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jonni inferno Jul 2018
i met her    
in a waking dream    
as i walked beside    
the sylvar stream    
whose chattering laughter    
shifted suddenly    
into a sylvar pool    
of enchanted silence    
a mirrored glaze    
in muted    
misty
dawning rays    
    
her cascading mane    
a crimson flare    
sea-green eyes    
alluring stare    
my heart stopped    
to see her there    
reposed    
'pon a verdant garden lee 
beside    
the misting sylvar mere    
'neath    
the weeping willow trees    
    
dahlia lips    
whispering desire    
vermilion plunder splayed    
spellbound 
by her charms    
heart pounding    
thundering    
captured    
i stay    
an' wi' faire
lithesome beauty lay    
'pon a lush an' vibrant field    
beside    
the misting sylvar mere    
'neath    
the weeping willow trees    
    
we lay there    
lost in time    
locked    
in the silence 
of kindred minds    
an' i knew her name    
tho she spoke it not    
sipped i then
the misty morning dew    
from precious lips
that from me drew    
all that i    
ever thought    
or felt    
or knew
'pon the grasses lush and green    
beside    
the softly glowing mere    
'neath    
the weeping willow trees    
    
soft sings    
the whippoorwill    
the meadowlark    
an' mourning dove    
their voices weaving spells    
for lover's yearning hearts    
in the meadow    
by the way    
where my love an' i    
do lay    
entwined  
'pon the gleaming sylvan shore    
beside    
the shining crystal lake    
'neath
the weeping willow trees    
    
alas    
the dawning days    
were passing
when came malevolence    
within
a thund'ring tempest    
lightnings flashed
in ragged gashes
'cross the heaven's    
stygian passes
an' from those
gnawing caverns
spewed
a raging
howling
demon's brood
an' down flew they
by the sylvar stream
where my love
and i
entranced
did lay
beside
the mystic sylvar lake
'neath
the weeping willow trees
    
then from my arms    
vile creatures tore    
my lifesong    
my heart's blood    
my one    
and only love
her scintillating form    
they ripped    
her silent
piercing cries    
bleeding    
thru my soul
an' took her they  
far from this    
battered    
desert shore    
as her soundless    
painful    
chorus fades    
an' leaves me
here alone    
to stand    
'pon these shifting lifeless sands    
beside    
this sylvar lake of tears    
'neath    
the weeping willow trees    
    
the meadowlark    
her spellsong sings    
thru ebon winter's    
weathering    
the silver stream    
her laughter froze    
this heart    
once fire    
a soulless stone    
    
so now this raven
winged    
doth fly
to scour the bruised    
an' shadowed skies    
to find my dove    
an' bring her home    
to lay
'pon these frozen brittle stones
beside
the darkened sylvar tarn
'neath    
the weeping willow trees    
    
thru timeless age    
an' dangerous realms    
i followed    
her silent    
morbid    
ravenings    
as her grisly    
mewling pleas    
hollowed out my soul    
'til at last    
i found her    
chained an' bound    
lost    
deep within    
peculiar planes    
an' baneful realms    
far from    
the laughing sylvar stream    
far from    
the weeping willow trees    
    
her lament    
of bitter tears    
an' fear    
sliced    
thru my defenses    
a doomed    
pernicious heart    
she was    
wandering    
thru deepest depths    
where madness reigns    
all hope destroyed    
hell's minions    
reveled
unconstrained    
    
my dove    
called i    
my love    
'tis i    
once more    
thrice more  
time  
and time again    
till finally    
she hearkened    
to my voice    
    
true love    
recall us    
you and i    
dancing    
thru ageless realms    
consider us    
twirling    
under heaven's wings    
she
spinning
at my fingertips

an' i  
drew her then    
breathless    
into my arms    
ambrosia lips    
her sweet alms    
from her dark pain    
i did drink    
of her    
malignant sorrow    
i did partake  
my questing    
thirsting hunger    
willingly  
did i sate  
gathering all    
her shattered pieces    
from those altered    
blighted    
reaches
    
chains    
now broken    
i carried her
'pon wings    
of true love's    
sylvar light    
far from    
these darksworn legions    
into    
the dawning night's    
farthest regions    
    
an' there    
close by    
the laughing    
whispering    
sylvar stream    
lay her gently    
'pon the verdant flowing shore    
beside
our gleaming slyvar mere    
'neath    
our weeping willow trees    
    
under glimmering    
starlit heavens    
sing    
the whippoorwill    
the meadowlark    
an' mourning dove    
whose soulful songs    
compose    
for yearning lovers    
charms of hope    
where pools    
the laughing    
sylvar stream    
whose mirrored gaze    
draws us deep within    
celestial    
starlit    
wanderings    
  
as the wind    
whispering
sighs    
thru our hearts  
as we lay entwined    
'pon a verdant garden lee    
beside  
our misting sylvar mere    
'neath  
our silent    
weeping  
willow trees    
      
p j upchurch
Fegger May 2010
The lantern sways, as shadows flash,
Mists draped in night so still;
Illuminating fleshless arms,
Creep-out along this hill.
Such guardians of soul-less mounds,
Wooden markers of the poor,
Bow in hallowed reverence
As sentries evermore.

Weeping, yet un-frightened,
She trips between each aisle;
Casting light against each stone,
Acknowledge each beguiled.
Then memory finds her grasping,
And clenching cold, damp stone
Denoting ‘neath a vacant plot,
For he never did come home.

‘Pon scattered grass and gravelly dirt;
Drops to reverent knee,
While fanning simple pleats about,
Her dress, in modesty.
She twists the **** and raises wick;
And it curls with cloak of flame.
She whets her lips, inhaling deep,
Then summons ‘pon his name:

“Bartholomew,  Bartholomew,
Can you see that I ‘ave come?
Are you near, me sweetest husband?
‘Tis I, your Mary Dunn!
I had me thoughts to come t’night,
To ‘ave a word with you,
That’s pressin’ on me heart so fierce,
Ya’ ‘round Bartholomew?
Aye, that’d be just like ye some,
To wait fer me confess;
A’twisten’ in me awkward words,
No salve fer me distress!
Yet I—I need t’hear yer voice
An’ calmin’ words to heal,
The anxious quiver, here, inside,
A’longin’ to reveal.”

The widow paused, collecting will,
And questioned own intent;
To cast a net to spirit’s world,
To herald self- repent.
She wrings her fingers nervously,
While waiting ‘pon the dead;
When suddenly a breeze did rise,
Then a hand upon her head.

“Mary Dunn, me Mary Dunn,
‘Ave not better things to do;
Than wander ‘bout such crypts at night,
A’hovered by the moon?
What keeps y’here in dank an cold,
So callin’ out fer me?
Ye know fer fact I’m dead by now,
An rottin’ in the sea!”

“It’s good to see ya’ too, my love;
Better then, to hear;
That death din’t take away that tongue,
Or how ye prone t’snear.
I ‘spected that I’d smell ya’ first,
That rancid scent of whale;
Yer eyes were once quite darker,
Yer skin not quite so pale”.

The spirit corpse then spun about,
Examined high and low,
The fiery bride he’d left behind,
With heart so still aglow.
Warmed by her excited eyes,
And cheeks so pink with life;
He felt a distance aching,
Longing for this wife.

