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"turnings" poems
The water hollowed the stone, the wind dispersed the water, the stone stopped the wind. Water and wind and stone. The wind sculpted the stone, the stone is a cup of water, The water runs off and is wind. Stone and wind and water. The wind sings in its turnings, the water murmurs as it goes, the motionless stone is quiet. Wind and water and stone. One is the other and is neither: among their empty names they pass and disappear, water and stone and wind.
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29.4k
Wind and Water and Stone
for Ruth Fainlight I know the bottom, she says. I know it with my great tap root; It is what you fear. I do not fear it: I have been there. Is it the sea you hear in me, Its dissatisfactions? Or the voice of nothing, that was you madness? Love is a shadow. How you lie and cry after it. Listen: these are its hooves: it has gone off, like a horse. All night I shall gallup thus, impetuously, Till your head is a stone, your pillow a little turf, Echoing, echoing. Or shall I bring you the sound of poisons? This is rain now, the big hush. And this is the fruit of it: tin white, like arsenic. I have suffered the atrocity of sunsets. Scorched to the root My red filaments burn and stand,a hand of wires. Now I break up in pieces that fly about like clubs. A wind of such violence Will tolerate no bystanding: I must shriek. The moon, also, is merciless: she would drag me Cruelly, being barren. Her radiance scathes me. Or perhaps I have caught her. I let her go. I let her go Diminished and flat, as after radical surgery. How your bad dreams possess and endow me. I am inhabited by a cry. Nightly it ***** out Looking, with its hooks, for something to love. I am terrified by this dark thing That sleeps in me; All day I feel its soft, feathery turnings, its malignity. Clouds pass and disperse. Are those the faces of love, those pale irretrievables? Is it for such I agitate my heart? I am incapable of more knowledge. What is this, this face So murderous in its strangle of branches? ---- Its snaky acids kiss. It petrifies the will. These are the isolate, slow faults That **** that **** that ****
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4.2k
Elm
for Ruth Fainlight I know the bottom, she says. I know it with my great tap root; It is what you fear. I do not fear it: I have been there. Is it the sea you hear in me, Its dissatisfactions? Or the voice of nothing, that was you madness? Love is a shadow. How you lie and cry after it. Listen: these are its hooves: it has gone off, like a horse. All night I shall gallup thus, impetuously, Till your head is a stone, your pillow a little turf, Echoing, echoing. Or shall I bring you the sound of poisons? This is rain now, the big hush. And this is the fruit of it: tin white, like arsenic. I have suffered the atrocity of sunsets. Scorched to the root My red filaments burn and stand,a hand of wires. Now I break up in pieces that fly about like clubs. A wind of such violence Will tolerate no bystanding: I must shriek. The moon, also, is merciless: she would drag me Cruelly, being barren. Her radiance scathes me. Or perhaps I have caught her. I let her go. I let her go Diminished and flat, as after radical surgery. How your bad dreams possess and endow me. I am inhabited by a cry. Nightly it ***** out Looking, with its hooks, for something to love. I am terrified by this dark thing That sleeps in me; All day I feel its soft, feathery turnings, its malignity. Clouds pass and disperse. Are those the faces of love, those pale irretrievables? Is it for such I agitate my heart? I am incapable of more knowledge. What is this, this face So murderous in its strangle of branches? ---- Its snaky acids kiss. It petrifies the will. These are the isolate, slow faults That **** that **** that ****
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43
The snowflake is castellated cold, Of chill crenellations and turnings narrow. Court of pie-powders and gray-skied brazier smoke, Of inner mazework dimmed to ****** holes, Or the hooded machicolations from tower spire Of oily darkness and arrowslits of Greek fire. — The snowflake is Medieval reliquary, The frozen skull of rain and blood clear of sin, Wind-captive with its prayer of quiet On quietest lips, close to wine and sacrament. Or the chapel and its waxen paramours Of incorrupt body and candlelight upon the moors. — The snowflake is the mighty frozen spark, Fire-forged and ironwrought, Under the eye of Hephaestus, Blacksmith of sorrow’s wind.
