Stepping out
On stepping stones
Cracked and ready to crumble
The slightest pressure or lightest weight
Bring the depths instantly closer
Plummeting to the unknown
Facing the unwanted
The sunny sky turns tunnel
Turns pinhead, turns black
Vertigo, no sign to guide
Nothing to lean on
No way to track the bubbles
As the drowning ensues
Searing pain, like lightening
Blinds or enlightens
A flash of what's to come
For an instant there is tomorrow
In that instant hope renews
A hint of up or down
A choice of direction
A path to glory
A way of life
And the sun will never be lost again

By Stephen E. Yocum

In 1974, from out of Kabul,
The bouncing open back of
An old flat bed truck,
Eating dust and Diesel fumes,
Two alone we journeyed.

A round the world exploration
Of adventure and discovery.
Of lands and cultures,
people never before encountered.
Naive Ecotourists, before there
Was such a thing, called by a silly name.

The land there about, dry and dusty,
Sparse vegetations, Inhospitable to all,
Featureless and drab beyond comprehension.
Harsh lands breed harsh unforgiving people,
Matching their dire extreme surroundings.
This being one of those places.

I was on an adventure,
More so than she with me,
A rocky marriage at best,
Stressed further by months of travel.
I seeking the raw, the real,
She wanting first class comforts,
Like the “Good Life as seen on TV”.
A rough open flatbed truck, eating dust,
Not even close to fitting that description.

We were going to a small distant town,
Where I might see a game as old,
As that culture, of those Afghan plains,
A game, no truly more of a passion,
A long held national obsession,
Not so much played,
As combated, a war on horseback,
Brutal, ****** and thrilling.

Under noonday sun, yet chill of weather,
An hour out, four mounted horsemen
Appeared over a low hillock horizon,
Their horses in gallop, snorting, prancing,
High stepping, bounding, on a mission,
Kicking up a cloud of yellow/red dust,
The riders making straight for us.

These were the days before the AK-47,
Before the Russian invasion of ‘97.
The tribal Afghan men back then toted old,
Long Barreled, flint lock looking weapons
Often adorned with ribbon or paint,
Looking at first glance merely ornamental,
Not quite dismissing their lethal intent.

I had seen a sheep shot by one of
These old rifles, the entry spot was
The size of an American Half Dollar,
The exit hole the size of a tennis ball exploded.

As they approached, at my direction,
She withdrew further back towards the
Cab of the truck, beside a wooden crate.
I still sat, legs dangling over the tailgate,
One hand holding onto the wood slatted
Vertical, side rail of the bed.
The other hand on the hilt of my 8 inch Buck Knife.
That given the impending situation, would have
Done me as much good as my ******* into the face,
Of a very strong hurricane wind,
Doing me and us more harm than good.
All the while, still watching the horsemen,
As they rapidly approached ever closer.

Ignoring our dust, they reined in less than
Fifteen feet from our rear bumper,
(If there had indeed been a bumper.)
Horses wild eyes rolling, saliva snorting
From their mouths and nostrils,
Lather of sweat coating sleek bodies.
Looking more akin to fierce Dragons than Equines.

Their dusty riders looked like mounted warriors,
Escaped from out of a Hollywood movie,
Full bearded, hard men, with Scars on their faces,
Their serious dust laden red eyes burning like fire.
Jaws firm set, faces otherwise devoid of expression.
Dressed in traditional head to toe garb,
A style unchanged in hundreds of years,
Large curved Knives in wide leather belts,
Two, sporting hefty British holstered revolvers.
All four with long rifles in one hand,
Horse reins in the other.

Just like that, there we all were face to face,
I could not avoid their eyes, locking mine on
The bigger man near the center,
Hiding as best I could, my concern, no my fear,
With a neutral expression, neither smile nor sneer,
That might give me away. Yet the hair on the back
Of my neck did tingle, throat too dry and constricted
To speak should it even be required.  

The bigger man into whose eyes I stared,
As if I had issued some challenged invitation,
With but a single practiced move of his,
Right arm and hand,
(Horse reins held in the other),
Quickly shouldered his menacing weapon,
And sighted down its long barrel, right at my head.

Perhaps it was only a few seconds,
Yet it seemed an eternity,
That gun’s bore looked immense,
Like the gapping open mouth,
Of some great ballistic cannon.
For a moment I ceased breathing.
It felt as if my heart stopped beating.
I could not but sit there waiting,
There was no escaping.

That throw back to a fiftieth century man,
Held the power, of Life or sudden death,
In his hand, my life on the tip of his trigger finger,
He and I both instantly understood this.

It was clear in that one moment,
That to him, this was nothing new,
Or even of the slightest importance.
A thing to which he was plainly indifferent.

Down that bore, was a place in which lurked,
A lethal bullet with my name written upon it,
I felt trapped, like screaming, but remained silent,
Eyes open, and then why I will never know,
Still looking at him I narrowed my eyes and smiled.

As perhaps a reply on the man’s harsh face,
There appeared an ever so slightest grin.
Then he hefted his weapon back down under,
His arm and silently smiled and laughed,
In my direction.

I could not help but notice that one of his
Upper front teeth was of bright gold, while the
One next to the gold, was completely missing.

He nodded just once his head, to me a message,
All said with no words actually spoken,
“Today traveler,
I could have killed you,
Taken your woman.
Out here no one would know,
No one would have cared,
Not even the truck driver.
You are in my homeland,
I control it and you,
Today I choose not to **** you,
Tomorrow I might feel different.”

Then he and his unsmiling companions,
****** their straining unyielding horses,
to their left, galloping away in an obscuring
cloud, of yellow and reddish dust billowing.

While adrenaline turned my arms and
Legs to jelly, and shortly thereafter,
My stomach to sudden fits of
Wrenching regurgitation.

When in a few years I first heard,
That the Russians had invaded
That harsh unforgiving land,
I told a friend,
“Those fool Russians,
Have grabbed a fearsome,
Tiger by the tail, and that beast
Might just devourer them,
And not the other way around.”
It came to pass, I was not far off,
In my knowledgeable easy prediction.

The lesson I learned that day?
No matter who you think you are,
Or where you might come from,
What Nations impressive seal,
That your Passport reveals,
When you travel far and wide,
Trespass in another man’s back yard,
You best beware, of all the possibilities.

Upon our return trip the next day,
We took a bus of public conveyance,
Imagining perhaps there would be,
More safety in a convergence of numbers.

Footnote:

Over the centuries many invaders
Have attempted to subdue the wild
Land of the Afghans’ and nearly all failed.
A land and a people offering absolutely,
No forgiveness, not even to themselves.

Rudyard Kipling wrote of the British Empires brief
Excursions into that land, offering some sage advice;
“When you’re wounded and left on the Afghanistan’s
Plains, and the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains and go to
Your God like a soldier.”

All present and would be conquers take note,
This remains Wise advice.  No one truly conquers there,
They just visit and bleed and then eventually go away,
Tails tucked between their knees. If indeed they still
Have one.

If i told you i needed help
would you listen?
Or would your silence
Echo off the walls.
See my life is like a car,
Sometimes moving fast
And other times so **** slow.
If i told you i feel hurt inside
would you not just hear
but listen
to what i said
I need someone to care.
Im tired of trying to fight alone.
Im tired of trying to survive at a table for one.
If i told you
I cry all over my body
And each tear is a knife
And they are leaving scars on my flesh,
Would you cut me a bandage,
Sop up my blood,
Or leave me to bleed out.
If i told you
I was alone and my demons are taunting me
would you get me out
Or would you keep walking
or keep scrolling...
Im not begging for attention,
But one cannot be expected to be alone and silent like a life long detention.
If i told you
I was ready to confess everything
Come clean from my secrets,
Strip myself naked so you could see my imperfections
would you care even the slightest bit
Or are you so selfish
And so ignorant
To walk on
And leave this person to die.
If i told you i was ready to die
would you blame it in cliche,
Or believe it and save me from damnation
Its time to think.
It could be up to you
This isnt just my world,
Its yours, too
and dont you want to be
somebody
To someone?
I need you.
Because all of these "if i told you's
Are becoming
**im telling you

"You're cold."

  He said as he took her hands and he couldn't be more right and wrong at the same time. Her gaze simply fell to her feet as she let the silence envelop her. She felt cold, her soul quivering somewhere in the corner of her heart, obscuring its rhythmic beat and creating a swell of off tempo chaos in her veins. Her memory of his whispers were akin to the sudden rush of wind that hit her skin, wet with the storm of tears and caused chills to cascade their way across her body.
  
  But he was wrong, it wasn't she who was cold, it was him who was stealing everything that made her warm. Coaxing her with his silver tongue, murmuring the words he knows she wants to hear, testing his skill and bringing her to the edge of the flimsy fortress she calls defense, to where she's just barely out of his reach, a paper thin wall separating his will from hers, and he nearly giggles in delight when he causes her to tear it down herself, like a spider tearing down its own web.
  
  But of course that isn't enough, not when she's standing there, all walls down, vulnerable and tender, her heart so soft he could cut right through it with just his fingernails, and Hell be ****** itself if he wasn't the slightest bit temped to try because he knows how easily he can, like shoving a pin through a butterfly, simple and smooth, and it'd be so interesting to see her squirm. But instead he's interested in how far he can cause her to do it to herself.  
  
