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Emma Shinn May 2014
the world needs a lesson in self esteem

we can start by re-examining exactly what each part of that term means

self (hyphen): "to, with, toward, for, on, in oneself"
esteem: "favorable opinion or judgement; respect or regard"
self esteem: to hold a favorable opinion or judgement, respect or regard, to, with, toward, for, on, or in oneself

the world needs this lesson because our children do not know what this term means
because the reason they do not know is because their parents did not know
because the reason their parents did not know is because every generation before them passed along
a belief that you had to fit into every box, had to blend in to every crowd, had to meet every bullet point on the checklist
in order to be considered a person of worth

because the great secret that they never told is that people were not made
to fit into boxes, or be marked on a checklist

because my mother married a man who did not deserve her
because she thought that she wouldn't be able to do any better
because that man looked at his beautiful new stepdaughter
and told her she was worthless, and that her mother knew it too

because that girl was cursed with the hips and the **** and the waist of her great grandmother
and when she went to school with her stepfather's words in her head
a boy in her second grade class said the same **** things, and worse

because i was that girl and i was never the girl who got to walk behind me in the hallways
and laugh at the way that my shirt was too tight, and my thighs were too big, and laugh even harder when i cried
because my best friend in high school was always "the hot one"
and because i cried myself to sleep every time one of our guy friends talked to me about how much he wanted to **** her

because i craved objectification before i'd even finished ninth grade
because i wished that i could sink my hands into my own flesh and rip pieces away and be left with something "beautiful"
because i looked in the mirror every day of my life and pointed out every small detail of what was wrong with my reflection
because i hoped that would help me pretend it didn't hurt when other people pointed out the imperfections

because even after satisfying girlfriend boyfriend girlfriend boyfriend, i still did not feel good about my own body
because it took finding the woman that i want to spend the rest of my life with to make me want to turn the lights on when we ****
because she is the most beautiful woman that i have ever seen
but before me, she'd always wanted to leave the lights off too
because we are grateful to each other for the confidence we have gained
and because we both wish we hadn't needed the other to find something that should have been found within ourselves

the world needs a lesson in self-esteem
and i know this because
i had to write this poem
This is actually a transcript of what should really be heard recited as a slam poem. I do like how it works on paper though, so I thought I'd upload it without audio anyway.
J Jones May 2014
Nerds, Geeks, Fanboys or Girls
We are more than your Sheldon
We love our worlds
Our passion is more than T-Shirt Deep.
You've seen Spider-Man?
Good for you!
I can tell you in which issue Gwen Stacey dies
I can spoil 4 future seasons of Game of Thrones
and no I didn't need a ****** show;
Walking Dead.......whatever
been doing that since 2001
Our entertainment is far from the television or movie
You buy your toy or your ticket
but don't think you know us.
We created these worlds
they are by us and for us
We are not just maladjusted brainiacs
we feel deeper and want more
You watch; we experience
We fly through the sky
on the backs of dragons
We know the regenerations of The Doctor
We don't just relate To fiction, but THROUGH fiction.
We know the Allomantic properties of pewter
You don't.....?
Wait a year, you will...
Slam poem written after the billionth person told me I reminded them of Sheldon on Big Bang Theory.
jemma silvert May 2014
I think of you in colours that don't exist --
     that's not to say that I don't think of you at all,
          because, of course, technically every colour exists:
Even the ones we cannot imagine,
   Even the ones we cannot see.
Even the ones either side of the spectrum that light up the notes used for money, not music, because the notes used for money
   are
      not
         always
            real.
Even the ones either side of the spectrum that light up the heat of your body like your presence does the room
      and your eyes do my smile
           and your smile does my eyes;
You tell me that technically every colour exits,
   even if we cannot see it,
   even if we cannot imagine it –

For think of it now.
          Imagine in your head a colour that does not exist.
                    Now describe it to me.
Is it a splash of red with tints of a yellowy-blue?
Is it a pinky-purple hue,
    a hint of green, turquoise, maroon, sapphire, olive, violet?
Does it already exist in colours we already have names for,
      have we lived so long that every thought we think is no longer our own,
            every thought we think has been thought of before,
I think of you in colours that don’t exist
   but so has everyone else.

