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Mateuš Conrad Jul 2016
from the simple email, to now a pitch-perfect complication
of the internet - no performance poetry found here -
performance meaning singing, meaning cascade of rhymes
to help you memorise sentences and shake your hands
about - ekphrasis (εκφρασις) - performance stand-up
but not stand-out - i'm not complaining, i'm just feeling
the fear and loathing too - or according to M. Schmidt (
no, not Martin Schmitt, the ski-jumper, but then again
the two seem almost indistinguishable when said -
counter e.g. gnome - 'nome and schmi'dt'dt'dt'tt stutter
at the end of words rather than at the beginning before
the dam gates open for the word to flow out from).
besides the point, can you imagine Kant using the phrase
a fortiori in his work that uses only a priori and
a posteriori? i only came across it today - but given
the big *** systematic approaches, you'd find it hard
to squeeze in a fortiori into the complex narrative -
an entire blackboard of mathematical proof concerning
disallowing the end product to be ∞: in philosophy that means
explaining something on a universal basis, the entire human
concern for things said, things done, things owned -
inserting the term a fortiori where once came a priori
would be a disaster for the Kantian narrative, he'd
have to write another critique all on its own to insert that phrase
among a complete systematisation of that phrase -
well the funny thing is, this expression goes in line with that
i observed about left and right, hands eyes whatever -
indefinite a- and the definite -the articles and then an ism -
i sometimes feel funny or at least embarrassed that i keep
repeating this notice from time to time -
but you would expect me to include gravity too,
or how i used to be a flower thief in spring bordering
on winter, plucking the eager flowers in the frost around
the countryside - well, i revived that practice today,
plucked two stalks of lavender (they were pinching my
nose when i walked past with a beer) and something
resembling lavender... google-moment... if only they
created apps that could tell you what flower it is you're
trying to identify, search engine impromptu -
well... it's either a coin-toss between
summersweet (clethra alnifolia) or butterfly bush
(buddleia davidii) - but it could be something else -
cigarette, beer and sniffing lavender, just my kind of night -
i swear to god i once drank a lavender-flavoured beer,
or cider... i can't remember -
but by definition, when i look at philosophy books i feel
they're much too bound to something said earlier
and followed by something to support it -
or in the case of a fortiori the expanded-upon basics,
i.e.: from a / the stronger (thing) - which means
it's a dual-carriage way of saying what you want to say:
from a stronger thing - from the stronger thing -
in real life that's like: what we get from a telescope,
or? what we get from a microscope -
stars aplenty - G-Rex 5571 in the Zodiac constellation,
U80802Z from the constellation of Poseidon -
i mean, flimsy answers - sky's the limit - then
the azure cage hovers over us during the day and
we turn to daydreams packing apples into crates -
telescope: oh airy-fairy, somewhere far far away -
microscope: got that needle and thread with you?
well, whatever we have, we know that our minds are
not build for the omni- affix when affixed to anything,
esp. god. Jews never bothered with it - there are just
as many necessary limitations of a deity as there are
as many unnecessary limitations of our freedoms -
that's how you move away from big ideas and narratives
of a Kant, with his chequers of analytic / synthetic
a priori / a posteriori and concern yourself with
knives (indefinite) and scissors (definite) articulation of
language - hell, we can go down the road much further
and say something about indirect and direct articles -
pronouns are the prime subscribers -
you wouldn't talk to a Jihadi directly as you'd talk about
him indirectly - i shared that curiosity with a local
stranger-mate in a park once walking his dog,
an ex-banker - those boom-bomb boys are being prescribed
the same thing that the Lufftwaffe pilots were prescribed
(pervitin) - but i doubt they got their hands on the pure
medical stuff, they're probably on amphetamines...
oh the R.A.F.? yeah, drunk like skunks.
but just imagine rewriting the Critique with a fortiori
and a infirmiori - disobeying "correct" definition,
as already mentioned the pronouns composed from
articles, as in condensed to indistinguishable parameters -
a fortiori - from something stronger            -
             a infirmiori - from something weaker -
(as already stated, the original definition of
  a fortiori was - from a / the stronger [thing]) -
so the articles disappear and couple themselves to the word
thing (word meaning, no grammatical classification is
really necessary, because if grammatically classified it would
be too obstructive) - but because of this lack of
grammatical classification of the word thing,
we are already associating the definitions via only the
indefinite pronoun - rather than a definite pronoun (i.e. nothing),
it would be pointless to write definitions using a definite
pronoun - well, up to a point, i suppose that
suggesting both a fortiori and a infirmiori to be defined
as: from nothing stronger and / or weaker we can create
a self-mechanistic-propeller, a way of self-overcoming that
in the end arrives as self-knowledge, obviously the
ultimate purpose - and this goes against all solipsistic despair,
as it also goes against making too many comparisons
with others, some who are weaker than us, and some who
are stronger than us - for the stronger will make light
of one set of propositions as the weaker will make light
of another set of propositions to suit their demands -
this can only be seen in light of Kantian-Darwinism,
survival of the fittest and what not -
Kant had in mind something simply said historically in
a condensed sphere of reality, Darwinism kinda did away
with historical realism, soon after the English Renaissance
after the second world war, Darwinism picked up again,
as a way to shut off the murk of the Holocaust -
Elvis did his bit, the Beatles too, but once the imagination
dried up, people decided they wanted to travel back
in time to 10,000 B.C. - and you think artistic expression
will end up a concept prog rock album, or a cute 3 minute
synthesizer song while M.T.V. turns into a 16 year old's
******* of a baby? i'm going keep the acronym, and instead
call it MORAL TELEVISION, or? how to buy a ******
or pull out early - but obviously i'd get a wisecrack comeback
from Juno - see a preacher man anywhere around here?
Kantian algebraic (big words, small people, Belgian waffles
too):                                                    ­              a. / s. after
                                           (event) x.
a. / s. prior
                                     what qualifies?
                                    - historical hindsight -
                                    - the current historical catalyst(s),
        THE BIG BANG... or as i like to call our current history,
an interchange on the words: BIG BANG BLACK HOLE...
BANG A ******* HOLE... get a BIG CLOCK...
******* HOLE... which is what it looks like at night...
two catalysts overall - and boy we're speeding
to Groundhog day - the biggest changes in history were
some celebrity's haircut - that's relative to
what happened when the Treaty of Versailles was signed;
BIG HOLE BLACK BANG (and that's thanks to dark matter) -
but to be honest, if i'm given only these two historical
vectors to work with... i'm not surprised so many
Islamic youths are disfranchised, choosing a third,
Jannah - it seems like a natural thinking process that
will never make it into popular media -
just thinking about it probably warms the heart,
obviously to an extremely violent end -
but this is gone way beyond the heliocentric and
geocentric arguments - because up there, where you
can see the earth where the hell is Copernican East
or Copernican West? it's nice to know that the earth
isn't flat... but that won't help you reaching the Panama
Canal from Portugal... will it?!
I'm on a train.

One of those red ones with black trimmed windows you can imagine rolling through the suburbs on the way to NYC. Not a subway car but a classier vintage with proper rows of cushioned seats and a lever to pull if there is an emergency. There are sparse shrubberies on one side of the tracks and the ocean on the other. Young trees and bushes stroll by.  A little wind is pushing off the ocean, massaging the car ever so gently back and forth as we move along. A gentle click-clack is on the tips of our ears.

We got on together. I hadn't known you for very long but the connection was stronger than anything I had ever felt or have since. You practically sat on top of me for the first few miles. Couldn't keep your hands off me,  staring in my eyes like you were searching for something lost but you couldn't remember what. The edges of your lips turned upwards permanently as if you were always at the verge of a laugh. You interlaced my fingers with yours and held on like you would be ripped away if your grip loosened for even a second. Slender fingers holding so tightly that they were becoming red.

You were excited to to be riding with me, about where we were going and all the things we would do when we got there. I would see you peer out of the corner of your eye, then lean over to brush your soft cheek against my budding stubble. Kissing and gently biting my lips insatiably. The suns rays coming in at an angle and lighting up your perfect smile and dimple.

I had to remind you we were in public.

I was lost in your blonde curls and the incense of your neck. I had fallen incredibly hard and so fast that my face hurt from smiling and my heart beat with vibrations I had never known. Not even a whiff of anxiety or neurosis. Some of the best memories of my life, as fleeting as they turned out to be.

I yawned and you put your finger in my mouth. I bent over to tie my shoe and you would poke my **** and laugh with your own reflection in the window, like this was the first and best joke of all time. Maybe it was and maybe it is.

The waiter came and informed us that a thing called "the bar car" existed. We both jumped at the idea. I didn't exactly notice at the time, during our excitement, but that's when the train started going faster and everything out the windows began to blur.

The bar car was a wild ride and we took advantage of our lo'cal. All kinds of fine wine, liquors and illicit substances were available. We tried them all. You were beautiful, your laugh infecting everyone around you, I was charming and held a captive audience.   It was a dark, loud and glorious blur. We were the life of the party and it chugged on till dawn.

We woke up in our seats, disheveled and discombobulated. It was dark out already. Did we sleep through the entire day? The train was slowing down, maybe approaching a station. The party was amazing but we were certainly paying the price for the black out. You moved over to the seat across from me to have some more space and lay down. I saw myself in the reflection. My hat, charm and smile from the night before had vanished. I must have left them in the bar car the night before.
      You had changed, beauty uninterrupted but different somehow. I couldn't put my finger on it. Irritated maybe? I invited you to cuddle and battle the hangover together but you ignored me. Like you couldn't hear me or didn't want to. I decided to let you be.

I got up to use the bathroom and thought I would go look for my scattered belongings. Maybe I could find a scrap of leftover dignity while you rested. I inquired to the conductor who directed me to the bartender in the bar car. He hadn't changed a bit, somehow untouched and unaffected by last nights antics that had effected me so dramatically.  Same black suspenders and white pressed shirt with impeccably slicked hair. I asked him what happened and if I had an open tab. While slowly polishing a rocks glass he looked up and made eye contact for a split second before looking away.
He said:  "Oh the bar car takes its toll. In the end we all end up paying one way or another". I still don't know what he meant by that or if he knew.
      I asked him if he found my hat and he said he would check the camera. We walked in to a small back room, while he was reviewing the tape, over his shoulder I noticed a tragedy.

We were drunk. I was going on to a group of new friends on one side of the bar, they were hanging on my words and I was eagerly explaining whatever nonsense they were drooling over. You were in the corner wearing that red dress I love, with your hair up in a tight bun. A few curls had escaped and brushed your high cheekbones, a thin line of pearls dancing delicately across your perfectly symmetrical collar. You were stunning and inebriated, swaying with each bump and motion of the train. A man wearing my hat put his hand on your side to keep you from swaying over and then he left it there.
I took a sharp breath.

It looked like you put your hand on his hand to move it but then it stayed and you both swayed together. As the air left my lungs and the blood drained out of my face I watched your lips touch the strangers. A small piece of my soul slipped away forever. I couldn't watch any further. When I asked the bartender how long it went on he fidgeted for a moment and uncomfortably muttered "quite some time". I never found my hat or the other part of me that left that day.  

The train slowed. I walked to the back, as far away from you as I could get, in utter disbelief. How could you? I thought to myself.
I mourned the loss of the you as I knew you yesterday, quietly and to myself. A tear  escaped my eye and rolled down my now fully formed stubble as I fell in to a random seat in mild shock. There were a few passengers back there so I had to pull together relatively quickly. After gaining some composure I knew it was time to get off. I knew we could never get back to yesterday morning though I would have said or done anything to do so.

The train had stopped. I went back to my seat and you were sleeping. I took my coat and gathered my things. The conductor looked at me confused as to why I would leave something so magnificent, I assume he had no idea what had transpired.   

I walked to the rear of the car and slid the door open slower than required. I stepped to the stairs and put one foot down on the step and the other on the ground. I stopped, rooted with my hand on the railing, lingering between two very different paths.
     I knew that it was time to get off, I knew this was the sensible thing to do, that I couldn't get past this offense regardless of how I had felt earlier the day before. The whistle screamed from the locomotive. The conductor looked at me and shook his head, I'm not sure if he was trying to tell me to stay or go but a decision had to be made.

The train lurched forward and I watched as the station slip away slowly. I sat in between the cars for a while and watched the ocean and birds. With a heavy heart and shoes I walked back to my seat. You were waiting. Crying. You knew. The bartender had told you. You didn't mean do do it, didn't realize what you were doing and thought it was me. He was wearing my hat and the whole world was blurry and dark.

I believed you. Self anguish mixed with alcohol was dripping from your pores. I knew you didn't mean it and were drunk, but could I ever forgive you or trust you again?

I loved you still.

I caught a glimpse of my reflection, a weaker version of myself looked back. As if an invisible chip in my teeth had developed and my shoulders lowered. The charming, confident man from the bar car the day before had been replaced. Something was off but not enough for anyone else to notice, just enough to know a change has happened.
       The train started to pick up speed again as we distanced ourselves from the station.  I second guessed my decision to stay but I didn't look back.

I found the man with my hat and punished him with a few blows in the dark. He knew he ****** up, apologized and took the beating like a man. I never got the hat back.

The engineer announced that we would be going through a tunnel soon and to turn on our lights and keep our hands in the windows.

It would be dark.  

We stayed away from the bar car for a while but the draw was irresistible. After a few hours we were there again but you never left my side.  Then you did. I was looking for you but you would disappear and not answer me when I called you name. The tunnel went deeper and darker and I didn't know where you were and I suspected you liked it that way. The train began to slow down again as we exited the tunnel.

I finally found you back at our seat, you had moved one row away from me. I asked you to come back, tried to hold your hands but you pulled away with vehemence. When I came back from the bathroom you had moved another row farther.
I knew I was losing you.
I begged you to return but you told me calmly that it was time for you to get off. At some point in the tunnel you had decided that you didn't want to go anymore . Your mind was made. You were going to catch another train at the next station.

