Shake dreams from your hair
My pretty child, my sweet one.
Choose the day and
choose the sign of your day
The day’s divinity
First thing you see.
A vast radiant beach
in a cool jeweled moon
Couples naked race down by it’s quiet side
And we laugh like soft, mad children
Smug in the woolly cotton brains of infancy
The music and voices are all around us.
Choose, they croon, the Ancient Ones
The time has come again
Choose now, they croon,
Beneath the moon
Beside an ancient lake
Enter again the sweet forest
Enter the hot dream
Come with us
Everything is broken up and dances.

boo croon the sunflowers
and **** squeaks the jay
this garden was not tended to
and when it was, it was done with bitter blisterless hands
the weeds are creeping out now and thickening stalks
and they move out
out out
goes any sense trust we grew in this garden.
and out
out out
goes my frothy yellow blood into the humid grounds of the garden
and you mop it up and glaze over my barkless parts

boo croon the sunflowers
and **** squeaks the jay
the hose to feed me
was bent at angled corners
and the water shrieked its way through
to come out a subtle flaccid
drop by
drop by
drop
on my parched cracked tan sun slapped skins
and i was angry
that you never felt the need to untangle the hose
because you turned the faucet to full volume
so you assumed that was all the water you could give
and i needed

boo croons the sunflowers
and **** squeaks the jay
the garden is all sand colored and tired
and you don’t feel guilty
you looked at it every day
and squirted what you could on it
and picked whatever weeds you saw
but you never went beyond what looked pretty to visitors
and you let the roots rot across the summer
and now that the winter’s fallen in
there’s not enough water to keep the garden beating
and all the melted snow in the world won’t make up for it

Shake dreams from your hair
My pretty child, my sweet one.
Choose the day and
choose the sign of your day
The day’s divinity
First thing you see.
A vast radiant beach
in a cool jeweled moon
Couples naked race down by it’s quiet side
And we laugh like soft, mad children
Smug in the woolly cotton brains of infancy
The music and voices are all around us.
Choose, they croon, the Ancient Ones
The time has come again
Choose now, they croon,
Beneath the moon
Beside an ancient lake
Enter again the sweet forest
Enter the hot dream
Come with us
Everything is broken up and dances.

The hallowed turf is a six-seasonal
always one step ahead on Earth.
So exceptional a land is out of the box
acutely drawn down the Moon
and sublimely unique is written in stone!

A patch of land every star loves to touch
so much so the Mintaka know they can mirror
the pyramid on the surface of the earth
but not the tucked away zenana here
the planetary gem, the earth's gold dust:
Matches the lead Prophet's birthplace!

Open and globular star clusters
up above the mundane Himalayas peak look
diagonally into Sylhet down the Meghalaya stardust
eying on for a shortcut to Earth's gold dust
that only gushes out elixirs Abe Hayat.

Lovely sought after by the water nymphs
that won't tarry scurrying to the waterfront of paradise
in Ma, the space between, while the waxing moon
takes a waning pause only to roll down and croon
in deep tranquil, thaws the midnight moonlit blue pond
amidst silhouetted bamboos, the sun after a night pause,
there it blooms new again bathing in the morn!

Boarding in such a serendipitous moment, they dream,
carried out just these hidden elixirs in their pitchers
before Queen Fathima The Queen of Heaven.
Perfectly spherical she zeroes in the cosmic loop
and spills in the open sea one more colourless scoop
without a pinch of salt there the sunrise and set troupe
pause and lay in once again the most colourful swoop.

Up above heaven's Saal Saabila River
on the empyrean Moon, she hops on one foot
and down the evergreen Earth's spring dips a toe
without a shadow without a footprint, tone on tone
ties both worlds forever in bloom!

Blow the wrap off, score a preserved geometry
somewhere in Sylhet, even the Hebrew King David here
would offer his thousand and one melodic symposium
and King Solomon princely his whole affluent shebang.
'Cause the prevailing sun from heaven this time
could roll down on a palm simply like a handful of earth!

Oh, what will it land in Sylhet, the pearl of the earthy depth?
Art in light, the spark from the Earth's foundation stone?
Eyes gaze on so firm like the solid sky yet surge like kite
in the air looking here over a truly pristine drop of water
with the ocean is inside until it shows up down the blue sky
though rainbows oft pop out tantalising every looking eye!

The fairy that ascends then is a stealer no hand can touch
seven colours shine on a patch of blue unspoiled untouched
took on a meaning for Sylhet in a handful of earth
matching the soil of Makkah the centre of the Earth
the birthplace of the lead prophet Muhammad (PBUH)!
One who is in the know hops on the foundation stone
and rose to heaven in the Night of Ascension.

How a regular soil mirrors the very pivotal one?
The labyrinth is out of this world, relates to Queen Maab
let alone a native maestro that no genie can describe!
Every atom loves to discover the meaning of that
it knows the constant vibrations of the never-ending dance
keeping it on its toe the choreography comes from outside.
The feet are most polished and motions are butterfly dance,
still the canvas is blank, light one more candlelight!

Light a candle in Sylhet I wonder here the moonlight
spills through even into an atom's black canvas and the sun
lovely drops down on a handful of earth on the flipside!
Meet here the open future shows up at the Earth's hub
the moon's anew rallying to the untouching-sea
the Indian subcontinent's corner to the ancient wind!

Go with the southern breeze on play with the sun
here it colours the wind, gives it its Midas touch
and strikes a deal to part a silhouetted cloud.  
That a beauty spot raises the eyebrows of the day on a high,
on the shining face of the golden Bangla in broad daylight!

Hark the morning birds, follow singing deep in the midst
mellifluous-shrills fill the air unveiling the dream scenes!
Ah, the deep footed earth how mystique,
every morning the sun off the heaven's hill
lays in a new diaphanous gold-light-rug beneath it,
only to loose its colours in a colourless magic
let alone painting its footprint!

Every time is new numerates the bounties of our land
craving to sip in a dew-potion on our blossoming rose
cirrus clouds dancing over the seas here they drop
banish the midday blues singing the deep sea's song!

Nestled amidst the Rivers Surma, Kushiara and Monu
perched on the shades of the trees, each one is a canvas.
Returning melodic birds crescendo by the downstream  
hail from the autumnal breeze on the upstream.
Six seasons rebound alike leap and swing on the trees
unpacking their intricate and mesmeric fluid designs
often make a meal of the obvious and work of art alike!

Stunned angels on their way heaven taking one more sunset
potted in the starry bowl look back here at the wee hours.
They can hear pianissimo on this preserved perennial land
it never falls asleep is awake with a perfectly round
360-degree circle of spiritually impowered dynamos
dead but live on a different level Dervishes
keeping an ear on the hallowed Sylhet's ground.    
A deep-seated truth, rock-solid Shilahatta in Sanskrit
clothed in an enduring vesture minted Sylhet loops in
with the Hebrew Bible's Shalet, a ruler, a shield!  

A little drop makes the mighty ocean
likewise with one single word on the lips,
the maestros' great epics begin to be told.
Just with a mundane handful of earth
pristine Sylhet's masterpiece begins to unfold.

With the whole ball of wax keeping us onboard
lo, before the face of the Earth, it unveils the mirror!
With the whole nine yards on her least hold
believe it or not, Sylhet is cherry-picked chosen by God!

Irene-Spring

Like
The spring
Thy radiance
Has befallen at sunrise
On all,but pulchritudinous flowers
And in reverence for thy elegance
They spin their colors so brightly
And beguile butterflies from motley races
Together,
Like a choir,
They croon sweet birthday melodies
Penciled on petals and sepals

Thy
Benign breeze
Prance on all surfaces
Of the earth,

And
At sunshine
It poise on the wild waves
And placidly vault their prowess
To sack ;then obligatory
They croon sweet birthday melodies
Penciled on the golden sands

At twilight
Even the vehement volcanoes
Clad themselves with serenity
With thy presence
And croon sweet birthday melodies
Penciled on the hearts of molten rocks

But
When darkness
Finally succumb twilight
Will moonlight invade their shacks
And allow the nightgale
Croon sweet melodies of birthday
Penciled on the slates of branches for thee

HAPPY BIRTHDAY SWEET HEART


IRENE-SPRING

©HISTORIAN E.LEXANO

the sound of a wave lapping,
summer thickens

and suddenly everything is
vaguely surreal, under the
hidden stomach of the stars

ghosts of silver struggle
in the white light.

when the water splashes
little islands croon.

love, rescues me from
the millions of pieces
where i lie scattered.