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May 11, 2019
May 11, 2019 at 7:47 PM UTC
Two Truths of the Snowflake... and a Lie
it's five o clock yes in the morning birdsong has woken me an hour and a half before my alarm was supposed to even after another terrible night's sleep to-ing and fro-ing with tossings and turnings staring into the blank of ceiling and wall not enough comfort or perhaps too much on this slumped mattress to slip deep enough beyond those initial stages of slumber down into REM i'm surprised to find i'm not as angry nor as drained as i thought i would be at such premature awakening i can lie still untroubled for now contentedly listening to the chattering of these feathered neighbours an avian symphony of movements manifold
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May 23, 2023
May 23, 2023 at 8:05 AM UTC
avian
From my new book, Poems of Ancient Rome and Greece, available in paperback on Amazon and Barnes & Noble, as well as eBook on Kindle, Nook, and Apple Books:  https://www.amazon.com/Poems-Ancient-Greece-Christopher-Saitta/dp/B0DS6933HB?ref_=ast_author_dp   My mother the sea, She woke my sandy eyes, Just to tell me she had to leave, Draw past the markets where the fish are sun-dried, Snarled by the coral-rough hands of divers deep. My mother the sea, She left her running tab Of the grocer’s choicest greens, Thumbed the velamentous rinds and spiny scarola, Her xylem and phloem are the slow moving cruciferousness of a breeze. My mother the sea, Charwoman of tides, Who dips and delves upon her knees, Who scrubs her brothel-coves with chamber lye, Cyprian mistress of the salt-stained sheets. I have looked for you, mother, A scugnizzo amid the striped awnings of the marketplace ~ like sails to the sky ~ Where the fishmongers hawk their pride Of conch, cavallo, and black sea bream. I have looked for you, mother, Walked sun-forged along the boardwalk, Amid the neon-mascara of signs, Hand-in-hand with only the ladyfingers of salt and vinegar fries, Toward the crisp syllabub of pebbles and sand. A beach is window-warmth spread free, cosmopolitan, The longeur of eyes crushed in the glass-dust of cities. And in the sputtering of the frosted spume of tides, Held broken seashells in my hands like broken needles, Heard the pump-click of the ventilator through your mask of sand. My mother the sea, A naked convalescent, Whose ever-turnings have taken A turn for the worse. Who will know her by her death, who but me?
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Jan 21, 2025
Jan 21, 2025 at 8:29 AM UTC
My Mother, the Sea
From my new book, Poems of Ancient Rome and Greece, available in paperback on Amazon and Barnes & Noble, as well as eBook on Kindle, Nook, and Apple Books:  https://www.amazon.com/Poems-Ancient-Greece-Christopher-Saitta/dp/B0DS6933HB?ref_=ast_author_dp   My mother the sea, She woke my sandy eyes, Just to tell me she had to leave, Draw past the markets where the fish are sun-dried, Snarled by the coral-rough hands of divers deep. My mother the sea, She left her running tab Of the grocer’s choicest greens, Thumbed the velamentous rinds and spiny scarola, Her xylem and phloem are the slow moving cruciferousness of a breeze. My mother the sea, Charwoman of tides, Who dips and delves upon her knees, Who scrubs her brothel-coves with chamber lye, Cyprian mistress of the salt-stained sheets. I have looked for you, mother, A scugnizzo amid the striped awnings of the marketplace ~ like sails to the sky ~ Where the fishmongers hawk their pride Of conch, cavallo, and black sea bream. I have looked for you, mother, Walked sun-forged along the boardwalk, Amid the neon-mascara of signs, Hand-in-hand with only the ladyfingers of salt and vinegar fries, Toward the crisp syllabub of pebbles and sand. A beach is window-warmth spread free, cosmopolitan, The longeur of eyes crushed in the glass-dust of cities. And in the sputtering of the frosted spume of tides, Held broken seashells in my hands like broken needles, Heard the pump-click of the ventilator through your mask of sand. My mother the sea, A naked convalescent, Whose ever-turnings have taken A turn for the worse. Who will know her by her death, who but me?