When the train stopped I thought for sure you would reconsider but you didn't. Didn't even give it a thought. You just grabbed your coat and hat with one big bag under your arm. You kissed me on the cheek like a french stranger and were off. Going somewhere else on a different train. Just like that.

I rode the rails for quite some time by myself , many people getting on and getting off, passing me by. Every once in a while I would think I saw you at a station or in a **** though the window of another train. I often thought I could smell you but when I breathed deeper it was always gone. A ghost dancing on the edge of my senses.

A young girl in a headband got on the train. She was listening to headphones and dancing to herself as she bobbed along. She sat down in the seat next to me flashing a smile. She had a wedding ring on and I dismissed her immediately.  She didn't move from the seat or stop glancing my way. Eventually she confessed that she wanted to talk. I told her I wasn't interested but she persisted.  I hadn't talked to anyone on the train for quite some time and after some more mild persistence, I gave in.

We had a lot in common. We were both riding alone, desperately wanted attention and were thrilled to receive some.  After a few laughs she slid her hand in to mine and interlaced her fingers. I left it there. It was warm, comforting and wrong. She was married but I had been riding alone so long it felt good to have some company. She stayed and we talked. She was broken and I had a knack for fixing things. After a few hours of dramatic conversation I fell asleep with her head on my shoulder.

When I woke up  the train was flying up the track on the side of a mountain. Trees and rocks were a blur of green and grey. The engineer must be trying to make up for lost time I thought to myself.

The girl was asleep with her head on my lap. I looked down at her hand and the rings were gone. I woke her briefly to ask where they went. She said she didn't need them anymore and had thrown  them out the window.  She could of sold them, I said, but she said she just wanted them gone so she could be mine and fell back to sleep.  All of a sudden I couldn't breath. This train was roaring down the tracks, the once gentle click clack had become a loud hum. Suddenly too loud. This girl in my lap who had just gotten on the train wanted to stay. I considered her for a while as she looked up at me with big blue eyes, shining and wet, like a puppy in the shelter, terrified of rejection and desperate to be adopted.

At the peak of the mountain, just when the train began to even out, you waltzed back in to the car with a champagne flute in one hand and your bag in the other.

I don't know when or where you got back on, must have been a few stations ago when I stopped looking for you. Maybe you were wearing a disguise, who knows what you had been up to while you were gone. I'm not sure how long you were away but it was quite some time. That you had been through something was obvious, a new wrinkle had formed on your brow and you're once confident stride had changed to a cautious stroll. What actually happened out there I don't know.  I never asked and I don't want answers.

You looked at me and smiled. It was good to see that smile, like sun on my face on a brisk day.  You took a step toward me and then I looked down in my lap at the girl at the same time you did. I looked up. You and your smile were gone.

Everything I had begun to feel for this broken, head banded girl in my lap dried up like a puddle in  the dessert.  I quietly and gently nudged her awake and told her I had to use the bathroom. She put her head down on my coat and fell back into what ever trance she had been in, eyelids gently fluttering, eyes searching beneath them for what I would never give her.

I dashed up the isle and threw open the door, almost shattering the glass. The conductor glared at me and rolled his eyes as I barged past to the space between the cars.

There you were. Standing on the stairs with your head out the opening. The wind was blowing your perfectly formed curls around your head like a blonde explosion of familiarity. I yelled your name and you dove in to me. My senses erupted, my mind went numb as the train was nearing another station and I inhaled your essence greedily.

We moved to another car. I abandoned my coat with the married girl and never looked back. I hope she found what she was looking for. I  never could have been the answer she was so desperately seeking but I know I  helped steer her towards it.

You told me you had encountered some other people out there on the rails and they had reminded you of what we had when we first left the station. I never forgot.  

The train started to rock and get going again. We were back in the bar car and starting to brown out. We had to get off of this train right ******* now. In a desperate moment we looked at each other and put our hands, together, on the emergency brake cord. I looked in your eyes with your hand on top of mine. You kissed me while yanking down on the cord. Time slowed, the breaks squealed and everything exploded throwing luggage, people and the entire contents of the bar car in to a nondiscriminatory chaos . We got up off the ground, ran to the end of the car, dove off the side in to a soft patch of grass and rolled down a small incline. We watched as the conductor sifted through  the mess and interrogated the passengers, trying to ferret out the party responsible for pulling the brake. He spotted us off the side of the tracks and shook his fist while shouting every conceivable obscenity combination.

We laughed, held each other in the grass and kissed deeply.

We watched the train pick up speed and disappear in to the hills as relief spread over me.

You interlaced your fingers in to mine and we both looked out to where the tracks disappeared into the horizon, wondering how far of a walk it was to the next station.
axr Oct 2014
Dear men,
You are not emasculated when you are gentle to a woman.
You are not emasculated when you can't control your child's behaviour
You are not emasculated when you get a vasectomy done
You are not emasculated when you stand up for a woman, no matter how old she is.
You are not emasculated when you support gender equality.
You are not emasculated when you choose to not drink and drive
You are not emasculated when your lifestyle choices are different from that of your friends.

I am a feminist who believes that man and woman have equal roles in the society.

If you think women are weaker,  I fail to comprehend you and I m not going to waste my time explaining you the basics of how to be peaceful and respecting one another.

Sincerely,
Someone who wants a change, and is doing their part in it.
Rant + telling people to not be *******
Michael R Burch Nov 2020
Poems about Icarus

These are poems about Icarus, flying and flights of fancy...



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps

and *****
its white rebellious wings,
and all

the houses watch with baffled eyes.



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
, upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide

heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle...

Feathers and wax
and the watchers huddle...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than Moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!

Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam’s Song” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess or wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, etc.). In the final stanza Icarus agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one along the way, no matter how intensely they glow and radiate. The poem can be taken as a metaphor for the death and rebirth of Poetry, and perhaps as a prophecy that Poetry will rise, radiate and reattain its former glory...



Free Fall (II)
by Michael R. Burch

I have no earthly remembrance of you, as if
we were never of earth, but merely white clouds adrift,
swirling together through Himalayan serene altitudes―
no more man and woman than exhaled breath―unable to fall
back to solid existence, despite the air’s sparseness: all
our being borne up, because of our lightness,
toward the sun’s unendurable brightness...

But since I touched you, fire consumes each wing!

We who are unable to fly, stall
contemplating disaster. Despair like an anchor, like an iron ball,
heavier than ballast, sinks on its thick-looped chain
toward the earth, and soon thereafter there will be sufficient pain
to recall existence, to make the coming darkness everlasting.



Fledglings
by Michael R. Burch

With her small eyes, pale and unforgiving,
she taught me―December is not for those
unweaned of love, the chirping nestlings
who bicker for worms with dramatic throats

still pinkly exposed, who have not yet learned
the first harsh lesson of survival: to devour
their weaker siblings in the high-leafed ferned
fortress and impregnable bower

from which men must fly like improbable dreams
to become poets. They have yet to learn that,
before they can soar starward, like fanciful archaic machines,
they must first assimilate the latest technology, or

lose all in the sudden realization of gravity,
following Icarus’s, sun-unwinged, singed trajectory.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins... thus, Her jeers.



Notes toward an Icarian philosophy of life...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict...
torture a confession from him,
get him to admit, “I did it!...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed―

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?―

the higher you “rise,” the more halting?



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay―
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites―amazed,
in dream of shocks that suddenly came true...

but came almost as static―background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away―
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom (All-Star Tribute), The Fabric of a Vision, NPAC―Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals(Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks, A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ―― extend ――
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ―――――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.

Published by Chrysanthemum, Poetry Super Highway, Barbitos and Poetry Life & Times



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem that I believe I wrote as a high school sophomore. But it could have been written a bit later. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! ― MRB



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring―
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.

Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?

You watch it as it disappears;
its plaintive calls cut through you.

The indignant crows ignore you both:
the bickering, bantering multitudes.

Du Fu (712-770) is also known as Tu Fu. The first poem is addressed to the poet's wife, who had fled war with their children. Ch'ang-an is an ironic pun because it means "Long-peace."



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam―
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.

Po Chu-I (772-846) is best known today for his ballads and satirical poems. Po Chu-I believed poetry should be accessible to commoners and is noted for his simple diction and natural style. His name has been rendered various ways in English: Po Chu-I, Po Chü-i, Bo Juyi and Bai Juyi.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
―Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
―Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
―Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
―Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
―Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
―Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
―Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
―Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
―Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
―Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
―Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
―O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
―Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height―
our ancestors’ wisdom
―Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
―Yosa Buson, loose translation/interpretation by Michael R. Burch



Critical Mass
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.

"Gravity" and "particular destiny" are puns, since rain droplets are seeded by minute particles of dust adrift in the atmosphere and they fall due to gravity when they reach "critical mass." The title is also a pun, since the poem is skeptical about heaven-lauding Masses, etc.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss―
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back―
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts―
this way and that...

Contentious, shrewd, you scan―
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
―spinning its chrysalis,
gluing rough seams―

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works―
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence―one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving―immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,

and teach the pallid poem to seethe.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same―
light captured at its moment of least height.

You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh―
but something more, made less. Your humanness
this moment of release becomes a name
and something else―a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
―jarring interludes
of respite and pain―
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed

into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Lines for My Ascension
by Michael R. Burch

I.

If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.

If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.

If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.

And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review



Keywords/Tags: Sports, locker, lockerroom, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation


Keywords/Tags: Icarus, Daedalus, flight, fly, flying, wind, wings, sun, height, heights, fall, falling, ascent, descent, imagination, bird, birds, butterfly, butterflies, hawk, eagle, geese, plane, kite, kites, mrbfly, mrbflight, mrbicarus
This story is called death of a superhero.

We see the superhero flying at full speed after a getaway vehicle.  A group of armed men just robbed over one million dollars in cash from the bank and are now speeding through the city.  He darts back and forth to dodge the shower of bullets flying at him from the car, which was preventing him from getting any closer.

"I can't let these crooks get away," he grunted to himself as he curved back and forth through the air.

Suddenly he was blind sighted by a large black object coming from the car.  It was a high powered electric tazer.  It hit him in the side and his muscles locked up, he stopped mid air and went crashing down and smacked and bounced on the ground.  This bought the thieves time to escape from his view.  By the time he got out of it and regained control of his muscles enough to fly, the crooks had maneuvered the city like a maze, and he didn't know where to look, they had gotten away.  He looked over several city blocks and couldn't find him, and was forced to give up.

"****" he said to himself.

He flew off to the nearby park and found a secluded spot to meditate and heal.

That was the forth unsuccessful attempt to catch bank robbers this week!



On the news that night

"The Tomerarenai purotto corporation just received over $5 million dollars in donations from an anonymous donor this evening for their new project on Zenchō hill outside city limits.

The project to build a new factory there has been underway for three months now and they've really been moving along thanks to the help of all these private donors that must really believe in their cause, which of coarse is to develop new "greener" technology to help the environment and cut down on pollution.

We have a spokesperson for the organization here with us now how are you?"

"Good and thank you, I'm really honored to be part of this amazing organization and to see such a great turn out of donors for such a good cause.  It's been amazing with over 37 million dollars donated by private, anonymous donors over the last three months, it's amazing..."

About half the city watched that news broadcast stream into their homes on their television sets.



It was about 2am when the superhero came out of his meditative state in the park.  

He got up energized and flew around.

He saw some guy trying to steal some lady's purse, he zipped down and stood right behind the guy without him even noticing.

The guy got the purse turned around and ran right into him and knocked himself down.

"What do you think you're doing?" the superhero said authoritarily.  Then he lunged in grabbed the guy by the shirt at the scruff of the chest.  With his other hand he picked up the lady's purse, handed it to her, and told her to go home and get out of the dangerous night city streets.  Then he flew the criminal to the police station, told them what he had witnessed, and took off.

Suddenly he heard police sirens all over the city they seemed to be closing in on a specific area, the superhero flew to that area to see what was going on.

He found a police sergeant standing next to a cop car, and stopped to ask him what's going on.

"A masked lunatic just killed 19 people and is now trying to escape in a small silver car, we've got every available unit trying to hunt him down."

He wasted no time, taking up in the air leaving a wind in his wake, the superhero started quickly combing the city for a small silver car driving conspicuously.  He found one, and when he flew over it to check it out, all of a sudden he had gunshots being fired at him from inside the car.

"This must be it," he charged the car with full speed but the driver sped up to keep ahead of him.

This isn't going to work, he thought, I should make them think they lost me and follow them secretly and see where they go.

The next time a gunshot was fired the superhero grabbed his chest and purposefully fell down, to make them think he had been shot.  Once their guard was down he followed them in secret.

They drove outside of the city thinking they had lost all tails, down a couple winding roads, then climbed Zenchō hill toward the Tomerarenai purotto corporation's construction spot, then went inside.  

The superhero landed outside the building and contemplated his next plan.  He noticed an open window to an office on the second floor, he carefully peered through the window and saw no one in the office, he flew in and landed on the floor careful not to make a sound above a mouse squeak.  He quietly crept through the empty hallways until he reached the staircase, when he heard voices whispering downstairs, "He's gonna be here any minute/ get everything ready."  

The hero thought he had no time to lose, he took to the air, bolted down stairs and with a loud dramatic voice yelled "Halt!"

"He's here!" they yelled as one of them ran toward a giant device that looked like a satellite dish, and the other one ran and pulled a rope, dropping piles and piles of smoldering coal around the superhero that immediately made him so sick he could barely move.  industrial type smoke was his weakness.  

"We've been planning for you to come here," the guy in the mask said firing up the satellite dish looking weapon and pointing it at him.  

"W-What do you want?" the superhero asked weakened, frail, and short of breath on his hands and knees on the floor.

"To **** you so you won't stand in our way"

The superhero was growing weaker, and weaker, as the giant atomic laser pointed at him started glowing red, I told you this story was called "death of a superhero".