Breeze dances me around
caressing, it takes me.

Farther, yet come.
But it's whistling is strong

That young man's croon
where played pain away.

Why don't I stray then?
flew into the farther...
...November.

I have always believed that human beings grew up wanting to be grown
and spent the time when we were wanting to try again
all the time I have known I felt this was true
and coming back to me and you I'll say it again:
life is not lived outside of original sin
and every step I take feels like a mistake
no emo lyricism here
just real fear because there's too much dark in this big broad world for anyone to shed any real light
and without light the shadows creep and crawl
and I can watch the walls but who mans the halls
all night long I wait awake
every blink and every breath I take another reason for me to fear
"major depressive disorder"
doctors croon that like a sweet lullabye
but that does nothing to dry my eyes because what?
I'm not sick, just crazy?
I'm not hurt, just lazy?
I know the pains I feel so deep
if they aren't real then neither am I
I fall short of every sunrise with color but I try
major depressive disorder according to books
(allow me to paraphrase, I can't be bothered to look again)
is categorized by an extreme feeling of hopelessness
and loss of interest and I feel they are lacking finesse
when I am told I am a sad sad soul because the world is grand and wide
and I would invite it all to come inside
but I can't and that makes me sad.
it makes me sad when I see the way people are treated.
it makes me sad and often downright defeated
and when the little flame that keeps this broken heart burning
gets washed out by the darkness of the world awake and yearning
waiting for a moment of doubt and weak
I feel so ******* meek
me, meek.
I feel like the world is collapsing but only in my chest
I feel like an infant in a bulletproof vest getting shot
my skin starts to itch and I can't scratch with my nails deep enough
and son of a ***** they don't trust me with sharp things anymore
and the scores on my arms are the times I have lost
and this battle isn't won and this is hardly a war
this is slaughter, this is me standing alone under the whole wide world and keeping it up
and this is everyone I love looking at me straining and telling me that I'm slipping up
alaska is too far south today, do I even give a ****?
depression is not a feeling of overwhelming sadness
I am not sad because of misaligned cables in my mind
I am sad because no matter how hard I try
I'm told that I am not.
but here I am still trying, standing up from my cot on the floor
and every step outside that yawning door
there are people pulling me back and slinging words that cut deeper than I ever did
and every hand that grasps my shirttails to try and pull me home like a lost little kid
leaves mars all down my back, claws that sink and ravage leaving me ****** and raw
and bleeding open and sloppy all on the floor I keep my pace, like every step will be the last straw
like every step is the last one I need to take to get away
and as I go I follow all the trails of similar blood, refreshed by people like me every day.
and I just wanted to say
I don't give a flying **** what you think you know about my scars
I don't care if it makes you uncomfortable to see my arms, the sun is out and it's 90 ******* degrees
don't lie to me and say I should be ashamed and not wear these badges like good luck charms
don't tell me my survival is offensive to your eyes because you should know without being told
these scars are here to help me grow old
when I needed to remember I was alive these scars
were fresh cuts, science experiments on a corpse brought back screaming "I'M ALIVE"
I'm not ashamed for surviving because if I were ashamed
I wouldn't be.

Hail, dreamcatcher, hear now my thoughts
Free my soul of fond hopes of naught;
Of brokenness these dreams had taught;
Of ceaseless pain this life has brought.

This heart is weary of shouting;
Of being empty yet drowning
In insipid words befuddling;
In ashed promises succumbing.

**** this anguish feasting inside
That this shiv may be put aside;
These damp sheets be given a rest,
And that may bliss in this room nest.

Hail, dreamcatcher, hear now my sigh,
The words I'll mutter as lie
Below the grass, hear my cry;
My soliloquies ere I die.

The dreams that I wove with your strings
Are dreams that 'til I slumber clings;
Dreams that on stars I'll be wishing
That I with the stars be dreaming.

Farewell to you, dear moon, I say
Awake I can no longer stay
In peace on this bed I shall lay,
Never again shall I rise, I pray.

So dreamcatcher croon me to sleep
And let me drown in thoughts so deep
Don't wake me up, I had enough
Last wish: I be gone in a puff.

In my Garden
at the night
a lover wakes up
to the sight

Of Twinkling Stars
and Dazzling Moon
he sings a song
and plays a tune

laden with dew
amidst the green grass
he calls out to his beloved
she's a beautiful lass

he sings the mating song
in a sweet gentle croon
comes hopping down to him
his lover so swoon

A serenade of love
rings through the night
the music plays
till the morning light

I concede that the evening is bright,
  That the dawn does not exist,
That leaves were meant to be brown to be beautiful,
  That the sky will always stay blue.

The hurricane that came to be music,
  Windy days that fanned flames.
Can you catch my sighs and I'll keep your whispers,
  So nostalgic is your croon.
  
I taste the skins with whiffs of pepper and plum,
  Where my senses rise leaving me lost amongst the stars,
Giving a glimpse of the eternity of the galaxy,
  Will your lips feel this way?

Like the sights of autumn foliage in portraits,
  I only wonder about your touch,
Muster memories, scenes and scenes,
  Until you're mine not just in dreams.

It’s not true; not all the way, but they say “it’s all about your choices.”
It makes no sense to me. I’ve never been much for inexplicable and
       inexhaustible benevolence.
I find I spend copious time figuring my meaning, in situations I over
       analyze into mathematical equations...am I conscious,
                or just a calculator?
Or...have I been (and hopefully still am) living, breathing, feeling…?
      flesh.
I question...is this stealing life?
This is evading death.

Arguably, our beginning is our end, no? Upon inception of life, have
      we not inherited death?
Yet again ponder...is there fate? Do they matter? (that is, my choices.)
I was once told, “if you can dream it, you can do it”. Shall I still build
      the perfect life?
I’m beginning to be overtaken with impatience that surpasses my
      innate benevolence.
I cannot say which is weaker, my spirit, or my flesh.
Once I’ve punched in my last numerical decision, how long will my
     finger hover above ‘enter’-
how long until the outcome appears on my mortality calculator?

I often lose myself in the turmoil of emotion. Not cool and collected
        like the others. It’s been decided, no I’m no calculator.
She seems to always descend at an uncanny time. An uncouth cold-
          caller, that Mistress Death.
“I feel young”, I croon. Unanswered by my withering flesh.
I consider my carelessness, wishing I had been the master of more of
     my choices.
Sometimes, it’s one-in-the-same, self-defense and benevolence.
I’m just trying to find some connection, but still I question, “is that all
        that makes this life?”

Will I ever find definition and solid intention strong enough to be
     named the same as all the other countless, hazy perceptions we
                call life?
I find myself to be robotic in response and anxious in nature. Perhaps I
      AM an inhumane Calculator.
I consider myself a fine hostess, even admittedly, to thoughts that strip
        down my benevolence.
“Death to those demons!” is my rising cry, “death!”
Death to unfavorable and unforgivable decisions, may they be buried  
        in my future choices.
May I think logically, and not be seduced into lethargy by the sinister
        siren calls of mortal flesh.
I cannot quench my questions, they crawl in droves beneath my flesh.
What am I do to? What shall I make of my life?
How little do I truly control with personal decisions, how much will I
        suffer from others choices?
Is it more dangerous to be over zealous or indeed catastrophic to
      function merely as a calculator?
How does one prepare for the permanence of death?
Have we soured into surface common courtesy in the guise of true
      benevolence?

I contemplate this often. What it would take to retain a group consciousness in distress…
     true benevolence.
Perhaps if we did not so often succumb to the momentary gratification  
        of pleasing our flesh
we would feel more peaceful, knowing we gave our best, to enter the
      vault of death
grateful and complete, finishing the entirety of our life
with no devious schemes for feigned success or entitlement; no
       manipulated calculations.
we’ve all heard it before, “It’s all about your choices”

But the choices of the best differ from the choices of the rest and
        it all depends on who’s willing to fight
their own flesh for a chance at life before imminent death.
       There’s no calculation for conglomerate benevolence.
Human flaw will always persist.