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36
Oh the things that my eyes have seen, the many places walked I have been. Upon peak and trough did I roam, rarely knowing a place called home. So many turnings along my way, passing on through to seldom stay. Staying as long as life allowed, more times alone than in a crowd. Beautiful faces that came and went, both good and evil sometimes sent. With words sometime of the softest kind, echoing shrill calls yet within my mind. Words once soft now turned to stone, where faces vanish until left alone. Upon road so full of twist and turn, until a heart can no longer yearn. Corners met that were never turned, unseen paths that were never learned. Future's short path left to travel on, in time memory fades and it too is gone. Things I was and all that I saw, gone forever through the closing door. How long then be there just a trace, that my soul and I ever saw this place. To dust and particles we all will decay, those once met too will just fade away. Until even memories of all are no more, of a life full lived that no one even saw.
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Oct 11, 2023
Oct 11, 2023 at 5:42 AM UTC
Roads, Veils and Doorways
the asker the taker the lazy hole-maker the me and my watching the ground the tested the failing the canvasless sailing the turnings and ever unfounds the grati- tude giving the talented living, but the passions are buried in mounds so ready the dying and underground lying I'm blue pull me under earth's browns
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Oct 3, 2010
Oct 3, 2010 at 11:45 AM UTC
harder than homework
not all **** videos are equal one searches the index, hopeful a screenshot pinpricks the eye and the peculiar peculiar need of the moment like most things good and appreciated, sifting through the chaff is a learned skill, required but not intuitively sired, not every new word in the dictionary delights, insights, triggering a welcome!warning the sifter’s handle fits the hand uncomfortably, requiring egregious prodigious turnings, till the flour is silky and manipulative, ready, pleasure is work, luster need maintenance you passover, skippering, a search for the next and the next, treasured island is constantly on the move, it’s coordinates require GPS updating rerouting rerouting rerouting what does this reveal about you? there are no simple single path pleasures, the first bite delight is ultimately worn down, recalled but not equally fully restored, so we need, insistent for new thrill pathways to get to the same old pleasured places the body acts, the body’s acts, the body’s reacts familiarity is a museum collection, everything human requires updating, especially essentially by the imagination’s perpetual swiping
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Apr 14, 2019
Apr 14, 2019 at 7:53 AM UTC
not all **** videos are equal
My heart shines as the moon does At times quiet and peaceful Reliable and for granted taken Silent and beautiful and ignored A waxing and waning cycle Once, full bodied and glowing Light to find love and other hapinesses Too brief a joy it brings For waning must always come Twice, dark, black as deepest night Unseen in the backdrop of sharp stars Leaving a world wrapped in shadow But not so constant are cardiac turnings Not regular as lunar comings and goings Glowing for a day and shadowed for a month Black for a week and shinning for a year Yet just as the moon at times changes Glowing big bright and red in the sky So to does the heart at times change A most wondrous change it is Thrice, bursting bright from my chest Burning bright and fierce to beat the sun Just as the coming fall of giant Betelgeuse Nothing could dim the radiant glory Once more, dim past dark Blacker than black and blacker again Drawing light from all like a singularity What could hope to live with such darkness I sit now on the waxing Or is it waning? Anticipation for the glow on my right Dread for the darkness on my left Which comes? Which comes?