“Ye got a bit of lonely, Mary,
That why ye come tonight;
‘Spectin’ glimpse ‘ov me, like this
‘Wud turn ya’ heart to right?
Sensible is how ye was,
Yet be scurryin’ to find,
Such wisdom in yer harkin’,
To terms ye felt unkind.”

“Stop with ya’!  Stop with ya’!
Ya’ stubborn, briney goat!
T’wasn’t me who boarded ship
An’ failed to keep afloat!
Aye, the heaven hasn’t tempered,
The iron in yer will.
Judge me not Bartholomew,
One, amongst the krill!”

The bearded ghost then chuckled,
‘Til tears came to his eyes.
Proud he was to have such time,
To spend with feisty bride.
He then retreats in silence,
As he gleans from her distress,
That she torments with a secret,
To him, she must confess.

“"Bartholomew, me love,"
she embarks to make her plea,
"Ye left me young an' fruitful still,
yet no child ‘pon me knee.
I'm not as sturdy as y'think,
An' tremble at the thought;
deprived I am of husbandry,
my womb be saved fer naught."
Without ye then, I’ll ‘ave no spring,
No child to remind,
Of splendid days, brighter sun,
Me husband now divine.
I’m askin’ yer forgiveness,
And yer permit to pursue,
The kindly callers come to me,
In absence then, of you.”

“Yer speakin’ of the cooper, Tim,
Or Drew, the smithies’ hand?
Aye, better off with men who keep,
Their feet upon the land!
But Tim, I’m sadly knowin’ that,
His time is comin’ due;
An’ if a child be yer design,
There ‘ain’t no seeds in Drew.
I’ll not be one to keep ya’,
To an empty marriage bed.
Lord knows ye d’serve a finer life,
Than keepin’ with the dead.
But ev’rythin’ that’s in me,
Needs ye hurt no more.
Death ‘as grant me favored eyes,
I ‘adn’t known before.
I’ll come ‘ere, e’vry night,
An’ visit, yer desire.
Honest, I will always be,
Tendin’ yer require.
Love ‘been mine for days of flesh,
Then, for eternity.
Go then now, me Mary Dunn,
An’ make a life for thee.”

With courage she did leave that night,
With freedom then realized,
To pair with then, another mate,
Forsaking former ties.
Yet, on the night that followed,
And for thousands after, too,
She chose the comp’ny of the ghost,
Her lost Bartholomew.

Each night she braved nature’s serve,
Through rain, or cold, or sleet;
Imbibing ‘pon such moment’s time,
To feed on love so sweet.
Each minute spent, Bartholomew,
Rejoiced in hardships, laughter;
And only God and Time will know,
Such treasures in hereafter.

One night, amidst November freeze,
Mary staggered there,
Among the stones akin to home,
With her husband shared;
Lungs revolting, gurgling swell,
Mouth of staining red;
Contrasting earthly suffering,
Found solace ‘mongst the dead.
Fevered to delirium,
Wet, silver-tainted hair,
She settles ‘side familiar post
And finds him waiting there.
Struggles so to form a breath,
In hopes that she may speak,
Surrendering the day’s accounts;
But fears she is too weak.

“Aye, ‘tis time, me Mary Dunn,
A’time that ye come home.
Beyond this night, forevermore,
Y’ll nev’r be alone.
I wish that I could reach ya’ now,
An pull ya’ ‘cross the veil
That’s kept us ‘part these many years,
In spite of what’s prevailed.”

“So ‘lighten me, me whaler man,”
She coughed a pale reply.
“Why’d ya’ choose to lie to me,
To keep me as yo’r bride?
The cooper, he outlived us both,
Eight children sprung from Drew;
Ye lied to me for all these years,
What say, Bartholomew?”

“I feared me own accord, me lass,
From terms set forth above;
Ye cannot cross to waitin’ arms,
Unless ye go with love.
An’ I, but one love known to life,
This chance then rest with you
To be me escort to the Lord,
This, I say is true.
Should ye have taken ‘nother man,
I feared that ye’d be his;
An’ ye’d be taken up with him,
While I’d be left like this;
A-hoverin’ in between such space,
An’ time, by lonesome self;
While pinin’ for me heart of life,
Me Mary, ‘n no one else.”

“Aye, such flat’ry from  des’prate ghost;
It was my life ye know;
I seen ya’ for deceiver,
So many years ago.
But I choose’d to keep me vows to you,
‘Til heaven takes me in;
An’ if I granted sim’lar choice,
I’d choose the same a’gin’.

I’m dying love, I feel it now,
Me spirit needs to leave;
This body sez it’s had enough,
Me time is done, indeed.”
“Lay down, me lass, breath peace,
Lay down ‘n be there, still;
Our fate, as love, ‘pears destiny,
As both our lungs were filled.”

Mary Dunn surrendered then,
To callings of her spirit;
With forever longing arms of his,
She had no cause to fear it.
United once again, at last,
Of faith and love of few,
She crossed into Eternity,
With her love, Bartholomew!
As this represents a needed edit, I'd like to extend my gratitude to Drew for precise observation, critique/guidance and to my dear poet friend, Ron Gardner,  who donated several verses to this piece that were clearly more appropriate than what I had penned originally.  Thanks, so much, gentlemen!!!

If you are reading this, you did me a great favor of time...thanks.  

Fegger, 2010
Pagan Paul Aug 2017
.
i.
The morning mist dissipated
as the ships keel ploughed a furrow
through the Great Green of the Aegean,
leaving far behind the magick isle.
Vigilantos stood at the prow,
marvelling at the accompanying dolphins,
curious and playful,
schooling with purpose to the ocean.
Ahead, waiting, a grand tour.
Of Sumer, Abyssinia and desert lands,
to glean hidden knowledge,
regain the mysteries of the ancients,
read the Necronomicon and old scripts
from a time when power crackled,
and the storms of the gods
belittled the existence of mankind.

ii.
The twilight Moon peeps
from behind the brazen grey cloud.
And she weaves hap-hazard
through the crushes of the crowd.
A high-born daughter of the desert,
a vision of beauty from the sand.
With silks and satin and perfume
richly obtained from foreign lands.
Through the colourful bazaar she threads
with occasional glances thrown at stalls,
priestess jewels sparkle in the night,
its her Name the sirocco calls.

iii.
Cobalt blue water, an illusion of light
where the sun slides through the meniscus,
and the harbour of Tyre was alive.
The bustling of boats around ships at anchor,
snatching glimpses of a turquoise sky
and the quay throbbing with the pulse of music.
It would be another 3 thousand years
before Rome was even a trading post on the Tiber,
let alone an empire conquering the east,
or building hippodromes and columned avenues.
Vigilantos drank in the atmosphere,
his magicians instincts bristling, noting all.
Meandering through the narrow streets,
loosely following direction, getting lost.
Seeking his retinue and camels, ready to start,
across the desert to Ninevah on the Tigris.
To speak to tribes, pray with the priests of Ur.
To find the secrets of mysteries, and treasure,
reaping the knowledge of the Old Gods awe,
amongst the shifting dunes of history.

iv.
Vivid colours of silks and dyes
adorn the tents of cloth and stick.
The summer sun beats down lazy,
heat as oppressive as mist is thick.
Her charms and delights are hidden,
with misery and pain, the last week spent.
The dark, the quiet, the inane chatter,
deep within the women's red tent.
Free from the curse, her moon-cycle complete,
she wanders with mood sombre and slow.
A powerful man from a western place
will arrive at the camp as the sun sinks low.
He had seen her in the main bazaar
and decided to stake his claim.
Whilst confined away, behind her back,
her father had bartered for riches and fame.

v.
His travels around those beautiful lands
had yielded books of law and scripts.
He had heard the oral traditions of elders
and gazed in wonder at the Moon's eclipse.
Then he had seen the greatest treasure
wending her way through crowded markets.
With tact and guile he discovered her Name,
and vowed to grace her father's carpets.