"Death, of a superhero?"  the superhero grunted, "DEATH, of a SUPERHERO!?!" he shouted again, "YOU'VE BEEN ORCHESTRATING MY DEATH!" The superhero yelled at the narrator.  

Yes I have, the narrator said all the people in the room could hear me, I've been planning your death since before you went after that getaway vehicle, I have such omnipotent like power over your world, I'm the reason the taser gave the one's working for these two time to escape, I'm the reason you never checked this place out until everything was ready, and now I get to watch these two **** you, and laugh, knowing that you'll never find me and there's nothing you can do to change events.

Now, the beam was fully charged

"No!" the superhero thought, "up till this point, I thought I had to go along with everything the narrator said, but no!"  He started to slowly manage to get up.

The masked killer hit the button, fired the laser, and killed the superhero instantly.

Wait what?

"You think you can just **** me by saying so," the superhero grunted out louder slowly rising to his feet.  Mentally forcing his body to work even in the presence of his weakness, in reality, contrary to what the narrator said, the beam was still charging.  

"No!" the superhero continued, getting stronger and healthier, "THERE WILL BE NO DEATH OF A SUPER HERO!!!" suddenly the superhero's personal energy was strong enough to clear a bubble around him of fresh air pushing the smoke around it.  He flew through the air at bullet speed and punched the masked killer across the room and out of consciousness.  Then he went for the assistant who was running to the door, in the heat of the moment, the superhero, hitting him up from behind, punched a hole straight through his skull and he fell to the ground head-gored-dead.  The superhero deactivated the laser. and stood and looked around to try and find that supervillian mastermind, the narrator.  

"You will never find me," the narrator said, "I exist in an inexcusable part of your reality."

Then another voice broke through, "I will open up a portal to the narrator for you" the author said, "be wary though, even in his own part of this dimension, he is very frippery and slick, you must not let him break free into you're general reality, lest he end your world."

Suddenly a glowing golden sword appeared in a light before the superhero, he took it and bowed, understanding what he was to do.

A shimmering white and grey portal swirled out of thin air.  He looked at it for a second as it grew outwards until it was big enough for him to walk through.  He slowly marched into it, guard heightened as he did not know what to expect, carrying the glowing golden sword behind his back.

Inside the portal was a large white room where the narrator lived.  there was a large white shelf, four walls and a ceiling, the portal remained open.  

He looked around but didn't see the narrator at first, when he realized the narrator had filled half the room with a thick white fog to mask himself.

"Show yourself you coward!" the hero yelled.  Sudddenly a large fist came out of the fog and punched the superhero right in the face, he stumbled back a few steps, but didn't let it knock him over.  Suddenly a humanoid figure stepped out of the fog, it had a body like a man but a head like a king cobra.

"S--sssss--o" it said, "you found a way to find me," "Hisssssssssssss..."

"I found you and I will destroy you to free my world from your evil," the superhero said.

"Is-s that sssssssssso" the beast said.  "And how do you plan to do that? Hisssssssss".

Then the narrator's eyes widened when he say the glowing gold sword behind his back.

"I will cover myself in armor that that sword can't pierce." He said.

"And an armor appeared around the narrator, except it only appeared to cover his head, and his face was still bare." The narrator said and it happened.

The superhero lunged at the narrator with the sword but the narrator slipped to the right and shot ***** of fire at the superhero, but the superhero dodged.

"And his hand got shaky and it greatly effected his aim," the narrator hissed out.

The superhero swung at the narrator, but missed everytime.

"I've got to steady my aim" the superhero thought to himself, putting most of his energy into his arm to hold it steady.  The narrator backed away from him, hissing and darting back and forth as if antagonizing him, perhaps trying to distract him and his focus.

Suddenly he felt a surge of energy push back from the sword, flow up his arm and flood his body, the sword glowed brighter and he was in control of himself again.

He went after the narrator full force, swinging and jabbing the sword, but the narrator dodged every attack.

"You'll never defeat me!" the narrator hissed.

But while he said that he lost focus, and the superhero swung the sword right into the side of the human part of the body, so deep it hit something metal and stopped.  

"Then he dropped the sword," the narrator said quickly and it happened.  The superhero's hand snapped wide open before his willpower could stop it, and the sword dropped to the ground with a "shink".

Acting super fast, the narrator dropped to the ground and picked up the sword with his teeth, and slithered out of his fake, damaged human body into his true form, a giant king cobra looking snake, covered in a heavy metal armor that was scaly and didn't restrict his movements.  Quickly, he slithered  over to the portal, but the superhero grabbed his lower armor before he got a chance to escape into the hero's world, and used his body to anchor the snake to that spot.

The narrator swung and slithered his body to try to free himself from the hero's hold but he was holding on to well, and the serpent could not escape.  

The hero did not know what to do, he needed to get the sword back and slay the serpent, but he had to keep both hands on him to keep him from getting free.

He had an idea, he used his legs to help anchor the serpent, and climbed him to get to his head to retrieve the sword.  Slowly he worked his way up the snake as he slithered and struggled to get free.  When it seemed inevitable that the hero was gonna get the sword back, the serpent spit it out and it landed next to the door.  Then he shot fireballs out of his mouth at point blank range at the superhero which distracted him enough for him to loose his grasp, and let the serpent break free.  The serpent quickly slithered over to the portal, hissed "goodbye sucker", mouthed the sword once again, and slithered out the portal.

The superhero jumped up and flew after the serpent, and crash landed onto of him on the other side of the now closing portal.  

"The masked murderer woke up and came over to help the narrator," the serpent hissed out.

Suddenly the masked murderer came over and the hero was trying to get him on his side to break the stalemate.

As the snake and the superhero wrestled, the superhero called out to the masked murderer, "Don't help him, if he escapes me now, he'll destroy the world!"

"Don't listen to your enemy," the narrator hissed out, "**** him!"

"Don't listen to him," the superhero tried to reason with him, "he's just manipulating you, everybody, he's the reason you wanted to **** me and do this whole project in the first place, YOU ultimately have free will! and we need to **** him."

The narrator strikes and bit the superhero's arm for telling the masked killer he had free will.  

"What do you need!" the masked ****** shouted when he got over there.  

"**** him" the serpent hissed out!

"The sword!" the hero shouted.

The masked murderer, not knowing what to do, picked up the sword and handed it to the hero.

The superhero used it to pry off a piece of the serpent's armor, poised it into position and struck down.  The narrator shifted his body however so the sword narrowly missed, and curved his tail so the open spot in the armor was underneath him, "Grab him!" the superhero said, hold him steady so I can get a good shot."

The Masked murderer did just that, and the hero drove the sword through the opening and impaled the narrator right there, and actually cut him in two.

"But then the narrator's body sealed at the womb and he slithered free" the serpent said and it happened, and he slithered at full speed toward the same door the masked murderer's assistant tried to escape through, and he was making distance.

"And then a layer of cement formed around the superhero's ankle so he couldn't chase the narrator." and a piece of cement attached to the floor formed around his ankle.

But the superhero made quick work of that, a **** of the leg and it reduced to crumbles and he got up and chased the serpent.

The serpent got outside the door and mumbled something, suddenly the door was a pure steel wall.  Three punches by the superhero weakened the steel and severely dented it, the forth punch and it went flying off and the superhero ran outside and saw the narrator escaping into the brush.  He knew what he had to do, he lunged at him and grabbed him just by the head, and ****** the sword through a hail of fireballs straight into it's mouth, the narrator couldn't speak to reverse that action and he died shortly after.
This is not a poem
Big Virge May 2020
So Are You A... FOLLOWER of Trends... ?

Or Are You A... " Trendsetter "... ?

COME FORWARD MY SELECTOR... !!!!!!!!

BUT Mek' Sure You Come BETTER...
Than Playlists Set By Heads...
Whose Music TENDS To BEND...
To FIT With Trends That Lend......

Themselves To... " weaker blends "... !!!

Weaker... Beats...
Weaker... Bass Lines... !!!

Rifts That STINK of... " Weaker Minds "...
Than Those Who SNIFF Them ******* Lines... !!!!!

It Seems Some FIND Themselves... "CONFINED"... !!!
To... Toe The Line of CURRENT Vibes...

WHATEVER's Current... EVEN IF It's DUMB... ?!?
Seems To Be Concurrent With Tunes They... BUMP... !!!
Dumbed Down Drums That Now DON'T THUMP... !!!

But They Would Say...

"That's just the way
of trends that the young,
now want in clubs !" ...

Like GRIME They CLAIM Has...
... " CHANGED The Game ! "...
Changed The Game To WHAT ...
A Game That's... " Lame "... ?!?

Beats That NEED A ****** GOOD CLEAN... !!!
NOT The GRIMEY... of The NINETIES... !!!!!

It Seems The PLOT Has... " THICKENED "... !?!
To Trends Where Music's........................  MISSING.... !!?!!
What Old School Heads Were BRINGING.... !!!!
Beats That Kept Heads... RINGING... !!!

Sounds Now Seem Thin To Heads Like Me...
Like Men of TIN With NO... " Dorothy "... !!!
We See How Weak The Trends NOW BE... !!!

The Trend These Days Seems To Have Swayed...
To ANYTHING And EVERYTHING...
SEXUALLY... And MENTALLY... !?!

It's Fallacies That... HAPPILY...
Are Trends That Peeps'...
Now Seem To......... SEEK.............................. ?!?

Truth's Now Expressed...
Via... " Internet Trends "...

Well So it... " Seems "... ?!?

But What Kind of Truth Comes From A Group...
With TWIT At The BEGINNING of The Name They USE... !?!

I'm Just Asking Cos' ...
I'm A Twitter Head TOO... !!! ? !!!
But DON'T Let It CONSUME ...
My Views With FALSEHOODS... !!!

I'D Rather TRUST My Mental NOT Internet Feeds...
Or Mainstream INCIDENTALS Like... REALITY TV ... !!!!!

Or... TALENT Shows...
Where TRENDS They Hold Are TRULY Low... !!!!!!!

USING Wannabes' Like CLOWNS To Be...
RIDICULED... On TV Screens... !!!

That's Why NEW TRENDS Are Internet Led...
Because SMART Heads NOW HAVE The Sense...
To YES download What They Watch At Home...
Or THESE Days STREAM What They WANT To See... !!!!!

But Trends Like THESE AFFECT... Artistry...
When Art Becomes CHEAP Or Basically FREE... !!!!!

Unless It's... MAINSTREAM... !!!

So THESE Trends Are DETRIMENTAL...
To Those Whose INSTRUMENTALS...
Are Those That FEED The Streets...

NOT Heads At... " Companies "... !!!

Like Those FED By Their Marketing Teams... !!!

I Meant Marketing JERKS Who Let REAL ART Burn...
And In Turn SERVE To STOP Art Being Heard...
By MAINSTREAM Herds Who NOW Seem To Prefer...

... MANUFACTURED Works... ?!!!?

Instead of Art That's From The HEART... ?!?

Which Seems To Be Why A LOT of Artists STARVE...
When They DON'T Comply With TRENDS Or CHARTS... !!!!!

I'm Saying It's COOL That TRENDS Move ON... !!!
But They're A TOOL That's USED By Bods'...
To CONVINCE YOU of... What Is HOT... !!!!!!!!!

If I Played Marvin Gaye...
EVERY Single Day What Would You Say... ???

"That the music was lame,
because it's not new, and is too old school !"...

... You Should Be ASHAMED... !!!

YES Trends Will CHANGE...
But CLASSIC DOESN'T Change It's Name... !!!!!!!!!

Don't You Know What ROCKS Your Boat... ?
And ROCKS The Boat of THESE... " A - HOLES "... ?!!!?

It Seems Most... " DON'T ".... ?!?

Well It's Stuff That's STRONG And ROCKS Like KONG... !!!
And LIFTS HEADS Like... HITS From The ****... !!!!

YEAH Sounds Will CHANGE But Bass Is BASS... !!!
And In My View... Should SHAKE Like QUAKES... !!!!!

When They Are PLACED Onto Dub Plates...
Where Lyricism... Is HARD HITTIN'... !!!!!!!!!!
And Has ONE TREND... To FIT With Rhythms...

NOT IMPRISONED In A... "TREND"...
Because It's Made For DOLLARS And CENTS... !!!

There Was ONCE A Trend...
Where CREATIVE Meant... EXACTLY THAT... !!!!!
Making Tracks That SLAMMED At Jams...
And Made SURE That... Parties Were RAM... !!!!!

Because of SOUNDS...
That WEREN'T... "dumbed down"...
And... RADIO Friendly...
Now Trends Are SMELLY...
When They Should Be DEADLY...
In How They AFFECT...
Where Corporates SPEND...
Their... " Marketing Money "... !!!!!!!!!!!

Cos' The TRUTH Is THIS A Lot of MAINSTREAM HITS...
Gives PROOF That MONEY Makes People Act FUNNY... !!!
When It Comes To MUSIC And CREATIVE Gifts...
That They CLAIM To Be FIT To... " SET THE TREND "... !!!

I Guess That's Why Some Feel Like... " I "...
That GOOD MUSIC... Is HARD To Find... !!!

Because In The END The... " BOTTOM LINE "...
Has Become Less... About PHAT' Bass Lines...

It's Become... A DRAW...
For PROGRAMMED Chords...
And SCORES of ******... !!!!!!!
Who NOW Tread Boards...
WITHOUT Rocking Jaws........ ?!?

With HEAVY SOUNDS...
And Beats That POUND... !?!?!?!

It's MONEY That RULES What Tunes Get THROUGH...
But Here's Some Advice For The Young NEW SCHOOL...

DON'T Let FITTING IN CONTROL YOUR GROOVE... !!!
CREATE The Tunes That Sound GOOD To YOU... !!!

But... BEFORE You DO...
Take The Time To RECOGNISE...
That ALL That GLITTERS IS NOT Gold... !!!!!

