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Showers make me wet
Shoes get me going
Heaters make everything hotter
And as soon as you've left
Everything is right
Allie Savioli May 2010
Innuendo

All those softly spoken innuendos
Slipped into conversation
To express what you can’t say plainly
All these whispered innuendos
Helped him speak words
Painfully

Filling the night air
Breaking the silence
A breath, a heartbeat

She couldn’t bear
To let him see her cry
And as he turned
The first tear fell

Not as strong as you’d think
Not as brave as you’d think
Innuendos have formed a façade

And so they meet again
To whispers, murmurs
Those softly spoken words
Without the armor
Amore was weak

So for the first time
The last tear fell

A boy and a girl
Back facing back
And they knew
Not to turn around

Closure encompassing
Growing distances
Do or die
She never looked back
Poetic T Jul 2016
mumbling innuendos
whispers do turn to echoes

bucket love is deep
DieingEmbers Mar 2013
Copulation of the minds...

as word play
leads innuendos to fornicate
upon the poets tongue...

unrestrained
his fingers give voice to wanton
carnal desires

laying the reader bare
to writhe
helplessly beneath his hands

with ink stained kisses
he forces
words into their mouths

a breathless sigh
resonating his ache to be heard

as he stands naked before them
offering himself
to their voyeuristic gaze

before taking them upon the sheets
in punctuated passionate
embraces

leading them toward the ******

they so

cried out for...




Jesus I'm Good.


~<3~
Just teasing
Poetic T Mar 2017
Your fingers like petals that fall upon my skin,
the aroma fluctuates on the membrane of
that which alternates between the
                            vessels
of what tells me to
                              gravitate
between the consequences of conciseness  
and consideration. I'm whispered upon
to accept both realities..

But innuendos are the motions
                          that make me linger
on the words you weave within my heart.

Can you ******* smiles when I look at you
when your not observing.

They are a confectionary that is only visualized
when I steal an embrace when least expecting
my lips to collect candy from your thoughts.
L A Lamb Sep 2014
Friday, August 01, 2014, Buttes-Chaumont Parc, Paris, France.



Why do I need feminism? We all have our reasons. We all have our stories. Let me tell you about my day:



I was sitting on a hill in the grass at Buttes-Chaumont park, a lovely historical area in Paris. I wanted to be relatively by myself so I could write in peace and smoke without drawing attention to myself. I’m sitting, book in my lap, a pen and cig between my fingers, when I am approached by a man. My main concern was determining whether or not he was the po-lice, but he had no characteristics of cops. He appeared emotionally stable and had good hygiene so I wasn’t too uncertain, (isn’t it kind of bad how we judge people on that stuff?), still, I wondered what he wanted, dreading having to talk to someone when I was merely trying to write in peace. I figured he was going to ask me for something to smoke.



He didn’t. Instead, he asked if he could sit by me. I look around and scan all the other vacant spaces he could sit instead, making it obvious that there was plenty of room to sit instead of right the **** next to me. It’s a pretty big park. “Si ca ta derange pas?” I wasn’t planning on staying long anyway, but I knew he wouldn’t be dangerous as there were many families and couples and runners and walkers, old friends and young kids playing. I felt safe enough, and he seemed harmless. I figured if anything, I could practice my French, which was always nice.



I said okay. He sat, and for a moment we sat in silence. I made myself a sandwich with baguette and cheese and offered him some. He politely declined. We started talking.



I asked if he was Parisian, and he told me he lived there for a while but was from Afrique. I didn’t catch which country, but I don’t think he specified which region. He asked about me, and I told him I was American, born in DC, but I came to France every so often and it was my first language. We talked about travel. We talked about the chaos in the Middle East, and how it was prophesized in scripture. He told me he was Muslim. I told him I wasn’t religious.



I told him I acknowledged the importance of texts, but I believe our ability to think has evolved in 2000 years and we have more information now than we did then. I told him there was too much life and I could not fit it all into one magic being which sprinkled glitter and said “Let there be” and we were created. I told him I really liked the Asian philosophies of Buddhism and Daoism. We talked about peace. We talked about Human Rights and the beauty of diversity, and how marvelous it was people could live among another in peace.



I said it was cool, and I even said it was cool that even as a black man in Europe and an Arab-American woman, we could talk freely without hostility and social division. We talked about closed-mindedness and Conservativism. I explained cognitive dissonance contributing to conflict, generated by opposing views and resistance/reluctance to consider new ideas. We talked about Psychology. I told him I was a writer and I told him about Cabaret Populaire in Belleville and the poetry community in Paris. I told him I love Paris. We talked again about travel.



He told me he was in Germany last weekend, and I told him I was in Langen Tuesday night. He told me he always wanted to go to the U.S.A. We talked about immigration. We talked about the American Dream. We talked about money. I told him I was proposed to the last time I was in Lebanon. We talked about reasons people marry. I reminded him today was the first of August, which meant I’d been with my boyfriend for two months. We talked about love. We talked about monogamy, polyamory and infidelity. We talked about Islam. We talked about racism.



We were sitting there talking for an hour or so, which I was especially grateful for, because besides having an interesting conversation I was able to speak in French for all of it, as he did not speak English (apparently he spoke German, though). I stood up to leave and told him “Enchanté,” but before I started walking off he motioned for me to look at his phone. I was wondering if he was trying to add me on Facebook or follow me on Instagram or something, but I am instead confronted by a picture on his screen of him laying on his back on a bed, with an ***** ***** as the focal point.



Furious, I asked him “Pourquoi tu ma montre ca?! J’ai pas demande a voir ca!”



The stupid smile on his face disappeared and was replaced by a look of slight hurt, confusion, and surprise.

“Bordelle! C’est dommage—mais c’est ca—des hommes et femmes ne peuvent pas parler normalment, vraiment!”



And for the vile words I wanted to spout, I scoffed instead, too much of a lady to shout or get emotional, but I made sure to call him out and stand my ground, exuding negative energy and making it clear with my few words that that was not okay.



I gave no impression of interest in seeing his ****, so why did he do that? Even if he thought I might want to (hell never) he should have heard me ask or vocally say “yes, you can do that.” However, I did not ask; there were no prompts, hints, innuendos or even suggestive, flirty phrasing that would serve as an indication of ****** interest on my behalf.



I don’t want to be cynical and assume all guys are perverts and avoid any conversation because I’m not a rude person (generally). I’m not sexist. I value conversations and friendships with people without emphasis of gender importance. I try not to assume that everyone is sketchy or has ****** up motives. Some people just want to talk.



I wasn’t going to blatantly ignore or dismiss him because he was a man, nor because he was black, foreign, or Muslim. But where the hell is he from that he was socialized and thought that was appropriate or wanted?

I did not ask. The worst part is that he seemed like a genuinely alright person, but then he had to ruin it by whipping out a **** pic. Gross. What’s even more gross is the sense of entitlement he had, thinking it was acceptable to do that. You are a stranger. And I don’t want to see your ******, you disgusting *******.



I really don’t like assuming **** about people or making generalizations. I’m not going to assimilate one ****** with every group they are assigned to and stereotype against every person of that respective group. But fuckkkk. It’s annoying and disappointing that what I thought was a pleasant talk and exchange of ideas with a friendly stranger was actually a plot to show me his ****. ****.



The moral of this story is to say why feminism is needed, because this happens to people every day. If you still need further assistance understanding, please allow me to elaborate:



1)      I need feminism because it allows me to stand up for myself and feel confident about stating that I’m uncomfortable with unwanted behaviors and I’m not going to tolerate them.



These behaviors include, but are not limited to:



1)      Showing me **** pics

2)      Assuming it’s okay to show a girl you met not even an hour ago a **** pic (Do not even say it’s because of a culture difference, because I know of Frenchies who don’t do that)

3)      Approaching me because I’m sitting alone (I accepted that because I assumed he wasn’t going to violate my mind like that (good thing I don’t have photographic memory) but I didn’t wave over and say “Hey, you look friendly! Come over and talk to me!”)

