Submit your work, meet writers and drop the ads. Become a member
The water hollowed the stone,
the wind dispersed the water,
the stone stopped the wind.
Water and wind and stone.

The wind sculpted the stone,
the stone is a cup of water,
The water runs off and is wind.
Stone and wind and water.

The wind sings in its turnings,
the water murmurs as it goes,
the motionless stone is quiet.
Wind and water and stone.

One is the other and is neither:
among their empty names
they pass and disappear,
water and stone and wind.
Onoma Aug 2019
her haunts still rain the pindrop

turnings of their recesses--

where no wind could wrest her

words to solitude.

her throat raising sounds rapt in

the beginnings of song--the flight

patterns of birds upon a sky's

private screening.

she softly traded hands upon her

throat, her fingertips tickled by

the meaning of everywhere at once.

with everywhere in mind, she took

her time with every little thing, carrying

its note.

now her song is building to the point--

ears may be struck deaf by a silence

that was indeed golden.
Elm
for Ruth Fainlight

I know the bottom, she says. I know it with my great tap root;
It is what you fear.
I do not fear it: I have been there.

Is it the sea you hear in me,
Its dissatisfactions?
Or the voice of nothing, that was you madness?

Love is a shadow.
How you lie and cry after it.
Listen: these are its hooves: it has gone off, like a horse.

All night I shall gallup thus, impetuously,
Till your head is a stone, your pillow a little turf,
Echoing, echoing.

Or shall I bring you the sound of poisons?
This is rain now, the big hush.
And this is the fruit of it: tin white, like arsenic.

I have suffered the atrocity of sunsets.
Scorched to the root
My red filaments burn and stand,a hand of wires.

Now I break up in pieces that fly about like clubs.
A wind of such violence
Will tolerate no bystanding: I must shriek.

The moon, also, is merciless: she would drag me
Cruelly, being barren.
Her radiance scathes me. Or perhaps I have caught her.

I let her go. I let her go
Diminished and flat, as after radical surgery.
How your bad dreams possess and endow me.

I am inhabited by a cry.
Nightly it ***** out
Looking, with its hooks, for something to love.

I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.

Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart?

I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches? ----

Its snaky acids kiss.
It petrifies the will. These are the isolate, slow faults
That ****, that ****, that ****.
Chris Saitta May 2019
The snowflake is castellated cold,
Of chill crenellations and turnings narrow.
Court of pie-powders and gray-skied brazier smoke,
Of inner mazework dimmed to ****** holes,
Or the hooded machicolations from tower spire
Of oily darkness and arrowslits of Greek fire.



The snowflake is Medieval reliquary,
The frozen skull of rain and blood clear of sin,
Wind-captive with its prayer of quiet
On quietest lips, close to wine and sacrament.
Or the chapel and its waxen paramours
Of incorrupt body and candlelight upon the moors.



The snowflake is the mighty frozen spark,
Fire-forged and ironwrought,
Under the eye of Hephaestus,
Blacksmith of sorrow’s wind.
Christian Bixler Sep 2015
Once I saw a girl, standing
by the shore of a deepwater
pond, smooth and black as
polished glass, and she seemed
sad. Her hair matched the water,
in sheen and in color, and her skin
was the pale of alabaster, and there
were freckles on her cheeks and around
her blue eyes, and her lips were red.


I walked over to her, slowly, and I doffed
my hat, because she looked so delicate and
frail, and I deemed she would appreciate
all courtesy and propriety, and I composed
myself for the speech of gentles.


I said, "Lady, forgive my intrusion, but I
saw you standing here, watching your
reflection, and you seemed sad. Are you
alright? She looked up at me, and her face
was solemn, and her eyes were sorrowful.


"Sir," she said, and her voice was steady, though
it was laced with grief. "Sir, I am grateful for your
kindness, and you seem a gentleman, and not used
to the hardness of the world, and so are innocent of
true pain and true sorrow. This is a comfort to me, a
great comfort, and so I thank you for your bearing, but
now leave me, for I am weary and full of sorrow, and
desire to be alone with my thoughts"


I was struck then, with the beauty of her speech, and
beheld that she was indeed weary of both heart and
body, for her eyes were red rimmed, and her hands
shook with the smallest of tremors as she stood, there
before me.


"Lady," I said, " Lady, be not frightened to share your
troubles with me. It is true that I am a gentleman, and
therefore unused to the harsher rigors of the living
experience, but, believe me, Lady, when I say that
none of this matters to me, nor should it to you. I know
we are still new met, but already I feel as if you were a
close friend of many years, who has been absent for
sometime, and that we are only now reunited. Share
with me your troubles, and I will listen with a kind eye
and attentive bearing, for to me, your troubles are now
mine, and your sorrows my own."


She stood, frozen, her blue eyes wide with shock, and her
bearing was as that of a startled fawn in the moment before
flight. I made no move, and I held my breath, and I held her
eyes in mine, for I feared that if my attention faltered for but
an instant, she would vanish, like a doe into the shadows of the
trees. "Sir," she said, and faltered. "Sir," she said again, "you do
not know what you ask. And why should my troubles concern
you? This world does not allow for weakness to go unpunished."


"Lady," I spoke, and my voice was gentle. "tell me your sorrows."
She shivered. "Be it so then. I will tell you." She shook her head
and stared into the dark waters of the pond, reflective like the sheen of
polished ebony, stared at her reflection, gazing up at her from the
depths, and sighed. "My troubles began a mere three days prior to
this, and if they seem to you frivolous or unworthy, pray do not laugh,
but leave forthwith, and I will know your mind.