DON'T SELL Your SOUL RESEARCH The... " Old "...
BEFORE You're TOLD How YOUR DREAMS Should Roll... !!!

WHATEVER YOU Create...
Try To Make It... GREAT... !!!!!!!!

NOT A Hit For TODAY That Gets.... " Airplay "....
But Gets THROWN AWAY The VERY NEXT Day... !!!?!!!

I'd Rather ENLIST...
CREATIVE Things That People RESPECT...
Rather Than EXPRESS...
Just To Get A... " PHAT' Cheque "... !!!!!

Because I'd Rather BE The Head...
Whose Artistry Is Led By QUALITY That... SETS...

And DOES NOT FOLLOW...

....... " TRENDS "......
Of course trends have always been a driving force behind what becomes popular, however, maybe it's time for heads to believe in the BIG Names and Corporations, just a little less ........
Janor Mar 2015
Growing by the moment
when hearing fortune
when seeing happiness

Feeling even weaker
when hearing luck
when seeing love

Just by others
never happening to you
never seeing your own good
Kaity Williams Sep 2015
Women aren’t better than men
we stand on the same ground
we can do what they can
women aren’t weaker
or less important
we want to be treated the same
human is all of our name
we don't want to be judged by our physical traits
our body parts aren't to be used as baits
equality is all that we seek
for everyone to see
what we can be
a girl shouldn’t be stopped by her looks
she shouldn’t be judged by how she cooks
or what books
she reads
A girl shouldn't be afraid to chase her dreams
because of society’s screams
if she wants to be president she shouldn't be stopped
because her opponent is in a suit and she's in a dress
they say she can't be trusted with such big choices
because women's judgement is worth less
women are too emotional
they make everything personal  
they overreact
they’re weak
too soft
attention is all they seek
are all stereotypes of what I am
even though I never knew them
the ones who said these things
the ones we're supposed to look at like kings
but there can not be kings without queens
there can not be peas without beans
men need women to stay alive
for humankind to thrive
why is it so hard to be the same
to be equal
what kind of pull
does it take
for everyone to finally wake
to open our eyes and see
your insides are the same as me
black, white
short, tall
men, women
none of it means anything at all
it doesn't matter what you wear
it doesn’t matter how much you care
about what others think
women want the same things
they just want to be able to reach everything life brings
they just want to be free
to be what they want to be
I don't want something as small as gender to limit what i can say
or what i do with my day
i want to live my life in my own way
gender shouldn't define you
or what you can do
it shouldn’t limit your dreams
or your life goals
women shouldn’t be set on a pedestal
women weren’t created only for your pleasure
to be used whenever
they aren’t to be used for you to shame
they say she chose to wear that
so she's the one to blame
if she didn’t want it to happen maybe she should have worn a hat
what happened no one can know
About it you can't talk
They tell you to continue to walk
schools dictate what girls wear
because schools care
more about their clothes
than if they learn
or what the teacher actually knows
no shoulders she can show
your shorts have to be this long
spaghetti straps are wrong
leggings reveal too much
they persuade boys to touch
but maybe if boys were taught
that girls weren’t toys
to be sought
it wouldn’t matter what i wear
or how i do my hair
you wouldn’t pull me out of class
because you think my outfit looks like trash
all we ask for is respect
to be equal
neck to neck
we achieve the same feats
we walk the same streets
yet women are inferior
men are superior
but men and women were created on the same day
created in the same way
we eat the same things
in school we swung on the same swings
as children who we played with
didn't matter what you were born with
gender doesn't determine who could be friends
didn't matter who was by your side around the bends
but as you got older
it started to change
your priorities started to rearrange
men became dominant
women submissive
women suddenly became not permissive
childbearers they say
The kitchen is the place for you
Cooking and cleaning is what you do
home makers is the woman's way
Women aren't just a piece of ***
To be caught like a Bass
Women aren't to be just thrown back when you're done
Thinking you have won
Women aren't to be forced to their knees
As you ignore their pleas
Just because you say she's a tease
Doesn't mean women were created to just please
women have been mistreated
and to get them men have competed
they've been used
thrown on the ground
bruised
Everyone has times they are wrong
Women and Men should be free to feel strong
its why all we want is to be equal
to sit down and write the sequel
Gender equality isn't here to dictate your life
It's not here to take away your wife
It gives you  a choice
where you can finally use your voice
gender equality is seen as a woman’s issue
but it concerns men too
It's the woman’s right
as much men
to continue to fight
another name people call it is feminism
but that name is considered bad
because many see feminists as women who are just mad
Mainly because they don't know the truth
They get their facts from a sleuth
it's actually the right to receive social, economic and political
equality , it's really not diacritical
It's more about doing what you believe
to strive to achieve
Am I a feminist?
sure it's not a sin
to stand up for what i believe in
eileen mcgreevy Aug 2010
Oh ****, here we go again,
I feel it creeping through my brain,
The smoke has hit the fire alarm,
Almighty sadness , bleeding strain.

I'd run but what the ****'s the point?,
It's holding down my very joints,
I'm trying to fight the need to harm,
I'm geeting the **** outta this joint.

Oh misery, please spare me this monsoon,
Im growing weaker, i'll lose it soon,
This fist of pain, inside my head,
I've dried up, like a shrivelled prune
done by me
Akemi Nov 2018
Blanket city run along soaked in rain. Idiot Boy wastes his time visiting a passing crush at the other end of town. Slips between two houses and a metal sheet, communal refrigerator in the middle of the road filed with half-empty soy bottles.

Dead bell stop, mocking red blink of the operator. Father arrives, a mess of wiry muscles and hair.

“Hey. Is Coffin Cat here?”

“Who?” Father squints at Idiot Boy’s cap. Idiot Boy avoids eye contact.

“Um.”

Recessed in the blackness behind Father, a Figure says, “You looking for Coffin Cat?”

Idiot Boy nods.

The Recessed Figure turns. “I’ll go get her.”

Father returns to his parched body on the couch, content.

Indistinguishable forms move back and forth in the kitchen to the right. They stop their pacing and glance at Idiot Boy as he passes. Idiot Boy avoids eye contact and slips into the left-bound arterial vessel.

“So this is the heart chamber I’ve been living in,” Coffin Cat says as Idiot Boy enters her room. There is music gear. “It’s pretty comfy.”

“Oh, sick mic,” Idiot Boy says, pointing at the mic behind Coffin Cat’s head.

“I feel like a ghost,” Coffin Cat replies, falling on her bed.

Idiot Boy settles next to her. Animal distance. Intensely aware of his rain-soaked right shoe. “Same.”

Nothing comes out right, intersubjectivity a false God to mediate the impossible kernel of being, nobody can find nor express. Idiot Boy searches for connection. He glances around the heart chamber, at the music gear, but nothing grips. Four pears sit on a table by the window, their skins garish green in the harsh grey light.

Coffin Cat moves from the bed to the floor. She opens a virtual aquarium on her computer; fish eat pellets dropped from the sky to **** out coins to buy more fish to **** out coins to buy more fish. Capitalist investment and accumulation. Every few minutes a rocket-spewing robot teleports into the aquarium to attack the fish. Ruthless competition in the global marketplace.

“No! Why would you swim there, you ******* fish?” Coffin Cat yells as one if her fish is eaten by the nomadic war machine. “So dumb. ****. Why did it eat my fish?”

A knock at the door. The Recessed Figure from earlier enters the room. “Hey, mind if I join?” Their arms dangle like fine threads of hair.

“I like your music gear,” Idiot Boy says, pointing at nothing in particular.

“Idiot Boy also makes music,” Coffin Cat adds from the floor.

The Recessed Figure does not respond. They are enthralled by their phone, streak of dead pixels along a digital chessboard, minute reflection of their own gaunt face in the glass. After an extended period, they decide to move none of their pieces. A gaping coffee grinder rises out of the rubble at their feet. They begin filling it with tobacco from broken cigarettes.

“I’m surprised you’re still playing this,” Idiot Boy says to Coffin Cat. “I swear this is one of those games designed to ruin your life. Get addicted, stop going to work, become a hikik weaboo.”

“Already there, man,” Coffin Cat laughs. “Nah, this is my new job. I’m going to be a professional gamer.”

“Stream only PopCap games.”

Another knock at the door. Tired squander in an endless pacing of flesh. Strawman enters and nods at the Recessed Figure. “Hey bro.”

“Good to see you, man.” The Recessed Figure plugs the coffee grinder into the wall. “You got any ciggys?”

Idiot Boy points under the table and says “Ahh” with his mouth.

The Recessed Figure empties it into the coffee grinder. The device whirs into motion, creating a centrifugal blur, a mechanical and headless hypnotic repeat.

Idiot Boy and Coffin Cat look for horror movies to watch. The Recessed Figure empties the contents of the coffee grinder onto a metal tray. Strawman repacks it into a ****. White smoke fills the empty column, moves in slow motion like an oceanic rip a mile off coast, surface seething with quiet, impenetrable violence.

Idiot Boy refuses the first round. It’s never done him any good. Face turned to smoke and the wretched weight of a tongue that refuses to speak. Headless carry-on as time ticks through the clock face.

The door bursts open. Everybody turns as Manic Refusal or the Loud Person saunters in.

“I can’t believe it. I can’t ******* believe it. They’re selling me off!” the Loud Person says in exasperation. “First time back in New Zealand in five years and they do this to me!”

“What? What’s happened?” Strawman asks.

“Some rich ****** in Australia has bought me as his wife. I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!” the Loud Person laughs bitterly, before hitting the ****.

“Oomph, that’s rough,” Coffin Cat quips from the side.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold to off some rich ****** who owns all the banks in Australia.”

“But like, who is this guy?” Strawman asks, pointing.

“And he’s been reading all my profiles. He has access to all my information. I don’t even have control over my Facebook profile. Grand Larson’s logged in as me, posting for me,” the Loud Person continues. “I met him once in Australia, clubbing, and now he’s tracked and bought me.”

“That’s creepy as ****,” Idiot Boy says.

“So he’s not a complete stranger?” Strawman asks.

“I can’t believe it. I can’t ******* believe it. First time back in five years and I’m being sold off!”

Idiot Boy decides one hit from the **** wouldn’t be so bad. He packs the cone with chop, lights and inhales. Smoke rushes through the glass channel, a swirl of white ether, more than he’d expected. He quickly passes the **** to Coffin Cat, before collapsing onto the bed, eyes closed. A suffocating sensation fills his body. He sinks into the chasm of himself, further and further into an impossible, infinite depth.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

Idiot Boy doesn’t know what’s going on. He feels sick and tries to get Coffin Cat’s attention, but cannot move his body.

“Come on. Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

A strange silence stretches like an artificial dusk, a liminal duration, the hollow click of a tape set back into place in reverse. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. They’re selling me off! First time back in New Zealand in five years and they do this to me!”

The Recessed Figure makes a noncommittal noise.

“I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!”

Coffin Cat laughs quietly.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold off to some rich ****** who owns all the banks in Australia.”

“How about this fella? He doing okay?” Strawman asks, pointing. Everyone turns to Idiot Boy and laughs affectionately.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

“Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

Idiot Boy slowly opens his eyes and stares out the window. The same grey light as before. He moves his arm further towards Coffin Cat, but is still too weak to get her attention. The same strange silence stretches. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. . . .”

As the conversation repeats over and again, Idiot Boy begins to think he has become psychotic, or perhaps entered into a psychotic space. He thinks of computer algorithms, input-output, loops without variables, endless regurgitations of the same result. Human machines trapped in their own stupid loop. Drug-****** neuronal networks incapable of making new connections, forever traversing old ones. Short-term memory loss, every repeat a new conversation of what has already been. The same grey light painted upon four pears by the window.

He’s not sure if Coffin Cat’s laugh is getting weaker with each repeat.

Signal-response. The exterior world oversaturated with variables: roadways, rivers, forests, wildlife — an ever changing scene to respond to — the illusion of depth. Automatic response mechanisms reorient to new stimuli. The soul rises like surfactant, objectified fractal diffusion. A becoming without end.

But within the border of this interior world, the light stays grey. No input, no change; the same dead repeat, over and over, until sundown triggers a hunger response. Lined all along the street, a black box ceremony of repeating machines, trapped in their idiot cults, walls of clay and blood.

Idiot Boy finally gets Coffin Cat’s attention. She helps him through the house’s arteries to reach rain and wet stone, overcast skies. As he shakes in shock, Coffin Cat mumbles, “It’s cold.”

Idiot Boy sits silent on the ride home. Travels through himself. Tunnel through the body or Mariana Trench. Loses his footing before a traumatic void. Leaves the car and pukes.
Najwa Kareem Jun 2018
They're chasing this dollar bill
even it means compromising their beliefs and morals
even if it means lowering the status of their souls
even if it means hurting and not really caring about their own children
even if it means abusing them

They're chasing this dollar bill and they like the taste of this dollar bill
They want to taste it every day
They like what they can do with this dollar bill so they chase it every day
They don't realize how much of a slave they are to this dollar bill, nor will they admit to their slavery

They don't care if their chasing this dollar bill means more single sisters in the world
They don't care if it means mostly sisters are running many civil, Islamic, and Muslim organizations even though their husbands' contributions are desperately needed
Even if their children need their strength and their sons need role models and need and want to look up to them
Even if their children do not know how to read Quran and understand its meanings so they grow up stable, on solid footing, and bullet-proofed from all of the dangerous threats coming at them every day
They're chasing this dollar bill

They imitate their fathers chasing this dollar bill
Some want to out do their fathers in pursuit of this dollar bill
Some want to out do their fathers who failed in pursuit of the dollar bill
Some want to out do their fathers who succeeded enormously in pursuit of the dollar bill
Some want to out do their fathers who care less about chasing this dollar bill
They're chasing this dollar bill

The culture says if one is a man, he's supposed to be chasing this dollar bill
If he wants to be a man, he has to keep chasing the dollar bill
To be successful, have a perpetual plan on chasing the dollar bill
Advertisements, subliminal messages suggesting they need more things
They need more to be happy
They're chasing this dollar bill

They didn't get what they wanted when they were growing up. Now they can with this dollar bill
They had a frugal parent. Now they can be reckless. They're chasing this dollar bill
They had a cheap car in high school and in college. Not anymore. Luxury now only on wheels. They're chasing this dollar bill

Buying their children the name brand shoes they didn't have as children; Living vicariously makes up for a lot; Living vicariously fills up the holes
They're chasing this dollar bill

This dollar bill gets them the beautiful girl or so they think or at least temporarily
Finally they feel like somebody chasing this dollar bill

Their sons need to learn about chastity so they learn to respect God, themselves, and girls and to understand the value, beauty, and protection of experiencing *** and intimacy in marriage
Time is money. They're chasing this dollar bill

Young girls sitting in the classroom dressed looking like hookers and hoes and boys expected to focus on the teacher and their school work; Keep their eyes down and not call the girls, and not flirt with them, and not want to sleep with them or not go home with them. God on the other hand is covered up and no one is teaching kids who they are but the expectation is that they will know God and know themselves 
They're chasing this dollar bill

The oppressed need people to advocate for them. There are tons of homeless on the street. They're chasing this dollar bill

The ones around them who call themselves friends not really being friends to them.
Their friends don't ask them What's up with you? Where are your priorities? Re-evaluate your priorities man. What's really behind all this chasing? I want to see you in heaven with me prayfully, hopefully. I want to share in it with you. I care about you.

