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Virginia,
bathed in the misty Ouse
overcoat pockets filled with the hard grey stones of life
dark rocks to match the shadows
of the mountain heaped upon her back
until she could not bear the load
so she swam, and did not leave a forwarding address
or bring a towel and sandwiches for a picnic
Flagged-Suicide themed
fray narte Mar 2022
dearest stranger,

i am too abstract now for my own good. i feel and hold myself, in place, in my hands and i slip right through like sunlight, like tiny moth scales, like the delusions of a sauntering ghost, like all things unreal and untouchable, like a madwoman, laughing away in her free fall to an unsteady ground.

and all the flowers are cheering in their surreal, psychedelic scarlets, and all the rocks are breaking, and all the words are failing to capture what i truly feel.

am i still despairingly corporeal, like paper napkins and panes of glass? am i still in actual flesh, now that god doesn't exist? am i still as tangible as this last, frantic breath of a letter?

am i still actually here?

bidding my farewell now,
ginia
fray narte Dec 2020
lately, i am a wreckage of bones
sinking into an internal wound.

if woolf had been alive,
she would carefully fill her pockets
with rocks, falling off a gravestone
and tread,
slowly into my skin —
all drenched and waist-deep
in a heavy, black dress.

and down, she slips away.

oh to never resurface
has its certain poetic appeal
so send some flowers
to the bottom of the lake —
it is now a deathbed
for my weary bones.

and down, down, they slip away.

lately, i am but prosaic murmurs
and bloated flesh
and i guess the difference
between drowning and sinking
is the art of giving up.

i guess the difference is that
here, sirens do not sing to lure;
they all still
and mourn a poet's death.
so young,
so wrong,
so tragic.

and lately, i am a wreckage of bones
sinking into an internal wound.
and down, i go.

and down, i sink.

and down,
i slip away.
uzzi obinna Jan 2018
Who am I to fly you to the sun,
Where the stars sit and watch us burn?
Who am I to take you to the sea,
Where Leviathan is supremacy?

Where else can I make your home,
A place where angels and demons roam?
Where can we find a safe hole-
A place to hide your precious soul?

Sometimes we can hear the ocean calling,
Sometimes its a still small voice whispering,
The voice Dear VIRGINIA heard- yes the troll,
We'll forever miss her- oh bless her soul;

What will the departed say of u and I?
Will they receive us in the sky?
What will we see when we look the devil in the eye,
Will it be hate, compassion, remorse or a battle cry?

Shall we see the pentagram when the sun king is born?
Will there be hope for the broken and the torn?
Will we hold hands and dance in the vineyard of Jezebel?
The vineyard which Naboth refused to sell.

What if we just sit beneath the stars tonight,
And watch our enemies burn in their fight?
And ask the moon to shine very bright,
So that none would be out of sight?

The world is in so much terror,
Anguish of an unending labor,
Children of perdition is all she brings forth,
Many without substance, without worth:

Gather your friends as we cross the red sea,
Let all those who say we can't, stand and see;
The sun and her friends shall stand still,
While we fulfill our hearts utmost will.
rmh Dec 2017
what were you thinking as
you walked into that lake
with your pockets full of
rocks and a letter for your
husband on the kitchen table?
your mind ate you alive
and there was nothing
anyone could do to stop it
- how i wish i could have stopped it
based off of one of my heroes, virginia woolf.
Martin Narrod Jul 2016
Sometimes you can't win, you can only hear 'em talk. They might take your haircut and clothes, your jacket, and blame it on you for that. Some they say their ships coming in at this hour or that, but who can tell when they're riding the shadow of a ship or if they're just laying in the river waiting as all their clouds move passed.

She only takes a step if she can collect many stranded eyes. She walks right out of cities and leaves all the husbands cryin'. Her dignity has gone, her past is waiting up ahead. She's a loose cannon posted on the sea, and aimed towards land-locked places paved in red. But who can tell if they're just laying in the river waiting as all their clouds move passed. Her pockets filled with rocks while she draws the water to her breath, it's one of some confusion that most men and women will never half.

Soon the eyes fill up with blood, the pupils turn to silt, the skin turns into leather, no one I know yet has gills. Roof to the river, sun to Adam, this gardens very rude. **** your brother, slay a goat, and make an apple and serpent stew.

If the sounds keep getting louder, and the eight ball won't turn back. Keep your hands out of your pockets, don't walk into a river, go home and have yourself a bubble bath.

Save the cursing for the evening. Make your name something quite unique, this is today's new tomorrow, a pain from each bother, a whole in the ears not supposed to be there, don't wake up, your life is better, as long as your dreams they keep growing, while you keep working to keep yourself fast asleep.

The quarter isn't what it was, the arrow yields no more. And even if you've got 10 fingers, the man wants you to use more. Keep your arms in the ovens. Keep your disease to yourself. When the violence gets here, you'll find it's only you and her, and you both only love yourselves. The poison is growing, the water can't be drank, if you flick your cigarette ****, you might have your own Nagasaki in the middle of your kitchen sink.

So let the rocks do the talking. Let your slave work wait until the fall. It's so unpredictable picking poisons, that's why The Wolves do it in the river or on the kitchen floor.
Dreams of Sepia Aug 2015
( for Virginia Woolf)

Light & dark collide
her life is a palimpsest
of butterfly memories
of twisted ills & happiness
viewed through a pin hole
captured in black & white
The Lighthouse still stands
in St Ives where it always was
where she used to go as a child
she writes “ Mrs Dalloway”
& eats conference pears
Occasionally she hears the birds
singing in Greek as they fly by
Death, which will claim her is always waiting.
Martin Narrod Apr 2014
Your colors are so heavy, how dare I, I cannot sleep. Years inundated under, through skin coils, marigold fields. Yellow crocuses, orange California poppies. Moors of cattle ranchers, yokes of oxen. Plasticine uber-confidence, silky white-skinned testubular thrice people harmonies. Blisses of contagion, contagious bliss. Wrists and incisors, tying down in a bedroom, waking up to live harps and choruses. You dance like you're so alive, but I'm so alive I can't dance. Or breathe. Or knead my fists of earthen wears, or sell my soul completely. I drove off a cliff last night, but the four foot fall ended neatly. The plateau authors my chance to sew my bright, beyond- my fortunes. But the hour before I fall asleep, seems to be the greatest torture.

— The End —