"Lady," I said, and though my voice was gentle still, it was now deep
also and steady, as a mountain before the storm. "tell me your sorrows.
I will listen. I will not laugh. This you know. Tell me your sorrows."
She shivered, again, and her lips parted, and her eyes were more full
of pain and of sorrow than I had yet seen them, and my heart ached
in my breast. "Be it so." she whispered, and her voice was as a
splintered shard of purest crystal.


"I was looking into a mirror, and admiring myself,
and was full of joy at the fullness of my figure, and
of the sheen of my hair. So fixed was I on my reflection
that I failed to notice the approach of a beautiful woman,
with flaxen hair and pale blue eyes and with skin the soft
color of the lilies of the valley. She looked at me and asked
why I should stare so avidly at a simple mirror. I replied
that I was merely gazing into the mirror at myself.


Then the beautiful womans eyes flashed, and in them appeared
such cruelty as I had never thought to imagine or to conceive. "Such vanity." She said to me, and my spirit faltered within me. She
beckoned me to step closer. I did, cautiously, and she bent down
to my ear and whispered, harshly, "You are an ugly *****, and are
so outshone by my beauty that you are as a flickering candle compared to the glory of the Sun." With this she turned and left me, and since
then I have been here gazing at my reflection, and wondering why
God should choose to curse me with so terrible a form as mine." She was crying, the young lady, standing by the depths of the
deepwater pond, darker now, with the fading of the light. She would
not look at me, ashamed of the outpouring of her heart, and I felt
the ache within my breast grow, until grief found me, and tears sprung
unbidden to fall, unheeded, in the waters of the pond.


"Lady," I said, and my voice was heavy and laden now with sorrow for the grief of the maiden there before me, and for her crystal tears, shed in sadness. "Lady," I said, "will you tell me your name?" She shivered once more, and bowed her head as she answered, "Johanna." and a single tear escaped her closed lids to trace its way down her cheek, and fall into the blackness of the dark waters of the pond. "Johanna." she said to me, and her voice then near shattered my aching heart. "Johanna." I said. And again, "Johanna." A third time I spoke, "Johanna." I fell silent for
a moment, and saw that she was trembling, and her cheeks were wet.


"Johanna," I said again, and now my voice was loud and strong, so that
she looked up in shock,and her eyes were fearful. "Johanna, you are more beautiful than the sun in all its glory, more beautiful than the stars, more beautiful even than the infinite heavens in their celestial wonder, arching above us. You are more beautiful, Johanna, because you are you.
Johanna. You of the hair of raven hue, you of the skin like alabaster, you
of the eyes of the oceans hue, you of the ruby lips, you, your voice the voice of angels." And now my voice was soft, a whisper to match her own, as I spoke, close to her ear. "Let none wound you, let none dissuade you, let none harm you in word or deed, Johanna, for you are more beautiful than all of Gods creation, because you are you." She looked at me, and her eyes were full once more with crystal tears.
She sobbed, once, and fell into my arms, and wept. And I held her, there beside the deep waters of the pond, and under the vastness of
the velvet blackness of the night, and the moon, and the turnings of
the stars.
the most moving poem I have written in recent memory.
Like or comment.
it's five o clock
yes in the morning
birdsong has woken me
an hour and a half
before my alarm
was supposed to
even after another
terrible night's sleep
to-ing and fro-ing
with tossings
and turnings
staring into the blank
of ceiling and wall
not enough comfort
or perhaps too much
on this slumped mattress
to slip deep enough
beyond those initial
stages of slumber
down into REM
i'm surprised to find
i'm not as angry
nor as drained
as i thought i would be
at such premature awakening
i can lie still
untroubled for now
contentedly listening
to the chattering
of these feathered neighbours
an avian symphony
of movements manifold
jeffrey robin Nov 2010
who is it
doing the complainin?

what is it ...wrong?

death and pain
death and pain

is this what's gettin to you?

i guess maybe
somebody's gotta.... change

----------

frozen specimens of once men
are all around

look!

they dont even really breathe!

reading newpapers
watchin television

sick puppies!
these!

---

softly turning
we
can do things different

its true
amid these dyin painful days

yes!
we can treat eachother better

so why dont we!

----

well

enough of MY complainin

time for LIFE
and
JOYOUS EXCHANGE

time to touch and know
feel and love

it'll be okay

though the government
and all the corporations

will try to **** you
obviously
Paul Cassano Dec 2013
I was born on February twenty-third
I was told by my mother that I'm a Pisces
I weigh one hundred twenty-five pounds
I'm five foot eight
And a half.

I have watches and sweaters and things to keep me warm and know when to be home to call my grandmother
I have blankets to tell me nice things
and curtains to keep the branches of my neighbors from entering my room but they don't mind.
They hate the feeling of glass
Even with the Sun piercing their every pane and the Moon blaming them for not being as bright.
The trees whistle through my curtains anyway but I don't mind, I'm a good neighbor
They think I'm a good neighbor.
I block them out to hold tight the thoughts of them just being there.

I have shelves to hold my things the things I hope to last forever but the very same things that will only last a moment.
I try to take care to my alarm clock by not pressing the snooze button
It stiffens my blankets and pushes the branches from my curtains

I'm still learning how to whisper even though...
Even though I don't want anyone to hear me breathe.
I'm afraid of spiders
I'm afraid of the branches waking me up from my 2am turnings
I'm afraid of my caffeine-run smile.
But you make me mesmerize into your eyes and I realize I'm not afraid of waking up or the threads of my sweaters unravelling or my blankets insulting me I'm afraid of what my eyes will do when I wake up and when all I have are threads and my blankets are no longer trying to keep my fingers and toes warm
You remind me of how I'm afraid of not being able to hold my sweater threads
You remind me I'm afraid of how my blankets aren't even able to keep themselves warm.