Instead their friends compliment them on their chasing this dollar bill
Their friends admire them chasing the dollar bill
Their friends edge them on to chase harder, chase more
Their friends get puffed up being associated with friends chasing this dollar bill
Their friends copy them chasing the dollar bill so they too have a taste of the dollar bill
Their friends compete with them chasing the dollar bill

They want to keep up with the Jones's running after the dollar bill, tripping and stumbling along the way trying not to let others see
They're chasing this dollar bill

I don't understand
It makes no sense to me
Why they're chasing this dollar bill to such a degree

It's clear to me. They're out of their right mind. That's what chasing this dollar bill can do to thee

They are on a chasing-this-dollar-bill frenzy
Their daughters need them to teach them more about hijab. Some of them wearing no hijab leaving them more of a target for hungry boys and men...like a closet full of valuables with no sign on the outside reading "Private"; Not for you to touch. Not your property. Not your valuables
What does that matter. They're chasing this dollar bill

Boys and men tempted by their daughters without hijab to imagine what their daughters' private parts sizes might be; What the sight of their nakedness could be
What they could do with their private parts
Their daughters need to learn their value and their worth from their fathers, fathers who are chasing this dollar bill

A human life investment or a temporary monetary investment...Where do they invest their time
It's an easy answer - They have no time...they're chasing this dollar bill

The community needs building but their homes need upgrading
They're chasing this dollar bill

My heart is heavy. I don't feel well
I'll keep talking about it. Even if I puke
I'll keep writing

They say women follow men. That's exactly what they are doing
They too are chasing this dollar bill

And we're all weaker because of it

If money strengthens, why are we weak
Why are our men weak
Why are our women frail  

Why

They're chasing this dollar bill

They're chasing this dollar bill
L B Jun 2018
I don't think about it any more
I take out the trash
noting
Sticks caught in the crotch of a tree
The wind does what the wind does
breaks weaker branches down
does not care where
it leaves
them
on its invisible way

Days do what the days do
they don't count themselves
worthy as they go
to release
the afternoon
to evening—
an artless
emptying
to a low spot
where tears tend to pool
if I'd let them down

“You know,
in that low spot
out there...?”
Where it's hard to see
Where its hard to care?

They take heart
out
divide it by energy
for sadness—
I haven't got

Watched the clock go round
wipe out my little plans
with relentless hands

...and I never got dressed today
6-12-18
Women
can endure childbirth,
yet some Men call them
'the weaker ***.'

How arrogant!

Even still,
Women who opt
to be sexist in return
be no better:

Yin and Yang
are interdependent.
Written on a napkin at work.
though they'd not been born
as co-joined twins
a bond so close merged
in their relationship's fins*

one couldn't move without
the other being alongside
always together they took
the same stepping stride

co-dependent
in everything
even of mind?
co-dependent
in everything  
this their
bind

but there was a controlling
one in the pair
it was ******* the other's
living air

it
put
a
proviso
on
the
body
that
was
weaker
directing
it
to
be
its
spinner
speaker

the weaker one knew
that the mightier one
had its secrets hidden
away
and that it should do
what its co-joined twin
did forevermore
say

there's a sacrifice
to be made by the weaker
*in codependency
Hal Loyd Denton Nov 2012
We know not the times or the gifts that are ours specifically and unequally you see someone at a
Distance walking through a pastoral scene away and down a hill at first by voice recognition you
Know who he is this grandfatherly figure brings a flood of feelings and moods to brush your soul
With the telling of wonder of intimate days and moments you have shared so often you smile as
He naps quietly and then a night comes where for one reason or another you get involved and the
Whole night is used for this activity the next day being Saturday you relax and in the late afternoon
You at first just set for what you think is a moment but the previous night delightfully and pleasantly
Catches up with you sleep affords you this non cumbersome trip of ease and you awaken and it is dark
At first groggy disoriented just like in a dream this logical but off answer is provided then you finally
Figure out what is going on what surprise and pleasure to know you have been ambushed by a slight
Tiredness that robed you in sweet bliss then trimmed it in solace you stir yourself and do minor things
Until it’s the bed time hour but instead of the normal lights out its turn away from the computer shut off
The television **** all the lights but one and then just purposely luxuriate in the soft amber glow it
Provides set the rudder to take you to sweet wonder as you drift to unspoken destinations these are
Truly simple joys where the need to be careful comes in we know even creation and all its splendors are
Fragile a great rush of water with four feet of foam froth and power charges down it has a twin that is
Separated by this mass of rock that rises upwards of fifty feet the water falls over it in a different way
These strings of water that cover the face from one side to the other and they are accompanied with the
Sweetest mist so you have this forked water show on both sides of powerful water all this glory of white
Power rushing then falling and then the center piece contrasted to this sense such power and mass and
The water is shear as it tenderly descends the mist is truly natures kiss the sound is the embrace the
Engulfing privilege we possess and own as humans but this could be harmed and ruined in so many sad
Ways thats why we are extraordinarily careful we want to preserve it for all times as human beings my
Friends we also can by indifference and lack of understating can harm friends that in their own right
Are spiritual streams that come from great spiritual head waters that were pristine and then one greater
Than all of us caused such harm and destruction in the purist place a garden I wrote and posted Fertile
Ground the great mind of Lincoln said in his day and he meant it for all of our history a nation as great as
Ours can and must be sustained yes our armies and navy are a part but in his speech He says if
“Destruction be our lot we must ourselves be its author and finisher as a nation of freemen we must
Must live through all time or die by suicide what constitutes the bulwark of our liberty and
Independence it is not our frowning battlements our bristling sea coasts the guns of our war steamers
Or the strength of our gallant and disciplined army these are not our reliance against the resumption of
Tyranny in our fair land all of them may be turned against our liberties without making us stronger
Or weaker for the struggle our reliance is in the love of liberty which God has planted in our bosoms our
Defense is in the preservation of the spirit that prizes liberty as the heritage of all men in all lands
Everywhere destroy this spirit and you have planted the seeds of despotism around you own doors
Familiarize yourselves with the chains of ******* and you are preparing your own limbs to wear them
Accustomed to trample on the right of those around you you become the fit subjects of the first cunning
Tyrant who rises” sound words of wisdom that benefit all men we can’t release our responsibility and
Expect a continuance of our freedom this is careful part of this piece Thomas Jefferson had this to say “I
Tremble for my country when I reflect that God is just and his justice cannot sleep foe ever” what more
Prized possessions do you own than family and friends but if we deny and ignore our duty to be men
And women of righteousness how can we complain when civil authority in all manners deteriorates it
Can stand on no higher moral ground than we the people ourselves maintain we are the streaming
Waters of good or bad that flows through relationships ungodliness is a reproach to any nation by their
Fruits they will be known like it or not eat sins treats fine but know this the soul that sins it shall surely
Die it is a law an all living and loving father died to make sure no one could be a tyrant over you only
Yourselves hold that power every devil in hell can assault you but never can he claim victory until he
Sees the white flag of righteousness flying and it is saying I surrender my life of freedom bought by the
Pure sacrificial lamb God’s own son you could practically tell he was human they whipped him with a cat
Of nine tales with metal and bone he struggled down the Via Dolorosa each step declared your freedom
The song says He could have called ten thousand angels and it wasn’t nails that held your Savior to that
Cruel cross he had the ability to see everyone of us he knew how bitter and hard life would be if you
Walk it without him He said my burden is light and my yoke is easy it might sound obscure today but it is
Just as real walk beyond his love in disobedience and you will be punished by the god of this world and
Then he will take you to his fiery home as his subject I wrote before you are his greatest trophy he has
You on display in his lair because you are the greatest treasure God has not golden streets
You fist loved me and my brothers and sisters the tears that I cry in private it says this is doing the work
Of the savior increase my tears and sorrow because too many of them are hurting and know not your
Comfort lost in a savage world not any longer their own a usurper took them captive love replaced by
Cruelty is their lot if they could only see your painful longing as you look for them to come home every
Day they would truly break ties to this fallen world and fly to your presence they believe the lie that they
Have it figured out what sadness they are left with and they never have tasted your sweet spirit they
Mistake the boundless love they feel as if it were your spirit of intimacy outward love doesn’t reach
Inner depths satisfying to the point one person who cried stop no more I will die his love is truly deeper
Than the sea even the universe and Carl Sagan a man of science he was an American astronomer
Astrophysicist cosmologist author science popularizer science communicator sounds impressive but the
Reality he had an assistant and she had to be brilliant to a degree to be working with him but she was
More she was a born again Christian many were the years she loved and sought to help him not to just
Love the Cosmos but love the one who made them her persistence was to no avail you can make a god
Of many things even science how tragic he can be a warning guard your heart and you will preserve your
Soul

Going to include Fertile Ground that includes Streaks of Jefferson and Most Hated Twins I put on there
Lincoln said we should read such things

This important if you haven’t read it

Fertile Ground
O thou great Jefferson in whom dwelled the fidelity of a nation of free men.
Thy secretes can be viewed as we watch you live and breathe the life of a grand Virginia planter
When one is a student of nature and observes its subtle lessons becomes its master and ally. The next
Step of going to lead men is reasonable when taken into count the natural gifts that were refined in
Quiet fields and hills in lengthy times of treasured solitude that is not to say there won’t be difficulties
But to a merchandiser of lofty thoughts this is of little consequence. There are issues that must be
Divined through the protracted business of hard arduous study. Man’s soul drifts in and out of the valley
And hills taking unconsciously truths that exist they are everywhere but can be buried in life’s clamor.
To purposely walk across a field with your with your senses open will usher you into a place quiet
Unsettling if you are one who is uneasy in your own thoughts because the vistas will allow your mind to
Extend it to the far reaches ordinary thoughts will jump over conventional restraints and give you
Profound insights Jefferson graduated from this school of higher learning for this very important time
This man of stature arose he flung freedom’s door wide open walked through set down at his desk and
Masterfully penned immortal words, to this day time hasn’t diminished any of their importance or there
Revered excellence this document would go unparalleled in type and execution, in forming the basis for
Human conduct it would forever alter the landscape that that had existed before its grand arrival.
The stinginess of former centuries were at long last over the mind had finally
Liberated the body the willingness to do for one’s self had taken the lead there was no
Turning back, these actions would recommend them as a people. Their credentials intact now they were
Ready for the world stage a new birth of nobility walked into the human condition and it wasn’t
In the least bit hesitant to speak thoughts that had long been silenced.
The trouble today stems from the lack of understanding we have about the truth,
Of what oppression would be unleashed if our form of government would be allowed to be dissolved we
Love the dream but deplore the reality. That this system will only work when we are involved. It has a
Built in detection device, you can’t use its rewards without paying it back with service.
The results will be contagious you will be left with a weak sickly government.
The remedy simple everyone has to be its central guardian.
This does not mean that it is weak this was the way it was created it is as strong as you
Are willing to have it know this it will always be dependent on human involvement.
We might not like it but we are making a choice freedom will be loosed or bound by our decision.
The product that we deal with is very supple and ever changeable it becomes whatever form you pour it
Into this is in accordance with its nature it also is a gauge of those that handle its virtues and shows if
You have had reverence or contempt. You will be left with honor or disgrace did you carry forth the gift
Or allow it to waver the children of the next generation are watching.
Streaks of Jefferson
In freedom’s blessed glorified sky through streaks of immortal gold his visage we behold
He looks upon the fields of liberty that he and the founding fathers sowed he sees the
Richness America has become he also beheld her struggles catastrophic wars abroad
And the most painful the one that divided the nation marred it with southern and northern
Blood saw the affable the sad giant Lincoln take the reins of discontent hold them by
Shear will and with uncommon sagacity guided it back in line to fulfill its destiny as the
Powerful fount that would always pour forth waters of freedom for all of earths peoples
Total unconditional acceptance of liberty and all the fruit it bears to establish a
Government like no other this golden grain has waved under bluest skies and brightest
Sun light its rich harvest has gone to darkest prison cells Mandela was sustained by it
For twenty nine years and by its moral purity it fed the lives of those that over threw
Apartied and Mandela finally freed by principals it avows rose from prison clothes
To wear the mantle of president of his country and the honor of the man instilled
Quality that transcended political office Jefferson not to be disrespectful to his progeny
Whispers today’s politicians could do well to look on this African model of good
Stewardship of public trust with that Jefferson faded back into the mist pray that’s
Not the fate of this country
Most hated twins
Who are these two desperate characters revered but feared by all
To make their acutance few will volunteer those who know them well
All can tell by the drawn face and the tears that swell the pool where wisdom has her rule
Achievers welcome them as honored guest they withstood the test now they the richest blest
At mornings first blade of light they strike with all their might they the quickest to fight
Timorous to afraid how many have dwelt by waters undying well only to die unfulfilled
But others tried and they fell the well is to deep its where darkest shadows creep
We will be lost in these new surroundings the familiar there will be water there too
Yes stagnant unmoved guarded for naught its benefit was for the traveler going places
For you it will be your grave marker he talked and talked but venture on never
He said he was the clever one as his countenance slowly turned to stone killed by apathy
Green pastures call to find them in yourself health you will install
Few are they that were meant and born to reside in the same place you must go
If you stay rebuild the common and ordinary your monument then they will admire
Who stood to long and with all intention he gave it only words action was the wonder that was missing
Treading a narrow path in the end if you buried or squandered your talent divine wrath you will face
Cast your seed far and wide how can you not see the need sorrow has them tied
Push back the encircling darkness with the light in your heart that God did endow
Go and answer the door your guides are here I want you to meet two friends Pain and Adversity
Two finer companions you will never know Washington and his men befriended them at Valley Forge Concord, York town. Lincoln met them first at Bull Run Antietam I think he gave a little speech at Gettysburg. One birthed a nation the other saved a divided one.
Aesthete Flower Jan 2015
My name is baby and you lean out of your car and spit at my feet it lands in a puddle in front of me and I am thirteen and in a suburban neighborhood on the way home from school and I gag and run with my backpack banging like the echo of your words against my back like you are chasing me all the way home.