4)      Asking me how serious things are with my boyfriend

5)      Asking me about my bisexuality—only to invalidate it

6)      Assigning me behavior expectations because of my gender

7)      Trying to control the way I do or do not reproduce

8)      Expecting me to behave a certain way because of my sexuality

9)      Judging me based on my sexuality

10)  Openly discriminating against people and expecting me to be okay with prejudice

11)  Using racist terms… because you’re a racist

12)  Dehumanizing the oppressed





Because I don’t know what you studied about it (wait—most people who disagree with feminism haven’t and are completely misinformed) but:



Feminism is about equality, and it doesn’t feel very equal when I show someone respect but I get no respect in return. And if you associate feminism with fauxminism and misandry, please educate yourself. (If I had Tumblr still, you better believe I would’ve already posted this). To quote the great words of Jay in Jay and Silent Bob Strike Back: "Remember, don’t whip your **** out unless she asks."
Audrey Maday May 2015
Soft flirtations,
And obvious innuendos,
Gentle murmurs of empty sweet-nothings.
The rising excitement,
Perhaps a bit of nausea,
To see you.
I know quite well,
What will happen when,
My plane touches down in your state.
An odd anticipation.
Mateuš Conrad Nov 2015
with the birth of money the old, ethnically categorised
unity broke apart,
now the rats in banks, now the rats stocking
cheap metal jump the ship called humanity unanimously,
we no longer have tribes of apache, or maori,
we have ethnicity via professions - the ‘i scratch my back
you scratch mine’ lots drawn... the shortest match
gets to be in the philosophy gang of severe individuation:
it’s not that the english languages from philosophy orientated maxims,
the english language is quick on that, quick to spot that,
but in terms of a philosophical narrative like a complex prose book of fiction...
well... its legs are broken, its arms are broken, it’s simply languishing
behind all the truths proofs innuendos and falsities, like an eager puppy.
with the birth of money traditional tribalism died and became
a curiosity prior, the least amazing job in a society with the piston
named money expects us to gratify existential qualms like so:
least responsible most likely to profit... most responsible the type
to be political in salvaging the least responsible role of a postman
or a cashier with lies...
now you... waiting eager for the ear to hear sweater music,
fare well with the anti-communicative charon - ah death
has a boat and a gondolier’s oar, rather than hood wings and a scythe...
see past the pagan burial of putting two coins in the cauldron inferno of
******* stacked to send the signal of the departing soul: partly brain
partly heart... that inverted exoskeleton capacity to feed the idea of soul -
they make break my bones with sticks and stones...
on the outside bruised... but then the surrealism of the inside attracting
an unfamiliar species of thinking: either singing or harking.
with four beers in the churchyard i took the last remnant of my past
with me, a d.c. belt of my ex-girlfriend, and thought about black magic
and voodoo, hanging it on a branch... instead i wrapped it
around the tree and gave it a model’s size 0 circumference,
thus i ended the session thinking about buying new gloves for winter
feeling my hands turn into ivory at the touch of the cold beer can...
but prior i was well aware of the possibilities, when the theft / injury took
place in a frenzy of such jealousy as to acquire theological dimensions of proof:
at least i will leave the world satiated by convenience of the misguided act -
as to answer that famous question: leave numerology aside,
come with me from how you acquired your use of language, your vocabulary,
make me see you turn words to words... away from the jewish tradition
of numerology... let’s face it... would you answer the question:
what’s the meaning of life? with (23 + 8 + 1 + 20 + ~9 +19) etc.?
or would you care to peer in and say:
the question has no verb in it, i.e.: not activity, anyone can ask it
but still prevail in their vector coordination of plumbing or
spanking faraday equations with newton training the monkey to dance:
pronoun (what) 3rd person singular present indicative of be /
you might as well be saying 1st person plural non-present non-indicative of be /
schizophrenic / there’s meaning in the sewer blockage with eager hands to fix it /
the crooked tree with a straight shadow / the badger shrunk from a zebra and became
the petted dalmatian that became a cow (is, i.e. too much is happening) i’m looking at something with myopic directness of the far far blurry / a direct article (the) now open the dictionary and tell me how cave is a ditto of rock and mountain without antonym proximity (noun) prior to me there was ****** and mussolini, pre that while i mind the pro that’s me (of, preposition) the river sooner than soon pours into the ocean and becomes saltwater, it could be called the heraclitus estuary, but it’s the thames we’re talking about; many men became rivers but still the godly wound itched for more bloodshed, and all those that attracted sweet water fish ended up as salt water poisons known as oceans, known as humanity (life).
Edna Sweetlove May 2015
A Tale of ****** Excitement by Herr Barty Maulwurf

Often **** tales of my past I am writing and sometimes they are a little rude and porny but now I will try to be only slightly profane at request of new friends I am making everywhere. This tale very sensual story is, told by master storyteller (which is me). Filthy bits included. *Danke sehr.


Although I so much hate repetitive to be, Barty Mole must as always apologise for his occasionally slight errors in English-writing as he writes the English language not so very top-class (but he ***** English girls' tongues lots and likes them his tonsils to wipe so good). I (me, Barty) am German person but special type of that because as I are half-and-half black/white (not striped or even top half white, bottom half black, but mixed-up goldene-brun colouring), by this I must explain mein Papa was black US soldier in Germany who did enormous number of bouncy-bouncies with various ladies including meine Mutti (note to monoglots: this means my Mummy) - who was part-time Lili Marlen type tarty number, great **** and much-used **** - for tinned milk, coffee, ciggies, silk stockings and comfy underwear with soft non-scratchy gussets for once instead of unlined which tickle *****-*****, also she was a major sort of a ****** in her day so combined business with pleasure, and why not, we got these bits under our ******* so use them or they dry up (so thinks der Barty.). Also please you will remember black market utterly rampant in post-war period because the kind ****** Allies smashed my beautiful homeland (Germany) to little bits and then guess what even worse Russkies came and stole anything leftovers and did mass rapings of anyone with two legs (or less, in fact easier as poor tarts can't run away), but my Mutti ran and avoided Ivans, she not any kind of idiot, not going to give it away for free, and not liking cheap rotgut ***** anyway. Also Russkies never wash bottoms-hole so not much fun in the sack with smelly-bummed Ivans.

Nowadays Barty (that's me) am not so young, indeed now out of work living in Hamburg (home of inventor of hamburgers, Herr Wendi McDonald-Burgerkoenig) but I remember some super **** going-ons from mine mis-spended youth and middle age, my God I was a right goer, make no mistake about that, I had more lady friends than most people have hot luncheons mainly because I inheritated huge lovepole (23 centimetres, well over 9 inches in UK/US measurement style) from my dear Poppa, God rest his swindling soul. And ladies like the big bronzed stick as ramrod lovepole, you bet your fat wobbly ***, dear reader, 100% sure.

As often I say to my multitudinous readers, I never accept that it is only top-class ***-event to make love-humpings between male person who is in all one piece (full complementing legs, arms, naughty pieces etc etc) and lady who in similar state of repair (2 legs, 2 arms, 2 boobos, back and front naughty areas also) so I shall now recall romantic interlude with one-legged groupie I am meeting at rocking Konzert in Berlin with famous German group DIE TOTEN HOSEN (this means "The Dead Trousers" look them up on Google you think I am joking? no, German musicians have great sense of humour and also almost for free get to **** a lot of birds).

This story are total true, swear it on Mummy's honour (big joke, what honour I hear you said out of side of mouth, but watch your manners please or I smash you one in your effing gob) this not so explicit as usual so much apologies to filthy pervies wanting cheap smuttings, you come in wrong place (*******).

So now here we go with telling of how I got on good and ***** with one-legged lady I meet in bar of Grosse Konzerthalle in Berlin after we go from Konzert by Toten Hosen - noise so fickende loud we not able to hear each other talk as we total deafened for at least 1 hour, so just wink over bar to each other and Robert is dein Onkel.

I digressed - when I saw really pretty girl at bar with **** three-inch bolt through her lips and I think, WOW, if she got so much metal in her face, what the Fick she got in her *******!!!!  I notice she leaning against wall, I think she a bit drunk but I find out she only got one leg and it's because she has only one leg she would go falling over if not lean on walls. Never mind, I think to myself, I'll try this out for size, in for a pfenning (penny), in for a pfund (pound), except now it's in for a cent, in for a euro which sounds naffs. So we have several dozen beers and a couple of schnapplis and she is good fun, laugh at all Barty's filthy jokes and innuendos and then, out of blue, she says with naughty giggling, "The night is young but we're not so effing young and when you have any more beers you don't stand up, fall flat on handsome face, and not able to get great big ****** up me to shove it", WOW I thought, this is some forward one-legged piece of work. So no more further ado and we jump in taxi (pay 50:50 as Barty is gent and refuse to allow her pay whole fare) and go to her place.

Hildegard is her name and she was pretty good looking bird, great booboes, narrow very **** waistlines, very cute botty sticking out like great big pair of rubber footballs, but let's be frank, liebe Freunde, her main claim to eternal fame in Barty's immense ***-memory bank was the leg-stump, only one of them she had. She tells me missing limb result of accident with vicious bacon-slicing machineries at LIDL and I not like to probe too deeply, because I leave the probing up to my 23cm (9 inch) lovepole instead.

Thus we had many love-makes that night and I got to find her stumpy-thing quite **** in weird kind of way, very smooth skin on it and odd colour (purplish) too. Only problem of was hard to do it Alsatian-style as she topple off bed and me with her, especially since we have many more beers down hatches by that time. Never mind, make up for this with very high class (FIVE STAR!) "neunundsechzig" (German for 69 just in case you not understand)! WOW she utter hot stuff in oral department store. Her tongue like starving St Bernard guzzling the bowl of nice fresh spring water on hottest summer day in century! Swallow everything, stray hairs and all.

Also Hildegard very noisy lady when she does the comings, which Barty likes very much indeed. Like demented demon being bashed around her head with three-metre long metal crowbar every single time she gets one off, she screamed. "Ooooooh, ich komme, ich komme, ach, ja, ja, ja, ja," she shrieks GOOD & LOUD like fat Wagnerian heroine with immensely red hot poker up backside-hole (which not far off the truth when Barty gets stuck into his fabbo ***-rhythm, like whirring up and down piston on Mitsubishi motor tricycle). Even allowing for drunken prematured senilities lapse, I happy to recall seven times for me that night and maybe twenty for her, WOW, what a filthy one-leg hornbag!