We cannot see it,
      we cannot imagine it.
But if we cannot imagine something that does not exist
   simply because we are confined to describing it
      in the words of an already existent language,
   what does that say about us?
We can imagine a waterfall of chocolate,
       a glass elevator bursting through the roof;
   shrinking potions and growing potions and talking rabbits.
We can imagine standing on the top of a building
      looking out over the greying city lights
            with lungs full of water
            a noose round our necks
            and the sole belief in our heads that we are jumping to fly
We can rewrite the future and make up the past
We can imagine wizards and witches and fairies and goblins
We have unicorns, ******* it,
     we have God.

And yet when I present to you a lover,
   an artist,
      standing in front of you now,
         yearning to make you his canvas,
You are too scared to fall in love,
              too scared to admit that you don’t have the words in your encapsulating little language to describe the things that you feel towards him.
For he does not need language,
   he does not need words.
He will stand here now,
   in front of you,
      and let you grace his collarbones with a diamond noose,
                          crown his withered corpse in a wreath of daisies,
                          dress his bones in slashes of rubies.
He will tear himself apart for you,
     for you,
     for you to watch galaxies flow out of his veins,
  velvet red blood screaming unwritten poetry,
  a torrent of unimagined colours pouring into him and out of him
          and with his one last remaining breath
              and a trembling hand,
he picks up his paintbrush
      and draws you into orbit,
  and like his fingers used to trace your shattered ribcage
    like the keys of an ivory piano,
he traces the outline of your lips.
And at last you draw breath,
         to whisper his name, to whisper your love, and all that remains
   is silence.
And you choke on the air and sound is still
         for all words exist so none can be spoken and suddenly everything
   is black.
And I think of you in colours that don’t exist
     like the wolf howls in lament of the side of the moon he will never see
          for all colours exist, and when I think of you,
there are none.

                                                      *-j.­s.
Spencer Dennison May 2014
We're not all the stuff of legends and fairy tales. We do try sometimes but we more often then not are doomed to fail, because being held to a standard that you're better than human is a hard burden to bear.

We don't all have the natural dramatic flair that makes us fare just that much better on the stage - But whether or not we will ever be like Aladdin, we rub every lamp just in case.

In the face of overwhelming improbality, we still find a way to get ourselves to say 'Maybe this time, it'll be different. Maybe the innocent will not suffer and maybe this time they'll catch the bad guy'.

Who am I to dream? Who am I to make more out of something than what would first seem? Every one of these stitches and seams that run across our bodies like patchwork, every scar from every time we've gone to far or raised the bar, they are ours to wear with pride.
Just because something has been denied to you is no reason not to seek it again, but this twicefold. I may not be Rumplestiltskin but I'm going to keep trying to turn this straw to gold - because the dreams that come to us are ours to hold. Ours to clutch to our chest lest they grow cold.

It is because of these mistakes that we are where we are. When you fail, if you can re-trail what you did wrong all the way back to core of the problem, then you've got experience to store away until next time. I only learned to rhyme like I do through the impromptu misteps that we are all going to go through. And you will learn to be better.

Every, single, letter that goes into writing one of these little soliloquies has to come out like a summer breeze or they should not be put down. You can't squeeze your brain like a grape hoping that pure wine is going to come out. Inspiration comes from the funniest places and I guess you could say that you've been inspirin' me but there is still fire in me to temper the metal.