My name is sweetie and I am fifteen in the city with my friends for the first time and we get a little lost and you follow us for a full block you name my friends honey and darling and why the **** won’t you talk to me!?

My name is nice *** and it’s two in the afternoon and I still feel my heart slam against my ribs because I am under a hundred and fifty pounds and I have weak lungs and weaker fists and while you saunter down the steps, swinging the beer bottle in your fist, my father who is walking behind me shouts, “she’s seventeen, you *******” and maybe I’m near my family but I don’t feel safe until we’re home again.

My name is ******* and my friend is laughing and we just graduated high school and we feel like we are on the brink of something beautiful and terrifying and she is in heels and about to throw up and you name her drunk enough and I have to physically drag you off and when we go home she cries for four hours because a night that should have been just teenage fun almost resulted in the end of her trust of humans.

My name is look at those **** and we are on a college campus and the boy I am with holds onto my waist just a little tighter while you drive up next to me. You name him **** and throw a bottle at his forehead. I can’t stop shaking until long after it’s over. He says “it happens,” and I say, “It shouldn’t.”

My name is **** girl and we are walking down the street. There are ten of you and two of us and you snap a picture when you think we’re not looking. You tell us to either come inside or you’ll **** us on the street. You all laugh like this is funny. This is a compliment. This is just something boys do to get ladies.

My name is little lady, my name is fine miss, my name is ******* and **** your friends, my name is look me in the face, my name is stop frowning, my name is smile, my name is why did you even glance at him you were asking for it, my name is this is a compliment, so I looked it up according to Oxford that’s “a polite expression of praise or admiration”  I think you've got the definitions mixed up.

My name is  pretty thing,  my name takes nice words and make them into bullet wounds.

My name is  nice body  and no girl I know has dated a man who catcalled her.

My name is  great rack  and it turns out that if you shout things at a stranger, they sound like knives more than flowers.

My name is  women like you never know their place  and every single “nice” thing you say to a woman is something you’d never utter to another man because you know that it’s derogatory.

My name is  princess  and  a reason to get put in prison  and if another man spoke to your mother, sister, or girlfriend like that, you’d **** him.

My name is  ****  and every time I hear someone raising their voice I am thirteen again and I don’t know who you are and I’m running home with a weight on my shoulders and your words like a slap to my spine and your laughter hanging in the air.

I am scared and alone and suddenly so small, and compliments are supposed to make me feel good not afraid for my life, compliments are a way of saying  “I care and I appreciate you and I thought you should know it,”  and if you really meant it as a compliment, you’d care about how I would take it - but you don’t mean it like that, you mean it to show off.

You mean it to make us object, you mean it to shove our names into your back pocket so you can tell your friends  “I saw the hottest little thing  yesterday”  and they can be groan about how we just walked away because you don’t see us go home with keys in our fists and all the lights on and we keep 911 dialed just in case and we triple-check our locks and we don’t fall asleep at all because your compliment knocked us over and took who we are

If we are all saying  “it doesn’t sound like a compliment, it sounds like a threat,”  If you really wanted to make us feel good - wouldn't you stop doing it?
the dirty poet Sep 2018
i see the flyer at starbucks

"are you caucasian?
without mental health
and drug problems?"

wow
i don’t know the answer to any of these questions
is a jew a caucasian?
is the occasional naked, ****-slamming drunken rampage
a drug problem?
as for mental health
i’m a deadbeat poet and unpopular pop musician
i’ve got a job fighting death and boredom
and i just changed my facebook password to "eat ****"
my frustrations have driven weaker souls to homicide
but are these PROBLEMS?
bb Jun 2014
Walking in a circle is, in the fondest sense, going absolutely nowhere, even though it feels better than walking completely backwards. They say absence makes the heart grow fonder, but I have never even been face to face with you and mine grows weaker and weaker with the length of time between the moments I get to touch you. The strange thing is that, prior to meeting you, I have a hard time describing what it was I was even doing - the storms you have hurled into my quiet life is all I know now, and I never realized just how flimsy my own infrastructure was. I have seeped into the walls you throw dishes in and the floors you roll around on, and I feel everything your fists do equally, if not more. Who knows my body better than you? The places I dip and divide and ***** and bend; who has held me down with nothing but words and sweaty silence that lay thick enough for us to cut with butcher knives? My stomach is trained to clench is desperation when your name is mentioned and I am nervous around anyone who shares with you; a picture is worth a thousand words, but your name is worth one million, and you've never spoken mine aloud but I have murmured yours, like a mantra, repeatedly, groaning in the way wounded animals do and trembling with that same fear. I can't count on my fingers how many nights I traded sleep for a reason to talk to you, and all too well do I know how many lifetimes are crammed into the seconds before an anticipated phone call. People might wonder how I even survive when you aren't around, but how many ways can a dog entertain himself when the master is away? Oftentimes, in a state of unwarranted panic, I claw at my clothes as though you are lurking underneath, and only rarely are you there, metaphysically. I am not the only person the rain falls on; I understand that there are plenty of others who are lulled by the charm of someone who knows nature of a human being in the way that otherworldly creatures might, but in this instance I know that everyone is haunted in their own exclusive way, and you are always flickering in the periphery of my blurry vision when my bedroom lights are out.
Rizz Dec 2018
I show you the stronger side coz i love you
Can't show you the weaker side
I can't tell you that I've been plotting my suicide
If i did who do you think between you and i would really die
I'm breathing like all of you but I'm dead inside
And its sad to say i can't tell you why
Ain't got no one to vent to
Grew up being told boys don't cry

Everytime we argue you say you don't love me
You say you don't need me
As if you don't know you're the reason im still living
I wrote a note to my moms saying im leaving
I hate to see her cry
So imma put it in the post hopin that she'll read it at a later time
To this painful life i see no purpose
Busy hurting others coz of my insecurities
Judging they flaws
Tyna forget my impurities
In the heart of the Courtroom sat God with his Only Begotten Son The Christ to his right-hand side to the left-hand side was Lucifer fully armored with a Golden Celestial Horn which will be blown once the war speech commences. Directly in front of them sat 25 Golden Robed Kings dressed in a white tunic with Golden Crowns flowing above their heads. In the massive throne room, there were nearly 750,000 thousand Angels gathered to hear this important speech. Within the crowd, there was some excitement and yet commotion going into play. The Golden Armada Of ArchAngels was presently composed of only 8 Lv-1000 ArchAngels they are under God's direct command and they are the most powerful toughest meanest baddest Angels God has put aside for the most dangerous and toughest assignments ever to be imagined. What God didn't expect was about to happen he was about to get betrayed by one of his main Angels and he himself be tested with the greatest trial he would ever face. Suddenly, Lucifer blew the horn the speech was about to commence...

Meanwhile in Infernus...
Inrah is harnessing Infernus power and converting it into a massive ball of power by opening his mouth wide the energy ball that has a rainbow color to it gets bigger and bigger and has created a transparent shield covering him leaving the angels unable to attack him directly...so every attack they throw at him has failed whether it be a long ranged attack or a close-range attack. Sebastian added "If I were to attack the beast somehow in close range I could potentially aim my Holy Spirit Purple Flame Arrow Of Fate is one of the most powerful attacks I have in my repertoire of moves. Valerye tells Krillin to use stealth and cloak herself from enemy view and attack him from behind the skull of the dragon...the dragon had peaked power in its attack and aimed directly at the 4 ArchAngels floating in mid-air about 400 ft away. In a blink of an eye, Krillin shot at the Dragon with Heavenly Gun Celestial Ray Bullets to draw attention to the dragon. Leona had used her doppelganger to act and be portrayed as Krillin. That made Inrah believe all 4 was there. The bullets broke the shield behind Inrahs skull and 3 bullets penetrated his head exploiting deep within and causing huge rupture like holes on his head. Inrah lost power and was interrupted so the energy ball lost some power itself. Squad #6 realized this was their chance to take Inrah down ...so Valerye being the muscular wise the strongest she leaped then teleported to Inrahs head and descended with a colossal attack disestablishing his power ball and exploding creating a distortion of ethereal space and the blast was so powerful that the Arch Angels suffered extensive damage to their armor. This time Inrah whole head had exploded and collapsed on itself Slowly but surely the tremendous beast with ferocious power had been silenced they all thought Inrah was dead. So each of them examines their selves Valerye had a crack on her shoulder side of her armor. Krillin had her armor almost intact except the broken shattered part of the crystal armature which some shards cut her left arm below the armpit. Krillin was bleeding but recovered phenomenally. Sebastian had Burn marks all over his lightweight armor. Leona had not suffered much due to the fact that she was observing the blast farther away. She had once again used her doppelganger to trick Inrah that she was Sebastian and had moved close to the energy ball when it was still in decent condition. Those golden seconds allowed her to teleport to a nearby location to observe the blast.
It had been 7 minutes and Inrahs head had not recovered...Exhausted from the long battle the Angels began to slowly fly away from the scene. However, Inrah was not dead yet and he gathered his last bit of strength to go back to his Arch Fiend form. The Arch-Fiend flashed and grabbed Valerye then Inrah began glowing dark energy and wouldn't let go of Valerye. So then all the other 3 members threatened Inrah to let go of Valerye then Inrah shouted to the Angels that if they were to attack him or interfere on the absorption of holy power he was going to perform that he would explode leaving Valerye dead or heavily injured. She then telepathically told all the goodbyes and all. Then Valerye heard the Lord's voice to tell her teammates to attack Inrah. Sebastian telepathically asked her if she wanted him to use Celestial Arrow so then they all detected that Inrah couldn't telepathically communicate with them anymore due to his lack of power. So they communicated this among each other and they took advantage of this opportunity to communicate with each other about Jesus message to them saying it was OK for them to attack Inrah due to the fact he had allowed the Holy Spirit to descend to Infernus temporarily to shield Valerye. Taking advantage of Inrah's inability to decipher their angelic messages thru telepathy they readied their positions. In fear, Inrah shouted to him and warned him that he would explode. Sebastian just looked at him and smirked and said... "Don't you see Demon is over..." at that very moment he drew his heavenly bow and slowly drew a celestial arrow. So then Inrah responded nervously... "I may be at my last stand but Master will understand..." right when he finished those words he exploded annihilating him instantly but Valerye was left unharmed due to the Holy Spirit Godly Shield an ability able to withstand any blast with a power level below 1000. So there all four Arch Angels stood on the ground of Infernus and made a surprising discovery. Their power level had grown. Furthermore, a new ability was unlocked by each member of the group. Sebastian learned Shadow Arrow. Leona Infernal Shield. Krylinn learned Earthly Armor. Last but not least Valerye Shadow Clone the ability to use two doppelgangers. The victory came at last and they all four after being left roaming Infernus for 7 long days they arose to heaven victorious and feeling joyful to see the Lord's gentle face and to feel God's embrace and power ever so mightily.

