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1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
“I cannot but remember such things were,
  And were most dear to me.”
  ‘Macbeth’

  [”That were most precious to me.”
  ‘Macbeth’, act iv, sc. 3.]


When slow Disease, with all her host of Pains,
Chills the warm tide, which flows along the veins;
When Health, affrighted, spreads her rosy wing,
And flies with every changing gale of spring;
Not to the aching frame alone confin’d,
Unyielding pangs assail the drooping mind:
What grisly forms, the spectre-train of woe,
Bid shuddering Nature shrink beneath the blow,
With Resignation wage relentless strife,
While Hope retires appall’d, and clings to life.
Yet less the pang when, through the tedious hour,
Remembrance sheds around her genial power,
Calls back the vanish’d days to rapture given,
When Love was bliss, and Beauty form’d our heaven;
Or, dear to youth, pourtrays each childish scene,
Those fairy bowers, where all in turn have been.
As when, through clouds that pour the summer storm,
The orb of day unveils his distant form,
Gilds with faint beams the crystal dews of rain
And dimly twinkles o’er the watery plain;
Thus, while the future dark and cheerless gleams,
The Sun of Memory, glowing through my dreams,
Though sunk the radiance of his former blaze,
To scenes far distant points his paler rays,
Still rules my senses with unbounded sway,
The past confounding with the present day.

Oft does my heart indulge the rising thought,
Which still recurs, unlook’d for and unsought;
My soul to Fancy’s fond suggestion yields,
And roams romantic o’er her airy fields.
Scenes of my youth, develop’d, crowd to view,
To which I long have bade a last adieu!
Seats of delight, inspiring youthful themes;
Friends lost to me, for aye, except in dreams;
Some, who in marble prematurely sleep,
Whose forms I now remember, but to weep;
Some, who yet urge the same scholastic course
Of early science, future fame the source;
Who, still contending in the studious race,
In quick rotation, fill the senior place!
These, with a thousand visions, now unite,
To dazzle, though they please, my aching sight.

IDA! blest spot, where Science holds her reign,
How joyous, once, I join’d thy youthful train!
Bright, in idea, gleams thy lofty spire,
Again, I mingle with thy playful quire;
Our tricks of mischief, every childish game,
Unchang’d by time or distance, seem the same;
Through winding paths, along the glade I trace
The social smile of every welcome face;
My wonted haunts, my scenes of joy or woe,
Each early boyish friend, or youthful foe,
Our feuds dissolv’d, but not my friendship past,—
I bless the former, and forgive the last.
Hours of my youth! when, nurtur’d in my breast,
To Love a stranger, Friendship made me blest,—
Friendship, the dear peculiar bond of youth,
When every artless ***** throbs with truth;
Untaught by worldly wisdom how to feign,
And check each impulse with prudential rein;
When, all we feel, our honest souls disclose,
In love to friends, in open hate to foes;
No varnish’d tales the lips of youth repeat,
No dear-bought knowledge purchased by deceit;
Hypocrisy, the gift of lengthen’d years,
Matured by age, the garb of Prudence wears:
When, now, the Boy is ripen’d into Man,
His careful Sire chalks forth some wary plan;
Instructs his Son from Candour’s path to shrink,
Smoothly to speak, and cautiously to think;
Still to assent, and never to deny—
A patron’s praise can well reward the lie:
And who, when Fortune’s warning voice is heard,
Would lose his opening prospects for a word?
Although, against that word, his heart rebel,
And Truth, indignant, all his ***** swell.

  Away with themes like this! not mine the task,
From flattering friends to tear the hateful mask;
Let keener bards delight in Satire’s sting,
My Fancy soars not on Detraction’s wing:
Once, and but once, she aim’d a deadly blow,
To hurl Defiance on a secret Foe;
But when that foe, from feeling or from shame,
The cause unknown, yet still to me the same,
Warn’d by some friendly hint, perchance, retir’d,
With this submission all her rage expired.
From dreaded pangs that feeble Foe to save,
She hush’d her young resentment, and forgave.
Or, if my Muse a Pedant’s portrait drew,
POMPOSUS’ virtues are but known to few:
I never fear’d the young usurper’s nod,
And he who wields must, sometimes, feel the rod.
If since on Granta’s failings, known to all
Who share the converse of a college hall,
She sometimes trifled in a lighter strain,
’Tis past, and thus she will not sin again:
Soon must her early song for ever cease,
And, all may rail, when I shall rest in peace.

  Here, first remember’d be the joyous band,
Who hail’d me chief, obedient to command;
Who join’d with me, in every boyish sport,
Their first adviser, and their last resort;
Nor shrunk beneath the upstart pedant’s frown,
Or all the sable glories of his gown;
Who, thus, transplanted from his father’s school,
Unfit to govern, ignorant of rule—
Succeeded him, whom all unite to praise,
The dear preceptor of my early days,
PROBUS, the pride of science, and the boast—
To IDA now, alas! for ever lost!
With him, for years, we search’d the classic page,
And fear’d the Master, though we lov’d the Sage:
Retir’d at last, his small yet peaceful seat
From learning’s labour is the blest retreat.
POMPOSUS fills his magisterial chair;
POMPOSUS governs,—but, my Muse, forbear:
Contempt, in silence, be the pedant’s lot,
His name and precepts be alike forgot;
No more his mention shall my verse degrade,—
To him my tribute is already paid.

  High, through those elms with hoary branches crown’d
Fair IDA’S bower adorns the landscape round;
There Science, from her favour’d seat, surveys
The vale where rural Nature claims her praise;
To her awhile resigns her youthful train,
Who move in joy, and dance along the plain;
In scatter’d groups, each favour’d haunt pursue,
Repeat old pastimes, and discover new;
Flush’d with his rays, beneath the noontide Sun,
In rival bands, between the wickets run,
Drive o’er the sward the ball with active force,
Or chase with nimble feet its rapid course.
But these with slower steps direct their way,
Where Brent’s cool waves in limpid currents stray,
While yonder few search out some green retreat,
And arbours shade them from the summer heat:
Others, again, a pert and lively crew,
Some rough and thoughtless stranger plac’d in view,
With frolic quaint their antic jests expose,
And tease the grumbling rustic as he goes;
Nor rest with this, but many a passing fray
Tradition treasures for a future day:
“’Twas here the gather’d swains for vengeance fought,
And here we earn’d the conquest dearly bought:
Here have we fled before superior might,
And here renew’d the wild tumultuous fight.”
While thus our souls with early passions swell,
In lingering tones resounds the distant bell;
Th’ allotted hour of daily sport is o’er,
And Learning beckons from her temple’s door.
No splendid tablets grace her simple hall,
But ruder records fill the dusky wall:
There, deeply carv’d, behold! each Tyro’s name
Secures its owner’s academic fame;
Here mingling view the names of Sire and Son,
The one long grav’d, the other just begun:
These shall survive alike when Son and Sire,
Beneath one common stroke of fate expire;
Perhaps, their last memorial these alone,
Denied, in death, a monumental stone,
Whilst to the gale in mournful cadence wave
The sighing weeds, that hide their nameless grave.
And, here, my name, and many an early friend’s,
Along the wall in lengthen’d line extends.
Though, still, our deeds amuse the youthful race,
Who tread our steps, and fill our former place,
Who young obeyed their lords in silent awe,
Whose nod commanded, and whose voice was law;
And now, in turn, possess the reins of power,
To rule, the little Tyrants of an hour;
Though sometimes, with the Tales of ancient day,
They pass the dreary Winter’s eve away;
“And, thus, our former rulers stemm’d the tide,
And, thus, they dealt the combat, side by side;
Just in this place, the mouldering walls they scaled,
Nor bolts, nor bars, against their strength avail’d;
Here PROBUS came, the rising fray to quell,
And, here, he falter’d forth his last farewell;
And, here, one night abroad they dared to roam,
While bold POMPOSUS bravely staid at home;”
While thus they speak, the hour must soon arrive,
When names of these, like ours, alone survive:
Yet a few years, one general wreck will whelm
The faint remembrance of our fairy realm.

  Dear honest race! though now we meet no more,
One last long look on what we were before—
Our first kind greetings, and our last adieu—
Drew tears from eyes unus’d to weep with you.
Through splendid circles, Fashion’s gaudy world,
Where Folly’s glaring standard waves unfurl’d,
I plung’d to drown in noise my fond regret,
And all I sought or hop’d was to forget:
Vain wish! if, chance, some well-remember’d face,
Some old companion of my early race,
Advanc’d to claim his friend with honest joy,
My eyes, my heart, proclaim’d me still a boy;
The glittering scene, the fluttering groups around,
Were quite forgotten when my friend was found;
The smiles of Beauty, (for, alas! I’ve known
What ’tis to bend before Love’s mighty throne;)
The smiles of Beauty, though those smiles were dear,
Could hardly charm me, when that friend was near:
My thoughts bewilder’d in the fond surprise,
The woods of IDA danc’d before my eyes;
I saw the sprightly wand’rers pour along,
I saw, and join’d again the joyous throng;
Panting, again I trac’d her lofty grove,
And Friendship’s feelings triumph’d over Love.

  Yet, why should I alone with such delight
Retrace the circuit of my former flight?
Is there no cause beyond the common claim,
Endear’d to all in childhood’s very name?
Ah! sure some stronger impulse vibrates here,
Which whispers friendship will be doubly dear
To one, who thus for kindred hearts must roam,
And seek abroad, the love denied at home.
Those hearts, dear IDA, have I found in thee,
A home, a world, a paradise to me.
Stern Death forbade my orphan youth to share
The tender guidance of a Father’s care;
Can Rank, or e’en a Guardian’s name supply
The love, which glistens in a Father’s eye?
For this, can Wealth, or Title’s sound atone,
Made, by a Parent’s early loss, my own?
What Brother springs a Brother’s love to seek?
What Sister’s gentle kiss has prest my cheek?
For me, how dull the vacant moments rise,
To no fond ***** link’d by kindred ties!
Oft, in the progress of some fleeting dream,
Fraternal smiles, collected round me seem;
While still the visions to my heart are prest,
The voice of Love will murmur in my rest:
I hear—I wake—and in the sound rejoice!
I hear again,—but, ah! no Brother’s voice.
A Hermit, ’midst of crowds, I fain must stray
Alone, though thousand pilgrims fill the way;
While these a thousand kindred wreaths entwine,
I cannot call one single blossom mine:
What then remains? in solitude to groan,
To mix in friendship, or to sigh alone?
Thus, must I cling to some endearing hand,
And none more dear, than IDA’S social band.