  All he has to do is let a few of his venomous words drip from his teeth, promising he isn't like everyone else (because he isn't of course, no one else would be this thrilled to watch her crumble so slowly ), that he understands, understands that she's so incredibly weak, and that her heart is so big it oozes to the surface of her skin for everyone to see, and it's so **** easy that she must be begging for it, and suddenly he's caught her and he loves it.
  
  She's hanging on every word as if he's holding happiness over her head, but this is boring him, he wants to see what makes her tick, how she is the way she is, so it's time to step up his game. He moves his hand from hers and slides it up her arm, resting ever so gently on her shoulder as his other hand moves to her waist, and as if to further prove his point about how she basically wears her heart as her skin it turns a rosy shade of pink, and sends its pulse so strongly he can feel it. He lets his breath ghost across her susceptible ears and pulls her against him as he gives his orders.

"Strip."
  
And she does.

First go the clothes, but her skin isn't what he's interested in, and he makes it very clear with the expecting look he gives her, so she goes again,tearing skin from muscle one piece as a time. He knows it must be painful, from the tears pouring from her eyes and how the exposed muscle throbs with its raw appearance, and yet the look of concentration on her face just pulls him in more, and yet it still just isn't enough, and finally that red disgusting throbbing ****** mess is pulled away to expose her shining ivory bones. He can't help but marvel in how gracefully they curve, the very core of her frame standing before him, she's completely bare with nothing left to expose, and that gorgeous  pearly figure before him is only more defined by the red  heart that's left behind those ribs, as it pulses and drips and beckons him with each flutter.
  
  It glistens like a slimy rotting apple, and it couldn't be anything more since it belongs to her. But you know what they say, fruit is always the sweetest just before it goes bad, and it's too tempting for him to not take a bite. And he couldn't help but marvel at how warm it was, or the sudden chills dancing down his spine.

i.

for the past few weeks i've been doing an experiment,
thankfully philosophy allows such things,
of course, they're deviations from what i'm used to
in chemistry, they're less, what's the word?
spectacular - but they are nonetheless experiments,
and that's the beauty of being grounded in some sort
of science (trinity of biology, chemistry and physics
and that's the limit, beyond this there are only
pseudo-sciences)... medicine? that's the tsarina of
learning: like any tsarina: gets down and *****,
and yes: mathematics is the genteel queen.
philosophy on the other hand seems like a vagabond
in learning, never really pieced together,
never really sentenced to a single direction:
and for that matter, thought can become less narration
that stretches into the sort of philosophy that Sartre
embodied with his novel, and more into thought becoming
experimental...
you might be wondering what the experiment consisted
of... well, over the weeks i've been sadistic unto myself,
it's to do with trying to figure out the modern curse
that's the 3D's: debt, depression, dementia.
                i can't fall asleep without a bottle of whiskey
cigarettes, sleeping pills and music playing in the background:
which would make me a terrible partner, anyway.
   beyond that though, for weeks i repeated a pattern,
i fell asleep to the *hellraiser ii: hellbound soundtrack
by christopher young...
       day-in-day out: as if to pressurise the idea that
the faculty of dreaming could be censored in the same way
that thinking is censored in liberal speech
eroding people's vocabulary, **** included.
     what i mean by that: every day i woke up with 15 minutes
of despair, then the zenith came after i lay in bed
for 4 hours and felt too many leeches ******* at me...
   those 15 minutes of despair were always there,
but then i usually got up and went about my daily business...
i admit that whiskey could be to blame,
anyone could argue the alcohol-is-bad argument,
but arguing as R. D. Laing might have that it's
also a sedative if you don't include social adhesion to loosen
the tension of going out and dancing:
then i don't see the point of saying it's all bad.
         sleeping pills (i found) are not 100% active without
what the prescription states that you should do:
i exceed limits, but then i write during the night -
            create a balance and i'm sure any insomnia
might be made minimal... anyway:
so i've been doing this roundabout experiment,
listening to the above album while falling asleep,
but then yesterday i decided to fall asleep listening to
godspeed you! black emperor's album F♯ A♯ ∞,
and guess what the experiment proved:
  i felt little or no anguish for 15 minutes,
obviously the usual groggy of a pseudo-hangover,
  but that doesn't mean staying in bed for 4 hours
because you feel **** about life 'n' all...
                   as already stated there's what we call
a cartesian dichotomy, that somehow altered mental
states cannot be translated into a physicality -
depression in this sort of language becomes lethargy -
people never seemed to connect the dots that
state the monism of everything having a pairing either
side of Humpty-Dumpty sitting on the ergo fence
asking about a flying omelette... ergo is a variation
of what precipitates... depression = lethargy...
the purest kind of what i know (i have enough psychiatric
literature to redeem myself from what would
be deemed quack-medicine with their quack doctors) -
some say that taking the vitamin B12 supplement
could help you: or that weak digestion is to blame, too.
i would be quack doctor if i was in a position of power,
and since i am not really earning anything from my
"poems", what sort of power can i abuse? trust -
but then again these are thought experiments,
           i first experiment on myself, then note down
the observations i have accounted for.
               so what will my unconscious eat today while
i switch off my consciousness? i was thinking of
the cure's disintegration album,
         perhaps that's why i did weeks of falling asleep
to a horror movie soundtrack, to later move into
neo-prog "rock" and then into 80s goth melancholia...
    i'd say that pop ****** melancholics off...
and such a nicer word for depression...
                   it's not even close to compression and has
nothing to do with aviation or the Netherlands...
     melan, melan: ah! melanism - a certain darkness,
    choly -         condition of darkness...
       and that star of Bethlehem appeared at night...
man of sorrows, well that's just blatant;
           but for all the romanticisation about darkness
and the mysterious moon and all the insomnia,
i still prefer the anti-cartesian explanation of actually
creating the proper answer to what has become
a dichotomy between the physical sciences and
the pseudo sciences, given that ergo is a precipitation
then for the two opposite to become inseparable
depression must be equal to lethargy: which is a variation
of the grander genus (family): metabolism.
               is this the point where i re-quote that famous:
doctor! heal yourself!
                                      well, if there's anything to go by
i have in my mind, given my life a prolonging in a way,
what was it... amitriptyline?
                                         the new ******* for
the respectably prone to citizenship's serenity of leaving
other people to their own demises -
  i mean, look at all the teetotalers: hyperactive bunnies
with too much energy that translated into things like
the infamous pyramids and the doubly infamous chimneys.

ii. the danish girl

i would have never thought that the transgender movement
had such a puritanism about it,
such platonism - nearing martyrdom;
who could have thought?! i only managed to see the film
today... i'm a sentimental ******* and i was choking
on not crying at the end of the film
here was a true representation of an artist,
         there's he (einar wegenar): a successful local
artist, within the confines of Copenhagen,
modestly famous: primarily because of having
perfected a technique and sourced it in a childhood
memory that keeps haunting him,
    thus he keeps repeating it, although with slight
alternation to refresh it, but no photograph to work
from, hence my previous statement:
  memory is the best cinema or arts' gallery (this
is not a universal statement, memory doesn't always
heal, or fascinate or have the ability to revitalises itself
or become the most potent "hallucinogenic" experience);
and then she's there (gerda wegener), also
painting, but more in line with paying the rent
rather than appeal, rich people needing portraits to
hang on the walls of the future of their lineage
        in years to come so someone might boast:
that was my ancestor, who founded the first bank
of Copenhagen sort of stories -
and all she wants to do is be an artist like Einar;
and she keeps coming back from galleries with her
works and they never give the critics any appeal
at being original - they have a suggestive generic
quality to them: precisely because they've been painted
for money. art is cruel in that way,
  when critics reduce producing art like they might reduce
being a cashier in a supermarket on the basis of:
job done... then comes the offense from the artist.
the beauty of this film is the platonism that soon explodes,
the near innocence... i really don't know how
the transgender movement borrowed from this:
all those Baphomet ******* with too many parts,
silicon chests and ***** and what not?
       this is one of the finest forms of defamation -
these days the transgender movement is so sexually
potent it doesn't really deserve what can only appear
as a self-imposed crucifixion...
              this story predates the unearthing of the nag
hammadi scripts, it's intuitively bound to what was
unearthed in 1945...
      einar sees the desperation of gerda, he knows
that he'll simply remain a local artist,
    bound to a square mile of earth, local, provincial
even... what he decides on is best expressed
by Marilyn Manson's lyrics: now i'm not an artist
i'm a ******* work of art.
        how can not this resonate further into the film
if not by this motto:
it is a consecration of a memory, to invert it and
un-seize the moment long ago experienced and now
fuelling art, or the repetition of a safe technique established.
one man's frustration and a woman in a cage:
the potential seen - then a sudden bursting of madness,
the evident anti-cross -
                                  to say he had reached his limits
and she was kept frustrated and under-appreciated is
blatant enough, this self-sacrifice for a woman to
find her subject, was all too evident when she utters
the words that: the student overcomes the teacher,
and that's the whole story,
                       he has to walk into the canvas,
     in whatever way imaginable, and what a better way
than on a whim to escape the dreariness of parties
   by dressing up as a woman, after gerda's model
is late so she can continue a painting and einar
has to step in and wear a few female garments...
       to later realise the Dionysian consequence:
                                  only to the utmost excess, from here.
this could hardly be a propaganda movie for
the transgender movement... the "propaganda"
aspect ends when you hear children imitating this
artistic "prank" in today's society...
      it wasn't a prank in the slightest: but a profound
expression of love between two artists...
          outside of art the whole transgender movement
is still only ***** and silicon **** of Thailand's lady-boys:
that's not reality?        
although i actually did choke with nearing to cry
in the closing scene...
    unlike the Christ story... there was no resurrection.
so hans and gerda travel to the place where
einar depicted the landscape in his revisions,
       and both of them are standing there
        and it's ****** pulverising with so much depth
upon being so little when reduced to a canvas
but because you see the painting first, do you later
see the landscape with more emotion...
     and i thought to myself: gerda will recreate
the landscape in her own eyes, she'll what he saw
and what he gave up for her to paint him in his
transformative (transfigurative) state of becoming
lili elbe...
                     that's why i was about to cry -
     that she could put lili aside, and return to /
resurrect the memory of einar the locally famous
artist... that she would apply the same technique in
painting lili / einar but turn her attention to
landscapes... as if to imply that both of them became
reunited before all the madness of life came chasing them
into extremes.
          to my dissatisfaction? after the film ended
and before the credits started rolling... postscriptum facts
after these true events... she continued to paint
lili / einar as she did, which prompted her to fame
on the Parisian estrade; after seeing that, written down?
tears? what tears... i'm actually thankful that i choked
on them and didn't do an outburst necessarily...
thank **** i wasn't watching the film alone!
     i know that i might have invoked a sense of:
rough around the edges with this description, but i'm hoping
it's abstract enough to make the film more potent:
filling the blanks with images;
still, this was used for a transgender movement?
                                                did he make it plainly obvious
that this was a transcendental transgender iconoclasm?
         it's the platonic element in it that steers this whole
story, away from what 21st century movements regard
as prototype for their ******.