We meet a few more time for repeat bonky session but never so good as first time round, but that's because Barty sober next times, nothing new in the history of love there which is very philophical pensée. Also Barty's interest in the leggy-stump waned a bit after a couple of weeks.  But Barty has good live-action photos to keep his memories warm, WOW, they are some totally hot ones! I know Hildegard must have the equal happy memories of old Barty, bet she never saw such a big ***** as his ever again (NB: 23 cm lovepole)!

Mit freundlichen Gruessen
von Ihre
Bartholomew Mole (=Maulwurf)
(23 cm brown lovepole)
Diane Aug 2013
Women don’t want hook-ups.
No matter how much she says she does,
no matter how much she enjoys the ***,
no matter how much she is good at it,
women want relationships.
Even the one you discovered has slept with all of your friends.
And the one who relies on her sexuality because she does not
believe in herself enough
to be anything other than the crazy chick
who will let you violate her in ways no one else will.
Even the one who pretends she does not love you but does
“friends with benefits” because it’s the only way to get
the friend part out of you.
Even the one you think is beautiful but intimidating because
her history of pain has created an aura of independence and mystery.
Even the one you think is ugly and you talk **** about to your friends
after you **** her.
So if you are wondering why your game of innuendos
and “just one time let’s use our drunkenness as an excuse”
always seems to backfire,
it’s because in her heart of hearts
in her quiet, truthful and lonely places
where she starts to believe she is something of beauty,
a woman of intelligence,
creativity and value
and that yeah, she is capable love,
women don’t want hook-ups.
r Oct 2014
a sensual curve
to the facade

- infinite femininity -

arched above
rounded windows

- innuendos art of love -

deco of desire
climbing higher

- echoing fire -

...descending spiral stairway
home to shanty on the bay.

r ~ 10/9/14
\¥/\
  |      x
/ \
ryn Apr 2016
Axiom does not lie upon the
plush bed of the words I've said.
It doesn't flourish under influence of the
flowery texts I've written.
Axiom does not fully exist behind the
actions I've deliberately displayed.

It is ingrained within the subtle folds,
inexplicable nuances
and playful innuendos.
It is present in the lull you find in between
fleeting memories and faltering heartbeats.
It is scored into the unlyricised songs,
sung when our breaths do meet.
It's in the unplanned gazes that
stray into nothingness
only to be caught by yours.
It's evident in the void... The silence we've shared
without ever feeling awkward.

Axiom...
Is the fall that you had anticipated
only after having taken the leap.
It's that feeling of not knowing where the bottom is
but yet still certain that you are safe.

Axiom is...
My unseen heart as it beats hard
for none other than you.
Violent Films
Pretty dresses
Whiskey or ***
Getting my hair done
Smelling Pretty and
Video Games
Smoking cigars
Crying to sad movies
Black Coffee
Fruit Smoothies
Gang Member Memoirs
Cheesy Romance Novels
Steak, Burgers, Caviar, French cheese
Hell yeah
I'll hit you
and talk ****
I'll be an *******
and a *****
on a deserved occasion
Laugh at ****** innuendos
and giggle about boys
Love Variety
Spice of life
Underground rap
Classic Rock
Jazz
Lounge
Metal
Country
Indie
Folk
I'll take it all
and more
Dancing, Romance
Knives, Guns
I'll write and draw
and go for a degree in Criminal Justice
Getting giddy over make-up, purses, shoes!
I can drip with sarcasm whenever I choose
What's to lose?
My best friend's a girl
The rest are just boys
I like to talk about feelings
I hate to cuddle
Many faces
all true
What's it to you?
Maybe, I'm too much
Maybe, Just enough
Goldilocks
But **** Stereotypes
Girls will be girls
Walking Contradictions
Put that on your Popsicle
and **** it
World
Copyright © 2010 Jacqueline Ivascu
sobroquet Apr 2013
So you think you are a master of techniques of persuasion?
You shallow pips-squeak, mediocrity is your mastery
the obsequious hoi polloi that surround you are the pitiable averageness of conciliation
Sophistry and subterfuge are your game of compromised facts
syllogistic  arithmetic conceptualizing  doesn't make anything so
your addition is flawed by your bungled bombast of banality and guile
fortunately for you, your crowd will never study logic
fortunately for you semi-literacy is  de rigueur

You pompous swollen grandiose mass of hyperbolic gas
Fear is what you offer, lies are what you sell
your rhetorical flourish is as the stench of a waste  dump
fetid, corpulent, fallow and febrile
toxic
half-truths, innuendos, ambiguities, conjecture and asinine aspersions comprise your specious fare,
fostering rumours,  manipulating facts, you are the purported Biblical brood of vipers so extensively reviled against
Your relevancy is attributable to the dull stupidity so profusely prevalent today
Your "success" is the stuff of taint and treachery
You'll probably choke to death on a stuck piece of poorly masticated  flesh
so appropriate  and  befitting the demise of a professional liar
He smelt like smoke
as he leaned away from me,
texting himself with my phone.

We left the campfire outside,
in our shoes by the door
our socks overlapped in a tangle of limbs.

In that leftover guest room,
on the bottom bunk of the microwaved bed,
I remembered why I thought I knew what love was.

He was tired and needed a nap,
I was restless and cold.
Trapped inside because of violent temperate rainstorms.

This boy owed me stubbed toes,
thorn ****** through my jeans,
nicknames and rubber soles.




This was the boy who had always smelt of smoke,
who knocked over dead trees for me,
who lied about being able to rock climb.

This was the boy who went swimming in the ocean
before summer had properly began
when it was still much too chilly.

I taught him a new card game,
he beat me at badminton.
We played capture the flag and threw pinecones.

We sold cookies on the side of the road,
ate dusty blackberries,
traded innuendos and bad jokes.

This was sea-urchin boy,
slug boy,
the boy with the bird's nest hair.




This boy grew taller,
dropped his voice like a used bus pass,
looked past the top of my head.

He laughed when i stepped in a mud puddle,
dared me to walk in bare feet.
This boy suddenly went mountain biking.

I talked extra loud, in hopes that he would overhear me,
offered him rootbeer straight from the can.
Ate pretzels and learned to read his mind.

We shared our childhoods like penny candies,
switching all the peach ones for strawberry.
we agreed these are the best years of our lives.

He layed beside me, underneath as many covers as we could find,
taking up too much space and he knew it.
my cartoon boy.




My hand-drawn boy,
With smoke coming out of his ears
moved away.

We didn't talk again
CommonStory Nov 2014
For you to notice me

If you only knew

I mainly want to talk, but my human side lets off.
Images of my rough hands around your soft waist to let our souls mix and seep when our eyes meet.

To sweet delight of soft serve with every curve I follow

I only want to talk

Exchange another note of human emotions and social interactions

See we lack the capacity to physically understand

And leading you off isn't in my objective
I just get stiff with kisses on your neck
I can almost feel your hands on my back
Your legs tighten around my thighs

Endorphins rush when your back  curves and your chest touches mine
Temperatures rise, I can see all the signs

I still want to talk
Your interests interest me
Lets take a walk
If we stand still I'll examine your body
My heart will go lively
With electronic  sparks
I only want to talk
But when you laugh I get this shiver
A cold quivering
That you wouldn't notice

In an instance we are on the grass with a breeze blowing your hair
And I'm grabbing your ***
I don't want to move too fast
You then reach for me
A heavenly breath runs across my neck
I almost turn wild
A stone to the ocean
Oh how opposites attract

I just want to talk
However clever I might be how has your day been
Lets get deeper mentally
I'll exchange ****** innuendos lets see if you notice

I'm just a man in not trying to be a pervert
Then you smile and it takes awhile to adjust

My imagination turns rough
I envision us at a picnic a diamond in the rough
Shoes off and your happy
So I am too
You make to first move

Now I am excited and don't know what to do
You look at me
The eye contact  from green to brown
We stare then our lips touch
Our eyes close to love the moment
As these can't be seen
Emotions run rampant
And I suckle on your teet

But I just want to talk
A late night inspiration

© Matthew Marvier Donald
Chris D Aechtner Sep 2015
Dressed-up words
misguide our naked thoughts
far more than naked thoughts
influence the use of dressed-up words.

Words can be a narcissistic cover-up
or
masks expressing secondary emotions,
even if the wordsmith
is begging to be
needed.

If one desires to communicate
with a purer intent,
to cut through language's sinew
of misinterpretation,
and into truth's marrow,

such communication can happen
within wordless silence
where blooms
touch
waves
salt
sweat
true north,

pantings
in the cold;
the swelling heat
of iron ignition.

When my tongue dissolves the words,
laps up innuendos
and syntax errors of reality
from in-between
the honeyed surface
of language,
over-stimulation
spins me deliriously.

