Since a wedding is said to be the most important day of a woman's life, some brides-to-be are prepared to bring out whatever it takes to ensure that their big day is nothing short of spectacular.

A new documentary from the UK titled 'Now How The Rich Get Hitched', a provides a glimpse into some of the world's most lavish weddings.

The programme follows the glamorous goings-on at Knightsbridge bespoke wedding boutique Caroline Castigliano, where, for most customers, money is no object.

According to Daily Mail, bridal couture queen Caroline, who lives in Surrey, has been creating breathtaking intricate gowns for 24 years, cashing in on the £10 billion global bridal market.

But while the average UK bride is said to spend around £1,000 on her dress, Caroline revealed that one client, a Saudi Arabian bride-to-be is spending £40,000 on her dream gown - the same price as the Duchess of Cambridge's Alexander McQueen dress.

Despite the eye-watering prices, the 55-year-old designer claims that for most women this is one of the most important things they will ever buy.

She said: 'They buy into the overall power of the dress. I really truly believe that since they were very young they have dreamt of this day.'

Caroline's clientele aren't just drawn from the global elite, however. One of her clients, Jordan, 23, is a hotel heiress from Durham who has spent the past year travelling 300 miles with her family for fittings for her £9,000 dress.

Jordan's gown is made from one of the most expensive silks in the world, which costs hundreds of pounds a metre.

Jordan said: 'For a girl the dress is what everyone looks for. People would rather spend more money on the dress and look perfect on the day.'

Her mother Helen, who is helping to pick up the bill, added: 'I think once you see your daughter in something so beautiful and she's so happy you do stretch that extra mile.'

At around £9,000 Jordan's dress is almost half the average budget for UK weddings, which now comes in at an astonishing £21,000, but the day itself will set her family back far more than that.

The no-expenses-spared bash is being held at one of her family's hotels and costs include the £7,000 on importing 6,000 flowers from Holland, the hire of a 20-piece brass band and a Victorian carousel to entertain guests.

Gissa, 29, an Iranian socialite, who is planning a lavish ceremony in Turkey, journeyed to Caroline's boutique just to try on veils to go with her bespoke gown, which is embroidered with 200,000 sequins and 50,000 beads - and was one of the most expensive dresses in the shop.

The bride-to-be explained that her fiance was very amenable when it came to splashing out on her dress.

He said "I know this is the most important dress that a woman is going to wear in their lifetime so if you really like it and you love it, we'll get it."'

However, some brides look further afield for their dream wedding location and one of the boutique's clients, Katie, 29, was planning her ceremony in Southern Spain.

Katie admitted that she had fine-tuned every element of her wedding right down to her proposal.

She said: 'I'm a bit of a control freak, I think I emailed [my fiance] a picture of the ring after about three weeks of dating, so subtlety isn't my finest point but he's done really well.'

Katie visited Caroline for a bespoke wedding dress costing between five and six thousand pounds that has taken five seamstresses 200 hours of sewing and 250,000 beads to complete.

Another of Caroline's client, Kashmir, revealed that she took two years off work to get married and her husband is now determined to prolong the wedding celebrations with lavish gifts.

She and her husband also paid £75,000 to commission a portrait of Kashmir sitting in a chair in her strapless lace Caroline Castigliano dress, which was then unveiled at a party in the designer's boutique.

However, as any prospective bride will know a dress does not a wedding make and any ambitious bride-to-be will enlist the help of a wedding planner, with none more knowledgeable than luxury wedding planner Bruce Russell.

Bruce caters for the most ostentatious and demanding of weddings. He said: 'If it's physically possible, we'll make it happen - it might come at a cost.

'If you've got the money and you've got the budget to spend and you want to spend a million pounds why not spend it on a wedding it is the most magical day?'

Bruce's finely tuned expertise and impeccable taste come at a cost and he revealed on the show that he takes around 20 per cent of the wedding budget as commission, which rewards him with a £30,000 pay cheque for a £150,000 wedding.

The show followed him as he took one of Caroline's clients, Erina, on a tour of London's famous luxury five-star hotel, The Savoy, as a possible venue for her dream day.

Hosting 350 guests would set her back at least £70,000 and to stay in the Royal Suite, a further £10,000 a night - although it does come with its own butler.

But the documentary revealed that for women who want to up the 'wow' factor on their big day - and have the budget - couture jeweller Andrew Prince is the man to call.

But Andrew insisted that elegance is often confused with showiness: 'Glamour has changed. It became, at one point, very shiny and that's really not glamorous that's flashy. I like opulence.'

Andrew's creations may be an indulgence but for him there is no better way to spend your money.

He said: 'It's a celebration. We can be really sort of smug and factual about it, and say "oh no one should spend the money on something more practical", but what's more fun than just having a wonderful day?'

Many couples will argue that such extravagance is a waste of money and resources for just one day, however Caroline says that these are memories to last a lifetime.

She said: 'The most important people in your life have come to attend this day. It all comes down to the same thing, it's what you want to spend money on and what matters to you and how much money you have, it's all relative.'

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-adelaide

My scars don't look like
Anyone else's-
They're more careful,
Organized, precise and
Exact.
Not light, but
Never deep enough
Never deep enough
Never deep enough
Never deep enough.

People always ask why
I do such pretty patterns:
Because this is the only thing in life
That I can really control
Control
Control,

And I find it so beautiful-
Though, not so much tragic.

My scars are not chaotic like a
Car-wreck,
They are consistent like a
Coma-
Proof that I was awake
The whole time I was sleeping,
And I could feel everything
Even though I could tell no one.
No one.

That this
Unconscious obsessive compulsion
Demands order
Order
Order, it
Insists by instinct,
An intricate simplicity.

Still, I will 'ever envy
Those stitched gashes, once
Gushing
Gushing
Gushing with surrender and
Serenity...
Each raised and rough coarse collagen fiber
To form a white flag
Forever etched in flesh;
To tell the world
They, were a slave to freedom-

I am only a slave
To *myself.

Here.
Attempting to write something
To match your eyes.

Something that will make you see things
The way I see things.

Noticing.
Every mark.
Torn by  fences climbed
To get away from those who didn't take your hand
And fly.
They left intricate laddered rips in your jeans,
Though you try to hide the fact that you know,
That I know that is the case.

We play childish games of denial
Because all romance is to be transported to a time when we were innocent.

Back to a place where ‘I love you’ is what your parents said
When all the screaming, laughter
And the innocence of loud noises stop
And is replaced by silence.

‘I love you’ made that warm feeling
Growing and radiating out
Eventually finding the tips of your fingers and ends of your toes
And bursting out,
Moving through to the next person you touch.


Contrary to popular practice,
‘I love you’ is not just three words to be said
When you are trying to break the awkward silences
Left between two people who have simply gotten used to each other.


I love red licorice.
It gives me a warm feeling of sugary goodness.
Though artificial,
In the times when the weight of the world is the weight of your sheets
That lay a top of your body
Which you tell yourself over and over and over
It is not good enough for that person
Who gives you the inner warmth
That a campfire gives your shins;
I find that artificial red licorice warmth is good enough.
And sometimes good enough is the best we can get.

Here.
In the hope that the words that must be said
Stream from ink to page.
I hope my hand moves so fast over the page
That smoke starts flowing and my words mean something...



But no words come.
No letters.
No ink scratches the page.





*I just want you to see the way I do.

Dear America,

Do not call my generation stupid.
We were the first group of kids to learn a computer.
Think about that society: A group of kids learned this intricate machine.* Yes, I'm talking about the O.G. Apples with the green type where you had to save with a floppy disk and if you put a magnet to the screen it went purple forever.
Yes those, same kids grew up and created everything you see before you now.
Everyday.

Do not call my generation ignorant.
In a short time span of years, as children, we learned about oral relations with interns and terrorist attacks.
From Clinton's impeachment to the World Trade Centers/Pentagon/Flight93 Somerset.
As children we learned; emphasis on the children part.
Our minds grew knowledgeable of a world at hand long before society gave us credit.
We grew up.

Do not call my generation lazy.
When we were sixteen and just received our license, gas rose to the highest it had ever been in our country's history.
We got underpaid and  disrespected jobs:
cleaning up bathrooms and serving your foot-longs.
The ability to travel on our own, it was our new found freedom.
Like the early travelers roaming new found lands:
Our wings were spread.