Pin me up with your ***** mind
accuse me of the worst of crimes
confess to me your deepest sins
snowflakes on bare skin
something like the slightest touch
isn’t even that much.

Hold me down with your ***** mind
be sure to fake the signs
grab my hand and we’ll run
close our eyes to see the sun
something like the slightest touch
it might just be enough.

I’m a figment of your mind,
constantly set free at night.

Show me off in your ***** mind
I know you’re one of a kind
take me away from here
quiet all of my fears
something like the slightest touch
will it ever be enough?

Hold me up in your ***** mind
you’re a diamond in the rough to find
I don’t know what you’ve got in store,
hopefully I’ll find more.
Something like the slightest touch,
it’s finally enough.

I’m a figment of your mind,
constantly set free at night.

I was raised by a man with broad shoulders and a gentle heart
A sign that my strengths would reside above my waistline
I learned to stand up straight at an early age
Not necessarily to improve my posture like my father had intended
But I believed looking into his eyes would give me an all-access pass to manhood
And by double digits I wanted to reciprocate his masculinity
Nothing would have harmonized my earlobes like the words- You're a man now son

As I grew taller, I finally met the spheres into my father's soul
And much to my surprise, they screamed a sadder melody than I had anticipated
They leaned on crutches, crippled by societal catastrophes
Their stories- captives to cultural constraints
They stared at me blindly as if my presence was backbreaking
My heart was crushed as my father's shoulders shook
And the strengths I once desired were now fossilized by fear

To be a man -society grunts so effortlessly- is to be masculine
And since masculinity and success are socially synonymous
Obviously, success cannot be established without perfection or aggression or oppression

To be a man is to be unbreakable
Because the slightest wrinkle in armor alludes to inability
And combat is unavoidable regardless of swordsmanship

To be a man is to be rigid
Because being fixed in outdated traditions is far easier
Than challenging for innovative conditions

To be a man is to be emotionless
Because passion is pathetic
Sensitivity strikes the community as instability, not authenticity

To be a man is to be strong
Because strength means maintaining control and independence
Not establishing dependability or acceptance

Masculinity still towers over little boys just like me
Presenting textbook answers for real world problems
Masculinity is a skyscraper imposing its will on innocent civilians
By replacing sunlight with systematic shadows
And ripping shooting stars right out of the sky
Masculinity forms internal thunderstorms harboring havoc
For individuals that need more than rainfall for adequate growth
We are not shrubbery photosynthesizing our thoughts into energy
We are not born to throw our feelings into sealed vaults
Our genuine intentions deserve to be delivered on silver platters

Gender roles are one way streets clogged by oncoming traffic
Mirrored headlights approaching complete chaos
There are no maps to point you down the right path
There is no right path
There is no right path
Only roadblocks inhibiting you from any type of progress
Life is meant to be traveled on unmarked ground
Where men and women alike regulate the steering wheel regardless of society's traffic laws
And I long for the day when my son or daughter looks up to me
The day when my son or daughter stands up straight
Looks me in my eyes and sees a portrait painted differently
A soul actualizing strength, not personifying ingenuity

I. The Encounter

I awaken to the lull of your voice: seductive whispers that send waves of electricity through my being. And then I see you. The demi-god that you are. And I worship you. Give me strength to endure your charms. And you do charm me, just as I know you will. Lapis eyes dance back at me. But then I'm dreamy; not awake, not asleep. Still in that state between dreams and realities. And to me, you are a god. But reality ~cruel mistress~ charges at me, and I see you for yourself. A mere mortal as I. But still I worship you. You've already begun your seduction. And I am a willing victim.

My first encounter with you is brief, only moments spent in your company. I would've scorned any human brave enough to insist that I would some day love you. I don't want to be aware that you have any power over me. No man has power over me. I have pushed all thoughts of men from the dusty corners of my mind. My life evolving around school and work and her, my lover. You know we are lovers. And I know you are married. Neither of us have scruples.

You offer me a bowl. Soaring above the world helps you cope. I am grounded and decline. But I watch you carefully. Pipe in hand, breathing deeply the smoke of the gods. And I find you amusing. Eyes turning glassy, mirroring my soul. Your face lit by uncontrollable laughter. And I am spiraling from the slightest contact of you.


II. The Seduction

Just a look. It takes only a look from those lapis eyes. And I'm hooked. Captivated by their icy-blue fire. And I'm burning there, burning in those lakes of infinity, those magnetic pools. Electric shocks wave through me, toss my senses, turn me into pure desire. And I desire you. You and the musky scent of your body lit by lust. Driven. Pushed to the insatiable limit. Inflamed.

Spoken and unspoken, your words ****** me. Enticing me, those words encircle me, swirl about me, intoxicate my mind. Notwords. Those words you say with your eyes, your smile, the rhythm of your body. And your whispers. Hot breath against my cheek, my ear, my neck; a trail of kindled passion waiting to explode. And I cannot resist the temptation. Tempted beyond reason, caught in the moment, trapped in the never-ceasing yearning of my body for yours.

Smoldering. You smolder me with kisses. Blaze my body with your tongue, your touch. Smooth skin against mine. A hand filled with impulses, pulsating, beating the rhythm of our hearts, like beats of the tunes you make love to. Wild, savage drums. Wild, savage love. And I long all the more for you. Your touch, your scent, the feel of you in me.

You recreate me. Change me. Make me want you again and again. Seduced.

III. Missing You

Missing you as I do, I cannot remember my life before you. Before your smile touched the depths of my heart. Before I gazed into those familiar eyes and saw my soul staring back at me. Before I felt your lips on mine, sweet, intoxicating, the slightest hint of tequila and lime. Your hands upon my flesh, electric waves. And the movement of your body with mine in cadence to the primal dance. Before you took me into your arms, I existed as only a shell of a woman. A tiny speck among specks in the vast universe. But you reshaped me. Molded me into a goddess. Allowed the woman inside of me to resurface and reclaim her sexuality.

And now you are gone. Out of my life for weeks. Out of my sight, but not my mind. I see you gazing back at me from the mirror each time I look into my own eyes. And then my mind takes flight and I escape with it. At that moment, I can once again feel your arms around me. Your soft, tender touch. The lulling of your husky voice. The musky scent of your skin. I watch from my grounded plane as you lead me to bed, turn down covers, and then motion for me to lie down. You remove my clothing, stripping away all resistance, all inhibitions. Prince sings seductively in the background. And I lose myself in your loving. You descend upon me like a child with an ice cream cone. Lapping at the cream you stir from within me. Your tongue tracing circles upon my skin. A flick of an ***** ******. Kisses trailing my body from lips to thighs and then there. And you linger there. Minutes seem like hours and hours like days. But I cannot imagine time without you. Only after I have traveled into the netherworld you lead me to, do I finally feel you. Hard and long, buried into my flesh. Deep inside me. Inflaming my body with each stroke. You take me, over and over again, to that netherworld of pleasure. And I want to stay. Remain there with you, eternally.

So missing you like I do, I have no appetite for anything but you. Depression falls upon me like a black cloak shielding me from the outside world. And I realize that missing you is missing a piece of me too. Missing my eternal friend. My soul's mate. My heart's constant pounding. Missing you is missing me with you.


