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"plexiglass" poems
Mario hits it with the sounds of bodies hitting plexiglass. My horses hit it without a sound. They want to escape it. And I am trying to drive this dune buggy off this cliff, but the clipping is strong here. In Pac-Man, the tunnels were circular. I don’t know if people realized that they were trapped in a sphere. In Asteroids when you get to the edge of the universe, you begin again. And that Snake. His body could stretch all over his world looping, but he could never eat his tail. If all your electrons were in the right place, and all the wall’s electrons were in the right place. You could feasibly walk through the wall. What would you do while in the wall? Think. Fear. The superposition could rip your body into ragdoll parts. When I turned clipping off, I expected the freedom to walk through the wall and suddenly the floor fell out from under me. Every time I respawn I feel like my inventory is heavier, and my flamethrower burns colder.
0
Jul 21, 2011
Jul 21, 2011 at 7:08 PM UTC
The wall at the end of all videogames
The attendees are told, in a manner befitting a high mass You have been finally set free, (Although, in truth, free is a very large and entirely vague word), And the message is sent forth from all comers in all corners: Vendor and visionary alike, German socialists who left university to ride boats for Greenpeace, First lieutenants doing their level best To appear at ease in civilian polos and khakis, But no matter the vessel, The message is still the same.   The tyranny of cables and storage space is dead, It is all but shouted from the lecterns, (Although it is noted, in small print and sotto voce That there are certain requirements In terms of hardware and licensing) And it is stated by Those Who Know In tones which neither brook nor invite contradiction, That they have surmounted, all Hadrian-like, The alpine divide separating mere data and magic. Two or three blocks down the street from the convention center, In a narrow storefront housing an exhibition of ether-only comics Which have broken the nettling constraints Of editors and syndication, There sits, under a somewhat opaque And slightly scratched piece of plexiglass, A yellowing comic strip of uncertain vintage, In which a frowzy cat, Free of the constraints of panels, gender, and standard grammar, Is the recipient of a mouse-tossed brick Whose flight, unfettered by physics, probablility, indeed time itself Ends striking its mark right between the x’s of the eyes The projectile itself an inexplicable alchemy Of confusion, mirth, frustration And the impossibility of an undeniably pure love.
0
Aug 20, 2018
Aug 20, 2018 at 9:29 AM UTC
in re: cloud computing and cartoon cats
The attendees are told, in a manner befitting a high mass You have been finally set free, (Although, in truth, free is a very large and entirely vague word), And the message is sent forth from all comers in all corners: Vendor and visionary alike, German socialists who left university to ride boats for Greenpeace, First lieutenants doing their level best To appear at ease in civilian polos and khakis, But no matter the vessel, The message is still the same.   The tyranny of cables and storage space is dead, It is all but shouted from the lecterns, (Although it is noted, in small print and sotto voce That there are certain requirements In terms of hardware and licensing) And it is stated by Those Who Know In tones which neither brook nor invite contradiction, That they have surmounted, all Hadrian-like, The alpine divide separating mere data and magic. Two or three blocks down the street from the convention center, In a narrow storefront housing an exhibition of ether-only comics Which have broken the nettling constraints Of editors and syndication, There sits, under a somewhat opaque And slightly scratched piece of plexiglass, A yellowing comic strip of uncertain vintage, In which a frowzy cat, Free of the constraints of panels, gender, and standard grammar, Is the recipient of a mouse-tossed brick Whose flight, unfettered by physics, probablility, indeed time itself Ends striking its mark right between the x’s of the eyes The projectile itself an inexplicable alchemy Of confusion, mirth, frustration And the impossibility of an undeniably pure love.
