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"underbrush" poems
THERE is a wolf in me ... fangs pointed for tearing gashes ... a red tongue for raw meat ... and the hot lapping of blood-I keep this wolf because the wilderness gave it to me and the wilderness will not let it go. There is a fox in me ... a silver-gray fox ... I sniff and guess ... I pick things out of the wind and air ... I nose in the dark night and take sleepers and eat them and hide the feathers ... I circle and loop and double-cross. There is a hog in me ... a snout and a belly ... a machinery for eating and grunting ... a machinery for sleeping satisfied in the sun-I got this too from the wilderness and the wilderness will not let it go. There is a fish in me ... I know I came from saltblue water-gates ... I scurried with shoals of herring ... I blew waterspouts with porpoises ... before land was ... before the water went down ... before Noah ... before the first chapter of Genesis. There is a baboon in me ... clambering-clawed ... dog-faced ... yawping a galoot's hunger ... hairy under the armpits ... here are the hawk-eyed hankering men ... here are the blond and blue-eyed women ... here they hide curled asleep waiting ... ready to snarl and **** ... ready to sing and give milk ... waiting-I keep the baboon because the wilderness says so. There is an eagle in me and a mockingbird ... and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want ... and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes-And I got the eagle and the mockingbird from the wilderness. O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart-and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where-For I am the keeper of the zoo: I say yes and no: I sing and **** and work: I am a pal of the world: I came from the wilderness.
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Wilderness
THERE is a wolf in me ... fangs pointed for tearing gashes ... a red tongue for raw meat ... and the hot lapping of blood-I keep this wolf because the wilderness gave it to me and the wilderness will not let it go. There is a fox in me ... a silver-gray fox ... I sniff and guess ... I pick things out of the wind and air ... I nose in the dark night and take sleepers and eat them and hide the feathers ... I circle and loop and double-cross. There is a hog in me ... a snout and a belly ... a machinery for eating and grunting ... a machinery for sleeping satisfied in the sun-I got this too from the wilderness and the wilderness will not let it go. There is a fish in me ... I know I came from saltblue water-gates ... I scurried with shoals of herring ... I blew waterspouts with porpoises ... before land was ... before the water went down ... before Noah ... before the first chapter of Genesis. There is a baboon in me ... clambering-clawed ... dog-faced ... yawping a galoot's hunger ... hairy under the armpits ... here are the hawk-eyed hankering men ... here are the blond and blue-eyed women ... here they hide curled asleep waiting ... ready to snarl and **** ... ready to sing and give milk ... waiting-I keep the baboon because the wilderness says so. There is an eagle in me and a mockingbird ... and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want ... and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes-And I got the eagle and the mockingbird from the wilderness. O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart-and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where-For I am the keeper of the zoo: I say yes and no: I sing and **** and work: I am a pal of the world: I came from the wilderness.
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7
[From Fragments,  The Following...] ... so it was that the Urth bled less. The Birch Moot was becalmed by the Anvil Cloud of Impending Deluge. The Young Gods made sport of Their Names, and aimed to Oblique the colony of clever flesh groping at the tender roots of an insipid devastation. The First Ones had vanished. But Time was born and the Mortal Whirl released the Hounds of Change. Transition fused - with the Eternal; and the offspring of unloved Spirits, roamed the Tangible. All Suffering was amplified in the diamond lungs of a divine corpse, dreaming. ... for when the iron heart of The Cast Out was retrieved, the Legion of Heaven poured unseemly Grace upon the Fathoms and the High King of Doubt, forced his blade ' Nimue ' into the soft palette, of the First Mouth.  The Stars were born and The Void overheard the First Naming. A solid drizzle of enchantment cloaked the oaken Yggdrasil and The Pattern unleashed the folly of Pattern to mask the virtue of succinct Chaos. The Children of The Lower Sky ate their Masters and thereby swollen - gathered in the underbrush of the Fecund. They came to Know Regret by Answering Prayers. The Kingdoms of Wane were waning in the fearsome riot of Creation and not a boy, a man from no woman and no woman a man. ... the siege lights of the petty stars, babbled in the wake of yawning eruption and nullification. the ****** theater of blood was made Holy by way of forcing camels into eyes of needles in constant dystopian joy. ... and that's how the rain gets in. [ From the ' Kingdoms Of Wane ', a Lost Tome from Antiquity and Dada ] What ?
