A robin hops, looks, pecks.
Looks, hops, pecks.
Pecks, looks, hops.

So there’s this woodpecker
He pecks all day
Peck Peck Peck
Peck Peck Peck
Pecks his life away
Ever seen him stop and wonder?
At the glories of the world and beyond?
Did you ever see?
Him staring at a tree
And thinking about Joyce Kilmer?
Nope, can’t recall
Any such incident

So why should I stop
And smell the flowers I don’t see
Why should I write a poem
As beautiful as a tree
When no one else gives a ****

I should be hanging around friends
Rolling joints with the money for my rent
I should be the eternal narcissist
Like the one who sits above
But we’ll come to him later

Right now what I wanna know
Is what gives me the right to control
Everything I see
And everything I don’t
Coz frankly speaking
There’s a lot I don’t know

What gives me the right
To play with someone’s life
And blame it on ignorance?

I thought someone could tell me
Someone could answer
The stupidest question in the world
But if I ask someone
Why they’re doing something
They all say the same thing
Coz everyone else is.

Good.
So now we’ve got that cleared.
I’m doing what I’m doing
Because everyone else is doing what they’re doing
And everyone else is doing what they’re doing
Because I’m doing what I’m doing

To sum it up,
None of us know what any of us is doing
Or why they’re doing it.

Looks like we evolved backwards.
At least the apes knew what they were doing.
Sleep. Eat. ****. Have ***. Sleep.
That simple collection of words got what the people
Who call themselves the brainiest guys in the world didn’t:

Logic.

And I’ll tell you why they didn’t get it
Because they were the birdbrains
Who came up with the idea of a nuclear bomb
Which has really set the bar for human stupidity
No one can surpass that.

Because the ‘logic’ behind the nuclear bomb is
“You give me what I want
Or I’ll blow up your country”

People in the highest position of their respective countries
Spent money exceeding ten times the number of their population
On such nuclear bombs.

Which, in fact, they’ll never use.

True story.
Tell you the truth, I’d rather be a woodpecker.

Seriously....  It's Explicit!*



You walk towards me
Slowly, seductively
A look in your eyes
I haven't seen in a while
Like you're already ******* me
Little do you know
I've already undressed you in mind
A thousand times today
You lock your lips with mine
Making my tongue and soul go numb
I close my eyes tight
Letting the feeling wash over me
I go weak, start to fall
You wrap your arms around me
Oh so right
You taste like beer
I've never liked beer
But on you, tastes like I could drink it forever
With our tongues still dancing together
I feel your hand slip under my shirt
To the small of my back
You trace little hearts
Giving me tingles
I moan into your mouth
You growl, squeezing me tighter, kissing me deeper
Oh! and I can't help myself
My hands crawl up the front of your shirt, scratching and pinching your pecks
You pull away, I almost cry
You smile and take your shirt off
"easier access" you say
I say "well, that's not fair" while I take my shirt off too
The way you look at me, I'm enthralled with you
It's like you're devouring me but I'm feasting on you too
Every inch of skin,
Even that **** tattoo
Wow, I get lost looking at you
You grab my hand guiding me to the bedroom
You try to gently lay me on the bed
But I have other plans
I push you against the nearest wall
Locking you there with my body
Kissing you even more passionately
And deeper than ever before
You've got me so in the mood
I can feel you now, through your jeans
Rock hard, this must be a dream
But I don't care, I have to taste you
I grab you there, look into your eyes, licking my lips and whisper "may I?"
You growl again and nod your head
I trail kisses down your chest with my tongue
While unbuttoning your pants,
Unzip you and ****, there it is
I'm salivating and it looks so devine
The first lick, you moan and growl
I know you're mine
I taste every inch, swirl my tongue around the tip
I feel you writhing and pulsing under my hands
Your moans grow louder, giving me so much pleasure
You wrap your hand in my hair, pulling, ****
I love when you do that
You pull me off of you, reluctantly I allow it
You drag me to your mouth for a wet, rough kiss
I melt
I wonder if you think you taste as good as I do
Magically, somehow, you undo my bra
You stare down, smile, then start to kiss and nibble on each peak
"*******" I say and actually giggle, but I go weak
You know it too, laying me down on the bed
"are you wet?"
I nod, thinking I have been since before we even started
You kiss me, so softly
While your hand finds its way inside my *******
You hit that spot, I grab your arm hard, moaning into your mouth
You pull back saying "you like that?"
"**** Yea"
I raise my hips so you can take my pants off "easier access" I smile
You touch me,  tease me while slowly pealing my pants off my body
I'm shy, I close my legs together,
You start kissing my thighs,
My Oh My!
I can't help but open and let you in
You taste me, the first touch of your mouth on me,
I practically scream in ecstasy
You slide up my body, with your tongue
I'm surprised I haven't come
I'm done, I'm officially yours
Never has it felt this good before
I'm in pure heavenly bliss
You tease me with the tip of your ****
While giving me a most dangerous kiss
I moan, scream, so loudly
When you finally enter me
****, you fit so perfectly
"oh ****"
I explode almost instantly
You smile at me
"I'm just getting started"
I whisper "****" I'm too weak to speak
Then you slowly move in and out of me
I wrap my legs around your hips,
Almost lethargically
You whisper in my ear "bliss"
Then give me the most gentle kiss
I can't take anymore, I've had enough
I may be a sweet girl, but in bed
I like it rough
I use my legs to push you in deeper, harder, faster
My hips grind into yours
We're sweaty, but I don't care
You move up a little higher
"Oh My God!" I scream "Right There!"
You stop, I moan
You pull out, I know what you want
To **** me from behind
That's fine
You flip me over, grab my *** real hard
You push into me, it's deeper this way
I start moaning and screaming
I can't help it, you're ******* amazing
You pull me back by my hair
I balance myself with my hands on the wall
I scream "harder, faster"
You happily oblige me
I hear you moaning, louder and louder, you're in ecstasy
It's a **** fantasy
"oh my god, I'm coming!" I scream
You instantly explode inside me
While I squirt all around you
You pull my hair so tight and kiss my back
Sending shivers down my spine
We fall to bed, tangled in each other
After a few moments you whisper
"Now, you're mine"

Flamingo high,
flamingo low,
when flamingo stretchy-leggy, then flamingo grow.
Cheeky beaking, shifty sifting, lifting up a flipper;
notty neck and naughty pecks,
while dancing with a kipper.

Flaming heck and flaming Oh!
Flaming flamingularonimo!
I tango and flamenco
and I imitate a swan,
but this winking pink flamingo's
blinking going going gone.