  Alonzo! best and dearest of my friends,
Thy name ennobles him, who thus commends:
From this fond tribute thou canst gain no praise;
The praise is his, who now that tribute pays.
Oh! in the promise of thy early youth,
If Hope anticipate the words of Truth!
Some loftier bard shall sing thy glorious name,
To build his own, upon thy deathless fame:
Friend of my heart, and foremost of the list
Of those with whom I lived supremely blest;
Oft have we drain’d the font of ancient lore,
Though drinking deeply, thirsting still the more;
Yet, when Confinement’s lingering hour was done,
Our sports, our studies, and our souls were one:
Together we impell’d the flying ball,
Together waited in our tutor’s hall;
Together join’d in cricket’s manly toil,
Or shar’d the produce of the river’s spoil;
Or plunging from the green declining shore,
Our pliant limbs the buoyant billows bore:
In every element, unchang’d, the same,
All, all that brothers should be, but the name.

  Nor, yet, are you forgot, my jocund Boy!
DAVUS, the harbinger of childish joy;
For ever foremost in the ranks of fun,
The laughing herald of the harmless pun;
Yet, with a breast of such materials made,
Anxious to please, of pleasing half afraid;
Candid and liberal, with a heart of steel
In Danger’s path, though not untaught to feel.
Still, I remember, in the factious strife,
The rustic’s musket aim’d against my life:
High pois’d in air the massy weapon hung,
A cry of horror burst from every tongue:
Whilst I, in combat with another foe,
Fought on, unconscious of th’ impending blow;
Your arm, brave Boy, arrested his career—
Forward you sprung, insensible to fear;
Disarm’d, and baffled by your conquering hand,
The grovelling Savage roll’d upon the sand:
An act like this, can simple thanks repay?
Or all the labours of a grateful lay?
Oh no! whene’er my breast forgets the deed,
That instant, DAVUS, it deserves to bleed.

  LYCUS! on me thy claims are justly great:
Thy milder virtues could my Muse relate,
To thee, alone, unrivall’d, would belong
The feeble efforts of my lengthen’d song.
Well canst thou boast, to lead in senates fit,
A Spartan firmness, with Athenian wit:
Though yet, in embryo, these perfections shine,
LYCUS! thy father’s fame will soon be thine.
Where Learning nurtures the superior mind,
What may we hope, from genius thus refin’d;
When Time, at length, matures thy growing years,
How wilt thou tower, above thy fellow peers!
Prudence and sense, a spirit bold and free,
With Honour’s soul, united beam in thee.

Shall fair EURYALUS, pass by unsung?
From ancient lineage, not unworthy, sprung:
What, though one sad dissension bade us part,
That name is yet embalm’d within my heart,
Yet, at the mention, does that heart rebound,
And palpitate, responsive to the sound;
Envy dissolved our ties, and not our will:
We once were friends,—I’ll think, we are so still.
A form unmatch’d in Nature’s partial mould,
A heart untainted, we, in thee, behold:
Yet, not the Senate’s thunder thou shall wield,
Nor seek for glory, in the tented field:
To minds of ruder texture, these be given—
Thy soul shall nearer soar its native heaven.
Haply, in polish’d courts might be thy seat,
But, that thy tongue could never forge deceit:
The courtier’s supple bow, and sneering smile,
The flow of compliment, the slippery wile,
Would make that breast, with indignation, burn,
And, all the glittering snares, to tempt thee, spurn.
Domestic happiness will stamp thy fate;
Sacred to love, unclouded e’er by hate;
The world admire thee, and thy friends adore;—
Ambition’s slave, alone, would toil for more.

  Now last, but nearest, of the social band,
See honest, open, generous CLEON stand;
With scarce one speck, to cloud the pleasing scene,
No vice degrades that purest soul serene.
On the same day, our studious race begun,
On the same day, our studious race was run;
Thus, side by side, we pass’d our first career,
Thus, side by side, we strove for many a year:
At last, concluded our scholastic life,
We neither conquer’d in the classic strife:
As Speakers, each supports an equal name,
And crowds allow to both a partial fame:
To soothe a youthful Rival’s early pride,
Though Cleon’s candour would the palm divide,
Yet Candour’s self compels me now to own,
Justice awards it to my Friend alone.

  Oh! Friends regretted, Scenes for ever dear,
Remembrance hails you with her warmest tear!
Drooping, she bends o’er pensive Fancy’s urn,
To trace the hours, which never can return;
Yet, with the retrospection loves to dwell,
And soothe the sorrows of her last farewell!
Yet greets the triumph of my boyish mind,
As infant laurels round my head were twin’d;
When PROBUS’ praise repaid my lyric song,
Or plac’d me higher in the studious throng;
Or when my first harangue receiv’d applause,
His sage instruction the primeval cause,
What gratitude, to him, my soul possest,
While hope of dawning honours fill’d my breast!
For all my humble fame, to him alone,
The praise is due, who made that fame my own.
Oh! could I soar above these feeble lays,
These young effusions of my early days,
To him my Muse her noblest strain would give,
The song might perish, but the theme might live.
Yet, why for him the needless verse essay?
His honour’d name requires no vain display:
By every son of grateful IDA blest,
It finds an ech
the river flows as
living memory

the birds of the
Nile are its
knowing eyes

fly catchers
ply the rich
delta
probing
sediments
of sand
washed
from
distant
Nubian
mountains
eons
ago

layers of
recollection
go fathoms
deep

shrieking
gulls
plumb the
mud flats
with heroic
persistence
as they did
when the
first rafts
drifted out
of the
Great Rift
ferrying
civilizations
forebears
to the
opening chapters
of world history

the first
seafarers
competed with
greedy spoonbills
to navigate
porous
papyrus
crafts
through
the narrow
channels
of the
Damietta,
transporting
ideas, skills
and goods
to build an
emerging
world

mallards
troll the
same
gentile
eddies that
goaded the
Mother of
All Waters
to float the
basket cradling
Yahweh’s
infant prophet
Musa, into the
loving arms
of Bithiah
who nurtured
the vanquisher
of Osiris’
galleries of
Gods

a litany
of conquests
rolled on the
silver waves
of this river

conquerors
maneuvered
the truculent
currents
like sharp
eyed hawks
skimming the
pliant waters
with well
extended
razor quick
talons
picking the
Nile’s bounty
clean

this fertile
delta remembers
more than
6,000 seasons
of harvests

the
cycles of time
has produced
seasons of plenteous
abundance and
desperate privation
all cleverly exploited
by generations of
fearless herons
who wrangled
the demons
of hardship
to route the
dread of hunger
expelling despair
from the Egyptian
DNA, etching
a new hieroglyph
of freedom onto
survivors hearts

the Niles
sorrows
and glories
perpetually
wash this
magnanimous
delta
surely as
the gentle
wakes
of feluccas
continue
to lap its
shore

the marshes
have not withered

the verdant
reeds prosper

flamingos find
the water
rich in fish

in due
season
the red
lotus will
paint
the arcuate
alluvial
fans in
scarlet
autumnal
hues

In the
Valley of
the Kings
the shadows
of migratory
flocks mark
the foundation
stones of the
pyramids
as they did
when slaves
pushed them
into place

the eternal
lines of
pharaohs
rule has fallen,
their gods
imprisoned
in hieroglyphs
adorning their
royal tombs
on display
in the worlds
museums

the weathered
pyramids continue
to crumble

the face of
the sphinx
withers away

torrents of
blood flowed
in this rivers
currents, now
strained clear
by the reeds
anchoring
its banks

the fleeting
rule of regimes
are pictured
as momentary
reflections
skimming along
the ripppling
water; the
rise and fall
of rulers is
captured like
the shifting hues
sunrises and
sunsets bespeak
upon the waters

the ascending
waves of
the Sacred Ibis
dance atop
the Nile’s gray
waters; the
river jumps
to life as the
graceful wings
take flight
to foreign
destinations;
expecting
to return
again as
the cycles
of seasons
round once
more

as the Nile flows
its memory deepens
the eyes of the birds
watch and remember


Music Selection:
Gary Bartz, I've Known Rivers

Oakland
3/31/12
jbm
The curtain on the
CPAC convocation rolls back,

as the revolution
in Tahrir Square boils.

America’s theater
of deadly political

absurdity commences;
to witness demagogues

recite holy scripture to
evangelize a religion of war.

A heavily invested
audience marvels

at the marionettes
pirouetting on strings

jigged along by hands
of invisible puppet-masters

donning dark masks of
clever 503C llcs

disguised in self serving
hues of red, white and blue.

This grand folly of masquers
conceals a fatal pantomime,

a cast of reactionary characters,
Neo-Conmen auditioning for

the leading role in a lurid play
of a deadly nation projecting
a dying imperial preeminence.

The martinets engage zero
sum games where the victor
belongs to the despoilers,

and the merchants of death
richly confer multimillion dollar
reasons for being, underwriting
the gilded egos of candidates

and their infatuation with the
vanity of feigned power.

These master rhetoricians
skillfully lather up the crowd

by pandering to basest
xenophobic nationalist
instincts and fantasies
of laissez-faire proclivities.  