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Jan 27, 2013
Jan 27, 2013 at 7:07 PM UTC
LOST TOME LULLABIES, THE KINGDOMS OF WANE [ WITH COMMENTARY ]
[From Fragments,  The Following...] ... so it was that the Urth bled less. The Birch Moot was becalmed by the Anvil Cloud of Impending Deluge. The Young Gods made sport of Their Names, and aimed to Oblique the colony of clever flesh groping at the tender roots of an insipid devastation. The First Ones had vanished. But Time was born and the Mortal Whirl released the Hounds of Change. Transition fused - with the Eternal; and the offspring of unloved Spirits, roamed the Tangible. All Suffering was amplified in the diamond lungs of a divine corpse, dreaming. ... for when the iron heart of The Cast Out was retrieved, the Legion of Heaven poured unseemly Grace upon the Fathoms and the High King of Doubt, forced his blade ' Nimue ' into the soft palette, of the First Mouth.  The Stars were born and The Void overheard the First Naming. A solid drizzle of enchantment cloaked the oaken Yggdrasil and The Pattern unleashed the folly of Pattern to mask the virtue of succinct Chaos. The Children of The Lower Sky ate their Masters and thereby swollen - gathered in the underbrush of the Fecund. They came to Know Regret by Answering Prayers. The Kingdoms of Wane were waning in the fearsome riot of Creation and not a boy, a man from no woman and no woman a man. ... the siege lights of the petty stars, babbled in the wake of yawning eruption and nullification. the ****** theater of blood was made Holy by way of forcing camels into eyes of needles in constant dystopian joy. ... and that's how the rain gets in. [ From the ' Kingdoms Of Wane ', a Lost Tome from Antiquity and Dada ] What ?
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23
Her eyes shine like undisturbed dew drops hovering at the gentle fingertips of young moss on the northern bark of a white cedar tree under a lazy morning sun. Spear points of obsidian pierce the disc: banished from the core of a volcano scorched by a molten heart and choking on onyx soot. The dawn warmth filters through, carried by a serene and wafting breeze. It illuminates the pleasant, tickling greenery, bringing to light the depth of her irises. Fire belches from the mountain's stomach, and the flame ignites a gleam. Her gemstone eyes shine as though the embers have been captured within. At the base, there is the earth: firm and dark and cool. Interlocking underbrush layers fawn with chestnut overtaken but not undermined by powerful streaking tree trunks. The rim is built of force and rumbles with strength. A cast of bronze is seething and glowing. Her intensity blazes as sun spots deep within ancient amber. She is as her eyes are an indigo inferno: seldom and elegantly alive.
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Jun 15, 2014
Jun 15, 2014 at 3:07 AM UTC
Indigo Inferno
Kung walked by the dynastic temple and into the cedar grove, and then out by the lower river, And with him Khieu Tchi and Tian the low speaking And “we are unknown,” said Kung, “You will take up charioteering? “Then you will become known, “Or perhaps I should take up charioterring, or archery? “Or the practice of public speaking?” And Tseu-lou said, “I would put the defences in order,” And Khieu said, “If I were lord of a province “I would put it in better order than this is.” And Tchi said, “I would prefer a small mountain temple, “With order in the observances, with a suitable performance of the ritual,” And Tian said, with his hand on the strings of his lute The low sounds continuing after his hand left the strings, And the sound went up like smoke, under the leaves, And he looked after the sound: “The old swimming hole, “And the boys flopping off the planks, “Or sitting in the underbrush playing mandolins.” And Kung smiled upon all of them equally. And Thseng-sie desired to know: “Which had answered correctly?” And Kung said, “They have all answered correctly, “That is to say, each in his nature.” And Kung raised his cane against Yuan Jang, Yuan Jang being his elder, For Yuan Jang sat by the roadside pretending to be receiving wisdom. And Kung said “You old fool, come out of it, “Get up and do something useful.” And Kung said “Respect a child’s faculties “From the moment it inhales the clear air, “But a man of fifty who knows nothng Is worthy of no respect.” And “When the prince has gathered about him “All the savants and artists, his riches will be fully employed.” And Kung said, and wrote on the bo leaves: If a man have not order within him He can not spread order about him; And if a man have not order within him His family will not act with due order; And if the prince have not order within him He can not put order in his dominions. And Kung gave the words “order” and “brotherly deference” And said nothing of the “life after death.” And he said “Anyone can run to excesses, “It is easy to shoot past the mark, “It is hard to stand firm in the middle.” And they said: If a man commit ****** Should his father protect him, and hide him? And Kung said: He should hide him. And Kung gave his daughter to Kong-Tchang Although Kong-Tchang was in prison. And he gave his niece to Nan-Young although Nan-Young was out of office. And Kung said “Wan ruled with moderation, “In his day the State was well kept, “And even I can remember “A day when the historians left blanks in their writings, “I mean, for things they didn’t know, “But that time seems to be passing. A day when the historians left blanks in their writings, But that time seems to be passing.” And Kung said, “Without character you will “be unable to play on that instrument “Or to execute the music fit for the Odes. “The blossoms of the apricot “blow from the east to the west, “And I have tried to keep them from falling.”