And I know I'm not going to get a medal for this, otherwise I'd probably do it more often. But each and every one of you needs to know that it is only through challenge and adversity that we grow into these monoliths we hope we one day become. If you can manage to stay strong, live long and keep is simple your whole life through... who knows? - Maybe they'll write the next fairy tales about you.
Just something I threw together one night. I'm somewhat proud of it.
Ashley Reem Apr 2014
TAKE A STEP INTO MY MIND
THE SEA OF WHAT I SEE
VIVID COLORS,
PROBABLY A TUNE; SOME SINGING
WANDER TO THE RHYTHM
LET THOSE BONES SHAKE FREE
CLAP YOUR HANDS
FEEL YOUR BODY MOVE
LET ME HYPNOTIZE YOU INTO A TRANCE OF DANCE
I KNOW YOU ALREADY KNOW HOW TO
WAKE UP IN YOUR OWN HEAD AND FIND
YOU ARE NOT BLIND
YOU SEE THE SEA TOO
WE ALL WALK TO THE BEAT OF OUR OWN DRUM
BUT THANKS FOR PUTTING YOUR FEET IN MY SHOES.
jennifer wayland May 2014
step number one: read the book wintergirls.
tuck away every detail like you're cramming for a test.
dog-ear the pages and carry it with you like a travel guide.
decide that with your fingers and toes always icy cold for as long as you can remember,
you were destined to be a wintergirl.
reread it periodically, for inspirational purposes.

step two: download the myfitnesspal app.
use it to track every calorie you put into your body.
memorize that an oreo has seventy calories, an apple has one hundred, a cup of hot chocolate has eighty,
a bagel has two hundred seventy (a number that terrifies you),
and on and on and on.
let numbers float behind your eyes just before you go to bed,
and let them stay there as you throw off the covers to do guilty pushups and situps in your room
for twenty minutes (burning one hundred and twenty calories).
ignore the warnings shouted at you in red text
when you eat less than twelve hundred calories per day.
look at the projections it gives you for five weeks from now
with weights that seem both too small and too large at the same time.
when your net for the day hits the negatives after weeks of trying,
feel the slightest pang of satisfaction.

step three: find your "thinspiration".
make a tumblr just to look at pictures of jutting-out spines and thigh gaps and ribs.
hold your phone up next to your reflection in the mirror
and pick out everywhere your body differs from hers.
when the girls on the fitness blogs start looking too heavy for your goal,
find the eating-disorder blogs.
obsess over their bodies almost as much as you obsess over yours,
but not quite as much.

step four: begin losing weight.
imagine yourself floating away, feather-light.
imagine yourself becoming skin and bones.
imagine this as you drag your heavy body from class to class,
as your muscles waste from malnutrition.
imagine this as you have to clean your hairbrush out
three times while you work tangles from your hair.
imagine this as you snap at anyone and everyone,
as you spend hours locked in your room.

step five: become a poet and write about yourself.
romanticize your own demons, just by calling them demons.
use as many metaphors as you can,
to avoid the harsh language of the truth.
and especially avoid writing about the crippling guilt
that hits you when you eat too much,
you're fat you're worthless you'll never be anything,
and hits you when you don't eat enough,
what's wrong with you how did you let it get to this point
voices in your head never abating.
avoid writing about your lack of motivation and constant exhaustion and always,
always, use words that imply mystery.
describe your mind as foggy, call your body diminishing.
never say it how it is, because you could convince yourself to quit.
never say that it's torture and you're in pain
and you just wish you were eight again, never considering this path.
never say that you need help but you don't want help.

if you have the urge to say these things,
say only that this disorder is not one you would willingly give up,
because you finally have something to control.
because it is the truth,
but it is also the romanticized truth.
trigger warning, obviously. this just came out of nowhere the other day. apologies for how harsh/offensive it may be.
Jenna Vaitkunas May 2014
A Response to Thought Catalog

Number One.
"She won't touch your stuff
because she doesn't want to do anything"
Which also includes leaving her bed
before six pm
meeting your friends
or seeing the movie you've been begging her to see
since the trailer came out last year

Number Two
"She'll probably forget you borrowed
money from her"
or to pay the bills,
or your birthday
or getting groceries

Number Three
"She's a cheap date"
more than likely because
she doesn't care where you go
but she wants to be back in her bed
the minuet she gets into your car
because now her insecurities
are buzzing in her ears
and clawing at her throat

Number Four
"She probably doesn't want to
meet your family"
sitting in her room terrified that
she's not good enough
that she will never be good enough
and they won't accept her

Number Five
"She will probably get drunk
and you can have *** with her"


Number Six
"You can get free drugs!"
she knows about her missing
pain pills and antidepressants
but she won't say a thing because
you love her, right?
it's selfish of her to think she needs those
she has you. right?