Do not call my generation weak.
We are the same group of people who entered college or the workforce with the worst economic fall since the Great Depression.
You ask, "What did it do to you?"
Buried us in more and more debt until it consumed our life.
But, we became enlightened.
We majestically thrived in the chaotic times by finding out who we are, what we are capable of and that life will take us our journeys before we even see it coming.
The light still shines even when you are buried the deepest.
It does not matter what you throw at us next.
We will rise and conquer. It's the world's hidden secret.
I'm proud to live in this time.
I hope you are too.
Never giving up is our morale.

Respectfully,

THE PERENNIAL MILLENNIALS.
cc: *(No HashTag Necessary)

His Funeral was today.  Well, his wake rather.  It was in his old colonial home on Elm Street, a bought of irony that Paolo would never get.  Anyway, it was an odd set up at his house. Family and friends downstairs in the living room, acquaintances and honorable mentions meandering through the hallways clearly more interested in the intricate little floral patterns that adorned the wallpaper than how his family was holding up.  The company of the house was split, everyone either legitimately full of sorrow, or completely full of ****.  In everyone’s grasp either handkerchiefs or hand grenades it was as if the invitation read “Come see it to believe it!” In the study across the hall a small memorial was set up.  Big cards, tons of photos, some flowers, anyone who actually cared stayed there and stared at his once happy face, who knew what it looks like now.  
He had died of some sort of overdose, one that destroyed his heart, so he would have looked fine in an open casket.  The doctors say it was *******.  I don’t believe them.  Paolo had his fun in college, ***, *****, sure, but coke?  There’s no way.    The services weren’t to take place for another two hours, so his family rolled him onto the second floor balcony.  It was actually his dad’s decision, something about a “disgrace” and not wanting to look at his face.
Apparently his mom had felt bad letting her dead son chill on the porch for a few hours, so she rolled him across the hallway to his own room him and kind of laid him out on the bed, as if letting her baby boy take his eternal sleep where he’d have had most of his shorter ones.  
Picturing him lying up there was the first negative connotation I ever had with the image of him on that bed.  He had that kind of headboard that when we started getting at it the bed would hit the wall with each rhythmic movement.  Steady and almost tribal as our bodies danced to the ever increasing beat of a talking drum.  Our clothes off and our skin glazed with sweat it was like my own personal method for getting high. Now don’t get the impression that our relationship was based purely on a physical connection, we’d been dating for three and a half years, the love was there all right.  
We had met in the strangest of ways, through a mutual friend that I was kind of, almost, sort of, but not really having a “thing” with, you know?  Cisco was his name.  So we were together one day and he, being the adorable spaz that he was, had forgotten that his own birthday party was that same night.  He asked if I didn’t mind tagging along, it was a celebration for him and two friends whose birthdays followed his in sequence.  
This had been going on for several weeks, and I know we weren’t dating but I still had a feigning interest in the guy.  So we arrive to this girl, Cristina’s, house and I noticed this other boy almost immediately.  In a backwards cap and pair of boot cut jeans he was jumping around, tossing his arms, right in the middle of reciting some hilarious anecdote to any of his friends who hadn’t heard it yet; even those who had seemed riveted.  He was so full of charisma and with such assurance.  Besides that he was kind of cute so, though pathetically, I tried flirting with him for the rest of the night; he didn’t really catch on.  We left that night without having exchanged more than ten words between each other, I thought I’d never see him again, turns out I was wrong.  
“Broadway CAREols.  Show others that you care by enjoying a night of with your favorite blend of Christmas ditties and Broadway biddies” And before you ask, Yes, I did come up with that title, I think it was great and it was at the top of each flyer in big red and green letters and if you asked me “If you could do it again…” I would do it the same each and every time don’t judge me.
It was a show I had to direct for a community service project and of all people he played the piano for my show.  Only me and several other girls made up the cast, and I knew how easy it was to mistake a positive attitude for flirtation when it comes from a handsome young man.  He ran the music over three or four times individually with each cast member before the night of the show, but when Paolo and I worked that night he stopped me and just sang. For me.  
Each night after rehearsal I had to give him a ride home, I was a year older and thus had my license a year sooner.  I’d never mind allowing myself more time to bask in the glow of his perfectly understated confidence, so I was happy to oblige.  Technically Connecticut state imposed a law forbidding new drivers under the age of 18 to be on the roads past 11 at night.  My mom, being a government employee, really stressed this one.  His house was a solid ten minutes drive from our rehearsal spot, and my mom often warned me to allow myself enough time to get back home before 11.  What started as me beginning to drive faster and faster during the trip home ended as a routine each night, where I would finally allow him to step out of my car just as the clock read 11:00 PM.  
Our first kiss was in that car, my first uncontrollable breakdown was in the car, hell the first time he told me he loved me was in that car…right at the lip of the driveway.  I learned to ride my brakes perfectly to the point where I could park just beyond the edge of the sidewalk yet just before the point where the porch light would flash on, reminding his mother that his son is out past ten on a school night.  It was so warm.  I’ll never forget the cadence of his laughter as it trailed off, seamlessly merging with that next statement “Anna, I love you”.  I could have sworn the porch light went on.  

Now I know it may seem like I don’t care for his being dead right now, but the thing is, I did something.  I did something really bad.

You see, I had mentioned that he was up in his room, right?  Still, stiff, simply waiting to be brought down in a few hours as the catalyst to another round of tears.  Now don’t get me wrong, I did my share of crying the night before.  He’d been in the hospital for only a few days and when they told us he was dead…God, he was just so young, two years into college, the friend you have who was chasing his dreams down with a brand new pair of sneakers.  That kid the whole town knew because of the multitude of silly town functions he attended.  He would always insist.  Every other weekend was one silly thing or another “Oh you’re gonna love this.  Two words – ‘Poetry showdown’.  If you can’t take the heat, don’t stay in the kitchen”
The day of the funeral I just had to see him.  I snuck up the two floors to his room on the third floor.  As I neared his door at the top of that final flight of stairs each creak of the floorboard seemed to resonate through the house, followed by the hollow silence of my stillness.  I paused with each step as if stepping in larger spans of time would make what I was doing seem less suspicious, should someone hear me.  Upon touching his doorknob I felt an immediate chill. I couldn’t tell whether it was some ghostly feeling of being in the presence of a dead person, or the fact that the thermostat had been turned down to keep his body prime for viewing.
I held my breath as I opened the door, and blinked a couple times when I saw him.  He was wearing what everyone else was in downstairs, black tuxedo and a dark tie.  I know he would have scowled had he known he was going to be buried in a constricting penguin suit.  We had a conversation about it, you know?  Out on Academy Hill, right in the middle of a picnic. We were in enough shade that his transition lenses were only half tinted, and when he sat up, it was abruptly.  Pushing my head off his chest he kind of leaned in to the cemetery in the distance and pointed out how sad it is that no one really ever gets the chance to choose how they want to spend the rest of eternity dressed in.  He would have preferred his puma sneakers, still white after seven months, his striped green and blue socks, his only pair of ripped designer jeans and that express shirt he loved so much because it showed off his natural physique.  
I moved closer, inching toward him at first, then quicker as I broke through a place where I just relaxed, and for a moment he wasn’t dead.  For a moment he was just sleeping, all ready in his fancy get up simply waiting for me to wake him up.  I found myself sitting next to him, my eyes cast downward, half expecting his gaze to meet mine, and while stroking his hair I got an idea.  It happened quickly, and I kind of have a problem with acting upon my impulses, it’s something he used to criticize me on that and I never really improved.  Without thinking I threw open his drawer and pulled out what I knew he’d have wanted to be dressed in, should he have gotten the chance to create a will concerning his death-wear.  As I pulled of his starchy shirt my hand brushed against his chest, chilled as the room was, eerie as nothing else.  I finally got him down past his pants and saw, of all abominations, that he was outfitted in a fresh pair of tighty whities.  God, it’s as if the funeral home was asking to be haunted by his tormented soul.  I found his single pair of silk boxers and reassembled him in the way I knew he’d have wanted to be.
So great, now everyone will think I’m a loon for having desecrated his body.  Well what do they know; I’m the only one who ever really knew him! But how the hell would I explain it to his parents when the pallbearers march in and there he is, laying face up in his street clothes?  
This wasn’t right.  He didn’t belong here, he needed to be somewhere comfortable, someplace he enjoyed, not sitting upstairs in a suit with the lights off and the air blasting.  He hated the cold!  Certainly he would have hated a hundred people staring at his dead and lifeless shell, and he would, without a doubt, hate being six feet under, pushing daises at the Nichols Road cemetery.
I wrapped my arms around him, and as the building adrenaline made my breaths deepen I inhaled several moments of ecstasy off his clothes that still clung to his musty scent.  I lowered him gently to the floor and took care as I dragged him across the carpet to his door.  After fumbling, for what felt like several minutes, on his door handle I got him onto the awning introducing the stairs.  I even made it down the first flight of stairs without freezing up at the tiniest creak when I heard someone coming my way.  ******, they must need to use the bathroom, why couldn’t they just use the one downstairs like any normal person?  Without hesitation I throw open up the window near bottom of the stairs, heaving myself and him, sending us tumbling onto the garage roof.  Ignoring my probable bruises I spring up and slam the window behind me while taking special care to hide us both as far away from the bathroom window as possible.
Sitting up there, my heart racing, I felt his hand in mine and it was probably because my palms had gone clammy but I swear for a span of time he was alive again.  I closed my eyes and felt the breeze in my hair and was transported to a place where I spent a single moment in each day we ever shared.  Each beach side sandcastle, each afternoon spent cloud gazing, those same afternoons turning into evenings of star gazing, each and every night spent utterly and irrevocably lost with this silly boy that chose to love me.  
I was torn from my oasis as I heard the bathroom’s occupant exit and continue downstairs.   Knowing that my van was parked on the other side of the street I pushed his body as close to the edge of the roof as I could without his falling off and let him be. I hopped back inside and ran downstairs, but not before flying through the doors of the memorial and interrupting his mothers eulogy.  In an act of sheer brilliance I mustered a few tears and tore out the back door.  Everyone figured I was just so taken away by his death that I couldn’t stand to be there anymore.  Who knew anxiety could be mistook for remorse so easily?
I ran down the driveway, losing the grace I had composed in my dress in high heels the moment I slammed that door.  I jumped into Emmet, my van, because only crazy people drive around in un-named vehicles.  
I pulled out of my spot, nearly ruining the paint job on both my and his Uncle Ed’s car.  I flew my trunk door open and set the third row down, the general idea being his landing securely in my back seat.  I reversed up the driveway with the precision of a surgeon and the speed of a leopard right back to the edge of the garage where I had tossed his body.  I jumped out of my car nearly forgetting to put it into park before I shut off the engine.  I barely got halfway around my car before becoming transfixed on his hand, hanging off the gutter as if reaching for mine to grab hold and pull him to sweet salvation.  I jumped up a few times, unsuccessfully before I took off my shoes and got a good running start.  I flew up, grabbed his arm and ****** towards the car in a sideways downward motion.  He nearly cracked his head on the pavement coming down, he would have too if it wasn’t for my body breaking his fall.  I got up, too distracted by the sheer volume of my own heart to realize the pain I felt.  I shoved him into my back seat, slammed the trunk, stumbled into the car, stuck it in reverse and stepped on gas without even putting my shoes back on.