Slathering on the partisan
pretense in layers so thick

a master chef, armed
with the sharpest Ginsu Knife

couldn't slice a hock tip
of blood red meat

hurled into the crowd of
gobbling Republicons

howling and yodeling
it’s derisive acclaim.

The rankled party line,
gibberish talking points

are hammer blows of
incessant propaganda,

so cocksure that any room for
doubt is crowded out by the

phantasmagorical McMansions
of hyperbole they ***** in

the pliant minds of their
gibbering minions.

The candidates preening for
president show off their

falangist affectations
in eager duels of oratorical

one upmanship; constantly
jockeying to outflank their

other Neo-Conmen opponents,
always concluding their brutish

diatribes with a solemn
denouement of a Republicon

psalm ending with a
Holy Hosanna Hallelujah

to the Ronald Reagan
Heavenly Buddha.

Punchline of the holy Amen
“what would Reagan do?”

to remind the faithful
to remain the faithful

bearers to the fiction
of dead Reaganism.

Evoking anything
Ron and Nancy

induces sanctioned
comportment of a

slow simmering
******* eubellence

providing a welcomed
relief of repressed
libidinal energy.

The mention of Goldwater
sends GOP acolytes to

pause in reverence,
envisioning Barry and

Ronnie looking down
from heaven upon the gathered,

inciting immediate ruminations
of falling dominos and

the viability of a
tactical nuke strike

against Ayatollah’s
underground
uranium factories.

The host of Neo-Conmen,
new age Falangist pitchmen

belch from the dais,
in ever increasing alacrity,

the stirring drum beats
and slick videos,

of glorious warriors
winning the battlefield

with the rippling glory
of the Stars and Stripes

flowing in a continual
loop behind them.

Romney,
Bachmann

Gingrich
take center stage,

goose stepping
to the roll of piercing timpanis.

Words slither
out of their mouths
like poisonous snakes.

Lies, hiss through
their teeth.

Open mouths
expose Black Mamba
fangs, dripping with venom.

Eyes squint
as their reptilian brains

implore the besieged
to flee from the
light of truth.

Seeking refuge in fear;
yet on the ready

to coil and strike;
while trembling

in ignorance,
exalting loathsomeness

worshiping violence;
they remain

poised to unleash
first strike armies;

boastfully evoking moral
platitudes of Bush Doctrine
prerogatives.

Trembling in ignorance
worshiping violence

exalting fear,
these dogs of war bay

to unleash armies
against the

Godless apostates
that threaten

to expose the
stasis of their

Capitalismo-Judeo-Christian
view of the world.

They have hijacked
the great faith traditions

to serve a narrow
political aim

and relish any
opportunity to

demonize Islam
in service to their lies.

Watch as they
they crouch down

on the dais to
open the nest

of vipers welling
deep within the
bowels of their souls.

They find relief
by excreting their

spawn of deadly asps
into the veins of

cable news networks;
scoring political points

with the terrorized
children of Faux News

capturing battalions
of straw men villains

to rise atop meaningless
straw polls.

They agitate for a second
American revolution

by injecting the venom
of fear and lies

into the body
politic.

Ron Paul
stands alone,

perplexed why
American's love

war as much as
they hate civil liberties?

Cheney and
Rumsfeld brood.

The people of
Iraq and Afghanistan

fail to embrace their armies
of liberation that run up

unfortunate collateral damage
body counts required to sustain
the American way of life.

Ever the defender of
democracy and liberty,

Gingrich slams Obama's
condemnation of Suleiman

"hes an able diplomat."
Gingrich  forgot to add

that Suleiman is a
skilled torturer and

an able tyrant any self
serving democracy would
be proud to call ally and friend.

Cheney and Rumsfeld
remain flummoxed.

Their armies of liberation bogged
down in the marshy Blackwaters

of intractability;  trying to solve
the conundrum of the diminished

equity returns of asymmetrical
warfare.  Spinning the math

to justify building aircraft carriers
to **** a gnat.

The families of dead soldiers
surround them and wave dime

store flags hoping the plastic
eagle remains fixed atop the pole.

Perpetually smiling
Michele Bachmann
raises the specter
of Muslim Brotherhoods
taking over Egypt.

The persecution of Christians
and the escalating war on

Christianity have the Crusaders
up on their seats waving Excalibur
once again.

Gingrich pink cheeks
flush with the cash

of a Zionist casino
entrepreneur

doubles down, stacks
his chips high.

“The Israeli Embassy
in Cairo was overrun
by angry mobs.”  

“Is this a precursor of
cancelling the peace treaty
signed with Sadat?”

“The pullout in Iraq hands the country to
radical Shiites effectively handing our
hard won victory to Iran.”

“Israel is threatened and will not
permit Iran to acquire nuclear

weapons. A nuclear empowered Iran
will not stand!”

“We mustn't let do nothing Obama
threaten the safety of our good ally
Israel.”

CPAC willingly holds the deadly asp
to the breast of a proud nation.

Urging, coaxing it to gently sink
its teeth into the sacred heart
of our dear republic...

John Lee ******
Crawlin King Snake

CPAC 2011

Matthew 23
Brood of Vipers


jbm
Oakland
2/10/11
Dhaye Margaux May 2014
I stand with pride, I know it all
Though you can see, I bow, I fall
Whenever wind whispers my name
I bend my knees but stay the same

Whatever life would offer me
I will accept but I'm still free
I know how odd, it's like a game
I bend my knees but stay the same

The joy life brings would make me smile
Though sadness gazes for a while
When there's a will, just keep the flame
I bend my knees but stay the same

When sorrow's there to walk with me
Eyes are open to let me see
I'll still walk through yet like a lame
I bend my knees but stay the same

When sunbeam's there to scorch my skin
I wouldn't runaway or shin
I'll walk with pride but not with fame
I bend my knees but stay the same

When rain is there to stay with me
I'll never cry for I can see
It comes to heal, care for my name
I bend my knees but stay the same

That's how I live, how strong I am
Though storms may pass, though troubles come
I am still me, I'm on my frame
I bend my knees but stay the same.
Kyrielle
A Kyrielle is a French form of rhyming poetry written in quatrains (a stanza consisting of 4 lines), and each quatrain contains a repeating line or phrase as a refrain (usually appearing as the last line of each stanza). Each line within the poem consists of only eight syllables. There is no limit to the amount of stanzas a Kyrielle may have, but three is considered the accepted minimum.

Some popular rhyming schemes for a Kyrielle are: aabB, ccbB, ddbB, with B being the repeated line, or abaB, cbcB, dbdB.

Mixing up the rhyme scheme is possible for an unusual pattern of: axaZ, bxbZ, cxcZ, dxdZ, etc. with Z being the repeated line.

The rhyme pattern is completely up to the poet.
“Give me of your bark, O Birch-Tree!
Of your yellow bark, O Birch-Tree!
Growing by the rushing river,
Tall and stately in the valley!
I a light canoe will build me,
Build a swift Cheemaun for sailing,
That shall float upon the river,
Like a yellow leaf in Autumn,
Like a yellow water-lily!

“Lay aside your cloak, O Birch-Tree!
Lay aside your white-skin wrapper,
For the Summer-time is coming,
And the sun is warm in heaven,
And you need no white-skin wrapper!”

Thus aloud cried Hiawatha
In the solitary forest,
By the rushing Taquamenaw,
When the birds were singing gayly,
In the Moon of Leaves were singing,
And the sun, from sleep awaking,
Started up and said, “Behold me!
Gheezis, the great Sun, behold me!”

And the tree with all its branches
Rustled in the breeze of morning,
Saying, with a sigh of patience,
“Take my cloak, O Hiawatha!”

With his knife the tree he girdled;
Just beneath its lowest branches,
Just above the roots, he cut it,
Till the sap came oozing outward:
Down the trunk, from top to bottom,
Sheer he cleft the bark asunder,
With a wooden wedge he raised it,
Stripped it from the trunk unbroken.

“Give me of your boughs, O Cedar!
Of your strong and pliant branches,
My canoe to make more steady,
Make more strong and firm beneath me!”

Through the summit of the Cedar
Went a sound, a cry of horror,
Went a murmur of resistance;
But it whispered, bending downward,
“Take my boughs, O Hiawatha!”

Down he hewed the boughs of cedar,
Shaped them straightway to a framework,
Like two bows he formed and shaped them,
Like two bended bows together.

“Give me of your roots, O Tamarack!
Of your fibrous roots, O Larch-Tree!
My canoe to bind together.
So to bind the ends together,
That the water may not enter,
That the river may not wet me!”

And the Larch, with all its fibres,
Shivered in the air of morning,
Touched his forehead with its tassels,
Said, with one long sigh of sorrow,
“Take them all, O Hiawatha!”

From the earth he tore the fibres,
Tore the tough roots of the Larch-Tree,
Closely sewed the bark together,
Bound it closely to the framework.

“Give me of your balm, O Fir-Tree!
Of your balsam and your resin,
So to close the seams together
That the water may not enter,
That the river may not wet me!”

And the Fir-Tree, tall and sombre,
Sobbed through all its robes of darkness,
Rattled like a shore with pebbles,
Answered wailing, answered weeping,
“Take my balm, O Hiawatha!”

And he took the tears of balsam,
Took the resin of the Fir-Tree,
Smeared therewith each seam and fissure,
Made each crevice safe from water.

“Give me of your quills, O Hedgehog!
All your quills, O Kagh, the Hedgehog!
I will make a necklace of them,
Make a girdle for my beauty,
And two stars to deck her *****!”

From a hollow tree the Hedgehog
With his sleepy eyes looked at him,
Shot his shining quills, like arrows,
Saying, with a drowsy murmur,
Through the tangle of his whiskers,
“Take my quills, O Hiawatha!”

From the ground the quills he gathered,
All the little shining arrows,
Stained them red and blue and yellow,
With the juice of roots and berries;
Into his canoe he wrought them,
Round its waist a shining girdle,
Round its bow a gleaming necklace,
On its breast two stars resplendent.

