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"afterimage" poems
Is it better to remain alone And never know at all, Than to reach such soaring heights And fall. The afterimage of a bright sun burns my eyelids, A fire within is now a fire without, I scrub to get the smell of smoke off my skin. My words infused with a foreign smell, Forever changed by a place forever lost. Is it better to remain alone And never feel the flame, And never have to leave one day To only be a name.
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Aug 2, 2022
Aug 2, 2022 at 5:59 PM UTC
Leave
sunset faces seem filled with thoughtful reflection eyes drawn to their own page of living  and their own written in stone paths the golden light of the westbound sun gives its kindness to her weathered face hides the lines of worry that have shadowed her days and in the dark hour it will be the afterimage of her golden moment that will sketch this day in ink for me that will define this place for me the profile of her face in  golden sunset her proud strong frailty that her standing spoke so loudly as to confound the darkness and in thouse dying embers of daylight behind and by her side all these silent spectators to this strange day shall mark it within their own hearts what they beheld on this side road of humanity's circus one old woman stood and defeated the darkness
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Jan 11, 2014
Jan 11, 2014 at 7:29 PM UTC
humanity's circus
Pieces of my soul Pieced together in memory. Starlight in a Black Hole Of what never again shall be. A floating fading glow Darkened room image clear. Now seeing IS believing. Desperate attempt at keeping The fleeting spectre in view. A faded dream of a Once upon a dream come true.
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Apr 12, 2017
Apr 12, 2017 at 1:50 PM UTC
Afterimage (A Fading Dream)
Purple flower— lonesome afterimage; a fighter with a purple eye.
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Jun 23, 2022
Jun 23, 2022 at 12:49 PM UTC
Purple haiku
read this aloud, mind the punctuation, and, finally, enjoy. amethyst eyes alight with nighttime lightning, clapping lashes spark ruminations rumbling across the savannah of memory imprinting in me the afterimage of Now.   Now, Now makes me hers -- though i’m more willing a captive than she imagines: imprisoned in the present, tasting the electricity resounding in this soundless cell () deafeningly solid -- she grooves before me. slowly rolls me me rolls slowly   molasses boiling tongues twisting towards me ba-da doom ba-doom doom doom. i don’t know if it’s the fireflies caught in midnight-amber jars suspended by strands of suicidal curls tumbling down the pitch of your back, or your touch, come tentatively, but nonetheless titillating, for it softly pleas me to get grounded, stay a while in the timbre of warm fireside conversation and cocoa, or your teacup of a navel compelling i to lift laughter, fish up reminiscences, and transcend time, or when you lean close and lick me with your eyelash, as if a butterfly’s kiss, or your soft voice smoothly singing songs of four-lettered blues .   .     . .     .   . my god you’re gorgeous. dance with me, Now     for two more turns of the moon let’s defy posterity and traverse the curves of each other’s words and purge our selves of self     let’s anesthetize Now, marinate in the moment, savor the silence and become sap-trapped fossils left for the future     let’s live a lifetime together in two more turns of the moon, Now,     so that I may memorize every quark of every electron of every neutron of every proton of every atom of every ion of every molecule of every cell of every sinew of every tissue of every ***** and every system of all your beauty, Now, you are perfect because you are am is and will never be anywhere else but here and nothing else but Now. feel me?    feel her?       feel here? Now.
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Feb 2, 2010
Feb 2, 2010 at 12:06 PM UTC
Now
read this aloud, mind the punctuation, and, finally, enjoy. amethyst eyes alight with nighttime lightning, clapping lashes spark ruminations rumbling across the savannah of memory imprinting in me the afterimage of Now.   Now, Now makes me hers -- though i’m more willing a captive than she imagines: imprisoned in the present, tasting the electricity resounding in this soundless cell () deafeningly solid -- she grooves before me. slowly rolls me me rolls slowly   molasses boiling tongues twisting towards me ba-da doom ba-doom doom doom. i don’t know if it’s the fireflies caught in midnight-amber jars suspended by strands of suicidal curls tumbling down the pitch of your back, or your touch, come tentatively, but nonetheless titillating, for it softly pleas me to get grounded, stay a while in the timbre of warm fireside conversation and cocoa, or your teacup of a navel compelling i to lift laughter, fish up reminiscences, and transcend time, or when you lean close and lick me with your eyelash, as if a butterfly’s kiss, or your soft voice smoothly singing songs of four-lettered blues .   .     . .     .   . my god you’re gorgeous. dance with me, Now     for two more turns of the moon let’s defy posterity and traverse the curves of each other’s words and purge our selves of self     let’s anesthetize Now, marinate in the moment, savor the silence and become sap-trapped fossils left for the future     let’s live a lifetime together in two more turns of the moon, Now,     so that I may memorize every quark of every electron of every neutron of every proton of every atom of every ion of every molecule of every cell of every sinew of every tissue of every ***** and every system of all your beauty, Now, you are perfect because you are am is and will never be anywhere else but here and nothing else but Now. feel me?    feel her?       feel here? Now.