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Jan 23, 2017
Jan 23, 2017 at 4:31 AM UTC
Waxing and Waning
It's all a crock.. a body shock a kick in the nuts, don't forget the 'if buts' another load of tripe, when you're ripe for the knackers yard and falling ain't that hard when you're already down, for you, who are out on the town and having a good time let me remind you that tomorrow is mine so have a ball,go and get pissed,there's nothing in that, that I've never done and never missed I could write you a list of the wrong turnings you'll take, but you'll make them anyway, you'll go your own way and we'll meet at the end of it buried up to our necks in a pile of horse **** Yes, it's official,life is a gas,pass go and collect your money,don't you know life is funny and if you don't laugh you will die? I tried and died twice,can't remember the laughter as I flew through the walls of the great, hereinafter to be known as the great ********* throne room. And so soon,he said, 'you're leaving and leaving me grieving' not really because I don't give a monkeys *** where I stand or sit or who rings the bells, I'm already there where you'll be one day and hell is the price we all pay for getting old and going grey and it's getting a bit late in the day for me to care or bother to share this so **** off if you will and let me sit still deep in the ****
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Oct 25, 2013
Oct 25, 2013 at 9:39 PM UTC
Saturday wired
I used to be a mover. I ran, and danced, and climbed trees. If I saw somethng I wanted, I reached for it, worked for it, or asked an adult to get it for me.   I would fidget and squirm at the dinner table and in Mass. I did not question, I just did. I used to say things. I sang, rhymed and questioned with impunity. I behaved as though everyone was hanging on my every word.   People were constantly telling me to be quiet.  I made them listen. My voice connected me to the world, it proved I was real. I used to laugh more. Giggled, chortled and chuckled with glee. It was my first reaction to anything new and novel.   It bubbled out of me, tickling my throat as it filled the room. I measured the worth of a day by how much I had laughed. I used to get lost in things. In the fields, in untying knots, in books, especially in books. I deliberately took wrong turnings just to see what was there, and hid under my bed with a book and a torch and spoke to no one. I felt so disheartened when I found my way again. I used to create. I crafted, sketched and wrote for hours at a time. It just poured from my fingertips.  It was only completed when the smile came.   A bright, beaming smile, bursting out of me.  I would burn with furious pride over 8 lines of mispelled rhymes about a purple monster. I believed the only things you own, are the things you make. Now I am uncertain. Tentative, unsure, and above all; Silent. Now I only move with a destination in mind.   I am economical and perfunctory with my movements.                                                                     I don't know how to use words anymore, the language has changed.   The pen feels uncomfortable in my hand, while I agonise over the exact right words. Being lost frightens me, and seems like a waste of time. Creating things (non-edible things) are just extra pieces of baggage you must carry around.  Pointless and deflating, they chew their way into every part of your brain to fester and breed. And people know when you've got poems gnawing your thoughts, and they will instantly distrust you. But now. Right now, as I near the end of this train of thought. The Mover awakens within me.  I smile and crave company. I have a sudden yearning to once again take a wrong turn. I will not sleep tonight.
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Mar 3, 2012
Mar 3, 2012 at 6:54 PM UTC
I used to be a Mover
I used to be a mover. I ran, and danced, and climbed trees. If I saw somethng I wanted, I reached for it, worked for it, or asked an adult to get it for me.   I would fidget and squirm at the dinner table and in Mass. I did not question, I just did. I used to say things. I sang, rhymed and questioned with impunity. I behaved as though everyone was hanging on my every word.   People were constantly telling me to be quiet.  I made them listen. My voice connected me to the world, it proved I was real. I used to laugh more. Giggled, chortled and chuckled with glee. It was my first reaction to anything new and novel.   It bubbled out of me, tickling my throat as it filled the room. I measured the worth of a day by how much I had laughed. I used to get lost in things. In the fields, in untying knots, in books, especially in books. I deliberately took wrong turnings just to see what was there, and hid under my bed with a book and a torch and spoke to no one. I felt so disheartened when I found my way again. I used to create. I crafted, sketched and wrote for hours at a time. It just poured from my fingertips.  It was only completed when the smile came.   A bright, beaming smile, bursting out of me.  I would burn with furious pride over 8 lines of mispelled rhymes about a purple monster. I believed the only things you own, are the things you make. Now I am uncertain. Tentative, unsure, and above all; Silent. Now I only move with a destination in mind.   I am economical and perfunctory with my movements.                                                                     I don't know how to use words anymore, the language has changed.   The pen feels uncomfortable in my hand, while I agonise over the exact right words. Being lost frightens me, and seems like a waste of time. Creating things (non-edible things) are just extra pieces of baggage you must carry around.  Pointless and deflating, they chew their way into every part of your brain to fester and breed. And people know when you've got poems gnawing your thoughts, and they will instantly distrust you. But now. Right now, as I near the end of this train of thought. The Mover awakens within me.  I smile and crave company. I have a sudden yearning to once again take a wrong turn. I will not sleep tonight.
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39
Looking to the west I see a perfect rainbow Tucked under and lifting a symphony of cloud The sun beams in lay-lines from its horizon. Yet, the scientist who explains this phenomenon Cannot describe my feelings for such a spectacle Cannot describe the song in me that dances The miracle of light and spectrum. —- You are mighty, you are ethereal Your many fingers rake aberrant their spatulas of light Your beauty makes all else ghastly or at least ordinary. The trifles of each day’s turnings are insignificant in comparison. A conscience of orb, mist, shadow, light The Gods derive pleasure from your presence Else their thunderous growls bemoan your magnificence. —- There is no darkness just the absence of light There is no cold just the absence of heat There is no disbelief just the absence of your benediction. Uncapturable, delicate, infamous portent. In the implausible silence you are where I worship Without beginning or ending Yours is an ultimate mantra.