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34
they let their sticky humid hands hold my glitching hologram body against the scratchy playhouse walls and drag their clammy claws where no child should think to rub all the while whispering into my vacant ears how they would beat me and bite me and cut me and kick me if anyone were to ever find out our little game as tapeworm tears sludged from my sickly sweet rotting eyesockets and down my shiny shaking dust stained cheeks silently over my cold and closing throat and when my dad finally ripped the splintering wooden door across the sandy shifting floor i was so pale pink blue i could have been six hours dead save for my fracturing porcelain and plexiglass heart destructive and bashing and shattering itself through my frail and brittle crumbling ribcage whispering to me how badly my dad would scream at me for the way we were playing
0
Dec 19, 2018
Dec 19, 2018 at 11:08 PM UTC
it wasn't my fault, was it?
at standard cruising altitude sipping my digestive after a quite decent hot lunch on the flight from Vienna to Athens I gaze through the scratched double plexiglass bulleye shielding me from the outside world and try to pierce the blinding haze of a lazy spring afternoon hiding from me    the people shot by snipers    the shelling of suburbs    the burning houses    the crowded hospitals    of Sarajevo, Gorazde, Mostar, Zadar ... suspended in diffuse light all I can see is   the silhouette of an occasional snow-capped mountain range there is no sign of human suffering May 1992
0
Apr 26, 2015
Apr 26, 2015 at 3:47 PM UTC
above things
You are a sprawling backyard and I am a toddler and I just learned how to run You are a four inch thick piece of plexiglass and I am a wild animal trapped behind you. You are a seventeenth century novel and I am not making sense.
0
Oct 27, 2011
Oct 27, 2011 at 7:48 PM UTC
3 Inch Thick
****** again, Post-hasted doubting and raving, Confused why I torture myself so – Truer words never spoken as lies, The dull, pumpkin-glow of the broken lamp casting ghosts, Filling my visions with demons I’d thought excised. ****** again, Alone in its tendrils again, I travel – Travel through ideas shattered and plexiglass melting, Singing and burning as it covers my senses like a myelin sheath, Conducting protons-only, But my brain is slow and the receptors dull, And the raw input manifests only as trails of spirits. ****** again, The madness thick as bog sludge, Stinking of scorched sulfur, It kicks corroded and dead gears into spin, Generating false ideas and wild delusions That I know aren’t real but – Nothing else here is, either, especially not you, Disembodied you, listener. ****** again, But not alone this time no, Her idea ghosting simulacra, Taunting me with her shortcomings and spitting like venom Those thousands of details I’d always hated while Refusing acknowledgment, but Like a brick golem she’s got a core, A conduit of last-year’s hopes, and I flee, panicked – ****** again, The clouds high above the ruined October grass, Laughing like spaceships, and returning me to boyhood fancy: I’ll never be an astronaut.
0
Jul 4, 2010
Jul 4, 2010 at 12:25 PM UTC
Bad Habits
She is the epitome of awesome, the essence of beauty the look in her eyes makes me feel alive She is different, and independent She has her good and her bad, and even her sad She's not perfect but that's alright i think that's what makes it right but alas she is surrounded by plexiglass and I cannot get through what else is there to do besides Give up
0
Oct 23, 2012
Oct 23, 2012 at 5:54 PM UTC
My susan glenn
The sunflower dreams disintegrate, leaving dust. I see you there through the plexiglass wall, and wonder if you can see me too. The wax drips from the tip of the candle. Five spots, six-seven. Nine. I burn for you. The red runs crimson down my thigh. I reach for you through my condemned klonopin haze. Once again, I was too weak for you. The pressure builds, forming cracks in my psyche, making me wonder who I am or where I’m going. Blank spaces. The canvas between white and black, the words that don’t fill the spaces in between I love you. And I don’t know what you want me to do, so I sit outside and chain smoke and listen to the birds who are confused, because it’s raining. I’m sick, you say, as if that straightens out the jumble in my mind. We’re solving the world’s problems one puff of nicotine at a time.