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24
1. I never saw you on the day you were born I wasn't there. I never met you in your youth I wasn't there. I probably won't see you on your last day I know not how the current will carry tidings. 2. Yet, I never saw such life in anyone's eyes As I see in you. I never felt such intense flow in a pure heart As I do in you. There is no way to fully express How happy I am with the milk of your kindness. All I want, is to ride that carriage with you And drink of love's potion, keep you sated. 3. Come, take my hand and let me hold you Don't you crowd us out so; allow to breathe Our universe expands as enchanting melodies, we share Shut-tight eyes leave a crazy stab of an afterimage. Upon the tracks, lies the truth in broken pieces Time to gather my singularly talentless wits Recuperate from rhythmic clacking of euphoria A drab shoelace in flat, brown mud, is how you see me. There's a part of my journey that includes you An integral part of my existence seeks that spark I have seen you, without yet seeing you! How can I know that failure dogs not this adventure... Can you really not see how extraordinary this is? It may count as fiasco if absent pursuit of mysterious core... 4. Without you, I'd be on an express train to nowhere. At least, you're still there (alive :) S T, 3 May 2013
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May 3, 2013
May 3, 2013 at 5:38 AM UTC
Express train
she was a quick pencil sketch nothing more than a moments hurried hand her perfume and brushed hair an echo in the worlds soundtrack she was a quick pencil sketch in a world of masterpieces in motion but thouse few dark lines were spent here in the walls of this silent room sketched in the afterimage of her presence sketched in the lingering words of her farewell each line cast down to page with a quickness but drawn out in the mind to slow abandon to slow capitulation to a lesser dream one of crying one of loss her perfumed brushed hair catching the light as the door closed a masterpiece of motion to the world a sketch of dire love to me
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Jan 12, 2014
Jan 12, 2014 at 3:11 PM UTC
masterpieces in motion (part two)
fresh tracks into the distance well past midnight the streetlight afterimage reflected in pools of unblemished rainwater stirs with slow echoes of the night stirs with the slow echoes of the summer keepsakes she quickly squirrels away in the tiny pocket sewn into her deep blue dress the tiny pocket where she has a lock of his hair a picture of the ship he sailed off to sea on a note he left her telling her that he would dream of her now the keepsakes she puts away are twigs from a tree a peice of plastic from a beach bits of things that her wandering mind grasped upon with a smiling fancy on a stormy night September 1932 his ship was lost with all hands all these years she waits all these years she keeps vigil by the shore gathering strands of the world driftwood of lives cast off like her own set adrift without particular place to be and she has been lost in mind and body waiting for him to return fresh tracks into the night well past midnight the streetlights image reflected changes slowly to show a figure walking carefully up the lane his steps trying to remember where they had been once before was he returning was he just a shadow or dream she held her breath in delight and in trepidation in the first light of day her empty home lay quiet
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Jul 29, 2013
Jul 29, 2013 at 8:30 PM UTC
empty home
~ "Suspense is like a woman. The more left to the imagination, the more the excitement." ~ A mixture of sinister and sweet, smoking gun at your feet. Reclining dead in a meadow, or wishing you were as you gaze out your window. Bottling undecided dark, catching keyed-up light, in random, misleading angles. The uniform hour holds Grace, Grant, and the mystery it entangles. Don't look directly at the camera, icy blonde afterimage. Everything you need is written on the page. Number 13, Mrs. Peabody? Don't you know all contemporary escapist entertainment begins by turning your back? Lingering on what suspicious minds track. The migrating voyeurism sits as the crow, wired and unfriendly. The method is an organism, an implication, a crossbow, thought, but unseen. He will push the girl, until you succumb to dream sequences. It's snowing humiliation at Winter's Grace, for out of the male gaze, invading your space, you become gifted at doing nothing well, in sheer under-things, (for inner circles & triangles of fur are all the rage in Europe). Yes, he hates pregnant women, because then they have children. So leave him to his work, to analyze your handwriting, and build that ramp directly into your trailer. His larger than life silhouette will fill the silver screen with tension, trip wire, and a ****** ambivalence, that ends with the violent sound of someone packing a suitcase. He enters by virtue of this door, and you leave through another, and another, and another, until the final scene alters your state of mind. Your pretty little feet dangling precariously over the edge...