Thus the Birch Canoe was builded
In the valley, by the river,
In the ***** of the forest;
And the forest’s life was in it,
All its mystery and its magic,
All the lightness of the birch-tree,
All the toughness of the cedar,
All the larch’s supple sinews;
And it floated on the river
Like a yellow leaf in Autumn,
Like a yellow water-lily.

Paddles none had Hiawatha,
Paddles none he had or needed,
For his thoughts as paddles served him,
And his wishes served to guide him;
Swift or slow at will he glided,
Veered to right or left at pleasure.

Then he called aloud to Kwasind,
To his friend, the strong man, Kwasind,
Saying, “Help me clear this river
Of its sunken logs and sand-bars.”

Straight into the river Kwasind
Plunged as if he were an otter,
Dived as if he were a ******,
Stood up to his waist in water,
To his arm-pits in the river,
Swam and shouted in the river,
Tugged at sunken logs and branches,
With his hands he scooped the sand-bars,
With his feet the ooze and tangle.

And thus sailed my Hiawatha
Down the rushing Taquamenaw,
Sailed through all its bends and windings,
Sailed through all its deeps and shallows,
While his friend, the strong man, Kwasind,
Swam the deeps, the shallows waded.

Up and down the river went they,
In and out among its islands,
Cleared its bed of root and sand-bar,
Dragged the dead trees from its channel,
Made its passage safe and certain
Made a pathway for the people,
From its springs among the mountains,
To the water of Pauwating,
To the bay of Taquamenaw.
Onoma Dec 2016
The mime of fateful silences
transcribe...as cross-ventilated
corridors wafting the articulate
voice of a ghost...an addendum
of whisperings.
By these pliant leagues...under
the say so of seas.
Holy Monday
walking with
my dog in
the burbs

I spied
a palm frond
laying by
the curb

still moist
and pliant
fresh to
touch

what
blasphemer
discarded this
icon beloved
so much?

one day
removed
from
Palm
Sunday
glory

does the
heathen who
disposed of it
know this
precious
leaf’s
story?

it was then
I recalled
its reason
for being

its a carpet
for a King’s
footsteps
its not for
keeping

so there
it lay
where
it should
be

as my
dog and I
resumed
our closer
walk with
Thee

Music Selection: Willie Nelson
Just a Closer Walk With Thee

Oakland
4/2/12
jbm
Victoria Lantz Jun 2017
Push me up against a wall and watch me flower. I thrive in tight spaces, under rocks, and behind shadows. If you look closely, you’ll see I’m deliberately leaning into the confinement, allowing the pressure to mold me. I’m pliant enough to enjoy it.
Do you see me as someone made of steel?
Like even my heart could never feel?
If I shine would you take over like rust?
And even devour my only trust?

Sure you can kiss the ring
but don't touch the crown
I'll be at the top
so don't try pulling me down

I can't take my words back
look where I'm finally at.
We pledged for a glorious victory,
remember that?

If only you knew how many times I've died
seeing you smile when I was wrong and you were right
I'd just keep it to myself, hold it inside
Sooner we'd get into another fight.

I would never let my guard down
or walk out with a child's frown
I still got scars in the back from your knives
How do you harm like the bees on a hive?

I'd get curiouser and curiouser as time flies
on how everything becomes alright
In the end of the day and in the end of the night,
All of us still remain pliant
As the gods began one world, and man another,
So the snakecharmer begins a snaky sphere
With moon-eye, mouth-pipe, He pipes. Pipes green. Pipes water.

Pipes water green until green waters waver
With reedy lengths and necks and undulatings.
And as his notes twine green, the green river

Shapes its images around his sons.
He pipes a place to stand on, but no rocks,
No floor: a wave of flickering grass tongues

Supports his foot. He pipes a world of snakes,
Of sways and coilings, from the snake-rooted bottom
Of his mind. And now nothing but snakes

Is visible. The snake-scales have become
Leaf, become eyelid; snake-bodies, bough, breast
Of tree and human. And he within this snakedom

Rules the writhings which make manifest
His snakehood and his might with pliant tunes
From his thin pipe. Out of this green nest

As out of Eden's navel twist the lines
Of snaky generations: let there be snakes!
And snakes there were, are, will be--till yawns

Consume this pipe and he tires of music
And pipes the world back to the simple fabric
Of snake-warp, snake-weft. Pipes the cloth of snakes

To a melting of green waters, till no snake
Shows its head, and those green waters back to
Water, to green, to nothing like a snake.
Puts up his pipe, and lids his moony eye.
Nora Agha Aug 2012
I love full length mirrors
because I get to see
my body
all of it

I do not love my figure,
I do not love my face.
But when I find a full length mirror
I stare.

I Am God.

I Am God
over this pathetic,
mortal
flesh.

I Am God.

I can stretch
my arms
way over my head
watch my ribs peek through

Fragile, mortal bones.
I could break them
it would hurt.
But I could break them.

I Am God

I picture the lungs beneath
Black
Blackened
Because I Am God

Puff
Inhale
Ingest
Blacken, damage
Because I Am God.

I stroke my tummy
flat, muscled.
My thighs
round, soft, pliant
My Choice

Eat
Eat these fatty foods
watch the muscle
the muscle that made this body burn
watch it disappear
lose it in new rolls of fat

I Am God

I care not for this body's suffering.
Eat more cancer from this tin can.

I Am God

Inhale more cancer
from these cigarettes.

I Am God

Now crunch. Do 100. Now Run. Faster. Burn. Ache.

I Am A Merciful God.

I do not cut you
I do not make you bleed
But don't for a second
think I cannot
I could
and it would hurt

I Am God.

You, body, are my subject.
I will tear you, pierce you, to decorate you.
Ink you
and alter you
Because I Am God

You supple flesh, you have no say
I will use you
for my pleasure
I will starve you
for my appearance
I will burn you
under the sun
just to see
how many layers
I can peel
before this body
gives up
and is gone.

I Am God

I will inhale this cancer
Until my lungs start to rot

Because I Am God

and I will choose

How You Die.
From pent-up aching rivers,
From that of myself without which I were nothing,
From what I am determin’d to make illustrious, even if I stand sole
   among men,
From my own voice resonant, singing the phallus,
Singing the song of procreation,
Singing the need of superb children and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow’s song, (O resistless yearning!
O for any and each the body correlative attracting!
O for you whoever you are your correlative body! O it, more than all
   else, you delighting!)
From the hungry gnaw that eats me night and day,
From native moments, from bashful pains, singing them,
Seeking something yet unfound though I have diligently sought it
   many a long year,
Singing the true song of the soul fitful at random,
Renascent with grossest Nature or among animals,
Of that, of them and what goes with them my poems informing,
Of the smell of apples and lemons, of the pairing of birds,
Of the wet of woods, of the lapping of waves,
Of the mad pushes of waves upon the land, I them chanting,
The overture lightly sounding, the strain anticipating,
The welcome nearness, the sight of the perfect body,
The swimmer swimming naked in the bath, or motionless on his back
   lying and floating,
The female form approaching, I pensive, love-flesh tremulous aching,
The divine list for myself or you or for any one making,
The face, the limbs, the index from head to foot, and what it
   arouses,
The mystic deliria, the madness amorous, the utter abandonment,
(Hark close and still what I now whisper to you,
I love you, O you entirely possess me,
O that you and I escape from the rest and go utterly off, free and
   lawless,
Two hawks in the air, two fishes swimming in the sea not more
   lawless than we;)
The furious storm through me careering, I passionately trembling.
The oath of the inseparableness of two together, of the woman that
   loves me and whom I love more than my life, that oath swearing,
(O I willingly stake all for you,
O let me be lost if it must be so!
O you and I! what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other and exhaust
   each other if it must be so;)
From the master, the pilot I yield the vessel to,
The general commanding me, commanding all, from him permission
   taking,
From time the programme hastening, (I have loiter’d too long as it
   is,)
From ***, from the warp and from the woof,
From privacy, from frequent repinings alone,
From plenty of persons near and yet the right person not near,
From the soft sliding of hands over me and thrusting of fingers
   through my hair and beard,
From the long sustain’d kiss upon the mouth or *****,
From the close pressure that makes me or any man drunk, fainting
   with excess,
From what the divine husband knows, from the work of fatherhood,
From exultation, victory and relief, from the bedfellow’s embrace in
   the night,
From the act-poems of eyes, hands, hips and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side the pliant coverlet off-throwing,
From the one so unwilling to have me leave, and me just as unwilling
   to leave,
(Yet a moment O tender waiter, and I return,)
From the hour of shining stars and dropping dews,
From the night a moment I emerging flitting out,
Celebrate you act divine and you children prepared for,
And you stalwart *****.
Ye distant spires, ye antique towers,
That crown the watery glade,
Where grateful Science still adores
Her Henry’s holy shade;
And ye, that from the stately brow
Of Windsor’s heights th’ expanse below
Of grove, of lawn, of mead survey,
Whose turf, whose shade, whose flowers among
Wanders the hoary Thames along
His silver-winding way.

Ah happy hills, ah pleasing shade,
Ah fields beloved in vain,
Where once my careless childhood strayed,
A stranger yet to pain!
I feel the gales, that from ye blow,
A momentary bliss bestow,
As waving fresh their gladsome wing
My weary soul they seem to soothe,
And, redolent of joy and youth,
To breathe a second spring.

Say, Father Thames, for thou hast seen
Full many a sprightly race
Disporting on thy margent green
The paths of pleasure trace,
Who foremost now delight to cleave
With pliant arm thy glassy wave?
The captive linnet which enthral?
What idle progeny succeed
To chase the rolling circle’s speed,
Or urge the flying ball?