I told you I had done something bad.

Every person has intricate details that they never notice. You don't stare at yourself or watch yourself talk all the time. You don't realize the way it looks when you bite your lip, and look at the ground for hesitation. You don't see your cheeks get red after you get embarrassed by something. You don't see your outward appearance of yourself. You only see the photographs, videos, and mirror images.  We can't see ourselves out of a set of eyes. And our eyes hold much more than a camera or mirror does. Our eyes are connected to our souls. And with that you see things beautifully. It takes someone to truly love you to not only notices those habits and quirks daily. But can look straight into your eyes and know what you're feeling. For you cannot see when I look at you.  You never will be able to. And even though there are so many people out there that see you and notice you, no one looks
at you the way I do. I see you with my heart, not my eyes. And what I see when I look at you, is pure beauty. The inner parts of you that no one else can see... Those are my favorite things. Your body is like a map, and each time I will reach your lips, it's the destination I've been looking for while I travel across your crevices of your perfect silhouette, and I always find my way back to my destination, where our souls meet through our lips. When we will kiss, your spirit travels in through my veins and knocks in my heart all at once, and opens right up for you. Your spirit grabs a hold of my heart and whispers sweet and loving thoughts straight into my veins, which gives my blood warmth, and it seeps throughout my whole body. Giving me complete comfort and leaving me speechless. My stomach starts turning over and over of excitement if you even say my name, or look at me. I know you
said you need some time. & I respect that. But I think you know, that I know, that I'm ready. All I want is you.

Waiting for the 217 metro bus
Sunny side of la
My head bowed
Staring at small crack
Lying beneath my feet
With intricate detail
Leaving me
Wondering
How has this come
To be
This crack lying
Beneath my feet..
Head still down
Bowed
Looking under my feet
I seeped my way through
This intricate detail
Of what was
Under the soles of my feet.
In a new space
In a new time
I am
Time warped
Perplexed
Undermined
I hit a new place
I entered a new realm
Something between
Heaven
And
What I remember as a
lost town
A town filled with souls
After all but one thing
A town filled with souls just a group of lost human beings
Trying new drugs
Experimenting new things
A town
Lost with several human beings
The souls there latch
Bind
Imprint on pure things
Take the soul and turn it into something
Never seen
They transform this soul
From pure to
To well tainted
painted
They say welcome
Here is a gift from the lost souls of our town
The souls forgotten but somehow found
We have imprinted on you….
You now can have access
to anything saved
yes yes yes yes and…..
We give you the key to that gate
Yes, look a little harder
It’s a bit chromatic
because you see
We live in this town of lost souls
And few human beings

Yes I know its all so…
confusing
We have no guide
We live not with food
Just an insurmountable
Supply of whatever drug you must use
Right over there is the green goddess
Now give a wave and show your gratitude to what
She provides us with here everyday
Because you see
If she stops growing
We are faced with this thing
This thing …
lost souls don’t ever want to see
This thing this lost town has no recelection
in some millions of years.
Now listen closely as I tell you what it may be
We are all scared of corporeality
Something we never want to be
Now that you understand the entity
of lost souls
Come with me
We embrace you with open arms
We give you the title
The crown
Of our new majesty
Our queen
You are the queen of this lost
Malefic town
So come take step with me
Walk through this door with me
I have imprinted on you
No that means
YOU my queen
That means me +you
Eternity

So try leaving these lost souls
Try leaving this lost town
Try reaching heaven now
Try looking up into the clouds
And thinking back to when you entered
Entered this lost town
Seeped through
To our town
Entered our world
You did just one thing
You left your voice at the door
You left your values on the floor
Now Johnny over there
Johnny hey Johnny
Ya
Ya
Did you find what she left at the door?

Ok great and one more thing
Did you pick up what she forgot on the floor?
Ok great
Because now heaven only exists for you my queen in some foggy grey cloud.
Between heaven and this lost town
And so it is written
Engraved
Imprinted
Once again
Welcome
Welcome to our lost town
Weve named it
And called it
Hell
There is a seat saved for you
Right there next to…
Guess who.

Click
Click
Tick
Tick
Tick
Why thank you kind sir for showing me
This town
This awfully forsaken forgotten lost town
I bring a warm gift
From a place found deep in my heart
A gift you will take
A gift you will pick apart
And examine
Might never figure out the meaning
Oh my very lost soul
My forgotten human being
This lost town is a town I have entered
But as I bid you farewell
Remember that  my body and soul
Belongs to this beautiful place
Not found behind a door
With no objects lying on the floor
A  place a lost soul
May never find.
Has not found..
As I walked through the door
Ground passing beneath my sole
I picked up saved items
And returned with
my soul
and with Every fiber
My whole
Takes root
Back to time
Reality
Corporeality.
“Mam hey mam
Are you waiting for the 217?
Its here”
Before standing up
My eyes hit this crack
They stared at this dark ominous
Intricately placed crack
Now understanding
The  true meaning for its  being

My heart has the delicacy of lace,
and is as intricate as the patterns of my brain.
His hands are rough and soft at the same time,
and his eyes are as unforgettable as the sunset at sea.

And my God, he could crush me.

When I'm with him, he's the only one I see;
the world is empty in the moments we spend together.
Late at night, I picture him on my side;
holding me, kissing me, loving me like I'm the only girl.

And my God, he could crush me.

To be without him could destroy me.
My porcelain heart could shatter like thin glass.
My mind could be set ablaze and simply
collapse as my body melts and my lungs turn to ash.

Yes, he could crush me.