If
this
needs a pause,
a breath to breathe,
to feel the distance,

our wavelengths
will never cease
to communicate.



September 12th, 2015
Yenson Jun 2021
Let's face it
its more ******* warfare
culturally they are used to faking it
as thimbles and chipolatas in ninety seconds
do not reach first base much less seeing stars on cloud nine
hence they woke and fake the reality they chose be it feel or fright
in woke solidarity against frustrations they cloned their made-up foe
what better than sturdy shining Mandingo loaded and *******
there for the having to your heart's content
presented to you the untamed beast
the wild moor tooled hot and ready
raw animalistic unfettered passion
rock hard we can name him Rocky
that goer that delivers every time
the one that is all your men aren't
and can never be cause he's gifted
sleek like dolphin in rhythmic glide
tasty like fresh clean mushroom
Arabian stallion if ever there's one
with absolute pedigree and class
take a break from the mediocre
from the wham bangs no can dos
from the floppy quick-draws saps
imagine the dark horse with the most
in smooth soft pink leathery velvet
tis your secret your guilty pleasure
tis the obsession you made into a war
the fantasy that plays in your heads
tis behind fervours that haunts you
that you so well disguise in hatred
telling metaphors slip out Freud
hold him down, grind him hard
wear him out, let's wreck him so
the sado masochistic 'punishing him'
give him a hard time, it all says a lot
you twist innocent sentences into
****** innuendos and innocent actions
are falsely given ****** meanings
as morn noon and night you toil
you troll and agitate for attention
yes you twist turn  bite and nibble
in Freudian throes you talk love
you glaze unrequited love relentlessly
you close your eyes and dream sweet pain
yeah! get real, its no psyche warfare
its a flutters obsession, it's the classic '
"The lady doth protest too much, methinks."
its how you float your boats and and get yer thrills
you better face it you're all addicted
It's an ******* War-fare and you all know so.....
l
M Clement Dec 2012
Normally, I have something to write
But today is poorly lacking

Too many arguments in just as many days
Comebacks are the things I'm saving

Did I mention virginity?
Want to see my V-card?

Let's call this high school baby,
I can be your point-guard

Sexuality and innuendos
Silence, is what I need.
Let's play horse, baby
I'll be your steed
Paul Butters Oct 2018
Back in my teenage college years
I was told about “Autistic kids”
Who lived in worlds of their own,
Seeing things through weird and wonderful specs
In social isolation,
Frightening in its completeness.

At sixty six I since have learned about many
Of their “traits”:
Their obsessions, inflexible routines and
Panic
At all change.
Their inability to read
Emotions or social cues
Or innuendos
Or irony.

I have worked with those with Aspergers,
Colleagues, friends and clients –
Indeed with people all over
The Autistic Spectrum.

And the main thing I have learned
In all these years
Is that in my own way…
I am one of them.

Paul Butters

© PB 1\10\2018.
There, I'm Out.
aar505n Jan 2015
It was at the party that you would see,
the nonconformist spirit of Ernest Hokum was alive and well.
He would not strive for mademoiselles
Since that would be dishonest, and Ernest was a honest man.
Not Iago honest for his desires did not lay doggo.
However, Hokum was known to succumb to a glass of ***
resulting in Hokum to become squiffy.
And any iffy encounters, he would shake them of with his usual aplomb
remaining so calm they thought he was just bored. Or dead.
And then they would leave poor Hokum to his horde of  ***.
"Lord, old chum, thank you for this ***!" Hokum proclaimed.
And he drank til he was famed for his *** drinking.
Thinking they saw him and thought "That's Hokum for you!"
Hokum knew this to be wishful thinking,
and listen to some blues.
Full of innuendos and nonsense.
Hokum's favourite combinations.
He ignored his conscience and allowed the blues to occupy his mind
Dwelling on such twaddle until he finds another distraction.
Probable ***, if he was being honest, which, as previously stated he is.
Hokum didn't take life too serious
for that would be to make life into work
Any work is tedious at best, so why be so serious?
Hokum enjoyed the simple pleasures of strong alcohol and humorous inappropriate songs,
And such that was the hundum life of Ernest Hokum.
A man with a charming smile that spoke blarney with such conviction
turning fiction into facts you would believe it, just for a little while.
Why wouldn't you? That's Hokum for you, afterall.
I like to think we all have a little Hokum in us
Marieta Maglas Dec 2014
Searching for their love ideal
To plant there a dawn so real,
God gave them hope to go ahead
And palm flowers for their dream bed.

In their naked room without windows,
Not touched with the innuendos,
With written words for music wed
And palm flowers for their dream bed,

The cradle of their nascent thought
Could cut their main Gordian knot-
Baptism of freedom in the head
And palm flowers for their dream bed.

Searching for their love ideal
And palm flowers for their dream bed.
References : ’ A Winter in Mallorca’ by George Sand



A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet). Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza). Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be:

AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.

Whatever George Sand Wants . . .
By Angeline Goreau
Published: April 20, 2003

‚’ Discreet nearly to a fault, shy of public performance, delicate and sickly, Frédéric Chopin was perhaps the last man in Europe likely to keep company with the Continent's most notorious woman. ''Something about her repels me,'' he wrote to his family after first meeting George Sand. Her reputation as a cigar-toting ****** outlaw was hardly calculated to appeal to a man of his tastes.

How they came together in the end remains in part a mystery, though there is ample evidence -- in a stunningly energetic 40-page letter to a mutual friend -- of Sand's campaign to win Chopin over. One guesses Chopin surrendered to the inevitable.

Most contemporaries saw their love affair as the latest of Sand's annexations. Chopin's friend the Marquis de Custine lamented, ''The poor creature does not see that this woman has the love of a vampire.'' The reality was considerably more complex, and in ''Chopin's Funeral,'' Benita Eisler challenges the certainties of earlier biographies and disentangles the story.

Beginning her book with Chopin's death, Eisler underlines the determining role Chopin's illness had on his life. He and his younger sister Emilia both showed signs of early tubercular infection. When he was 16 and she 14, they were sent to a health spa; Emilia died and Chopin recovered. His mother wore mourning for the rest of her life. He never lost the feeling that death shadowed him everywhere.

Eisler astutely speculates that the ''reserve and distance'' Chopin maintained ''between himself and the world was no romantic posture; with his limited energy, he saw preserving and protecting himself as crucial for his art, above all.'' A connection with the passionate, restless Sand represented an enormous risk; the dangers became immediately apparent when the composer nearly died after a winter holed up in a chilly monastery in Majorca with no mod cons. It had been Sand's idea that a trip south would cure Chopin of his chestiness. Instead, he coughed ''basins of blood.'' He never reproached her, but praised the ''angel'' for heroic self-sacrifice and devoted care. Sand herself had a new respect for her lover's fragile grasp on life, noting that ''his sensibility is too finely wrought, too exquisite, too perfect to survive for long.''

The disaster in Majorca shaped their future together: she nursed him back to health at Nohant, her idyllic country retreat, and created ideal circumstances for her household genius to flourish in. Chopin had an apartment off her bedroom, cheerfully hung with red-and-blue Chinese wallpaper. Here Sand catered to him like someone on a divine mission. Predictably, Eisler says, ''the slow drip of dependence'' wore away the relationship. Sand was the ''nurturing parent,'' Chopin the child. Sand had two actual children, Maurice and Solange, in residence, complicating matters. In the end, jealousies that grew out of the little dysfunctional family they formed split Sand and Chopin apart. Because Sand threw all her energy into spinning the breakup for their friends, while Chopin remained discreet, the story behind their alienation seems inscrutable. Eisler comes closer to explaining the whole spectacular mess than any other biographer I've read. Where others more or less follow Sand's self-mythologizing autobiography, Eisler deciphers signs of trouble in the family's construction from the very beginning.

Sand's version gave out that Solange was the spoiler of this familial bliss. But Eisler argues convincingly that Sand set up the nasty scene, relentlessly harping on her daughter's flaws from earliest childhood. Solange was left to the care of servants, who beat her while Sand escaped to Venice on her famous ''honeymoon'' with the poet Alfred de Musset. Returning home, she found ''the saucy, high-spirited 5-year-old had become cringing and submissive.'' Sand's response was to send Solange to boarding school, the first of many. Maurice, the favored son, came home to stay with Mama.

In the end, Chopin was disinvited from the family party when he refused, on principle, to collaborate in Sand's unspeakable treatment of Solange. It was Sand, Eisler points out, who encouraged Chopin's closeness to her children: after the shared ordeal in Majorca, she wrote ecstatically: ''We became a family, our bonds tighter because it was us against the world. Now, we cling to one another with deeper, more intimate feelings of happiness.'' So when Sand decreed that her lover never speak to Solange again or mention her name in Sand's presence, Chopin refused to reject the girl he had come to think of as his daughter. And he saw the ultimatum as a pretext -- the ''angel'' had tired of her script.