What will my curtains do without any branches to hold there
What will my blankets ever warm up
They'll be begging for me to light candles but I'll be struggling to find any matches
My battery set of eyes will make me hit the snooze button and the dust will gather on the tip of my finger so I have to wipe it on my blankets.

Hi.
My name is Paul.
I enjoy books and stars and eggs.
I have shaky knees for a girl who likes folded blankets and boxes of things from a shelf
My hobbies include pressing the snooze button lighting matches with no intent and skipping over the terms and conditions.
I stand behind my curtains to hide from my metaphors
And my mother never told me to find an Aquarius to swim in.
I don't have any fins but I do have hands which have fingers who haven't been warmed up in a long time but I know that I can muster enough strength to hold onto your hand just to walk around the block to buy a carton of eggs.
My hands aren't really able to do anything else
except pressing the snooze button and lighting a match for a few seconds of warmth
for only a few fingers
but those are just enough to open my curtains
and fold my blankets.
Those are just enough to press play on our nights away from the sound of a distant wind.
The sound our hearts can make are louder than any whisper I cannot produce
or any crack of an eggshell
or any trinket falling off the shelf and onto our pillow.
Tony Tweedy Oct 2023
Oh the things that my eyes have seen,
the many places walked I have been.

Upon peak and trough did I roam,
rarely knowing a place called home.

So many turnings along my way,
passing on through to seldom stay.

Staying as long as life allowed,
more times alone than in a crowd.

Beautiful faces that came and went,
both good and evil sometimes sent.

With words sometime of the softest kind,
echoing shrill calls yet within my mind.

Words once soft now turned to stone,
where faces vanish until left alone.

Upon road so full of twist and turn,
until a heart can no longer yearn.

Corners met that were never turned,
unseen paths that were never learned.

Future's short path left to travel on,
in time memory fades and it too is gone.

Things I was and all that I saw,
gone forever through the closing door.

How long then be there just a trace,
that my soul and I ever saw this place.

To dust and particles we all will decay,
those once met too will just fade away.

Until even memories of all are no more,
of a life full lived that no one even saw.
The stream of life and human existence.... a species long journey along an unknown road. Was there a beginning? Is there an end?
Chalsey Wilder Oct 2015
If love can later turn into hate
Then the truth can later turn into lies.
*"There's a thin line between love and hate,
And a thin line between the truth and the lies."
Keith Ren Oct 2010
the asker
the taker
the lazy hole-maker
the me and my watching the ground

the tested
the failing
the canvasless sailing
the turnings and ever unfounds

the grati-
tude giving
the talented living, but
the passions are buried in mounds

so ready
the dying
and underground lying
I'm blue
pull me under earth's browns
I used to be good
at taking tests
Tiarnán Murphy Jan 2017
My heart shines as the moon does
At times quiet and peaceful
Reliable and for granted taken
Silent and beautiful and ignored

A waxing and waning cycle
Once, full bodied and glowing
Light to find love and other hapinesses
Too brief a joy it brings

For waning must always come
Twice, dark, black as deepest night
Unseen in the backdrop of sharp stars
Leaving a world wrapped in shadow

But not so constant are cardiac turnings
Not regular as lunar comings and goings
Glowing for a day and shadowed for a month
Black for a week and shinning for a year

Yet just as the moon at times changes
Glowing big bright and red in the sky
So to does the heart at times change
A most wondrous change it is

Thrice, bursting bright from my chest
Burning bright and fierce to beat the sun
Just as the coming fall of giant Betelgeuse
Nothing could dim the radiant glory

Once more, dim past dark
Blacker than black and blacker again
Drawing light from all like a singularity
What could hope to live with such darkness

I sit now on the waxing
Or is it waning?
Anticipation for the glow on my right
Dread for the darkness on my left
Which comes? Which comes?
It's all a crock..
a body shock
a kick in the nuts,
don't forget the 'if buts'
another load of tripe,
when you're ripe for the knackers yard
and falling ain't that hard when you're already down,
for you,
who are out on the town and having a good time
let me remind you that tomorrow is mine
so
have a ball,go and get ******,there's nothing in that,
that I've never done and never missed
I could
write you a list of the wrong turnings you'll take,
but
you'll make them anyway,
you'll go your own way
and we'll meet at the end of it
buried up to our necks in a pile of horse ****.

Yes,
it's official,life is a gas,pass go and collect your money,don't you know life is funny and if you don't laugh you will die?
I tried and died twice,can't remember the laughter as I flew through the walls of the great, hereinafter to be known as the great ******* throne room.
And so soon,he said,
'you're leaving and leaving me grieving'
not really
because I don't give a monkeys *** where I stand or sit or who rings the bells,
I'm already there where you'll be one day
and hell is the price we all pay
for getting old and going grey and it's getting a bit late in the day for me to care
or bother to share this
so ******* if you will
and let me sit
still
deep in the ****.
martin challis Aug 2011
Looking to the west I see a perfect rainbow
Tucked under and lifting a symphony of cloud
The sun beams in lay-lines from its horizon.
Yet, the scientist who explains this phenomenon
Cannot describe my feelings for such a spectacle
Cannot describe the song in me that dances
The miracle of light and spectrum.
—-
You are mighty, you are ethereal
Your many fingers rake aberrant their spatulas of light
Your beauty makes all else ghastly or at least ordinary.
The trifles of each day’s turnings are insignificant in comparison.
A conscience of orb, mist, shadow, light
The Gods derive pleasure from your presence
Else their thunderous growls bemoan your magnificence.
—-
There is no darkness just the absence of light
There is no cold just the absence of heat
There is no disbelief just the absence of your benediction.
Uncapturable, delicate, infamous portent.
In the implausible silence you are where I worship
Without beginning or ending
Yours is an ultimate mantra.
Martin Challis © 2011
www.martinchallis.com
sir humbug Apr 2019
not all **** videos are equal