C.e.M. Written 0ct.5 Edited Oct 6

O Prince, O chief of many throned pow’rs!
        That led th’ embattled seraphim to war!
                      (Milton, Paradise Lost)

O thou! whatever title suit thee,—
Auld Hornie, Satan, Nick, or Clootie!
Wha in yon cavern, grim an’ sootie,
     Clos’d under hatches,
Spairges about the brunstane cootie
     To scaud poor wretches!

Hear me, Auld Hangie, for a wee,
An’ let poor ****** bodies be;
I’m sure sma’ pleasure it can gie,
     E’en to a deil,
To skelp an’ scaud poor dogs like me,
     An’ hear us squeel!

Great is thy pow’r, an’ great thy fame;
Far ken’d an’ noted is thy name;
An’ tho’ yon lowin heugh’s thy hame,
     Thou travels far;
An’ faith! thou’s neither lag nor lame,
     Nor blate nor scaur.

Whyles, ranging like a roarin lion,
For prey a’ holes an’ corners tryin;
Whyles, on the strong-wing’d tempest flyin,
     Tirlin’ the kirks;
Whyles, in the human ***** pryin,
     Unseen thou lurks.

I’ve heard my rev’rend graunie say,
In lanely glens ye like to stray;
Or whare auld ruin’d castles gray
     Nod to the moon,
Ye fright the nightly wand’rer’s way
     Wi’ eldritch croon.

When twilight did my graunie summon
To say her pray’rs, douce honest woman!
Aft yont the **** she’s heard you bummin,
     Wi’ eerie drone;
Or, rustlin thro’ the boortrees comin,
     Wi’ heavy groan.

Ae dreary, windy, winter night,
The stars shot down wi’ sklentin light,
Wi’ you mysel I gat a fright,
     Ayont the lough;
Ye like a rash-buss stood in sight,
     Wi’ waving sugh.

The cudgel in my nieve did shake,
Each bristl’d hair stood like a stake,
When wi’ an eldritch, stoor “Quaick, quaick,”
     Amang the springs,
Awa ye squatter’d like a drake,
     On whistling wings.

Let warlocks grim an’ wither’d hags
Tell how wi’ you on ragweed nags
They skim the muirs an’ dizzy crags
     Wi’ wicked speed;
And in kirk-yards renew their leagues,
     Owre howket dead.

Thence, countra wives wi’ toil an’ pain
May plunge an’ plunge the kirn in vain;
For oh! the yellow treasure’s taen
     By witchin skill;
An’ dawtet, twal-pint hawkie’s gaen
     As yell’s the bill.

Thence, mystic knots mak great abuse,
On young guidmen, fond, keen, an’ croose;
When the best wark-lume i’ the house,
     By cantraip wit,
Is instant made no worth a louse,
     Just at the bit.

When thowes dissolve the snawy hoord,
An’ float the jinglin icy-boord,
Then water-kelpies haunt the foord
     By your direction,
An’ nighted trav’lers are allur’d
     To their destruction.

And aft your moss-traversing spunkies
Decoy the wight that late an drunk is:
The bleezin, curst, mischievous monkeys
     Delude his eyes,
Till in some miry slough he sunk is,
     Ne’er mair to rise.

When Masons’ mystic word an grip
In storms an’ tempests raise you up,
Some **** or cat your rage maun stop,
     Or, strange to tell!
The youngest brither ye *** whip
     Aff straught to hell!

Lang syne, in Eden’d bonie yard,
When youthfu’ lovers first were pair’d,
An all the soul of love they shar’d,
     The raptur’d hour,
Sweet on the fragrant flow’ry swaird,
     In shady bow’r;

Then you, ye auld snick-drawin dog!
Ye cam to Paradise incog,
And play’d on man a cursed brogue,
     (Black be your fa’!)
An gied the infant warld a shog,
     Maist ruin’d a’.

D’ye mind that day, when in a bizz,
Wi’ reeket duds an reestet gizz,
Ye did present your smoutie phiz
     Mang better folk,
An’ sklented on the man of Uz
     Your spitefu’ joke?

An’ how ye gat him i’ your thrall,
An’ brak him out o’ house and hal’,
While scabs and blotches did him gall,
     Wi’ bitter claw,
An’ lows’d his ill-tongued, wicked scaul,
     Was warst ava?

But a’ your doings to rehearse,
Your wily snares an’ fechtin fierce,
Sin’ that day Michael did you pierce,
     Down to this time,
*** ding a Lallan tongue, or Erse,
     In prose or rhyme.

An’ now, Auld Cloots, I ken ye’re thinkin,
A certain Bardie’s rantin, drinkin,
Some luckless hour will send him linkin,
     To your black pit;
But faith! he’ll turn a corner jinkin,
     An’ cheat you yet.

But fare you weel, Auld Nickie-ben!
O *** ye tak a thought an’ men’!
Ye aiblins might—I dinna ken—
     Still hae a stake:
I’m wae to think upo’ yon den,
     Ev’n for your sake!

Saudade bear whispers softly
To saudade moon
By which he used to gaze
By which he used to croon

Saudade bear has hearts 'stead of eyes
But each night he cries
To saudade moon

Saudade moon
She tries and tries
But all the saudade persons
Pile up and loose their eyes

Saudade person
Become saudade wishin' man
Then his eyes fall out
Right into his hand
He throws 'em in the wishing well
Under saudade moon
By which he used to gaze
By which he used to croon

Wishin' well is fishin' well
Where people come to eat
But eatin' days are over
And croonin' days all done

Saudade bear
Become just bear
Flat an' coarse, his small paw girth
Bring no more saudade birth

I could write the loveliest poem ever,
A lonely dove went cooing by and by,
Yonder rill, yonder hill, yonder river,
Whilst it winged into a clear blue sky.
Lovely is the sky in her robes of blue,
Velvety blue I mean, as eyes of thine
Never bestowed upon any seraph,
That upon my soul kindled love divine.
I could croon the loveliest tune ever,
And whisper it upon rivers of time;
That fairly stream by and by forever,
A tune that in thy heart could ever chime,

  If only I could glance at thy bright eyes
  To once stray upon shores of paradise.

As the sun reaches the other pearl shores
Your eyes are waited on by the universe's starry doors
It's okay to say that you miss me, you see
But you'd better miss all of me

Miss the way that I talk about you
Miss the way I laugh and the way I croon
Miss my voice when it sings out of tune
Miss my touch when we lie under the moon

As the stars blink into the sun
Your life is young and it hasn't yet begun
Do you remember the good times or bad?
Do you miss me or just a companion to be had?

Miss my paranoia about the way you feel
Miss the darkest things I tried to conceal
Miss the spirit of my unconfined relief
Miss my questions and my constant disbelief

Are the things that you remember too old?
Did you coat the dust in veneer crusted gold?
Are your memories too good to be true?
You say you miss me but really, you miss you

Alas!  
They so bittersweetly croon in mine ear,
“Thou art as lovely as that morbid Queen Persephone!”
Have I been such a fool, cruel and extreme?
My hollow footsteps do fall here
Bringing forth wintry winds of death.

Alas!
They so eagerly whisper in thine ear,
“Thy lover art as lovely as that dreadful Queen Persephone!”
Hast thou been such a fool, sightless and mad?
Failed to listen for my light steps,
And forgot to feel winter’s dismal chill.  

Alas!
They so desperately murmur in our ear,
“Thy love affair is as fair as that of the wraithlike Hades and Persephone!”
Have we been such fools, violent and severe?
Our footsteps resonate here forevermore,
The Lilies from our garden washed pitifully upon the Plutonian shore.

Mother superior had dropped the gun,
Seeing the victim was her very own son.
There a saint was made to run
Drowned before the rising sun.

Messiah born on the first day of June,
Posing as a religious boon.
Preaching that the end is soon,
All in a tone resembling Sinatra’s croon.