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4.6k
Canto 13
Kung walked by the dynastic temple and into the cedar grove, and then out by the lower river, And with him Khieu Tchi and Tian the low speaking And “we are unknown,” said Kung, “You will take up charioteering? “Then you will become known, “Or perhaps I should take up charioterring, or archery? “Or the practice of public speaking?” And Tseu-lou said, “I would put the defences in order,” And Khieu said, “If I were lord of a province “I would put it in better order than this is.” And Tchi said, “I would prefer a small mountain temple, “With order in the observances, with a suitable performance of the ritual,” And Tian said, with his hand on the strings of his lute The low sounds continuing after his hand left the strings, And the sound went up like smoke, under the leaves, And he looked after the sound: “The old swimming hole, “And the boys flopping off the planks, “Or sitting in the underbrush playing mandolins.” And Kung smiled upon all of them equally. And Thseng-sie desired to know: “Which had answered correctly?” And Kung said, “They have all answered correctly, “That is to say, each in his nature.” And Kung raised his cane against Yuan Jang, Yuan Jang being his elder, For Yuan Jang sat by the roadside pretending to be receiving wisdom. And Kung said “You old fool, come out of it, “Get up and do something useful.” And Kung said “Respect a child’s faculties “From the moment it inhales the clear air, “But a man of fifty who knows nothng Is worthy of no respect.” And “When the prince has gathered about him “All the savants and artists, his riches will be fully employed.” And Kung said, and wrote on the bo leaves: If a man have not order within him He can not spread order about him; And if a man have not order within him His family will not act with due order; And if the prince have not order within him He can not put order in his dominions. And Kung gave the words “order” and “brotherly deference” And said nothing of the “life after death.” And he said “Anyone can run to excesses, “It is easy to shoot past the mark, “It is hard to stand firm in the middle.” And they said: If a man commit ****** Should his father protect him, and hide him? And Kung said: He should hide him. And Kung gave his daughter to Kong-Tchang Although Kong-Tchang was in prison. And he gave his niece to Nan-Young although Nan-Young was out of office. And Kung said “Wan ruled with moderation, “In his day the State was well kept, “And even I can remember “A day when the historians left blanks in their writings, “I mean, for things they didn’t know, “But that time seems to be passing. A day when the historians left blanks in their writings, But that time seems to be passing.” And Kung said, “Without character you will “be unable to play on that instrument “Or to execute the music fit for the Odes. “The blossoms of the apricot “blow from the east to the west, “And I have tried to keep them from falling.”
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80
Marooned Vapid beauty of this room Frothing carpet, ocean blue One wall me, the other you What lies between is residue Scribed on soggy, shipwrecked parchment Questions asked, time forgotten Who are we? What do we know? Into these questions Summer flows And thrashes at your Autumn’s brinks Yearlong they torment my brain Infringing on every season If not for the manic scheme To love and having loved be loved This correspondence to a distant land With stars, more numerous and brightly lit Than my burgeoning highway exit Would by no means have left my hand But if, against all odds, it will prevail Extolling truth’s folly, my sorrowful tale Quells with reason my groundless pride At having docked on your passionless harbor Unloading platonic cargo during our youth’s ebbing tide Must not create union of body or mind You swallow my horizon, like the sun twilight Though, one need not chase that orange orb for tomorrow In this night without fortitude, lewd humor consumes me Singing with the mouth on my head and your voice inside I plunge into darkness Skimming its silky surface Before zipping it behind me Shall I drown, as I have lived? In vain, my dreams your subjects Taken for ransom in your heart’s Tripoli Not surmising recompense, I forfeit this A note belying resonance Of my heart’s last echoed throe One desperate effort, giving up Feed every vestige to the void Wading, torso encumbered Each sullen relic of your memory Falls to the deep’s frigid ebony Then, only too late am I cognizant That my own breath is tribute yet spent Therefore if I were to float or swim I’d give you every ounce of who I am Convince you to relinquish me From your tepid, spurning sea Then lying beneath moist underbrush Slowly, breathe no more
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Aug 9, 2010
Aug 9, 2010 at 4:24 PM UTC
Marooned
Marooned Vapid beauty of this room Frothing carpet, ocean blue One wall me, the other you What lies between is residue Scribed on soggy, shipwrecked parchment Questions asked, time forgotten Who are we? What do we know? Into these questions Summer flows And thrashes at your Autumn’s brinks Yearlong they torment my brain Infringing on every season If not for the manic scheme To love and having loved be loved This correspondence to a distant land With stars, more numerous and brightly lit Than my burgeoning highway exit Would by no means have left my hand But if, against all odds, it will prevail Extolling truth’s folly, my sorrowful tale Quells with reason my groundless pride At having docked on your passionless harbor Unloading platonic cargo during our youth’s ebbing tide Must not create union of body or mind You swallow my horizon, like the sun twilight Though, one need not chase that orange orb for tomorrow In this night without fortitude, lewd humor consumes me Singing with the mouth on my head and your voice inside I plunge into darkness Skimming its silky surface Before zipping it behind me Shall I drown, as I have lived? In vain, my dreams your subjects Taken for ransom in your heart’s Tripoli Not surmising recompense, I forfeit this A note belying resonance Of my heart’s last echoed throe One desperate effort, giving up Feed every vestige to the void Wading, torso encumbered Each sullen relic of your memory Falls to the deep’s frigid ebony Then, only too late am I cognizant That my own breath is tribute yet spent Therefore if I were to float or swim I’d give you every ounce of who I am Convince you to relinquish me From your tepid, spurning sea Then lying beneath moist underbrush Slowly, breathe no more
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51
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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Dec 15, 2011