one searches the index,
hopeful a screenshot
pinpricks the eye and the peculiar

peculiar need of the moment

like most things good and appreciated,
sifting through the chaff is a learned skill,
required but not intuitively sired,
not every new word in the dictionary
delights, insights, triggering a welcome!warning

the sifter’s handle fits the hand uncomfortably,
requiring egregious prodigious turnings,
till the flour is silky and manipulative, ready,
pleasure is work, luster need maintenance

you passover, skippering,
a search for the next and the next,
treasured island is constantly on the move,
it’s coordinates require GPS updating

rerouting rerouting rerouting

what does this reveal about you?

there are no simple single path pleasures,
the first bite delight is ultimately worn down,
recalled but not equally fully restored,
so we need, insistent for new thrill pathways
to get to the same old pleasured places

the body acts, the body’s acts, the body’s reacts

familiarity is a  museum collection,
everything human requires updating,
especially essentially by
the imagination’s perpetual swiping
9142019
I used to be a mover.
I ran, and danced, and climbed trees.
If I saw somethng I wanted, I reached for it, worked for it, or asked an adult to get it for me.  
I would fidget and squirm at the dinner table and in Mass.
I did not question, I just did.



I used to say things.
I sang, rhymed and questioned with impunity.
I behaved as though everyone was hanging on my every word.  
People were constantly telling me to be quiet.  I made them listen.
My voice connected me to the world, it proved I was real.



I used to laugh more.
Giggled, chortled and chuckled with glee.
It was my first reaction to anything new and novel.  
It bubbled out of me, tickling my throat as it filled the room.
I measured the worth of a day by how much I had laughed.



I used to get lost in things.
In the fields, in untying knots, in books, especially in books.
I deliberately took wrong turnings just to see what was there,
and hid under my bed with a book and a torch and spoke to no one.
I felt so disheartened when I found my way again.



I used to create.
I crafted, sketched and wrote for hours at a time.
It just poured from my fingertips.  It was only completed when the smile came.  
A bright, beaming smile, bursting out of me.  I would burn with furious pride over 8 lines of mispelled rhymes about a purple monster.
I believed the only things you own, are the things you make.



Now I am uncertain.
Tentative, unsure, and above all; Silent.
Now I only move with a destination in mind.  
I am economical and perfunctory with my movements.                                                       ­             
I don't know how to use words anymore, the language has changed.  
The pen feels uncomfortable in my hand, while I agonise over the exact right words.

Being lost frightens me, and seems like a waste of time.

Creating things (non-edible things) are just extra pieces of baggage you must carry around.  Pointless and deflating, they chew their way into every part of your brain to fester and breed.
And people know when you've got poems gnawing your thoughts, and they will instantly distrust you.


But now.
Right now, as I near the end of this train of thought.
The Mover awakens within me.  I smile and crave company.
I have a sudden yearning to once again take a wrong turn.

I will not sleep tonight.
This is a work-in-progress.  I would be really appreciative of any suggestions or criticisms.  Don't be afraid of hurting my feelings!
Lynn Spear Aug 2010
Scattered mind flying high,
Giving birth to ten more world-solving notions...
Like going on missions to foreign lands,
Healing the sick, giving out potions

My mind, embedded near gyrus and sulcus, knows no rest
The best ideas barge forth, within them come serious tests
  
Haunted, undone, one thought forms another
And another and another, above and beyond
I wish I could gaze into a crystal ball
Or wave it all away with a magic wand

Yet they're trapped, the thoughts fight each other with fervor
None of them ever wins because there's truth to every 'fever'

I know little slumber, its consequences given me to reap
I cannot sleep, I have no strength to weep
So disorderly I climb the steep dune
Sit atop and let go, and become immune

To what do I warrant such delightful diversion,
Enormity arousing enchanting excursions,
Bourn on adventure trudging into the night
An avalanche of answers for each weak 'goodnight'

The theory behind the presumption
An outline forms consumption
And consumes what? A faded thought that fails its test?
Only to leave hundreds more revelations? No rest!

The war rages within and is only consoled with more battle
I turn my head to respond and I hear an invisible rattle

A cannon resounds a magnificent clamor
And in genius there is found no candid glamour
The price is extraordinary, tormenting, fermenting
My soul takes toll of the mind's whirred lamenting

The motor consistently constantly churns
And within my being a fire lasciviously burns
Creativity is born on many a morn
When the moon moves so many amore

My meaning lies moaning not within lovers' arms
The link of such depth, no thwarting ensues
And I, sadly cannot pick up on the cues
And hour by hour I pay my dark dues

For possessing a disorderly knowledge beyond the mundane
At times I have no respect for ignorance, and then I refrain

From retorting what seems to be sheer morbid stupidity
I then realize that the unaware have more rest
I am a constant prisoner to my own uncontrolled lucidity
Transcendence is put upon my sad heart to test

And failure engulfs, suspicion again born
Trusting, untrusting, entrusting again
Paranoia peeks its head above a curtain irreparably torn
For the ten hundredth time my aura's adorned

And even if rain was painted bright colors
It wouldn't cling to the cloth absorbing herewith
For madness knows no such thing as height or width
It splatters on the gift, not a bubbling brook
But in sinister alleys intertwining the nooks
  