IV. Betrayal

You said you'd made your choice: she and I, that's all you'd need. And I wanted to believe you; almost did, in fact, believe that two could be enough. I could've lived with that. She, bound by contract and children; I, bound by lust and desire. I know the game; have played it hundreds of times. And I put my trust in you to keep your word. But you don't belong to me. I have no control over you, no real ability to keep you under control. And so I baited you. Ensnared you in your own trap. Shoved temptation under your nose to test your honor. You have none. You accepted my trap; opened the door to her: a third, an easy, vulnerable prey.

And now you've lost. You will keep the first; she is bound by a higher law. But I am your loss.

Cheap words. You say whatever it takes. Words fall from your tongue as carelessly and easily as a dismissed annoyance. Your heart as cold as the snow surrounding us. You work emotions like a stagnate river: stuck in the routine of building up and tearing down the very dams of trust and passion you blueprint. But I am not like the others in your past. I am a true player. One of the faithful few. But you've destroyed that faith. I know where I stand with you. You've placed me in some category with your other casual notaffairs. But there is nothing casual about me. And if you had taken the time, been true to your word, you would've learned this. I give my all. All of my being, my heart, my soul. Not obsession, just loyalty. I await the rules, and when I have them, I play by the book. But you constantly change the rules, make them up as you go along. And since I cannot claim any part of you, I stumble over your turn of events. And although I try to keep up, I no longer want to match you set for set.


V. Exposed

You breeze through lives like a windstorm: tossing and turning, stumbling along into one life after another. *** appeal, your weapon: a loaded gun, a sword, a double-edged axe. You are crystal in your attempt. Pristine in your approach. Primitive, you take women back to the primal, the cave of the Neanderthal. Back to pure animalistic intoxication. And I almost allowed this. I wanted you. I did want you. You and the beauty that existed on the outside. Muscular facade that shields the turmoil within. And you could've had me.

Those eyes, so like mine, pulling, dragging me further into their blue lake. I would've drowned there for you. Allowed myself to get caught in the whirlpool of your loving. I wanted to more than you could ever know. Whirling there, swirling there. Sinking further and further into the fiery lake of your seduction. And I would not have defended myself. Passive. A kitten de-clawed. I would've sank into your abyss willingly, awaiting your strong arms to enfold me, save me, wrap me into your soul. Die from the shear ecstasy of you.

I confessed. Opened my soul to you. Permitted your entrance. And you took the challenge. Stepped in and put my inner world in order. Sorted through the chaos within me. Within. You were deeper than you knew. In that enigmatic space, you found the seed of my essence buried in a dry desert. And you rained on me, reigned over me, until I blossomed for the first time in years. I unveiled fully for you. A lotus petaled and filled with sweet, sticky nectar awaiting your touch. I removed all masks, all defenses, stripped away all layers. Showed you the sincerest parts of my being. Exposed. Naked. Displayed this being to you without shame or regret; I bore all. You knew me. The new me. The hidden me. The me that rarely allows passage. But I couldn't resist you. You entranced me. ****** me into you. Stole my breath. Exhaled. And scattered me into the wind.


VI. The Fool's Folly

Making restitution. This is what you say you want. And I struggle within, look to the stars, the cards, and my own inner voice. Should I trust you? My horoscope says a fifty percent chance of let-down today. And the cards say, sure trust him, you fool. But inside I scream I want to trust you!

Then I take a reality pill. Swallowing it hard and dry. And I realize this is what I do with you. I swallow you, refusing other nourishment. I swallow you in gulps, like a fine wine. Allow you to descend inside of me, make me raw from the wanting of you. And when the effects of you occur, I immediately become induced, intoxicated, high from the effect. I lose all sense of existence, except for you.

You become the center of that little world you say I've created for myself. You lay there on a bed of black satin, your body shimmering from the candle-lit radiance. And I see you there, there with me and in me, beside me, circling my body with your passion dance. Prince bellows another scream in cadence with my own.

Perfect timing. Too perfect. You give away your method of operation. But only I know of its existence. I have one of my own. And so we come full circle. Knowing you as I do. Knowing your secrets, your methods, your devices of seduction, can I allow your restitution? Fool me once, shame on you. Fool me twice, shame on me.

Can I risk playing the fool?


VII. Vanished

You've vanished again. Escaped to god-knows-where without me. Again. Without me in your life. Recluse, you've turned me into you. A recluse without explanation. Locked me into the world that exists around you. Trapped me there, helpless, without you to guide me through. And only you have the map, the way to the gate: the escape route you use to flee when life attacks you in the dark. And I want to explore the passage with you. To tell you all that I feel. Feel you with me, in me, beside me. But I'm covered by this web of confusion. A thick heavy blanket of your tormented soul. And mine is there with yours. Our lives intertwined as they are. Twined into enigma. If you would only step from the shadows, motion me forward, I know we could make it out again. The blinded-by-lust leading the blinded-by-lust. And together we could cut our way through this thicketed labyrinth.

You live in a world of all black and white.
Not the slightest glint of pigment, not the smallest touch of gray, not an inkling or a semblance of happiness or hope.
You blend in well with the world of black and white, of dullness and lethargy, knowing nothing other than lack of color and eternal melancholy.

(Yes, better than Harry Potter, get your pitchforks ready)

My first encounter with THG was approximately four years ago, when I had barely turned fourteen, did not consider myself bilingual and was romantically frustrated. Naturally, I made several mistakes at the time. First off, I read the series in translation, since I'm not a native English speaker, and missed out a huge chunk of the significance of the story. Then, as I said, I was romantically frustrated and thus paid such a monstrous amount of attention to the romance aspect of the story that I want to bitchslap myself. Finally, at fourteen, I was still ignorant and uneducated about so many things that I read the series, got hyped for perhaps six months or so, then forgot all about it, save for the occasional rewatch of the movies. In retrospect, this is probably one of the biggest mistakes I've ever made. Now, at the ripe old age of eighteen, a significantly better-read person, waaay more woke, as well as socially aware, I decided to finally read the series in the original and am finally able to put my thoughts together in a coherent, educated review of the series.

The Hunger Games has continuously been compared to a number of other books and series, occasionally put down as inferior and forgettable. In those past few years I managed to read a great part of the newly established young adult dystopian genre and am able to argue that A. The Hunger Games is undoubtedly universal and unrestricted to young adult audiences and that B. it is, without the slightest shade of uncertainty, the best series written in our generation.

While many people draw parallels between The Hunger Games and, say, Battle Royale, the similarities end with the first book, which, while spectacular in execution, seems unoriginal in its very idea. As the series unrolls, however, it is hardly possible to compare it to anything, save for, perhaps, Orwell's 1984. The social depiction and the severe criticism laid down in the very basis of the story are so brutally honest that it fails my understanding how the series was ever allowed to become this popular. What starts out as a story about a nightmarish post-Apocalyptic world works up to be revealed as a cleverly veiled portrayal of our own morally degraded and dilapidated society (if you're looking for proof, seek no further: as the series was turned into several blockbuster movies, public interest was primarily concerned with the supposed love triangle rather than the bitter truths concealed in the narrative). Class segregation, media manipulation, dysfunctional governments are just the tip of the iceberg when it comes to the realities that The Hunger Games so adroitly mimics. If I were to dissect, chapter by chapter, all three books, I'd probably find myself stiff with terror at the accuracy of the societal portrait drawn by Collins. I strongly advise those of you who haven't read the series between the lines to immediately do so because no matter how many attempts I make to point it out to you, you simply have to read the series with an alert sense of social justice to realize that it doesn't simply ring true, it shakes the ground with rock concert amplifiers true.

Other than the plot that unfolds into a civil war by the third book (the series deals so amazingly with trauma survival and with depicting the atrocities of war that I am still haunted by certain images), the characters of the story are what makes it all the more realistic. Though Hollywood has done a stunningly good job in masking the shocking reality of the fact that these are children - aged twelve through eighteen, innocent casualties paying for the adults' mistakes; children forced into prostitution, fake relationships, children forced into maneuvering through a world of corruption, media brain-washing and propaganda.

Consider Katniss. She is a person of color (olive-skinned, black-haired, gray -eyed, fight me if you will but she is not a white person), disabled (partially deaf, PTSD-sufferer, malnourished), falling somewhere in the gray spectrum both sexually and romantically. As far as representation goes, Katniss is one of the most diverse characters in literature, period. Consider Peeta, his prosthetic leg (which, together with Katniss's deafness, has been conveniently left out of the movies) and his mental trauma in the third book. Consider Annie's mental disability. Consider Beetie in his wheelchair. Consider all the people of color, as well as the fact that people in the Capitol seem to have neglected all sorts of gender stereotypes (e.g. all the men are wearing makeup). There is absolutely no doubt that the series is the most diverse piece of literature out there. Consider this: the typical roles are reversed and Peeta is the damsel in distress whereas Katniss does all the saving.

Furthermore, the alarming lack of religion (in a brutal society reliant on the slaughter of children God serves no purpose), as well as several other factors, such as the undisputed position of authority of President Snow, is suspiciously reminiscent of the already familiar model of a totalitarian society.