0
Oct 5, 2014
Oct 5, 2014 at 12:12 PM UTC
#2
My fingernails crave your skin Hard red assassins My fingernails sweep your skin Texturizing our love In every corner of your body Your breath is twitching Melodiously You fill with air Speak to me in tongues On a plate like a breaded chicken breast Marinating in a fine Italian wine and Balsamic Vinaigrette Sauce craving an open flame Homemade. I'm falling asleep I'm falling asleep To the digging of a Disco party on a late Friday night in yellow polyester baby blue You forgot To pick me up, again but it's okay 'cause I'm Stayin' Alive. In a plexiglass life. See right through it, it's translucent Then never look at me again.
0
Sep 13, 2012
Sep 13, 2012 at 1:02 AM UTC
Baby Blue
Like a 21st century Snow White in her crystal casket, You can find me in the frozen aisle, lying on a bed of ice cream tubs and chicken kievs, Unconcious. Slide the plexiglass door open, Pick me up. Do not worry if your freezer looks too small, I can bend, I can fold. You can consume me tonight, tomorrow, next week, six months from now and I won't expire. It doesn't take too much to cook me, Yet it shows you haven't done enough cooking in your life to know That once meat is defrosted, you can't freeze it again and expect it to taste good.
0
Jul 30, 2021
Jul 30, 2021 at 3:53 PM UTC
Frozen
He had no idea if he would... If he could actually do it... When the time came, When his sergeant gave the nod, Let slip the dogs of war, Unleash the copper bees, Send missiles hurtling up or down At targets moving now... On men who may be wondering If they could fire the same, When the time came.... "Steady, men!" "On my command." He lay there, On a roof, In a ditch, On an open field, Crouched inside a turret, Bellied down in a plexiglass ball, Hurtled above a world mostly covered in cloud, Standing far below the earth in silo'd steel, Seeing still, through satellite eyes.... Peered into the mil dot scope, Ignored the cross To see through the center, Found the circled aperture, Punched coordinates into a seeing machine, Saw green circles on the screen... Aligned the circles.... Tried to breathe. So that was how it was For farm boys, Mowers of hay, Grocers' sons, smashers of ants, Carpenters, hammerers of nails, And bakers' boys, cutters of bread, Just in from shooting marbles and BB guns, Transported into war, Fed soldiers' ration: meat and bread and beans, Five cigarettes apiece in boxed MREs, Sent off to **** and to be killed With mothers' tears still fresh upon their cheeks, With lovers' ache still glowing embered heat. Training fresh, Waiting command To fire only when the order came... To remain firing til the order came... To hold the breath and squeeze... To hold the sight just so... To squeeze... And to reload Keeping head low, Eyes on target... To ignore all but the sergeant's yell, To think of squeezing on new targets, To wait awhile to process coming hell.... And when the time came, He squeezed, Felt the sudden life, Heard little but the sound of Clean ejection ... Saw his bullet, Saw his missile, Saw his target meet, And in the meeting, Red, And in the meeting , Fire and smoke, And in the meeting Knew  that he could do What soldiers do. This boy Now cutting hay, Now stomping ants, Hammering nails, Cutting loaves of cooling bread... Caught in the maelstrom of war With no moment left but now, No possible tomorrow... Only targets, Only targeted In ferocious winds Of battle.