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Sep 19, 2020
Sep 19, 2020 at 4:36 PM UTC
Surviving Hitchcock
~ "Suspense is like a woman. The more left to the imagination, the more the excitement." ~ A mixture of sinister and sweet, smoking gun at your feet. Reclining dead in a meadow, or wishing you were as you gaze out your window. Bottling undecided dark, catching keyed-up light, in random, misleading angles. The uniform hour holds Grace, Grant, and the mystery it entangles. Don't look directly at the camera, icy blonde afterimage. Everything you need is written on the page. Number 13, Mrs. Peabody? Don't you know all contemporary escapist entertainment begins by turning your back? Lingering on what suspicious minds track. The migrating voyeurism sits as the crow, wired and unfriendly. The method is an organism, an implication, a crossbow, thought, but unseen. He will push the girl, until you succumb to dream sequences. It's snowing humiliation at Winter's Grace, for out of the male gaze, invading your space, you become gifted at doing nothing well, in sheer under-things, (for inner circles & triangles of fur are all the rage in Europe). Yes, he hates pregnant women, because then they have children. So leave him to his work, to analyze your handwriting, and build that ramp directly into your trailer. His larger than life silhouette will fill the silver screen with tension, trip wire, and a ****** ambivalence, that ends with the violent sound of someone packing a suitcase. He enters by virtue of this door, and you leave through another, and another, and another, until the final scene alters your state of mind. Your pretty little feet dangling precariously over the edge...
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74
Beneath the arch,         among the branches,       the maunder of her eyes            finds noir in an afterimage, every reflection is unique,     explicit and indivisible,         every reflection is her,       there she looks close        for gracefulness,             in the essays of her skin                and their brazen transparencies,          she enters into her body fable,       the shape of her resembles            the tenor viol: where it widens,                   where it narrows,                 where it digresses               and monochromes,            she reflects a fragile geography,              a soft cargo, but                an inkling of hurricane,              rendering the fault lines           beautiful and strong,        in supplication tomorrow's explorer will disturb the patterns    until she's become her own lullaby
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Mar 2, 2025
Mar 2, 2025 at 1:16 PM UTC
Wilderness of Mirrors
i. there’s a girl. narrow-boned, wild hair like a lion’s mane, sprawled underneath the shade of a looming fig tree. her teeth are all that’s sharp about her. soft curves, soft lips, a soft paradox in the Garden. in this lost land, there she is, subtle and tinged with the same stardust you once believed could save us all. angelic, you’d call her, if she looked more grotesque. more like the cherubim of ol’, dressed in flames, impaled on swords, screeching the name “hosanna, hosanna” without mouths. but there are no wings, no heavenly trumpets, just the afterimage of divinity– something laced with hope, but already rotting. she spits out seven seeds and you don’t know if this is a land of God or gods anymore. ii. she smiles and it feels like death. you are unable to solve the riddle sprung from the lion’s ribcage– but the roof of your mouth tastes like honey and blood and you don’t mind. there’s no linearity, no familiar whine of a donkey, nor the sound of sand against gravel or sandaled feet marred by sunburns and blisters. there is simply you and her and an eternity of possibilities that whisper in a forked tongue, “adam, oh adam,” and your heart drops. is this the end? but it tastes so sweet and you are alright to die like this, cradled between what was once in your womb and a creature of scales. you do not expect the guilt that drips down your chin with each rivulet of juice. iii. they call it love. you call it divine absolution. she calls it the beginning of humanity.