The Hunger Games, in other words, is revolutionary in its message, in its diversity, in the execution of its idea, in its universality. I mentioned Harry Potter in the subtitle. While this other series has played a vital role in the shaping of my character, it has gradually receded to the back line for several reasons, one of which is how problematic it actually is. This, though, is a problem for another day. (The Hunger Games is virtually unproblematic and while it may be argued that the LGBTQ society is underrepresented, a momentary counterargument is that *** has a role too insignificant in the general picture of the story to be necessary to be delved into this supposed problem). Where I was going with this is that, at the end of the day, Harry Potter, while largely enjoyed by adults and children alike, is a children's book and contains a moral code for children, it was devised to serve as a moral compass for the generation it was to bring up. The Hunger Games, on the other hand, requires you to already have a moral compass installed in order to understand its message. It is, as I already said, a straightforward critique of a dysfunctional society, aimed at those aware and intelligent enough to pick on it.

As for its aesthetic qualities, the series is written, ominously, in the present tense, tersely and concisely, yet at the same time in a particularly detailed and eloquent manner. It lacks the pretentious prose to which I am usually drawn, yet captivates precisely with the simplicity of its wording, which I believe is a deliberate choice, made so as to anchor the story to the mundane reality of the actual world that surrounds us.

That being said, I would like to sum up that The Hunger Games is, to my mind, perhaps the most successful portrayal of the world nowadays, a book series that should be read with an open mind and a keen sense of social awareness.

My days have forgotten the sunsets
They only remember the harsh, beaten sunrays
Pounding against the memories,
Heaving, in the background, like a sneeze
Hoping to congest my worried looks
The sun burnt my pale skin,
And I cried,
For the day had ended
But, with it came no golden rays,
Only fractured skin,
Crackling with the slightest touch,
My day had ended,
But not for me,
It ended for the one who scorns, you see.

Back when I was about ten or eleven, the only friend I had was the most beautiful girl I knew. Her name was Jessica and her and I did everything together. In school we were inseparable, always chit-chatting before, during and after classes. So much so that teachers bestowed upon us the annoying, yet endearing, encompassing nickname of "Jackica" - a combination of our names; Jack and Jessica. I was so thankful for her companionship, and thinking back it might have been a pretty uneven relationship, emotionally. I was an overweight and awkward Harry Potter fanboy and she was a cute little auburn-haired thing who could've won any Miss America Junior competition in the world, as far as I was concerned. She had the most piercing powder blue eyes. The kind that made my skin tingle and mouth curl up into a stupid smile at any given moment. I felt like she saw me, like she really saw ME. Not the blubbery flesh that coated my muscle and bones but what I was made of, the real me. And I loved her for that. Along with Jessica's physical blessings, she was also given an insatiable appetite for adventure. She loved to go to the park at night, after the gates were locked and when everything was drenched in darkness. We'd hop the five foot chain-link fence and roam around the grounds. We'd go the water at the edge of the park and sit on the rocks, look up at the stars and take turns telling stories to each other with intent to scare the **** out of the other one. One humid night in mid-June, Jessica told a story that succeeded in making my skin-crawl. She always told decent scary stories, she was gifted in the art of fabricating tales of fright right on the spot, but this story really got to my core for some reason. I just felt uneasy as the words spilled from her mouth to my ears and with each sentence my muscles tightened and strained just from the mere tone of her voice as she told the story. She sounded serious, and she rarely did, even when telling these stories, but with this particular one it sounded like she really believed what she was saying was cold, hard truth. What she said was that she heard a story that her older brother's girlfriend had told her. It was about a house on the outskirts of town, placed just a few hundred yards from the mouth of the woods that lined our little suburban utopia. She went on to say that in the house was nothing all that scary. She said it was an old house, a very old house, as it was a log cabin that was built in the 1700s, when the town was first being settled. Supposedly, everything in the house was just as it was back then, little kerosene lamps sitting on home-mad oak tables. The maple-wood floors would moan and creak at the slightest hint of any weight being put on them. And then she said that no one had lived in the house since the man who built it died, around 1785. Needless to say, Jessica wrapped up the story by proclaiming that we had to find the house. And we had to go inside and see for ourselves what was so creepy about it. Being the scared, chubby little wimp that I was, I immediately rejected the idea. There was no way I was going to try to find a place that would only succeed in making me **** my pants in front of a girl, especially the one whom I'd placed the delusional label of "future girlfriend" on. But, as I subconsciously expected, Jessica talked me into it with just a few graceful words: "I'll kiss you if you come with me." The very next Saturday night, Jessica and I put on some dark jeans and t-shirts and took the bus all the way to the last stop, the edge of town. We hopped off and right in front of the stop the woods were already waiting, I took a deep breath as Jessica's eyes lit up. She took my hand and pulled me as she ran, me clumsily waddling along behind her all the way to a little dirt pathway that paved the only marked entrance we could see. She asked me if I was ready and I shrugged, saying something like "I'm as ready as I'm ever going to be." And so we started down the path. As the tall trees swayed in the wind, I dragged my feet with Jessica always about five feet ahead of me, as eager as ever. We walked for probably ten or twenty minutes before the foot of the cabin was before us. At first sight, it was a very old structure. I'd never seen anything like it outside of paintings in my history textbook and this Abe Lincoln documentary I saw on PBS. I never knew houses like that stood the test of time. But there it was before me, two stories high with wooden shutters clad in severely chipped paint and a big oak door that looked stronger than any door I'd ever seen. Jessica took my hand again, smiled enchantingly and rushed me forward. Once at the door, I was speechless. It didn't look as old as the rest of the house and whoever made it obviously meant for it to last a very long time, taking extreme care in carving it out impeccably and sanding it until it shined with a professional touch. Without a word, Jessica rapped on the door. Three hard times, and when no one answered after thirty seconds, she rapped again, and again. She shrugged and turned to me, asked if we should just go in. I said no and she frowned. "There's no way we came this far just to go back home with nothing," and then she wrapped her hand around the rusted doorknob and turned. The door opened with no hesitation as she pushed it all the way in. She stepped inside, and I followed. The first thing I noticed inside the cabin was the creaking floors. They creaked louder and longer with each step, affirming that part of the story, making my blood run cold. We looked around, going from room to room with wide eyes. We were amazed that we made it, that we got inside and now we were actually investigating a place that no one else supposedly had gone before. Truth be told, though, it was nothing special. There wasn't much at all to see, save for a few tables, the creaking floors and some very old paintings on the wall. We were just leaving when we noticed something on a table nearest the big oak door. It was a metal box with a small lock fastened to the front of it. "We have to open it," Jessica proclaimed after a second of curious inspection. "There's no way were going to find the key," I told her. "So we'll break the lock, Jack. Duh," she replied in her sassiest tone. I just shook my head as she grabbed the box and began to furiously slam it in the wooden table. The sound echoed through the house, exacerbating it and making me shiver from head to toe. "I don't know if you should keep-" but my sentence was cut off my the lock flying off the box and clinking onto the floor below. Jessica smiled again, very pleased with herself and looked to me. "Wonder what's inside...," She said, lifting the top half of the box open. After an initial and cough-inducing puff of thick dust subsided, the contents of the box were revealed. It was a letter, written on old-school parchment in heavy ink. In neatly laid Victorian script, the likes of which I had never seen so simultaneously neat and scattered, like it was written in a hurry or during a time of distress, was a love letter. Well, a kind of love letter. It was addressed to a woman named Tania and it was signed by a William. It told the story of how William had loved Tania since they were children, and Tania was now to be married to a Pastor named Hensley. William told Tania how he couldn't bear the thought of her ever being with anyone else and that the fact that she could never truly be his was killing him. Literally. He ended the note by confessing his plan to **** himself. I took a step back, but Jessica just stood at the table with her eyes glued to the crumbling parchment in her hands. "I'm leaving," I said after a few moments, mulling over the sorrow that this poor man must've felt. I headed out the door, Jessica following. The walk back through the woods to the bus stop I couldn't get this feeling of dread from subsiding. It seemed like I felt what William felt, but not in a sympathetic sort of way. It felt like I was William and the pain he felt was actually my pain. And then I noticed that, rolled up tightly in her fist, Jessica had taken the letter with her. "Why'd you take that," I said, sounding thoroughly upset. "That's not yours to take, go bring it back!" "No way. There was no way I was going there and coming back with nothing to show for it," she said, gripping the letter tightly, her knuckles almost whitening. I knew how stubborn Jessica could be and I knew whatever I said probably wouldn't even phase her in the slightest so I did what I did best and just shrugged it off. I found myself wishing I could shrug off the terrible feeling the letter put deep inside me just as easily as I could Jessica's stubbornness. Over time, Jessica and I lost touch, as kids of that age often do. I grew up, lost weight and opened up, making more friends and acquaintances, no longer hanging onto the thought of Jessica being my only love. I didn't talk to Jessica all that much. Just once in a while we'd meet up and have a chat over some coffee or pizza. We had both changed and morphed into young adults with different agendas and dreams and I had no problem with that. But on one such meeting, Jessica began to worry me. She said that every now and then she'd open her desk drawer and take the piece of parchment out and read it. Over and over again. And lately, she had been opening the drawer more and more, she said that she felt drawn to it. Like something about it made her feel this deep-seated dread that no horror movie or scary story had ever made her feel. She said that she felt like the letter was beginning to take a toll on her. And, by the look of her, it didn't seem like she was lying or kidding around like she always used to love to do. She had dark circles underneath her once striking eyes, which were now darker and had taken on an odd and ominous color. I was scared for her. And I told her so but she hugged me and assured me she was alright. I wanted to believe her, and I tried to, hugging her back and telling her I'd talk to her soon. But when she turned her back I knew something was very wrong. I'm writing this now because a few weeks ago Jessica's mom gave me a call. When her number came up on my cell phone, I think I knew, deep down, e actor why I was getting this call but I pushed the thought away and said hello. Jessica's mother called to tell me that a few days before Jessica had gone missing. The only indication to her whereabouts was a note she left with the words "cabin at the edge of town", and below that, instructions on how to get there. Her mother said she took the note and hopped in her car immediately, and made it to the cabin. She said she was breathless by the time she got to the cabin but forged on and barged inside and looked around. She said she found nothing and was about to leave when she noticed a small door behind the big oak door she had swung open to get inside. She opened the little door to find a stairwell. She climbed it, calling Jessica's name all the way, sobbing and wiping tears from her eyes. At the top of the stairs was the attic. And she said she almost died herself when she saw Jessica. She was hanging from a wooden rafter on the ceiling. And next to her was a severely decayed skeleton, dangling from a rope only a few inches away.u

In my real life,
not a poet,
just an astronomer,
an observer of
universes, bodies,
places, faces,
visited, discovered,
named and oft,
best forgot.