This was already apparent the summer before, at Nohant, when Sand read aloud the new novel she had just finished, ''Lucrezia Floriani,'' to Chopin and their friend Eugène Delacroix. The book, a roman à clef, left little doubt as to the identity of its originals. Sand took the opportunity to paint herself as a martyred heroine, thwarted by an unlucky habit of falling in love with unworthy men. Her only sin is generosity -- ''loving too much'' -- but Prince Karol (a stand-in for Chopin) is sulkily jealous and obtuse -- a pill of the first water.
Delacroix was ''in agony'' for Chopin. But the reactions of the novel's principals were peculiar: the painter was ''equally mystified by victim and executioner. . . . Madame Sand was perfectly at ease and Chopin could hardly stop making admiring comments.'' Later, alone with Chopin, Delacroix assumed he would learn Chopin had been putting on an act, yet the composer had nothing but praise for the novel.

History has generally accepted Delacroix's conclusion that ''he hadn't understood a single word.'' Eisler, however, corrects this misunderstanding: a note he left at the end of his life proves that the much-maligned composer chose to protect himself in the only way he could from becoming public like a frog.

George Sand complained that Chopin was petulant, childish, irritable and sulky. Eisler does not dispute these accusations, but she might have pointed out that Chopin's sins were pitifully small compared to the large license people of the period allowed geniuses. Beethoven threw a plate of stew at a waiter, struck a prince with a chair, stood composing trouserless at a window and called his sister-in-law Fatlump. Victor Hugo claimed that he had slept with more than 2,000 women. Byron's quirks included ******. Among the Bad Boys of Romanticism, Chopin was a paragon of virtue, an ideal ''husband.''

Of course, the degree to which Chopin can be safely placed among Romantics is a matter of contention. Following Jeremy Siepmann's lead in ''Chopin: The Reluctant Romantic,'' Eisler develops the theme: ''While the generation that had come of age just before his own in France . . . had defined Romanticism as a holy war of the 'moderns' (themselves) against the 'ancients' (their literary elders) . . . Chopin clung to the past. His musical touchstones were Haydn, Mozart -- but especially Bach.'' He felt little affinity for the Romantics who were his contemporaries: Schumann, Berlioz, Liszt. Even in painting, he preferred neoclassical Ingres to the ''radical inventions in color and form'' of Delacroix.’’
Glenn McCrary Jan 2012
Epilogues of skinheads amuse the ******







Eclipsed by innuendos of hatred







Vigilant they tread in sovereign flocks







By way of death they will strip us naked







In our absence zany remarks surface



Hidden by indefinite philosophies



Foolish they swarm the emerald candles



Worshiping the fathers of hypocrisy





Conquer or perish we must



To survive humanity's wrath



Lend a hand Glasgow would not



Distraught we sought immune paths





Honor us by opulent memories





Waste not our exuberant energy









© 2011 (All rights reserved)
Kendra Hall Nov 2012
Trash bag suits,
****** innuendos galore.
She’s a potato!
He’s a pterodactyl!
Well, she just transformed,
She’s now a sock.
Bro *******,
Analyzing bread.
She can’t comprehend.

Snapping,
Shoddy renditions of West Side Story.

Bashing,
On my observational skills.

This is normal,
It is routine.
No drugs,
No mental asylums,
Just my lunch table.
I found my voice in a pocket of oxygen buried in my gut,
it was a hot air balloon
backlit by the aura of my lungs,
my chest was the sky that coughed it up.

Knowing that we are water-based creations
spread thin
like the last spoon of pancake batter,
I wear my impermanence like Jupiter wears her red spot.
I wear my fears like continents wear mountains,
pointing them toward the sky,
hoping to someday adhere a sticker to my chest that reads,
THIS CAR CLIMBED MT. COMMITMENT

I have the scars to prove it.

My mother carried me like the last drop of water in a desert canteen,
there was no need for a soft spot; I was headstrong.

I brought the kitchen to the gun fight.
Held my hands to the stove top
turned my back to the knife rack
kept one foot in the door jam and my mouth to the bedpan,
just in case these words washed my mouth out.

Most people never get close enough to recognize
that the smile on my face is written in Braille--
but you've always been there with a blind eye
reading my innuendos
and holding me to my words.

When your marathon feet hit the pavement
it's a lot like Buddy Wakefield at a typewriter
striking the first letter of the word benevolence--

You taught me how to b b b b b in the moment.

Even at my most negative
when my body is a hearse,
this heart is a corpse
and this life is a road-trip from funeral parlor to graveyard,
so that I may have spent my entire life in the company of mourners,
who loved me.

Even at my most positive
when my body is a universe,
this heart is Hatch Shell located on the south bank of the Charles River
swelling with the sounds of the Boston Pops
and this life is everything leading up to the Big Bang,
so that I may have spent the entirety of my life in the company of creation.

Even on the night we met—same night I found my voice
we stayed up to watch Lake Michigan come to life in a pocket of oxygen
under a Chicago sunrise so inescapably underwhelming
it was covered by clouds.

But we were not disappointed.

Even though all of our rainbows have been stitched into flags,
draped over coffins
and buried by the same people who taught us to believe
in optical illusions.
Our hearts were not drawn by Jeremy Fish,
we're not weighted in fiction,
we did not have heartstrings rigged by Geppetto.

No, we were not disappointed,
this was nothing like (I still remember) when we learned
that we couldn't all be Mouseketeers.

Disappointment is a pastime that we reconciled
when we laid our grandmothers to rest
and recognized that their tombs did not believe in resurrections.

The past is a hot air balloon hoisting us up to a sky we'll never see.
I get it.
I'm not lookin' down.

We are old enough to know the truth.

The light at the end of the tunnel is behind us,
that's where we came from.
We are not running from it.
There's no looking back.
Vivian Sep 2013
"What's wrong with you?" he asked through a chuckle, and then it hit me. I knew exactly what was wrong with me. I was passionate about things, and never about people. I had loved people, but always platonically, or platonic and gilded with a crush or wrapped in lust that I always brushed off with innuendos and flippancy. I had never loved another person the way I loved twisting my brain around a calculus problem or constructing a flame chart. I had thought of people in a romantic sense more than I had evaluated people for science bowl, but lust and love had never consumed me as the issue of organizing practice and evaluation and cuts within the handspan of a month. I always fell in love with things, and never with people, and that's why already, not even 16 yet, I've reconciled myself to die alone.
Larry B Oct 2010
Death stands knocking at my door
"Go away" I scream, "Go away"
But he chooses only to ignore
And not listen to what I say

He keeps peering through my windows
Looking for a way, to enter in
While making subtle innuendos
About the kind of person I've been

Ever knocking, he will not leave
Trying to get my attention
His subliminal messages I receive
That tells of his evil intention

I keep hearing him knocking, every hour
He will not let me sleep
Holding me captive, with his evil power
Ever chasing my soul to reap

Knocking, knocking, knocking
His cadence is driving me mad
My fear, he's continuously mocking
Envading what dreams I've had

Then his knocking suddenly disappears
As silence now rings in my head
Maddness has overtaken my fears
Or maybe this means I'm dead
Maria Rodriguez Feb 2013
Headphones in
Music blaring
Deaf to the world
Trying to forget
Trying to remember
Not quite able to do either
Thinking to much
Missing someone you barely know
Trying to remember
Trying to forget
Not quite able to do either
Lost in a daydream
Fantasizing about what could be
Wishing and hoping for more
Trying to be content
Not quite there
Headphones in
Music blaring
Deaf to the world
Missing someone you barely know
Trying to remember
Trying to forget
Not quite able to do either
Turn the music up
Close your eyes
Think of what could be
Wishing and hoping for more
Missing someone you barely know
Trying to remember
Trying to forget
Fantasizing about what could be
Lost in a daydream
A gorgeous smile
A heart-clenching laugh
Brief moments shared
Shameless flirting
Harmless innuendos
A handsome face
A great smile
Full of compliments
Headphones in
Music blaring
Deaf to the world
Missing someone you barely know
Fantasizing about what could have been
Lost in a daydream
Trying to remember
Trying not to forget
Smiling the whole time
February 20, 2013
V L Bennett Jul 2018
Radio
fade in/fade out
why
you said that
i suppose
your redolent innuendos
take my hand     take my heart
his hands were cleans
but his ***** clothes belonged to me
I was a washing-machine mutant
measuring out oxydol
and love
while dreaming of Apocalypse
and Metamorphasis
under the guise of musical appreciation
/sliding underneath the static/
there was no time for reality
except the truth we created for ourselves
wrapped it around us
like blue waters
that hid a broken bottle
jagged scars as memory
/channel change
smooth, cool curve of the dial
beneath my fingertips/
loooking to be the runaway
I let him go his own way
again
and again
when he sent me letters
they were addressed to a different party
and were in a strange vocabulary
I couldn't understand
I craved to make him a meaning
but music had a blood fever
I found the music
then let it play
Written in 1981 at the time of my divorce from my 1st husband. Everyone should be given a trial run to get some experience.
Mateuš Conrad Jan 2023
i've noticed that, upon ushering words from the depth
of nothing, or as an interlude in Knausgaard's day-to-day
musing in vol. 6 after inviting Geir over:
this "i" or that "i" or for that matter "my" i...
however you want to frame it...
    i noticed that if i allow myself an evening of not writing...
esp. on an electric screen for someone else to see...
if for example i lay down to go to sleep...
not exactly asleep: dart out of bed and scribble something
on a piece of paper for only me to see...
i will still dream...
but if i sit down and face the electric screen:
pixels like the eyes of a fly... for someone else to see?
i don't dream...
   otherwise... having scribbled down the following
on a piece of paper:

   exploring Heidegger's dasein in another language...
my native, which i will translate into English,
basically prepositional coordination of(f) being
off not necessarily implying non-being -
perhaps merely: being-in-itself or rather the other...