0
Sep 21, 2014
Sep 21, 2014 at 6:52 AM UTC
Reaping
He had no idea if he would... If he could actually do it... When the time came, When his sergeant gave the nod, Let slip the dogs of war, Unleash the copper bees, Send missiles hurtling up or down At targets moving now... On men who may be wondering If they could fire the same, When the time came.... "Steady, men!" "On my command." He lay there, On a roof, In a ditch, On an open field, Crouched inside a turret, Bellied down in a plexiglass ball, Hurtled above a world mostly covered in cloud, Standing far below the earth in silo'd steel, Seeing still, through satellite eyes.... Peered into the mil dot scope, Ignored the cross To see through the center, Found the circled aperture, Punched coordinates into a seeing machine, Saw green circles on the screen... Aligned the circles.... Tried to breathe. So that was how it was For farm boys, Mowers of hay, Grocers' sons, smashers of ants, Carpenters, hammerers of nails, And bakers' boys, cutters of bread, Just in from shooting marbles and BB guns, Transported into war, Fed soldiers' ration: meat and bread and beans, Five cigarettes apiece in boxed MREs, Sent off to **** and to be killed With mothers' tears still fresh upon their cheeks, With lovers' ache still glowing embered heat. Training fresh, Waiting command To fire only when the order came... To remain firing til the order came... To hold the breath and squeeze... To hold the sight just so... To squeeze... And to reload Keeping head low, Eyes on target... To ignore all but the sergeant's yell, To think of squeezing on new targets, To wait awhile to process coming hell.... And when the time came, He squeezed, Felt the sudden life, Heard little but the sound of Clean ejection ... Saw his bullet, Saw his missile, Saw his target meet, And in the meeting, Red, And in the meeting , Fire and smoke, And in the meeting Knew  that he could do What soldiers do. This boy Now cutting hay, Now stomping ants, Hammering nails, Cutting loaves of cooling bread... Caught in the maelstrom of war With no moment left but now, No possible tomorrow... Only targets, Only targeted In ferocious winds Of battle.
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83
I saw a man once, walking slowly. and once behind the plexiglass wall of a bus stop overhang I saw an advertisement that read BLONDE IS GOD and the model was thin- and her skin was enhanced by zeros and ones- and I was entranced by her. and she was GOd and she was made to be beautiful. and she was made out of beautiful. and then, on my way home I passed by the place again and her picture was gone and instead was the image of a raven haired beauty- ***** and lustsome with bedroom eyes and she looked at me and said, I AM EVERYTHING and smiled, adding bluntly, BUY MY BODY AND DRINK MY BLOOD. I gazed upon her airbrushed ******* and breathed, No, I refuse you, BLONDE IS GOD and bleach touch-up foam, Our Savior. and *** is God and the Natick Mall is my favorite place to be and I love you. and I am i and barely . - and YOU ARE EVERYTHING and I will always adore you. and everything i have ever done, becomes quantified in this, tell me how to be beautiful- tell me how to be worthless-  tell me- once, behind the plexiglass wall of a bus stop overhang I saw an advertisement that read BLONDE IS GOD
0
May 16, 2012
May 16, 2012 at 2:40 PM UTC
GOD
Somedays I feel like I’m Huddled in a corner staring wide-eyed At the world passing by watching me through Plexiglass walls and spotlights blaring down all hours of the day and night all I have ever wanted was to be natural An apostle of instinct Fighting back using the laws of claw, and gnashing fangs But instead I’m met with cattle prods, and steel chains I’ve learned that the world just doesn’t play fair I’ve learned that love and loss come with the same price tag You lose parts of yourself either way So many people want to take others out of their habitat And put them on display I have spent far too many days in other people’s possession and now I am finally breaking free I just need Someone That will hold me loosely Someone Who will let me live free Someone Who can love me For being wild
0
May 4, 2019
May 4, 2019 at 7:02 PM UTC
W I L D
He hoarded fingernails he bit off or found in the curtain-less showers in a pile in his cell, like a pixie collecting shrunken satyr horns. He ate only the cheese at lunch and pulled off the white fat bologna and let it sweat in the sink. His markhor beard held dead skin and peanut butter clumps and it refused to grow anymore. Behind the rosewood door he stood on the steel toilet and stared into the sun-glow bulb dimmed behind plexiglass. When he was tired he slept under the bunk like a frightened child. He was allowed an hour a day to stretch his harpy legs, he’d hop to the phone and talk to the dial tone like it were a confessional to John Paul II, “God doesn’t know, God never knew”. I found him on a Tuesday afternoon after lunch cleanup hanging by a shoelace from his light fixture, curved like a sunflower. I cut the stem from the pseudanthium and it wilted into my arms. His neck looked like a corseted waist, and when I loosened the shoelace his dry mouth opened and he coughed bleu cheese returning life into my face. His teary mud colored eyes rolled forward and we stared into each others as I cradled him like a baby. He later told John Paul he wanted to quiet the voices. In ’97 he took his ***** girlfriend’s crying three month old and quieted him by crushing his skull in a dresser drawer.