Dec 15, 2011 at 4:22 PM UTC
The Golem
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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9
The salted air elates a feeling of real real. And by real real, I mean the realist real there is.  Child like intuition and loss in present ecstasy Underlying a layered and angsted mind. I loved a psychopath as a best friend But finally  His confusion clawed at my chakras with convoluted and displaced passion  But on Protection Island  I feel Protected. Whether the next sunrise meets me through the dingy drapes of a budget hostel, awash in a strange and urban melancholy wrapped warmly on all sides Or on a windy beach with the blue flow of sparkled wash and distant cloud capped peaks and Dover-beacon ferries which remind me of novelty globes and my father The buzz of early morning travel as a child I will be fine. To lighten my load I hid The Dhamapada and St. Francis of Assisi in the hopes and faith that they would be left in peace blanketed in underbrush  Being peacefully caressed by ocean wind and the beautifully dilapidated wood-house  The protectors warm grin of welcome. I want to feel okay again And I feel like okay is finally waking up from her peaceful slumber  Returning from vacation to remind and comfort my unassured and pummeled mind Like a lover returning from a followed dream A long, warm embrace which says it all No words for I love you Just a feeling and oneness as old as the world itself.
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Sep 4, 2012
Sep 4, 2012 at 4:52 PM UTC
Protection Island
the lakewater near the banks darken with the shadows of coniferous trees not unlike the way my ***** darkened just the other evening with transgression and i find myself waiting,arcing the ash from my cigarette in fiery transient streaks. this is north west angle's public dock, a sunken relic of the anishinabe appropriately too young to be old just like the ******* rest of us. kee no wahh she spits with conviction, her forked tongue a testament to the near science fiction that keeps its ugly head low to the ground in the backwater communities of rural ontario and manitoba and saskatchewan and beyond. purple and yellow and green galaxies span across the deep space of my neck and that's good enough, they reckon, to land me in the passenger's seat. now the sun's shallow beneath the canadian shield leaving only a violent, open **** on the skyline and the watered down blood of ritual sacrifice to filter up through the cheesecloth of the underbrush and effectively discolour the poplars in a pastel identical to the lining of my **** so ask me how many children have been stranded on the pallid, uneven terrain of my thighs and i'll stop making references to my ******
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Feb 22, 2010
Feb 22, 2010 at 10:12 AM UTC
pow wow grounds
* Cast among the downpour, gates beneath dark clouds are left open The creek is rising, drowning underbrush, darkening tree trunks, moving swiftly the discarded, Collecting at the walls of this place, as stone and mortar slowly crumble From a desperate vantage point overlooking nature’s angry powers I see a shape, a floating aura, eyelet gown of gold stitch, woven ribbon dreams Mahogany hair flowing, eyes captivating, drifting atop muddied raging waters, directing the flow with blown kiss persuasion Suddenly swept away, barely a breath remains, swallowing life in surrendering gulps Flailing intoxicated waves, undertow’s grasp, when a hand reaches, fingers interlock Glazing blue skies whisper in sunlit reflections, ocean breezes soothe washed out tides, as a sand dollar wishes on a seashell And now upon this beach I lie safely within soft arms, tasting her mimosa lips, warm and sweet I drink in her flavor neath palm tree shadows, cool in the heat, but hot of her skin My heart hears the glistening, tingling my senses, awashing me in desires impossible to imagine, as I happily drown in her*
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Aug 30, 2016
Aug 30, 2016 at 7:03 PM UTC
As a sand dollar wishes on a seashell
in our time we think we know most animals of the world from films and videos yet seeing an echidna come out of the underbrush about to cross the road but then     looking at all the cameras deciding to quietly go back home for a while watching a young humpback whale launch her tons out of the sea in the sheer joy of breaching falling back in a white splash that sends your boat rocking feeling the hard back of a wombat     under its thick coat of hair the soft fur of a koala the cool skin of a blue-tongued lizard feeding a wallaby whose sharp claws tenderly hold your hand so that the food             does not go away too soon hearing the swelling maniacal laughter      of a flock of kookaburras a pied butcherbird‘s      unbelievably melodious call      you become aware they are living beings      not just images on the screen and the little hairs     on the back of your neck     rise     in shock and awe of life‘s beauty
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Nov 8, 2017
Nov 8, 2017 at 2:01 AM UTC
knowledge&experience
Forest floor, underbrush abound; The light sprinklings of winter found. Snow kissed scenery, that Whether cold be dreary Still seems the more dreamy, than Tracing each step. These frigid months of death- Before life springs back Bringing fresh greenery
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Jan 18, 2024
Jan 18, 2024 at 8:37 PM UTC
Black Veil Bride
Oh, hello there. I managed to slip away from my previous adventure, With the knight and his beloved. My beloved, too; I suppose. I've stumbled upon a peculiar thing, though. An olive tree, In the midst of this lush underbrush. It's quite twee, If I do say so myself. Although I'm more interested in the treasure below. A pristine white glows beneath. I twiddle with the branches a little to find a lovely treasure. I sit down, Outstretched my fingers towards the snow, And carefully pluck at it, Delicately brushing along the olives in the midst Of my glissando. Yohan Heineken, I believe. A baroque composer. My thoughts fluidly sailing as the leaves of the tree rustle, And the snow echos as more olives fall upon it. Like...an orchestra. The olives falling unto the porcelain, I mean. What a beautiful melody it creates, And my fingers magically gloss along the porcelain, Carefully molding the remaining olives into the crevices my fingers have made. Oh dear, I've become too passionate for this! I carry on anyways, 3rd Movement and all. The Tempest... A lovely play by Shakespeare & a dazzling story told by Beethoven. Or simply a way to express my current emotions. The wind carried the melody... ...to the ears of the waking princess.