Superiority held in the form of prayer,
Faith maintained at the behest of a dare.
Professor Lodz has lost his bear.
The Omega deemed this loss as fair.

Tammuz is smoking all the vegetation
Asherah has stopped all gestation,
Coming from a fit of *******,
Working on a new form of taxation.

Jesus just took one huge dumb,
In the sink after snorting a quick bump.
The man had reached quite the slump.
Catching HPV from Fergies’s ****.

Mohammad is eating all the pork.
Using hands, forgetting the fork.
******* chicks, with all kinds of torque,
Misinterpreting the path of a wayward stork.

Dinning on delicious swine.
And the finest forms of delicate wine.
Prophets of the world align.
And drink from the deceased Christopher Reeve’s spine.

A note of seeming truth and trust
                      Hid crafty observation;
                And secret hung, with poison’d crust,
                      The dirk of defamation:
                A mask that like the gorget show’d
                      Dye-varying, on the pigeon;
                And for a mantle large and broad,
              He wrapt him in Religion.
                   (Hypocrisy-à-la-Mode)


Upon a simmer Sunday morn,
     When Nature’s face is fair,
I walked forth to view the corn
     An’ ***** the caller air.
The risin’ sun owre Galston muirs
     Wi’ glorious light was glintin,
The hares were hirplin down the furrs,
     The lav’rocks they were chantin
          Fu’ sweet that day.

As lightsomely I glowr’d abroad
     To see a scene sae gay,
Three hizzies, early at the road,
     Cam skelpin up the way.
Twa had manteeles o’ dolefu’ black,
     But ane wi’ lyart linin;
The third, that gaed a wee a-back,
     Was in the fashion shining
          Fu’ gay that day.

The twa appear’d like sisters twin
     In feature, form, an’ claes;
Their visage wither’d, lang an’ thin,
     An’ sour as ony slaes.
The third cam up, hap-step-an’-lowp,
     As light as ony lambie,
An’ wi’ a curchie low did stoop,
     As soon as e’er she saw me,
          Fu’ kind that day.

Wi’ bonnet aff, quoth I, “Sweet lass,
     I think ye seem to ken me;
I’m sure I’ve seen that bonie face,
     But yet I canna name ye.”
Quo’ she, an’ laughin as she spak,
     An’ taks me by the han’s,
“Ye, for my sake, hae gien the ****
     Of a’ the ten comman’s
          A screed some day.

“My name is Fun—your cronie dear,
     The nearest friend ye hae;
An’ this is Superstition here,
     An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair,
     To spend an hour in daffin:
Gin ye’ll go there, you runkl’d pair,
     We will get famous laughin
          At them this day.”

Quoth I, “With a’ my heart, I’ll do’t:
     I’ll get my Sunday’s sark on,
An’ meet you on the holy spot;
     Faith, we’se hae fine remarkin!”
Then I gaed hame at crowdie-time
     An’ soon I made me ready;
For roads were clad frae side to side
     Wi’ monie a wearie body
          In droves that day.

Here, farmers ****, in ridin graith,
     Gaed hoddin by their cotters,
There swankies young, in braw braidclaith
     Are springin owre the gutters.
The lasses, skelpin barefit, thrang,
     In silks an’ scarlets glitter,
Wi’ sweet-milk cheese in mony a whang,
     An’ farls, bak’d wi’ butter,
          Fu’ crump that day.

When by the plate we set our nose,
     Weel heaped up wi’ ha’pence,
A greedy glowr Black Bonnet throws,
     An’ we maun draw our tippence.
Then in we go to see the show:
     On ev’ry side they’re gath’rin,
Some carryin dails, some chairs an’ stools,
     An’ some are busy bleth’rin
          Right loud that day.
…

Here some are thinkin on their sins,
     An’ some upo’ their claes;
Ane curses feet that fyl’d his shins,
     Anither sighs an’ prays:
On this hand sits a chosen swatch,
     Wi’ *****’d-up grace-proud faces;
On that a set o’ chaps at watch,
     Thrang winkin on the lasses
          To chairs that day.

O happy is that man and blest!
     Nae wonder that it pride him!
Whase ain dear lass that he likes best,
     Comes clinkin down beside him!
Wi’ arm repos’d on the chair back,
     He sweetly does compose him;
Which by degrees slips round her neck,
     An’s loof upon her *****,
          Unken’d that day.

Now a’ the congregation o’er
     Is silent expectation;
For Moodie speels the holy door,
     Wi’ tidings o’ salvation.
Should Hornie, as in ancient days,
     ‘Mang sons o’ God present him,
The vera sight o’ Moodie’s face
     To’s ain het hame had sent him
          Wi’ fright that day.

Hear how he clears the points o’ faith
     Wi’ rattlin an’ wi’ thumpin!
Now meekly calm, now wild in wrath
     He’s stampin, an’ he’s jumpin!
His lengthen’d chin, his turn’d-up snout,
     His eldritch squeal and gestures,
Oh, how they fire the heart devout
     Like cantharidian plaisters,
          On sic a day!

But hark! the tent has chang’d its voice:
     There’s peace and rest nae langer;
For a’ the real judges rise,
     They canna sit for anger.
Smith opens out his cauld harangues,
     On practice and on morals;
An’ aff the godly pour in thrangs,
     To gie the jars an’ barrels
          A lift that day.

What signifies his barren shine
     Of moral pow’rs and reason?
His English style an’ gesture fine
     Are a’ clean out o’ season.
Like Socrates or Antonine
     Or some auld pagan heathen,
The moral man he does define,
     But ne’er a word o’ faith in
          That’s right that day.

In guid time comes an antidote
     Against sic poison’d nostrum;
For Peebles, frae the water-fit,
     Ascends the holy rostrum:
See, up he’s got the word o’ God
     An’ meek an’ mim has view’d it,
While Common Sense has ta’en the road,
     An’s aff, an’ up the Cowgate
          Fast, fast that day.

Wee Miller niest the Guard relieves,
     An’ Orthodoxy raibles,
Tho’ in his heart he weel believes
     An’ thinks it auld wives’ fables:
But faith! the birkie wants a Manse,
     So cannilie he hums them;
Altho’ his carnal wit an’ sense
     Like hafflins-wise o’ercomes him
          At times that day.

Now **** an’ ben the change-house fills
     Wi’ yill-caup commentators:
Here’s cryin out for bakes an gills,
     An’ there the pint-stowp clatters;
While thick an’ thrang, an’ loud an’ lang,
     Wi’ logic an’ wi’ Scripture,
They raise a din, that in the end
     Is like to breed a rupture
          O’ wrath that day.

Leeze me on drink! it gies us mair
     Than either school or college
It kindles wit, it waukens lear,
     It pangs us fou o’ knowledge.
Be’t whisky-gill or penny-wheep,
     Or ony stronger potion,
It never fails, on drinkin deep,
     To kittle up our notion
          By night or day.

The lads an’ lasses, blythely bent
     To mind baith saul an’ body,
Sit round the table weel content,
     An’ steer about the toddy,
On this ane’s dress an’ that ane’s leuk
     They’re makin observations;
While some are cozie i’ the neuk,
     An’ forming assignations
          To meet some day.

But now the Lord’s ain trumpet touts,
     Till a’ the hills rae rairin,
An’ echoes back return the shouts—
     Black Russell is na sparin.
His piercing words, like highlan’ swords,
     Divide the joints an’ marrow;
His talk o’ hell, whare devils dwell,
     Our vera “sauls does harrow”
          Wi’ fright that day.

A vast, unbottom’d, boundless pit,
     Fill’d fou o’ lowin brunstane,
Whase ragin flame, an’ scorching heat
     *** melt the hardest whun-stane!
The half-asleep start up wi’ fear
     An’ think they hear it roarin,
When presently it does appear
     ’Twas but some neibor snorin,
          Asleep that day.

‘Twad be owre lang a tale to tell,
     How mony stories past,
An’ how they crouded to the yill,
     When they were a’ dismist:
How drink gaed round in cogs an’ caups
     Amang the furms an’ benches:
An’ cheese and bred frae women’s laps
     Was dealt about in lunches
          An’ dauds that day.