The desert folk live a simple life
but far from simple are they.
Sharp of tongue and quick of wit,
erudite in a most unusual way.
The father was the elected leader,
King of the tribe that he now led.
Vigilantos had bargained hard
to purchase the girl for his marital bed.

vi.
The sun sinks, falling from the sky in the eve.
Spectacular reds and orange colliding with the dunes.
The azure twilight sky lit and sprinkled with stars,
and the tribal camp fills with laughter and tunes.

vii
He walked with purpose toward the campfire,
his features silhouetted by flickering light.
The sudden hush of the assembled camp
echoed strange, deep into the desert night.
His eyes beheld her most beautiful form,
half in the shadow, half in the light.
For her families benefit he had traded,
agreed bargains, and come to claim his right.

“Princess of the desert, Daughter of the sand,
step forward gently and take me by the hand.
For my island home calls out loud to me,
so come, let us away across the sea”.

Head bowed in fake submission
she boldly makes her cold admission.

“I am a Woman of the free,
these sands are my home to me.
With all good grace; I could not face
life on an island in the sea”.

viii.
Black and red, darkness and rage
descend upon his fevered mind.
Humiliated, spurned by a maiden fair,
and pride will not be left behind.

“A curse. A curse. 'pon thy beautiful head,
prowl and creep as do the undead.
Evil deeds are now thy course,
henceforth our contract is now divorced”.

But something made Vigilantos start,
a pang of something from his dead heart.
With such feelings he could not contend,
so a caveat, for the curse to amend.

“Thy deeds and crimes maybe invested
'pon mortals only who invest the same such evil
'pon their fellow mortals”.

ix.
Leaving far behind the desert
he turns his face to the sky.
The ships keel ploughs a furrow
as the evening mist draws nigh.

And now she prowls the dark night,
her Name lost in the sands of time.
Seeking out the mortal sinners and
punishing their evil with her crimes.

... and thus it begins ...
Judderwitch.


© Pagan Paul (08/08/17)
.
Prequel to The Judderwitch poem (posted in April).
I fear this may create more questions than it answers.

My Judderwitch poems are now in a collection :)
https://hellopoetry.com/collection/28451/judderwitch/
PPx
.
Nodding, nodding 'pon thy stem,
Thou bloom o' morn; nodding, nodding
To the bees, asearch o' honey's sweet.
Wilt thou to droop, and wilt the dance o' thee
To vanish with the going o' the day?
Hath the tearing o' the air o' thy sharped thorn
Sent musics up unto the bright,
Or doth thy dance to mean anaught
Save breeze-kiss 'pon thy bloom?
Hath yonder songster harked to thee,
And doth he sing thy love? Or hath he tuned
His song of world's wailing o' the day?
Doth mom shew thee naught save thy garden's wall,
That shutteth thee away, a treasure o' thy day?
Doth yonder hum then spell anaught,
Save whirring o' the wing that hovereth
O'er thy bud to sup the sweet?
Ah, garden's deep, afulled o' fairie's word,
And creeped o’er with winged mites, where but
The raindrop's patter telleth thee His love—
Doth all this vanish then, at closing o' the day?
Anay. For He hath made a one who seeketh here,
And storeth drops, and song, and hum, and sweets,
And of these weaveth garland for the earth.
From off his lute doth drip the day of Him!
Sad Boy Aug 2018
Come Mr. DJ song Pon de Eric
Come Mr. DJ won't you turn the Tina up
All de gays pon de basement wantin a vers top
Come Mr. DJ won't you turn the Tina up
Incorporates ‘Pon de Replay’ by Rihanna
Sun flickered 'pon your eyes
    scintillating as the seas,
dappled with the chemistry
   of a thousand swooning moons
Pagan Paul Apr 2019
.
Wouldst thou not gaze again 'pon this humble fool?
For 'tis his script that doth countenance histories,
hence future repeats be 'pon his wither and whim,
thou shouldst see twice his story woven sisterlies.

Wouldst thou not read more of this humble fool?
Mayhap his words doth soothe thy enquiry,
his want and wander leadeth to a contentment,
thou shouldst not ignore content of ye Fool's Diary.

Wouldst thou not focus true 'pon this humble fool?
Perchance his poems doth resonate sweetness unbound,
pray do a'linger and a'loiter 'pon his fancy delicacies,
thou shouldst taketh thy fill of love and wisdom found.




© Pagan Paul (22/04/19)
.
Follow up to poems Fool's Diary and Fools Diary (Addendum)
posted on Mar 6th and 8th 2019
.
jonni inferno Mar 2018
comprising several works -

Intro -     Seas of Tyme
Chapter - 1  Bent and Broken
Chapter - 2  In Sorrowe Wepte
Chapter - 3  Beyonde Alle Dreams
Chapter - 4  Thru Deepeste Nyghte


Seas of Tyme

'neathe starry skyes
warre doth rage
crosse the seas of tyme
yet there upon
this battle-fielde
two heartes
becayme
entwyned...



Chapter 1

Bent and Broken

he stumbles
'pon the rocky pathe
in armour
bent and brokenne
his journeye to
bryghte sylvarre-mere
lyfe's hoppe
'pon his shoulders

peeringe deep within
the sylvar-mere
he casts about
unknowinge
darke eyes
a starlit ebon sea
reflekt the meres'
great power

his burninge gaze
losst farre beyonde
these earthly planes
we ken
in darke despaire
forsakes him-selffe
lyfes hoppe
not yet
abandoned

in anger rages
defiant hope
alle left
this man to gyffe
fromme ebon seas
his tears do flowe
an' pours his lyfe
into the mere



Chapter 2

In Sorrowe Weppte

she walkes alone
the moonelesse pathe
within herr shielde
of stonne
herr journeye to
darke shadowe-mere
starre-lyghte
herr brighteste hoppe

peeringe deepe within
darke watterse depthes
in searche
of alle lyfes hoppe
greene eyes
an oceanse soffte embrayce
reflekte
the darke-meres power

herr burninge gayze
losste farre beyonde
these earthly planes
we ken
in darke despaire
reklaymes herr-selffe
lyfe's hoppe
keppte fromme herr stille

in sorrowe weppte
alle lyfes lasste hoppe
alle leffte
faire maide to gyffe
fromme emeralde seas
herr teares do flowwe
into
darke shadowe-mere...