I observe:

Some never find true love.
Some never fly first class.
Some of us
never see the
South of France.

Some of us wear
hand-me-down pants,
white lined creases when “let down,”
mocked, we never forgive ourselves
the shame of it.

Some never experience
reckless abandon.

Yet, some of us are
recklessly abandoned,
and never forget,
and never forgive.

Some of us lose
children, husbands,
avanti nel tempo,
before their time,
and
the anger is
forever, palpable,
costly.

Some of us
were raised by
someone else's parents,
and never rest easy,
the abandoned taste
always nearby,
a cruel living, breathing
teasing wasting

Some we can pass over
with ease,
as new tissue grows,
those cuts marked -
emotionally healed.

But the ones that scar,
the ones that visible scar
permanent reddened,
are the
holocaust deniers
that there is a real
promised land of
peace of mind.

Peace of mind -
not even for a second,
foretold but
unrealized,
a biblical myth,
a promised land,
a capitalist paradisal hoax.

Some never feel
public victory,
adulation, adoration,
always wearing the T-shirt labeled
Property of Someone Else.

Most of us remain
unpublished, undiscovered,
unremarked, blanketed,
cloaked in bills to pay;

Living a triumvirate of
heart ache, loneliness, worry,
our normal table fare
consists
of hand to hand
into the mouth
combat MRE's,
we engage,
to survive,
just stay alive.

We are not digitalized,
nonetheless,
we are
but digits,
our faces hidden, and
in no one's heart book
are we recorded,
friended,
yet our viewing habits,
purchases, secret sites
are enumerated, captured.

Some of us live
exclusively
in the real life,
never to escape to the
province of Wifi,
in the landscape
of the electronic mind,
an option for which
we are
untrained.

Perhaps sanctity of separation,
safety of text, email,
avec the ******* intrusion
of tweets are
the real life today,
games are always won,
and what we don't enjoy,
we just delete away

But In My Real Life
getting up is trying,
IMRL,
the trying is trying,
IMRL,
delete buttons don't exist      
in the keyboard
of our brains,
IMRL,
all we have is a
measly twenty six aleph bets
to find new ways to say
that living is striving and
what we feel is
oh so real,
not digital

IMRL,
when I laugh out loud,
the neighbors
beat the walls,
complainants,
registering their feelings
in my face,
in my book,
so to speak.

IMRL,
I got a friend,
maybe two,
all I need,
voices to help soften
the 400 blows of RL.

Their synthesized silence
of their breathing
on the phone
is precious unto me.

IRL,
limp from Friday
night to
Friday
night,
a bottle of Medoc
my weekend reward,
my bedrock cushion
in order to sleep.

After all these years,
gains and losses,
conversations with God,
I look up,
see the risk,
the slightest breeze
is a
hurricane wind.

The shaft,
of the
the sword
hanging above me
the hilt,
swaying in living color,
is no legend.

But what I have is
the ability
and maybe
the responsibility
to let anyone know
that
in my real life
anyone who touches me
with fine and good intent,
a momentary glancing blow
or a gunshot to the ventricle,
is part and parcel of
my real life.

This makes you real too,
savior, and hereby notified,
that you are not
just an observer, but
a poet of me,
an astronomer of my heart,
and namer of
a secret universe
inside of me.


Sept. 1, 2010

_____________________________
US Army jargon: meals ready to eat

Breaking waves crashed upon my feet
toes poking into the dampened sand
on my face I felt the sun
and considered its warmth and power
got lost in quiet reflection
and found myself searching deep
within my own soul for some answers
to the great universal questions
but I did not know why we are on earth
or by what mode our story began
I was just as the sand, but a tiny speck of dust
one in the cornucopia of humanity

the wind blew a swirl of sand
large enough to partially blot out the sun
wind gusts with such force and power
I could no longer see my reflection
but stood still for fear of the ocean so deep
when I heard the slightest whisper of an answer
as if the wind sought to respond to my questions
surrounding life on earth
and how it all began
from just asteroid dust
to the gross expansion of humanity
I looked down at my bare feet

I felt on my back and neck the heat of the sun
Worried I was being burned by its power
from both sides with the sea’s reflection
I stepped into the deep
and in the darkness I found some answers
to my most pressing question
about the source of water on earth
and if colliding comets are where it began
mingling with asteroid dust
to create a hospitable environment for humanity
from fins to feet
and back to dust and sand

the frigid water squished me with such power  
there was no more time for peaceful reflection
as I sank further into the deep
no longer looking for answers
I had but one question
was this to be the end of my time on earth
when it feels like it as only just began
am I to just become more dust
catching in the dry and voiceless throats of humanity
I sank fathoms and feet
until I lightly touched down on the sand
but I could see no sun

I tried to locate my reflection
but my own face was lost in the deep
I cried out for an answer
but my mind only reeled with more questions
mainly relating to if I was still on the earth
had I been taken back to when time began
before water and dust
long before the taint of humanity
I felt as though my feet
were caught in a quagmire of mud and sand
unable to ever be dried by the sun
never touched by ultra-violet power

distorted and skewed as the water was so deep
but holding answers
to my questions
it came up from the very earth
and I began
to strip away the flotsam and dust
and stand up for all of humanity
in an instant is was just at a few feet
stopped suddenly in the sand
and shown me the grace of the sun
in all its glory and power
I saw my own reflection

I, at once, knew the answer
I no longer needed the questions
we were part of the earth
that was how we began
from magnetized and electrified dust
we mounted a charge to become humanity
growing legs and standing upon feet
walking away from the shore and sand
to stand in a meadow grown by the sun
feel the mountain power
and experience the quiet stream reflection
that can take a Being so deep

free from the bane of answering questions
I felt free to fall into the earth
become as it had began
dissolve back to dust
and let go the trapping of humanity
trade in my five-toed feet
and melt into the dunes of sand
warmed by the setting sun
granted power
through reflection
there was nothing so deep
as to have all the answers

I sat upon the red clay earth
thinking about how it all began
scratching around for a handful of dust
that represented humanity
I tossed it into the air and it flew a few feet
and landed amongst the sand
sat baking in the sun
void of power
lacking the ability for reflection
falling off the cliff into the deep
seeking answers
finding only more questions

was this how it all began
truly, no alien force or god hand, just dust
morphing into what we know as humanity
clapping hands and stomping feet
on the chemically altered sand
drawing energy from the sun
to give our homes power
no longer seeking inner reflection
to anything running very deep
instead seeking only safe answers
by asking mundane questions
never considering one’s place on the earth

my teeth clamped tight and crunched some dust
wishing it were the bones of humanity
starting with toes and feet
eating mankind like the ocean does the sand
like comets to the sun
like power
does to those impoverished and lost in reflection
leaving bodies buried deep
offering no answers
to any child’s question
to the state of the earth
to how this all began

it started with the civilization of humanity
when we planted out feet
firmly into the sand
grew crops in the springtime sun
and felt the corruption of power
lost sight of our reflection
somewhere so deep
that the true answers
only come across as more questions
as we slowly destroy the earth
same way it all began
by turning the land into dust

I saw my feet sink into the sand and get burned by the sun
Its power caused a reflection and my soul sunk deep
Looking for answers to questions about the state of the earth
Then it began to all turn to dust and I watched the end of humanity

I want a beard like Chris's beard
But I can't even grow hair on my chest
This may sound strange if not a bit weird
That I have a Chris beard full on man crush

I swear I'm not gay, why I'm even straighter than straight
You can call my house and ask my wife
She'll tell you I'm out back juggling chainsaws all day
And other manly things I do with my life

But with hair on my face there's not the slightest trace
Not a follicle will you even find
But with Chris's beard I think that it's clear
That sucker could grow over night

So yes, I want a beard like Chris's beard
And that is the straight up fact Jack
Cause with a beard like Chris's manly beard
I wouldn't have to put up with anyone's crap

This disease struck me
Like a brick on pavement
Hard

Everything was
Perfect
Then that brick came along
And with the slightest movement
Destroyed everything

“Count it
Perfect it
Measure it
Clean it”
The voices say

Why can’t I let them go?
They keep repeating:

“Count it
Perfect it
Measure it
Clean it”
Why won’t they stop

“Count it
Perfect it
Measure it
Clean it”
I don’t understand

“Count it
Perfect it
Measure it
Clean it”
Someone just HELP me understand

This disease is about
Perfection
But it's the biggest
Imperfection about me

Yawning mouth of the city beckons
Glittering jagged teeth tearing into
Passing souls
Walking on slick black tounges
Sand beaten breath fogs windowed eyes
The beast we come to love
Even as we live incased in it's cavities
The plaque in the grime of eroding gums

When did you last brush your teeth
Your buildings, starting to turn gray
Your tongue a tad flavorless
Do you grow old, fat, and tired?
Or is that just us?