But, I've decorated my love for him in bows and
ribbons, and handed it to him on a diamond platter,
in exchange for his beautiful heart. Cautiously, he
gave it to me, and I realized we felt the same.

My God, he could crush me.
But, I could crush him, too.
The thing is that the
thoughts have never crossed our minds.

The edge of our bed was a wide grid
where your fifteen-year-old daughter was hanging
gut-sprung on police wheels
a cablegram nailed to the wood
next to a map of the Western Reserve
I could not return with you to bury the body
reconstruct your nightly cardboards
against the seeping Transvaal cold
I could not plant the other limpet mine
against a wall at the railroad station
nor carry either of your souls back from the river
so I bought you a ticket to Durban
on my American Express
and we lay together
in the first light of a new season.

Now clearing roughage from my autumn garden
cow sorrel    overgrown rocket gone to seed
I reach for the taste of today
the New York Times finally mentions your country
a half-page story
of the first white south african killed in the "unrest"
Not of Black children massacred at Sebokeng
six-year-olds imprisoned for threatening the state
not of Thabo Sibeko, first grader, in his own blood
on his grandmother's parlor floor
Joyce, nine, trying to crawl to him
******* through her navel
not of a three-week-old infant, nameless
lost under the burned beds of Tembisa
my hand comes down like a brown vise over the marigolds
reckless through despair
we were two Black women touching our flame
and we left our dead behind us
I hovered    you rose    the last ritual of healing
"It is spring," you whispered
"I sold the ticket for guns and sulfa
I leave for home tomorrow"
and wherever I touch you
I lick cold from my fingers
taste rage
like salt from the lips of a woman
who has killed too often to forget
and carries each death in her eyes
your mouth a parting orchid
"Someday you will come to my country
and we will fight side by side?"

Keys jingle in the door ajar    threatening
whatever is coming belongs here
I reach for your sweetness
but silence explodes like a pregnant belly
into my face
a ***** of nevers.

Mmanthatisi turns away from the cloth
her daughters-in-law are dyeing
the baby drools milk from her breast
she hands him half-asleep to his sister
dresses again for war
knowing the men will follow.
In the intricate Maseru twilights
quick    sad    vital
she maps the next day's battle
dreams of Durban    sometimes
visions the deep wry song of beach pebbles
running after the sea.

It’s been a while
since we last
did this.

I’ve almost forgotten
the way your body
fits together like a perfectly
intricate song,
one part flows
into the next
seamlessly.

The patterns etched into my mind
come back so effortlessly now.
I’ve got my hand between your thighs,
I feel your warmth,
Breathing.
this is familiar.

I’m going to touch you
in that secret place.

It’s irresistible,
the look on your face
as you give up
and melt into the feeling.

I plunge into you
like splashing through the surface
of a crystal calm lake at sunrise
and you explode
like a million
shattering windowpanes.

It's lunch time
And I'm in my math teachers' room
Writing godawful poetry
When I have a math test next period.
Our health class
Just watched a video about cyber-bullying
And the girl forgives her lying backstabbing ***** of a friend
I just called my friend
Who is absent
I called her twice
And she hung up twice
          Sixteen seconds
          Eleven seconds

I'm sitting in the library now
On a circular table
          Table for four.
I am one
But I always sit on a table with empty seats
So that I always know I am alone
This red ink looks darker in this lighting
A much more appealing shade
In comparison to how it looks in my bedroom

I'm thinking that I all I should be doing for the next few years of my life
Is math and music
          More of both

I'm really scared one of my friends will come and sit next to me  
I'm pretending the monsters from Six Skies are there
This might be unhealthy

Some ***** Megan just sat here
           She's not really a *****
But can't she see that my monster friend is angry
Because she just took his ******* seat

Whenever I'm in math class
I always feel like writing poetry
When I am writing poetry
I don't want to do anything else
Math class is over in five minutes
I think I did okay on my test
But Spanish is next
And I know I won't be doing okay there

My stomach feels as if
The acids that are supposed to be breaking down my food
          There is none shh
Are killing the lining of my stomach tissue
I have a self-destructing *****.

Once upon a time
This used to be a math notebook
That's all I ever write about in here
          math.

This is satisfying
My monster friends from Six Skies
           aren't here
           and
           I really wish they were.

I'm sitting encased in a red velvet colored blanket
It's actually my brothers
This is his third blanket
He got it for Christmas
Its his for a while, and then I take it
          even though I already have one of my own
So I guess he'll be getting a new one soon

The monsters from Six Skies
           are here
           watching me
           protecting me
I quite like their company
I don't want them to leave
           even at school
It's not a metaphor
But then again some days I look at myself in the mirror from several different angles of view
More satisfying than I'd imagined.

I forgive everyone for everything
             and I don't angry
Before it was anger and unforgiveness
Slowly I realized feelings like these
            were just too unnecessary for me
I think I do too many unnecessary things things like that
And I want to cut all of it up
I like basic
But I also like intricate

I have been writing poetry
           for three years.
           since I was in the sixth grade
They all used to rhyme
And my parents would be proud
Because I was proud
           as I grinned while I read them to them
And they were proud because it was about things
            like sunshine
I wonder if they would be proud now
Because I never even show them
And the only time I write about sunshine
            Is when something else is eating it away.

She sits at the loom
Weaving the fabric
Interwoven with dreams
The threads of trust and surrender
It’s an intimate mesh of finery
The colors of passion dyeing it
To hues of crimson, from the blushes
Of the maiden weaving her dreams
Intricate designs adorn the taffeta
With the future of love and togetherness
The bonding of a strong fabric of Love
To drape them over their bare bodies
Together, gazing at the starry skies
As they descend to adorn the drape
Shimmering with the passion of Love
The maiden and her lover, has woven a drape
Celebrating their togetherness
For Love has bonded them with fabric of Love
A drape so intricate and warm
For Love shall always be draped, till eternity




© Amitav (Radiance)

Hedons liken to sound.
The hungry cadences wielding that satisfying resolution.
The resolution we seek in between memories
and the spirit of the staircase.
Are we intricate bodies
or are we intricate worlds,
full of all you have ever known.
What is that sound?
I may be defined by my actions
but my actions are defined entanglement.
Some soft note
huddled under a hard and heavy chord.
Then victory comes in the 42nd measure
and is defeated in the next.

All of us can make noise
but nobody can be heard.

Even the altruist is selfish to an ideal,
I want then only to make music.

A series
of short puffs
from a rekindled
cigarette expertly put out
on the half
reminds you of your
fastidiousness
now you feel like **** as you look
at the wreckage site
of a desk that
is your own doing
       That is what you do.

While your ego
floats like the unmelted
coffee you put in cold water
Hardly dissolvable
to anything normal
missing anything temporal
You lash out once more
waging a war
with a nation
of thoughts
You kick the furniture
to send the dust flying
       That is what you do.

You attempt to sheathe
an intricate wound
patterned on your
knuckle, as detailed as the
dystopia of your
own human agenda that
can be trivialized by just
"I haven't been myself lately"
when somebody asks
because you're afraid
they might see
you find it
                hard
          to
  belong
Slowly, the dust resorts to settle
on the bedroom floor
       And so do you.

They say that writing is like weaving an intricate lie.
That writers are just excellent liars
Lie to me, story teller, for you make lies sound beautiful.
        
         *I was never a good liar.

Haberdashery hauberk harbinger harangue equilibrist, harpy harsh hast severities.
Inane inert inertia innate, juxtaposition maenad ethos affinities.
Putrid quasi queasy pathos, emanate imminent perdition acerbities.

Agnate aggregate anathema android amalgamated, predication contract.
Glutton paradoxical dichotomy greaves, gauntlets gamut catalyst abstracts.
Ambidextrous amatory prelude amaze, analeptic adrenergic analgesia analytics extract.  Annex annul.  

Clairaudience clairvoyant omnipresence presage, omnipotent omnificent omniscience.
Pantheism parapet paradigm intuition, prognosticating prosthesis prediction.
Prolific profuseness profundity prosaic, nimbus nimiety nitty gritty, intrados rubato.

Venerable divinatory deity deify veneration, delineate demagoguery ecstasy, agonist agog.
Dream gleam cream seam beam team, serene ravine green gene careen, obscene demean.
Empiricise the existentialisms in the demagoguery of godhead aspiration.
Corporeal anaclitic apex inveterate embezzlement extroversion, acuity alacrity extortion.
Extraneous extemporaneous, ominous phenomena portrayal spontaneous synchronous, aorist actuator.