Chapter 3

Beyonde Alle Dreams

'neathe
starre-lit skye
herr sylvan voyce
in songe
is softlye raised
for alle lyfes
forsaken hoppe
for hoppe within despaire

when beyonde alle dreams
an' shattered realmze
faire maidens voyce
is hearde...

...her tears
falle softly
into these ebon depths
their sylvar lyghte
reflect within
the darkness of mine-selfe
whereupon
i must responde
for lyfe
for love
for alle mine owne
lostte soulze

reachinge out within
these darkeste depthes
beyonde alle hoppes dezyre
her gentle touche
at once perceived
redemption
in this hour....

then fromme
the darke-mere's
surface rose
ten thousande soulze
once lostte
black swordze uphelde
in armoured fists
'pon steedes of ebon-lyghte

in silence watched
wi' somber awe
beside the roilinge mere
faire maiden broughte
unto herr feete
fell knights
before herr
kneeled...

in silente rayze
of dawninge lyghte
herr slyvan voyce 'tis raised
black swordze
on sylvarre shieldes
do crashe
in honor of herr daye

within ten thousand
sylvarre helmze
losste voices
lift in songe
to winne the lyghte
of dawne's laste daye
'pon the battlegrounde...



Chapter 4

Thru Deepeste Nyghte

theye ryde to warre
'pon sylvarre steedse
armour gleaminge
wi' sunnes' lasste raye

charginge fulle
'gainste nyghtes darke-lords
to wynne the lyghte
of dawnes bryghte raye

an' warre doth rage
thru deepeste nyghte
cross battle-fieldes
of bloode
foule daemons falle
'fore their myghte;
true heartes,
to meete the sunne

an' who woulde lyffe
musste see the dawne
an' feele the kisse
of sunne's bryghte raye...


- finis -

.
for Kristi Raye

i created chapter 1 & 3 to tie them all together -
perhaps i should not have...
u tell me
Pagan Paul Jun 2017
.
Thy loveliness be fyne arte
powdered 'pon a velvet page.
Thy heart doth sing lullabies
penned in a lovers cage.

Thy loveliness be crystal jewels
studded 'pon a silver thread.
Thy breath doth fan the fyres
stitched in a lovers bed.

Thy loveliness be sweet dreams
strewn 'pon a meadow fair.
Thy nature doth perfume give
flowers in a lovers snare.

© Pagan Paul (14/06/17)
.
Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
Nathan Squiers Mar 2014
"This is but once an end to us,
A single blot upon our page.
There is still much we will discuss.
In another time; another age"

Her palm went weak within my grasp,
As her soothing voice began to fade.
And like the biting of an asp,
There was no bargain to be made.


"I cannot breathe this wretched air--
Made toxic by her extinguished breath--
And were I to feel I could not care,
I'd follow her into her death."

A plague upon mortality!
A curse 'pon all the gods!
And yet the binds of morality,
Will maintain all uneven odds.


"There is still much we will discuss.
In another time; another age"
It repeats and rolls--a cursed chorus,
Set 'gainst a melody that dances up a rage.


Nothing left to discuss; no other time or age.
No longer can I breathe her breath; there is no other way.
The world is not a picture show; we're not born on a stage!
Life exists for pain and loss; there's no grand scheme we play!


"I cannot live this wretched life--
Made empty by her extinguished flame--
I'd hoped that I could make her my wife,
But not all plans are laid the same..."

I drag myself into the street--
Away from the memories of her--
And fall 'neath the current of marching feet.
I try to forget all that we were...


Then I sense a figure there,
A silhouette among the crowd.
And all I'm left to do is stare,
With what little strength I'm left endowed.


"There is not but once to any end,
No singularity to the times.
Though it will not repeat, my friend,
The past works well in rhymes."
Heard a quote in a movie recently that rolled along the lines of the title I've adopted here. The notion was so compelling that I wanted to do a short, pseudo-tragedy story, but the rhyming element convinced me it would serve better as a poem. Decided to play with direction & flow to create a sense of scenery & character(s) (something that, due to HP's formatting, wasn't working the way I'd wanted).
Skaidrum Jun 2015
.
Ancient games
tell tales of dust.  |||   A story drawn
from the lips of two poets.



~~~~~


It's the wits that ****, not Queens of ivory or ink. *
Charged with
coal strokes, scraping up the lies.
Pawns & Knights slip between the grasp of the sun, leaking into
   lion jaws of Leo.
Shifting these granite plates, ignoring the Rooks common price of aslant.
Here we have slain kin, crescent traitors that backstab the night and battlefield.
Closed doors and trap floors, trade me a tie, swindling your tactic ruts.
Reality never got the noose around our necks, check turned into manslaughter, and kingdoms ripped asunder by the roar of Jupiter
Get up, get up, get away from these liars, they can't have your rank or your fire.
Peak a notion, this match is spared by a luft.
Toss away the pride buried 'neath your dusty skin, it don't matter no more if   death has you by the lips.
Silence is a language too in our eyes of earth.
Take my hand, knott your soul into this downfall, and brace yourself for the wreckage in our bones.
The Sword of Sorrows will fall 'pon your shoulders, not to slay thee, but to dub thee a new day.
The drums of war will knit the lyrics in the sky,
singing:
"The mighty sharpen their fangs, the weak sharpen their wisdom"
~~~~~
I'm tired of your wishbones, and golden scales, give me the hard-earned truth.
Hot coals of honesty may you tread upon, shadow-bitten remorseful may you be, don't stray off the course of Ursa major.
The North star isn't the one I follow
It's the moon with all of it's phases,
Eclipsing and crescent, tipping the sky with it's beauty.
Now let this sink further than any soul has ever sunk,
no man could ever
rule the moon.
~~~~~~
Shoot on command,
C
h    
      e
c  
      k
m
a
t      
e

~~~~
You could drag me to hell and back and those words wouldn't mean anything.
Let this downfall become a *downfell,

Because last I checked
"Wolves worship the moon"
and I have broke it's reflection in the water
Just
by
throwing
s                    
t          
o
         n
                 e
                              s
                               ­        .

.
A collab between
The Dragon Prince & Skaidrum.

I'll give most credit to
Kalum here.

© Copywrite The Dragon Prince & Skaidrum
Sally A Bayan Aug 2018
..


Save from the hidden nests of birds,
it was the only one there...isolated,
like an isle...crested on the leveled
top of a gorge...its way down or up
was through a hand-carved series of
steps on its *****...at its front was a
curved gorge......one would think,
it was trying to cross over

the cottage was small, weather-beaten,
desolate......its wooden walls seemed to
have shrunk...its faded colors proclaimed
its age...its having survived past storms....
from its window, the stream was seen,
and heard, flowing on and on between
these two precipitous valleys.

light came from the sun...and moon,
music was provided by the murmurs of
the forceful wind, the continuous flow of
water on the stream, the stirring of the leaves,
the crackling of branches and twigs, the birds'
singing in the spring...the pounding of heavy
rains on its roof...and countless other hymns
of nature......the dweller had heard them all...

beneath a lonely moon glow,
when nights were cold,
there hovered low 'pon its aged roof,
rounds of layered fog...like a series of
steps....like a stairway to the sky...
fog slyly crept, and wilfully shrouded
the cottage.....it vanished from view,
the two gorges and the stream, hushed,
in the dark loneliness of that secluded
spot......their vulnerabilities, trapped
inside....misshapen silhouettes...

in light and in dark,
the whistles of nearing and departing
boats....were wailing, haunting calls,
piercing the peaceful calm of the valleys, or,
maybe, the stilled complacence of the cottage,
or...of the one living in that lonely cottage,
...lost, or gone astray, now weary and worn,
willing to be found...longing to be reunited
.......with the light and warmth of love...

the cottage, the gorges, and the stream
would be loneliest,
without the cottage dweller...