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Jul 10, 2018
Jul 10, 2018 at 9:51 PM UTC
what was born that day?
i. there’s a girl. narrow-boned, wild hair like a lion’s mane, sprawled underneath the shade of a looming fig tree. her teeth are all that’s sharp about her. soft curves, soft lips, a soft paradox in the Garden. in this lost land, there she is, subtle and tinged with the same stardust you once believed could save us all. angelic, you’d call her, if she looked more grotesque. more like the cherubim of ol’, dressed in flames, impaled on swords, screeching the name “hosanna, hosanna” without mouths. but there are no wings, no heavenly trumpets, just the afterimage of divinity– something laced with hope, but already rotting. she spits out seven seeds and you don’t know if this is a land of God or gods anymore. ii. she smiles and it feels like death. you are unable to solve the riddle sprung from the lion’s ribcage– but the roof of your mouth tastes like honey and blood and you don’t mind. there’s no linearity, no familiar whine of a donkey, nor the sound of sand against gravel or sandaled feet marred by sunburns and blisters. there is simply you and her and an eternity of possibilities that whisper in a forked tongue, “adam, oh adam,” and your heart drops. is this the end? but it tastes so sweet and you are alright to die like this, cradled between what was once in your womb and a creature of scales. you do not expect the guilt that drips down your chin with each rivulet of juice. iii. they call it love. you call it divine absolution. she calls it the beginning of humanity.
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9
You're an afterimage You shine so bright upon me You're an inducement Your eyes draw me forth You're a vibration Your voice shivers my spine You're a compression Your legs wrap about my will Here I am now My fatal sweet Waiting to be consumed
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Mar 30, 2020
Mar 30, 2020 at 10:40 PM UTC
Spiderlight
My hands have become raw. The constant digging has made me complacent. The tools have been scattered. Just as the thoughts I sift through. Glory to those that have found the treasure. Trinkets of blight and misfortune is all that is left. Do I cherish what remains.. Consume those that are truly nameless. Faceless. The definition is lost on me. Yet I find solitude in the despair it brings. A constant that always keeps its promise. The lighting strike has found its mark. For just as fast as it has come. Lighting up my eyes. I am left with only the afterimage. A burn that is slowly fading. And soon. It to will be that of my imagination. Hinting at a past with static charge. Will this Phoenix rise. Or has the fire finally been extinguished.
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Dec 29, 2015
Dec 29, 2015 at 12:33 PM UTC
Craters upon Craters 122915
This constant rain and thunder never ceases, makes me wonder why lightning looks like shutterflash taking pictures of my life... Afterimage and epic photonegative redroom and redsky, black and white antiqued and superimposed into a dull square picture frame display this moment of my life for eternity. i'm blinded by flash after flash of lightning before my eyes as i'm carried off by gale winds into the clouds and i'm never seen again...
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Jul 14, 2012
Jul 14, 2012 at 10:49 PM UTC
Shutterflash
engulfed in viridescent i suffocate, there’s no way my existence only live in one color! at this rate, i will only absorb monochromatic colors- boring, black and white colors- my life isn’t an empty chess board! my life is supposed to be a prism after sunlight, reflecting the colors of the rainbow rays after heavy rainstorm. my life is supposed to be a clear cheerful lights that invite happy beams from every eyes that saw me! where are those beams now? there are, but all of them are impish smiles. it can’t be. it can’t be. now it’s only one solid color, a color that allows me to be invisible. perhaps it’s better this way. i would die rather than letting my morose colors transparent. until when? will i hide my colors forever? but then, i will never witness the rays of the sun. how will i refract rainbows, if i only let myself hide in the color of the night? the sun. the sun won’t come out. but the clouds are here. gray, heavy clouds leaking of water. ah. maybe i should wash my colors. wash, wash, until i’m cleanse. wash, wash, the loud sounds of thunderstorm. wash, wash, rain, volatile sky projecting a vicious achromatic light. let my colors melt in rain. until my vicinity is filled with fluorescent bulbs, ‘til the sky is pastel, 'til holographic air diminish, 'til then, i can see others beams, and my own cheerful color is the best one i could display so far.