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Aug 12, 2011
Aug 12, 2011 at 4:13 AM UTC
Rainbow
Legs rusting in cement re-barb poles of anchoring but no foundation suffice for the feelings of neglect in childhood the bricks arise the mortars set but in a misshapen pattern of mangled misanthropy and charred remains of humanity a family is for one thing, comfort in an odd place. holding to conformity, telling you who you are, when you are not. when it all goes awry, the suns still in your eyes, eyelashes cant curl enough to make you pretty in asides, poems monologues that you speak don’t take time to preach, pain and hiding that you try to flee from during human touch or human speech. I cannot handle myself much less others. I cannot speak with anyone so I have to speak with you. Or I have to hold back a heart mired in loving glue. horses died to allow me to roam, trees die still to make my home. I still cant fashion pictures true of a family of five with six that are real alive alive I jig and strive to dance away my hate for life it waltz's its way upon my ears and kills my familiarity fear I want life in its sake I want death timely we all want things that just feel right, feel just fair. I want Disney land to not hurt when I get to the entrance because it all turns out right suburbia is not a Moasist country frilled with soulless black eyes no sparkles. all the glitter is very much silver and also the gold of the joys of souls the way I feel is that if these wrought iron fencing’s could help to divide me any more I could be one with them. Solitary atom. They could be my home. They could coincide with differential turnings in my brain and eventually destruct me into molecules that would inherently be of their own. Be singular but in the current state of matters. I must depend upon all matter to be the one thing that holds me together what life is this? this makes me brittle makes me short controls me into any contortion that is to them beautiful for now I must be beautiful. **** that. To contort and retort, when we only wish to wobble and pulse with Brownian motion. My own happiness should not derive from people; I wish to not be near nor around in any small sequence, they are merely dead to me. Non-animate. this is the platonic family we create. This is life that we see from dead, dank, and sorrowful eyes. Pity. Forced. Relations. Consummate. Indelibly. You people should be ashamed of yourselves for forcing love. By any means.
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Mar 17, 2013
Mar 17, 2013 at 11:33 PM UTC
Foundation of Unfounded Fallacy
Legs rusting in cement re-barb poles of anchoring but no foundation suffice for the feelings of neglect in childhood the bricks arise the mortars set but in a misshapen pattern of mangled misanthropy and charred remains of humanity a family is for one thing, comfort in an odd place. holding to conformity, telling you who you are, when you are not. when it all goes awry, the suns still in your eyes, eyelashes cant curl enough to make you pretty in asides, poems monologues that you speak don’t take time to preach, pain and hiding that you try to flee from during human touch or human speech. I cannot handle myself much less others. I cannot speak with anyone so I have to speak with you. Or I have to hold back a heart mired in loving glue. horses died to allow me to roam, trees die still to make my home. I still cant fashion pictures true of a family of five with six that are real alive alive I jig and strive to dance away my hate for life it waltz's its way upon my ears and kills my familiarity fear I want life in its sake I want death timely we all want things that just feel right, feel just fair. I want Disney land to not hurt when I get to the entrance because it all turns out right suburbia is not a Moasist country frilled with soulless black eyes no sparkles. all the glitter is very much silver and also the gold of the joys of souls the way I feel is that if these wrought iron fencing’s could help to divide me any more I could be one with them. Solitary atom. They could be my home. They could coincide with differential turnings in my brain and eventually destruct me into molecules that would inherently be of their own. Be singular but in the current state of matters. I must depend upon all matter to be the one thing that holds me together what life is this? this makes me brittle makes me short controls me into any contortion that is to them beautiful for now I must be beautiful. **** that. To contort and retort, when we only wish to wobble and pulse with Brownian motion. My own happiness should not derive from people; I wish to not be near nor around in any small sequence, they are merely dead to me. Non-animate. this is the platonic family we create. This is life that we see from dead, dank, and sorrowful eyes. Pity. Forced. Relations. Consummate. Indelibly. You people should be ashamed of yourselves for forcing love. By any means.