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Apr 25, 2013
Apr 25, 2013 at 3:56 AM UTC
Olives in the Snow.
Echoes fall like raindrops on leaves of lonesome trees Whispering to the heartless Come and listen and you will hear their sound Calling softly To the darkness A rustling in the underbrush stirs an unknown need Curiosity feeds upon the now The crescent moon is waiting for eyes yet to see Wondrous visions He will soon endow Wheels begin to turn in the mind of the present Defying the light and the sound Though their ears hear the echoes, still is the absence Of the hearts recognition Of the found
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Oct 10, 2010
Oct 10, 2010 at 10:54 AM UTC
Heartless
rotting horse carcass. green glowing filament by moonlight ****** & mistrust us. radioactive drums of waste &/or dreams. boys swimming. fistfights at night by headlight & tooth crackle. (spit) then bonfire pallets lit & danced upon. plumes of gas-can outcries. the days & abuelitas & ghosts pinched cheek - pinched cooler - grandaddy on the grill. his gasping yellow dogs. judy is in the underbrush with a walkie-talkie & a p.b.j. desmond leaps from high rocks; he descends into another world by way of molecular-mishap. dove deep. riding the portal boar. wasps hover above spilt wine & declare war upon brothers with b.b. guns & firecrackers & spf 50+. the saturday/sunday sagas between beams of heat laughter breakdowns to knees, to bees, honey. homecoming queen dead & wrapped in plastic. body found with turtle bites. fungi. the slabs of granite. old iron tractors bent & held by tree wives. toast. jam hewn hwedges of crisped bread.
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Oct 18, 2014
Oct 18, 2014 at 2:34 AM UTC
the quarry
Sitting all day with Dakota, my sick old dog, cancer, comforted by touch, my toe rubs her flanks outside on her little rug under redwoods, on the deck her favorite spot. Fuzzy ears gather sounds, rhythm, the day goes round. Dawn is birdsong, dove and thrush deer tread softly in the underbrush. Comes the chatter of people shouts, children at play whine of machinery remarkable the variety of motors on a Saturday. Light fades, the return of birdsong tap-tap, a neighbor’s wood shop laughter echoes in the forest scent of barbecue summer pleasures. Now midnight all is hush endless stars Dakota remains at my feet, rubbed by my toes as I chase away flies. Patience, little fly. Feel the breath from her nose? Still alive while it blows.