Endergonic protensive integration extrapolation interpolations investiture elicits.
Scenario synopsis synthesis syncopation, harmony rhymes rhythm.
Synchronous transition transposition interlude, summerial derivation cognition.
                                                      ­­                                                                ­ ­              
Irk-ness ire aerie altruism allegorical, autonomous avarice oscillating ostracism.
Pandemonium obdurate temerity impunity, impending preponderance onus, numinous illuminism quintessential frolic.
Amorous ardent argent arduous enamor endear, plenary putschist volatile phatic.
Conveyor controvert deft mesmeric deification deist dissertation.
Drastic premise portent pervasive embellish, elusive enhance enchant, engender enthrall.
Perpetuation euphenic euthenics, exude emote concoct recalcitrance regalia, irrefragable preternatural ne plus ultra prurient.
Vernaculars opulent myriad, aesthetic stratagem venial vexatious, astral projection conjuring levity apothegms.

Incite epistemological illuminism, accoutrements umbrage ultraism incognito trajectory extant.
Scandalous scavenger squalid anomalous punitive, heuristic manumission exigency.
Ostensible proclivity prodigious querulous, rambunctious repertoire rigmarole scenic schism sooth.
Ascribe arsenal crucial critical, abhorrent abstinence blatancy berserk, alacritous celerity brogue.
Ceremonial chicanery dynamism fealty, indefatigable incontrovertible ingenuity ingratiate inimical impugn.
Innovate integrity intricate invective convolution, licentious metaphor convection obeisance.
Splurge-ness spry sporadic sprawl, spurious staunch succinct stymie tacit, irate tirade treatise vehement escapade tedium.

Probity irascibly veracious audacity mendacity gumption.
Paphian peccavi preternatural proclivity gesticulation articulation prestidigitation.
Fantastication fantasia fabulist façade, glimmer glisten translucent refulgence.
Subliminally subjunctive nostalgic allusion analogies eidetic’s mnemonics.
Metaphysical mystique’s evolutionally metamorphic futurity fatidic.
Adroit agile nimble tactile acuity prescience capacity intrigue.
Unadulteratedly fornicatious fabrications, portentous ethereal etiquette.
Nose agnate somatology morphology metamorphic, cognition epistemology pragmatics.
Ontological ontogeny causality exigence integumence equivocal.
Innocuous noumenal verity ***** affectation intentions.

Adumbrate intimate obfuscate preterite rendition intimidate.
Logistical tactician spatiotemporal terrestrial equestrian telemetries, physicality’s terrene traverse tellurian terrain.
Vaunt-ness verve’s lucidly illusive, intrepid yare’s predilection predication.
Apriori a posteriori apostrophe shards shroud, innately inert inherency interstitial endemics.                  

Irk-ness ire Zen, graffiti mantra mantis, diminutive minutia iotas inductive interpolation asperities.
Hypercritically mitigating dialectics hypotaxis.
Vituperatively vociferous eerie strident irrefragable orotund  sonorous felicities.
Diacritical diction dharma apomixis.
Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.

Demarcate mirador bartizan panorama, stalwart bastion bulwark tableau, dexterous gargoyle disguise gimmick camouflage.
Decipher coercible coalesce corrupt costume counselor chameleon charlatan chaperone entourage.
Cryptic evocative emulation scenarios siren skeptic, cynical demonic gremlin greaves curtilage.
Zesty zingy zippy zeal zenithal azimuth elaborate elliptical empathy endeavor entity entice.

Clambering clamorous clangor strategic systematic propagate prolific, wield wile treatise expose’.
Aural auspice austerity  axiom conscribe, perplex beleaguer beggary, coax cacophony clout, concatenate chronology.
Erumpent erudition evident evil evert, extol fervor flinty florid, fructify impromptu innuendo juncture.
Kinetic supremacy temporize tractive fluent, precious precess predetermined predatory predicament, gyro gyre.
Horizon hornswoggle huckster, hokey hoot ornery honkies.

Horologist hackamore relative rationality.
Decorum dastardly dazzle deceit, demolish demur, annihilate denigrate.
Armature arcade doughty, panacea parallax serendipity servant serenade.
Personification of sartorial perfection, picturesque visage of spectral grace.
Cosmic enigma rational relativity.

Housebreak huckster squabble brash, hovel huff.
Ghastly gruesome grotesque grisly groaty gnarly grotto grouch compunction.
Caustic cavernous celibate catatonic phonics, apex crux axis matrix cortex cephalic.
Blasphemous farcical fugue-ness and estranged ensemble orchestration acoustics.
Rendition: various assorted forms of related stranger weirdness.
Conjugation coercion junction function, adjunct conjunction conjecture.
Concoct deontology ontogeny, ontological enclitic osteopathy.
Anticipate angary amentia, tiercel theocracy.
Phrenic sensorium sentiment paragon tangible.
Covert aspersion avidity, coherent avid avarice, allegory allocate amatory prelude annex annul.

Tantamount telepathy tantalize talisman talesman, prerogative presumptive judicature.
Subpoena parameter perimeter peripherals prophylaxis protocol.
Real deal seal, sail bail, bailiff rake-ness rail.
Yoni yore yare, leeward lecher leer lingam, menagerie melee hyperbolic milieu thesis, métier quintessential fulham.
Dangle wrangle mangle jangle tangle angle.
Hysterically delirious zany nertsy bonkers bluster boggle.
Gyrate, austere askance obliquely, aspire assail askew.

Cosmic origins metamorphosis implosion contractions revision, blond entropy catalyst.
Cataclysm catastrophe holocaust trauma, inefficacy ineffable expiate.
Chaos cognizant conceive dialectic dictates in extremis extremity meld nuance.
Cryptic cipher circuit citadel clairvoyant sequitur.
Cajole fictitious fiery finesse, invoke fulmination gouts clout, curtilage endeavor iterative itinerary.
Ersatz fiat fulcrum fulgurous indemnify indigenous infernal infidel iniquitous.
Electroacoustic ciphony  Electra complex lore, occipital ubiquity synch.
Psychosomatic psychokinesis cybernetics, penumbral platitude platonic proxy photic.
Assimilate stigma perspicacious, astute asunder atman pulchritudinous.
        
Decadent arrogant pompously bombastic blatant flagrant chaparral.
Diabolically maniacal dementia brusque macabre abruptness.
Swarthy beastly antithetical anathema ******* belligerent, savvy irate berserk-ness tirade.
Ulterior aghast agitator incongruous dire, perdurable peremptory primacy arbitrate zealot.
Cantankerously sorcerous insidiously sinister alchemy cauldron, pernicious visceral pathogenic, virulence truculence.
Ideational hideously horrible horrendously heinous ghastly abysmal abjection.
Perpetuity pervade rampart ransack oblation erogenous scarp lambent actuarial arbitrage.
Exserted protuberant pseudopodia actuator, odious aorist militantly mercenary.

Wingspread wiry wiseacre wherewithal rapacity, implicit important juxtaposition.
Machismo equilibrist machinations, kinesiology kleptomaniac knell physique.
Ribaldry rigmarole rhubarb, risqué rive rollick.
Demeanor kamikaze kerf, megalomania misanthropies modus operandi genocidal xenophobic.
Heredity heritage heresy legacy, pseudonym multifarious nefarious nemesis.
Sepulcher stratagem pantheism parapet paradigm, psychosis neophyte, paragon proselyte.
Pilferous wheedling finagler, plunderous pillaging usurper, longevous loquacity lottery.
Rhapsody rhetoric rote raconteur newfangled nocturnal nonchalant sycophant.
Morose morsel moribund, lurid luscious lyricism lucidity lucrative.
Creative cleaver crafty cunning furtive sneaky stealthy connive.
Aphorism euphemism hegira to xanadu carousing marauder syllogism.
Swell surge flow flux craw crux, virago monad chaos character charisma.
Heuristic cavalier humeral, meager demonstrative anarchy iconoclasm, apropos ergo ipso-facto.
Plenary plenipotentiary omniscience presage, omnipotent directive ubiquity emanations.
Nous agnate ontological ontogeny, exegesis peroration.
Abeyance, exotically ****** quixotic ecstatically emphatic fanatic.
Orchestration rendition unicorn railway mainsail, awry askew askance.