I just feel so limited
It's 11 pm and I want to go for a drive
But my parents just won't take me
I want to go for a drive at 11pm
In my france france france sweatshirt, hair loose and all
and I want to stick my head out of the window
And I want to feel the cold air pass me by and go through my bones
And I want my hair to fly in the **** wind
and I want to listen to mainstream music and some feel good music
And I want the sky to be pitch black, with stars
And I want to pass trees and solely trees and smell the leaves and the pine cones
and I want to see the city from down below, as the street lights light up the town in golden arrays
And pass a restaurant with some music
Maybe even some random people loitering in a corner of a smoke shop with purple lights and cigarette smoke crowding everywhere
And I want to just look at them
And think about them
And what they did to get there
And I want to see a couple holding their hands and walking down the street
Even though its 11 pm
And I hope they're just happy
And I want to hold my dads big warm hand while I do all of these things
Because I got shotgun
And I want my brother to sit quietly in the back, and my dad to hum some Indian song
While I do all of these things
And I want to go to an aquarium and stare at jellyfish
Lavender jellyfish
and bright electric blue jellyfish
And pink and orange jellyfish
And I want to smell the AIR
And I want more of me to grow than the part in my brain that controls calculus and SAT
I want to grow physically and mentally and spiritually
There's a whole world out there
A whole WORLD!
And I'm in my room
My mother is in the kitchen thinking I'm doing SAT, and my dad is working and stressing over his job, and my brother is in his room writing his first interactive program
and I'm in my room, knowing i'm supposed to be doing SAT, but all I can think about is
how there's a whole messy majestic gigantic WORLD out there
And I am sitting here doing calculus and SAT
And it seems like its all for nothing
For only myself
And I know I'm not necessarily supposed to be this altruistic human being
I'm supposed to want things for myself
I'm supposed to be selfish in how I study and where I put my time but thats just not enough for me
I want to spend all day planting poppies and sunflowers
And in the night I just want to stare into infinity at the sky
And I want to cut my hair shoulder length, dye the bottom blue, get another piercing, decorate my hands with  henna, and walk around in vintage crop tops and flowy pants and matte black michael kors sandals
And I want to stop watching TV and going on facebook and having superficial banter and disgusting small talk
And I want to do yoga for the right reasons
Because yoga is the journey of the self, through the self, to the self, and I don’t want to do it solely because I want nice arms or a bendy back or a nice **** I mean even though its okay to want those things but I just want more
I want everything to be just raw and I want people to expose themselves and I want to expose myself and I want
my parents to just LISTEN to what I want
And recognize the fact that this is the third night in the row that their daughter has outwardly displayed to them that
there's chaos in her mind because she just can't handle
doing and being absolutely nothing
anymore
And I want to read about human rights and global warming and how
when a chef is cooking for a ton of people, he uses utensils to remind himself what to do next
and I want to read about forensics and how mass spectrography and chromatography help detect if someone is poisoned or not
And I really don't want to do SAT
Not because its hard or boring, or even because it seems useless but because
it just seems so *******
useless and irrelevant
And I want to stop living the life I want to live on a **** website
Because its opened my mind so much but I want to SEE sunflowers instead of
looking at pictures of them and I want to SEE
elephants and kittens instead of just
looking at them and I want to
feel a connection with a human being rather than just imagining what it would be like and I don't mean romantic relationships, no
But I just want to stop being so ignorant
And I want to know everything
And really all I want to go is forget that
I have to study tomorrow
I just want to go on a car ride
And stick my head out of the window, like a dog
Because I am happy, like a dog
Just why am I LIMITING myself?
For what???
I want to talk to people
I want them to teach me something
Because people are nature Tamille
Some people are delicate flowers
Some people are raging thunderstorms
Some people are disarrayed forests
Some will leave me breathless, some will knock me down
And some will be gardens and some will be SUNSETS and
I want them all to teach me something
And I want to speak my mind and look HIM whoever he may be
In the eye and and I want to stop being so small
And I may be insignificant but I'm an infinity
Because all galaxies are infinite
I read that there are as many atoms in a single molecule of DNA as there are stars in a typical galaxy
each of us are our own UNIVERSE
And thats why we burn too brightly sometimes and thats why we
collide sometimes and thats why we
collapse inwards sometimes and thats why we explode sometimes and start anew
And I want my soul to project outwards
I want whatever of me that is trapped in my bones to just
spill out
And I want someone to feel all the love and happiness I have in me from
across the room
And I want to stop being so closed up and insecure and timid
I think you're a towering mountain Tamille
Or thunder
I wouldn't say you're lightning
But I'd say my mom is a delicate flower and my dad is a powerful river and my brother is a colorful sky and I want to be
a forest
I just want to stick my head out of a car window, like a happy dog
Because I am happy
I don't want to be young and scared even though I know its okay to be scared
But I want to stop swallowing my words and stop being so paralyzed
Because I can do whatever I want
I must set fire to my old self
I must start anew.
Why am I so scared for WHAT
For what
Okay so what do I do now
I think saying all that was a good start
Here's whats not going to happen
I'm not going to wake up late tomorrow
or not too late
And I'll go for a walk
To the pecks
And I'll play with the chickens
And I'll read with the chickens
I'm just burning right now
And now it seems silly to sleep
Tamille, when I come to LA for winter break
We will go out on drives at 11pm, even 2 am
For the sake of living
And we will walk alongside the beach at preposterous hours of the day
Simply for the sake of living
And we won't be phonies
Because thats silly
And we must try not to be phonies
Just for the sake of living
But of course I can't just be this spontaneous extemporaneous person online
I need to be like that Offline
more than anything because I just
need to talk to people more
And I need to see the jellyfish and I watch them with their tentacles floating upwards and downwards and just there in what is to them, an abyss
Maybe we're like
jellyfish in an abyss
Like how humans just watch jellyfish in containers
Maybe we're the jellyfish
I need to be a good memory to people
Because we remember more than we think we do
So I must try my best to be a positive remembrance
I can teach  someone something
I can teach a random stranger something
I can teach my mom something
I can teach my 85 year old neighbor something
I can teach you something
It feels wrong to say all that and then go to bed
So I think I'll just walk outside and stare into infinity once more
And then ask my dad if we can go on a car ride one more time
And then I'll come back in my room and read about global warming
Or maybe I'll read about global warming outside
Because a child educated only at school, is an uneducated child
And I hope you read all this because out of everyone I chose you to tell it to you
And i hope your response isn't just "go do all that then"
I hope you read all the many messages
And now I will log off of facebook
I hope you also wake up in the morning and make it a great day
Not "hope you have a good day"
But rather
Make it a great day

sunrise, sunset
birds fly, land, and fret
doctors mend, treat and heal
write wake, write and feel.

sunrise, sunset
the fish swims while the parrot pecks,
the bees nestle back into their hives
as the moon lifts, and the sun dives.

sunrise, sunset
the diaries cease to forget
when all go back to rest
with the sunrise, sunset.

so as the babies mumble and the children cry,
the world lives and nature thrives.
the mother yawns and resets
with the sunrise and the sunset.

1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,-
Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,-
Sailing from moon or sun on a river of light.'

He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.

The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.

Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, -ourselves,-the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .

Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.

2

Senlin, walking beside us, swings his arms
And turns his head to look at walls and trees.
The wind comes whistling from shrill stars of winter,
The lights are jewels, black roots freeze.
'Did I, then, stretch from the bitter earth like these,
Reaching upward with slow and rigid pain
To seek, in another air, myself again?'

(Immense and solitary in a desert of rocks
Behold a bewildered oak
With white clouds screaming through its leafy brain.)
'Or was I the single ant, or tinier thing,
That crept from the rocks of buried time
And dedicated its holy life to climb
From atom to beetling atom, jagged grain to grain,
Patiently out of the darkness we call sleep
Into a hollow gigantic world of light
Thinking the sky to be its destined shell,
Hoping to fit it well!-'

The city dissolves about us, and its walls
Are mountains of rock cruelly carved by wind.
Sand streams down their wasting sides, sand
Mounts upward slowly about them: foot and hand
We crawl and bleed among them! Is this Senlin?

In the desert of Senlin must we live and die?
We hear the decay of rocks, the crash of boulders,
Snarling of sand on sand. 'Senlin!' we cry.
'Senlin!' again . . . Our shadows revolve in silence
Under the soulless brilliance of blue sky.

Yet we would say: there are no rocks at all,
Nor desert of sand . . . here by a city wall
White lights jewell the evening, black roots freeze,
And Senlin turns his head to look at trees.

3

It is evening, Senlin says, and in the evening,
By a silent shore, by a far distant sea,
White unicorns come gravely down to the water.
In the lilac dusk they come, they are white and stately,
Stars hang over the purple waveless sea;
A sea on which no sail was ever lifted,
Where a human voice was never heard.
The shadows of vague hills are dark on the water,
The silent stars seem silently to sing.
And gravely come white unicorns down to the water,
One by one they come and drink their fill;
And daisies burn like stars on the darkened hill.

It is evening Senlin says, and in the evening
The leaves on the trees, abandoned by the light,
Look to the earth, and whisper, and are still.
The bat with horned wings, tumbling through the darkness,
Breaks the web, and the spider falls to the ground.
The starry dewdrop gathers upon the oakleaf,
Clings to the edge, and falls without a sound.
Do maidens spread their white palms to the starlight
And walk three steps to the east and clearly sing?
Do dewdrops fall like a shower of stars from willows?
Has the small moon a ghostly ring? . . .
White skeletons dance on the moonlit grass,
Singing maidens are buried in deep graves,
The stars hang over a sea like polished glass . . .
And solemnly one by one in the darkness there
Neighing far off on the haunted air
White unicorns come gravely down to the water.