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Nov 21, 2017
Nov 21, 2017 at 2:25 PM UTC
i am an afterimage of sunshine
In the heart of the fire a temple burns higher Call me a liar Do you believe the same as they deceive? Instinct over spirit recieved bested by the animalistic quality to falter from taking charge of the fallacy or to clear a path for the bard that beckons to be more than an aspect of frivolity diminished by ecclesiastical polity Thine ego spreads like a **** among the flowers growing faster with an unquenchable thirst for power devoted to consumption and the benefit of itself til sour and nothing else Thus creating an afterimage that resembles all that we desire with all that we pretend to be Half the ecstasy wired, that we could actually free higher from what comes naturally, divine to masters who wield compassion and invulnerable humility as a weapon of civility Surpass the masses' ability Grasp the clasp of immortal nobility Endire and outlast the harassment willingly to channel all the blessings of grace it will carry thee
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Oct 8, 2017
Oct 8, 2017 at 10:05 PM UTC
Stand Front
you know what happens to them. or maybe you don’t. maybe you’re still caught in the flood. that’s okay. it’s better to drown than to burn. don’t you think? don’t you think? don’t you think? it comes to me in two distinct shapes. (distinct. are they distinct? to me, yes, but i suppose to you they are just as shapeless as i am to you.) him. my beautiful idiot. though his hair and eyes are dark as night, i know there are sparks that lie there, dormant. waiting to be ignited. but he makes me smile, makes me laugh so hard my stomach begins to hurt. i haven’t felt a good hurt in such a long time. the lips of his ghost leave an afterimage on my neck. he likes to watch the color rise to my cheeks, likes to watch me squirm. he thinks i’m worth something. her. my ethereal starry girl trapped in a rotting sack of flesh. she wants out. she wants out. i know she will supernova anytime. it will be just as beautiful and terrible as she is, but i don’t want her to go. she keeps me from floating away, even if i am so unbearably heavy as a result. she protects me, loves me. she always tells me so. i can still feel her hands on mine. they’re warm. she thinks i’m worth everything. but it doesn’t matter which form it takes. it always ends the same. they kiss me (hold me protect me embrace me touch me touch me touch me touch) and they burn. they always burn. it’s because of me, i know it’s because of me. this can’t be my skin then, it can’t be. it must be gasoline or gunpowder or nitroglycerin or god i don’t know but don’t touch me don’t touch me don’t touch me don’t touch
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Feb 18, 2018
Feb 18, 2018 at 5:21 AM UTC
don’t love things that burn
you know what happens to them. or maybe you don’t. maybe you’re still caught in the flood. that’s okay. it’s better to drown than to burn. don’t you think? don’t you think? don’t you think? it comes to me in two distinct shapes. (distinct. are they distinct? to me, yes, but i suppose to you they are just as shapeless as i am to you.) him. my beautiful idiot. though his hair and eyes are dark as night, i know there are sparks that lie there, dormant. waiting to be ignited. but he makes me smile, makes me laugh so hard my stomach begins to hurt. i haven’t felt a good hurt in such a long time. the lips of his ghost leave an afterimage on my neck. he likes to watch the color rise to my cheeks, likes to watch me squirm. he thinks i’m worth something. her. my ethereal starry girl trapped in a rotting sack of flesh. she wants out. she wants out. i know she will supernova anytime. it will be just as beautiful and terrible as she is, but i don’t want her to go. she keeps me from floating away, even if i am so unbearably heavy as a result. she protects me, loves me. she always tells me so. i can still feel her hands on mine. they’re warm. she thinks i’m worth everything. but it doesn’t matter which form it takes. it always ends the same. they kiss me (hold me protect me embrace me touch me touch me touch me touch) and they burn. they always burn. it’s because of me, i know it’s because of me. this can’t be my skin then, it can’t be. it must be gasoline or gunpowder or nitroglycerin or god i don’t know but don’t touch me don’t touch me don’t touch me don’t touch
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5