tu-być : be-here
              to-bycie : this-being
ten-byt :                      ditto
although: nuance... there is a distinction...

i also scribbled down something i heard a long
time ago about how Russia, India and China are
re-orientating themselves with the slacking of the western
influence on: whatever it was that the west had
for the past three decades beside
proxy wars, collateral damages and "culture"...

i heard the term: post-ethnic-nationalism
post-ethno-state post-nation-state...
ergo: multiculturalism... which, oddly enough:
i can't come to grips with trying if not trying to
pretend to be a native of these isles -
perhaps it might be a shock for someone outside
of London - but in London it's almost
second nature to... be surrounded by people
from all around the world...
needless to say: the natives are not so disgruntled
once they're sitting all pretty-cherry on top
of some hierarchy: esp. in the journalistic
opinion sections of the Saturday / Sunday magazine...
then it's an open bonanza against
the "lower class racists" and what not...
i can't be an anti-racist: after all...
                                     anti-racists once produced
a schematic for us to learn from in primary school...
which shower the size of brains of...
a white person, a black person and a racist...
and some other brains...
the racist's brain was under-developed:
smaller...                                      ­ really?!

anyway... so Russia, India and China have opted for
what has come to be known as the:
civilization-state...
                                     given the ongoing zeitgeist
******* blowing up in the Anglophone world from
H'america... the culture-war(?!) -
i would bet fairly and say that pretty much all
former nation-states of western Europe
and beyond are currently in a state of morphing
into: buzz buzzword: being - culture-states...

but whereas a civilization-state seems an abrupt
optimal to counter and disagreement with regards
to continuity: civilisations don't merely come and go...
whereas cultures do...
   culture is somehow a totality of the little things
in life... fashion, the arts, politics, faux pas innuendos,
trends, diet...
that's culture and some...
but civilisation? to me that's like saying...
the foundation of Rome was the creation
of the aqueducts...
                  civilisation to me is like saying:
the British Empire and the steam-engine...
civilisation to me, London, exclusively is... the tube...
the underground network...

seriously... i don't need to go to a West End Play
i don't need to go and see Ed Sheeran play
to a sold out Wembley stadium of 100,000+ people
(although, i did, even though i did because
i worked a shift there doing security,
so, technically i didn't, but did)
            i don't need culture... as such...

all i need to do is first, do a shift at Craven Cottage...
hope that the Elizabeth Line won't be working
travel on the Central Line from Newbury Park all
the way to Holborn... and then blah blah...
instead of trying to look at the tired faces opposite
me admire the map of the Central Line
(it's a toss-up between the Central Line map,
or the District, Northern or Piccadilly)
and then, on some sunny day... get my bicycle
out... and bicycle for most of the route... notably...
skewing... merging at Fairlop working my way
through Barkingside, coming to Gants Hill
then less of the tube route (mind you...
between Leyton and Stratford it's pretty
much over-ground) -
   and then from Stratford - through to Mile End...
from Mile End via Whitechapel... to Aldgate...
from Aldgate to St. Paul's... Chancery Lane...
Holborn... rat beneath the ground:
like a rat needs a bicycle -
   well this rat is no hamster: hence the bicycle
and not a hamster-wheel...

what culture? movies?! i tried watching something
relevant to the 1980s today... ***** Dancing...
great soundtrack but... cringe!
that's even before Malcolm X and how inter-racial
inter-****** relations had to be the new norm:
i mean: ******* fair play...
    building the new Brazil -
    but i still think there's an under-representation
(and isn't everyone supposed to get a fair share
of representation) of white boy Romanian girl
(Roma, gypsy) or white boy Turkish girl...
   or white boy half-white half-Indian girl...

i know i will not dream tonight because someone
will see this...
my little itchy thoughts, my freed from the reins
"i" that doesn't really have these words clogging
up its mind - only until the itching of the fingers starts
and i have a blessed day...
like today...

why is it that a Saturday evening can feel like
a Sunday evening?
oh, right... i made steak for dinner tonight...
potato wedges (skins on, first boiled until
the the water started boiling, turned off, soaking
for 5 min, drained, olive oil, cajun pepper sprinkle,
into the oven)
    and some baked vegetables:
leeks, carrots, parsley root, red onions,
celeriac, swede... balsamic vinegar,
    sambal, cumin, coriander, salt, pepper,
sugar (i stopped using honey,
   it sticks to the baking tray plus the vegetables
lose their crunch, and vegetables need their crunch)...
2 steaks (456g total) shared between three people...
seasoned with sea salt and grain black pepper
(i prefer pepper grains than pepper powder,
i.e. pockets of explosion of that spice)
    3 min each side... a perfect medium-rare blush...

however the Indians might sell their spices...
chillies etc. there's still something wholesome
when it comes to eating certain types of food...
given that... i wouldn't be eating beef in India:
i wouldn't be seasoning beef with chillies!
that's why pepper is important...
that's why horseradish is important...
i let most of the Indians slip up: oooh! the Europeans
didn't have any spices...
apart from thyme, rosemary, sage, lavender,
mint... pepper, horseradish, i#m sure we
were also familiar with cumin seeds -
as well as that anise-seed that' not the star
(i forgot the name of it, it looks like
a cumin seed, but fatter, and split down
the middle - green) oh and of course:
plenty of salt...
what's all the spices in the world in the culinary world...
IF, YOU, AIN'T, GOT - SALT?!
   (if you don't have... i know i know...)

it's rather bewildering talking to certain Asians...
although, saying that...
most of Eastern Europe had plenty of interaction
with Asians, namely the Mongols
and the Turks - which the western Europeans
sort of... "forgot"... after Darwinism they
skipped over Asia and went straight back
to Africa... personally? i feel more akin to Asians
(esp. the oriental folk) than i do with anyone
from Africa... however Christianity was born...
after all: what's the definition of a white man?
Caucasian? and where's the Caucus?
Asia... Europe was always going to be
a funnel - a bottle-neck continent -
a port... a departing point...
       perhaps we shouldn't be so clingy to it...
unless of course:
   oh the parody of Jesus never came out of
Europe: "we" had to wait for it coming from
North America, but by then it was no longer
a parody of Jesus but a parody of North American
Christianity... a North American parody of Jesus
is... oddly enough... a European parody
of North American Christianity: via Jesus...

which brings me to another thing... only upon
doing a shift at Craven Cottage did i first hear
the parakeets... never before...
     i'm not going to bloat my ego this much but...
since then i've seen an article on Wikipedia that
i never saw before, the article just appeared out of
nowhere: feral parakeets of England...
subsequently... only a day ago:
you're only here for the parrots, fans chant
as birds swarm Leyton Orient pitch (Evening Standard
4 hours ago)
and bare conker trees overrun by bright green
parakeets make them seem vibrant despite leafless
branches (Daily Mail, 3 days ago, somewhere
in south London)...

today i was given the chance to walk back into my old
haunt... as much as i love cycling...
it's sometimes refreshing to walk...
the slowing of pace, the horizon almost intact...
more so... if walking into a forest...
Bower Wood... i know it is a curated wood...
it's not as feral as the pine woods of Eastern Europe...
but: if life gives you X... you make XY...
x = lemons, y = juice ergo xy = lemon juice...

i'm pretty sure i was familiar with this wood...
i was out hunting for souvenirs for my mother to dress
the table / fake deer antennas for candles to sit in...
holy, some other greenery with black berries...
i was hunting for ferns, almost near impossible
given this time of year... found some! bright blush
of childish envy... oh... and birches...
some oak barks fallen off... just me alone in the forest...
i was so thankful by myself...
but usually i heard crows, magpies and woodland
pigeons... but now?! parakeets?!
here?! now?! parrots in winter in these parts?!

i swear the world is standing-up-side-down...
it's hard not to miss an under-current of a serious
pagan revival weaving and slithering its way through
Europe: if only you care to listen...
i switched off from whatever is available in culture
these days... i know that what i'm listening to
will not gain popular traction...
i can walk into the forest and... there's the forest...
i go back home... cook dinner...
go into my bedroom, open a bottle of cider
thinking: no champagne will beat this...
put on a record akin to...
Heilung's TENET and... hey presto!