Canny cogent fecund erudite sagacious sequacious conjuring mentality introjection conjugation coercions.
Avant-garde temporal abstract, scenario synopsis eclectic synectics.
Synaptic syntax syndrome aspersion, quagmire quandary poshly plush.
Physicality ***** pictorial, picturesque glyph, debauchery deviant profane ***** vicarious assertion exorbitance.
Mystical silhouette sojourn consortium sabbat conclave liaison, soiree tryst rendezvous symposium excursion compendium.
Incarnate cephalic phantasmagoria proximity parameter phantasm epitomize transitive transcendental syntactic semantics.
Resplendent radiant ephemeral effulgence translucent incandescent luster effluence, reflectively refractive azure opulence effusion.
Contentious pretentiously extravagant eccentric intransigent pedantic antics.
Guidon guile homogenous hovering imagination immaturity, exogamy incorporeity ideologies.
Pique poignant piquant puissant quiescence, obstreperously abstruse vagary plausibility’s cause.
Vivid intangible impetus instinct intrigue, livid lurid allusion.
Autonomous preterite discrepancy amendment emendations, transcendent accession ascensional in absentia expurgation exculpation.

As he walked through the maze of streets from the tube station he wondered just how long it had been since he had last visited this tall red-bricked house. For so many years it had been for him a pied à terre. Those years when the care of infant children dominated his days, when coming up to London for 48 hours seemed such a relief, an escape from the daily round that small people demand. Since his first visits twenty years ago the area bristled with new enterprise. An abandoned Victorian hospital had been turned into expensive apartments; small enterprising businesses had taken over what had been residential property of the pre-war years. Looking up he was conscious of imaginative conversions of roof and loft spaces. What had seemed a wide-ranging community of ages and incomes appeared to have disappeared. Only the Middle Eastern corner shops and restaurants gave back to the area something of its former character: a place where people worked and lived.

It was a tall thin house on four floors. Two rooms at most of each floor, but of a good-size. The ground floor was her London workshop, but as always the blinds were down. In fact, he realised, he’d never been invited into her working space. Over the years she’d come to the door a few times, but like many artists and craftspeople he knew, she fiercely guarded her working space. The door to her studio was never left open as he passed through the hallway to climb the three flights of stairs to her husband’s domain. There was never a chance of the barest peek inside.

Today, she was in New York, and from outside the front door he could hear her husband descend from his fourth floor eyrie. The door was flung open and they greeted each other with the fervour of a long absence of friends. It had been a long time, really too long. Their lives had changed inexplicably. One, living almost permanently in that Italian marvel of waterways and sea-reflected light, the other, still in the drab West Yorkshire city from where their first acquaintance had begun from an email correspondence.

They had far too much to say to one another - on a hundred subjects. Of course the current project dominated, but as coffee (and a bowl of figs and mandarin oranges) was arranged, and they had moved almost immediately he arrived in the attic studio to the minimalist kitchen two floors below, questions were thrown out about partners and children, his activities, and sadly, his recent illness (the stairs had seemed much steeper than he remembered and he was a little breathless when he reached the top). As a guest he answered with a brevity that surprised him. Usually he found such questions needed roundabout answers to feel satisfactory - but he was learning to answer more directly, and being brief, suddenly thought of her and her always-direct questions. She wanted to know something, get something straight, so she asked  - straight - with no ‘going about things’ first. He wanted to get on with the business at hand, the business that preoccupied him, almost to the exclusion of everything else, for the last two days.

When they were settled in what was J’s working space ten years ago now he was immediately conscious that although the custom-made furniture had remained the Yamaha MIDI grand piano and the rack of samplers were elsewhere, along with most of the scores and books. The vast collection of CDs was still there, and so too the pictures and photographs. But there was one painting that was new to this attic room, a Cézanne. He was taken aback for a moment because it looked so like the real thing he’d seen in a museum just weeks before. He thought of the film Notting Hill when William Thacker questions the provenance of the Chagall ‘violin-playing goat’. The size of this Cézanne seemed accurate and it was placed in a similar rather ornate frame to what he knew had framed the museum original. It was placed on right-hand wall as he had entered the room, but some way from the pair of windows that ran almost the length of this studio. The view across the rooftops took in the Tower of London, a mile or so distant. If he turned the office chair in which he was sitting just slightly he could see it easily whilst still paying attention to J. The painting’s play of colours and composition compelled him to stare, as if he had never seen the painting before. But he had, and he remembered that his first sight of it had marked his memory.

He had been alone. He had arrived at the gallery just 15 minutes before it was due to close for the day.  He’d been told about this wonderful must-see octagonal room where around the walls you could view a particularly fine and comprehensive collection of Impressionist paintings. All the great artists were represented. One of Van Gogh’s many Olive Trees, two studies of domestic interiors by Vuillard, some dancing Degas, two magnificent Gaugins, a Seurat field of flowers, a Singer-Sergeant portrait, two Monets - one of a pair of haystacks in a blaze of high-summer light. He had been able to stay in that room just 10 minutes before he was politely asked to leave by an overweight attendant, but afterwards it was as if he knew the contents intimately. But of all these treasures it was Les Grands Arbres by Cézanne that had captured his imagination. He was to find it later and inevitably on the Internet and had it printed and pinned to his notice board. He consulted his own book of Cézanne’s letters and discovered it was a late work and one of several of the same scene. This version, it was said, was unfinished. He disagreed. Those unpainted patches he’d interpreted as pools of dappled light, and no expert was going to convince him otherwise! And here it was again. In an attic studio J. only frequented occasionally when necessity brought him to London.

When the coffee and fruit had been consumed it was time to eat more substantially, for he knew they would work late into the night, despite a whole day tomorrow to be given over to their discussions. J. was full of nervous energy and during the walk to a nearby Iraqi restaurant didn’t waver in his flow of conversation about the project. It was as though he knew he must eat, but no longer had the patience to take the kind of necessary break having a meal offered. His guest, his old friend, his now-being-consulted expert and former associate, was beginning to reel from the overload of ‘difficulties’ that were being put before him. In fact, he was already close to suggesting that it would be in J’s interest if, when they returned to the attic studio, they agreed to draw up an agenda for tomorrow so there could be some semblance of order to their discussions. He found himself wishing for her presence at the meal, her calm lovely smile he knew would charm J. out of his focused self and lighten the rush and tension that infused their current dialogue. But she was elsewhere, at home with her children and her own and many preoccupations, though it was easy to imagine how much, at least for a little while, she might enjoy meeting someone new, someone she’d heard much about, someone really rather exotic and (it must be said) commanding and handsome. He would probably charm her as much as he knew she would charm J.

J. was all and more beyond his guest’s thought-description. He had an intensity and a confidence that came from being in company with intense, confident and, it had to be said, very wealthy individuals. His origins, his beginnings his guest and old friend could only guess at, because they’d never discussed it. The time was probably past for such questions. But his guest had his own ideas, he surmised from a chanced remark that his roots were not amongst the affluent. He had been a free-jazz musician from Poland who’d made waves in the German jazz scene and married the daughter of an arts journalist who happened to be the wife of the CEO of a seriously significant media empire. This happy association enabled him to get off the road and devote himself to educating himself as a composer of avant-garde art music - which he desired and which he had achieved. His guest remembered J’s passion for the music of Luigi Nono (curiously, a former resident of the city in which J. now lived) and Helmut Lachenmann, then hardly known in the UK. J. was already composing, and with an infinite slowness and care that his guest marvelled at. He was painstakingly creating intricate and timbrally experimental string quartets as well as devising music for theatre and experimental film. But over the past fifteen years J. had become increasingly more obsessed with devising software from which his musical ideas might emanate. And it had been to his guest that, all that time ago, J. had turned to find a generous guide into this world of algorithms and complex mathematics, a composer himself who had already been seduced by the promise of new musical fields of possibility that desktop computer technology offered.

In so many ways, when it came to the hard edge of devising solutions to the digital generation of music, J. was now leagues ahead of his former tutor, whose skills in this area were once in the ascendant but had declined in inverse proportion to J’s, as he wished to spend more time composing and less time investigating the means through which he might compose. So the guest was acting now as a kind of Devil’s Advocate, able to ask those awkward disarming questions creative people don’t wish to hear too loudly and too often.

And so it turned out during the next few hours as J. got out some expensive cigars and brandy, which his guest, inhabiting a different body seemingly, now declined in favour of bottled water and dry biscuits. His guest, who had been up since 5.0am, finally suggested that, if he was to be any use on the morrow, bed was necessary. But when he got in amongst the Egyptian cotton sheets and the goose down duvet, sleep was impossible. He tried thinking of her, their last walk together by the sea, breakfast à deux before he left, other things that seemed beautiful and tender by turn . . . But it was no good. He wouldn’t sleep.