Sally

© Rosalia Rosario A. Bayan
August 27th, 2018
"...no man is an island..."
Pagan Paul Nov 2018
.
Gaze ye not
'pon the misfortune
of the Harlequin,
his dead eyes
will see nothing
of your heart.
Pity ye not
the clown 'pon
his misery bed
of Narcissus petals.
Emotion has thieved
its own fortune,
carrying the weight
of bitter experience.
The furnace, long cold.
Never the embers
glow in his soul,
trapped in a world
when life cares not,
nor matters to the afflicted,
who is mocked
by thy Gaze.




© Pagan Paul (11/11/18)
.
(An mémwa granfré an mwen Dodo, frè jimo a Roderik, ki disparèt an *** lanmè koté Sentlisi lé disèt maws démildisèt anbo kanno ay, In God we Troust, menm jou ti frè an mwen Toto fété swasantkatran ay)

Lè Manzè Frégat, on vyé zwazo épi tèt a sizo lan mè, rivé

Konpè Dodo té ka ba dé kudmachwa adan on ponm arak kon i té ni vyé labitid fè

Dépi lé i té ti manmay chak trwazyèm vandrèdi a mars o pipiri chantan

Sété on sèl pélrinaj pou y té pran gou a sé prèmyé ponm malaka ki té vinn friktifyé

Vyé zwazo la diy konsa: « chaben, apakonsa zafè ka fèt ! avan ou té sèvi kow, avan menm ou té comansé manjé plen vant aw, ou té dwèt ban mwen lajan an mwen, ban mwen sa anfwamenm »

Konpè Dodo pa enmé pon vyé zwazo diy pon vyé biten ! I wondi bouch, i toufé, i manké tranglé :

-Ki pawol a foumi fou ki la ? i taw ?

-i tan mwen. ban mwen lajan an mwen, man, ou alo, ranjé zafè aw byen pas dènyé vandrèdi aw rivé !

ou pé kriyéy jan ou vlé malaba, malaka, kwachimelon, otaheite, pomme d’amour, ponm tayti, manzana malaya, séw ki sav, ou pa papay

sé mwen ki mèt ay, ou tann ! Ou tann byen !? Pa fè mwen trapé dézod épiw

Pa fè mwen jiréw, avan ou ay pran zafè a moun prokiré sav ki moun ki mèt a kann la

mwen ja las jouwé domino épiw, kouté sa byen, wouvè gran zorey aw ! An ja diw sa, yo ka kriyé mwen an lot koté Jambo, Prensès Scisour Lanmè

mwen pa vlé sav si ou métodis si ou advantis si ou ka fè penti

si ou rosikrisyen si ou catolik ou si ou ka trasé lèt asi olivetti

si bon dyé aw vodou, endou, ou témwendjéova, fwa aw sé taw, tan mwen sé tan mwen,

Non an mwen pa Séza non an mwen pa Bondyé sé Jambo

ponm arak ta la sé tan mwen, sé awryè granpapa granpapa mwen ki té arawak

ki plantéy, si ou vlé sav, ban mwen diw on ti biten malgré vyé mannyé érétik ou ni dépi toupiti. ou ka ékri tout koté « In God we Troust » sé pousa ou dwèt ka vinn trousé mwen ! foutémwa likan, espèce de malélivé

manjé kénèt aw ou chenet aw ponmsitè aw fé sa ou vlé épi yo mé pa mannyé vyé pyé ponm arak an mwen

sa ja ka fè plis ki katvensètan ou ka fé la fèt asi pyé ponm arak ta la

Ou pa sa li fransé , chaben ? espèce en voie d’extinction! An ké diw li on lot fwa an nanglè si ou pa vlé tann fransé

Endangered species !

Mé Kompè Dodo pa té vlé tann march ! Kompè Dodo mété koy ri ! I pa té pé rété ! Telman i té ka ri i té ka pléré !

Ki jan i té kay péyé pou on ponm arak pou on vyé frégat malkadik, dapréy non ay té « Prinsès Scisour Lanmè »

Manzè Frégat ou ni on jan dapréw ou sé yen a dan lé trwa Moiw, on Manzé Atropos

Konsidiré séw ki mèt a bobiné é débobiné

Mé apa mwen ou ké kouyoné, sé pa jodi jou disèt mars pon vyé zonbi ké koupé filsèvolan mwen

Banw diw sa, Tiré gran zèl nwè aw anba la pli la é ay pozé kow anba on pyé kowosol

Demen samdi avan jou ouvè mwen ké vinn kué ti ponm arak an mwen

Manzè Fregat pa pèd tan, vitman i poté mannèv, i anki ouvè gran gèl ay, bèk ay té ka parèt sizo

I vorey i varéy i valéy, i wotéy – zyé a zwazo la té ka sanm on sèl fé dartifis woz fichyia –

A las siete y media de la mañana, eran las siete y media en punto de la mañana

Kompè Dodo bat dènyé ti domino ay, a las siete y media de la mañana

Manzè Frégat comansé ranjé tou dousman sé domino la an bwat a domino la

Epi rès a ponm arak la i préparé pouy on ponch ponm malaka.

Sé pa pou ayen ni on proverb ki ka i konsa:

Pa jen jouwé domino épi on frégat si ou ka dwouéy on biten.
Ken Pepiton Nov 2018
life more abundant calls forth an expandable reality primo,
thus wisdom, the principal thing when-ce all other
things may be made

machine level codifiers ifying
meaning back into idle words.

Keep the secret. Answer the call,
who will help the widow's son?

You, Templar, what message bear ye to my child?,
asked the widow.
Fi-del-e-tus. with a squeeze and a tap,
wink and grin

Poet, who named the prophet?
who named the teller to tales?
who gave thee hearing ear and seeing eye?

Some mind imagined those as yet unformed in forever past.
You agree. You experienced living, so far.

So good, we move on, figurative re re re al-it if-ity
Haps apt to appear be fore your veri variety of being even
hapt as a thing thought, imagined made for a function, as yet

undone. Conserve the NULL set, that whole idea is dangerously
close to fading…

Have you seen those videos of soap bubbles filled with H
and no O?
You should see those, to recall the phenomenonal pre-dictatorial
image, see the bubble, invisible but
for reflection of ambient ambits in our epigenetic radiosphere,

bubbles collapse, and for a flash, flame orange shaped
as the bubble was.
No ex-plo sion it-a-tivity, mere dis cipation,
loss of grip on the shape of things that were, now
con forms to re per ceive,

try again, get a good grip, swing and a miss, go again
take a Mulligan, I think, some game has such a rule,

We can use it here. We can scroll back up,
like a rope lift on the bunny hill at Big Bear, back when…

wheels in wheels, bubbles in bubbles, forms in forms

this is the information age I was informed. Adamkind, those
qubitical, ambitical little images of

Who, who? would a name comfort-you worth more than a breath?
Fresh air after a minuted moment twixt out and in again,

Power, create ific power haps twixt out an in again,
the cipitation, the d was missed, what if it were not?

re-read, religion once meant that, re-connect, too,
religion meant that state of having re-read the map,
re-tied the worth carrying,
stacked the worthless by the trail so
some hapless stranger may see
the treasure it was and is, to any who care to

receive, or con ceive it for the
truth I found in it and kept, which I leave to you
here:
Both treasure and truth are where ye find them,
and shall be for ever, when ever starts for you.