Back in the Courtroom...
The earnest tone of voice and a most elegant poise was worn by Lucifer as he gave his speech. Spoken in Umen a diabolical dialect mixed in the crowd was Vhar disguised as a messenger Angel. He contacted Nebol the 6th DemonLord of Infernus who has 650,000 Necromancers and 1.5 million undead soldiers at his disposal. Nebol made a rift allowing the Undead and Necromancers inside Infernus to relocate to random places around the perimeter of the Throne Room. Vhar and Nebol stormed into the Throne Room just to find themselves surrounded God had given orders to dispose of the imminent threat if any that opposed him or his kingdom. However the demons knowing God's presence would be overwhelming Nebol opened a portal right in front of him which transferred him to Infernus however him and Vhar sustained damage which lowered Nebol vitality due to Occult technique Shade of Darkness which allowed them to be shielded from God's Celestial Light and Adonai Vortex the first ability allows Yahweh the to impair demons use of abilities and conjuring power. The second ability is a is a white dim and slowly becomes a transparent hole that disintegrates demons any rank if touched by it. So with 1/4 of Nebols troops disintegrated when he almost lost his life and almost lost one of his best Generals Vhar he was outraged at the fact he had lost a significant amount of his demonic fleet. Now with 450,000 Necromancers and only having a million undead soldiers left. Nebol killed and consumed the heart of 5 Lv500 General Undead Soldiers and 1 out of only 6 in all the Necromancer Platoon an Lv-800 High Diabolic Priest Necromancer regaining all his power and armor back and with a stronger more powerful stance now regaining his posture as a Demon Lord. *There are 9 DemonLords in Infernus. Each and every single Demon Lord has Immortality and a power level of 1000. However some Demon Lord's are weaker and some stronger even though their power level cannot be higher. It ultimately matters of determination and skill. Aikalar First of the Demon Lord's rules the first circle of Infernus. He is a Huge White Wolf with Black flames with a small blue hue in his eyes and tail dominating the entrance of Infernus the smallest circle of Infernus. The Second Demon Lord portrayed as a Crow in a rotten tree high in the heights of Infernus. The second biggest circle in Infernus. Croxuss the third Demon Lord of Hell portraying himself as a huge turtle looking monster with Bloodshot eyes and ugly putrefying stench emitting from his body. The 4th Demon Lord known as Flayiron a once beautiful Arch-Angel LvIII Bow-Master now that he has joined the Infernus Fleet after his rebellion in Acapella He has a light blueish/purplish armor with a gigantic bow that can be transformed to a sword or a shield with a telekinetic command given by Flayiron. The fifth Demon Lord of hell is known as Asmodeus a half-giant half grey skinned demon who killed an Arch-Angel known Killas. Nebol the 6th Demon Lord of hell who was inbound to attack the great palace of heaven retreated momentarily to collect his thoughts. Lilith the 7th Demon Lord is the Angel of Lust a pure goddess of seduction with tremendous power. Nova the eight demon lord the most powerful goddess of all demon lords extremely beautiful and extremely sensual she does as she pleases with any of the Arch-Angels God has sent her way so far...she doesn't know she is about to meet her doom ...
Squad # 6. Arch-Angel Valerye with Arch-Angel Leona Arch-Angel Kryllin and Last but not least Arch-Angel Sebastian. They came to the 8th Circle Of *Infernus
where Demon Lord Nebol from the 6th Circle Of Infernus.
Work in progress...
vikas chauhan May 2015
Sometime,Somewhere when i walk on the road
I realize the things.
Start Counting the time in inverse way.

I realize that My Opportunity never comes for me.
I waited till last ,but they don't .
My Happiness never comes for me ,
I waited till last ,but they don't .

My Inner Strength become fade.
I become a  lesser bright,
I choose the other way ,my demon call me.
provide me the fake happiness ,fake opportunity.

but when the time passes  away my inner demon become weaker,
I become a stronger enough .
Suddenly when My real happiness and Opportunity  opportunity comes to me .
then i become a weaker to accept all this.
fake vs real
"Soyez muette pour moi, Idole contemplative..."

I came home and found a lion in my living room
Rushed out on the fire escape screaming Lion! Lion!
Two stenographers pulled their brunnette hair and banged the window shut
I hurried home to Patterson and stayed two days

Called up old Reichian analyst
who'd kicked me out of therapy for smoking marijuana
'It's happened' I panted 'There's a Lion in my living room'
'I'm afraid any discussion would have no value' he hung up

I went to my old boyfriend we got drunk with his girlfriend
I kissed him and announced I had a lion with a mad gleam in my eye
We wound up fighting on the floor I bit his eyebrow he kicked me out
I ended up ******* in his jeep parked in the street moaning 'Lion.'

Found Joey my novelist friend and roared at him 'Lion!'
He looked at me interested and read me his spontaneous ignu high poetries
I listened for lions all I heard was Elephant Tiglon Hippogriff Unicorn
        Ants
But figured he really understood me when we made it in Ignaz Wisdom's
        bathroom.

But next day he sent me a leaf from his Smoky Mountain retreat
'I love you little Bo-Bo with your delicate golden lions
But there being no Self and No Bars therefore the Zoo of your dear Father
        hath no lion
You said your mother was mad don't expect me to produce the Monster for
        your Bridegroom.'

Confused dazed and exalted bethought me of real lion starved in his stink
        in Harlem
Opened the door the room was filled with the bomb blast of his anger
He roaring hungrily at the plaster walls but nobody could hear outside
        thru the window
My eye caught the edge of the red neighbor apartment building standing in
        deafening stillness
We gazed at each other his implacable yellow eye in the red halo of fur
Waxed rhuemy on my own but he stopped roaring and bared a fang
        greeting.
I turned my back and cooked broccoli for supper on an iron gas stove
boilt water and took a hot bath in the old tup under the sink board.

He didn't eat me, tho I regretted him starving in my presence.
Next week he wasted away a sick rug full of bones wheaten hair falling out
enraged and reddening eye as he lay aching huge hairy head on his paws
by the egg-crate bookcase filled up with thin volumes of Plato, & Buddha.

Sat by his side every night averting my eyes from his hungry motheaten
        face
stopped eating myself he got weaker and roared at night while I had
        nightmares
Eaten by lion in bookstore on Cosmic Campus, a lion myself starved by
        Professor Kandisky, dying in a lion's flophouse circus,
I woke up mornings the lion still added dying on the floor--'Terrible
        Presence!'I cried'Eat me or die!'

It got up that afternoon--walked to the door with its paw on the south wall to
        steady its trembling body
Let out a soul-rending creak from the bottomless roof of his mouth
thundering from my floor to heaven heavier than a volcano at night in
        Mexico
Pushed the door open and said in a gravelly voice "Not this time Baby--
        but I will be back again."

Lion that eats my mind now for a decade knowing only your hunger
Not the bliss of your satisfaction O roar of the universe how am I chosen
In this life I have heard your promise I am ready to die I have served
Your starved and ancient Presence O Lord I wait in my room at your
        Mercy.

                                        Paris, March 1958
I am empty, yet I am whole
I burn with passion, desire, hot
Yet I am frozen to the core, cold.
My steps are surer than a Lions,
Yet insecurity ravages my mind like a bad disease.
My thoughts impulsive, extemporaneous
Yet cool, calm and calculated are my middle names.
Sometimes fear makes me weaker than a withering flower
But usually I'm bolder than a boxer, ducking, diving, bobbing, weaving
I can be loud, raucous, unbecoming
or quiet, shy and unwelcoming
I prefer my own space
But I'm your best friend
I can follow with the obedience of a dog
But I love setting trends.
I am an honest liar
A well read idiot
A losing champion
A logical creative
Beautifully ugly
Perfectly flawed
What I'm saying, is I'm human.
A walking contradiction
I'm an Oxymoron,
Yet I am not.
rage has a way of awakening
the sacred fiery feminine within me
i suppose i should be accepting of flippant
dismissals and easily broken
plans(promises)

after all, it is what is expected of my gender—
to be silently accepting
to be smiling and forever forgiving
to be blind to your *******.

but I’m not that kind of *****.

the waters of many rivers flow in my veins
over the rocks and thorns that are growing inward in my inner darkness
wise and warrior women of my past lives swim in these brackish tides and they
are having none of your **** today

there is a predator that hunts in the base of my skull
that loves to feed on

boys {I would say ‘friends’ but none of you are deserving of that title}
like
you

through heavy breaths and gasps between too hot sobs this creature is released
and it reminds me
with the worst of pain
that i
am stronger than you
that i
am stronger than anything within your petty soul

we’re all made of energy and mine is too bright to be diminished by the likes of you

while i feel worthless and want to destroy myself
{because the easiest way not to feel
is to bring blood,
to bring forth ribs,
and cheek bones, and burns—— for the longest while I thought the fault lied within myself, that I was worthless and disposable, but now I see that I’ve only been attracted to the weaker breed of human because you are easy to manipulate. You were stupid enough to consider my compassion a license to abuse my over giving heart}

this animal keeps me in line, holding my hands within its claw riddled appendages
tight enough to bring blood, holding me still until my cries turn into war songs
my frantic heart beats into the sound of war drums.
my tears become paint streaking my face, readying me for another battle.

the scorpion ever present in me rises, barb dripping with the poison
my tongue would love to lay into your psyche

but you aren’t worth my words.

my words are my livelihood and nothing i could say could
every arouse any interest nor care from such a small minded individual as yourself
whose ambitions are the small fractions of debris beneath my scarred feet.

in this holy and reverent cold I thought I needed the warmth of companions, but I realized I was skinning myself raw to cover others who would only ***** out the flame keeping me alive.
my heart thrives in this harsh season and the skeleton of the scorpion comes alive in solitude.

the warrior woman within me is reborn this night.
she has watched my neglect and has pulled me into her armed embrace
and tells me through stoney and unforgiving eyes

that you were never worthy of my radiance
Marshal Gebbie Sep 2011
(Quote by Spike Milligan)

One very wise man sat and said
That, long before this world is dead
This planet’s problems won’t be solved
By reasoning which, though now evolved,
has got us, where we now do sit,
Afloat neck deep in mankind’s ****.

There’s SARs, Ebola, AIDs, Bird flu
And in the woodwork, West Nile too,
Each replicating viral spat
To mutate, (at the drop of a hat),
To complicate enviro’s stew
Of global degredation’s brew.

Urban spread and over stocking
**** deforestation’s shocking,
Depletion of aquatic life
Intrinsically creating strife,
Industrial pollution’s goo
Ozone depletion... ALL FOR YOU!


Environmental degradation
Means the world’s a weaker place,
Susceptible to malady
Wide spread across the human race.
Those animals in corn fed stalls
Who never get to see the sun
Or graze green grass where honey bees
Are vanquished by varroha’s fun.

Too late to save the Hector’s dolphin
Conservation’s lost it’s tools,
Rastafarian hootchie smokers,
Save the whales to **** the fools.
Governments sell the carbon credits
Everybody smells a rat
Restorations for the birds
And social conscience creamed the cat.

****** greenies own the airwaves
No one gives a flying ****
That good artesian water’s poisoned
By good farmer’s leached out muck.
CO2 in global warming
Sings it’s song of fast decline
Glacial retreat a-roaring
Bass relief in blood *****.

I guess the little children’s future
Most depends on lady luck,
Humankind in mass denial
Most don’t give a flying ****!


Marshalg
In retreat to Taranaki’s green haven in the gales of the equinox.
21 September 2011
Ignatius Hosiana Jul 2015
So all of them knelt down to pray
For their comrades who were gone too soon
In the soggy swamp where they lay

Weaker and weaker they grew, day after day
Cause battle had intensified throughout June
So all of them knelt down to pray

They wished to rewind time least to May
With the rhythm of their Heartbeat out of tune
In the soggy swamp where they lay

Clouds had cast a thick canopy allowing no single ray
To touch their bloated bellies threatening to balloon
So all of them knelt down to pray

From a distance they heard a Donkey in horror bray
Sending shock-waves through the battered platoon
In the soggy swamp where they lay

They'd agreed to wait for aid on a tray
'Course help would come but they needed it soon
So all of them knelt down to pray
In the soggy swamp where they lay
Niamh used it, so I decided to give it a try because I like the style
Thanks Niamh :))
M Mar 2014
I keep thinking about how you used
to giggle like that to me
and now you giggle with that skinny boy
and how I got mad because Karl said men are better than women
because women are weaker
and when I got mad you were like "Oh God, don't start that conversation with her,"
like gender equality is a minor aggravation
and my passion was to be silenced
and you don't even look as you passed by
maybe I did it,
maybe it's my fault
but now you're
fine without me
you're fine
fine without
me fine
without me fine
me fine without
without
fine
me
and I'm dying inside.
Pax Mar 2015

The poor get poorer,
The rich get richer.
           In some cases it’s a debate
             harsh situations Fluctuate
When money speaks, power escalates.

Sometimes…
The poor gets tougher,
The rich gets fragile against danger.

Often times…
Harsh situations make us stronger,
Easy life makes us weaker.

the second one...
thanks again for reading.
Just Me Jul 2016
It's times like this that I believe there's no such thing as love.
How can an emotion so wonderful be destined to be accompanied by emotions most tragic?
At one moment your heart is so full and sure...
Then at any other it's beauty is stolen, and your left lonely with only pain and tears.
What a cruel way to live...
With faith that your love is genuine.
You feel as powerful as this love is, that it can't be broken.
But the very person that makes such a miraculous feeling possible is your enemy.
Now something so fragile has become hardened and cold.
Revenge sits in your heart with those tears and rather then drown in them, it basks and laughs.
Maybe only I am cursed.
That would be fine, for something so special shouldn't be stolen from everyone.
Surely other's deserve this amazing comfort, undisturbed.
And not even my damaged heart would wish this trick on anyone.
But karma is my friend, even though revenge fights to be freed.
If only I could be as ugly person as he...
The public would be amazed at the treachery I'd blaze.
And the devil would smile with pride.
If only I were a little weaker...
I'd thank Satan for his very existence.
And I'd make myself home in hell as this so called lover is shattered as I have been shatterd.
If only I were weaker...
I'd be the perfect storm.
I'd shadow my every thought with evil and release such a rage.
It would be glorious and such a film it would make...
All of the viewers could watch him watch and run from his faith.
And they would shed tears, because they would feel his heart break, like my heart once broke...
Still I'd be such a monster with tremendous ways of destroying a heart...
No person could look away...
My pain would be art.
If only I were weaker...
If only it was true...
If only I never fell in love with you.
If only I were weaker...
The things I'd do, if only I could be lower then you...
If only love didn't exist, or at least if I knew nothing of it.
Even the slightest thing is called betrayal
Marshal Gebbie Jun 2013
(Quote by Spike Milligan)

One very wise man sat and said
That, long before this world is dead
This planet’s problems won’t be solved
By reasoning which, though now evolved,
has got us, where we now do sit,
Afloat neck deep in mankind’s ****.

There’s SARs, Ebola, AIDs, Bird flu
And in the woodwork, West Nile too,
Each replicating viral spat
To mutate, (at the drop of a hat),
To complicate enviro’s stew
Of global degredation’s brew.

Urban spread and over stocking
**** deforestation’s shocking,
Depletion of aquatic life
Intrinsically creating strife,
Industrial pollution’s goo
Ozone depletion... ALL FOR YOU!