On a hard ridge it washes up, smacks hard against boulders
How could anyone see, no matter how big the shoulders
The raging, enraging, the madness of me
Unending sadness enshrouds, any gladness does flee
  
And nothing could have ever prepared me for this…….
The churning and burning and turnings amiss
Few attain such enlightenment, wisdom embedded with nails
To hell one must go to stand upon the high trail


Though nails now roses, its hilarity rests in what it imposes
The madness with sadness, humor to darkness transposes

And that is no gift, or is it? Annoyance
Pervades me incessantly.  I harbor clairvoyance
Extrasensory perception, the mind's grand deception?
In visions come to pass, messages impasse protection

And I in a world I barely understand
But there I take root and thusly extend my hands
To a world I hideously, abhorrently reprimand
Its normalcy thrives on an uncaring and desolate land.
Of which I want no part…..

It's within me to embark on a new beginning
For nothing will stop my thoughts from spinning
There is little that encourages sanity for winning

I rev up my engines, my spirit the pilot
And resign myself to the insidious riot


Lynn Goldner Spear
Copyright 2007
Lendon Partain Mar 2013
Legs rusting in cement
re-barb poles of anchoring
but no foundation suffice
for the feelings of neglect in childhood
the bricks arise
the mortars set
but in a misshapen pattern of mangled misanthropy
and charred remains of humanity

a family is for one thing,
comfort in an odd place.
holding to conformity,
telling you who you are, when you are not.

when it all goes awry, the suns still in your eyes,
eyelashes cant curl enough to make you pretty in asides,
poems monologues that you speak don’t take time to preach,
pain and hiding that you try to flee from during human touch or human speech.

I cannot handle myself much less others.

I cannot speak with anyone so I have to speak with you.
Or I have to hold back a heart mired in loving glue.
horses died to allow me to roam, trees die still to make my home.
I still cant fashion pictures true of a family of five with six that are real
alive alive
I jig and strive to dance away my hate for life
it waltz's its way upon my ears and kills my familiarity fear
I want life in its sake
I want death timely
we all want things that just feel right,
feel just fair.
I want Disney land to not hurt when I get to the entrance
because it all turns out right
suburbia is not a Moasist country frilled with soulless black eyes
no sparkles.
all the glitter is very much silver and also the gold of the joys of souls

the way I feel is that if these wrought iron fencing’s could help to divide me any more
I could be one with them. Solitary atom.
They could be my home. They could coincide with differential turnings in my brain and eventually destruct me into molecules that would inherently be of their own. Be singular

but in the current state of matters.
I must depend upon all matter to be the one thing that holds me together

what life is this?

this makes me brittle
makes me short
controls me into any contortion that is to them beautiful
for now
I must be beautiful.
**** that.
To contort and retort, when we only wish to wobble and pulse with Brownian motion. My own happiness should not derive from people; I wish to not be near nor around in any small sequence,
they are merely dead to me.
Non-animate.
this is the platonic family we create.
This is life that we see from dead, dank, and sorrowful eyes.
Pity.
Forced.
Relations.
Consummate. Indelibly.
You people should be ashamed of yourselves for forcing love. By any means.
Non-forced association.
Non-Aggression Principle.
Non-Collectivist.
Happiness.
jeffrey robin May 2013
Who is it?
..
What is he doing?
---
Crouched
Hidden
In the shadows of the doorway?
----
---
Should I answer!
Should I tell you
Need I make you find out
For yourself?
----

(Little child
In my arms!
..
I am here
To shelter you)
---
---
Even New York City
Sometimes might seem
A very ordinary place
---
--
All the newsies from 1935
Are still alive
In the tunnels of Hell's Kitchen
Though the trains are gone
__
(And I
Too
Am
Always
Around somewhere)
--
You too
Shall never die

Never
---

Live righteously!
-----

The story shall linger
Forever
---

(We are now in:

REVOLUTION TIME!)
---
--
..
We

(Who never die)
..
Linger forever

Soft!
Slow!
Easy!
--
We enter our
Eternal story

We stand
Forever
--
The story

Thru all turnings
Thru all spinnings
----

--
Crouching in doorways
Hidden by shadows

Yes!
Yes!