Changes float on the breeze so subtle
You'd never see them unless you left
People slowly turning to dust
Blowing away
But everything still stands
As if nothing ever happened
We live our lives in nooks and crannies
Ghosts pressed between the glass
Tiptoeing enamel streets

Plush gold chairs and minty fresh
Oh peppermint fresh
Rain trickled saliva slips over your
swinging silk face
Breath, taunting tints of lavender
Your back is straight
Stressed crowsfeet pupils shine
Wake up tomorrow to find today
Your eyes are brown but green
Your mouth is wide but tight
Your grin not as cheap as the others

Everyone starts to bleed together
All traits the same
So very different
You weren't drinking mint
Nor lavender
Freeze frame in memory
Pick and choose what we see today
Who to be yesterday
Next week pickle plum I'll jump through a fire just to feel me, feel you

We're running from something
Day to day
Feels like time, might be ourselves
Your shoulders are curved, the slightest of slouches
Your eyes are oh so green and teeth so straight
Thin lips and a long face
Once opon a time I almost knew you
But not today not ever
Self chained straining towards freedom
But happiness wrinkles you cheeks
Self imprisonment won't bruise the will
Don't listen to me, your far more free than I'll ever be
Whistle to the stars
Shrug your shoulder at life's questions
Look it in the eyes with your peridot irises, tell it you've got this
I wish I know what you were drinking
Rainwater and honey

Your eyes are weary brown
Rosy cheeks blush on bronze
Hair shifts to straw spun gold
You haven't aged but I feel so old
Going places while I stand still
Doesn't feel the reverse though that's the truth, if only in theory
You paint life, I paint paper
I maybe younger but I'm wilting faster.
Is it wrong that I wanted to kiss you
For a millisecond and no more
Atune to a time warp lost in free space

Green eyes Brown
Rigged lines graceful limbs
I'm a overcooked noodle
With a halfcooked plot
And everyone seem so put together
I'll poor the pesto on myself and call
me done.

I walk through this journey called life
Filled with its ups and down, laughs and cries
Leading me to happiness that lies in the end
Remembering those whom I love and offend

Throughout my life I’ve seen those who run and fall
They all have a special place in my heart and wall
There’s always been that one girl who got my attention
I lost control and took the wrong way in my heart of desperation

The fork in the road that could have leaded me to you
But I took the wrong turn and it leads me to something new
The fork in the road that has changed my life forever
The slightest choice in life can keep us away from each other

The road I’ve been on never seems to take me home
Catching fireflies in the night and tossing rocks and stones
The dark makes it so **** hard to see
But I know at the end of the line I’ll be free

The moon never shines as it did when I was with you
A change in the world that has started over new
But so far wrong turns have lead me to worse
The crows that screech have laid a curse

The fork in the road that could have leaded me to you
But I took the wrong turn and it leads me to something new
The fork in the road that has changed my life forever
The slightest choice in life can keep us away from each other

I trusted my gut to find the right path in the road
But the love I had is gone it’s taken its final toll
The rain from heaven has blurred my vision that leads me to you
Its seems now that my heart and soul doesn’t have the slightest clue

The fork in the road that could have lead me to you
But I took the wrong turn and it lead me to something new
The fork in the road that has changed my life forever
The slightest choice in life can keep us away from each other

I don't know who you are
I don't know what you do
I don't know where you are
But I know that
You have wrecked me
Mentally, psychologically and socially
Rendering me incoherent in speech
And incapable of action
Reduced to a blundering mass
Of bloated bones and sinew
Ready to collapse like a pack of cards
At the slightest hint of a crisis

I don't know who you are
I don't know what you do
I don't know where you are
But I know that
You have wrecked me
And you shall pay dearly for it
Whether it be death by a thousand cuts
Or a pill of cyanide in your cup of tea
Or a bullet right in your temple
Or a mighty fall from the tallest tower
Or a bite from a venomous serpent
Or a decapitation by the mighty guillotine
Or even, having your soul ****** out
From your filthy mouth

I don't know who you are
I don't know what you do
I don't know where you are
But I know that
You have wrecked me
And I shall not rest
Until I finish you, once and for all
And the world is rid, of your menace

. give me enough *****, lime juice and pepsi, the right song, and i will show you a control-environment psychotic episode...

sometimes, it's not about what you
know, versus who you know -
notably? when you're aiming at knowing
yourself...

      and psychosis?
   the synthesis of a soul while within
the confines of a body?
       one such example is walking
under two street lamps,
and spotting two shadows,
   immediately investigating,
whether or not, someone is walking
behind you, with a stalking
proclivity...

  you turn around -
  nothing but a hallowing voice
on the slightest of breezes -
the kind that barely motivates
branches to bow...

       - everyone knows that
the italians are famous for their pasta,
just like the french are, for their buns...
some Pakistani makes a joke
about the western love for cabbage...
esp. pickled cabbage -
mashed up with wild mushroom
to make up the filling for slavic
dumplings...

       sure... how's the turmeric?
i've been dying for the turks
working in kebab shops
to elevate the lamb doner (kebab)
using pickled cabbage -
  like they might use pickled
chillies -
       oh look... both are muslims -
the Ottoman's might have
figured out the southern slavic
palette, having occupied
the Balkans...

          we do more with potatoes
than a mere boiling down
to, what could never become an Irish
famine...
   first?
     there's the *****...
    nothing quiet unlike the whiskey
perfumery of pict-land of Scotland...

     Silesian potato doughnuts -
usually served with a cabbage radish -
pickled -
          and a thick pseudo-Hungarian
sauce...
   the potatoes are boiled,
then mashed,
   then sliced into 4 portions,
1/4 is moved aside,
      potato flower is added in equal
volume, and one egg...
   then it becomes mashed bashed
and given the skin
     tenderness of a drunk's wife's skin...
cut and molded into little doughnut
shapes,
   the index finger is inserted
into each one,
          and then each "infantry" member
is boiled,
till ready, i.e. floating on top
of the salted water...
             and there you have...
        Silesian potato doughnuts -

and there is a variant - potato hooves...
same ergonomics -
but instead of potato flower,
plain flower -
               i can't remember the proportions...
also boiled...
         but best cooled,
and subsequently fried -
for a crispness -
         mingled with honey
and something the Hindus know
that the Slavs also make -
     not exactly quark cheese -
   but getting there - more flaky...

    mind you...
   the whole out of Africa story?
   given that so many Roma live and trade
in Poland?
            perhaps having incorporated
the Africans into your pre- and post-colonial
nations, the genesis story would
begin with: out of Africa...
  
        and they swam across the mediterranean...
funny...
    you's sooner see a white competitor
in the 100m sprint final,
   than in the 100m final of
     the breast stroke / butterfly / etc. final...

no...
      i place my origins in India...
moving across the platitude of Siberia...
i have more in common with
Raj origin story... than i have anything
to do with: Zulu and the pinnacle
of Giza...

     i place my origins there...
         and those potato hooves?
they have a name in Italian...
       they're called gnocchi...
served with parmigiano-reggiano
       & pesto...
    never fried,
          and subsequently hardened -
next time i hear the cabbage
joke from some copper-skin
about a group's palette...
       having, actually enjoyed
the other group's palette?
             skin is a base no one works
from to make obsolete
     and redundant bigotry...
    we don't have to share
the same physiognomy...
  but sure as **** we can share
a meal;
        like among the russian drinkers...
i honestly quiet enjoyed
their dried fish ***-bits
to nibble on...
    because, whoever said that...
beer was to be accompanied by
peanuts?