Ezekial, judge my riddle, please. The fool missed the
point of conception…
No, no no no

A fool's dance in a Phrygian cap with useless, symbolic wings…
gee, Phrygian, means nothing to you? Google it, you live in the future.
Later,
A time upon which a Mercury dime would comfort
a rich American Tyrant, son of the Flim-flam man,
no lie, this is mythic, you can't make this stuff up
its history. Hysterical, right
John D. Standard-for-Petropower-manifestation,
the dead's carbon footprints bubbling up
to fire and fridgin' ice, whoa, who broke the world,

I was distracted. Did you know the planet is
as self healing as those scabs on my grandkids knees?

ah, caper, eh? Capere, to grasp, to take,
ceive means accept by taking,
be liefing an idea ceived ex nihilo, is likened unto

Drinking from a still pond in a distant land. Sults,
results. may result in,
Dear Rhea revenging Montezuma, at a gut level.

However, a sort of how in an open mind facing forever,
a sort of omni-directional saliency
seeing further,
--Bomb, Jesus-bomb--

At least two reasons for thinking Jesus is objective, out side
you or inside you. You aren't Jesus. Jesus is a friend of mine,
in my mind, object-if-I-try
to pray, listen pray hopes
happen
shapes form
forever from ever point, every point, not of, in buy

a why..
why does a y on the end of every mean any thing?

That's the y-factor. You will learn why wise men still seek those.
As treasure, they are light, and the taste is beyond

the grasp of tongue to tell

that whole class of moded-ever words weave wards
whenever, forever, however, whatever
used proper, everafter,
that will save Dresden, some time, we think.

However, now, Rhea by name has entered the game.

Who is this named femofame? What game is she good in?
Or does she just knock the **** out of lying spirits?
Cool.

Ah, mother of all the gods, I recall, I mean
I meant to say
I remember, then I for got the power words hold here
exactly heare in eleven metrixed mentions,

this point, in time, not of time.
In the world, not of the world, you've heard the pharse?
The allusion is not lost on you, you know the phrase,

In the world, not of the world, holier men than I have
claimed to be, while I follow a few fine words,
linguistic kief, sprinkled fairy dust, like the stuff
captured in the gleaming film on your
microscopic-outer eye

see a salient point in time.

A pin point 'pon which one,
no more,
one story begins for ever, a gain in good net
value, if

we have tasted that word, chewed the gristle,
indigestible ligaments and sin-yews and such,
which once anchored meat to bone,

value is first good. Good e nough, nough
Gut genug, okeh,
maybe not my best, my best is yet to come, they say.

sufficient for today
------

enough (adj.)
c. 1300, from Old English genog "sufficient in quantity or number,"
from Proto-Germanic compound *ganog "sufficient"
(source also of Old Saxon ginog,
Old Frisian enoch, Dutch genoeg,
Old High German ginuog, German genug,
Old Norse gnogr, Gothic ganohs).
First element is Old English ge- "with, together"
(also a participial, collective, intensive, or perfective prefix),
making this word the most prominent surviving example
of the Old English prefix,
the equivalent of Latin com- and Modern German ge- 
(from PIE *kom- "beside, near, by, with;" see com-).
Second element is from PIE *nok-, from root *nek- (2)
"to reach, attain"
(source also of Sanskrit asnoti "to reach,"
Hittite ninikzi "lifts, raises,"
Lithuanian nešti "to bear, carry," Latin nancisci "to obtain").

As an adverb, "sufficiently for the purpose,"
in Old English; meaning
"moderately, fairly, tolerably" (good enough) was in Middle English. Understated sense, as in have had enough "have had too much" was in Old English (which relied heavily on double negatives and understatement).

As a noun in Old English,
"a quantity or number sufficient for the purpose." As an interjection, "that is enough," from c. 1600. Colloquial 'nough said is attested from 1839.

From <https://www.etymonline.com/word/enough#etymonlinev8703>
Godliness with contentment is great gain, a precept I was chewing on following a ritual holy day of gratitude to goodness for goodness sake in my cultural gut genug state of mind.
Sequestered May 2016
As grave beckons upon this mortal breath,
And that day came, when existence shall cease;
Gladly shall I embrace the beck of death,
To sail through life’ shore to that realm of bliss.

‘Yond this bound, whence breath will matter no more
Shall this life be measure by length fulfilled,
Or by rare wealth of allure and splendor;
Along this sojourn treasured and unveiled?

But those moments spent with Euphemia;
That took my breath away ‘pon shooting stars,
And turned routine into euphoria;
Sealed with smile and laughter, as balm to scars.

My fulfilment will not be found in years,
Neither in abundance nor in length of days;
But in those rare moments shared without fears,
Whose golden footprints no time can erase.
"In the end, it's not going to matter how many breaths you took, but how many moments took your breath away..."
Quote by Shing-Xiong
Obadiah Grey May 2010
“- Bacon sammich -”

Ahhh, liddle green apple 'pon my plate,
****- you ain't ever gonna satiate
my hunger, lust, for something more,
bacon sammich,,you know the score,

Home made bread, cut nice n thick,
full fat butter, ooh yea, that's the trick !
streaky bacon, with chewy rind
just cut off, from a pig's behind,

Fry it up, with a liddle oil
but steady now, or it'll spoil,
not too crisp, n not too brown
coz it's a little rough, when going down,
n to top it off, it's best of course
to maybe add, a splash 'o sauce,

So alas liddle apple, 'pon my plate
I'm afraid for you, the bins your fate,
at the risk of a liddle wife's disquiet
it's a bacon sammich,,,,,**** the diet.

Alan nettleton.
spooky doopy Feb 2015
Anyway, Anaplasmata act aptly and abstractly
Backhands ******* balky baklava
Caractal chasm chant "Catty cavalry can't"
Dactyl dada dawns Djakarta drab

Larva ask dab-tap shabby knack lad
"Ever elect effete experts elsewhere?"
A clad daddy wants a dark jab dart
Fleece fleets flee flecked flyspecks

Cleft feet eve expels three resew eres
Gentle germs gelde grebe's geyser
Cede effects leek fell pecks self lyfes
Hellbent helmsmen helped hexed herders hence

Glen's remelted eggs be Serge-Grey
It insistingly implys impish ipsissimis insipidity
He held next her belched sender heel
Jiggling jibs jinx jimmy's jill jig

Its smilingly spiny impish mississippi I-I-I Is It dinty?
Kidding kibitz kick killing kings kitsch
sigil sign jimmy jib jingling jil
Livid linitis limits limbs limp

Big **** kid kicks thinking gill's zit kink
Midriffs mimics Mis's minimizing mistypings
Slim villi distils it, mini blimp
nil ninhydrin nihilists nicks nyxis nightly

Ms Mmisty's zip disc, if firm, is miming mining
ontology on top of oophoron ostomy.
Hindi hint silly lynchings. Skinny nix I stir
phonology 'pon phytol plywood poops polyglots pompons.