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Jul 26, 2015
Jul 26, 2015 at 6:41 PM UTC
Circle of Day, Circle of Night
Jumping, bouncing and swinging from tree to tree In a sparse forest just outside a village on the outskirts of Antananarivo They adapt to the changes flung at them and strive to survive On the ground a troop leaps sideways side by side in a straight line What a comical spectacle However solemn their purpose, they must find a home The little one abaft of the line Takes one last glimpse at the home he leaves behind Oh it’s up in flames now and bulldozers knock down his trees Beyond, just yonder Over a hill further down south, the prospect is in sight A new forest with new opportunities It’s denser; it hasn't caught the eye of encroaching villagers They forge on towards it in that spectacular procession High up in the trees they mark their territory Males call out to females and they howl in response The young ones frolic in the underbrush They mate, they eat, they thrive Another forced migration There they go again in that sideways march More deforestation for infrastructure There must be leeway for civilization one way or the other One must wonder now What future lies in store for these that have no place in government? Their trails fade away from the Malagasy ecosystem Their lives hang in a balance at the brink of extinction Will our grandchildren ever get to appreciate The extraordinary feats of agility they display The gymnastics they perform from day to day On the trees and on the ground in the jungle everyday Ostentations of dramatic optical presentations In their furry coats of monochromatic patterns Perhaps they will disappear and my son’s sons may only get to Read about them in the has been list of the annals of history At this rate since erecting urban jungles Of tar roads and skyscrapers is the order of the day They might even be able to catch an obscure image of the lemur In the form of a costumed trapezist mimicking one Or a twisting contortionist in The Cirque Du Soleil Nellie Nkosi
0
Apr 13, 2015
Apr 13, 2015 at 9:21 AM UTC
THE LEMUR
Jumping, bouncing and swinging from tree to tree In a sparse forest just outside a village on the outskirts of Antananarivo They adapt to the changes flung at them and strive to survive On the ground a troop leaps sideways side by side in a straight line What a comical spectacle However solemn their purpose, they must find a home The little one abaft of the line Takes one last glimpse at the home he leaves behind Oh it’s up in flames now and bulldozers knock down his trees Beyond, just yonder Over a hill further down south, the prospect is in sight A new forest with new opportunities It’s denser; it hasn't caught the eye of encroaching villagers They forge on towards it in that spectacular procession High up in the trees they mark their territory Males call out to females and they howl in response The young ones frolic in the underbrush They mate, they eat, they thrive Another forced migration There they go again in that sideways march More deforestation for infrastructure There must be leeway for civilization one way or the other One must wonder now What future lies in store for these that have no place in government? Their trails fade away from the Malagasy ecosystem Their lives hang in a balance at the brink of extinction Will our grandchildren ever get to appreciate The extraordinary feats of agility they display The gymnastics they perform from day to day On the trees and on the ground in the jungle everyday Ostentations of dramatic optical presentations In their furry coats of monochromatic patterns Perhaps they will disappear and my son’s sons may only get to Read about them in the has been list of the annals of history At this rate since erecting urban jungles Of tar roads and skyscrapers is the order of the day They might even be able to catch an obscure image of the lemur In the form of a costumed trapezist mimicking one Or a twisting contortionist in The Cirque Du Soleil Nellie Nkosi
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40
On the gentle slope of a green and waving hill, vibrant with the life of spring, flowers fall from the outspread limbs of trees, an ocean in their sound, and fall gently to the earth, soft as a mothers kiss, upon a child's tender brow. The wild flowers are spread out among the grasses, bright spots of changing color, amidst the flowing green, waving in the springs gentle breeze, light glowing through the blades, shining in the sun, the scent of life and growth and change arising, slow and overpowering as the years to come, as ages gone. Underneath the spreading trees, their leaves give shade and succor to those who fear the light and hide from its revealing rays. A fox rustles through the underbrush, coat burning orange, a rushing flame in the green light, filtering down from the canopy above, dim in its softened form. Ahead a hare, leaning down to drink from a cool and quiet pool, looks up as a ray of light, pure and golden, falls from the heavens, as the light of God himself, admitted by the wind rushing, parting the woven branches, above, beyond the trees. The leaves spin and sparkle, sighing also in the breeze, and so a harmony ensues sighing leaves and rushing wind, in that tranquil, quiet place. Dust falling, innumerable motes of glowing light, they drift downwards, minuscule, as snow made all of light, dim and golden,  like the shining sands of heaven, swept down to fall to earth, and dust the earth with heavens bounty, and let its light sparkle for a moment, an age, in the quiet of the world. Far above the wooded hill, beyond the rustling grasses, and the colorful blossoms in their midst, high in the cold of the infinite heavens, and the currents of the flowing wind, an eagle soars, and so in mastery of the world below, the world above, does swoop to take unwary prey, in claws cruel in their curved dimensions, and the sharpness of their edge. But below in the world of quiet peace, though blood may drip from pure sky, and so enrich the flattered earth, all is yet still, and calm prevails, and if blood does fall, sprinkled from the heavens as a cruel rain, macabre in its crimson gleam and scent of severed life, it falls unknown, unmarked, to soak into the warm earth, receiving as it gives, and so is added once more to the cycle of life at the beginning, from which in time new blood will flow, through veins new and delicate, frail with the tender youth of new things begun, and so new life be born from death.