While some on earnest business bent
Their murm’ring labours ply
‘Gainst graver hours, that bring constraint
To sweeten liberty:
Some bold adventurers disdain
The limits of their little reign,
And unknown regions dare descry:
Still as they run they look behind,
They hear a voice in every wind,
And ****** a fearful joy.

Gay hope is theirs by fancy fed,
Less pleasing when possest;
The tear forgot as soon as shed,
The sunshine of the breast:
Theirs buxom health of rosy hue,
Wild wit, invention ever-new,
And lively cheer of vigour born;
The thoughtless day, the easy night,
The spirits pure, the slumbers light,
That fly th’ approach of morn.

Alas! regardless of their doom
The little victims play!
No sense have they of ills to come,
Nor care beyond today:
Yet see how all around ’em wait
The Ministers of human fate,
And black Misfortune’s baleful train!
Ah, show them where in ambush stand,
To seize their prey, the murd’rous band!
Ah, tell them they are men!

These shall the fury Passions tear,
The vultures of the mind,
Disdainful Anger, pallid Fear,
And Shame that skulks behind;
Or pining Love shall waste their youth,
Or Jealousy with rankling tooth,
That inly gnaws the secret heart,
And Envy wan, and faded Care,
Grim-visaged comfortless Despair,
And Sorrow’s piercing dart.

Ambition this shall tempt to rise,
Then whirl the wretch from high,
To bitter Scorn a sacrifice,
And grinning Infamy.
The stings of Falsehood those shall try,
And hard Unkindness’ altered eye,
That mocks the tear it forced to flow;
And keen Remorse with blood defiled,
And moody Madness laughing wild
Amid severest woe.

Lo, in the vale of years beneath
A grisly troop are seen,
The painful family of Death,
More hideous than their Queen:
This racks the joints, this fires the veins,
That every labouring sinew strains,
Those in the deeper vitals rage:
Lo, Poverty, to fill the band,
That numbs the soul with icy hand,
And slow-consuming Age.

To each his suff’rings: all are men,
Condemned alike to groan;
The tender for another’s pain,
Th’ unfeeling for his own.
Yet ah! why should they know their fate?
Since sorrow never comes too late,
And happiness too swiftly flies.
Thought would destroy their paradise.
No more;—where ignorance is bliss,
’Tis folly to be wise.
st64 Nov 2013
on the day our eyes match the colour of a hedgehog-sky
released into the ether, will be.. 100 balloons waiting to pop

when these balloons have floated and decide to come down
that's the crucial-time when you'll grow aware of what is to be


:)

the mood of two rainbows will melt into liquid-crayola invertase-lakes
while we find so many nectar-filled spots to sate our hungered-bods

and I'll take that open-honey in me and feed you from my mouth
as you reach forward so easily and make me pliant to your will




S T - 29 nov 13
hectic-times.. yet.. the bees buzz on and flowers blossom.. while that sky still hangs there.. ever goodly.. devoted sun still strikes warmth.. joints may creak, but the right-lines crease..



sub-entry: oh myyyy....

red swan at season-end
where wrinkles are set
on
smiles in no arrears


oh myyyy... you drive me mad
there's little I won't do......


pop.. pop!
Robi Banerjee Jan 2014
Poetry is sometimes easy like the wind rushing
to where there is not much wind, caressing in waves,
invisible and pliant like the air, as effortless as
breathing it. Poetry is sometimes impossible,
like turning the tumbler of a lock with your fingertip,
like climbing a mountain barefoot in a blizzard
of screaming, sliding sleet, like a tearing cry
that dies into a whimper in your throat as you
realize the futility of that which you do,
the implacability of the beast you fight.

Sometimes, there are no words that can describe
the machinations and the subtle ticking of a clock
that beats in time to the human soul. Not hearing
the rhythm, you forget the music until your heart
sings again and you dance free like a young ballerina
cutting ballet. No poem is a picture that captures
the fluttering, soaring and sinking in the heart’s chambers.
You choose a word that fits, discard ten of its brothers,
yet feel surprise when your sentences have no answers
for the questions in your chest. You mourn every phrase
you have lost as you fell asleep. Knowing not
what you forgot, you move on to new questions.

You cannot miss what you’ve never felt, but you can yearn for
something you’ve forgotten. What is the difference to you
if you cannot remember the difference? The embryos of
the heart and mind are fragile. Your heart sings of a country
it cannot see anymore now that your back is turned,
you cast fishing nets behind you into the past blindly.
You remember that you have forgotten, and you forget
what bears remembering. You remember a day long past
not as the day that passed but as the memory of its passing,
yet feel surprise when years later and many forgettings hence,
it happened to someone else altogether.
(As seen on Apostatements: apostating.wordpress.com)
**, Giant!  This is I!
I have built me a bean-stalk into your sky!
La,—but it’s lovely, up so high!

This is how I came,—I put
Here my knee, there my foot,
Up and up, from shoot to shoot—
And the blessed bean-stalk thinning
Like the mischief all the time,
Till it took me rocking, spinning,
In a dizzy, sunny circle,
Making angles with the root,
Far and out above the cackle
Of the city I was born in,
Till the little ***** city
In the light so sheer and sunny
Shone as dazzling bright and pretty
As the money that you find
In a dream of finding money—
What a wind!  What a morning!—

Till the tiny, shiny city,
When I shot a glance below,
Shaken with a giddy laughter,
Sick and blissfully afraid,
Was a dew-drop on a blade,
And a pair of moments after
Was the whirling guess I made,—
And the wind was like a whip

Cracking past my icy ears,
And my hair stood out behind,
And my eyes were full of tears,
Wide-open and cold,
More tears than they could hold,
The wind was blowing so,
And my teeth were in a row,
Dry and grinning,
And I felt my foot slip,
And I scratched the wind and whined,
And I clutched the stalk and jabbered,
With my eyes shut blind,—
What a wind!  What a wind!

Your broad sky, Giant,
Is the shelf of a cupboard;
I make bean-stalks, I’m
A builder, like yourself,
But bean-stalks is my trade,
I couldn’t make a shelf,
Don’t know how they’re made,
Now, a bean-stalk is more pliant—
La, what a climb!
Written under the impression that the author would soon die.


Adieu, thou Hill! where early joy
  Spread roses o’er my brow;
Where Science seeks each loitering boy
  With knowledge to endow.
Adieu, my youthful friends or foes,
Partners of former bliss or woes;
  No more through Ida’s paths we stray;
Soon must I share the gloomy cell,
Whose ever-slumbering inmates dwell
  Unconscious of the day.
Adieu, ye hoary Regal Fanes,
  Ye spires of Granta’s vale,
Where Learning robed in sable reigns.
  And Melancholy pale.
Ye comrades of the jovial hour,
Ye tenants of the classic bower,
On Cama’s verdant margin plac’d,
Adieu! while memory still is mine,
For offerings on Oblivion’s shrine,
These scenes must be effac’d.

Adieu, ye mountains of the clime
Where grew my youthful years;
Where Loch na Garr in snows sublime
His giant summit rears.
Why did my childhood wander forth
From you, ye regions of the North,
With sons of Pride to roam?
Why did I quit my Highland cave,
Marr’s dusky heath, and Dee’s clear wave,
To seek a Sotheron home?

Hall of my Sires! a long farewell—
Yet why to thee adieu?
Thy vaults will echo back my knell,
Thy towers my tomb will view:
The faltering tongue which sung thy fall,
And former glories of thy Hall,
Forgets its wonted simple note—
But yet the Lyre retains the strings,
And sometimes, on æolian wings,
In dying strains may float.

Fields, which surround yon rustic cot,
  While yet I linger here,
Adieu! you are not now forgot,
  To retrospection dear.
Streamlet! along whose rippling surge
My youthful limbs were wont to urge,
  At noontide heat, their pliant course;
Plunging with ardour from the shore,
Thy springs will lave these limbs no more,
  Deprived of active force.

And shall I here forget the scene,
  Still nearest to my breast?
Rocks rise and rivers roll between
  The spot which passion blest;
Yet Mary, all thy beauties seem
Fresh as in Love’s bewitching dream,
  To me in smiles display’d;
Till slow disease resigns his prey
To Death, the parent of decay,
  Thine image cannot fade.

And thou, my Friend! whose gentle love
  Yet thrills my *****’s chords,
How much thy friendship was above
  Description’s power of words!
Still near my breast thy gift I wear
Which sparkled once with Feeling’s tear,
  Of Love the pure, the sacred gem:
Our souls were equal, and our lot
In that dear moment quite forgot;
  Let Pride alone condemn!

All, all is dark and cheerless now!
  No smile of Love’s deceit
Can warm my veins with wonted glow,
  Can bid Life’s pulses beat:
Not e’en the hope of future fame
Can wake my faint, exhausted frame,
  Or crown with fancied wreaths my head.
Mine is a short inglorious race,—
To humble in the dust my face,
  And mingle with the dead.

Oh Fame! thou goddess of my heart;
  On him who gains thy praise,
Pointless must fall the Spectre’s dart,
  Consumed in Glory’s blaze;
But me she beckons from the earth,
My name obscure, unmark’d my birth,
  My life a short and ****** dream:
Lost in the dull, ignoble crowd,
My hopes recline within a shroud,
  My fate is Lethe’s stream.

When I repose beneath the sod,
  Unheeded in the clay,
Where once my playful footsteps trod,
  Where now my head must lay,
The meed of Pity will be shed
In dew-drops o’er my narrow bed,
  By nightly skies, and storms alone;
No mortal eye will deign to steep
With tears the dark sepulchral deep
  Which hides a name unknown.

Forget this world, my restless sprite,
  Turn, turn thy thoughts to Heaven:
There must thou soon direct thy flight,
  If errors are forgiven.
To bigots and to sects unknown,
Bow down beneath the Almighty’s Throne;
  To Him address thy trembling prayer:
He, who is merciful and just,
Will not reject a child of dust,
  Although His meanest care.