No silver bells are heard. The westering moon
Lights the pale floors of caverns by the sea.
Wet **** hangs on the rock. In shimmering pools
Left on the rocks by the receding sea
Starfish slowly turn their white and brown
Or writhe on the naked rocks and drown.
Do sea-girls haunt these caves-do we hear faint singing?
Do we hear from under the sea a faint bell ringing?
Was that a white hand lifted among the bubbles
And fallen softly back?
No, these shores and caverns are all silent,
Dead in the moonlight; only, far above,
On the smooth contours of these headlands,
White amid the eternal black,
One by one in the moonlight there
Neighing far off on the haunted air
The unicorns come down to the sea.

4

Senlin, walking before us in the sunlight,
Bending his small legs in a peculiar way,
Goes to his work with thoughts of the universe.
His hands are in his pockets, he smokes his pipe,
He is happily conscious of roofs and skies;
And, without turning his head, he turns his eyes
To regard white horses drawing a small white hearse.
The sky is brilliant between the roofs,
The windows flash in the yellow sun,
On the hard pavement ring the hoofs,
The light wheels softly run.
Bright particles of sunlight fall,
Quiver and flash, gyrate and burn,
Honey-like heat flows down the wall,
The white spokes dazzle and turn.

Senlin, walking before us in the sunlight,
Regards the hearse with an introspective eye.
'Is it my childhood there,' he asks,
'Sealed in a hearse and hurrying by?'
He taps his trowel against a stone;
The trowel sings with a silver tone.

'Nevertheless I know this well.
Bury it deep and toll a bell,
Bury it under land or sea,
You cannot bury it save in me.'

It is as if his soul had become a city,
With noisily peopled streets, and through these streets
Senlin himself comes driving a small white hearse . . .
'Senlin!' we cry. He does not turn his head.
But is that Senlin?-Or is this city Senlin,-
Quietly watching the burial of the dead?
Dumbly observing the cortege of its dead?
Yet we would say that all this is but madness:
Around a distant corner trots the hearse.
And Senlin walks before us in the sunlight
Happily conscious of his universe.

5

In the hot noon, in an old and savage garden,
The peach-tree grows. Its cruel and ugly roots
Rend and rifle the silent earth for moisture.
Above, in the blue, hang warm and golden fruits.
Look, how the cancerous roots crack mould and stone!
Earth, if she had a voice, would wail her pain.
Is she the victim, or is the tree the victim?
Delicate blossoms opened in the rain,
Black bees flew among them in the sunlight,
And sacked them ruthlessly; and no a bird
Hangs, sharp-eyed, in the leaves, and pecks the fruit;
And the peach-tree dreams, and does not say a word.
. . . Senlin, tapping his trowel against a stone,
Observes this tree he planted: it is his own.

'You will think it strange,' says Senlin, 'but this tree
Utters profound things in this garden;
And in its silence speaks to me.
I have sensations, when I stand beneath it,
As if its leaves looked at me, and could see;
And those thin leaves, even in windless air,
Seem to be whispering me a choral music,
Insubstantial but debonair.

"Regard," they seem to say,
"Our idiot root, which going its brutal way
Has cracked your garden wall!
Ugly, is it not?
A desecration of this place . . .
And yet, without it, could we exist at all?"
Thus, rustling with importance, they seem to me
To make their apology;
Yet, while they apologize,
Ask me a wary question with their eyes.
Yes, it is true their origin is low-
Brutish and dull and cruel . . . and it is true
Their roots have cracked the wall. But do we know
The leaves less cruel-the root less beautiful?
Sometimes it seems as if there grew
In the dull garden of my mind
A tree like this, which, singing with delicate leaves,
Yet cracks the wall with cruel roots and blind.
Sometimes, indeed, it appears to me
That I myself am such a tree . . .'

. . . And as we hear from Senlin these strange words
So, slowly, in the sunlight, he becomes this tree:
And among the pleasant leaves hang sharp-eyed birds
While cruel roots dig downward secretly.

6

Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!

First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.

What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.

Inside, the third, a fourth . . . and this the artist,-
A priest, perhaps-did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.

And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.

And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.

7

'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?

Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.

Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,-
A helpless gesture of mist above the grasses.

8

In cold blue lucid dusk before the sunrise,
One yellow star sings over a peak of snow,
And melts and vanishes in a light like roses.
Through slanting mist, black rocks appear and glow.

The clouds flow downward, slowly as grey glaciers,
Or up to a pale rose-azure pass.
Blue streams ****** down from snow to boulders,
From boulders to white grass.

Icicles on the pine tree melt
And softly flash in the sun:
In long straight lines the star-drops fall
One by one.

Is a voice heard while the shadows still are long,
Borne slowly down on the sparkling air?
Is a thin bell heard from the peak of silence?
Is someone among the high snows there?

Where the blue stream flows coldly among the meadows
And mist still clings to rock and tree
Senlin walks alone; and from that twilight
Looks darkly up, to see

The calm unmoving peak of snow-white silence,
The rocks aflame with ice, the rose-blue sky . . .
Ghost-like, a cloud descends from twinkling ledges,
To nod before the dwindling sun and die.

'Something there is,' says Senlin, 'in that mountain,
Something forgotten now, that once I knew . . .'
We walk before a sun-tipped peak in silence,
Our shadows descend before us, long and blue.

Dead Puppy, Broken Men
add opening narration/exposition/explanation; scenario with Jared

Yesterday:

"I've felt alone my entire life. Please don't make me be alone when I'm with you," Shellie begged Jared.
"You're not alone. I love you," was Jared's reply.
"But you won't open up to me."
"It's just really hard. I've always been this way."
"But why?" Shellie desperately yearned for the answers she would never find. "You need to love yourself, or you will never truly love me. You won't be able to."
"I do love you."
"Maybe you just think you do. Saying 'I love you' doesn't make it true. You have to show me that you love me. I can't handle this much longer. Nothing has changed in two years. Nothing."
"I know," Jared begins to cry, "I'm sorry. I really am."
"Don't cry please."
Jared looks away at the black T.V. screen in Shellie's apartment. He is silent for a long time, but eventually Shellie is able to pry his entire childhood out of his sewn-shut lips. She wouldn't take silence for an answer. Not anymore. If Jared hadn't come home, Shellie would have spoken to no one all day. She liked her alone time, but depended on Jared to be her right-hand-man, her main squeeze, her soul mate, and right now -- he simply wasn't being that. He was being something else; a subject of inspection, a psych-ward patient; a lost friend, who she longed to have back.
"Thank you for telling me," Shellie said as she squeezed his shoulders from behind, comforting him with tiny pecks on his cheeks. "Things make more sense now."
Jared said nothing the rest of the night. He instead sketched photos of slimy creatures with clenched teeth into his notebook, creating meticulous lines, surrounding the figure, as if it were travelling through time and space, into a new dimension, far away from this one.

---
Today:
"Did you know that there is a lizard that can only be female, and they don't have ***, they just clone themselves?" Brannan asked Shellie, his best friend.
"I wish I was that lizard..." Shellie sighed.
"What! Why!" Brannan exclaimed with confusion and worry.
"Because. *** messes everything up. I don't know...Maybe I'm just crazy," she stammered, looking for the right words.
"It's Jared, isn't it?" Brannan asked, already knowing the answer, because he knew Shellie.
"Yeah...I'm giving him one more chance. One more and that's strike three, you're out!" She laughed nervously.
"Ooookay," Brannan agreed, "one more chance."
Eli glanced up from the TV and looked at Shellie, wondering how anyone could hurt someone so sweet. But what did he know? He killed people for a living.
"What did he do?" Eli pried.
"I don't want to talk about it anymore. I've talked about it enough. All guys are the same."
"That's not true," Brannan tilted his head to the side in pity.