0
Jan 29, 2015
Jan 29, 2015 at 4:13 PM UTC
The Wheel Of Life
On the gentle slope of a green and waving hill, vibrant with the life of spring, flowers fall from the outspread limbs of trees, an ocean in their sound, and fall gently to the earth, soft as a mothers kiss, upon a child's tender brow. The wild flowers are spread out among the grasses, bright spots of changing color, amidst the flowing green, waving in the springs gentle breeze, light glowing through the blades, shining in the sun, the scent of life and growth and change arising, slow and overpowering as the years to come, as ages gone. Underneath the spreading trees, their leaves give shade and succor to those who fear the light and hide from its revealing rays. A fox rustles through the underbrush, coat burning orange, a rushing flame in the green light, filtering down from the canopy above, dim in its softened form. Ahead a hare, leaning down to drink from a cool and quiet pool, looks up as a ray of light, pure and golden, falls from the heavens, as the light of God himself, admitted by the wind rushing, parting the woven branches, above, beyond the trees. The leaves spin and sparkle, sighing also in the breeze, and so a harmony ensues sighing leaves and rushing wind, in that tranquil, quiet place. Dust falling, innumerable motes of glowing light, they drift downwards, minuscule, as snow made all of light, dim and golden,  like the shining sands of heaven, swept down to fall to earth, and dust the earth with heavens bounty, and let its light sparkle for a moment, an age, in the quiet of the world. Far above the wooded hill, beyond the rustling grasses, and the colorful blossoms in their midst, high in the cold of the infinite heavens, and the currents of the flowing wind, an eagle soars, and so in mastery of the world below, the world above, does swoop to take unwary prey, in claws cruel in their curved dimensions, and the sharpness of their edge. But below in the world of quiet peace, though blood may drip from pure sky, and so enrich the flattered earth, all is yet still, and calm prevails, and if blood does fall, sprinkled from the heavens as a cruel rain, macabre in its crimson gleam and scent of severed life, it falls unknown, unmarked, to soak into the warm earth, receiving as it gives, and so is added once more to the cycle of life at the beginning, from which in time new blood will flow, through veins new and delicate, frail with the tender youth of new things begun, and so new life be born from death.
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1
From underbrush it creeps along spring's damp ground crawling, dragging towards light Then A crutch with which to achieve up begins the climb tendrils grabbing bark First a few at the end of the grow more and more as maturity is gained and grow moves upwards Three Green leaves on of each stalk waxy, jagged and glistening Will turn red in autumn Pretty But best left alone should rash and itch follow the handler's folly
0
Sep 30, 2012
Sep 30, 2012 at 9:25 PM UTC
The Climb
This dry Spring the parched earth drinks quickly, every cool droplet precious as the tears of the bereaved. The rain furrows the dusty creek banks like sunken, careworn cheeks. the timid water hurries past sandbars and gravel spits, around balding rocks crowned with rotting riverweed. and in the green places that remain to be sought and found between the highway noise and the factories, there the shy ones grieve with us for all those lost to disease and violence, miscarriage and mischance. We round the bend; the yearlings start and bolt through the tangled underbrush— an exercise in their own fragility. The mother does not run. she moves warily a few paces away and meets our gaze: measured, assessing. She takes us in, then bows her graceful neck to the tender shoots that break the hardened clay, the gesture her benediction of peace.
0
May 9, 2021
May 9, 2021 at 10:42 AM UTC
This Dry Spring
A flickering Flame Dances peacefully Carving her delicate path Through the walls of trees. Scorching the grass 'Til it's black as night. Destroying all that the Earth lays out before her. For the mission of Fire Is but to destroy Earth. Her dance starts out A peacefully slow waltz. Structured, measured, predictable. The Wind, the orchestra For her ballet The gentle voices Singing and guiding The rhythmic steps She dances so expertly. A crescendo and the tempo increases The Wind swirling around her now. Her steps quickening A moderate tango now. Underbrush laid bare Charred, broken, smoldering. The Earth's children begin To sense the danger. More real now with the tango Than before Another gust of Wind The horns fire up The percussion section Kicks it into a higher gear Fire begins to steps faster Twirling, spinning A quick, heart-pounding salsa now. Trees fall before she even Reaches them Their great limbs kneeling Before the power they All know she possesses Crackling, roaring, through the lands She dances Methodically destroying the Earth Her nemesis And then The orchestra of her brother, the Wind STOPS * * * * * * * * * * * * She pauses to see why A mighty waterfall Cascades gracefully Into a shining, shimmering pool Hundreds of feet below Fire's steps slow To a slow, weaving pattern A more primal, tribal sway She dances along the shores Gazing upon the beauty Of the ne'er-before-seen wonder The spray from the gracefully falling water Begins to gently caress The Fire's reaching, grasping fingertips. Fire's heart is cooled, calmed, soothed. Her sway becomes even slower As the calm overtakes her. The orchestra begins again softly, A gentle piano melody, Accompanied by a soft harmony Of violin and harp. The new song is soft A gentle lullaby As Fire forgets her mission, Enticed and lured to complete Submission at the Water's edge. She dances calmly for her Mistress, Leaving for a moment Her nemesis Earth. The cascading falls Wind their way through the pool And continue along their path, Carving out greater chucks of Earth Than Fire ever dared imagine Was possible.
0
Feb 16, 2013
Feb 16, 2013 at 12:34 PM UTC
Strong?