Now we

See we are seen
Seán Mac Falls Jan 2014
Left home, ended alone,
Many travails, trials that cut,
The odyssey of his lashed life,
Took a tremulous toll of atonement,
This lamb whose only consolation,
Being left over at the jeweled altar,
The merciless downing days of droll
And loss, the cruel, blanched turnings
Of uneventful fated choice into ruin,
Never actually knowing his target,
Throwing darts at the sun.
Mateuš Conrad Dec 2016
a pythagorean stance is? savour the few...
                     flu flu flew
away the many, and there are "not" enough
bothersome ones, to attest  to the aclue - i.e. without
a Sherlock.  it's sad to confess that i'm
not model ant but then again: my bicep
is not prone to signatures...
winged hussar that
scared off the turks off vienna...
modernity then!
     why am i an ω-male?
i like to hear the chatter of
                            α-β
holy of holies, and hangovers;
my feet are stench, my tongue
is stolen, bravo!
i can't compete in this environment,
there's no enriching curtsey (court-see;
see what not using diacritical
marks does to you? you flabbergast it!)...
but there i am... unsurprisingly so:
the omega-male listening in
on talk about beta males not getting any...
and alpha males turnings into walruses...
thank ******* time this happened!
quote: quo vadis...
        teutonis militaria...
                             ignis et gladio        
i'm an omega-male... i look at it and clap...
like the remnant of Belzebub within
a fly: rubbing it's tentacle bits,
assured, that all is worthy of cradling
     the definite article.
yes, i, the ω-male (omega)...
         it's no surprise that i'm basically not
gagging for it... there! yonder over y'all
(Kansas tribute)!
   patriarchal Kant, like an adjacent Abraham
with martyr Kleist:
              ω-male, counter to the beta male,
counter to the beta male that counters the alpha
male... basically? beta males gave me
no encouragement... alpha males gave me
no impromptu to attest...
               for all the beatifications of woman
i was assured the most forbidle attestment...
they... all... grow... old...
    and i rather transpire the wrath of tornadoes
than the boundaries of what makes woman...
for the sake of unprejudiced pronoun usage
(as if we were keepers of a promise to
name-shackle a tree to a tree, and then
never mention a twig, a branch, or a matchstick,
or a toothpick)
          woe unto man
and woo unto the other resemblance -
penance unto whoever wrongs the ****** signifier
that it should have been of a higher tier
to begin with...
      yes... to call the dynamism a case of
alphabet...                the case of prominent α
and shadowy β... i already stated my circumstance,
i'm not into passing on my genes!
      i'm an ω-male! the symbol already represents
what i stand for... sitting on my **** and
caring about the α-β dynamism as anyone could
care for a lesson in: if there's anything
important in this world, what, if anything
could it be?
                they really did forget about the ω-male,
and the jesus encyclopedic quote about
alpha and omega... ******* ruffians, stuck in
the beta mode of thinking things out...
learn the opposite... learn the hard way:
not to be so finicky courtesan... as the rule states:
if you can't support them: don't tease them
into fudge-packing your *******
                 for a breather on the weekend.
B J Clement Jun 2014
We followed the road for six hundred miles, there were no turnings off except one in all that length . The South Australian desert seemed endless.
We eventually landed at Maralinga on a newly constructed runway with new buildings and workshops, we were impressed to see it all, but we were not allowed to hang about, a peppery little sergeant directed us  to a waiting vehicle, and we were driven to the camp, there were quite a few buildings, offices and stores mostly. But there were three messes, an officers mess, a seargeants mess and an airmans mess, all of the buildings were temporary- corrugated iron roofs and walls, which could get hot enough to burn any unprotected skin. We reported for duty and were allocated a small two man tent each. My tent was located at the end of a long row, there were about three hundred tents I believe, Gordon's tent was located at the opposite side to mine, he was required to work in the decontamination unit, I was to work in the cookhouse- a humble cook's assistant. I grew to love cooking and still do! At that time all national sevice men were only allotted assistant trades, that was ok by me, I loved to eat as well as the next man! Working in the mess was unbearably hot during the day, but pleasant enough at night. The Australian food was excellent, and there was plenty of it. One thing that surprised me was the size of the potatoes, you only got about thirty to a hundred weight, and they were often hollow, caused by the rapid growing season and the sudden start of the dry season. I had the tent to myself. Almost! During the night, a large Iguana-which lived under the duckboards in my tent- would come out of his hole and climb up the side of my tent, between the actual tent and the fly sheet, then it would slide down the other side. this was repeated half a dozen times every night! Some times I used to drop pieces of meat down for it. Then I discovered that there were other less welcome guests! So I stopped feeding them. The first night that I slept there I was puzzled to see a great pile of blankets on the bed, thirteen in all, I thought that must be for two beds. That night when I lay down  to sleep, I only used one blanket, the night was reasonably warm at that time, I woke up later feeling cold, and added another blanket.  This process continued until I had all of the blankets on my bed. The night time temperature plummetted almost to freezing!  One morning when we were off duty after working all night, I and my friends climbed the one hundred foot high water tower to sunbathe. Big mistake, the silver painted tank grew hotter until by ten 'oclock it was too hot to touch, fortunately we had a blanket each, but decending a one hundred foot tower when all the metalwork, including the steel ladder is too hot to touch is a tricky and dangerous pastime!  More anon.
Ayesha Jul 2023
I am lost, and the cave is blue
All facets of it, some faded, some sure
Crystal tears flicker on the jagged
White eyes, the stones speak nothing
Merely blink as the turnings of lights
In keen grey wells of silence
My life, as a ragged brush, paints
The night to be raw and torn
Leaves the canvas blank for a moon
Throughout the sky are pinned
My letters to the world, flip-flopping
As wild wind horses hop about them
But in the day, in its darkness
I can recall nothing of the colours
The walls scuttle away from me
And the cave, though endless, shrinks
I sit down into the shape of an insect
And feel the firm embrace of lone
Of stone, I begin to feel myself of stone
I rush to the waters, they rush to me
Bleak blue turns me over, takes me
Through months, I sail its roudy mouth
Blissfully unseeing and faceless
Until the coin of the sun flips
And blackness washes everything clean
The sea still, sags to rock, entombs
Itself and me. I am lost, and the cave
Is blue
16/07/2023
Nigel Morgan Jun 2014
I want to say:
good morning
in words newly-minted
bright, sharp-edged
with shadows, alight
this June morning.