In comes a gausie, **** guidwife
     An’ sits down by the fire,
Syne draws her kebbuck an’ her knife;
     The lasses they are shyer:
The auld guidmen, about the grace
     Frae side to side they bother,
Till some ane by his bonnet lays,
     And gi’es them’t like a tether
          Fu’ lang that day.

Waesucks! for him that gets nae lass,
     Or lasses that hae naething!
Sma’ need has he to say a grace,
     Or melvie his braw clathing!
O wives, be mindfu’ ance yoursel
     How bonie lads ye wanted,
An’ dinna for a kebbuck-heel
     Let lasses be affronted
          On sic a day!

Now Clinkumbell, wi’ rattlin tow,
     Begins to jow an’ croon;
Some swagger hame the best they dow,
     Some wait the afternoon.
At slaps the billies halt a blink,
     Till lasses strip their shoon:
Wi’ faith an’ hope, an’ love an’ drink,
     They’re a’ in famous tune
          For crack that day.

How monie hearts this day converts
     O’ sinners and o’ lasses
Their hearts o’ stane, gin night, are gane
     As saft as ony flesh is.
There’s some are fou o’ love divine,
     There’s some are fou o’ brandy;
An’ monie jobs that day begin,
     May end in houghmagandie
          Some ither day.

I held out my hands.
I placed a drop of soap on each palm
and took hold of my ***** spoon and washed it with my hands,
cupping and spooning it
like my gentle hands were trying to make it croon.
Like it were mated and flipped and slapped
against threadbare slacks.

That spoon is cleaning me,
is washing my hands as I wash its tarnished feet,
it is forgiving me.
For the scalding soups and bitter ice cream,
and not washing it but watching it grow crusted, disgusted.

And while I swoon for my spoon,
and grinning the spinning dizzy grin of Love,
I remember, and give thanks for my feast.
This spoon feeds me like a child on Mother God’s lap,
and kisses me with life, with food.

This soap, and my hands, and this bubbling love between my spoon and I,
it is clean.
My soul is more clean with my spoon.
Cleaner than dog’s saliva licking at old wounds,
but that’s alright,
cause everybody knows ******* love scars, dog.

And women love beautiful spoons,
maybe because of its viscosity, or its gentle curvature,
or the deep loving laugh it invokes,
when it sits on my nose.

My spoon communion left me with pruned hands,
bright eyes,
and a coy smile for what flowers in my mind may bloom.

Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
     I heard a ***** play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
     He did a lazy sway . . .
     He did a lazy sway . . .
To the tune o' those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
     O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
     Sweet Blues!
Coming from a black man's soul.
     O Blues!
In a deep song voice with a melancholy tone
I heard that ***** sing, that old piano moan--
     "Ain't got nobody in all this world,
       Ain't got nobody but ma self.
       I's gwine to quit ma frownin'
       And put ma troubles on the shelf."

Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more--
     "I got the Weary Blues
       And I can't be satisfied.
       Got the Weary Blues
       And can't be satisfied--
       I ain't happy no mo'
       And I wish that I had died."
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that's dead.

We married in the back of that old Rambler in that syrupy summer. Kitkitdizze mortared under pestal of our tires and its grind made an aroma of peculiar pungency. The moon was plump as an unshelled fava and I was about to peal her. This was all the commitment ceremony we needed. Stars be our witness. Outsiders we were, and the cliffs of the Malakoff Diggins where we did our rambling. I initially met her at her wedding to him, whence she gave her away, though rumor had it she and she were once an item prior to he and she ever meeting. Still, more ****** talk spoke of them being a three. This was all good with me, being that I had had that other he who was still bound to that she who had two hims herself. Lucky gal. Notice, I'm not naming names here.

It was our life and we lived it in polyamorous faultlessness. Gurus, rock stars, poets and other worldly scholars were all in the club. As gluey as all that free love was, most became unstuck in their ways. Hot, hot, hot sticky June crooners. Man I can't wait for summer to come again. Who's getting married in the morning?

All of those identities that end in "t" and "r" and "n,"
make us feel god awful and self-conscious.
Singer, artist, writer, musician, mortician, poet.
Who entitles us to use them?

And it's true, your voice touches in between my shoulders,
and melts to the bottom of my stomach when you croon,
but you don't find yourself an apt enough player of the voice box.

And sure, painting the reasons why I woke from your dream,
might seem like I'm an artist, but I rather just say...
I enjoy painting.

And right, we like to etch words into books and alchemize
the desire to question into stories,
but we're just fans of reading.

And you know, when the air cradles the harmonies of your guitar
like newborn unicorns, I want to point and claim,
though you think you know too little to call yourself musician.

And yes, the way we lay our bodies to sleep every night sometimes hopeful we don't rise again,
is much like how we treat our desire to declare ourselves,
but that makes us only those who give the dead away.

And of course, my blood courses in order to stitch and weave worded thoughts like these together,
because they lighten our concerns and brighten our better qualities,
so of course,
yes,
I know,
Right,
Sure,
It's true,
I am a...
I might dabble in poetry, here and there. No big deal.

Synchronicity -
It means all of the events
flying, WHIZZING!, d-r-i-f-t-ing by us
as we ourselves float through the world
are related, connected, entangled,
and emerge from some kind of
divine symphony.

The sounds of laughter, tears dripping,
hearts BREAKING, SMASHING, SHATTERING,
the scraping knees crawling through the rubble,
hands SLAPPING TOGETHER as heads turn
towards heaven in prayer-

The warm embraces, -sighs- of comfort, lips smacking,
bodies pressing together in the hopes of being
reunified for a few moments, the glances,
the poems, the letters, the rings exchanged
and matching cemetery plots-

The triumphs, WOO-HOOS, celebrations,
toasts, clinking wine glasses, bottles, mugs
bumping fists, patting hands drumming
confidence into chests-

They are all supposed to be
one godly plan.
Like high notes, tragic sonatas
and joyous fingers plucking
heavens strings into
gracious cords and
silent pauses between tracks
are all one concert that we're conducting.

But doesn't it all feel so fragile?
One broken instrument, one
distracted player, one missing page in
your play book, a hand swished too hard,
eyes-too-penetrating or overly
aggressive dismissal of your
prized pianist
and the whole orchestra
falls into chaos.

What's it mean? What was that lyric?
What key is it in? What is the right tempo?
Do I emphasize the earthy drums that provide stability?
Do I drag you along on a magical carpet ride of echoing
falsettos, throats tugged like the handle-strings
drawing across my violin eyes on an exciting journey?

Or do I sink into the minor keys of my pain-
Songs that I don't share, playing on headphones
now I want to blast them, sob them out, sing them in whispers
at first, let them grow in me like my apathy, swell into tumors of
fear, and hurt and eat me from the inside out!

I want to shout songs of suffering. Have my piano keys
spin you into my anxiety, guitars raising the key like water rising
one floor at a time in the Titanic that is my beating heart.

I want to watch the drummers sweat as they beat out the rage
of having my most precious friends, objects and opportunities
snatched away - over and over - despite the progressive movements.

I want to draw you back into my finale with my fear. It will have to be so disturbing that each note raises hairs on your neck. When I drop my baton, leaves you with my night terrors - so foreign from the concert I'm playing that I'll need

electric guitars, wild wind instruments, theramin and a chorus of sirens and banshees to scare you back into your seat. Songs inspired by fear, pain and sadness, anxiety and misery are all you'll find at this concert. Songs that make bowing an act of submission and never respect or adoration. My forums lack fan clubs. Covers of my songs don't exist.

Please - leave your hearts at the door. Chances are that fate,
the ultimate conductor, will rip me out of this black-and-white
universe that traps me like a suit made from
straightjacket fibers, anyhow. Because life, no matter how unified they tell you it is, LIFE doesn't get remastered. There is no deluxe version, b-side, or re-recording.