Environmental degradation
Means the world’s a weaker place,
Susceptible to malady
Wide spread across the human race.
Those animals in corn fed stalls
Who never get to see the sun
Or graze green grass where honey bees
Are vanquished by varroha’s fun.

Too late to save the Hector’s dolphin
Conservation’s lost it’s tools,
Rastafarian hootchie smokers,
Save the whales to **** the fools.
Governments sell the carbon credits
Everybody smells a rat
Restorations for the birds
And social conscience creamed the cat.

****** greenies own the airwaves
No one gives a flying ****
That good artesian water’s poisoned
By good farmer’s leached out muck.
CO2 in global warming
Sings it’s song of fast decline
Glacial retreat a-roaring
Bass relief in blood *****.

I guess the little children’s future
Most depends on lady luck,
Humankind in mass denial
Most don’t give a flying ****!

Marshalg
In retreat to Taranaki’s green haven in the gales of the equinox.
21 September 2011
A true story by  Thula Bopela**

I have no idea whether the white man I am writing about is still alive or not. He gave me an understanding of what actually happened to us Africans, and how sinister it was, when we were colonized. His name was Ronald Stanley Peters, Homicide Chief, Matabeleland, in what was at the time Rhodesia. He was the man in charge of the case they had against us, ******. I was one of a group of ANC/ZAPU guerillas that had infiltrated into the Wankie Game Reserve in 1967, and had been in action against elements of the Rhodesian African rifles (RAR), and the Rhodesian Light Infantry (RLI). We were now in the custody of the British South Africa Police (BSAP), the Rhodesian Police. I was the last to be captured in the group that was going to appear at the Salisbury (Harare) High Court on a charge of ******, 4 counts.
‘I have completed my investigation of this case, Mr. Bopela, and I will be sending the case to the Attorney-General’s Office, Mr. Bosman, who will the take up the prosecution of your case on a date to be decided,’ Ron Peters told me. ‘I will hang all of you, but I must tell you that you are good fighters but you cannot win.’
‘Tell me, Inspector,’ I shot back, ‘are you not contradicting yourself when you say we are good fighters but will not win? Good fighters always win.’
‘Mr. Bopela, even the best fighters on the ground, cannot win if information is sent to their enemy by high-ranking officials of their organizations, even before the fighters begin their operations. Even though we had information that you were on your way, we were not prepared for the fight that you put up,’ the Englishman said quietly. ‘We give due where it is to be given after having met you in battle. That is why I am saying you are good fighters, but will not win.’
Thirteen years later, in 1980, I went to Police Headquarters in Harare and asked where I could find Detective-Inspector Ronald Stanley Peters, retired maybe. President Robert Mugabe had become Prime Minster and had released all of us….common criminal and freedom-fighter. I was told by the white officer behind the counter that Inspector Peters had retired and now lived in Bulawayo. I asked to speak to him on the telephone. The officer dialed his number and explained why he was calling. I was given the phone, and spoke to the Superintendent, the rank he had retired on. We agreed to meet in two days time at his house at Matshe-amhlophe, a very up-market suburb in Bulawayo. I travelled to Bulawayo by train, and took a taxi from town to his home.
I had last seen him at the Salisbury High Court after we had been sentenced to death by Justice L Lewis in 1967. His hair had greyed but he was still the tall policeman I had last seen in 1967. He smiled quietly at me and introduced me to his family, two grown up chaps and a daughter. Lastly came his wife, Doreen, a regal-looking Englishwoman. ‘He is one of the chaps I bagged during my time in the Service. We sent him to the gallows but he is back and wants to see me, Doreen.’ He smiled again and ushered me into his study.
He offered me a drink, a scotch whisky I had not asked for, but enjoyed very much I must say. We spent some time on the small talk about the weather and the current news.
‘So,’ Ron began, ‘they did not hang you are after all, old chap! Congratulations, and may you live many more!’ We toasted and I sat across him in a comfortable sofa. ‘A man does not die before his time, Ron’ I replied rather gloomily, ‘never mind the power the judge has or what the executioner intends to do to one.’
‘I am happy you got a reprieve Thula,’, Ron said, ‘but what was it based on? I am just curious about what might have prompted His Excellency Clifford Du Pont, to grant you a pardon. You were a bunch of unrepentant terrorists.’
‘I do not know Superintendent,’ I replied truthfully. ‘Like I have said, a man does not die before his time.’ He poured me another drink and I became less tense.
‘So, Mr. Bopela, what brings such a lucky fellow all the way from happy Harare to a dull place like our Bulawayo down here?’
‘Superintendent, you said to me after you had finished your investigations that you were going to hang all of us. You were wrong; we did not all hang. You said also that though we were good fighters we would not win. You were wrong again Superintendent; we have won! We are in power now. I told you that good fighters do win.’
The Superintendent put his drink on the side table and stood up. He walked slowly to the window that overlooked his well-manicured garden and stood there facing me.
‘So you think you have won Thula? What have you won, tell me. I need to know.’
‘We have won everything Superintendent, in case you have not noticed. Every thing! We will have a black president, prime minister, black cabinet, black members of Parliament, judges, Chiefs of Police and the Army. Every thing Superintendent. I came all the way to come and ask you to apologize to me for telling me that good fighters do not win. You were wrong Superintendent, were you not?’
He went back to his seat and picked up his glass, and emptied it. He poured himself another shot and put it on the side table and was quiet for a while.
‘So, you think you have won everything Mr. Bopela, huh? I am sorry to spoil your happiness sir, but you have not won anything. You have political power, yes, but that is all. We control the economy of this country, on whose stability depends everybody’s livelihood, including the lives of those who boast that they have political power, you and your victorious friends. Maybe I should tell you something about us white people Mr. Bopela. I think you deserve it too, seeing how you kept this nonsense warm in your head for thirteen hard years in prison. ‘When I get out I am going to find Ron Peters and tell him to apologize for saying we wouldn’t win,’ you promised yourself. Now listen to me carefully my friend, I am going to help you understand us white people a bit better, and the kind of problem you and your friends have to deal with.’
‘When we planted our flag in the place where we built the city of Salisbury, in 1877, we planned for this time. We planned for the time when the African would rise up against us, and perhaps defeat us by sheer numbers and insurrection. When that time came, we decided, the African should not be in a position to rule his newly-found country without taking his cue from us. We should continue to rule, even after political power has been snatched from us, Mr. Bopela.’
‘How did you plan to do that my dear Superintendent,’ I mocked.
‘Very simple, Mr. Bopela, very simple,’ Peters told me.
‘We started by changing the country we took from you to a country that you will find, many centuries later, when you gain political power. It would be totally unlike the country your ancestors lived in; it would be a new country. Let us start with agriculture. We introduced methods of farming that were not known I Africa, where people dug a hole in the ground, covered it up with soil and went to sleep under a tree in the shade. We made agriculture a science. To farm our way, an African needed to understand soil types, the fertilizers that type of soil required, and which crops to plant on what type of soil. We kept this knowledge from the African, how to farm scientifically and on a scale big enough to contribute strongly to the national economy. We did this so that when the African demands and gets his land back, he should not be able to farm it like we do. He would then be obliged to beg us to teach him how. Is that not power, Mr. Bopela?’
‘We industrialized the country, factories, mines, together with agricultural output, became the mainstay of the new economy, but controlled and understood only by us. We kept the knowledge of all this from you people, the skills required to run such a country successfully. It is not because Africans are stupid because they do not know what to do with an industrialized country. We just excluded the African from this knowledge and kept him in the dark. This exercise can be compared to that of a man whose house was taken away from him by a stronger person. The stronger person would then change all the locks so that when the real owner returned, he would not know how to enter his own house.’
We then introduced a financial system – money (currency), banks, the stock market and linked it with other stock markets in the world. We are aware that your country may have valuable minerals, which you may be able to extract….but where would you sell them? We would push their value to next-to-nothing in our stock markets. You may have diamonds or oil in your country Mr. Bopela, but we are in possession of the formulas how they may be refined and made into a product ready for sale on the stock markets, which we control. You cannot eat diamonds and drink oil even if you have these valuable commodities. You have to bring them to our stock markets.’
‘We control technology and communications. You fellows cannot even fly an aeroplane, let alone make one. This is the knowledge we kept from you, deliberately. Now that you have won, as you claim Mr. Bopela, how do you plan to run all these things you were prevented from learning? You will be His Excellency this, and the Honorable this and wear gold chains on your necks as mayors, but you will have no power. Parliament after all is just a talking house; it does not run the economy; we do. We do not need to be in parliament to rule your Zimbabwe. We have the power of knowledge and vital skills, needed to run the economy and create jobs. Without us, your Zimbabwe will collapse. You see now what I mean when I say you have won nothing? I know what I am talking about. We could even sabotage your economy and you would not know what had happened.’
We were both silent for some time, I trying not to show how devastating this information was to me; Ron Peters maybe gloating. It was so true, yet so painful. In South Africa they had not only kept this information from us, they had also destroyed our education, so that when we won, we would still not have the skills we needed because we had been forbidden to become scientists and engineers. I did not feel any anger towards the man sitting opposite me, sipping a whisky. He was right.
‘Even the Africans who had the skills we tried to prevent you from having would be too few to have an impact on our plan. The few who would perhaps have acquired the vital skills would earn very high salaries, and become a black elite grouping, a class apart from fellow suffering Africans,’ Ron Peters persisted. ‘If you understand this Thula, you will probably succeed in making your fellow blacks understand the difference between ‘being in office’ and ‘being in power’. Your leaders will be in office, but not in power. This means that your parliamentary majority will not enable you to run the country….without us, that is.’
I asked Ron to call a taxi for me; I needed to leave. The taxi arrived, not quickly enough for me, who was aching to depart with my sorrow. Ron then delivered the coup de grace:
‘What we are waiting to watch happening, after your attainment of political power, is to see you fighting over it. Africans fight over power, which is why you have seen so many coups d’etat and civil wars in post-independent Africa. We whites consolidate power, which means we share it, to stay strong. We may have different political ideologies and parties, but we do not **** each other over political differences, not since ****** was defeated in 1945. Joshua Nkomo and Robert Mugabe will not stay friends for long. In your free South Africa, you will do the same. There will be so many African political parties opposing the ANC, parties that are too afraid to come into existence during apartheid, that we whites will not need to join in the fray. Inside whichever ruling party will come power, be it ZANU or the ANC, there will be power struggles even inside the parties themselves. You see Mr. Bopela, after the struggle against the white man, a new struggle will arise among yourselves, the struggle for power. Those who hold power in Africa come within grabbing distance of wealth. That is what the new struggle will be about….the struggle for power. Go well Mr. Bopela; I trust our meeting was a fruitful one, as they say in politics.’
I shook hands with the Superintendent and boarded my taxi. I spent that night in Bulawayo at the YMCA, 9th Avenue. I slept deeply; I was mentally exhausted and spiritually devastated. I only had one consolation, a hope, however remote. I hoped that when the ANC came into power in South Africa, we would not do the things Ron Peters had said we would do. We would learn from the experiences of other African countries, maybe Ghana and Nigeria, and avoid coups d’etat and civil wars.
In 2007 at Polokwane, we had full-blown power struggle between those who supported Thabo Mbeki and Zuma’s supporters. Mbeki lost the fight and his admirers broke away to form Cope. The politics of individuals had started in the ANC. The ANC will be going to Maungaung in December to choose new leaders. Again, it is not about which government policy will be best for South Africa; foreign policy, economic, educational, or social policy. It is about Jacob Zuma, Kgalema Motlhante; it is about Fikile Mbalula or Gwede Mantashe. Secret meetings are reported to be happening, to plot the downfall of this politician and the rise of the other one.
Why is it not about which leaders will best implement the Freedom Charter, the pivotal document? Is the contest over who will implement the Charter better? If it was about that, the struggle then would be over who can sort out the poverty, landlessness, unemployment, crime and education for the impoverished black masses. How then do we choose who the best leader would be if we do not even know who will implement which policies, and which policies are better than others? We go to Mangaung to wage a power struggle, period. President Zuma himself has admitted that ‘in the broad church the ANC is,’ there are those who now seek only power, wealth and success as individuals, not the nation. In Zimbabwe the fight between President Robert Mugabe and Morgan Tsvangirai has paralysed the country. The people of Zimbabwe, a highly-educated nation, are starving and work as garden and kitchen help in South Africa.
What the white man told me in Bulawayo in 1980 is happening right in front of my eyes. We have political power and are fighting over it, instead of consolidating it. We have an economy that is owned and controlled by them, and we are fighting over the crumbs falling from the white man’s ‘dining table’. The power struggle that raged among ANC leaders in the Western Cape cost the ANC that province, and the opposition is winning other municipalities where the ANC is squabbling instead of delivering. Is it too much to understand that the more we fight among ourselves the weaker we become, and the stronger the opposition becomes?
Thula Bopela writes in his personal capacity, and the story he has told is true; he experienced alone and thus is ultimately responsible for it.
Sam Miller Sep 2012
There’s a tightness in my chest
Pulling me deeper into this dark.
Choking and sputtering I try to fight
The way I’ve fought for so long.
Holding on to a glimmer of hope
I cling with drenched and wrinkled hands.

I can’t breathe in this murky Hell
No matter how hard I try.
It floods down my throat
Into my lungs like tar.
It coats them in my miseries and failures
Until they’re suffocating under the weight of my madness.

The string holding me up
Is getting weaker and weaker.
I can feel it fraying
Slimy hands struggle for purchase.
Climbing through the waterfall of tears
Away from the end of my rope.
I reach for the hand holding it up.
I can finally get clean and help myself.

I can feel their fingertips
Tickling at my outstretched hand.
I grip their wrist and begin to cry
Not out of sorrow but relief.

I am saved, I am free from this place!
Never again will I return
Because I can survive.
I am strong.

The hand slips.
And just like that
I am back where I began.
At the end of my rope.

— The End —