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55
Who is it? .. What is he doing? --- Crouched Hidden In the shadows of the doorway? ---- --- Should I answer! Should I tell you Need I make you find out For yourself? ---- (Little child In my arms! .. I am here To shelter you) --- --- Even New York City Sometimes might seem A very ordinary place --- -- All the newsies from 1935 Are still alive In the tunnels of Hell's Kitchen Though the trains are gone __ (And I Too Am Always Around somewhere) -- You too Shall never die Never --- Live righteously! ----- The story shall linger Forever --- (We are now in: REVOLUTION TIME!) --- -- .. We (Who never die) .. Linger forever Soft! Slow! Easy! -- We enter our Eternal story We stand Forever -- The story Thru all turnings Thru all spinnings ---- -- Crouching in doorways Hidden by shadows Yes! Yes! Now we See we are seen
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May 2, 2013
May 2, 2013 at 4:45 AM UTC
Yes it is so
Left home, ended alone, Many travails, trials that cut, The odyssey of his lashed life, Took a tremulous toll of atonement, This lamb whose only consolation, Being left over at the jeweled altar, The merciless downing days of droll And loss, the cruel, blanched turnings Of uneventful fated choice into ruin, Never actually knowing his target, Throwing darts at the sun.
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Jan 24, 2014
Jan 24, 2014 at 1:37 PM UTC
Heroic
I am lost, and the cave is blue All facets of it, some faded, some sure Crystal tears flicker on the jagged White eyes, the stones speak nothing Merely blink as the turnings of lights In keen grey wells of silence My life, as a ragged brush, paints The night to be raw and torn Leaves the canvas blank for a moon Throughout the sky are pinned My letters to the world, flip-flopping As wild wind horses hop about them But in the day, in its darkness I can recall nothing of the colours The walls scuttle away from me And the cave, though endless, shrinks I sit down into the shape of an insect And feel the firm embrace of lone Of stone, I begin to feel myself of stone I rush to the waters, they rush to me Bleak blue turns me over, takes me Through months, I sail its roudy mouth Blissfully unseeing and faceless Until the coin of the sun flips And blackness washes everything clean The sea still, sags to rock, entombs Itself and me. I am lost, and the cave Is blue
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Jul 16, 2023
Jul 16, 2023 at 2:52 PM UTC
Last night, the streetlight licked my room silver
What you see in me Is someone who is so used to isolation And so good at disguising it That to be present in the world is a surprise. Everything rushes in Everything touches me all of a sudden And I am overwhelmed. I don’t know if it’ll ever go away. I don’t know if I want it to. It brings a certain strangeness out in me As I struggle to contain and conceal Not my otherness But my sudden immediacy. I feel the floor pressing up against my feet And the soft turnings of quiet things in the ground so far below it. I feel the sea. I feel the past and its whispers. I feel the way a tree must feel When struck by lightning. Somewhere an artist carves the face of a statue in a quiet room And something new is born And I feel that. Somewhere someone flings their arms wide Leaning out across a railing over the water and laughing as the wind holds them up And I feel that. Somewhere lovers find each other for the first time Somewhere a child learns a new word Somewhere, someone tired and peaceful breathes for the last time And I feel that And that And that. It rushes in, It all rushes in. At once I am painfully in place And scattered across the world And it all swirls through me. I am so used to being silent inside And filling the space with music and words Petty distractions and safe thoughts But Suddenly If I had a thousand bodies and souls it would not be enough to hold all this And I am disoriented Like I’ve been thrown into deep water only to realize I can still breathe somehow. It is that confusion you see in me. It is the memory of before Of having been everything and nothing all at once, forever, And then suddenly contained- I had forgotten, But part of me remembers every time I see you And it is always a surprise. I don’t know if it will go away. I don’t know if I want it to. It’s why I miss things, Why I can’t focus, Everything in the world calls to me, And everything in me sings back, “Please don’t let me go again, Please let me sink my hands into the earth and grow there And never feel alone again.” It’s a hell of a lot to act normal through.