No one can auto-tune my words. The dangerous, raging guitar solos of insults and fury that have wrecked
all of the men who really cared at one point.
The friends who survived the mounting anxiety of watching me
skip like a CD in the broken walkmen we had as kids. Sorry! Sorry! Sorry! I meant to! Mean-! Mea! Meant, Meant, Meant, Meant <silence>, SLAM "Meant to call you,"

Or maybe ([SARCASM] IF YOU'RE LUCKY!) you'll hear track 4. I'll sing, "I need your help!", "Wow, *****, just come over!", "This *****!", "I didn't mean it", "Don't get like this again!". Against the anxious, building, manic tones, my panick blares while "I'm not good enough", "Can't do that", "my disease makes that hard", "Do you like me?", "**** this!!!" blares like an infernal choir pressing you to madness.

See, human symphonies aren't coherent - music theory isn't a predictive corpus. Experience shows that you can't make it come together. Too often, we don't get any rehearsal time. The death dirges that have stolen away my family, one at a time, creeping up from a silent, whispering stocatto'd-doom drown out any of the romantic, epic harpsichord solos that I still only dream of.

The angry, head-banging, 'where's that mosh-pit for grown-up children with kneepads?' beats don't motivate me anymore. They break down the walls to the studios where I was writing expert concertos. The earthquake-like blasts of my self-loathing fear have already torn down too much sound-proofing and the record studio collapsed because noone had the credentials to get in. My only dance consists of turning off the lights and yanking up the covers. Being a one-hint wonder isn't happening. Then again, can you blame me for not stopping? I don't pass this after I hit it.

In the end, the musicians don't always show up. It's like, - We've all been to that concert. Ya know, where everyone feels the awkward energy of a 4th grade Christmas Carol musical? Where, the costumes weren't convincing. Of course neither were the conductor's falsehoods, lies, omissions, or the promise that you'd enjoy this show. Cover art, like my critic's ratings, just don't do me justice . "Smart, engaging, relatable" the new listener's proclamation that "I'm falling in love! I can't get enough!" are marketing gimicks that just don't last.

Synchronicity, like destiny, has revealed itself to me as a fantasy. Reality's crumpling threads don't always find their way into skilled weaver's hands.  These strings have all snapped. In the end, I'm left smashing drums with trombones, crying over the rusted saxophones that can't croon for other hearts anymore. Just wait, my closing number is a Celine-Dion covered effort to stay afloat in the monsoon that I've been summoning for over a decade. When everyone leaves my audience, the program is either left behind or taken only by the weirdos who resonate with this kind of tortuous tune

I end each night walking the aisles of my darkened auditorium-soul now. I like to follow the echo and chase "coulda!" "woulda!" shadows across walls. I find your ticket stubs and nostalgia pulls me away from the dimming lights. In the end though, I can't counter the reviews that my show has no point. The tragedy isn't teaching any lesson and the cacophonies I birth don't generate fans. Plus, requests for autographs have become suicide invitations for an artist who can't release a polished track.

Synchronicity:A word invented and popularized by psychologist Dr. Carl Jung in the 1950s.  We all no better now that this is not a word that exists. Yet, the potential leads us all to chase after seasont tickets.

Synchronicity, defined as the false hope that it all means something. Synchronicity, the hope that you'll get to be the big strand in something special. Synchronicity - the promise of a heavenly choir, or divine symphony; of course we've already fallen from grace too often to question our unfulfillment. Sync-ro-nic-it-eeeee, like an old worn-out cassette tape, rarely comes with the equipment and support needed to hear it. Synchronicity - The jagged, little red pill that I can't take. Synronicity: the seemingly fate-driven world that we all stop believing in when the silence sets in.

Synchronicity: a series of seemingly random events that promise you a long night of unsurpassed concert sound. At least it's not alcohol I'm left lacking

Synchronicity, the artists that't leaves us entangled in distractions. Like scratched soundtracks. Synchronicity: the band I quit that has since left me wishing for buttons:

Pause. Stop. Repeat. Shuffle. Fast-Forward? Rewind!.....
..... Skip.

...................Eject.

This is a poem for Rachel Corrie. I am not religious, and a far cry from spiritual, but I refuse to imagine Rachel Corrie insentient and six feet under, slowly amalgamating with the soil encasing her. Before her death, Rachel Corrie said “I still really want to dance around to Pat Benatar and have boyfriends and make comics for my co-workers. But I also want this to stop.” In the words of contemporary Palestinian poet Suheir Hammad “God has a better imagination than all of us combined” in either God's words or my own, I will not imagine in/on the same ground in/on which I maybe soon will be and more words from Suheir “What do I tell young people about non-violence when they can see for themselves how even orange bright and megaphone loud and cameras and US citizenship will not stop your ******?” what do I tell young people/anyone even myself about “non-violence” when every single thing I've seen presenting itself/perhaps even masquerading as “non-violence” has been in my face and /rude/harsh/unavoidable and most of all, violent? I do not believe in God and humanity is pushing it's luck, but I believe in Rachel Corrie. This is for Rachel;*

I should study a she-wolf's prose
she wanted to write about death
but life would frequently
weasel and wheedle it's way in
there’s an overhanging image
a smaller
yet
infinitely larger
organism
continuously broached
by each word
I only want to study
a caterpillar’s motion
backward/forward /onward
across arms/legs
of this deer/dear
[her] surname/
[my] given name/
separated by [semi/totally] circular VOWels
***** blond hair
dirtied by dust /
rubble /
rhyme /reason/
whatever/ in compliance
with a rep/RESENT/ative democracy
several shades lighter
literally
figuratively
whiter
than she
need no permission
pat benatar
would/should croon
to your moves
every
boy and girl friend
i will/may/have/had
should be yours
entomo/insecto/[social] phobias
I never would’ve said so
I never
would’ve/
could’ve
told the caterpillar

to go

O brother, tell us where you've been!
What is the world like beyond these trenches?

Is it safe to crawl out —
we heard the wolves were just 'were-' with a sweet tooth.
Won't you help us sniff out the lotus from the roses,
their thorns so cleverly hidden…

Sisters, we're tired of hiding in the dark,
our eyelids shut by the nurse's damp cloth;

To our champions: were you blessed in your travails?
Did you find the loving,
the caring,
the fabled Happy People that
Nashville balladeers croon about?

brave children, remember to return;
we dreamed of setting foot in a place of our own, too.
does one exist in their world ||

// NOT THEIR WORLD
NOT OURS EITHER
BUT ALL OF OUR
UNIVERSE //

His mellifluous voice ignited a spark in my soul.
His face looked so calm as he strummed the strings..
But, the guitar strings were not the only strings getting plucked.
The strings of my heart were getting hammered with emotions,
As he started to play the kind of music that took me away to a state of trance.
All I could hear was his voice reverberating in the hall.
And all I could feel was Euphoria.

Gliding through this timeless labyrinth
My sight can't pierce so thick a mist.
Alone in my vessel,
just drifting clumsily...
Anxiety wrung raw in these cold, clammy fists.

All is quiet...
save for the faint sloshing against my tired hull.
I quietened my breath...
Such peace exists now in my vessel.
Slapping gently against my side,
invisible ripples came to lull.

I cannot see what lays ahead...
I do not know of my ultimate destination...
I am alone in my vessel...
Drifting along this watery bed.
Awaiting nothing...
but elusive answers to pointless questions.

I cannot fathom what lies above
the canopy that shields me.
I'd imagine the stars...
Twinkling in codes,
whispering the secrets of the universe.
Unheard to those who will not see.

I'd imagine the ripe new moon...
Beaming down ostentatiously.
Bestowing light upon those who'd croon...
Those who'd shamelessly bask in her majesty.

But many...
Just remain in the darkness.
Submitting to the will of the currents,
getting lost in the odd calmness...
And it's ambiguous resplendence.

Looking around I realise that I'm now not alone...
There are many vessels...
Quiet silhouettes navigating boats of their own.
We all bear the same flag but our own demons we wrestle.

Overwhelming relief...
To see others by my side.
I am now alone with so many others...
In this lonesome boatride.

I don't know how to talk.
I don't know how to express.
I don't know how to understand.
I don't know how to undress.

I know how to feel.
I know how to see.
I know how to write.
I know how to sing.

So don't make me speak
let me endure until all is done.
Don't make me divulge
let me behold what can be won.
Don't make me learn
I beg you, let me inscribe.
Don't make me unravel
let me croon
don't let me die.