The house could have been as silent as the excellent double-glazing allowed. Only the windows of the attic studio next door to his bedroom were open to the night, to clear the room of the smoke of several cigars. He was conscious of that continuous flow of traffic and machine noise that he knew would only subside for a brief hour or so around 4.0am. So he went into the studio and pulled up a chair in front of the painting by Cézanne, in front of this painting of a woodland scene. There were two intertwining arboreal forms, trees of course, but their trunks and branches appeared to suggest the kind of cubist shapes he recognized from Braque. These two forms pulled the viewer towards a single slim and more distant tree backlit by sunlight of a late afternoon. There was a suggestion, in the further distance, of the shapes of the hills and mountains that had so preoccupied the artist. But in the foreground, there on the floor of this woodland glade, were all the colours of autumn set against the still greens of summer. It seemed wholly wrong, yet wholly right. It was as comforting and restful a painting as he could ever remember viewing. Even if he shut his eyes he could wander about the picture in sheer delight. And now he focused on the play of brush strokes of this painting in oils, the way the edge and border of one colour touched against another. Surprisingly, imagined sounds of this woodland scene entered his reverie - a late afternoon in a late summer not yet autumn. He was Olivier Messiaen en vacances with his perpetual notebook recording the magical birdsong in this luminous place. Here, even in this reproduction, lay the joy of entering into a painting. Jeanette Winterson’s plea to look at length at paintings, and then look again passed through his thoughts. How right that seemed. How very difficult to achieve. But that night he sat comfortably in J’s attic and let Cézanne deliver the artist’s promise of a world beyond nature, a world that is not about constant change and tension, but rests in a stillness all its own.

Holding a pencil in the belief it is a pen.
I cannot go back and right my wrongs; for I'm writing as though it were ink.
These words that bleed through me they're intricate to put to paper.
Just let it go you'll tell me, but it's not so simple.
There's a piece of me here and there.
Then there's a story I can't leave unfinished.
Words that flow through me become jumbled, and I'll lose my sanity trying to figure it out.
So here I am putting my thoughts to paper.
Writing in a pencil I believe to be a pen.
Where hopefully these words aren't as intricate as they'd seemed to be.

As winter dawns,
United they come,
All at once
Coating the ground
With a perfect layer
Of feathery icing sugar.
Tickling our necks
As they swirl around us
They flutter in the wind                                              
Like graceful butterflies
Thrilled to be free at last.
A simple exterior,
But as we dig deeper
We discover
That on the inside it seems,
Like a spider has woven in each one
The most intricate of patterns
All unique individuals
Different and proud
Like dust from the stars
They glisten in the moonlight
fragile diamonds
That melt at your touch
Thus we can say,
That snowflakes are,
A symbol of purity
Like innocent childlren
To be destroyed by reality.
They put us to sleep,
Singing hushed melodies
As they pass by
Like floating feathers,
Following the wind
In our eyelashes
When we blink
Serene and untouched
Falling from the heavens
God’s children
Blessing the earth.

teamara

As in the nub of the remains of crayola crayon that’s been used to color in so many smiling cartoon suns on a piece of paper-
Her favorite color is yellow.
And I don’t mean a wimpy *** pastel yellow or sometimes a pale yellow
I mean her favorite color is bright *** yellow.
Like Pikachu yellow.
Like she’s almost nineteen but she’s still willing to play Gameboy Pokemon yellow.
There’s something innocent yet corny kind of yellow about her.
She’s beautiful like yellow jirasol petals
She’s intricate as yellow thread woven in a Rasta Dom
She’s yellow like gold and Africa
She’s sweet like pineapples and delicate like daffodils
I still don’t know why her favorite color is yellow
Maybe it has to do with her fascination of Asian men…
I mean! ...with the continent of Asia
She thinks she’s more like pink Japanese cherry blossom trees in the summer
But I know she’s truly yellow petals on Paolo Verde trees blowing in the wind spreading around Tucson
A metaphor for her love
She’s yellow like the color in the middle of my pride rainbow- She supports me
She’s yellow like the big painted sun at the hospital with a big grin
I wonder why nobody smiles at hospitals
The place where life is easily given as taken
Where we are reminded that our health is sometimes taken for granted
Other than that great big yellow sun
She is the only that radiates yellow and smiles
In waiting rooms, she seems like she’s the calmest
Even though she’s the only one going through surgery
She’s so beautiful on the inside her body can’t even take it
She doesn’t deserve scions or scalpels to even be considered touching her bronze skin
I wish instead they would strip down the color yellow from my life
And give it to her to make her smile so bright that even word “cancer” would cease to exist
But still. Even through pain and hardships
She still smiles. Not only is she yellow when she’s happy
She tends to radiate yellow even when she’s gloomy
When I’m upset, her aura has way of rubbing off on mine
And I get insight to why her favorite color is yellow
‘*** she’s the kind of yellow that represents strength
She’s yellow like tall forts made from gold bars
She’s yellow like flames that roll of her tongue when she spits fire
She’s yellow like a crayola-crayon… except she can’t be broken
From her, I’m learning
That even when you’re hurting
You can still shine bright like your favorite color.

The rotting corpse of a dilapidated morning glory
Waxes poetic in the dry summer air-
Its wilted petals droop heavy
With the subtle presence of something
Close to the end, but of a different hue.
A sweet yet sickly scent
Engulfs the neglected shrubbery,
That so gracefully collapses onto
A rusted, barbed wire fence,
Caving in beneath the heavy traces of morning dew
Atop intricate spider webs and fallen leaves.
Its bitter laments of despair
Sound out to the iridescent moon,
Cursing god in all his putrid grace.
Somewhere in the night, the sad wail echoes
Tumbling off canyon walls and over priced gas stations,
Until all that's left is a hollow boom
And the faint whisper of the Holy Ghost.
The pagan wind  slowly creeps by,
Pushing the flowers further down,
Until their stems take on the silhouette
Of the stooped backs of apologetic sinners,
Face down at the altar, accepting their worthy penance.
Dawn waits beyond the bend,
Her seductive fingers trace the fragile outline
Of the sleeping buds, blushing a faint pink
The color of a newborn child-
Beauty is only real within the tender moments
Leading up to it's intricate destruction.
Is this how it feels to exist?
Beating up against forgiveness
With bloodied palms, imprinted with the
Wilted outline of an indifferent morning glory-
Too alive to ever experience eternity,
For, in accepting life,
All else perishes.

The Royal lady's eyes behold.
The scene that is about to unfold.
The procession just outside Hawa Mahal.

She looks from one of he 953 windows.
The red and pink sand stone of the Mahal,
She feels from her toes.

She is Rajput by heart.
And inwardly thanks Maharaja Sawai Pratap Singh for this intricate piece of Art.

Constructed in 1799.
From it's windown,
The breeze flows;fresh and beingh.

Out there there are all kinds of people
Old. Young. Fancy. Simple.
They radiate happiness.
Mounted on elephants or barefoot,feeling blessed.

She smiles to herself.
And closes the Jharokha and feels excited as now,
To her friends,she has a story to tell.

There was once a man
Who looked at the moon and asked
"Is there anything I could ask,
that you can answer?"
There was no reply,
as expected.

The next morning, there was a dog.
The man crouched down
in front of the dog and asked
"What are you up to today?"
The dog walked past,
as expected.

In the afternoon, there was a girl.
She was sitting on a bench in the park.
The man sat beside her and asked
"Are you waiting for someone?"
She kept gazing at the sunset,
as expected.

Night falls in a pub in the city.
There's a drunken man, had many bottles.
The man approached him and asked
"Is something the matter?"
The man finally collapsed after too much drinks,
as expected.

Lastly, in a room there are antiques.
One is a mirror in an intricate frame.
The man looked at the mirror and asked
"How do you feel today?"
There was no reflection,
as expected.

You make my skin crawl,
Like writhing maggots beneath,
Like the innocent child's scrawls,
Tainting my canvas, my skin.

Your words, they pierce me,
Like the ***** of a needle.
Caressing, so fatally,
Over the scarred, raised skin,

The years of mistreat,
Has treated me harsh,
Showing meat so starved,
Brittle bones over skin.