"The king is here!" Andy announced, as he walked through Brannan's door with a pound of **** in his canister, which was covered in skateboarding stickers and graffiti. Everyone cheered, and Brannan stopped playing Call of Duty, put down his Xbox controller, and picked up the pack of rillos that Eli had bought prior to coming over.
"That game ain't nothing like real life anyway," Eli mentioned, as he put down the other controller and everyone hastily made their way over to the kitchen table. He walked over to the freezer to pull out some Jack Daniels and ice, then went to the cabinets for a glass, turning his army cap backwards, pouring his drink, and taking a swig.

"How much do I owe you?" Brannan asked.
"We'll talk later," Andy replied.
"I was going to tell you, I still don't have what I owe you from last time, but Alexa said there is an opening at Starbucks, so I'll be able to pay you back ASAP man. I really appreciate it."
"Yeah, no problem," Andy said disdainfully.
"I'll roll it!" Shellie yelled to break the tension, as she put down her phone, only to pick it up again to check the time. Her boyfriend would be off work soon. Would she have to text him first again? Was he even thinking of her?
"Go for it!" Brannan tossed the rillo pack to her.
As she was finishing the roll, her phone went off. Shellie believed that maybe there was hope after all.
"Nope, just my dad..." Shellie mumbled to herself and sighed.
"What's wrong?" Brannan asked, with concerned blue eyes, through his thick-rimmed, black glasses.
"It's just Jared," she said as she pushed her lips to one side and looked down at her phone.
"What did he say?” Brannan asked.
“That’s the problem. He hasn’t said anything all day,” she explained in distress. Brannan noticed she hadn’t worn makeup in days, and by the looks of her outfit, she hadn’t been doing daily yoga like usual.
“Maybe he’s just super busy?” Brannan asked reluctantly.
“HE’S busy?? No. I’M busy.” She paused as Andy and Eli raised their eyebrows and widened their eyes. Eli was confused, because she had always seemed happy whenever he saw her. "I'm in school AND I have three jobs. What does he have? ONE job. One. I think he has time to text me, thanks for your input though."
Brannan said nothing, but pressed his teeth together and opened his lips, revealing a worried look with sad eyes, toward his dear friend.
"Yeah. He just doesn't get it. I'm a fire sign and I'm full of passion! Well, partially an air sign, which is probably why I’m so forgiving and understanding. But if he doesn't reciprocate soon, I feel like I'm going to go insane! Like, really? You don't want to go see Star Wars with me? What kind of person are you? Who doesn't like Star Wars? Really though," Shellie added.
"Maybe he's already seen it and doesn't want to tell you," Brannan suggested.
"You think so? Who would he go see it with though? All of his friends have already seen it. Do you think he saw it with his ex?! Oh my God..."
"Here, take this," Eli said as he handed the blunt to Shellie.
She took a big puff and exhaled as she closed her eyes in relief.
"You know what. I'm overthinking this. He just gets anxious in public, that's all," Shellie explained and looked around for reassurance.
"Are you sure that's all?" Brannan asked as he swung his black bangs away from his face.
"I don’t know... He's really mysterious and quiet. It's really hard for him to open up, I think. He didn’t really have a dad growing up. He's gotten better at talking to me, but he's still weird around big crowds of people. He never wants to go anywhere with me. It *****. I think he's learning to get better though. Maybe he's just young, I don’t know, but I'm sick of acting like his mother, you know? Why can't he learn things on his own? We're all scared, but if you don't face your fears at some point, then what's the point?"
Andy couldn’t help but think she sounded like a nagging *****.
"You know you just partially described the personality of a serial killer, right?" Brannan asked with comedic horror on his face.
"Did I?" Shellie asked.
"You deserve better!" Brannan's mom yelled from the living room. She was watching some reality TV show that she shouldn't have been watching. She continued to Shellie, "You deserve someone who takes you out and treats you right! You're a sweet girl!"
Shellie looked down at her phone. Still no text.
"Do you want to hit this?" Shellie yelled to Brannan's mom.
"I'm good, thank you though! I've got to finish these lesson plans for the day care," she explained with a sigh.
"Aww, sounds kinda fun," Shellie said. Shellie had thought about being a teacher, or maybe a counselor, but after helping so many people with different problems, she was starting to second-guess her passion for it.
"Nice blunt," Andy complimented Shellie. He thought Shellie was kind of cute, now that he had caught Eli in Alexa's bed and was no longer drawn to her. Despite her messy hair and mix matched attire, she had things together. She had things going for her. What did Andy have going for him?
"Thanks," Shellie smiled. Jared hated blunts, but he loved cigarettes. It made no sense to her.
"So what have you been up to?" Eli asked Shellie. "It's been a while."
"Just busy, busy. School and work, you know,” she said as she took one final puff before passing the blunt on its way, into the final circulation, never to return to her. She wanted to ask Eli about his life, but knew he couldn't say much, so she just went back to her phone.
Eli looked at Alexa, "Cigarette?" he asked.
"Yes," everyone except Shellie replied.
They all went outside in the freezing cold to get a brief buzz, while Shellie stayed inside, in the warmth, jotting down new business plans for her yoga studio into her phone. She then opened one of her books, but couldn’t focus on the text, so she quickly closed it. She then sat there in jaded silence, waiting for her friends to return from their strange endeavor.

"All the girls at my work are such *******! Like, one day I think they're my friend, then the next day I'm like, who are you?" Alexas was saying to her mom in between inhales and exhales.
Brannan looked at Alexas then at Eli with a look of concern and distaste. His mom noticed his expression and gave a brief response of agreement with her eyes, quickly returning to her daughter's concerns with compassion and empathy.
"Like, Kate said she wanted to hang out and everything, then she just doesn't respond. What the Hell?"
"Yeah, you probably just shouldn't be friends with them," Brannan replied.
"I have to be! I work with them," Alexas explained.
Knowing it was a lost cause, Brannan turned toward the glass door, where one of his cats pawed at the frame. “Aw, look at Izzy,” he said, pointing.
“Awwww,” his mom replied as she sipped on white Beringer.
“Let her out,” Brannan said to Alexa, since she was next to the door ****.
“No! She’ll run away,” Alexa said.
“No she won’t,” Brannan argued, as he made his way behind his sister, slightly pushing her, and letting Izzy outside.
She looked at everyone, let out a small meow, then hopped down into the grass, under a bush, and out of sight.
“Look what you did!”Alexas said, raising her voice.
“She’ll be back…” Brannan assured her, with ****** eyes.
Alexas rolled her eyes and Brannan continued, “She just wants to be free, Al.”
Their mom watched Izzy as she scurried into the neighbor’s yard. “Yeah, she’ll be back,” she said.
Then Eli turned to Andy and said, "You trying to play Call of Duty?"
"Sure," Andy agreed, though all he could think about was how Eli had been in Alexa's sheets the week before. “I’ll ******* **** you dude.”
“Yeah right,” Eli said as he let out a laugh, not knowing that he knew what he knew.