I -dulcimer clatter opens the sun, first fruit- timber fathoms/crystal veils on all steps, crossing all human borders untethering wood from forest, until only the green element remains to purify the soul    an alpine afterimage, shadow-display (creature of Earth, moss-backed & yowling thru the chaotic sleep of October, you see it's symbology in your tea, sharpening its obsidian hands against the seastones, imprinting loveliness into the rock, to be worn by tides, replaced by death absolute) The fabled Black Horse (shadow-self) waiting solitary at a gas station, an imprisoned dreamer inside its gaping jaw/saturnine, coldness of daybreak, clouds at their Atelier, my head feels a pressure, been awake too long, breathing in through the nose/out through mouth, monastery of the mind in need of clearing. II Soft/soft/skin/fury embrace, catharsis, collision of two individual energies pent-up and cast/release like a skeleton net::onfire (kissed, consumed elated, recurrance) closeted eternities cycling back into the wind (hanging willow) calling to the seeker, gold, purification & lightness/mouthcurl washed in silence (your own body, rising tide) welcomed crucible of chilling air & my black and white vessel,   electricity spirit- whispers         “valley swimmer, elude me” FLASH OF LIGHT III …. The widewaking world unspun-                             theatric elucidation, emergence of a great snake a wisened flower, sprouted from exile blissful rejuvination of the ivory leaves, at once! I wrap my throat in a Munich scarf (pattern-blue)    walking upon the softness of Grötzingen (angel's eyes speaking) an orchard, where the last gardener's tireless work lay like a dreaming ossuary
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Oct 11, 2017
Oct 11, 2017 at 9:48 PM UTC
perpetuity (valley swimmer, elude me)
I -dulcimer clatter opens the sun, first fruit- timber fathoms/crystal veils on all steps, crossing all human borders untethering wood from forest, until only the green element remains to purify the soul    an alpine afterimage, shadow-display (creature of Earth, moss-backed & yowling thru the chaotic sleep of October, you see it's symbology in your tea, sharpening its obsidian hands against the seastones, imprinting loveliness into the rock, to be worn by tides, replaced by death absolute) The fabled Black Horse (shadow-self) waiting solitary at a gas station, an imprisoned dreamer inside its gaping jaw/saturnine, coldness of daybreak, clouds at their Atelier, my head feels a pressure, been awake too long, breathing in through the nose/out through mouth, monastery of the mind in need of clearing. II Soft/soft/skin/fury embrace, catharsis, collision of two individual energies pent-up and cast/release like a skeleton net::onfire (kissed, consumed elated, recurrance) closeted eternities cycling back into the wind (hanging willow) calling to the seeker, gold, purification & lightness/mouthcurl washed in silence (your own body, rising tide) welcomed crucible of chilling air & my black and white vessel,   electricity spirit- whispers         “valley swimmer, elude me” FLASH OF LIGHT III …. The widewaking world unspun-                             theatric elucidation, emergence of a great snake a wisened flower, sprouted from exile blissful rejuvination of the ivory leaves, at once! I wrap my throat in a Munich scarf (pattern-blue)    walking upon the softness of Grötzingen (angel's eyes speaking) an orchard, where the last gardener's tireless work lay like a dreaming ossuary
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55
Scott took a slug of his beer, reached deep into the breast pocket of his coat, and pulled out an empty pack of marlboros. He flipped the top and was distraught when he saw the empty space where his addiction should've been hiding. As he shrugged his way into that coat, which has warmed him for years, he thought: *Jeez, these sleeves are ******* cold!* He told Vince, the immortal barkeep, that he'd return ever so briefly as he stepped out into the weighted rains and ceaseless winds. Making his way down the road towards the inevitable gas station while counting his dollars and cents, Scott is blinded to the world. But a seventh sense strikes him suddenly and he hears his neck creak as he looks up, over, and across the busy street. Wait, he thinks, *how did she get here?* yet there she stands alone on the corner. I'm drunk, the thoughts roar, she's no more.. Cars and trucks cut through his vision and she is but an afterimage, her dripping hair blowing in the unforgetting winds. She's gone man, his mind screams to him, but it's his eyes that deter potential lies. He actually sees her over there, even meeting her own eyes in an endless moment of futility. Whispering incomprehensibly to himself he steps towards her, onto the street. That's when life becomes shrouded in screeching tires and burning brakes, and Scott forgets all about his smoke break. That's when life becomes darkness, and she fades away into the rain as a bus paints the road with his brain.