0
Nov 23, 2014
Nov 23, 2014 at 7:45 PM UTC
CCN# 4549
Well organized and tidy Murals, collages, trophies, crafts Feelings, emotions, blood, sweat, and tears all captured , saved and put on display Studiedly I walk station to station in amazement Recalling and recollecting, but hesitant to reminisce on the bliss and carefulness that's swept and swift Taken out of humanity to share, and placed into a strategy for only eyes to stare So the only way that we can become engaged is on field trips or when we vacate? Hands off the glass , and please no pictures sir!!! Is the blockade Well may I at least purchase a souvenir? But I Thought love didn't cost a thing? I also thought love was suppose to be balled into my heart , not placed onto the wall for art. This museum has artifacts that date back; way back , prior to the common era in fact Love was used all over the world, evidently it didn't discriminate , but it separate ones from others, sometimes it hesitates because of it's density , because if no reciprocity then the love become logically lessened Love taught a lot of lessons , and raised a lot of personal questions Hearteologists seems to have it all figured out They say centuries ago love evolved with a color , a shape, a phrase , and a holiday. An image More so an image and no longer a feeling The image that allowed Hearteologists to dig up, find and study any evidence , empires, households... the culture of love The past half of a century the television developed and became everything except supplementary So as viewers look at the screen they witness love as only being inside the characters jeans When really love is hereditary, a trait that we all carry in our genes from the first beings Now to be placed on the wall, behind plexiglass Only to be put into perspective from 10am. until 6pm. Mondays through Saturdays As for the human race You, I and true love can never link Love is in a museum because love is extinct
0
Apr 20, 2013
Apr 20, 2013 at 4:30 PM UTC
Love Museum
Well organized and tidy Murals, collages, trophies, crafts Feelings, emotions, blood, sweat, and tears all captured , saved and put on display Studiedly I walk station to station in amazement Recalling and recollecting, but hesitant to reminisce on the bliss and carefulness that's swept and swift Taken out of humanity to share, and placed into a strategy for only eyes to stare So the only way that we can become engaged is on field trips or when we vacate? Hands off the glass , and please no pictures sir!!! Is the blockade Well may I at least purchase a souvenir? But I Thought love didn't cost a thing? I also thought love was suppose to be balled into my heart , not placed onto the wall for art. This museum has artifacts that date back; way back , prior to the common era in fact Love was used all over the world, evidently it didn't discriminate , but it separate ones from others, sometimes it hesitates because of it's density , because if no reciprocity then the love become logically lessened Love taught a lot of lessons , and raised a lot of personal questions Hearteologists seems to have it all figured out They say centuries ago love evolved with a color , a shape, a phrase , and a holiday. An image More so an image and no longer a feeling The image that allowed Hearteologists to dig up, find and study any evidence , empires, households... the culture of love The past half of a century the television developed and became everything except supplementary So as viewers look at the screen they witness love as only being inside the characters jeans When really love is hereditary, a trait that we all carry in our genes from the first beings Now to be placed on the wall, behind plexiglass Only to be put into perspective from 10am. until 6pm. Mondays through Saturdays As for the human race You, I and true love can never link Love is in a museum because love is extinct
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29
It sticks to the back of my throat like peanut butter It sits back there like a frog and I croak croak croak, but it never escapes my quivering lips It never leaves me It never makes itself known But it hopes like every little insecurity I've ever owned that you will see it one day accept it one day read bedtime stories to it feed it food from your dinner table cloth it as it wants to be clothed support it like you are the keystone to my door to the world, I deserve to belong in yet I still only manage to look at it from the blurry red plexiglass windows I hear voices from beyond it Be brave. Be brave. It gets better little one. But when I look out that window I hear the depressions and suppressions of a people gunshots and violence and somewhere off in the distance I hear the singing laughter and joy Be brave Be brave little one but they are as far as my voice is trapped and away from me and as tangible as the frog in my throat Stuck in Pandora's box with a million others just like me.