Alexa went to the living room with her mom, and Brannan returned to his spot at the kitchen table next to Shellie. Smoke stained the air, as Brannan picked up his phone and began playing a Pokémon game. Shellie tried to act interested, but all she could think about was Jared. Eli and Andy finished shooting each other and came back to form a circle.
“Bowl?” Brannan asked.
“That’s okay,” Shellie said, “I’m trying to cut back.”
“What…” Brannan said in disbelief. He packed the bowl anyway and handed it to her.
“Naw,” Shellie said.
“Yaw! Brannan yelled.
“No.”
Brannan handed the bowl to Andy and as Andy hit the bowl, he turned to Eli and said, "Hey, so if someone sat 12 million dollars in front of you, and a puppy in front of you, and said: The money is yours, you just have to crush this puppy to bits. Would you do it?" He looked at everyone as if he already knew the answer; as if it was obvious. Andy waited for everyone else to reply first. Brannan had no intentions of replying, since he was trying to be Christ-like lately.
"No, I wouldn't do it," Shellie said.
"Are you serious?!" Eli asked with pure shock on his sun-kissed face.
"Yes, I'm serious. Would you do it?" She leaned forward, almost rocking out of the tall bar stool she was sitting on.
Brannan and Eli chimed in, "You would SO do it."
"I would SO not." She repeated angrily, hitting the blunt and blinking her brown eyes to moisten her contact lenses.
Brannan's younger sister walked into the room to sit down, and Shellie looked to her for an answer. "Would you??" She looked at her with eyes of a beggar's, pleading for understanding and empathy.
"Do what?" Alexa asked, and the boys repeated the scenario, talking with utter excitement.
"A puppy? A cute little puppy?" Alexa asked.
"Yeah, a puppy or 12 million dollars," Andy coaxed.
"I couldn't do it! I could never do that!" Alexa gasped. “Even if I wanted to, I couldn’t!”
"That's what I'm saying," Shellie agreed. "I'm not even a dog person, but I would grab the puppy and run! Maybe report that guy to the animal police or whatever."
"Yeah!" Alexa agreed, as she took off her Starbucks sun visor and laid it on the table, next to Brannan’s laptop, Eli’s sketches, Andy’s backpack, and Shellie’s books.
"You all are crazy!" Andy said. "If the money was right in front of you, you'd do it, no question."
"No," Alexa and Shellie both said firmly.
"You'd just have to see the money, right there in front of you, in person," he kept on going.
Eli took a sip of his whiskey, then made stomping motions with his feet and said, "Haha! Gone! 12 million dollars richer. You know what you can buy with that much money? Tons of new puppies, if you really wanted to." He laughed.
"Yeah, you could **** me and make tons of new friends, too," Shellie said as she rolled her eyes in disgust.
"That's not the same though," Brannan finally spoke. "We don't know this puppy like we know you."
"Well someone does," Shellie insisted.
"Maybe," Brannan replied.
"Someone could," Alexa said. "Unless you **** him."
"Who said it's a boy?" Shellie asked sheepishly.
"You're right. It should be a girl," Alexa agreed, "like sweet little Lola over here." She scooted her chair from the table, and beneath her feet lay her sleeping Border Collie. She got up from her seat and lowered herself to the floor, head to head with the dog. She touched her nose to the dog's nose, kissed the dog’s cheek, and patted her head before returning to her peers on the bar stools above.
Everyone went silent, and Shellie wondered if the boys felt ashamed - so obsessed with power, that they forget to love.

---
Yesterday:

"You know how I told you that I didn't really know my dad growing up?"
"Yeah?"
"Well, it's because he was in jail for a while."
"How come?"
Looking around, as if for help or guidance, Jared hesitated to say what would come next.
"What is it??" Shellie pleaded, her imagination running wild with fear and worry.
"He ***** me."
"W-what..." Shellie was taken aback. She would have never guessed this is what all Jared's anger had stemmed from. Life flashed before her like a lightning bolt. It surged through her entire body, carrying memories of her perfect childhood juxtaposed next to Jared's. She thought of all the times she had met Jared's dad. She thought of how they worked in the same office, and Jared had to see his face every single day. She wondered how deeply this must affect his life, and how little she had noticed. Had she misjudged him completely? Why were all of her boyfriends so damaged? Was she drawn to damage? What if he ended up like his father? She wanted to help him. She had to.
"But how? Or... Like, where?! Did your mom know?"
"That's why she divorced him. He used to rent hotels on the weekends and tell my mom he was taking me along on his business trips. It wasn't until I was seven... I started having nightmares. I couldn't wake up. I'd scream and yell, telling him to get off me."
"Oh, Jared. I love you so much. You know that? I'm here for you. **** him. You don't need him. Your mom is great, and your little brother loves you. I love you. It's surprising how great you turned out, honestly."
"Yeah..." Jared said, slightly offended, but also in agreement.


* note for author from author: add scene with Alexa and Lola -- Lola biting her over and over. He's hurting me, ow!! "She just let her bite her. Over and over again." She did nothing about it. She endured the pain.
Shellie teaches Brannan how to "train" his dog.. play with her, be her friend. She just wants to play. She doesn't want to watch us smoke **** all day. You have to act like a dog sometimes if you want her to love you and be good.
reference to god's of love.. maybe venus and mars
- add more in between blunt roation.. it burns too fast
- create more setting!! (vital)
- add physical fight between Eli and Andy
- add scene with brandon's dad at very beg

A yellow belly cardinal launches itself at my window
Pecks away at the old window pane,
Should I chase the intruder away?
Or should I make him the subject of my next poem
He became my inspiration, and I his adversary
It slurred whistled phrases calm my inner soul

After a while the pecking annoys my daughter’ cat
So, here I am compromising myself and not caring
Because I am about to compose a piece:
About war and peace: title
Fluffy and the **** bird
I took out my camera and zoom in on its beady eyes,
and realize that it was as blind as a bat

Teeth-chattering, tail going from side to side,
doing the war dance this **** cat,
A blind cardinal with a sweet melody
what more can I asked for, but to watch and learn
from the intruder, the spoil feline and the observer,

A yellow belly cardinal launch at my window
Pecks away at the old window pane,
Should I chase the intruder away?
Or let my daughters’ cat razz it?

Anyway, Anaplasmata act aptly and abstractly
Backhands ******* balky baklava
Caractal chasm chant "Catty cavalry can't"
Dactyl dada dawns Djakarta drab

Larva ask dab-tap shabby knack lad
"Ever elect effete experts elsewhere?"
A clad daddy wants a dark jab dart
Fleece fleets flee flecked flyspecks

Cleft feet eve expels three resew eres
Gentle germs gelde grebe's geyser
Cede effects leek fell pecks self lyfes
Hellbent helmsmen helped hexed herders hence

Glen's remelted eggs be Serge-Grey
It insistingly implys impish ipsissimis insipidity
He held next her belched sender heel
Jiggling jibs jinx jimmy's jill jig

Its smilingly spiny impish mississippi I-I-I Is It dinty?
Kidding kibitz kick killing kings kitsch
sigil sign jimmy jib jingling jil
Livid linitis limits limbs limp

Big **** kid kicks thinking gill's zit kink
Midriffs mimics Mis's minimizing mistypings
Slim villi distils it, mini blimp
nil ninhydrin nihilists nicks nyxis nightly

Ms Mmisty's zip disc, if firm, is miming mining
ontology on top of oophoron ostomy.
Hindi hint silly lynchings. Skinny nix I stir
phonology 'pon phytol plywood poops polyglots pompons.

Polygon hoof-moon on poor toys toot
qophs
phony thong ploy loops monolog poppy.  Woody plop! Psst!
Rooks romp rootstock rods

"Posh" - Q
Schoolroom scoffs scoop shockproof snort stools
Mock stork pro or door toss
Thyrotomy 'top torpor tot's torso

So-so rooftop honk slots. Morocco sloops off
Usufruct tu upchucks
Stormy troops root to tot trothy
Vulgus vult vults

**** such curt cut ups
Wrung wctu
Vulgus vult vults
Xu

Wrung WCTU
Yummy yurts
Xu
Zulu zymurgy

Yummy! Try us!
Lawman scandal any pay at a scab yap tat tartly
Zulu zymurgy
Almanac-scratch that-clay tract vacancy

The Pigeon Gent,
He woos and coos around the river bent.
Pursues his muse with artful dance and skillful prance,
With inflated neck and ruffled plumage, until his energy or luck is spent.
He then resides by ebbing tides to ponder on his next advance.

"Now Now", "Whats This" the gent exclaims,
A shadow looming from the skies.
With ***** and claps he glides and lands with  full surprise,
He spies the intruder, "A fellow Brooder".
Pigeon gent cant believe his eyes.

Pigeon Gent cannot believe the sauce,
The scurge seems intent on taking his prize by force.
At once he knows he must respond,
And force this illbread vagabond to abscond.

At once chest puffed and muscles flexed,
With wild eyes he jabs and pecks.
To teach this ruffian respect,
So on his actions he may later reflect.
He stands his ground both large and proud,
To make example of this foul winged burglar from the clouds.

"You insult me sir" he shouts aloud,
To make his intentions clear for all the crowd.
For several rounds they fight and scuffle.
With intruder retreating, feathers ruffled.

Then bested suiter fairly parted,
The quarrel ends as fast as started.
The vanquished victor displays and grooms,
As peace and honour now resumes.