Father of Light! to Thee I call;
  My soul is dark within:
Thou who canst mark the sparrow’s fall,
  Avert the death of sin.
Thou, who canst guide the wandering star
Who calm’st the elemental war,
  Whose mantle is yon boundless sky,
My thoughts, my words, my crimes forgive;
And, since I soon must cease to live,
  Instruct me how to die.
skyblueandblack Dec 2014

Collapse into the arms of destiny
Let them carry you wherever the wind blows

Do not resist, be pliant
Like the reed that sways

Trust that you will be guided
To that which is in season to your soul

Love speaks with one voice
Sometimes through the parting of different lips

Know that the displacement and nostalgia you feel
is but a memory and a foretelling of Home

Relief comes with surrender
The leaf knows this secret
it yields in acquiescence.
Take a moment and contemplate
the life of a leaf ~

Surrender is not defeat,
it traverses land far and wide
and arrives gently to its destination

Surrender is not weakness,
know your strength.
Your essence can move mountains

Transcend into a fragrance that casts its spell into the night
unbeknownst to the beholder from whence it comes

In your surrender is beauty
that draws you closer to the ultimate Beauty
and culminates in the ultimate Love

Love him, love her, and let your love permeate
like the scent of two roses, together in bloom


http://skyblueandblack.com/2014/06/12/surrender/
I chased the first rays
of an autumn morning

but to my sorrow
when I arrived at
the urgent place
the sun had
already
risen

breathing a
crowning glory of a
seasons brilliant
splendor

alighting
the glowing amber
of golden woods
shining like gleaming
constellations of
dazzling morning
stars...

though I
desired to find
ascendent beauty
the ubiquitous glow of
transfigured leaves
immersed me in
a divine chrome...

as I traversed
the woods, my
solitary steps found
companionship
with a sullen
mistress singing
a sad rustle
of dry fallen leaves

and as the drone
of cars faded from the
receding road

I searched myself
for courage and
found resolve

I pondered truth
and discovered
the wisdom
of resolution...

yearning  to
realize a
deeper faith

I hiked
further up
the wooded hill,
visiting the gay
playfields
of my youth

and received
an epiphany
of wholesome
closure
opening
new
timeless
doors...

still questing
for more light

a prophetic wren
whirred a pliant
secret into my ear

she bespoke
a symphony
of avian
improvisations

conversing in
a thousand
luminous tongues,
relating a sonorous
elegy teaming with
the brightest
joys of life

raising bold
proclamations

celebrating a
seasons radiance

imploring me
to join the chorus...

though the canopy
of the woods still
boasted boughs
of green

the
infant hues
of spring had
run its course

the glory of an
expiring season
strewn on the
forest floor

covering the
mouldering stags
inching back into
the compost of life

breeding blankets
of furry moss

feeding on the
primal organica

of seemingly
expired flora

here, in this
darkened moment
I realized
the transcendent
miracle

the loam of life
incubating
churning  
in concert with
the turn of
seasons...

to my sorrow
I missed the first
rays of the morning

the first
peeks of light
a breaking day
gracefully bespeaks
upon a sleeping earth
awoken in new light

yet I am filled

I am transcendent

I am the first ray
of an eternal light

I am the first ray
of my earthen
gloaming...

on the morrow
the best of me
is in the marrow
of all who loved me
and all whom I loved

these rays of me
will forever rise
in an eternity
of dawnings

For Joey
Godspeed Beloved

Vaughan Williams:
Lark Ascending

Oakland
101313
jbm
Two good friends had Hiawatha,
Singled out from all the others,
Bound to him in closest union,
And to whom he gave the right hand
Of his heart, in joy and sorrow;
Chibiabos, the musician,
And the very strong man, Kwasind.

Straight between them ran the pathway,
Never grew the grass upon it;
Singing birds, that utter falsehoods,
Story-tellers, mischief-makers,
Found no eager ear to listen,
Could not breed ill-will between them,
For they kept each other’s counsel,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.

Most beloved by Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers.
Beautiful and childlike was he,
Brave as man is, soft as woman,
Pliant as a wand of willow,
Stately as a deer with antlers.

When he sang, the village listened;
All the warriors gathered round him,
All the women came to hear him;
Now he stirred their souls to passion,
Now he melted them to pity.

From the hollow reeds he fashioned
Flutes so musical and mellow,
That the brook, the Sebowisha,
Ceased to murmur in the woodland,
That the wood-birds ceased from singing,
And the squirrel, Adjidaumo,
Ceased his chatter in the oak-tree,
And the rabbit, the Wabasso,
Sat upright to look and listen,

Yes, the brook, the Sebowisha,
Pausing, said, “O Chibiabos,
Teach my waves to flow in music,
Softly as your words in singing!”

Yes, the bluebird, the Owaissa,
Envious, said, “O Chibiabos,
Teach me tones as wild and wayward,
Teach me songs as full of frenzy!”

Yes, the robin, the Opechee,
Joyous, said, “O Chibiabos,
Teach me tones as sweet and tender,
Teach me songs as full of gladness!”
And the whippoorwill, Wawonaissa,
Sobbing, said, “O Chibiabos,
Teach me tones as melancholy,
Teach me songs as full of sadness!”

All the many sounds of nature
Borrowed sweetness from his singing;
All the hearts of men were softened
By the pathos of his music;
For he sang of peace and freedom,
Sang of beauty, love, and longing;
Sang of death, and life undying
In the Islands of the Blessed,
In the kingdom of Ponemah,
In the land of the Hereafter.

Very dear to Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers;
For his gentleness he loved him,
And the magic of his singing.

Dear, too, unto Hiawatha
Was the very strong man, Kwasind,
He the strongest of all mortals,
He the mightiest among many;
For his very strength he loved him,
For his strength allied to goodness.

Idle in his youth was Kwasind,
Very listless, dull, and dreamy,
Never played with other children,
Never fished and never hunted,
Not like other children was he;
But they saw that much he fasted,
Much his Manito entreated,
Much besought his Guardian Spirit.

“Lazy Kwasind!” said his mother,
“In my work you never help me!
In the Summer you are roaming
Idly in the fields and forests;
In the Winter you are cowering
O’er the firebrands in the wigwam!
In the coldest days of Winter
I must break the ice for fishing;
With my nets you never help me!
At the door my nets are hanging,
Dripping, freezing with the water;
Go and wring them, Yenadizze!
Go and dry them in the sunshine!”

Slowly, from the ashes, Kwasind
Rose, but made no angry answer;
From the lodge went forth in silence,
Took the nets, that hung together,
Dripping, freezing at the doorway,
Like a wisp of straw he wrung them,
Like a wisp of straw he broke them,
Could not wring them without breaking,
Such the strength was in his fingers.

“Lazy Kwasind!” said his father,
“In the hunt you never help me;
Every bow you touch is broken,
Snapped asunder every arrow;
Yet come with me to the forest,
You shall bring the hunting homeward.”

Down a narrow pass they wandered,
Where a brooklet led them onward,
Where the trail of deer and bison
Marked the soft mud on the margin,
Till they found all further passage
Shut against them, barred securely
By the trunks of trees uprooted,
Lying lengthwise, lying crosswise,
And forbidding further passage.

“We must go back,” said the old man,
“O’er these logs we cannot clamber;
Not a woodchuck could get through them,
Not a squirrel clamber o’er them!”
And straightway his pipe he lighted,
And sat down to smoke and ponder.
But before his pipe was finished,
Lo! the path was cleared before him;
All the trunks had Kwasind lifted,
To the right hand, to the left hand,
Shot the pine-trees swift as arrows,
Hurled the cedars light as lances.

“Lazy Kwasind!” said the young men,
As they sported in the meadow:
“Why stand idly looking at us,
Leaning on the rock behind you?
Come and wrestle with the others,
Let us pitch the quoit together!”

Lazy Kwasind made no answer,
To their challenge made no answer,
Only rose, and, slowly turning,
Seized the huge rock in his fingers,
Tore it from its deep foundation,
Poised it in the air a moment,
Pitched it sheer into the river,
Sheer into the swift Pauwating,
Where it still is seen in Summer.

Once as down that foaming river,
Down the rapids of Pauwating,
Kwasind sailed with his companions,
In the stream he saw a ******,
Saw Ahmeek, the King of Beavers,
Struggling with the rushing currents,
Rising, sinking in the water.

Without speaking, without pausing,
Kwasind leaped into the river,
Plunged beneath the bubbling surface,
Through the whirlpools chased the ******,
Followed him among the islands,
Stayed so long beneath the water,
That his terrified companions
Cried, “Alas! good-bye to Kwasind!
We shall never more see Kwasind!”
But he reappeared triumphant,
And upon his shining shoulders
Brought the ******, dead and dripping,
Brought the King of all the Beavers.

And these two, as I have told you,
Were the friends of Hiawatha,
Chibiabos, the musician,
And the very strong man, Kwasind.
Long they lived in peace together,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.
Megan Sherman Nov 2016
Poems are like puzzles:
A painstakingly placed picture,
Plucked from the peripheries,
Of percipient perspective.

Penetrating the personal,
The pen puts pain to pass,
Pouring perceptions in to paper,
In the process perfecting the practice.

Some poems pray for peace,
Some paint a piece of people's lives,
Photographically rendering the ineffable,
Imparting philosophies.

The poet is a piper piping pleasantries;
Poems pretty as phosphorous,
In a pyrotechnic parade,
Putting fire in our pupils.

Perhaps the "P" is hard to parse,
And I perceive this problem.
Perhaps my pursuit of the perfect poem,
Must not be prolonged or proceed.

But I'm a phonetic philanderer,
Pushing on like a prodigious pioneer,
Playing for pleasure with puns,
Posing metaphors, putting words in place,
Searching for planetary purpose,
Peering past the past and present,
In to possibilities of peace and plenitude.