SONG-POEMS

These are poems that were written as songs, or as potential song lyrics, or that could easily become songs if someone were to set them to music (hint! hint!) …


Ave Maria
by Michael R. Burch

Ave Maria,
Maiden mild,
listen to my earnest prayer.
Listen, O, and be beguiled.
Ave Maria.

Ave Maria,
Maiden mild,
be Mother now to every child
beset by earth’s thorned briars wild.
Ave Maria.

Ave Maria,
Maiden mild,
embrace us with your Love and Grace.
Let us look upon your Face.
Ave Maria.

Ave Maria,
Maiden mild,
please attend to our earnest call—
When will Love be All in All?
Ave Maria.

Copyright © 2020 by Michael R. Burch



Faithless Lover
by Michael R. Burch

Well I met you darlin’ on a night like this;
the stars were fallin’ as I stole a kiss.

And I fell in love that very night,
as the moon above blessed us with its light.

But the moon was false, and your heart was, too.
Oh, I never dreamed you would be untrue.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Well, we found a preacher and we said some words.
I should have noticed yours were well-rehearsed.

When I looked above, I saw the pale moon frown;
the sky burst open; I began to drown.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Now, since that day, how you've run around.
You’ve been with every boy in town.

Well, I learned my lesson, and I learned it well:
how one night aflame left me cold as hell,
till my heart grew hard in its icy shell.

Now, I'm a faithless lover with a heart of stone.
I seek faceless lovers who leave with the dawn.

Copyright © 1991 by Michael R. Burch



Unlikely Mike
by Michael R. Burch

I married someone else’s fantasy;
she admired me despite my mutilations.

I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.

And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,
the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?

Disfigured to my soul, I could not lose
or choose or name myself; I came to be
another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:
as pale, as enigmatic. White, or black?
My color was a song, a changing track.

Copyright © 2001 by Michael R. Burch

Published by Bewildering Stories and selected as one of four short poems for the Review of issues 885-895



Through the fields of solitude
by Hermann Allmers
set to music by Johannes Brahms
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.

This poem was set to music by the German composer Johannes Brahms in what has been called its “the most sublime incarnation.” A celebrated recording of the song was made in 1958 by the baritone Dietrich Fischer-Dieskau with Jörg Demus accompanying him on the piano.



The Pain of Love
by Michael R. Burch

for T. M.

The pain of love is this:
the parting after the kiss;

the train steaming from the station
whistling abnegation;

every highways’ broken white bar
that vanishes under your car;

each hour and flower and friend
that cannot be saved in the end;

dear things of immeasurable cost ...
now all irretrievably lost.

Copyright © 2013 by Michael R. Burch
Originally published by The HyperTexts

Note: The title “The Pain of Love” was suggested by an interview with Little Richard, then eighty years old, in Rolling Stone. He said that someone should create a song called “The Pain of Love.” I've written the lyrics, now can someone provide the music?



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Copyright © 2001 by Michael R. Burch
Published by The Word (UK), The Chained Muse, Famous Poets and Poems, Grassroots Poetry, The HyperTexts, Inspirational Stories, Jenion, Starlight Archives, TALESetc, Writ in Water, Grassroots Poetry and Poetry Webring



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.

Copyright © 2006 by Michael R. Burch
Originally published by Strong Verse



Flying
by Michael R. Burch


I shall rise
and try the ****** wings of thought
ten thousand times
before I fly ...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last ...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas ...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my very early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Earthbound
by Michael R. Burch

Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a floating and crazily-dancing spirit horse through a storm as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

I believe I wrote this poem as a college sophomore, age 19 or 20. I did not know about the vision and naming of Crazy Horse at the time. But when I learned about the vision that gave Crazy Horse his name, it seemed to explain my poem and I changed the second line from "and yet I would fly" to "and yet I now fly." I believe that is the only revision I ever made to this poem.

Copyright © 1978 by Michael R. Burch
Originally published by The HyperTexts



Momentum! Momentum!
by Michael R. Burch

for the neo-Cons

Crossing the Rubicon, we come!
Momentum! Momentum! Furious hooves!
The Gauls we have slaughtered, no man disapproves.
War’s hawks shrieking-strident, white doves stricken dumb.

Coo us no cooings of pale-breasted peace!
Momentum! Momentum! Imperious hooves!
The blood of barbarians brightens our greaves.
Pompey’s head in a basket? We slumber at ease.

****** us again, great Bellona, dark queen!
Momentum! Momentum! Curious hooves
Now pound out strange questions, but what can they mean
As the great stallions rear and their riders careen?

Originally published by Bewildering Stories

NOTE: Bellona was the Roman goddess of war. The name "Bellona" derives from the Latin word for "war" (bellum), and is linguistically related to the English word "belligerent" (literally, "war-waging"). In earlier times she was called Duellona, that name being derived from a more ancient word for "battle."



Just Yesterday
by Michael R. Burch

Yesterday
she went a-way
and now I don’t know what to sa-ay,
'cause I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she held me tight
and our love lit up the night,
but then our flame was not as bright,
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she left me a-lone
and now I don’t know what I wa-ant ...
I just listen to a song
called “Yesterday” ...

[Descending notes: DUH Duh duh]

Yesterday, oh Yesterday,
Yesterday, oh Yesterday,
I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Stay With Me Tonight
by Michael R. Burch


Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Copyright © 2019 by Michael R. Burch
Originally published by The Lyric



This Train
by Michael R. Burch

To be sung to the melody of "This Train is Bound For Glory" up-tempo.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is cryin’,
cryin’.
This train is flyin’, flyin’, flyin’.

This train is chuggin’ on down the tracks now.
This train is chuggin’ on down the tracks now.
This train’s chuggin’ down the tracks
and it’s gonna have to
take me back now.
This train is chuggin’ on down the tracks now.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is dyin’,
dyin’.
This train is flyin’, flyin’, flyin’.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train must run a little longer.
Oh, this train must run a little longer.
And although I did her wrong, her
love is only gettin’ stronger.
This train must run a little longer.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



The Vision of the Overseer’s Right Hand
by Michael R. Burch

“Dust to dust ...”

I stumbled, aghast,
into a valley of dust and bone
where all men become,
at last, the same color . . .

There a skeletal figure
groped through blonde sand
for a rigid right hand
lost long, long ago . . .

A hand now more white
than he had wielded before.
But he paused there, unsure,
for he could not tell

without the whip’s frenetic hiss
which savage white hand was his.

Copyright © 2001 by Michael R. Burch
Originally published by Poetry Porch



When I Think of You, I Think of Love
by Michael R. Burch

for Beth

When I think of you, I think of Love.
Oh, when I think of you, I think of Love
as magical as the moon and stars above.
And when I think of you, I think of Love.

When I think of you, I start to cry.
Yes, when I think of you, I start to cry.
And I think you know the reason why.
For when I think of you, I think of Love.

When I think of you, I start to smile.
Oh, when I think of you, I start to smile.
I think of you and, dreaming all the while,
when I think of you, I start to smile.

When I think of you, I have to laugh.
Yes, when I think of you, I have to laugh
because it’s certain: you’re my better half!
So when I think of you, I have to laugh.

I think of you as Eve, and at your feet
blooms everything that’s equally as sweet,
as magical as the moon and stars above.
And when I think of you, I think of Love.

I think of you with babies at your breast,
and does and fawns that come at your behest,
as magical as the moon and starts above.
And when I think of you, I think of Love.

I think of you and find myself at peace.
I feed the ducks, the turtles and the geese,
all as magical as the moon and stars above,
and when I think of you, I think of Love.

I think of you as Love, a Love that heals ...
the gentlest Dove that soars and flies and wheels
then looks down on the earth from high above.
And when I think of you, I think of Love.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Hill Down the Road
by Michael R. Burch

I imagine this song being sung to an upbeat tune like “Afternoon Delight” with an emphasis on the last word in each line. The song would come out as a sort of breathless rush — one long, run-on sentence.