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Oct 18, 2018
Oct 18, 2018 at 3:41 PM UTC
Untitled
What you see in me Is someone who is so used to isolation And so good at disguising it That to be present in the world is a surprise. Everything rushes in Everything touches me all of a sudden And I am overwhelmed. I don’t know if it’ll ever go away. I don’t know if I want it to. It brings a certain strangeness out in me As I struggle to contain and conceal Not my otherness But my sudden immediacy. I feel the floor pressing up against my feet And the soft turnings of quiet things in the ground so far below it. I feel the sea. I feel the past and its whispers. I feel the way a tree must feel When struck by lightning. Somewhere an artist carves the face of a statue in a quiet room And something new is born And I feel that. Somewhere someone flings their arms wide Leaning out across a railing over the water and laughing as the wind holds them up And I feel that. Somewhere lovers find each other for the first time Somewhere a child learns a new word Somewhere, someone tired and peaceful breathes for the last time And I feel that And that And that. It rushes in, It all rushes in. At once I am painfully in place And scattered across the world And it all swirls through me. I am so used to being silent inside And filling the space with music and words Petty distractions and safe thoughts But Suddenly If I had a thousand bodies and souls it would not be enough to hold all this And I am disoriented Like I’ve been thrown into deep water only to realize I can still breathe somehow. It is that confusion you see in me. It is the memory of before Of having been everything and nothing all at once, forever, And then suddenly contained- I had forgotten, But part of me remembers every time I see you And it is always a surprise. I don’t know if it will go away. I don’t know if I want it to. It’s why I miss things, Why I can’t focus, Everything in the world calls to me, And everything in me sings back, “Please don’t let me go again, Please let me sink my hands into the earth and grow there And never feel alone again.” It’s a hell of a lot to act normal through.
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61
I want to say: good morning in words newly-minted bright, sharp-edged with shadows, alight this June morning. At my desk I sit before a still-life of small things treasured, some made by your quiet hands, others evidence of our journeying: precious times of smiles and gestures, delicate long exchanges, photographs of course. And in the foreground: a trio of felted vessels lined with thread, my daughter’s tile of blackbirds on a bough, and this book in miniature, rich in marks made by the tides’ turnings.
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Jun 10, 2014
Jun 10, 2014 at 4:33 AM UTC
Treasured
sweet decay silent prey life death cycle bay … beauty lush blossom green stillness intact moves Being water flowing ancient well going going ocean bed. Exquisite light dim inside reveals turnings Great Design unfolding leads onwards bright Eternity Is Heart’s Delight
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Aug 11, 2010
Aug 11, 2010 at 10:38 AM UTC
Lethen woods
Left home, ended alone, Many travails, trials that cut, The odyssey of his lashed life, Took a tremulous toll of atonement, This lamb whose only consolation, Being left over at the jeweled altar, The merciless downing days of droll And loss, the cruel, blanched turnings Of uneventful fated choice into ruin, Never actually knowing his target, Throwing darts at the sun.