But perhaps now the peak has passed and
The pliant "P" is pushed to its limits,
The words are all plucked, parched
And the poem is plenary.
Oh Jen I want you to be Mine

I don't know Jack it is all so fast

No, dearest not fast just right

We just met Jack, not a day ago

I know Jen but I love You so

How can you Jack you know nothing about me

I do Jen, you fill my heart and make it complete

Oh Jack I want to believe you, but

No buts my love I want you, as you are

Don't hurt me Jack my heart is fragile

Jen how could I hurt the most beautiful angel?

No! You don't mean that, you can't possibly

Yes Jen I mean it now lay with me Lovely

Oh Jack that is it, that is what you want

No dear can't you hear how much I care?

I want to believe you Jack but I can't bare another heartbreak

I promise I won't hurt you Jen, My Jen.

Really Jack?  I am yours?

Yes Mine all Mine, feel what you do to me

(Jack presses his phallus against her thigh as he lays her back)

Ohh Jack I bet you are that way with all the girls

Only you dearest, please make me the happiest man around

(Jack's hand grazes Jen's breast just enough to tease her)
(Jen already hot but resists not wanting to be a number)

Jack please tell me if all you want is *** I beg you

No how could you think such awful things of me

(Meanwhile Jack is about to pop the things He wants to do to this woman would make a well ridden girl blush)
(Jen can be a hellcat in bed but so doesn't want to be lied to before)

Kiss Me Jack tell me how  you really feel

(Jack pulls her into his arms pressing hard against her hips as lips press to hers in a lingering kiss)
(Jen's green eyes smoulder like a banked fire)

I love you Jen please let me make love to you

Yes Jack oh yes please make love to me

(Jack takes Jen to heights of soaring delight, they explore each other teasing and stroking.  The earth shatters and the windows fog.  They lay together for what seems like eternity.  Finishing He has explored and used every oriface, tied, spanked, torturously played and left her a quivering mass of well used flesh.)
(Jen was insatiable, no holding back.  She gave everything of herself out of love.  Trusting him completely.  Opening up her heart and body to the man that loved her for a change.  She let him do unspeakable acts to her body.  After it all she lay there thinking oh my how will I ever look at him again.)

Did you enjoy it my love? asked Jack

Jen's voice quivers oh yes Jack I did

I am glad you did Jen, I have never had a woman so pliant in my hands

Well there will be plenty more times Jack

Oh Jen I am so sorry but I won't be able to see you again

Why not Jack?  I thought you loved me?

I do love you Jen, I do I do

Then what is it Jack what did I do wrong?

Nothing my precious girl it is I that has done wrong

How Jack please? (tears fall freely over her cheeks)

I could not resist that sweet innocence on your face

I had to have you no matter the consequences you would face

Whatever do you mean Jack?

I am a disgrace Jen, You see I love you but but I am married.

YOU ARE WHAT?

Married dearest

You LOVE me but you are MARRIED?

How could You Jack, deceive me like that?

I am sorry Jen I just couldn't hold back

You lied to me Jack, said You loved me

I know and I do

You don't love me you lying ****

Oh don't say that Jen I do love you

You loved me long enough to **** ME!!!

I DARE You to deny it, you are a disgrace, knowing I was hurt

(Jack just stood there letting her rant.  Nothing He could do as her words were so true.  He thought he loved her and perhaps he did but nothing would stray him from his wife's bed)

I am sorry dear Jen

Save it for another Jack, When I am dead it is on your head

(Jack looked like he had been hit by a truck, Never had he thought she would do something like this.)

Get out Jack, You have done enough, Never speak my name again

Jen please we just shared incredible ***, don't let it end it was such bliss

You are just like every other man I have met

All *
YOU ever think of  is *** *** ***

(Jen looked at Jack once more and said why didn't you just tell the truth perhaps then I wouldn't feel like a used ***** *****)
Written by Jennifer Humphrey/Niyahlove All rights reserved
Thanks to my friend Jack for the inspiration.
JKirin Sep 2021
I never knew love before seeing him—
a beauty under the southern night sky—
as he danced, his strong body pliant and slim,
to the tunes of a distant guitar.

I never knew love before seeing him
with his heels on the pavement click-clacking.
As he flares his dress, goes to a spin,
with a rose in his hair – he is striking.

Each step, each clap – I am at his mercy.
Each beat, each dance – he is all I can see.
I'm lost, I'm in love, I'm down on my knee –
each time I pray that he also sees me.
about falling in love with a queer gypsy flamenco dancer
i came to you for a straight path
with no crossroads and walls at the sides
to lock in my free mind as best one can;

but you built my dreams back up instead
like collapsed buildings after a war
(which, in a way, they were);
you restored me at the start.

for pocket change, you took my soul
and folded it until it was an origami crane
that soared over mountaintops and deep blue seas
and lived off hopes and wishes and dreams;
a tiny piece of paper, flower print
that came to life to watch the foxtail valleys
and toblerone mountains of my mind
and it watched the memories of me riding among the clouds
and swimming in clear turquoise waters
and crying over friendships lost.
we will always remain that way
you form me, fold me, throw me into the air
while I remain, just cellulose, pliant, never my own -
yours to be ripped apart.

it was what i came for, after all.


cs
this poem changes as much as my soul did when i was still yours.
sickophantic Jan 2019
how unlike stars we are!

they have been there
for longer than the soil
under your feet can remember.
their timid flicker constant before our eyes,
an eternal pattern drawn on the dark skies.
while we, ephemeral beings, are born and die,
stars, forever above, watch, wise.

and yet, as the night falls,
as those stars seemingly shine
in perfect and close union,
in truth, they are most scattered
across the infinite Space.
while some, as far as can be,
are woven into mystical fabric
on the frontiers of the Universe
others are just within
a single galaxy's reach
(oh, to stretch my arms above
and touch a star's warm fingers!)

so when we lay our small heads
on the pliant grass
and turn our eyes up to the night sky;
when we see constellations made from those
eternal diamonds of light,
in truthful honesty,
we see a lie.
for stars are, for what it counts,
entirely alone.

(perhaps we are not so unlike stars, after all.)
Damaré M Aug 2013
Do you have to get high to feel more fly? 
Soft *** stoner 
I'm more blunt when I'm sober 
Excuse me to the real dudes who use ****
I know how it be 
But if you only smoke because it's trendy 
Right now your life is pending 
Because you not downloaded 
You buffering 
Losing connection 
I can't respect it 
Your life isn't hectic 
You had to use other folks addresses 
Just to get public school lessons 
Never got a suspension 
Detention because you wasn't paying attention 
You wasn't throwing pencils 
Or raising up dresses 
Or erasing the "warm up" messages
Or guessing during benchmark testing 
Word I heard you was a nerd 
And that's cool
But don't have tape in between 'yo glasses then grow up to gain bad habits 
That's backwards 
Thought life was all about progress 
You have a background which is flawless 
But for acceptance 
You start making exceptions 
I do it for the breathless 
And of my God I don't question 
Exclamation 
To all perpetuation 
But hesitation 
I don't condone perpetration 
Why dissemble on some **** that isn't providential?
Everyone who practically had no choice now want a way out 
Little *** kids you didn't even weigh in 
How did you find your way in? 
That's from real men being pliant
For all you cats who trying 
Stop 'yo lying 
When I'm around Amateurs come in silence 
Like what's a scavenger to a lion? 
About time for all of you late bloomers to become compliant
It's very difficult to do simple well:

Overthinking
is a folly of the Human condition
just as Underthinking
is a folly of these, our modern times.

We must remember
and return to the ways of
the Natural virtues:
Balance, Respect, Harmony, and Elegance.

Wu wei.

Let it be,
it is fine;
it is we
who need to be
pliant and yielding
all the while retaining
our own individual integrity.

Only then can we, as Humans,
reach our full potential:
It is within our ability
to become Gods. Titans.
Transcendents,
Enlightened Ones;
as Humanity,
the Enlightened.

Good Morning,
Global Consciousness.
So happy to see you've survived the unnaturally long Night.
I hope we remember our dreams;
we sure could use some right about now.
Third Mate Third Oct 2014
Cosplay Human

the art or practice of wearing costumes to portray characters from fiction, especially from manga, animation, and science fiction; a skit featuring these costumed characters
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
this cosplay of human we so oft effect,
movie projection of shaped variations,
semi-firm but mostly pliant,
bone not-so-hard-as-we-believe,
draped in skins of tissue pre-perforated,
we are forms that can last a century,
yet shrivel back to fetus in days,
for lack of simple water...

think human and know simultaneous,
billions of earth persona and
billions of cells in each
by  for  of -
the people,

each masked, each outfitted
in uniforms of differentiating gaps
more alike, all unique,
masses of differences of constructs same,
this cosplay is a preeminent miracle...

all of us
nakedly similar,
all naturally defiant of time,
all defeated by time, naturally...

this skit we play routinely,
costumed in a manner similar,
yet different, to distinguish ourselves,
and mark as group members
pretending to
vive la différence!

what import all this, pretty words
that tell us what we know instinctively?

just this...

I see you
perhaps you see me

changing my costume
not by choice,
still do not wear a
masque

my cells my words,
no cosplay,
my humanity on parade,
my file open to inspection

dare you visit the beginning,
when passion drove me,
the early version,
when I was not circumspect,
and my poems
were passion plays,
verifiable truths
and cosplay was not
part of my vocabulary
Dhaye Margaux Dec 2014
Lord, I bow down to You today
Whatever things that come my way
Please be with me, please always stay
Help me to be happy and gay
Despite of all the struggles each day
Of all the games of life to play
Make me stand, I don't want to lay
Like I am nothing day by day
Pliant like bamboo, here I stay
I only move like I do sway
But I will never fall and decay
And leave nothing in this world's array
So my dear Lord, these I say
Please guide me in this thorny way
To see beyond things in display
Let me feel You in  every bray
Let me see You whenever I bay
Show me Your light, show me the ray
The beam of hope, please I do pray
Let me escape from this shade of grey
Pull me from being astray
Set my feet to ride on Your dray
Going to where I should stay
A place for me with no more games to play
Instead pure love to offer each day.
For those who are seeking...
Hallelujah, I’ve found you
one I could have chosen.
Were your body pliant, capable
more slight, more saudrey
a subjectivity
easily disposed

I would be able to hold your breath, capture your voice
contemptuous, mocking and wholly undue
spending more than a half a day
being who you are would make me hate you--

But for a morning, maybe from eight to noon
I’d take on your face, look straight in you,
my mirror.
Shout out my name three times
with hope, I would appear,

without your bated breath
from jagged mirror, foggy-eyed by shower
I'd be able see me touch your body, glistening
parting your quivering lips for
myself inside, to feel your smile.