Polygon hoof-moon on poor toys toot
qophs
phony thong ploy loops monolog poppy.  Woody plop! Psst!
Rooks romp rootstock rods

"Posh" - Q
Schoolroom scoffs scoop shockproof snort stools
Mock stork pro or door toss
Thyrotomy 'top torpor tot's torso

So-so rooftop honk slots. Morocco sloops off
Usufruct tu upchucks
Stormy troops root to tot trothy
Vulgus vult vults

**** such curt cut ups
Wrung wctu
Vulgus vult vults
Xu

Wrung WCTU
Yummy yurts
Xu
Zulu zymurgy

Yummy! Try us!
Lawman scandal any pay at a scab yap tat tartly
Zulu zymurgy
Almanac-scratch that-clay tract vacancy
pantoum, lipogram, alliteration
Ebb and flow, back and forth;
A story six years told.
To and fro yet never settled;
This friendship's getting old.

He lies and teases all the night,
Though gentle is his heart.
She knows all this, but far too well,
And so decides to part.

He never gave her reason why,
But still he told her lie 'pon lie.
He chased her til the morning dawned,
And then the bird did fly.
February 2013
Paula Swanson Jun 2011
Oy!  Boy!  You there!  That's no way ta be tyin' a knot.  Do it like the one next ta ya.  Thats right.  Now pull that tail tight.  Thats got 'er.  Be yer first time ta sea boy?  Aye!  I can tell.  Yer a bit unsure of yerself.  But don't you go worryin' 'bout that.  That there feelin' won't be stayin' with ya fer long.  No.  Not fer long at all.

Come on over and sit by an ol' sailor fer a bit.  Whilst I mend these here sails.  I gots to be gettin' 'em done in time afore we set back ta sea.  Why you ask?  Why boy, don't ya be a knowin' where we be?  We'll be needin' full sail and not one yard less, to get through these waters tonight.

Well, I'll tell ya.  See this here port?  Where'n the Capt'in went off to be makin' deals?  Why, we be at the very bottom edge of a slice of water called the Devils Spit.  What's the Devils Spit ya be askin'?  Oy!  Your still wet behind the ears ya are.  Why, I can count on me nine fingers and what's left of me toes, the number of men what's not heard of the Devils Spit.  And I be all out of fingers and toes to be addin' ya to the list. So I best be a tellin' ya.

Here.  Have a seat and hold on to this here end of sail edage for me.  That's a good lad.  Comfy?  Good.

Ya see, the Devils Spit is a nasty bit o' sea.  Shaped like a triangle.  Connectin' three ports.  Why, it's no bigger'n this on the Capt'ins charts.  But out there...lad, it's vast.  Vast dark and frightenin'.  Course I see the sun a shinin'!  But I'm talkin' 'bout night.  Deep night.  When the moon is high and full.  Like it'll be when we sail tonight.  Cause, it be night that brings up the dead.  Now listen up whilst ol' Tips Slived here tells the tale.

Aye!  The tortured souls upon the waves, do dance and call from watery graves.
They call to other pirates that be, out livin' a life 'pon the sea.
When ya sail within the Devils Spit, you take yer chances with the rest.
Fer they rise up, as ya near their eternal tomb. Ta beckon and wail, out in the gloom.
They have eyeless sockets. Aye! Tis a gruesome sight.
Plucked out by the ocean scavengers bite.
To have those wraiths look t'wards yer ship, marks it fer death.
You'll not beat their grip.
Thier spectral forms of festering rot, once be pirates, one and the lot.
Each dead soul picks itself a victim.  Then SWOOPS down on the decks ta collect 'em.
They be dragged, kicking and screaming, beneath the depths.
But Davvy Jones, these souls he won't accept.
A pact was made 'tween the Devil and he, fer those taken here within this Devil sea.
For the pirates chosen by the dead, are taken deeper down, past the sea bed.
To wail and burn on the Devils spit.  To be fed to his minions and his pets.
Then their souls belong to he, that claims this triangle of the sea.
A pirates soul be the blackest kind.  A more murderous bunch, you'll never find.
So now, ther be a full ship more, of tortured souls to settle scores.
With their ship sunk past the bottom, there they stay til the Devil calls 'em.
Up to dance 'pon the waves, to take other pirates to thier graves.
So when you sail with the full moon lit.  Sail not into the Devils Spit.


Now Lad.  How's that for a bit of an old salts tale?  Good one ay lad?  Here, hold this bit of sail up while I thread this here bobbin.  Higher now.  That's a good lad.  Ha! Ha!  You'll not be feelin this way fer long.  No.  Not long at all.


Hey! Boy!  yes YOU!  Your the only boy here 'board ship be ya not?  What are ya doin' over there in them torn sails?  Don't I be givin' ya enough work ta do?
Talkin' ta who?  We have no hand 'board this ship by that name.  Besides, there be no one there but you.  Take a look a round.
Boy?  You alright?  Your as white as them sheets there.  Ha!  Port sick are ya?  But, don't be worrin' lad.  We set sail on the tide, to do us a bit 'o piratin' on our way to the next port.
Now go check on them skull and cross bones.  make sure she's ready ta hoist when Capt'in calls fer 'em.  Yes. sir, white as them there sheets he is.

MEN!  Make ready ta sail.  Tonight, we sail through the Spit!
Geno Cattouse Nov 2012
sweet an nice.mek mi mash a pum pum
Like a lizad pon lim a goin mash a pum pum.
Me can't. Feel sewwt relief les I mash a pum pum.

Peaches an cream.
Cunnamon dream
Rock and come in
Fi go mash apum pum.

Drive yu wild when I masha pum pum
Lone free style fi go mash a pumpum.
Nat Lipstadt Jun 2013
She lifts her head

She lifts her head
But a few inches from pillow,
Where head, a blonde mess,
Has night time rested

Is it dawn or day,
Sky or rain,
Time to rise, coffee make or time to lay
Back down.

I answer all,
For I've been up for h/ours,
(You know doing what),
Place my hand  'pon her head
and gentle it back down.

Pillowed, I thrown in a few kisses
To that tangled mess,
For my hands, my lips,
My writing utensils,
Write her poem,
This poem,
And answer all her questions,
never spoke, never asked,
N'ere a single word out loud passes.
At 5:45 AM, just now.
Chris Jun 2015
~

O’ thee, my precious shimmer’d feather
O’er loves sweet glow thou sketch my smile
Doth bring a’ breath, euphoric weather
Come lay with me a midday while

Yon field a’ bloom o’er windswept dream
‘pon wings of bluest azure skies
A’ rest these banks long trickling stream
Whilst find my gaze ‘pon cascade eyes

Thou art my spring, pure woven bliss
Lest not a day forth bid we fare
That I’ve not felt thy petal’d kiss
O’ scent’d touch neath moonlit glare

For I, of lonesome nightscape sleep
Doth find thy beauty, savor’d charms
A’ shine ‘pon me O’ feelings seep
Star shower’d dream within my arms

Lo hallow’d ground o’er whisper’d breeze
Neath flowing chinaberry vine
As witness’d, firefly ‘dorned trees
*O’ thee forev’r to be mine
"Take thy rest M'lady of Exquisite Bloom, til coming dawn finds once more"

Translation; Good Night Beautiful
Pagan Paul Mar 2018
.