There’s a hill down the road
where my babe and me would go
when the sun was sinking low
where the sparkling waters flow

and we’d sit there in the grass
and we’d watch the sunsets pass
and then I’d walk her home,
but we’d never walk too fast

and we’d sit there in the summer
when the sun was in the sky
and we’d talk of our tomorrows
and we’d watch the butterflies

and I loved her even then
although I was so young
and I’ll love her till the time
that my time on earth is done

I wrote this poem as an aspiring songwriter, around age 14. But alas, I was too shy to show my compositions to anyone!

Copyright © 1974 by Michael R. Burch
Originally published by The HyperTexts



Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark . . .
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared—
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?

Copyright © 1976 by Michael R. Burch
Originally published by Romantics Quarterly



Tomb Lake
by Michael R. Burch

Go down to the valley
where mockingbirds cry,
alone, ever lonely . . .
yes, go down to die.

And dream in your dying
you never shall wake.
Go down to the valley;
go down to Tomb Lake.

Tomb Lake is a cauldron
of souls such as yours —
mad souls without meaning,
frail souls without force.

Tomb Lake is a graveyard
reserved for the dead.
They lie in her shallows
and sleep in her bed.

I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976.

Copyright © 1976 by Michael R. Burch
Originally published by The HyperTexts



How Long the Night
(Anonymous Middle English Lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.

Copyright © 2013 by Michael R. Burch
Published by Measure, Setu (India), Poet’s Corner, Glass Facets of Poetry, Better Than Starbucks, Chanticleer, Poetry Brevet and Deviant Art



Sappho’s Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call
while the dew-laden lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!

You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.

Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;

and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.

And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Swan Song
by Michael R. Burch

The breast you seek reserves all its compassion
for a child unborn. Soon meagerly she’ll ration
soft kisses and caresses—not for Him,
but you. Soon in the night, bright lights she’ll dim
and croon a soothing love hymn (not for you)
and vow to Him that she’ll always be true,
and never falter in her love. But now
she whispers falsehoods, meaning them, somehow,
still unable to foresee the fateful Wall
whose meaning’s clear: such words strange gods might scrawl
revealing what must come, stark-chiseled there:
Gaze on them, weep, ye mighty, and despair!
There’ll be no Jericho, no trumpet blast
imploding walls womb-strong; this song’s your last.

Copyright © 2006 by Michael R. Burch
Originally published by The HyperTexts



This is my translation of one of my favorite Dimash Kudaibergen songs, the French song "S.O.S." ...

S.O.S.
by Michel Berger
loose translation/interpretation by Michael R. Burch

Why do I live, why do I die?
Why do I laugh, why do I cry?

Voicing the S.O.S.
of an earthling in distress ...

I have never felt at home on the ground.

I'd rather be a bird;
this skin feels weird.

I'd like to see the world turned upside down.

It ever was more beautiful
seen from up above,
seen from up above.

I've always confused life with cartoons,
wishing to transform.

I feel something that draws me,
that draws me,
that draws me
UP!

In the great lotto of the universe
I didn't draw the right numbers.
I feel unwell in my own skin,
I don't want to be a machine
eating, working, sleeping.

Why do I live, why do I die?
Why do I laugh, why do I cry?

I feel I'm catching waves from another world.
I've never had both feet on the ground.
This skin feels weird.
I'd like to see the world turned upside down.
I'd rather be a bird.

Sleep, child, sleep ...



"Late Autumn" aka "Autumn Strong"
loose translation/interpretation by Michael R. Burch
based on the version sung by Dimash Kudaibergen

Autumn ...

The feeling of late autumn ...

It feels like golden leaves falling
to those who are parting ...

A glass of wine
has stirred
so many emotions swirling in my mind ...

Such sad farewells ...

With the season's falling leaves,
so many sad farewells.

To see you so dispirited pains me more than I can say.

Holding your hands so tightly to my heart ...

... Remembering ...

I implore you to remember our unspoken vows ...

I dare bear this bitterness,
but not to see you broken-hearted!

All contentment vanishes like leaves in an autumn wind.

Meeting or parting, that's not up to me.
We can blame the wind for our destiny.

I do not fear my own despair
but your sorrow haunts me.

No one will know of our desolation.

Keywords/Tags: song, songs, songs of life, lyric, lyrics, music, rock, love, lover, lovers

Mama likes to turn it up high.
Croon like there’s nothing but sweet, heartbreaking men
he tells her he loves her like there isn’t another woman
loving him forever is what she needs

Croon like there’s nothing but sweet, heartbreaking men
Shakes her head like she’s heard it through the grapevine.
loving him forever is what she needs
Dancing with the mop like he’ll stay true.

Shakes her head like she’s heard it through the grapevine
“Ain’t no mountain high enough!”  gaze turned up, looking for the one
Dancing with the mop like he’ll stay true
He’s just another man, he isn’t Motown.

“Ain’t no mountain high enough!” gaze turned up, looking for the one
he tells her he loves her like there isn’t another woman
He’s just another man, he isn’t Motown.
Mama likes to turn it up high.

I quite like the virginity of a fresh notebook
the way my wrists and palms drag across its leaves
breathing life between lines in pink magic marker or the severity of red ballpoint
I like the prickly practical meticulousness of a shopping list:
a dozen eggs
one pineapple
one bag of fresh spinach
one bag of English muffins
one bottle of dish soap
I like the tender impressions of curlie cues and firty cursive
communicating endearments placed on counters such as:
TAKE OUT THE RECYCLING YOU LAZY OAF ******* <3 XOXOXO <3
I enjoy the audacity of a wandering doodle
meandering
cartwheeling
hopskotching
between
and under and over
indices

and spaces
between shopping lists and death threats
i enjoy the lingering ghost of prose shaped caverns
carved onto seemingly empty sheets that carry on for pages
until they fade like whispers into an evanescence
I crave the obnoxiousness absurdity of a to do list
daring me to take a day off from procrastination
until tomorrow
call Gramma
rent due on the first of the muuuuuuuunth
take the GRE
update resume
be awesome. like a boss.
most of all
I love the pain and joy of a poem
the way it slowly leaks from heart to mind to hand to paper
staining
spaces
urgently
faster than muses whispers
barely escaping onto lines
prolific terrific poetry
sporadic spacious atrocious poetry
I croon over the denial of the last page of a beat up notebook
the way the paper hangs onto spirals haggard
littered with stringy remnants of lists and reminders and death threats and poems and goodbyes

Fading Sun...

I was looking at the graying sky.
Trying to chase a fading sun
I peeped above the pointed leaves of the Yucca tree
My eyes were met by little bursts of orange stars
And oblique sunbeams... emitting fading brightness
Through the bushy leaves of the Sampaguita plant.

I was waiting for the moths to appear
Near my lighted candle,
But a gusty wind blew, and made the shell chimes
Sway back and forth...left and right
Round their base and through,
Until all five chimes made pleasant music
With the cool, whirring wind.

I was waiting for the late afternoon sky
To turn to elephant gray
To highlight the yellow glow from the street lamp
So I could test some newly hung Christmas lights
And the capiz lantern outside the french windows
But the rainshowers came all at once
And i found myself wet, from the pouring rain.

I was waiting...and saw a changing sky
The rain, just tip-tapping on the roof
A much cooler air blowing...
Bringing sprays of mist on my face...
Suddenly emerging...the shape of a bat or two,
Flying, crashing, through the dripping red palm tree.

On the horizon, sun was now a dipping balloon
If there's any, i would wait for any kind of moon.

On the garden chair, i sat
And just above me, came a regular stray cat
I heard its paws lightly scratching
The wet surface of the fiberglass roofing.

I still wait...and contemplate on hopes and prayers
I wait...for a lot of dreams to come true
i wait, for this long day to be over
While the night creatures,
In their own tones and tunes
Have started to croon...

Sally


Copyright October 16, 2015
Rosalia Rosario A. Bayan

O bella bionda,
Sei come l'onda!

Of cool sweet dew and radiance mild
The moon a web of silence weaves
In the still garden where a child
Gathers the simple salad leaves.

A moondew stars her hanging hair
And moonlight kisses her young brow
And, gathering, she sings an air:
Fair as the wave is, fair, art thou!

Be mine, I pray, a waxen ear
To shield me from her childish croon
And mine a shielded heart for her
Who gathers simples of the moon.