Soon the ripples upset the green,
An armada of ducks come on the scene.
Alerted by the heightend coos,
They race to see what act insues.

The mighty mallards, Kings of the river,
None contest their right of way.
Their ways of conduct such generous givers.
Majestic river royalty, the law is always what they say.

On bank or shallow pebbled river they have always been,
They love to feed and breed amongst the river scene.
There royal cape made up of browny reds and shimmering greens,
reflects and intejects on mirrored water skies and evergreens.

To their mates for life and lady lovers,
The mallard gent is like no others.
Such loyalties are seldom seen,
In modern times and different dreams.
Fine and lean with striking features,
Best examples of river teachers.

But at any moment no matter how abrubt,
A river duel may easily erupt.
Battle can ensue and rage,
As both apponents approach and engage.
For they mate for life as duck and wife,
A rarity in any age or life.

At first his kisses mere filial pecks
around my ears my cheek and throat
so far removed from those of ***
but soon his eyes began to gloat.

His lithesome weight should comfort me
my only clothes a dressing gown
he squirms this open with brutal knees
same eyes as mine a deep dark brown.

He grasps my hair, eyes open wide,
twin grips of an owner's embrace
he'll make me be his loving bride
my eyes above almost my face.

He cries out Mom! I whisper, son
trembling at our sweet loving fate
belly to belly becoming one
whimpering as he *******.

When he is drowsy at the last
I'll pet him as a mother should
and clean him up from his forceful lust
with my tongue...

chaste pecks from the super-sonic youth
numb lips flutter to the hollowed cheeks of normality
no longer the hand-prints on the guide book to hostility
a pamphlet of rudimentary teachings;
the principles of tolerance and rebellion and acceptance of human beings
a concoction of suppressed psychotic behavior, quick wit, and center of satirical tease
constantly moving with heavy footsteps and heavier hearts
their minds and bodies plagued with actions from a deserted youth
soul lusting over the naivety of people before self-actualization; how crude
do they call it an existential crisis or the daily life of a agoraphobic nobody
shouts from the depths of caged fears that scrape the oblivious flesh in their brain; a bit gaudy
mother, sister, brother, father how your words crush the knots of comfort that line my internal organs
bleeding from the pores of my screams; streams of moon-beams shooting out my eyes; oh, not again!
stomping our metaphorically spiked toenails against the idealism of pop culture
oh, my, how adolescence is the worst kind of torture
cherry slushies lined with cigarettes to create a whirl-pool of nostalgia
recreational drugs and ironic situations to ease our instinctual sense of proverbial nausea
loud-mouthed demons spawned out of clothes-hangers and emotional turmoil
show up in our nightmares that we nick-name ‘a good place to contemplate suicide’
repeated imagery stacked like flap-jacks in the mouths of blissed-out sociopaths
too self-indulgent to include us in to their personal stories so we can observe, record, and assess
i don’t perceive doctors to be particularly and predominantly just and true
but i one time met a doctor who told me ‘being a teenager is perhaps the hardest thing you could ever do’

The final breath is entreated by the breaths of wind,
the sky returns again as the stormy clouds depart.
Droplets of water, from seas all over Earth
Puddles of mud which use to be dirt.
Centuries of creation all about,
Weep as fast as the swimming trout.

The morning birth of the turtle doves,
peaceful and sad to see the dark night.
The atmosphere of peace in might,
As it pecks its way out of shell.
Beneath the bone of its mother,
She nurtures without a bother.


The evening loss of dogs of war.
At last the threat returns,
****** turned out of sores.
Teacher sick of burns.
Fire of skies tormenting,
Precipitate of dirt fomenting.

The freedom of the snake is not so seditious,
It feeds on the nest of the turtle dove.
Protect O mother-bird your love,
Jettison the hatred deep inside,
And **** the snake with severely brutal guile.

The final wind is shakened by the quakes of ground.
Hurt is one dove but there is three.
Enough to go around,
Eaten as food by thee.
Hurt I'm, Hurt I be, nature you sicken me.
Nature you sicken me.

i was directed to this place by Marty Feldman, and he said i should say this password to gain entry: float like a chapati, sting like a vindaloo.

i' not good at making passes at someone's death,
just yesterday i was thinking
while a quiz show took place with haiku clues
regarding famous people, so i wondered
aloud: would it still be the correct answer if
you said: cassius clay? what a cool name,
colossus of clay - what the hell does Muhammad
and Ali have to do with african rooting
when you hardly speak Swahili? a bit pointless,
but a name like cassius clay... unstoppable -
already mythological, rather than a family
feud between Ali and the Caliphs after Muhammad's
death - maybe he should have confirmed his
baptism as Muhammad Ali with a confirmation
akin to catholic practice and added a surname, like
Khadijah, well... if Mozart is turning in his coffin
for his music being turned into a muzak
or a Porcupine Tree tree song, then the first wife of
Muhammad is turning in hers... a wise women
of sound economic acumen could be compared
by secular standards to Gabriel's voice, women tell lies,
just today i saw plain Jane turn into a stunner,
she was gagging to go on a date with a guy of her dreams,
by media standards a subsequent loser in Morocco,
at a photo shoot of practising flirtation a half-and-half
love affair between the Gothic island of the Caribbean
that's England and the Bahamas flirted with olive skin,
blue eyes and pecks, and an ego shaped like a woodpecker...
or an u.z.i., poor guy, got to make a show,
but the ***** is out! she noticed her eyes!
what further shahada of scheherazade?
just one more night, just one more night, one more, night.
demigods and men, traces of narcissus in man resides
in his eyes, nowhere else, man and woman fall in love
with their eyes, rather than narcissus and the complete
visage, but as i once said: imagine narcissus looking
into the sea - he might as well have fallen in love with
the stillness of the lake rather than the image represented
by it - across the seven seas he roamed, across the seven
zeniths, until he came across the Lake of Echo,
and heard the echo of footsteps beside him, to have seen
the natural mirror by moonlight, and settled to lie,
disguising himself as a flower worth recycling:
each god in polytheism his own individual, reigning ideal
in the pantheon of gods: solipsism - with man's intervention
a notably study of, himself.
although i'd love to chat thoroughly about this,
i'm not so sure i want to - hear the words:
you're a good man... you're a good man in a brothel?
you think a ******* would forget saying that
and continue? *persona incognito grata -
a golden crown on her tooth that i peered into with her
Ukrainian accent speaking polish, i lost my virginity
to a French girl without any connection - proceeding
from the way she decided a child learning a new language
aged 8 could not be considered a native speaker
for a psychology experiment - i gave her a silent lesson
in history concerning Napoleon and the last heroic act
of warfare, after that, civilians were utilised like bombs
or rifles, the many guilts after all the killing seized.
anyway, today i decided to cook two knock-outs...
the first was intended as a kolhapuri chicken curry,
the latter was chicken do'h pyaaza, with the later
the title, indeed the fenugreek incident, fenugreek
being a concentrated version of kasoori methi,
if the Turks invented hot & sour with a pickled chilli,
the blue Indians invented a whole palette of sour and hot
with this dish, and the crucial ingredient that's
fenugreek - although the crystalline form of this spice
is more potent - the recipe asked for one tablespoon
of the raw products, the leaves (kasoori methi) -
i added a teaspoon of the concentrated stuff -
what a disaster! i asked for two tasters to tell me that i
wasn't tasting bitterness in the gravy as if i added some
English ale revenge against continental beers...
because the excess of the component of intended sourness
of the fenugreek turned into an ale-like bitterness -
hence the notion that sour isn't an antonym of sweet,
but bitter is - hence sweet & sour rather than
sweet & bitter - you can have a turkish pickled chilli
and still have a compliment on the palette of hot & sour,
but imagine tasting bitterness - excess of concentrated
kasoori methi does the trick - and since Faust doesn't
have an Igor like Dr. Frankenstein, he turned himself
into a hunchback, and started picking out most of the
fenugreek crystals from the gravy, one by one, ony by one,
hunched over the sauces - until the bitterness disappeared
and the intended sourness came through -
it took a while, but Faust as his own assistant kept on
saying: stop lying, stop lying! i want to eat this sauce too!
that's the thing with chemistry and cooking,
i received a present not too long ago, an arsenal
of spices, which means i can punch-bag you a Peshwari
naan with raisin and almond stuffing (a bit of sugar too),
and i can add the raw ingredients - i'm richer with
spices than with drugs or gold: turmeric is also known
as saffron - although saffron is more potent,
turmeric does the same job... coriander powder, cumin
power (also seeds), mint the prime garnish for
do'h pyazza curry... garam masala made from scratch,
meaning i have: cardamom pods, cloves, black cardamom,
mace... and i can make you a kohlapur masala...
honestly... in this great culinary babylon of english society,
from pizzas to chinese to Kentucky to New York
street vendors... i'd give up the cuisine i was born in
and convert to India's palette... i don't need to convert
anything else... religion can remain with those who
barely read, or who read and cite only one book...
let them have it... i don't care...
i already converted to a non-religious fascination with
mystical Judaism (sorry Allah, couldn't do anything
with your name, it didn't fit the Latin revision of thinking
about it), and as such, converted to a dreamy everyday
of India's culinary prowess - Kama Sutra is nothing
compared to the recipes from Kashmir or anywhere
where the blue bloods fascinated the merchants rather than
scalped them in berserker rage among the puritan
envoys.