0
Aug 29, 2018
Aug 29, 2018 at 10:50 PM UTC
Tangible
Wipe my pollen dust From your lavender scented Christ ****** fingers Milk knuckles shredding My wings Like sunburned bible pages Sighing much like an owl At 2PM Or the honey badger Chewing frozen mice Behind plexiglass My heart is a massive Black bull Pacing the ring Always waiting for the sword Ah! Not anymore! I am bored of the crawling clocks I am bored of your necessary Torture Today i will call in sick Burn my wallet And dance naked Until moon drown Im taking my bright orange Black striped Silk dotted Heart back
0
Jul 18, 2016
Jul 18, 2016 at 8:58 AM UTC
It Might Be Time To Smile Again.
You are not God but play Him so well I'll be Jesus if it suits your will You sacrifice me to save my people You're only saving your personal steeple I'll die on a cross for you You won't lift a nail But if you are not God, then who? Your mission will surely fail As I thought to myself In her silver chariot Gazing at the sun between the giants I recall saying, “I am free from God.”
0
Aug 25, 2014
Aug 25, 2014 at 3:22 PM UTC
Crucifixion on a Plexiglass Cross
grotesque characters smash themselves against Plexiglass windows the sheer mass bowing and distorting the transparent protector squeezing into the darkened faux-cave for a glimpse of the last starfish in the Pacific – droopy fingers cling desperately to transplanted basalt slow death from radiation poisoning the future picture for all of mankind little Cindy sheds a tear as discolored water flows, unfiltered saline ratio destroyed by the introduction or pesticides and straight petroleum reflective properties shifting the absorption rate oceanic temperature altered the tree so memorizing no one notices the inferno on the ridgeline – facilitating the fall, politicians look to tax carbon emissions pretending to understand while Jupiter develops another eye and the storms on Venus have gained intensity at a steady rate for 25 years blaming the diesel SUV, sun worshipers get skin cancer and ulcers – unrepentant hordes of sheeple march through drive-throughs signing up for the slaughter the gods of old are coming home and blood sacrifice is all they accept –
0
May 15, 2014
May 15, 2014 at 12:28 PM UTC
looking to tomorrow
You showed me your private-joy, your clear blue-plexiglass, battery-powered, vibrational-toy & I became enthusiastic with how skillfully you played with it, moved to the buzzing noises with your own sweet sounds. Your sighs were fantastic darling, they put me in a finer state, a beautiful romantic mood to make love.
0
Sep 12, 2014
Sep 12, 2014 at 5:00 AM UTC
Your Prelude To Our **********
we went to hiroshima to look at salvaged pieces of mangled corpses, twisted limbs that were once controlled by human brains we lowered our heavy heads and squinted our blood shot eyes to read the time frozen on the wristwatch of a severed arm, 10:18 it was 10:18 twice today, it will be 10:18 twice tomorrow and my arm is in its socket now but when will my watch stop ticking? when will my wrist disintegrate so much that the tan leather strap will cease to be strapped to anything at all? as if my senses have been heightened in this instant i can hear the faint whisper from my arm, "tick, tock, tick, tock" i am older with every slight motion of each narrow hand consistently aging, rhythmic like perfect breathing, always dying, always dying there is no space that time doesn't occupy but we went to hiroshima to look at salvaged pieces of mangled corpses, twisted limbs that were once controlled by human brains and we were comforted, all gathered between museum walls to see the depth of our mortality, without really having to feel it here, we were safe, at least we pretended to be because here, we were looking at death encased in glass, death right beside a hanging sign that read "do not touch glass" in red ink here, we could see death but we couldn't get too close and to us that meant death can see us but it couldn't get too close so we stood before every expression of frozen time, the