At my desk
I sit before a still-life
of small things
treasured, some made
by your quiet hands,
others evidence
of our journeying:
precious times of  
smiles and gestures,
delicate long exchanges,
photographs of course.
And in the foreground:
a trio of felted vessels
lined with thread,
my daughter’s tile
of blackbirds on a bough,
and this book in miniature,
rich in marks made
by the tides’ turnings.
Mikaila Oct 2018
What you see in me
Is someone who is so used to isolation
And so good at disguising it
That to be present in the world is a surprise.
Everything rushes in
Everything touches me all of a sudden
And I am overwhelmed.
I don’t know if it’ll ever go away.
I don’t know if I want it to.
It brings a certain strangeness out in me
As I struggle to contain and conceal
Not my otherness
But my sudden immediacy.
I feel the floor pressing up against my feet
And the soft turnings of quiet things in the ground so far below it.
I feel the sea.
I feel the past and its whispers.
I feel the way a tree must feel
When struck by lightning.
Somewhere an artist carves the face of a statue in a quiet room
And something new is born
And I feel that.
Somewhere someone flings their arms wide
Leaning out across a railing over the water and laughing as the wind holds them up
And I feel that.
Somewhere lovers find each other for the first time
Somewhere a child learns a new word
Somewhere, someone tired and peaceful breathes for the last time
And I feel that
And that
And that.
It rushes in,
It all rushes in.
At once I am painfully in place
And scattered across the world
And it all swirls through me.
I am so used to being silent inside
And filling the space with music and words
Petty distractions and safe thoughts
But
Suddenly
If I had a thousand bodies and souls it would not be enough to hold all this
And I am disoriented
Like I’ve been thrown into deep water only to realize I can still breathe somehow.
It is that confusion you see in me.
It is the memory of before
Of having been everything and nothing all at once, forever,
And then suddenly contained-
I had forgotten,
But part of me remembers every time I see you
And it is always a surprise.
I don’t know if it will go away.
I don’t know if I want it to.
It’s why I miss things,
Why I can’t focus,
Everything in the world calls to me,
And everything in me sings back,
“Please don’t let me go again,
Please let me sink my hands into the earth and grow there
And never feel alone again.”

It’s a hell of a lot to act normal through.
Seán Mac Falls Apr 2013
Left home, ended alone,
Many travails, trials that cut,
The odyssey of his lashed life,
Took a tremulous toll of atonement,
This lamb whose only consolation,
Being left over at the jeweled altar,
The merciless downing days of droll
And loss, the cruel, blanched turnings
Of uneventful fated choice into ruin,
Never actually knowing his target,
Throwing darts at the sun.
G Fairbairn Aug 2010
sweet decay
silent prey
life death
cycle bay …
beauty lush
blossom green
stillness intact
moves  Being
water flowing
ancient well
going going
ocean bed.
Exquisite light
dim inside
reveals turnings
Great Design
unfolding
leads
onwards  
bright
Eternity
Is
Heart’s  Delight
Preech Aug 2012
Dylis stands on corners,
rose lights above her head.


Cars drive slow at turnings,
seeing special offers.
The ones of great disgrace,
but she is there to proffer.


They would skulk away,
into a quiet place,
driver moves her downards.
‘Til he can’t see her face.


He slips a fifty into her palm
She takes it and smiles,
knowing she’ll need not do that,
for a lengthy while.


Her objective is but living,
hence she must keep giving.
Men and women… any creed.
All the seedy pleasures that they think they need.
Seán Mac Falls Sep 2014
Left home, ended alone,
Many travails, trials that cut,
The odyssey of his lashed life,
Took a tremulous toll of atonement,
This lamb whose only consolation,
Being left over at the jeweled altar,
The merciless downing days of droll
And loss, the cruel, blanched turnings
Of uneventful fated choice into ruin,
Never actually knowing his target,
Throwing darts at the sun.
thepoeticwit Nov 2020
Shortsighted
we have eyes to see
things in front of us
present tangible reality
worldly ideas and substances
superficial fear, worries, cares
what do we eat, drink, wear?
where do we go, what do we do next
where shall we see ourselves in five to ten years
so we make our schemes and plans
and we grasp for control
In trying to be king, we end up tyrants
enslaved to our own tyranny
Influenced by darkness

Shortsighted
Lord, have mercy
give us eyes to see
beyond ourselves
ever-present eternal realities
divine providence, contentment
In abundance or lack, we have everything we need
And that we are worth more
Than any temporal worry or care
Lord, give us eyes to see
our lives not as mere earthly things
but to build ourselves heavenward upon the steadfast Rock
that we may be humble, as a speck of dust in the grovel
under the sovereign kingship of a good and Holy God
that we may not waver at the tossings and turnings of this world
Lord, give us eyes to see Your light
That we may live with faith, hope, and love - that we may live with vision.
Matthew 5:26-34
Seán Mac Falls Oct 2012
Left home, ended alone,
Many travails, trials that cut,
The odyssey of his lashed life,
Took a tremulous toll of atonement,
This lamb whose only consolation,
Being left over at the jeweled altar,
The merciless downing days of droll
And loss, the cruel, blanched turnings
Of uneventful fated choice into ruin,
Never actually knowing his target,
Throwing darts at the sun.
Seán Mac Falls Aug 2013
Left home, ended alone,
Many travails, trials that cut,
The odyssey of his lashed life,
Took a tremulous toll of atonement,
This lamb whose only consolation,
Being left over at the jeweled altar,
The merciless downing days of droll
And loss, the cruel, blanched turnings
Of uneventful fated choice into ruin,
Never actually knowing his target,
Throwing darts at the sun.
Seán Mac Falls Mar 2015
.
Left home, ended alone,
Many travails, trials that cut,
The odyssey of his lashed life,
Took a tremulous toll of atonement,
This lamb whose only consolation,
Being left over at the jeweled altar,
The merciless downing days of droll
And loss, the cruel, blanched turnings
Of uneventful fated choice into ruin,
Never actually knowing his target,
Throwing darts at the sun..
Eric W Mar 2015
Sometimes I can't find the solace I require in my loneliness.
Other times I can.
I can rejoice in my presence, and
be grateful to be alive.
But now...
All there is now is a singular floating leaf
that is blown away from the pile before it can
land.
So Spring comes and the grass grows,
and I am still alone.
I search within myself for some seed,
some growth,
that proves that the soil is not spent,
and that my joy does not always require
recompent,
in vain.
And in vein these rivers and Spring wet-weather
branches flow,
for it rains and rains,
but nothing may grow.
But alone.
And as the limestone gives way to
ash, and roots that enclose to form
a ring,
we lose ourselves but for a moment,
but what could also be a hundred hundred years
that many many tears will allow me to
live
encircling an eternal hell
that may yet be
heaven.
I find the ways to say
as surely as the trees find a way
to reach toward the sun,
that the sun may give such life,
may turn the Winter to Spring to
Summer to fall as I do,
in love with you,
but will blind and burn
as surely as
you,
and will set and night will come
where I will howl and cry and sigh
at the moon,
alone,
without you.
And the stars shine bright as a reminder
that there are a hundred million hundred suns
like you,
but also that my sun has departed and
the hundred million hundred other suns
could burn a hundred million hundred years and not be
like you.
As surely as I search and the night grows long
with the shadows on the inside, and
all I find are the writings on
the chalk-hide to symbolize the turnings of years,
you rise,
with a greeting and a smile,
welcome,
my solace.
brandon nagley May 2015
Wherein didst man go asunder?
Plagued and plundered by his own stupor and turnings from god,
Forgetful con's!!!