A flickering Flame Dances peacefully Carving her delicate path Through the walls of trees. Scorching the grass 'Til it's black as night. Destroying all that the Earth lays out before her. For the mission of Fire Is but to destroy Earth. Her dance starts out A peacefully slow waltz. Structured, measured, predictable. The Wind, the orchestra For her ballet The gentle voices Singing and guiding The rhythmic steps She dances so expertly. A crescendo and the tempo increases The Wind swirling around her now. Her steps quickening A moderate tango now. Underbrush laid bare Charred, broken, smoldering. The Earth's children begin To sense the danger. More real now with the tango Than before Another gust of Wind The horns fire up The percussion section Kicks it into a higher gear Fire begins to steps faster Twirling, spinning A quick, heart-pounding salsa now. Trees fall before she even Reaches them Their great limbs kneeling Before the power they All know she possesses Crackling, roaring, through the lands She dances Methodically destroying the Earth Her nemesis And then The orchestra of her brother, the Wind STOPS * * * * * * * * * * * * She pauses to see why A mighty waterfall Cascades gracefully Into a shining, shimmering pool Hundreds of feet below Fire's steps slow To a slow, weaving pattern A more primal, tribal sway She dances along the shores Gazing upon the beauty Of the ne'er-before-seen wonder The spray from the gracefully falling water Begins to gently caress The Fire's reaching, grasping fingertips. Fire's heart is cooled, calmed, soothed. Her sway becomes even slower As the calm overtakes her. The orchestra begins again softly, A gentle piano melody, Accompanied by a soft harmony Of violin and harp. The new song is soft A gentle lullaby As Fire forgets her mission, Enticed and lured to complete Submission at the Water's edge. She dances calmly for her Mistress, Leaving for a moment Her nemesis Earth. The cascading falls Wind their way through the pool And continue along their path, Carving out greater chucks of Earth Than Fire ever dared imagine Was possible.
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87
Sleeping commuters leave Ghostly auras amidst The foggy plastic windows. They slumber through The booming snore Of exhaust-pipes, choking smoke. Silence. Or closest to. Even stopped, the Bus roars, Patiently brooding, growling, As a wolf in the underbrush Watching the crimson lights, sharp Like blood on a pavement. A small cat, uncollared, Sprints across the road But is pounced upon. The wheels creak, Commuters stir, and the Bus Stalks away into the night.
0
Nov 26, 2018
Nov 26, 2018 at 5:23 PM UTC
The Bus
Chaos is my North Star My god Because it is only through chaos That we can burn down the underbrush and weeds Of old ideas Old systems Bureaucracies and impediments And plant Hyacinths of truth But then again Ask me about all this When I am 49
0
Aug 20, 2013
Aug 20, 2013 at 7:46 AM UTC
Eris
don't look, I run with the wind, amok gilted hands fast lacing, i've only got six fingers saved for dead kachinas, and I'm wheeling rough through the underbrush; mixed Wiley yellow, willow peering in on my schemes, paint pallet dragging leaves over the hills and holes of my body's deepest grief so brush up the tic and wipe off the blood, if i'm treading through this horse hyde, then lift up my red dress and sift out the weeds   bramble ramble, ramble soothsayer hanging bones from his swollen empty gut-- I got a rain-stick, talking-stick Yellow Wampum floating, bagging sick sweat, for Appaloosa, holy, holy leave, god anger ugly, golden painted leaves and if i'm too swollen, and if you're too sullen-- i've got a bag of névé rocks for you so hitch up the tobacco and wait for tomorrow my deer running, hoof trotting, snow blowing legs will be comin' soon.
0
Aug 14, 2012
Aug 14, 2012 at 12:45 AM UTC
Rant IV
She gazed up into the indigo night sky Saw the twilight moon eclipsed Like an unknown planet dark but visible Had smothered the light Apart from one sliver cresented On the edge where black became blue I followed Through the piercing breeze Needing to get out I stayed inside, I couldn't breath We sneaked through the underbrush Feeling improbable and alive The stars made us feel at home With you I felt less alone Creeping along some old man's back yard Lying on the grass, your hand in mine Trying not to remember, trying our best To stop time and our hearts from beating
0
Apr 12, 2016
Apr 12, 2016 at 2:45 PM UTC
Indigo Night Sky
from June, 2016 An hour before sunrise, not long before going home- It's still, no breeze, this Sunday morn- silent......... serene- As I step into the woods I know they're watching, those denizens of the forest- Raccoon, possum, birds, etc. I purse my lips emit a soft whistle- No reply Another....no reply A few more steps......then.. the soft 'coo' of the Mourning Dove- "How gentle it is", comforting... in it's greeting A raccoon appears in front of me, the 'sentry' for the others, who are still hiding In the underbrush, and in the trees. They are "The Angels", "You are safe with us", his eyes tell me- It is then I know, it's going to be..... a "good day." r. riddle 06-26-2016
0
Feb 12, 2017
Feb 12, 2017 at 5:44 AM UTC
The Angels