'pon your voyages through my mind
mingling with memories cruel and kind,
amongst the shattered dreams that do lay
'neath darkened clouds so distant away.
Amidst the chaos of random thoughts
strands of discord forged and sought,
chasing nightmares you must flee
the ugliness deep inside of me.
Be you close or be you far,
Please think of Me,
wherever you are.





© Pagan Paul (20/03/18)
.
jonni inferno Feb 2017
behold
mine guilt be carved
'pon this furrowed brow
plainly writ
for all to see

i pray thee now
speak softly
fair an' sweet
an' brook no lie
to pass thine ruby lips
those serpent fangs
venom filled
'twould pierce an'
wi' their poison still
this wounded heart
that lay bleeding
lost an' dreaming
far beneath...

where mid-night forest
darkly flows
this raging torrent
swiftly feeds
black rivers
writhing coldly
thru my soul

as faceless voices
darkly speak
urging chaos
mindless screams
nightshades tearing
rending eat
the broken pieces
of this wounded heart
that lay bleeding
lost an' dreaming
far beneath...

where the sun
is but a myth
deep within this
dark abyss
an' the moon
faithless
fades
from memory

alas
speak softly
fair an' sweet
release me from
this dark abyss
that lay bleeding
lost an' dreaming
at thy feet
.
.
Pic Poem
http://oi60.tinypic.com/29kvqs8.jpg
.
.
https://deepundergroundpoetry.com/poems/268738-at-thy-feet/ic to pic/poem
She's an imp of a troublemaker fairy
they call her Heather Featherwand
she lives midst ancient ruins
    'pon Saturn's ringlets
          of ethereal ice & dust
you might get a peek at her
  neath a summertide night's dream,
she wears lavender and tangerine
  to blend in with the blazing cosmos,
 her pale peachy butterfly wings
    make sounds like katydids
     singing in the treetops and
         cicadas come to life at night
  further adding to her mysterious flight,
she took off one day, they say
    with the man in the moon
  and they've been starstruck ever after
Supposedly my fairy name is Heather Featherwand, long story,  just having a little fun with it!
jonni inferno Feb 2018
herr fayce
obsccurred
a mysterie
tho shadowe-veiled
alle maye see
reflektions of
the daye jusste gonne
or warninge of
tomorrowes storm

softe herr lyghte
for lovers eyes
indifferent to
ourre mortal heartes
yet woven thru
alle ourre lyves
sylvarre moone
bequeathes herr lyghte

brokenne heartes
as dryftwoode laye
'pon these
silent shores
sweppte awaye
'pon sylvarre seas
'neathe
herr crowne
of starrs...
.
.
http://oi61.tinypic.com/34iicxx.jpg
.
.
added a link to the pic/poem
Ken Pepiton Jan 2019
There was a day

Yes, we all imagine we remember that day, but

now it is as if it never

really-- every y must be just if ied or it is never
a requirement

it is a re less
quirement

not every story has been pointedly
taken as granted,
even, oddly,
once
Quire a quest is a matter of motion,
hear, and there, time and all that,

Now, next has never, as in non-realized as realizable

up to now.
told ere un. That may, is. law, an untold tale is never twisted.

between the reversible nand gates of our augmented imaginations.

once,
upon a time lonagone, which were common (or come on)
signals scrambled at this depth, but pressure proves

the point. We are past all that for now
by reason of why

curiosus curiosus our imaginary guide, once

all the imaginations in the hearts of men were only evil,
continually

Then Noah or some storyteller, or prophet
caught wind of a sweet savour

roasting on a fire tended by Tubalcain's daughter,

Naamah, last named bearer of Cainish flavored genes
never set, epigenetically beyond the woumb

Mito-mom,
she coulda been, some wombed man was,
you know, we all share mito-mom,

science of some sorts can't lie. Take that as truth.
If I could believe it,
I could swallow it,

maybe
you can, too. Oh, the myth we model on matters little,
the boys and shoemakers who sniffed the glue,

they loosed some wild ideas

got all tngled with stories from ever

where in the world
have you been?

You just got outa jail. I'm right. I can smell

well,
near as bad, but it was then, a mere made up monent
meant now to hold a point

pon which a story longer than I have ever told may stand and

be told, the king
s story teller stutters in his sleep.

haha
that.
okeh, this is not pre posed as funny,
merely odd,
one ish in a realm of twos and threes and fives

spinning into etern naughtity, empt un-null-ift possibles.

Naught me less press on, find a vortex, flow,

we are peacemakers stranded upon a time of war, scabs. we heal.
don't pick on my inflexibility in matters

of duty. Leaven has always been the means of re pair ideology.
Quarkish insistence on duality from the ***.

The augmented ones are getting better,
as a choice, they see how good
ever works,
some fix what evil broke, some make new ways around the lava
and
balance, spin, lean, wobble, no place to fall here

we gotcha. Gravity and light, those are givens.
this is life.
make something of everything you ever imagined possible.
then die to see if it works.

But wait. Don't die early. It makes grief, which is
what fills the slough of despond.

We are draining that. Birds that nested there all died,
it's frogs moved to Florida, bugs and molds say they can make it any where

so, we are watering the desert. We grow Panama Red. Who eats roses?

Critters manifested as ideas that never linger but in the miry clay,

Most of those went north.

Deserts served and deserved have I claimed as mine
from horizon to horizon, all I see is mine to see serve and
de-serve, I served and am served and
sometimes
often,
I de serve and see as free as I may imagine

bodys are not bearers of light. There is hope. Right is known,
you know right, and you know good, and you know evil

Spike Jones had the hermit wiseman say,
Do the right...

self-evidently not a clue. we thought he got on at nano nano

Hung himself. Why do they do that? Why display dis paired
re-alification.

It resonates, dead end. turn back, Sylvia Plath warned you.
Don't die without knowing

we, me and you, we are nothing with out you.
This touch of word to meaning,
this is in time, mate, we
made a ripple in
material reality past all limittions of time and space,
in a word or two packed with ancient ideas,
which always spill,

whenever we open them, dust in the wind , a ditty from
some A.M. experience, on the way to now

we sing a song of six pence worth, and settle
with a jug o'rye.
more in the give me a reason why i believe saga of myth mending and metaphor piece matching for patterns
To gaze 'pon my precious One
Is to see a diamond finely set,
With its countless facets sparkling.
All glistening in colorful array.

An ageless beauty for now seen
Thro' the vagueness of this earthly vail.
But, I shall see Him face to face
In all of His revealed glory.

He is a burning, shining light
In whose presence there is no night.
The perfect light of righteousness;
An inextinguishable source.

Shine on my Love, my precious One,
For I shall ever gaze 'pon thee.

— The End —