end of time, the continuation of time, with this plexiglass shield that we thought was immortality, drunk on this illusion that we were somehow being protected from our own inevitable doom by some material produced by men in a factory, and held down by two screws on either side every time we inhale, every time we exhale the unpredictable moments that cradle our glass lives, while reaching over glistening concrete where we can turn into a heaping pile of blood and sharp edges, losen their grip every single time we inhale, every single time we exhale we can pretend that air is endless, and i guess it is but individually it can't be individually, air is limited each one of us are only allowed so much, some of us less than others, but for all of us the same rule applies, each breath is spent, never lended each breath is a breath we will not be reimbursed for so, we pay to scrunch our noses up like sleeping bags and open our eyes wide like neglected *** holes, at the sight of time all caged up cause we need to believe we have a say
0
Oct 12, 2015
Oct 12, 2015 at 12:56 AM UTC
plexiglass museum (i think my eyes are bleeding)
we went to hiroshima to look at salvaged pieces of mangled corpses, twisted limbs that were once controlled by human brains we lowered our heavy heads and squinted our blood shot eyes to read the time frozen on the wristwatch of a severed arm, 10:18 it was 10:18 twice today, it will be 10:18 twice tomorrow and my arm is in its socket now but when will my watch stop ticking? when will my wrist disintegrate so much that the tan leather strap will cease to be strapped to anything at all? as if my senses have been heightened in this instant i can hear the faint whisper from my arm, "tick, tock, tick, tock" i am older with every slight motion of each narrow hand consistently aging, rhythmic like perfect breathing, always dying, always dying there is no space that time doesn't occupy but we went to hiroshima to look at salvaged pieces of mangled corpses, twisted limbs that were once controlled by human brains and we were comforted, all gathered between museum walls to see the depth of our mortality, without really having to feel it here, we were safe, at least we pretended to be because here, we were looking at death encased in glass, death right beside a hanging sign that read "do not touch glass" in red ink here, we could see death but we couldn't get too close and to us that meant death can see us but it couldn't get too close so we stood before every expression of frozen time, the end of time, the continuation of time, with this plexiglass shield that we thought was immortality, drunk on this illusion that we were somehow being protected from our own inevitable doom by some material produced by men in a factory, and held down by two screws on either side every time we inhale, every time we exhale the unpredictable moments that cradle our glass lives, while reaching over glistening concrete where we can turn into a heaping pile of blood and sharp edges, losen their grip every single time we inhale, every single time we exhale we can pretend that air is endless, and i guess it is but individually it can't be individually, air is limited each one of us are only allowed so much, some of us less than others, but for all of us the same rule applies, each breath is spent, never lended each breath is a breath we will not be reimbursed for so, we pay to scrunch our noses up like sleeping bags and open our eyes wide like neglected *** holes, at the sight of time all caged up cause we need to believe we have a say
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113
I see my life through plexiglass Trying to bulletproof the past, Nostalgia? No, but I recall That rising up precedes the fall. But the films I watch inside my mind Are missing parts I cannot find So I fill the blanks with what I see, I fill it up with what I need. Now is it truth, or is it lie? I like to think that I am right, But I’m not the well-oiled machine I used to think I used to be.