AYE,
I’m about to take ya back in time
A heartless little boy with a beautiful mind
A diamond in the rough, society been trying to find
Gives his mama a hard time but she the reason why he grind
Never worries about stress…PSH, sorry for lying
A place in action, they all constantly ask him, “Why you write with so much vigor? So much passion?”
Try to unmask him, but he locked like Rikers
He’s not selfish with his thoughts
He’s just a silent writer.  
Who puts his words on the line, but writes like he’s fine…
If simplicity is a crime
Put him down for a lifetime
Talking sunsets, no regrets, kinda mindset
Can look at a beautiful woman and not only think ***, weight on his shoulders but heart beat works the pecks
Yearning for future earnings
Drive to be New York Cities next
Even at best, puts everything into one quest…gives everything his all and not an EFFORT…less (haha)
He’s use to the people just sleeping on him. DEAR GOD! The lord just beating on him
Cause he aint went to church in…lord who knows?
He just sips for the highs and makes music on the low,
Red light, Green light, Dougie, it’s time to go!
Ya seconds to fame started about an hour ago
You need to cut the bad habits if you want ya flower to grow,
Stay humble in your journey, that’s good for your soul,
Ya never too old to make a new goal, just remember life if a highway and we all gotta pay the toll.
Spreading love with each verse, even if haters start to curse
Cause they best efforts can’t compete with you at your worst,
No reason for bragging, in they face laughin…use they words as motivation, hard work is everlasting (echo out)
LEAVE THE WHOLE WORLD, "WHEN'S HE COMING BACK?" THEY KEEP ASKING! (EXPLOSION EXIT)**
-Dougie Simps #LostLoveWriter

Trill of beak into birch. Dawn spooks
the graveyard into silence. A heart
hardens at God’s withered finger reaching
but not reached for. I trim the hedges
and the whir of ****-eater disturbs
a nest of yellow jackets into tornado,
dust devil, of translucent wings and sting.
I walk among the dead three times a week.
I am learning their language. They relearn
the mundanity of white noise above
and quietly forget, quietly forgive.
This hill is the crest on a wave of coffins,
each one a boat through the world below.
Submerged in a bloodshot morning
I listen to a woodpecker in its throes
of building a home out of the depths of bark.
In the chill, the soft fog rolling, it pecks
and it knocks. The doors to these lives
long closed, I hush. I do not believe God
will visit these grounds to reclaim his clay:
I plant flowers in it between the plots,
each name engraved of marble a blank stare.
The flash of red flushes from budding branches
and I return to work. No one answers.
I relearn the dead’s language, their silence,
relearn every day how to repair stillness.

All it took was three steps up
Doors swung open before me
I approached Him, who sat still and unmoving.
unaffected by Time but ravaged by the pain of doubt and ignorance

All it took was three steps forward
Then, strength and courage left me
Worn-down
Beaten by life’s merciless hand
My knees sank as Life’s hand grasped my shoulders and I felt his burden
My whole being collapsed upon the marble floor
The sound echoed and cruelly dealt a strike to my ears,
My senses and my soul

As if Moses struck the rock with his staff
The water came forth
Flowing freely from my soul against sallow, weary skin
Hands trembling
Body aching
I closed my eyes
I saw darkness but an image appeared
****** and bruised
It took all my strength
To utter three questions:

Why (to the Father)
Why does the grass grow, rich and fertile
only to provide for those that destroy it?
Why does my neighbor strip me bare and steal my coat
To leave me unsheltered from the cold wind’s bitter punishment?
Why must I walk this lonely and sullen earth
While the black crow pecks violently at my flesh?
Why? For I have loved but have been despised in return.

Who (to the Son)
Who is the snake that lies?
The brother that prays and the brother that kills?
The husband that beats and the wife that endures?
And the ****** Mother that reigns over all, even you?
Even me.
Who? For I know none and all of them.

Where (and to the Holy Spirit)
Where does the sky end and the Earth begin?
Is it where the body ceases to be and the soul takes over?
Is it where I made my first steps
And tumbled right after?
The indeterminable line between sea and sand;
Truth and lies
Where? For I have looked and looked.  

My lips, salted and mad, trembled
Pain pierced my soul
I felt it all
And felt it again
My body began to thrash
I felt it upon me
Misery, sadness, death, despair
I became Samson, tearing down the pillars upon the accursed Philistines
I raged and roared
For hope, wisdom, strength, and faith

I opened my eyes

And Light filled me

I have observed brightly lit stores...
window displays welcome
with wide open arms.
Kaleidoscope of colours,
dancing to catchy music...
adding on to the allure and charm.

Droves of shoppers have identified this
as their slice of heaven.
Flagging retail therapy
and finding their
pocket of Eden.

I have observed some laying down.
Relaxing...
unwinding...
On patches of grass.
They stare at the sky
with much adoration,
as wispy clouds float on by.

These skygazers have chosen this
to be their little slice of heaven.
With the ground on their backs,
grass between their toes
and azure as their witness...
this is their pocket of Eden.

I have observed a couple of lovebirds,
seated at a café...
immersed deeply in conversation.
In their own private universe,
their own little bubble.
Employing hugs and frequent pecks as punctuation.

There's nowhere else they'd rather be.
From their eyes I know,
they've found their unique slice of heaven.
In each other
they've found their pocket of Eden.

I have observed myself...
I thought myself to be lost
for the longest time.
Seeking a place
for the voice in my head
that only spoke in rhyme.

All is not lost when
I finally found that place.
My little slice of heaven.
For almost a year ago today
I decided on Hello Poetry
as my pocket of Eden.

I sit on a droopy windowsill and gaze out
at the stars above me in the stately sky of coal.
I let the smoke fill me, pollute my corrupted lungs,
‘til it plugs me, completely consumes my sticky soul,
and midnight sorrow blanket hugs the heart in my hole.

I sit and I consider the sky
with its million-and-one jewels
that adorn the vast carpet of night
and its one, lone cloud that slowly drools
fat, drippy drops of deep fed'ral blues.

The ashy, burnt taste is still in my throat;
it lingers- a dull, cloying candy cane.
The muted flavour chokes and jabs and pecks
persistently, in the back of my brain
and leaves a steel blue/gray trailing stain.

Vague memories of fourth-grade English lessons
take me with a deep sigh to forgotten thoughts
of Roger McGough and unrequited love-
dazed recollections of school poetry taught
in obscure slate-blue classrooms, littered with blots.

It seems feeling unreturned affection
isn't quite as great as I’d thought after all.
I must've been wrong, all those hazed years ago,
when I yearned to feel unrequited love’s fall,
convinced it would be a wondrous, dazzling ball

Instead, I'm just ******* in the pale-ing sky
that seems to be growing into lighter hues-
the navy’s turned to electric, to powder,
matching the sapphire in my soul of glue.
I'm suppose I'm feeling somewhat, slightly blue.