                       i was in company of a good friend:
someone already dead who...
i don't know how someone can lose themselves
in the forest... pareidolia...
   you can sometimes see paths already trodden...
unseen but somehow: you can see a "ghost"
of a foot here and there...
    you know: you just KNOW where a human foot
prior to yours once treaded...
there are patterns... better sticking with pareidolia than
the iconoclasm of celebrity...
i always thought that was better...
i like to think i'm in the company of strange
creatures: phantoms of my mind...
but hardly! how can these be phantoms of my mind?!
i didn't spontaneously conjure a face in a tree
when the ******* tree is older than me!
the tree was here before me!
what?! some sin?! some psychological sin
of non-conformity?! i don't adhere to star-gazing
in the filth of commodities and entertainment?!

i know why this feels like a Sunday evening even
though it's a Saturday night...
i was planning on going to the brothel tonight...
but... oh hey mother, hello father...
i'm going out... where? you don't have any friends...
blah blah... yeah... well... i'm kind of happy
because of that: no social-constraints of expectations...
as the conversation usually ran with the last
remaining friend i had from high-school...
- so, what have you been up to?
- nothing...
     and he knew that i was scribbling like mad...
what's there to talk about when it comes to writing?!
last time i heard: you read what is written...
you don't talk about it...
hopefully the reading of something written goes
back into thinking and is not spoken of:
since the conventionality of everyday
formality of social-speech crushes anything delicate
that is born from i-ought-not-but-regardless-i-must!
it's a compulsion!

i went to the shop about 3 hours ago to buy an extra
bottle of cider because i knew: having read a little more than
usual i had to keep the Libra of conscience in place,
"conscience": never write more than you read...
and never read less than you write - so so...
          wow... FORK in the "ROAD"...
                        this is me replaying the opening of the song
TENET - the sound of the horn...
well... i didn't have a horn in the forest...
but i had my pagan statue... a dead white tree...
i left this little stick next to it... i used to walk this wood
more times than i can remember...
sometimes i walked into it bare-chested...
blind from the darkness, but somehow illuminated
by the moon... sat on a stump of wood...
silence... then a breaking of a branch...
not the sort of breaking of a branch still attached
to a tree... something stepped on it...
i wasn't alone... i froze but then ushered in my voice
to compliment a shared bewildered amazement:
that is not a foot of a man stepping on a branch...

in the same wood i saw my first GARMR...
would i really have to go with the flow
of a Christopher J. MacCandless?!
                                       if hell is going to send its hounds
out to meet me, it doesn't matter where that might
be... i don't need to visit the northern most parts
of Norway to find what i'm seeking...
and what i'm seeking i found: since i'm dragging what
needed to be found around...
it's not surprising that at Bower Wood i was
alleviating a traffic problem when
two does and about 5 fawns were causing havoc...
"havoc" in the night implies 3 cars pulling over...
me coming down from the hill running up to
the village of Havering-atte-Bower spotting one...
not caring if there was a stag nearby running
with the fawn which subsequently ensured
the two does and the rest of the fawns
started to gallop and disappeared into the Wood...

i wish i could make this stuff up...
but then again: i'm not jealous of people
who have seen the Galapagos Islands or the Maldives
or... ah... just recently...
i took that rat-above-rat-below trip on my bicycle
into central London... i said to myself:
circle round St. Paul's cathedral... nope...
not good enough... around the Old Bailey then...
o.k. - and i "prayed": please! not another flat tire!
hey presto! on my way back... a flat tire at Aldgate!
great! well... i walked this distance before...
i can walk it again... walking back...
passed the East London Mosque and then...
Allahu Akbar! a bicycle repair shop!

walked up - leaned the bicycle against the wall,
the Chinese guy said: just 10 minutes
(while he was fixing this Deliveroo rider's
electric bicycle) - no problem -
i took some times to each some gelatin sweets
and drink some water, looking at people,
i felt like i was in some exclusive club,
only cyclists allowed - it felt like a very urban
sensation that most punks must have felt,
or goths, standing out...
i paid too much compliments to those guys
in Cycle King bicycle shop in Chadwell Heath...
i knew the front tire was worn down,
but i thought: get the professional's opinion...
they would be more than willing to change
the inner-tube for the Nth time before telling me:
oh... you need to change the actual tyre...
how many times did i change the inner tube?
**** knows! milking it... ******* were milking it!
but this Chinese guy said outright plainly...
it's ****... i'll change it for you...
inner tube, tyre and labour... £55...
done!
               he changed it to a tyre that...
well... let's face it... 2nd gear front
and 4th, 5th 6th and 7th gears in the back...
i was whizzing past home... he said:
less width... more grip... for the grit...
   but at least he was ******* honest...
that's what i mean about a European's relationship
with the Asians... i'm honest, they're honest...
they're not some SCAM MERCHANT KNIGS
of NIGERIA: CNUT-MBAPPE typos...

oh... and it's not like anyone didn't notice
that Indian girls think they're the bomb?!
oh yeah... oh no, not the Muslim girls... those girls
are whipped into always staring down...
like white girls are whipped into peering into
their smart-phone screens and envisioning:
anything outside of inter-racial relationships is:
pederasty (loose term)... whatever it might me...
bulimic antics: not done properly, mind you...
not in the Roman style of training the oesophagus
to just spew on a whim: i.e. i ate too much...
apologies... i need to... ugh! ugh! ugh!
                      get ready the trampoline!
we're going to launch half-digested fish-heads!

now i'm happy... my Trek Merlin 5 is compatible...
fun... looking at that *** trying to chase me down
working my way down toward the Old Bailey...
Asian ceramic raven haired
no helmet... and never, never... ride a bicycle
in an urban environment minding
the sticker on the inside of a large vehicle:
BLIND SPOT... well... d'uh... so use the large
vehicle like a battering ram against all the gnats
of smaller vehicles... ride on the outside of the large
vehicle... always on the outside...
what are you, cyclist... a Hebrew forced by
the **** brown-shirts to walk in the gutter rather
than on the pavement?! what am i?
just because i'm a cyclist i'm no less a hazard
to a motorcyclist?! momentum, self-generated!
i like my legs... let me know when you're dealing
wheelies and whizzes on a ******* wheelchair...
until i have my legs... i'll be skimming through
traffic... Norman Davis might have called
the Polish-Lithuanian Commonwealth God's Playground...
i think i'll call London my playground...
there's plenty to play with around here...

                 but for once i listened to my ego...
for some reason i didn't require a depth of the
Freudian secular trinity of the addition of superego
and id... i was just about to think about going to the brothel
but then my ego said: you're not feeling it...
and i wasn't... i still had to clean the kitchen up,
take the garbage out... i was oiling myself up...
"oiling": checking if i still had a 30 year old's hard-on
i stopped using the fake diet of ******* of
actors: disposable, unattainable...
i switched to: ROMANIAN AMATEUR ****...
well... it's what i'm going to get...
but i checked my hard-on too many times today...
checked, i.e. checked without climaxing...
checked about 4 times... the 5th time i checked
i was thinking about going to the brothel...
but then my ego (not my ego) checked me...
you're not going anywhere:

THE FICKLE MIND AND THE FIRM TRUTH
OF THE BODY...
the mind lies more times than the body cares to admit...
until, of course... the reality of body steps in
and the mind has to retreat... just as happened with
my excess drinking... i went to buy that extra bottle
of cider and waiting in the queue while a mother
with three daughters "****'s sake" the mother retorted
while the girls were undecided what else
to add to the basked i looked at the shelves
with all the spirits... no! no! no more whiskey!
no more *****! no more!
i checked my supposed "impotence" too many times
today... "impotence": more like being
insulted by the madam: beached-whale...
she just flicked it when it went limp because
i found her physically abhorrent...
flicked it... like it was a worm...
like she was 6 years old and i was 5 years old
and she was still playing with Barbie dolls
and unlike she was...
because she knew what a key was and what a keyhole
was... but she had no idea what
physical attraction was...

                        reciprocated...

well ****... it's working... guess it's not working with you...
a bit like the horse that Christopher Reeve rode
when it dropped him and recalculated Superman:
without a spine...
plus i had no excuse to leave the house...
i had plenty of excuses to read some more of Knausgaard
and write this...
tomorrow i'll have the excuse of "working late"...
going to a brothel is not like saying:
oh yeah... i'm going on a date with a girl
we're going to the cinema blah blah...
       no... dearest ******* Madam...
she's the one that chased away both Mona and Khadra...
what the **** happened?!

what am i? a Duracell bunny?! there's an ON and OFF
switch with regards to my phallus?!
if that's the case... what's the dynamic of ****?!
is ****... no... it can't be... **** is a man *******
a turned-off woman? i once had an experience
of a woman who... let's put it mildly:
her **** was as dry as the adequate metaphor
of sensation one might regret to feel from rubbing one's
hands on sandpaper!
hands... finger tips... rough skin...
ergo the ability to play guitar or rock climb...
we're talking tender skin...
so... technically: hardly a pleasure for a ****** to feel
pleasure from an unaroused ****!
ergo?! that was an aroused **** and it's all psychological:
not physical... the shame of giving it so freely
and unwillingly... whereas playing games with
those one might want to give it up to...
i can hardly **** with a LIMPY -
   but i certainly wouldn't want to **** a timber-mill worth
of toothpicks, match-sticks and left-overs...
**** is psychological it would seem...
                the shame of it... all those labyrinths of playing
games suddenly disappearing from the case of
"spontaneity"...
   you should ask her: South African... Sancha...
worked in a private school... teaching boys Mathematics...
maybe she was a *******... by now who knows?!
i do know that i wasn't terrible aroused by her
the first time we tried...
i got a limp... like i got a limp with Ilona:
a forewarning... but she was adamant and whispered
into my ear: you will not deny me...
second time i was in her teacher accommodation
i brought a copy of the Machinist with me on DVD...
she must have spiked my drink because then the horror
of cocoon *** ensued and that's when
she climbed on top of me and gave me the sawdust
sandpaper **** treatment in the dark...