The world! Such a joke,
Made of him, her and you.
My existence, mere smoke,
Our stories, nothing but skin.

For skin show where we've traversed,
The roads we have trod,
A beautiful canvas,
Of cools, brights and skin.

I am proud of my masterpiece,
It's whittled into my skin.

From the lines embossed to my chest,
To the intricate blend of colors,
The white spiraling scars,
Etched deeper than skin.

Here I stand,
Here I scream.
Proud of the bands,
That bind me as one, my skin.

I'm so grateful I could die
And then I'd be the Grateful Dead
For every Touch of Grey
You erase
And paint intricate beauty I cannot equivocate
The enigma of your mind
Matches the confusion in my heart
What's the point of talking to someone
if you know what they're thinking?
I enjoy the intense haze
Of your rearranging maze
It's complexity fascinates me

Some of my favorite moments are when
I laugh hysterically as the tears fall down
And you're there
To hit my waterfall with your lightning
My emotions get so charged
As you pump electricity into my current
Making you the conductor
On this lifelong train ride
That's definitely been through some valleys and tunnels
But as we continue to scale this mountain
Negative thoughts can creep in
I wonder if you're disgusted by me
Or what you'd call me if you hated me
And as the tears fall down
I look to the heavens
And laugh hysterically
Thanking God I don't have to live in a world like that
I'm so ******* grateful

the universe was toothache, the stars were giant cavities. “but it’s been far too long since i’ve had sugar,” cried the sun, the concerned star. “don’t lie to me,” said ever so smart mercury, “when we are right by the milky way.” the other planets jeered and the sun shed a tear and on the earth was rain, peeking through the clouds. you see, the sun was always body conscious. the planetary publication "zodiac almanac" always had an unruly comment or three to share, and after copious poring, the sun felt a little dimmer every time. but every night when the stars twinkled in all of their saccharine glory, they had the sun to thank. the sun, who boldly held itself up in the sky for the little specks on the planet earth, from the people taking walks in the park to the plants preparing to soak up their daily delight. they engaged in photosynthesis while the sun never felt too photogenic at all. the sun mused while listening to the twinkling music of the rotating planets and stars that kissed each other as they formed constellations, faint but audible nonetheless. the sun mused that it wasn’t shining brightly enough. it cried and wept and the people on earth mirrored its melancholy, for a day without the sun morphed into a day of rain-induced laziness.

mercury, who had since apologized, urged the sun to read a book to reinvigorate her intricate mind. jupiter and uranus suggested a workout for empowerment. mars recommended her to write an angry diatribe or five, she was so very fond of venting. venus reminded her again and again that she was beautiful. neptune sang her a lullaby every night. and saturn offered her a ring to lean on. pluto was on sabbatical, but sent her a postcard. all of these gestures were warm and lovely, but the sun still felt trapped and unworthy.

she felt too enormous, too blinding, and too far from earth, where she’d heard many wonderful stories about. the other planets had grown complacent with their distance from earth, but the sun always wanted more, and that was why it was so sunny sometimes, because she wanted to stretch out her wispy arms and embrace the world she knew she could never touch. so she never felt good enough.

but one day the earth seemed to have had enough, and the people were growing dreary of the absence of their beloved sunlight. the moon was especially privy to this information, as she’d watched over earth night after night (except in her first phases when she would rest), and witnessed many a complaint as the clouds would clock off from their shifts and heave sighs of resignation. they knew their golden friend was still weeping.

the moon decided to take a stand. she floated towards the sun even though they were so far away and told her softly: "darling, i know it’s sad that every day you can give so much to people who will never be able to give you anything back. i know it’s hard to peer over, having to watch their countless stories unfold and not ever being able to be one of them. but every time you shine down on that tiny planet over there, you change things. you are bigger because you are so full of light, gently cascading onto those lucky tiny specks down there. and i know you’ll never know what it feels to be fed rays of sunlight, but you can take all the moonlight you want from me and it won’t bother me at all."

and the sun cried more but this time, the tears were out of happiness, and the moon assuaged her again that it would all be fine. she knew she didn’t need to have her own sun, feeding her light, because she knew the light was within her, and her ***** friend, the moon. millenniums later the two would laugh about this.

"what was wrong with me?" inquired the sun.

"everything happens in phases," replied the moon.

A map guide clarifying the wrong place
Stoic expressions with implied purpose are no help
Busy streets bustling about this foreign land of no lights
High buildings sporting officiality block my view
Of the mountains and rivers now paved over by ideals of the future
A showcase of grey streets, walls, and skies; I am left hopeless.

No color, no contrast, just black and white: the architects are hopeless
All the intricate designs and patterns are of a different time and place
I cannot be trapped in the colorless cinema of the town; I search for a vibrant future
Native minds drear into the day, knowing not that they desperately need help
The neon lights and rain shower rainbows are not an element of the city's depressed view
It's as if the colorblind man blackened the city and closed his curtains to the light

The planes cannot find where to land because someone put out the runway lights
Auras only shine in black and white, the long since hopeful are now helplessly hopeless
I exhale my dissapointment towards the uninspired dead end view
And mournful rainbows melt out of the sky, defeated. Why did I come here in the first place?
Perhaps I am the prophecy, the ******, the angelic omen sent by God to help
Or perhaps that is conceited; one person alone cannot brighten this future.

No amount of psychic ability or math calculations could have predicted this future
Somebody shot down the angels, choked out all the lights
Malicious villains took over as citizens realized superman wasn't coming to help
Thus the people watched as the color drained out and faded away, oh, they are hopeless
Cacophonous chaos throws broken hearts, leaving shards all over the place
A kaleidoscope zoom reflects nothing but melancholy expressions into my view.

When was the last time the sunshine peeked through the window's view?
Did the sun burn out from uncertain predictions of the future?
I try to envision when only the bleakness of TV sets in the city were out of place
Because psychedelic intricacies ruled, shinning proud neon lights
But then the clouds greyed the sky once the colorblind man began to feel hopeless
His dimension of colors disagreed with the perception of others, shying him from help

Nobody could answer his message in a bottle, his SOS, his plea for help
So day after day darker walls constructed over his already restricted view
At points in our lives our faith finds nothing to battle the hopeless
But news of the blind man seeing purple mountains ignites faith in the future
Of the man of no color who painted the city grey and drained the neon lights
Because his color is not non-existent, but waiting to be found in his own secret place

So perhaps we can help transform this dystopia into a brighter future
We cannot let be a view that we know has the capability to glitter in the light
We will smolder the pollution cloud of hopeless energy and enlighten this place.

I used to seek answers,
to unsaid questions,
to incessant ponderings,
of the world in which we live in.

I used to fill the world with my voice,
never stopping,
hesitating,
for my greatest fear
was something far bigger than heights;
it was the silence.

The illusion was unmasked,
and at once,
I understood
why those questions were left
unanswered.

And now,
I find myself basking in the silence,
breathing it in,
trapping the words inside;
leaving them to roam within the confines
of my intricate road map.

The silence assures me,
that underneath the tangle of human complication,
of man-made solidarity,
the world is still a simple
silent
place.

Delicate nets collect on sailing clouds of violet mist
While red leaves twist and spin in turn
Gleaming sparks of dawn cannot be dismissed
As the scattered night sky
Is adjourned

Sweet water gathers in a dream’s own reflection
On a whirling spider’s silvery thread
Morning has broken needing no authentication
See her truth glowing there
In an intricate web

Tiny stones are surrounding sharp blades of grass
Worshiping the presence, they behold
Looking up from the shadows of a looking glass
With their own stories
Still untold

A leaping bass, splashes proudly in a silent pond
Each drop of water expressing its distress
Thinking that the sun was waiting to respond
To his shimmering silence
Used to impress

A single drop of water, a red leaf twisting in the wind
A spider weaving her web to be blessed
Even the tiny stones worshiping their friends
Leap with the bass, distressing the pond
To impress

Everything has a cycle,
Everything has an end,
But where did it start,
And where will it end;

Flowers bloom,
Then they dry up,
They produce seeds,
And so it proceeds;

No way to know,
How it all started,
Nowhere to find,
The answers we seek;

We might ask god,
We might ask science,
But so far,
We have no answers;

We dig deeper into the seed,
We find it to be interesting,
And get some answers,
But along with that,
We get more questions;

We see the cells,
Moving around,
They all have a purpose,
To keep life abound;

We dig and dig,
The more answers – the more questions,
When will it end?
When will we know all?