A phantasm to myself.

I want you, my significant other
my lover,
my ontological
displacement
of
milky
misfortunate
malaise.

Your substance is my fortuitous down-going.
My ship-sinking speculum.
Desire, mediated by a lack of being-there.

Klage.
MMXII

this is a ****** poem...
ChawzzyScript Mar 2013
Then said Almitra, “Speak to us of Love.”

And he raised his head and looked upon the people, and there fell a stillness upon them.

And with a great voice he said:
When love beckons to you follow him,
Though his ways are hard and steep.

And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And when he speaks to you believe in him,
Though his voice may shatter your dreams as the north wind lays waste the garden.

For even as love crowns you so shall he crucify you.
Even as he is for your growth so is he for your pruning.
Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,
So shall he descend to your roots and shake them in their clinging to the earth.

Like sheaves of corn he gathers you unto himself.
He threshes you to make you naked.
He sifts you to free you from your husks.
He grinds you to whiteness.
He kneads you until you are pliant;
And then he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast.

All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life’s heart.

But if in your fear you would seek only love’s peace and love’s pleasure,
Then it is better for you that you cover your nakedness and pass out of love’s threshing-floor,
Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.

Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed;
For love is sufficient unto love.

When you love you should not say, “God is in my heart,” but rather, “I am in the heart of God.”
And think not you can direct the course of love, if it finds you worthy, it directs your course.
Love has no other desire but to fulfil itself.

But if you love and must needs have desires, let these be your desires:

To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.

To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love’s ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.

-----Kahlil Gibran
One of my favorite poems, from one of my favorite books of prose!
The "Incomparable" Kahlil Gibran
Atoosa Mar 2017
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And when he speaks to you believe in him,
Though his voice may shatter your dreams as the north wind lays waste the garden.

For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.
Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,
So shall he descend to your roots and shake them in their clinging to the earth.

Like sheaves of corn he gathers you unto himself.
He threshes you to make you naked.
He sifts you to free you from your husks.
He grinds you to whiteness.
He kneads you until you are pliant;
And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast.

All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart.

But if in your fear you would seek only love's peace and love's pleasure,
Then it is better for you that you cover your nakedness and pass out of love's threshing-floor,
Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.
Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed;
For love is sufficient unto love.

When you love you should not say, "God is in my heart," but rather, "I am in the heart of God."
And think not you can direct the course of love, for love, if it finds you worthy, directs your course.

Love has no other desire but to fulfill itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.


Kahlil Gibran
From The Prophet
Ren Sturgis Jul 2022
Puppy, Play, Pet, Pleased
I sit on the floor next to you my head in your lap as you caress my hair.
So soft and pliant underneath your fingers.
I nuzzle your thigh and you cup my cheek.
"Such a good sweet boy."
I melt under your praise.
"Look at me.", and as I do you kiss my forehead, my eyelids, my nose, my chin, and my slightly parted lips.
I'm yours completely.
You lead and I follow.
Every step I fall for you.
Deeper, my heart is in your hands.
A red ribbon seems to bind us together.
Consent, Content, Connection, Calm.
5/28/22
MRQUIPTY May 2016
moving and tripping gently to your side
my face oblique, sweetly set, decries.
direction set by pointing intention
if there's passion it's of my declension.

meekly set and paler than a daisy
defenseless some man incited tupour,lazy.
you are easily rolled by part made bold
absent lust . closed. resist ****** cold

barriers hold until scent comeliness
my gentle sincere words do espress
fluid accompaniment of hands
brought together applause in lands

where acorns ride on veiny rods
and lovers smother the others sobs
Simon Soane Dec 2013
With a clamor of disorder a raised voice heard,
pompous and **** it begins to emerge,
he starts with,
"I don't understand this obsession with television
you're numbing your brains with perfect precision,
vegging like zombies consuming mind corrosives
numbing your senses with cabbaging explosives.
You are passive and dull clapping like a seal,
have a word with yourself, IT'S NOT EVEN REAL!!
It's nonsense intended to diminish your soul
makes you pliant and supple, never breaking your mold"
He pauses and sips then gleefully splurges,
"My head would never be satisfied with the basest of urges.
I spend my free time reading or immersed in the arts,
i cleanse my essence and strengthen my heart.
I visit wonderful worlds full of joy and compassion
where people love well what's front and what's past them,
the flaws and the soars of the human condition
are painted out in strong and perfect position,
stupendous rendition.
So while you glaze your iris with images galore
and turn your mind's eye from vibrant to snore
i have beauty coming out of my pores.
But you stick with your idiot box"
he knowingly mocks,
swings down his drink
and finally stops.
There is silence for seconds but then somebody says,
"I disagree with your there in quite a few ways."
She comments,
"Although i think reading reveals amazing truth,
enriching life with strokes drawn loose,
conveying love with all that it brings,
grief and stillness and magical things.
And i concur that art is a window into the soul,
running with life and filling the holes
but telly can also tell the things that they told.
He guffaws with derision and says with pride grown fat
"pray do tell what TV show could do that."
she replies
"There's a show where a girl is given a tremendous burden,
her present hectic and future uncertain,
she stands between the world and inevitable doom
while going to school and being sent to her room,
she worries about hair and being the object of mirth
while still being scared but saving the earth.
She has people around her who are courageous and clever,
and stand by her side whatever the weather.
One would feel useless and small
but then buy the dress so you can go to the ball.
The other sent to watcher and keep his distance
but for the pull of affection there is no resistance.
Red held the fate of the world in her hands
when her world ended and crumbled like sand,
but she used all her magic and not to float a pen
but to stand back up, to love again.
Her sister was a key and her duties a lock
sometimes she began to rock
she had a day that we will all have
where something is lost and will never come back,
outside it's sunny with hoots of oddity
inside it's seconds from mommy to body,
and this happens,
unlike her it will not be gentle,
it will invade everything
and evade courtesy
and want.
But this is because of love,
and what it does.
Mast casting,
everlasting and there to see,
and in a show on TV."
She has a slight pause and then remarks
"It could be drenched in sadness and resplendent with larks,
many vampires slain and demons destroyed
moments of weakness, feelings to avoid.
She could plough the fields and never till them,
admit her mistakes...i'm sorry William.
She could be class protector
she could be surprised
she could lie with you until sun rise
she could die for the world and take out the glory
she would run from her problems but always finish the story,
she'd get you down from a tower
with words not her power,
her screams send the bad gentlemen away
because she is stronger then them, everyday,
she has kindness
and a best and a worst
can burst into song and be effulgent in verse,
told she's a a hell of a woman and the one
and returns the i love yous on the day that he's gone,
and through the screen and this TV plot
is written with love how she saved the world...alot.
You might like books
but Buffy is great
an endeavour of joy, an affront to the hate."
The man composes himself and then says without regret
"It sounds ******* brilliant, i'll get the boxset!"
Zach Gomes Feb 2010
Amid the white notebooks dotting my desk
hides a half-drawn sketch
laying down some image of an ideal poem.

It sits incomplete, but the plans I made
surface to my vision—
a sturdy poem of stubborn build,

words, pliant, sad, and simple
deft-attached, vine-like wrapped
around bamboo scaffolds astride black steel framing.

Dangling from two pinched fingers,
the sketch has yet to display
its mid-sized trees (for scale)

and the few more floors envisioned.
It could house with ease
a teeming, drunken mass

of patients with a fear of heights
and post-traumatic stress.
The burn of my popped lighter

curves over the paper plane where the grassy lot’s drawn,
where my hired architect would stand
and plan the façade, no windows.

His blueprints would radiate the math
of symmetric perfection
found symbolic of its New-Age form.

Designers would be flown in
from around the world,
contractors would be called.

And the sheer simplicity of it all
would test their expertise
challenged at last by the spire and final stanza

which, if drawn, would only now
be caught up by the flame
casually ribboned across the page.
Maya Grela Jul 2015
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And when he speaks to you believe in him,
Though his voice may shatter your dreams
as the north wind lays waste the garden.

For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.
Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,
So shall he descend to your roots and shake them in their clinging to the earth.

Like sheaves of corn he gathers you unto himself.
He threshes you to make you naked.
He sifts you to free you from your husks.
He grinds you to whiteness.
He kneads you until you are pliant;
And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast.

All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart.

But if in your fear you would seek only love's peace and love's pleasure,
Then it is better for you that you cover your nakedness and pass out of love's threshing-floor,
Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.
Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed;
For love is sufficient unto love.

When you love you should not say, "God is in my heart," but rather, "I am in the heart of God."
And think not you can direct the course of love, for love, if it finds you worthy, directs your course.

Love has no other desire but to fulfill itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Jamie Richardson May 2017
Deaf ears, deaf ears they fall on
The axe blows to the tree go unnoticed, until ever too late.

But a final giddy cut will awaken us
So that we will have the pleasure of being conscious, as we fall.

But Rome wasn't felled in a day
There was no sudden explosion
It's the drip, drip, of erosion that end's a history

But there were always heralds and signs
Ignored visions that glowed in my mind, like a villa on fire.

That toothless grin, destroying marbled beauty
And your pliant face, happy to be held in those calloused hands.

— The End —