
(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Mar 2016
Maple Mathers
Reads:

Hello, I'm
******


(And you are my path)
(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Mar 2016
Maple Mathers
Full Head**

More often than not, words have failed me. I fill the gaps I create with stutters and stammers, even when I know that silence says so much more.

I’d rather be alone than with anyone else in the world.

I always wanted to fit in, but I simply did not know how.
An old suicide note excerpt
 Feb 2016
Maple Mathers
2011:

Here and there, you called my name
For this is what you christened me
“Maple is a hurricane.”
Here and there you called my name.
Face to face, you’ll ascertain
That this is not the truth, you’ll see
I’m not a ******* hurricane
For this is what you christened me.



2015:

Hear, and where you called my name –
Abyss is what you christened me.
Oh, “Maple is a hurricane!
Said puppeteer’s overt reframe.
Braced and faced, they’ll ascertain
That this just YOUR truth – decreed
You sought a ******* hurricane
Within YOURSELF; yet, christened ME.**



HURRICANE MEDUSA, *******.
(You IDIOTS Can't STOP Your Hurricane
Ready or not, here I come).


(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Feb 2016
Creepstar
In real life I find it ******* hard to speak
Mind frame is looking pretty bleak
Its not that I think I'm weak
But finding something worthwhile is what I seek

Pull down my six panel flat peak
Scarf over mouth, hood up looking like a freak
Strange looks but I don't care for critique
Hiding in a sea of people is my technique
 Feb 2016
Maple Mathers
You are                                                              ­             
My ellipsis dots,                                           
                  trailing away, unspoken                     
. . .
                                                  You'll always belong
                                                                              on my horizon.
“I like your face better than you like my face.”

All poems original Copyright of Eva Denali Will © 2015, 2016
***Minus this one, sort of, as it was adapted but an old sinistra poem - the original work by my sister, Whitney Ingrid Will ©, 2007/2008.
<3
 Feb 2016
Maple Mathers
when I come to it.
(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Feb 2016
Maple Mathers
Rigid, my mind
Tight fastened in thought
Alone, save the loudest
Of volumes you sought;

A rhythm surrounds me:
The beat never stops.
My wrist – ever pounding
Sleeve dripping, nonstop.

These sounds are resources
You’ll never see bought –
So rare, and so special
Yet, mine? They are not.

“Gems?” You do ponder,
As pure as could be.
You hear not this beating?
Live hearts seal my sleeve!

I gathered each one
From men and from lovers
Then, left them undone
To never recover

These hearts I collect
As one might a stamp,
Each choking my wrist;
All broken and damp

As wet hearts do bleed
Each torn from one’s chest
The blood, you’ll not see
It’s ink they express!

“Now, why not your own?”
You wonder, distressed
But my chest is empty:
Forlorn, dispossessed.

My heart is no more –
I searched sea to see.
“How so?” You deplore.
‘Twas taken from me!

In place of a heart
I now hold a pen;
I’ll never be whole –
Likewise to all them:

I **** all these lovers
Must spare not these men
For one sole ingredient
Will satisfy pen.

Such hearts I do mention
Once, twice, and again
Draw ribbons of ink,
Gliding fresh to my pen


Rigid, your mind
Interrupting my thoughts
Becoming the loudest
Of volumes not sought

“Release and replace!”
A mere noise; you infest;
Oh, leave me alone,
Or your heart will be next!
Tales of a succubus: the cycle of abuse, as told by the perpetrator.




(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Feb 2016
Maple Mathers
far too young

to
be
this
**OLD
(All poems original Copyright of Eva Denali Will © 2015, 2016)
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