Number Seven
"She has poor memory
and a short attention span"
Unaware of whether its Monday or Thursday
or if she ate this week

Number Eight
"She won't talk that much"
instead she can soak up your words
and turn them against herself
until they infect her insides with acidic words
ugly/fat/ugly/stupid/ugly/useless/ugly/worthless

Number Nine
"She'll pamper you because
she's sensitive"
Here's the newest game you wanted
I hope it makes up for me not being good enough
Here's some money, go out with friends
I don't want to bring you down

Number Ten
"It'll make you look better"
She's a charity case
a lost cause
who lost herself
but she's *so lucky
she found you
She's like an accessory
that you drag around
she'll make you look perfect
won't she?
It's supposed to be simple.
Dating the dead girl walking.
besides the fact she'll
bawl her eyes out every time
you grab your keys
or the fact you have to deal with
the burden of having to hide
your mother's steak knives
so you can sleep in peace
without worrying whether
you will find her lifeless body
on your bathroom floor
Number ten
You can romanticize
the pain she goes through everyday
while her hourglass hearts
last grain of sand falls to the bottom
but you will NEVER
be able
to say you were the hero.
This probably sounds worse written than spoken but eh
wah May 2014
Thirteen is a fragile age
For both boys and girls
Not only for girls
But mostly for girls
When you are a female,
By the time you’re thirteen
You already have a basic idea of what you’re supposed to be like:
What you should wear, how you should behave, what you should say
By the time you’re a thirteen-year-old girl in the year 2008
There is an unspoken list of rules,
A non-verbal inventory of criteria that you should have met
By your fourteenth birthday
You must shave your legs,
You mustn’t wear dresses above knee length,
You must lose your virginity
By the time that I was thirteen years old,
All of my closest girl friends had lost their virginities
Albeit, they were fourteen and I was thirteen because I was a year ahead
But that is a different story for a different poem
This poem is about ****
I remember hearing my friends talk about how they had lost their virginities
In their beds, in the shower, in the backseat of his car
But when I was thirteen, I wasn’t worried about ***
I didn’t want to lose my virginity
Not in a bed, or a shower, or the backseat of a car
No, when I was thirteen, I was highly preoccupied with other things
I was worried about love and what love meant
I wanted to feel love in my heart and in my head
Before I ever felt it in my ******
And let it be said, now, half a decade later
That *** and love are not always the same thing
I wish I would have known that then
I wish I would have known that when he put his hand down my pants
While I was only trying to enjoy a movie in the company of my boyfriend
A man who I thought I could trust
Excuse me, a boy who I thought I could trust
I wish I would have known that when he whispered daggers in my ear
Telling me that he loved me enough to “grace” me with his touch
I wish I would have known that when he pushed me into the couch
With the rough insides of his palms
And gained entry to a gate
That I never gave him the key to
And I wish I would have known that when I asked him later,
“What just happened?”
Too stunned and in pain to cry
And he replied,
“It’s what girlfriends and boyfriends do.
It’s what you do when a girlfriend loves her boyfriend.
You do love me, right?”
And I said yes
When I went back to his house a week later,
I told him that I felt ashamed, and guilty, and *****
Because I didn’t want to lose my virginity
And I had told him that again and again and again
And I was enraged
I was angry because I didn’t have a word for what had happened to me
I had been taught that **** only happens in dark alleys
Not in the basement of your boyfriend’s home
I had been taught that **** only happens when you wear short skirts and halter-tops
Not jeans and a sweatshirt
I had been taught that rapists were old men who I didn’t know
Not my sixteen-year-old boyfriend of two years
And he responded to my anger
But instead of pushing me into the couch,
He pushed me into the wall
And then into the floor
And then out of his life
And you would think,
“Good, this is where it ends. It’s all over now.”
But let it be said, now, half a decade later,
That for survivors of ****** assault, it is never over
The story continues with Planned Parenthood staff, two years later
Having to be the ones to break the news to me
That it was not normal relationship behavior
And hearing the nurse, outside the door, tell another nurse,
“We’ve got another one.”
The story continues with my father asking me,
“Are you sure you didn’t just have *** with him? Were you asking for it?”
The story continues with my sixteen-year-old classmates
Calling me a ***** *****
Because a friend of my ****** decided to tell the entire school
About what had happened to me in that basement three years prior
The story continues after I broke up with my ex-fiancé
And he befriended my ******
In an attempt to **** me off for “breaking his heart”
The story never ends for ****** assault survivors
Statistically, a quarter of the women reading this poem
Will be or have been ***** at some point in her lifetime
And for those women, the story will not end
So now the question presents itself:
How can we end the story?
Therefore, as the author of this **** poem,
I take responsibility for this question,
And I answer it this way:
In the same way that I learned
When I was thirteen years old
That love and *** are not always the same thing,
You must teach your boys
That yes and silence are not always the same thing.
Martin Narrod May 2014
Something original. Of newer words, that originate from the pleasure and happiest of timeless incidents. The happenings, back of the park, near a set of restrooms, a pool of clear sea water and a purplish-red starfish. A sea cucumber. Trailing sea lions diving off of a cliff, a vertical display of rocks, moving a millionth of an inch each year. You caught me.  --------