0
Jun 13, 2024
Jun 13, 2024 at 8:47 PM UTC
Plexiglass
we call these stars. white strips of clarity bursting through pinpricks spotlights through feather falling dandruff thunder buckles the plexiglass sheet with it's shoulder crackles little eggshell triangles past the dancing dandruff pale veins spread like ink in fabric thin burnt parchment holding back thudding pulses from the Amniotic sun We call this a sunrise when the Sun hurls the final flaming shoulder into day. Not the giggling gums of a baby faced Tele-tubby sun not the serenade of "goodnight moon, and goodnight you" My sunrise is A dragon-glass egg, pulsing to the drumbeat of a feathered heart A tea-light spider spinning webs into an inferno shoulder flexing flamesilk muscles through each pinprick star lamp posts hum a prismatic prayer Grassy fields catch light with their fireflies old country porch lights attract moths dust hung in stasis starts feather falling when light catches tubes of Mercury fashioned into bar-signs flicker as ghosts hum on the gas poets flick cigarette ashes call in stardust for the wind to carry up to Gatsby it up in the pin ****** there is nothing more beautiful and warm then stardust Dancing rich in the suns desperate pinpricks Watching the Debut of struggling birth throwing itself against confinement shedding light, on the tiniest flurry of dandruff before filling each vein of the broken sky with fire. I love to watch gasoline soaked parchment curl in on itself like an old handwritten letter. I call this the night sky. Catch the falling ashes on my tongue like snowflakes. If I swallow enough of them a tiny pheonix fire in my belly can hurl it's little shoulder against my rib cage. Pounding until it bursts out through all these pinpricks. I will call out to the mothsdust, dandruff and fireflies invite them to dance in the combustion. If I am anything like a starlit night. I will buckle before I burst Thunderclap an invitation Shatter the street lamps and mercury tubes with the winding bass drop. direct the audiences attention to dust hung gentle in a cold still sky. feather falling in silence A blossoming caged sun. No one expects a gentle sunrise
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Jan 2, 2018
Jan 2, 2018 at 2:59 AM UTC
Caged Sun
we call these stars. white strips of clarity bursting through pinpricks spotlights through feather falling dandruff thunder buckles the plexiglass sheet with it's shoulder crackles little eggshell triangles past the dancing dandruff pale veins spread like ink in fabric thin burnt parchment holding back thudding pulses from the Amniotic sun We call this a sunrise when the Sun hurls the final flaming shoulder into day. Not the giggling gums of a baby faced Tele-tubby sun not the serenade of "goodnight moon, and goodnight you" My sunrise is A dragon-glass egg, pulsing to the drumbeat of a feathered heart A tea-light spider spinning webs into an inferno shoulder flexing flamesilk muscles through each pinprick star lamp posts hum a prismatic prayer Grassy fields catch light with their fireflies old country porch lights attract moths dust hung in stasis starts feather falling when light catches tubes of Mercury fashioned into bar-signs flicker as ghosts hum on the gas poets flick cigarette ashes call in stardust for the wind to carry up to Gatsby it up in the pin ****** there is nothing more beautiful and warm then stardust Dancing rich in the suns desperate pinpricks Watching the Debut of struggling birth throwing itself against confinement shedding light, on the tiniest flurry of dandruff before filling each vein of the broken sky with fire. I love to watch gasoline soaked parchment curl in on itself like an old handwritten letter. I call this the night sky. Catch the falling ashes on my tongue like snowflakes. If I swallow enough of them a tiny pheonix fire in my belly can hurl it's little shoulder against my rib cage. Pounding until it bursts out through all these pinpricks. I will call out to the mothsdust, dandruff and fireflies invite them to dance in the combustion. If I am anything like a starlit night. I will buckle before I burst Thunderclap an invitation Shatter the street lamps and mercury tubes with the winding bass drop. direct the audiences attention to dust hung gentle in a cold still sky. feather falling in silence A blossoming caged sun. No one expects a gentle sunrise
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The starlings rising from the fields, white sky and bare trees that are almost purple from a distance. A certain tint in the light, sad in the way a happy memory can be sad. Have I fed your ghost because it makes me feel deep and depleted, the way starlings and November fields make me feel? A peek at the mystery; alive in that melancholy. Are things that are beautiful to me always sad? Is that why I built a museum for my love of you? Framed my evidence in gold and set the times we’ve touched under plexiglass? A personal history, a relic to marvel. In museums you can live in your head. Love is easy because symbols mean something. I press my lips to the print of yours on the glass you left at my table, while my husband sits in the other room. Birds rise from the fields, my soul feels far away.
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Oct 19, 2018
Oct 19, 2018 at 3:17 PM UTC
A Personal History