.

I am born again
this September morning as
each thorn on the rosebush
breaks pink with the sun

the hummingbird buzzes by,
echoes and springs in
the mist of chamomile flower—
a yellow-bodied bloom and
liquid-sugar disco running over
conscious body,
conscious mind

a chord is struck and
pecks the roof twice—
tap…
tap…
and I see god for what she is—
suddenly and always present as
two birds dance their wings
over a cradle of planted flowers

It could Satan's cohorts cause, what portly
Political figures earn, to forsake his camp
And anon join the fray to the fat fiscal treasury
Of the country squander; and that to a cramp.
The pay plus pecks in a year they receive
Will most citizens in their lifetime never sniff.


So some who covet crazily such a mega-cheque
Also seek the same office for the easy favours.
Since our paunchy purse will at their own beck
And call be, they thus make elections endeavours
A  dagger thing;--that if they cannot God's gross
Gold get, they must anyhow have the devil's dross.

I got this voice, you see?
No.
You don't.
You don't see the way I do.
You don't hear the way I do.
You don't feel the things I do.
The world just isn't the same to you.
You don't understand how important this is to me. To the very fiber of my being.
It's just pen & paper.
It just words.
No.
It's not.
It's having an entire life revealed to you by watching someone smoke a cigarette.
Sounds of the greatest song you've ever heard, but haven't written yet.
The nagging poem about a heartbreak you can't forget.
It's not that I see.
It's that I'm shown.
The world telling me all the things it wants to be known.
Still I tend to fear that all the best stories have already been told.
I have an order.
To you it's a joke.
I just want attention.
I'm making excuses.
It's sounds totally crazy.
Maybe I am.
I'm ok with that.
Are you?
When I speak in lyrics & it sounds dumb in your head,
When I allow myself to be giddy over something I'd just read,
If my shoes belonged to someone 50 years dead.
Does that bother you?
I find wonder in all the trivial corners of the world.
I don't reject any little joy.
Infinite possibility.
How often do you refuse to be pleasured?
All grown up, no fun little boy.
All this chaos is my beauty.
It pecks away at the disease trying to contain it.
Thanks Doc, keep your pill.
This is my test of will.
Obsession.
Compulsion.
Dis-order.
******* irony.
My madness lies in my heart,
Given the whole world to make my art,
& my brain, at least some part,
Tries to control it, Kayla you need a chart.
THERE ARE NO RULES!
You can't see what I'm fighting.
You can't see my own mind being held captive of its own accord.
Key to freedom.
Just break that glass.
Then what if I shatter too?
You control what you allow in,
I cannot.
I'm controlling what I let out.
Afraid of the things I write down.
It's begging not to be forgot.
Tiny, tiny steps.
I'm afraid to crush the flowers
Trying to grow in shadowy ruin.
Creation is finding it's way through the cracks of what was.
Foundation.
Deterioration.
Inspiration.
If you wage war with yourself,
Do you ever really lose?
Until you can dance in your darkness,
You never really find your muse.
What you can't understand is the way I love my demons.
Most people run from theirs.
I dine on blood with mine.

You should see my rooster,
he's a lively un-hooded fellow.
All day long,
he pecks & he crows,
and at night,
if you listen closely,
he'll scream loudly
just for you,
a personal,
"****-a-doodle-doo!"

O Darling,
do you hear him...
crowing,
now?

I'm found wanting the lion's share
of life,
often reaching for the stars and
taking the moon as well.
Youth courses through my veins
like gemstones as
blind ambition promises the world to me,
served on a platter forged of wanderlust and
childlike curiosity,
as a dowry.
He pecks my cheek and speaks of
what's to come,
of our progeny-
every wish that's made on a falling star and
every innocent kiss between lovers.
These and more I'm to have-
nights spent under foreign skies,
sincere love notes that were never delivered,
and cherished songs who lost their lyrics but
are still hummed to little ones.
Because of him,
these are to be my gifts,
they are to be my children,
they are to be my legacy.

Thee lust of commandments
The same blood
You have my eyes and I have your nose
Hidden love wrapped in poetry and midnight pecks of love
I am your safety blanket
I am your lover
Once our lips caress the other
Our blood completes us and binds our dna in an entanglement of lust and secrets.
We are infinite in this moment
The moment of being alive
Alive in this universe
Together we shall not be parted again
Hand in hand
Same blood
By God we shall be punished with the wrath of society
A taboo of unholy nature
Brotherly love

Dining Hall

The day that Darwin dies
you call me at lunch
surrounded by raucous boys
who would ridicule your tears

Milk

You’re downing a glass
as I sip my wine

Separated by years
and words you don’t know

Our preference in beverage
is the space between us


The Other Side of Mt. Heart Attack

Lullaby redhead croons my fingers bend three at a time choking out two-syllable death trap.

Constellating

Sandwiched between
fresh books
spines not yet cracked

Secretive soulmates
sharing espresso-scented
pecks on strawberry lips

Hush Hush

Hands that aren’t yours
hold back my hair
dampened
tears shed
over words you threw
shattering
showering me with shards
of the way you once felt


Day Long Marriage

Air-conditioned summers
bare skin on leather couches
your hand resting
on blue ruffled *******


Happy New Year

Crouching
behind closet doors

your voice
at once comfort and affront

I’ll forget the words you say
still clutching my phone
wishing it was you


The Other Emily**

Purest form of you and me
Benadryl-induced delusions
refusing sleep
exhausted
warm and doe-eyed
in the glow of your fondness

The thick layer of polish comes off slow and painstaking, stripping away with it layers of nail. I cute away at my brittle nails, claw and scrape at my cuticles. I tear skin and hair away from my face along the strip of thick glue that I toss into the waist bin. Water pecks at my flesh as I scrub at my scaly rough arms, I rake my dry scalp, run a razor along my legs, and more hair and skin fall away, circling the drain as they go. I rub a watery sandpaper up and down my forehead and eyes, my nose, my cheek bones, chin, jawline, sloughing away yet another layer. The water pecks and pings and falls away from me like blood and dirt and the earth beneath me goes. I'm not in my body anymore.

I am grateful for my body.

I don't know where it comes from but I'm crying now. Who is not grateful for my body? all the attention it gets…is it me or them?

*I love my body. It is not my body's fault

Laying in your arms.
Surrounded by darkness.
Feeling the slight pecks on my fore head.
The tiny words of affection in my ear.
My eyes become so heavy.
As my body weakens.
I give you one last kiss.
Stare deep into your heart.
Lightly brush your cheek.
I whisper in your left ear.
Goodnight.

written February 15, 2015

"The feeling of him leaving scratch marks down my back
doesn't add up to the feelings I get when you rub it
And the feeling of him biting at my lips
cannot compare to the sweet kisses you place upon them

I was wrong to do such a horrible thing
You don't deserve my disloyalty

In a way it was an awakening for me
Because it reminded me how hard life would be
If you were not with me

Rough *** is great from time to time
but all I really want is someone to hold me tight
and tell me they love me
You're the perfect bachelor for that

Our sloppy drunk kisses meant nothing to me
It was temporary

And I'd rather have sober pecks
then a long drunk mistake anyway"

Once upon a time, sweet soldier, we were everything!

We were shy glances and piercing stares,
bitter coffee and sweet cider,
nervous laughter and easy smiles.

We were all-nighters and painfully early mornings,
utter exhaustion and unexplainable energy,
distracted work days and focused only on each other.

We were photographs and video recordings,
magic tricks and storytelling,
Monty Python and Charlie the Unicorn imitators.
(We were total dorks!)

We were late night jogs and wrestling,
motorcycle rides and beach-walking,
seekers of adventure and last minute decision making.

We were short pecks on the cheek,
and long passionate kisses,
fierce embraces and soft caresses.

We were soul-searchers and wound-healers,
dreamers and risk-takers,
keepers of secrets and whisperers of truth.

We were sanity and craziness,
possibilities and improbabilities,
with everything and yet nothing going for us.

We were in love.