I can't nail it. It happens to me when I sleep, it comes around me, over my shoulders and latches onto my breaths. I'm breathing and it creeps inside of me like a mealworm, I turn to look for it and it disappears again. It lives in a shadow but it is also a shadow of itself. An anomaly, a space for time and the tell of time, its hidden agenda, its positive nature, how it yields itself to prey, how it coos for a sweet smile, runs up to me in mid-day traffic, and kisses me, noon at military time.  ------  

The blessings come. All of them. Laid out on a table in red and white checkerboard, making the eggplant parm and the homemade vinaigrette. Peanut butter chocolate chip vegan cookies. A dandelion necklace that only fits around my wrist. It makes me weep some twenty years ago on a Playskool slide, orange, red, bright. I'm looking around my neck and still it's not there. Every where I want to be, every where I've gone and could go. I should go to California too but all of this...stuff, everywhere, under my legs, in my pockets, the closets tumbling high and low, I haven't had enough to change, and still I am wanting something else. You the same, my shoulders tell me stories, I listen and I fall asleep.  -----  

Sometimes my nerves grow quiet, my words grow- but then they just fall again, skittering in a lull plash of blue-green pond water. The bench I sewed to the ground. A tale of mirth and woe. I cannot call on you, you will not come. Sleeping beauty, blue eyes, blonde hair. I wrestle you in the day to day, the hour to hour. Minutes cannot go by. Pages that turn but I remember everything. My mind will never go.  -----  

Two pink letters in the post today. Maybe neatly placed for you. A fake-tattoo puffin, upper-left hand corner. My hands are empty, they have indecent memories, they write indelible superpowers. I can't go on. I run lake water over my ankles, slowly drift beneath arcing waves and cold grey skies. Half a day blue goes black, night comes and I whisper when the sky goes quiet. Nothing is as serious as this.   ------    


In a white box there are two pairs of shoes and a soft bear. The bear without the name. He doesn't speak to me so I leave him with the sea birds. Put them in a push cart and show them off, I take them here, I take them there. No one asks his name, where he's going, what he's going to do. ------------


Tuesday's are the worst. I count and count and count. I will never forget Tuesday's, twisting like a cuneiform jelly, fingernails spoiling me-meat, breaking the Styx crossing the river Rhine, there is nowhere that I will not go, only for me to cross time. To wait, I really hate waiting. Nothing comes between, I lie to a stranger and they fall in love instantly. I see you on Monday evenings and I want to kiss you gently, the sides of your neck, on the inside of your hand. Where do you go when all the shadows go? ----