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Apr 18, 2013
Apr 18, 2013 at 1:50 PM UTC
Heroic
expertise irrelevant, a knowing recognition where & when & why, venn diagram inflection points intersect, and also confine the nirvana nexus on a line of dots in a movingly motion connected by a formula that has an equal 🟰 in its muddly middle the man’s best sole instructions to her only solve! me when in an moveable interaction the power of rushing baking cake & it’s filling is akin to trying to hold back a bucking stream that cannot both be ****** or dammed running words, making you obsessed to remember every detail, but commas only, never a period interrupting continuity no essential points of exit and entry and yet… you cold stop to breathe wondering how came you to be a container intertwining motifs and motives, desires contradictory, control contrives to be a controversy pressured pressed together, and you want to stop, go, turnings to touch, she be tablet and he the pen, and you wrack to remember each detail, the poem complete or will confusions reign supreme and all the fantastical schemes are shot to hell, ink spilled, house doused and she good naturedly laughs at you, cause she knows poet better than himself and forgives him his inspirational dazes and gazes of confusion because it is hard to give when giving birth to a dream’s obsessive demands to love one more than the other each deserves no rival, just a final fini, she wants the same, but the heart is where he keeps hid, exactly what she needs, so forgives a little, because loving a crazy man after all these years is taking the excesses costly cause that be an insanity desired, what she loves, the dusky duo inside him a constant battle re fusing resolving the man’s contradictories, that she cherishes him for more, his mired mind, more and laughs at mores, cause it is never ending; his more is feature why she loves him very best, she showers and laughs, he rushes in puzzlement featured on his face, so invites him in and as he falls to his knees in a watery embrace, while grasping her hips, she states with a finality: “‘ ”let us discuss the importance of proper endings”
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Oct 4, 2024
Oct 4, 2024 at 4:38 PM UTC
recreational writing & ***
expertise irrelevant, a knowing recognition where & when & why, venn diagram inflection points intersect, and also confine the nirvana nexus on a line of dots in a movingly motion connected by a formula that has an equal 🟰 in its muddly middle the man’s best sole instructions to her only solve! me when in an moveable interaction the power of rushing baking cake & it’s filling is akin to trying to hold back a bucking stream that cannot both be ****** or dammed running words, making you obsessed to remember every detail, but commas only, never a period interrupting continuity no essential points of exit and entry and yet… you cold stop to breathe wondering how came you to be a container intertwining motifs and motives, desires contradictory, control contrives to be a controversy pressured pressed together, and you want to stop, go, turnings to touch, she be tablet and he the pen, and you wrack to remember each detail, the poem complete or will confusions reign supreme and all the fantastical schemes are shot to hell, ink spilled, house doused and she good naturedly laughs at you, cause she knows poet better than himself and forgives him his inspirational dazes and gazes of confusion because it is hard to give when giving birth to a dream’s obsessive demands to love one more than the other each deserves no rival, just a final fini, she wants the same, but the heart is where he keeps hid, exactly what she needs, so forgives a little, because loving a crazy man after all these years is taking the excesses costly cause that be an insanity desired, what she loves, the dusky duo inside him a constant battle re fusing resolving the man’s contradictories, that she cherishes him for more, his mired mind, more and laughs at mores, cause it is never ending; his more is feature why she loves him very best, she showers and laughs, he rushes in puzzlement featured on his face, so invites him in and as he falls to his knees in a watery embrace, while grasping her hips, she states with a finality: “‘ ”let us discuss the importance of proper endings”
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Shortsighted we have eyes to see things in front of us present tangible reality worldly ideas and substances superficial fear, worries, cares what do we eat, drink, wear? where do we go, what do we do next where shall we see ourselves in five to ten years so we make our schemes and plans and we grasp for control In trying to be king, we end up tyrants enslaved to our own tyranny Influenced by darkness Shortsighted Lord, have mercy give us eyes to see beyond ourselves ever-present eternal realities divine providence, contentment In abundance or lack, we have everything we need And that we are worth more Than any temporal worry or care Lord, give us eyes to see our lives not as mere earthly things but to build ourselves heavenward upon the steadfast Rock that we may be humble, as a speck of dust in the grovel under the sovereign kingship of a good and Holy God that we may not waver at the tossings and turnings of this world Lord, give us eyes to see Your light That we may live with faith, hope, and love - that we may live with vision.
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Nov 29, 2020
Nov 29, 2020 at 1:33 AM UTC
Shortsighted//Vision
Dylis stands on corners, rose lights above her head. Cars drive slow at turnings, seeing special offers. The ones of great disgrace, but she is there to proffer. They would skulk away, into a quiet place, driver moves her downards. ‘Til he can’t see her face. He slips a fifty into her palm She takes it and smiles, knowing she’ll need not do that, for a lengthy while. Her objective is but living, hence she must keep giving. Men and women… any creed. All the seedy pleasures that they think they need.
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Aug 8, 2012
Aug 8, 2012 at 12:00 PM UTC
Dylis
Left home, ended alone, Many travails, trials that cut, The odyssey of his lashed life, Took a tremulous toll of atonement, This lamb whose only consolation, Being left over at the jeweled altar, The merciless downing days of droll And loss, the cruel, blanched turnings Of uneventful fated choice into ruin, Never actually knowing his target, Throwing darts at the sun.
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Sep 28, 2014
Sep 28, 2014 at 2:52 PM UTC
Heroic