Wherein didst man go astray?
Made queens as slaves,
Traded love for hate, and affectionate soulmateism for lust?

They stoked the crust!!!

Where didst thou meander?
Thy terrace thou had made starved,
Thy hearts hast gone emptied,
Cheaters of bars!!!

Doth thy drink not dilute thou?

Innocent babies thou hast turned to war
Thou gaveth no love
On foreign shore
Pornographic icon's thou hast made galore

As thyself worship's its every temptation!!!

Thou made bombs thine settled truth
Thou hast let technology becometh thy own comfy noose,
Thou art hooked on electrical tablets
Made religion vain

Thou art becoming maggots!!!

Thyself thou calleth a king
Thou giveth no soul to thy desolate queens
Thou art just a stove
Of dumbed down things

As doth thou get thy kicks off the many men and women thou mayest talk to?

Cut down trees,
And built thy filth,
Made castle mansions
Of diamond nilch,

Is thy wealth thy life thou may lead?

Thou gave disease
And tanks for fun
Thou art a lost
And lonesome one,

Still addicted to new age worldliness!!!!

What didst thou miss?
Oh beasting man,
Thou art clever
To make thy plans

But didst thou not know that thy own contrivance will be halted??????
Prophetic workings , things to come , things that are already unfolding! ():
Still Crazy Oct 4
expertise irrelevant, a knowing
recognition where & when & why,
venn diagram inflection points
intersect, and also confine

the nirvana nexus on a line of dots in a
movingly motion connected by a formula that
has an equal 🟰 in its muddly middle the man’s best sole instructions to her only

solve! me

when in an moveable interaction
the power of rushing baking cake & it’s filling
is akin to trying to hold back a bucking stream that cannot both be ****** or dammed

running words, making
you obsessed to remember
every detail, but commas only,
never a period interrupting continuity no
essential points of exit and entry

and yet…

you cold stop to breathe
wondering how came you
to be a container intertwining
motifs and motives, desires contradictory,
control contrives to be a
controversy pressured pressed
together, and you want to stop, go,
turnings to touch,
she be tablet and he the pen,
and you wrack to remember each
detail, the poem complete or will
confusions reign supreme
and all the fantastical
schemes are shot to
hell, ink spilled,
house doused

and she good naturedly laughs at you,
cause she knows poet better than himself
and forgives him his inspirational
dazes and gazes of confusion
because it is hard to give when
giving birth to
a dream’s obsessive demands
to love one more
than the other

each deserves no rival, just a final fini,
she wants the same, but the heart
is where he keeps hid, exactly
what she needs, so forgives a
little, because loving a crazy
man after all these years
is taking the excesses
costly cause that be
an insanity desired,
what she loves,
the dusky duo
inside him
a constant
battle re
fusing
resolving
the man’s contradictories,
that she cherishes him for
more, his mired mind, more and
laughs at mores, cause it is never ending;

his more is feature why she loves him very best, she showers and laughs, he rushes in
puzzlement featured on his face, so invites him in and as he falls to his knees in a watery
embrace, while grasping her hips, she
states with a finality: “‘
*”let us discuss the importance of proper endings”
still crazy
recreational writing & ***
Bard Jan 2019
I live in the clouds in the city of fog
Secrets are said aloud as if in epilogue
No vision is allowed in the murk and smog
Can only hear the turnings of the cogs

Believe in the machinations never seen
On the radio stations is a static scene
Of a rigged lotto making everything serene
Everyone climbing blind to be a golden king

Cant see stepping stones in the haze
But continue walking for days
A straight path nothing but a maze
Lies hidden in mist missed by my gaze
Jeremy Ducane Dec 2010
I have not eaten properly for weeks.

I have ignored the offerings of little things
In hesitations, turnings round to look again
At light, and waters, glances, steps and whispers.

Instead

I've trudged to no avail the barren flats.
Sought pretended safety among the many
Many in their repeating teeming empty worlds.

Almost believed in them. From time to time.

Then I cleared a space.
Saw the table of the day,
Looked up.

There.  The trees.
The blue sky through the trees.
c Jeremy Ducane 2010

— The End —