it kind of follows through to the casual mode of
argumentation people have concerning the schizoid condition:
it's all in your mind...
right... so the schizoid condition is simply: so...
your i-think detaches itself from thought
and forms a i-hallucinate complex as if: spring follows winters?
well then... it's all in your mind...
**** is probably in most of women's minds...
it doesn't actually exist in reality:
in the physiology... **** is a mental construct...
it must be... since i don't recall any ******
talking about: oh ****... i had to pull out...
her **** turned into a mantis or the mouth
of a worm from the planet Dune... i just couldn't
continue!

the next day she drove me to the station and i never saw
her again...
ergo? i have a strange relationship with a limp ****...
it's not impotence: per se,
it's more a judge of character concerning a ******
partner: however brief, however informal...
it's like a wild animal freezing still...
     deer in the headlights...
                                      i should have known better
with Ilona... but she pressured to the point where it
finally started "working": i wish "he" didn't...
it would have saved me so much pointless drama...
if i were a man with a child i would tell him just as much:
it's not working for a reason...
that ***** is a mantis... you're not a robot...
this isn't a *****... you're not an extension of a *****...
it's not working for a reason...
go and check... watch the most realistic "*******":
switch to amateur stuff...
                                that's all you're going to get...
and can you, get it up? well then...
it's not you...
                                     once all the glamour is gone
and you're left with a butcher's cut of antics...
                              well... if you're aroused by that sort of stuff
in private... why can't the partner reciprocate?
maybe that's just me finalising some logistics for
tomorrow...
shift at the Ice Rink tomorrow...
me... two girls...
   one butch lesbian... she keeps rubbing off on my arms
every time the home side scores
and she's celebrating...
      one rub by chance i can understand... two rubs
and i'm thinking: this isn't homosexual conversion therapy,
is it?
the other? got me the job to begin with...
started taking dieting pills because she feels depressed
because she thinks she's fat and this is what
working with women looks like if you're not
in the business of being a plumber: in the realm of
customer service...
    
                 that's how this new girl i fancied at work
got fired... about 4 other girls ganged up on her
and she was literally bullied out of work because...
            
it's coming up to 1am... i need to get up early tomorrow...
do a cycling shift...
trim my mustache, my beard, my ***** region, my arm-pits...
finish one more bottle of cider for good luck:
or no luck...
           listen to some more pagan music...
think about Bower Wood and how i wish that if i weren't
working tomorrow
i'd buy myself a bottle of whiskey and walk
into it, right now... to howl and wake up the crows.

p.s. oh, right, that dream i had last night when
i didn't scribble any words for anyone else to see?
two night ago i was swimming with
pseudo-jelly fish on the edge of the universe
transmitting vibrations of light...
last night i was watching while some colts
were gleefully celebrating their ability to drink
shots of absinthe... until i walked up to the bar
and showed them how to drink absinthe
properly...
i took out a spoon, dipped the spoon in some
sugar... poured some absinthe onto the spoon...
lit the spoon and the sugar alight...
watched the caramel form...
then poured some water into the glass
to clue them in into the secret of drinking absinthe:
you don't drink absinthe like *****...
you need for the green-milk of wormwood
to emerge!
    sie müssen für die grünmilsch von wermut
zu auftauchen!
K Balachandran Nov 2012
What keeps their ball still rolling?
her innuendos he grapples with,
his enthusiasm she can't fathom,
*ambiguity does the trick!
Annie Kraemer Feb 2013
With a flap of pink-flamingo wings,

whoosh of speedboats in the bay

the rear-swinging amble of

burnished girls in bikinis

“Miami Vice” launched itself

week after week

as a thoroughly ****** delight.

The show:

a pop-culture event

the media poetry

of the ******* era.

Two cocky

not very talented

male beauties who

spoke in innuendos

and dressed in pink T-shirts

Armani and sockless loafers.

The best episodes

were shot and

cut like movies and

glowed with neon and

pastels and

party lights in stucco mansions.

The varieties of pleasure under

an endless American sun.

(From the New Yorker article entitled, “Hot and Bothered.”)
mEb Nov 2010
Odium above all odiums, I have militancy of you now
For I own isochronism; A vigor grim dispute; not now
Your slaying too vile
Uncouth by demands
Which was the admonition I had previously
Whod've known I'd command
Garble after garble, I'm Dexterrized where I stand
Dun and gnaw your way out, go on
The un-zoetic soon will spawn
Out with gyp of hints that dwindle
Furbishing these tinges; out the window of innuendos
cassiopeia miel Nov 2015
Like a squiggle in your eye; blink,
and
I'm
gone
because I am all lipstick smudges left under carefully-pressed lapels, or Sharpied innuendos scrawled on bathroom walls in dingy bars.
A souvenir from one ephemeral moment, a fleeting tryst of dispassion (from my side at least); before I am scrubbed bare and raw.

DON'T YOU TOUCH ME, for I am so tender.
Thrown into the wash;
you can clean me, but the stain remains.
The scent of sugar, sweat and shame.
a Feb 2015
when i was 10,
my father said,
"i'll walk the aisle when you wed. "
when i was 12,
my father unfurled,
"you're dead to me if you like girls."
when i was 14,
my father cried,
"slit those wrists, say goodbye."
when i was 15,
my father did grieve,
"pick up your bags, i need you to leave."
now at 16,
my father is silent.
my home is too far,
my wrists are still violent.
my family is none,
my bones have grown weary.
life's closing my door;
deaths locking the windows,
im trapped in a shell
of homosexual innuendos.
(if you struggle with sexuality or abuse due to, call this hotline 1-800-850-8078)
Skimpily clad girls caressing giant slabs of meat....
oh the ****** innuendos......
Fizza Abbas Apr 2015
My musings always pun me through a wide range of vividly exulted grimaces. I think like an ***, act like an ***, assassan-ing a conjugal of my mind and soul. 'Why', my only friendly foe stares at me, giving out a roar of laughter as if I'm his slave. He seeks pleasures by caging me in his castle where beauty meets an imperfection, heart rejoices with brain, and imagination treats a trick. When I peek through the orifice, the wreckage of my wrong decisions welcome me gleefully. My devilish side gets overwhelmed by such a warm welcome. It asks for more cutting out the pinions of my angelic side.

Ah! Clipped wings-------No wings!

Soon, devilish side overthrows my angelic side usurping a ******* over me. It collapses my self-esteem, laying entwined in the arms of my ego. Ahh! I combat, show the feats of courage but, a mistake became a lifetime regret. I put off my veil of courage for a second to pacify myself. Now, I'm all naked from head to toe. In the mean time, my opponent injure me by an arrow of self-pity. I, I AM destroyeDD. No shelter. No armor. No cloak. I'm NOMore. I try to find a lost-me but lose a remaining part of me. I try more, I lose a part again. The more I try, the more I lose. Now, I'm physically a non-existent but my soul still wanders. My soul still pursues the answers. My soul is in desolation. My soul tries to comfort himself but stops as someone whispers,


'Great things never come from comfort zones'
(An unconcerned-illusionary-truth fooled my soul, Badass soul!)

Now, my soul wants to re-surrect in a way that he get his body again. My soul imagines the days when his gestures were heard by the body terming as ****** gestures. My soul enlivens his morale, wears a smile but, still seems incomplete. Once, my soul finds a body but can't find a place in it. It is preoccupied by another soul. When my soul asks for a companionship, it denies. My soul is not even in a state where it can make sly innuendos. He still feels those oblique marks, disparaging comments, shadowing hîs path. Those feels still make him sweating out bullets. My soul finds a body whose soul is longing to depart. My soul rejoices thinking that this is something what he wants. Soon, my soul houses in a ****** paradigm of a lady. My soul gives a new life to the lady. Her spirits are high, and confidence is a multiple of her spirits. My soul elates, leaving an olive branch. My soul befriends her body. She is a merry-go-lucky lady but her melancholy changed her. Her bewitching beauty is a plus to her nature. My soul remembers my ugly face and but still send positive vibes my way. After sometime, my soul gets busy with the lady and forgets me. I try to send him signals but he doesn't respond. I try more, still nudges from his side. I forget my soul too. When I feel lonely in my grave, I wander here and there. I try to befriend the people resting in other graves, I fail. All graves are scented with the perfumes of love, which their beloved spray on them.They are brimmed with the gags of laughter, murmurs of joys, and clicks of wonders. My heart still throbs for my soul, and I. over and over again.

— The End —