0
Apr 3, 2015
Apr 3, 2015 at 8:47 PM UTC
Dying for a Cigarette
How did you wear it so easily, make your head hang so naturally? Perhaps it's one of those things for only some people. For some, mourning suits. I'm not one of them. Tell me, how did you cut your grief so clean in half, just like a smile I saw caught in the gleam of sun on a swimming pool, shimmering in a mirage or a lifetime ago, when the summer heat knew us and was simmering around us, lifetimes ago. It cut the world in half, divided then from now, divided moonlight, split open decay to allow for more decay. We've been doing that since May. Now it's autumn, meaning cold feet and a pile of laundry losing heat, and inconsolable sky and a train pulls into the platform, empties itself, and on a sixth floor balcony, evening dewdrops cling to the railing, trembling, shy. The thud of old telephone books, thrashing in the wind. Our bones shook, as we went on running on, ruining one another for anybody else. Everybody else. Broken leaves, gold and russet. Seasons leave us more than people do so why is it we don't mourn the fallen from trees as well as wars and cars and wars and wars and wars. The 11th of the 11th month at 11 they called for peace. Rest in peace. At 11:11 I wished that someone somewhere will soon kiss away my idiosyncrasies and my memories until they sigh, bye, bye, and you're gone as if never here. They always say earth is a place you didn't belong. Cold and birdsong, chuckling at the window. You are always there- yes you, at the edge of that photograph in lecture halls. in guitar chords, in nothing-at-alls, in hospital wards. Your face, slow-burning, an afterimage, across fields of morning light, under the lapels of mourning suits.
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Oct 19, 2014
Oct 19, 2014 at 12:36 AM UTC
Mourning Suits
How did you wear it so easily, make your head hang so naturally? Perhaps it's one of those things for only some people. For some, mourning suits. I'm not one of them. Tell me, how did you cut your grief so clean in half, just like a smile I saw caught in the gleam of sun on a swimming pool, shimmering in a mirage or a lifetime ago, when the summer heat knew us and was simmering around us, lifetimes ago. It cut the world in half, divided then from now, divided moonlight, split open decay to allow for more decay. We've been doing that since May. Now it's autumn, meaning cold feet and a pile of laundry losing heat, and inconsolable sky and a train pulls into the platform, empties itself, and on a sixth floor balcony, evening dewdrops cling to the railing, trembling, shy. The thud of old telephone books, thrashing in the wind. Our bones shook, as we went on running on, ruining one another for anybody else. Everybody else. Broken leaves, gold and russet. Seasons leave us more than people do so why is it we don't mourn the fallen from trees as well as wars and cars and wars and wars and wars. The 11th of the 11th month at 11 they called for peace. Rest in peace. At 11:11 I wished that someone somewhere will soon kiss away my idiosyncrasies and my memories until they sigh, bye, bye, and you're gone as if never here. They always say earth is a place you didn't belong. Cold and birdsong, chuckling at the window. You are always there- yes you, at the edge of that photograph in lecture halls. in guitar chords, in nothing-at-alls, in hospital wards. Your face, slow-burning, an afterimage, across fields of morning light, under the lapels of mourning suits.
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54
Books of word in shaded writes not as other Reading was penned. where wrote but black Pages of nothing, words claustrophobic in tight Proximity but never viewed on sights unseen In either dusk or light. Gathered upon nameless Shelves, dust gathered where words left unspoken. Many fought the paradox of never reading these Pages that pulsated In mystical thought.This library Of books with neither word, but pages took the Lives of many never a mark. But now their bones Lie in waiting anticipation, now eyes hollow of Needed words only grasping torn parchment. Along she came silken gloves, garbs that cut upon Fine curves, she walked with a look of cautious pleasure As if  seeing but knowing what was beyond her sight. Her only companion was a stick old yet shimmered In a mirage of confusions light. For after she was beyond Glares, her memory an afterimage upon others cares. She had heard of this place of pages as dark as night, Heeded upon thoughts of countless others who had Pilgrimaged to this place, all faded from memories Sight. "I wonder if a book can be read in darkness, She sighed; and she came across this Old redwood Door, in a redwood trunk as it stretched upon high. Old door was neither of key or grip. She stood patiently As rain shivered bones as night turned to day. Thinking of how a door would be opened, Then a Thought smiled upon her lips."Knock, Knock, And that which was closed now let her in. The air Smelt of old paper and the air was static and sweet. She gathered her surroundings and where wood Had greeted her, now there was but a view of the Plentiful forest that stood outside. She reunited her Thoughts of consumed panic and breathed. Her stick she grasped and in words whispered, it Shrunk to but a branch in griped tightly in her hand. Noticing those that had stumbled or sneaked in this place. Each a book or page in white closed palms, they were Silent but told her stories of there fate. each page black As if night had set upon them and sleep was like sinking Sand drowning never to ever awake. Once again words spoke upon a branch and light did  like Firefly playing against this enlightened place. She scrolled On pages of onyx black and where once a void of nothing Her light gained access to the darkest palace and words Shone in echo's of time. Bestowed on this beauty was The key to words unspoken now glanced upon in sight. "I will learn your words, "Never revealing what others might, The library now hidden, but a tree can be found in This wood, and on certain nights fireflies dance around It and play in moonlit fun. All the while a woman Looks after words that heed great power. But in The hands of light, words dance upon air into the night.