Tick tock it is the witching hour,

I fear they're all around,

They creep and sneak and then appear,

Without the slightest sound.

two women

a single
Gemini
of desire

the yin
the yang
betwixt
the known
and unreachable

swinging
on wide
arcs of
extremis

inhabiting
opposite
polar worlds
and all
the spaces
in between
intrepid
sailors
dare hope
to explore

T
the outer
R
the inner

T’s
tiny
name
betrays
a big
robusto
femininity

bombastically
womanly

big *****
jazz *****
perfumed musky
hips and ****
that rock

and those
lips

oh,
those ruby red
Norma Jean lips

I’m puckered
up

begging her
to paste a big
rouge smooch
on my eager lips

press those
bustling bosoms
onto my face

wrap those
arms round me
with a rasperous
hug

shake me
with gyrations
of your gracious
shimmy thang

you wow
the bow
out of this
dog

taking lovers
prisoner
with the
coy blink
of wide
eyes

flashing
lashes
batting
brow
boldly
being
a force
of a
mothers
nature
bearing
and
belting
Bessie’s
*****
blues
to a
howling
crowd
wanting
more

fully
enthralled
bedazzled
enraptur­ed
with quixotic
hypnotics

I'm frozen
solid
hoping to
melt
into the
heat
of your
inviting
fire

R
bespeaks
whispers
from an
inner place

she lines the
lost desires
of a yearning heart

she offers the
softest curves
the delicious touch
the wet presence
of a delicate tongue

limpid fingers
hide shy sly
*******
offering
invitations
to hidden nests
humming the incarnate
dark forest secrets
of bloomed lilacs
and sweet carnations

the voice of poems
dance and flutter
from her mouth
as the lightest
butterfly
wings wayward
onto soft hearts
yearning
seducement

her
kimono
gently parts
at the slightest
suggestion
of a rising
breeze

her songs
invite lovers
to pillowed
chambers
daring
intrepid
men to
risk the
death of
desirous
tempests

I melt
into the
delicate
complexity
of your
fleshy heat

my dear
celestial
twins

the lovely
Gemini
each different
reduce me
in differing ways
to a puddle
of rippling water
reflecting
the glorious
elegance of
wondrous
ambrosial
femininity

Dedicated to
T& R

Music Selection:
Barbra Streisand
Pretty Women

Oakland
4/26/12
jbm

When you stop singing
These rocks will start mumbling their words
Love is the slightest word i can think of to describe how i feel
Even if i could turn back time still i would have no power over you
Together we painted our own memories
I think to myself... Why....the times....the places...the feelings.. You....

“every time i feel my stomach convulse it’s a new wave of tears
take vitamins, she says
you should just eat, she says
you got skinnier, another says
“eat! eat! haven’t you been eating!? and this bandaid! quit cutting yourself, kalena”
and for a moment i think it’s truth
i think it’s honest
i shout “i do eat! they’re just cat scratches”
and if she would have lifted up that bandaid
she would have learned it was honest
it was truth
but it was melted away flesh that she would have found, not torn
but melted
and in the highlight of this moment i see all of my dreams come true
finally, someone notices!
finally, someone cares!
but yet she’s willing to stop eating. to make sure that i do.
my little thing. an entire 98 pounds, not by choice.
so unhealthy, so sick. all the time. so **** tired.
she would stop eating for me.
and though it doesn’t help, the thought is comforting. it should be disturbing.
it is. in the way that if she stopped eating…
she would lose weight.
and then i would fight harder and harder until my rib bones were sticking out so far they were larger than my chest.
emaciated.
bony fingers that boys don’t want to hold and girls don’t want to kiss.
hair that slides out with the slightest tug.
no one wants that.
except me, of course.
i want that.
i want to weigh 85 pounds.
i want to die.
i want to be so high on the emptiness that i die.
i faint. and they cannot wake me up.
eternal sleep. forever peace. and the best part of all?
I would be horrifically tiny in even the smallest coffin. “

When my heart stops beating.
And my mouth quiet breathing.
My skin turns cold.
No tears to dry.
No one to hold.
Some day I will see.
The truth will set me free.
I hope you will always
remember me.
With a smile on your face.
A memory in your heart.
I don't wish all that much.
Only kind words with
a slightest touch.

Now tell me such a tale sir
while I am tightly bound
of captive maidens held sir
where evil knights abound.

Then taken to be used sir
in their castles of renown
of tortured girls so sweet sir
who are forced so to kneel down.

Then tell me of the dungeons sir
within the fortress drear
with chains upon the walls sir
where I might be held in fear.

Then show me what it means sir
to be such a prisoner
where nothing else is real sir
but myself as a damsel fair.

Then make me live the thought sir
that I might so lie within
and tortured all day long sir
for each imagined sin.

Then secretly find pleasure sir
in all that’s done to me
while my knightly captor sir
has me on my knees.

Then eventually confess sir,
to all my worldly sins
while my sadistic lord sir
is making me more commit .

Then tie me even tighter sir
with every knot aware
rough ****** I now need sir
to think myself as there.

Then make me taste your whip sir
to force me to submit
of the marks you leave sir
you care not a single whit.

Then take me as you will sir
and drive me really wild
make sure I’m deeply kissed sir
where I feel it burn inside.

Then hold me in your keep sir
and bend me to your will
and use my body more sir
for my needs are never still.

Then stand me on the brink sir
and show me just the edge
of where I shall be pushed sir
with just the slightest nudge.

Then tie me up and leave sir
to dream and squirm at will
of the ways I might be used sir
in your castle on the hill.

**
From the Francesca Anderssen collection of 101 **** Verses 2016

So I'm just sitting down
Beside a stranger
Playing his guitar beautifully,
Meditating on the idea of how we
As human beings can only go so far.

As far as you can go
Exceeds as far as you can see.

I'm physically near-sighted.
I'm not sure if it's because of that long ago accident
When a tsunami of gasoline soaked my eyes,
But everything far is a water color blur to me,
Is it in fact the same for you?


There are addicts on the curb,
Abandoned dogs without a home.
How did they get there?
I can guess and assume,
Without the slightest clue.

I'm as anxious as an alcoholic
In a state of withdrawal.
Did I fall from Heaven like Lucifer?

Slightly overweight
Then slightly anorexic.
I've thought of less lately,
Less of fate.

Struggled with labels,
"That kid is anti-social."

As soon as
Words *** like fertile *****,
You regret the consequence's backlash.

Why am I even bringing up **** from the past?
  Don't get me wrong,
My story is not a complete sob story.

Anything I hold back,
I will admit and confess and address,
Always.

Originally written 2/4/11
Revised 10/15/14

(c) 2014 Brandon Antonio Smith

Dear Mom,
You are awake when everyone are sleeping.
You are working when everyone are having a break.
And yet you are standing there with the brightest smile
Without the slightest hint of tiredness
I look up to you,
I adore you,
I love you.
Dear Mom,
Can i be like you?
So strong in body and will,
So caring for others,
So dependable to your family
Dear Mom,
Once again i tell you,
I love you.

Hush child let me tell you a tale
Of a ghost and a girl
When darkness assailed.

There once was a girl
Who believed in the paranormal
And would turn at the slightest sounds in a whirl.

Hush child and listen to my tale
Of a ghost and a girl
When darkness assailed.

She would always turn on a light
To illuminate what lay in the shadows
When she went about in the night.

Hush child and devour my tale
Of a ghost and a girl
When darkness assailed.

Living alone was she
When the darkness sought her out
And attempted to corrupt her psyche.

Hush child, now listen closely to this tale
Of a ghost and a girl
When darkness assailed.

As she left the door to her room
She froze where she stood
As she gazed upon her doom.

Hush child, pay attention to my tale
Of a ghost and a girl
When darkness assailed.

There stood a man in a top hat
Across the hall
He seemed ready for combat.

Hush child, do you hear the truth in my tale
Of a ghost and a girl
When darkness assailed?

The man stood across from her
Staring and nothing more
But his dark silhouette was a blur.

Hush child, hear now this tale
Of a ghost and a girl
When darkness assailed.

As they stood there
Watching one another
The girl felt a flair

Hush child, accept my tale
Of a ghost and a girl
When darkness assailed.

The girl took a step back
Closing her door
With a resounding SMACK!

Hush child, for this is my tale
Of a ghost and a girl
When darkness assailed.

The girl was frozen and feeling insecure
Staring at the back of her door
For what she felt was simple and pure.

Hush child, it’s almost over, this tale
Of a ghost and a girl
When darkness assailed.

The man in the top hat
Across the hall
Radiated evil, pure and simple as that.

Hush child, the end is near of this tale
Of a ghost and a girl
When darkness assailed.

She stood staring at the door in her room
Never wanting to leave again
For fear of having an early tomb.

Hush child, give ears to this tale
Of a ghost and a girl
When darkness assailed.

There once was a girl
Who believed in the paranormal
And would turn at the slightest sounds in a whirl.

Hush child, just listen to the tale
Of a ghost and a girl
When darkness assailed.

She would always turn on a light
To illuminate what lay in the shadows
When she went about in the night.

Hush child, this ends my tale
Of a ghost and a girl
When darkness assailed.

She lives in fear of the ghost
For she knows he will return
When she thinks she is safe the most.

Hush child, do you believe my tale
Of a ghost and a girl
When darkness assailed?

I need feminism
because men are more upset about people saying "all men"
than they are about the fact that 1 in 4 women will be ***** in their lifetime.

Not harassed, not catcalled,
*****
And that is not okay.

I need feminism because out of the four women
I speak to everyday
two of them have been *****
and all four of them can't walk to their car
without sticking their keys through their fingers to
feel the slightest inclination of safety.

I need feminism
because the other day in my math class
a student said "She was asking for it"
and the teacher agreed.  

I need feminism
because when my father wasn't drinking
he was telling me to be a man.

I need feminism
because the way my father taught me to treat women
was to get them drunk.
It's not his fault,
he knew no better.

I need feminism
because my father knew no better.

What is this force that is in me
That drives me now to submit
I cannot understand its power
nor my need of wanting it.

so I seek you out as Master
knowing the pain you will bring
as I beg for the slightest attention
to reduce me to less than a thing

....Francesca Anderssen 2016