Some of me is backwards. The waves shape the sky. A rabbit goes with a fire truck, a blueberry with a cephalopod. Back to the soft wood walls of the cotton luxe room. My legs have never felt so safe, you have never made my teeth so happy. In Russia you touch my face, I see you, a picture of you, any part of your eyes or the things you draw upon and I am instantly in love. I love you, a part of you, all of the parts of you, your soul is the only part of me disconnected. You are the happiest moments of my pleasure. You taste like Tahitian Vanilla and Acai berries. Gold grains hit our shins as we go like great wild horses through the alluvial plains. -----

I cannot count to you. There are no goddesses in numbers. I only have sleep, for you to look me square away into a bliss I have in a picture of the two of us, lost in our faces, our hands wandering each others knees. I sit across from you and I am not close enough. I go closer and I want to be inside of you, all across my limbs expanding our spiritual forms, intertwining in our skins. So I speak, I lay my words gently in front of you so you cross them as you walk our path, back from the sea into a narrow slumber. Sleep is the only place we all can play. You, me, her, her, and I.
Hannuh Jacey May 2014
I got engaged this winter.
Yeah, in vegas!
I've already started planning.
Spring wedding. A-line strapless sweetheart dress. Tanning!
Eggshell with dark blue accents.
Wildflowers and wedding showers?!


No.


Not everyone that gets engaged is Susie homemaker in rage mode.
Oh, here we go. I know
What you're thinking.
"She's only 22, she's in college, she's too young."
Please, save your pity.
I am most assuredly doing me.
I'm so tired of these stereotypes.
Giving engagements all this negative hype.
I see it all the time.
I'm also 22.
No, Taylor swift, not like you.
I'm doing it differently.
My life is also a party.
But
I too am living, only, my way.
I did get engaged.
And guess what, life's not over.
Not shortened, not stunted, not a bore.
I just don't feel the need to get trashed and go *****
Around.
Stereotypically college-like, of course.
You're problem is you think it's old fashioned.
Engaged?
"Oh, **** forget about passion."
It's trendy to think that.
Well, you don't know jack.
I haven't changed a wink.
I don't stand at the kitchen sink,
And cook. Or clean.
I do those things. But I'm OCD.
I'm not going to stop being me.
And a real man doesn't expect that.
This ring, and after,
He's still the same,
Our existence is full of laughter.
It's not sexist to fall in love.
It's sexist to think it is.
It's ******* you judge me for being.
The only difference in my life?
Is he shares my strife.
I'm sprung.
It's not old fashioned to get engaged young.
It's old fashioned to think engagements are like they used to be.
I have a permanent drinking buddy.
And we do drugs.
We share hugs.
And we have ***. A lot.
With video games in between.
Nope, when the ring came out that didn't stop.
This ring is not a ball and chain,
And that's what's wrong with your brain.
You think it's all about him?
I have to live my life on his whim?
I have to check my phone and "he better answer me," 24/7 of quality,
Time.
Nope, that's just you and your ex.
My guy, he expects
Nothing new.
Do I look like a house wife?
The last thing this has done is ruin my life.
I'm in school, I have a job, I have a goal.
I'm not playing some tired old role.
And my life rules because he supports it.
What are you ******* at me for? I don't owe you ****.
Much less an explanation.
Can I live?
He's got the world to give.
And I'm taking that,
On top of everything else I've got going.
And my momentum's not slowing
Because I experienced something beautiful in front of the Nike of Samothrace at Caesar's Palace.
The difference between you and me
Isn't that you're more free.
I've got someone who wouldn't change me and who doesn't want me tamed.
Have you EVER been able to say the same?
But... maybe you all disagree.
Maybe now I don't really know me.
I only know one thing,
And that's that I'm happy.
4/30/2014
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