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Nov 26, 2015
Nov 26, 2015 at 6:46 PM UTC
The Girl And Her Stick
Books of word in shaded writes not as other Reading was penned. where wrote but black Pages of nothing, words claustrophobic in tight Proximity but never viewed on sights unseen In either dusk or light. Gathered upon nameless Shelves, dust gathered where words left unspoken. Many fought the paradox of never reading these Pages that pulsated In mystical thought.This library Of books with neither word, but pages took the Lives of many never a mark. But now their bones Lie in waiting anticipation, now eyes hollow of Needed words only grasping torn parchment. Along she came silken gloves, garbs that cut upon Fine curves, she walked with a look of cautious pleasure As if  seeing but knowing what was beyond her sight. Her only companion was a stick old yet shimmered In a mirage of confusions light. For after she was beyond Glares, her memory an afterimage upon others cares. She had heard of this place of pages as dark as night, Heeded upon thoughts of countless others who had Pilgrimaged to this place, all faded from memories Sight. "I wonder if a book can be read in darkness, She sighed; and she came across this Old redwood Door, in a redwood trunk as it stretched upon high. Old door was neither of key or grip. She stood patiently As rain shivered bones as night turned to day. Thinking of how a door would be opened, Then a Thought smiled upon her lips."Knock, Knock, And that which was closed now let her in. The air Smelt of old paper and the air was static and sweet. She gathered her surroundings and where wood Had greeted her, now there was but a view of the Plentiful forest that stood outside. She reunited her Thoughts of consumed panic and breathed. Her stick she grasped and in words whispered, it Shrunk to but a branch in griped tightly in her hand. Noticing those that had stumbled or sneaked in this place. Each a book or page in white closed palms, they were Silent but told her stories of there fate. each page black As if night had set upon them and sleep was like sinking Sand drowning never to ever awake. Once again words spoke upon a branch and light did  like Firefly playing against this enlightened place. She scrolled On pages of onyx black and where once a void of nothing Her light gained access to the darkest palace and words Shone in echo's of time. Bestowed on this beauty was The key to words unspoken now glanced upon in sight. "I will learn your words, "Never revealing what others might, The library now hidden, but a tree can be found in This wood, and on certain nights fireflies dance around It and play in moonlit fun. All the while a woman Looks after words that heed great power. But in The hands of light, words dance upon air into the night.
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54
Giving a chance testing my luck defying my dream's will feeling like sculpting. I think i am going to put you in trouble for that cup of coffee my memories like offerings to an altar of old scars. Forgive me excuse me for such a long talk but i think the trembling in my heart has stopped. The tone in your voice was sad our minds were gone in feelings we could not name.
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Nov 16, 2017
Nov 16, 2017 at 8:12 PM UTC
Afterimage
to dream of flight would be betrayal of the promise I made spurred by memory that can never forget your afterimage burned behind my sleeping eyes faint fears have begun to make a tremble in this mind weakened by such pain that if again caution is thrown to the wind it would forever vanish into the sky I have given you light in our darkness a voice to follow in our violent wake but should this fate befall us once more in those dreams I fear I will begin to dwell I beg us give no reason to find fault within and keep us in reach of the sun's warmth that if there comes a day when caution leaves I won't regret that I did not give chase
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Jul 19, 2011
Jul 19, 2011 at 1:56 AM UTC
caution
The last streams of daylight fade away, Like the frail afterimage Of melancholic memories; Drifting quietly like seaglass, Submerged in an unfamiliar world.
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Nov 10, 2021
Nov 10, 2021 at 9:16 PM UTC
Untitled