Poems about Icarus

These are poems about Icarus, flying and flights of fancy...



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps

and *****
its white rebellious wings,
and all

the houses watch with baffled eyes.



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
, upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide

heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle...

Feathers and wax
and the watchers huddle...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than Moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!

Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam’s Song” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess or wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, etc.). In the final stanza Icarus agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one along the way, no matter how intensely they glow and radiate. The poem can be taken as a metaphor for the death and rebirth of Poetry, and perhaps as a prophecy that Poetry will rise, radiate and reattain its former glory...



Free Fall (II)
by Michael R. Burch

I have no earthly remembrance of you, as if
we were never of earth, but merely white clouds adrift,
swirling together through Himalayan serene altitudes―
no more man and woman than exhaled breath―unable to fall
back to solid existence, despite the air’s sparseness: all
our being borne up, because of our lightness,
toward the sun’s unendurable brightness...

But since I touched you, fire consumes each wing!

We who are unable to fly, stall
contemplating disaster. Despair like an anchor, like an iron ball,
heavier than ballast, sinks on its thick-looped chain
toward the earth, and soon thereafter there will be sufficient pain
to recall existence, to make the coming darkness everlasting.



Fledglings
by Michael R. Burch

With her small eyes, pale and unforgiving,
she taught me―December is not for those
unweaned of love, the chirping nestlings
who bicker for worms with dramatic throats

still pinkly exposed, who have not yet learned
the first harsh lesson of survival: to devour
their weaker siblings in the high-leafed ferned
fortress and impregnable bower

from which men must fly like improbable dreams
to become poets. They have yet to learn that,
before they can soar starward, like fanciful archaic machines,
they must first assimilate the latest technology, or

lose all in the sudden realization of gravity,
following Icarus’s, sun-unwinged, singed trajectory.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins... thus, Her jeers.



Notes toward an Icarian philosophy of life...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict...
torture a confession from him,
get him to admit, “I did it!...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed―

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?―

the higher you “rise,” the more halting?



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay―
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites―amazed,
in dream of shocks that suddenly came true...

but came almost as static―background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away―
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom (All-Star Tribute), The Fabric of a Vision, NPAC―Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals(Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks, A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ―― extend ――
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ―――――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.

Published by Chrysanthemum, Poetry Super Highway, Barbitos and Poetry Life & Times



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem that I believe I wrote as a high school sophomore. But it could have been written a bit later. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! ― MRB



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring―
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.

Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?

You watch it as it disappears;
its plaintive calls cut through you.

The indignant crows ignore you both:
the bickering, bantering multitudes.

Du Fu (712-770) is also known as Tu Fu. The first poem is addressed to the poet's wife, who had fled war with their children. Ch'ang-an is an ironic pun because it means "Long-peace."



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam―
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.

Po Chu-I (772-846) is best known today for his ballads and satirical poems. Po Chu-I believed poetry should be accessible to commoners and is noted for his simple diction and natural style. His name has been rendered various ways in English: Po Chu-I, Po Chü-i, Bo Juyi and Bai Juyi.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
―Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
―Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
―Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
―Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
―Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
―Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
―Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
―Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
―Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
―Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
―Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
―O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
―Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height―
our ancestors’ wisdom
―Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
―Yosa Buson, loose translation/interpretation by Michael R. Burch



Critical Mass
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.

"Gravity" and "particular destiny" are puns, since rain droplets are seeded by minute particles of dust adrift in the atmosphere and they fall due to gravity when they reach "critical mass." The title is also a pun, since the poem is skeptical about heaven-lauding Masses, etc.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss―
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back―
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts―
this way and that...

Contentious, shrewd, you scan―
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
―spinning its chrysalis,
gluing rough seams―

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works―
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence―one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving―immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,

and teach the pallid poem to seethe.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same―
light captured at its moment of least height.

You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh―
but something more, made less. Your humanness
this moment of release becomes a name
and something else―a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
―jarring interludes
of respite and pain―
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed

into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Lines for My Ascension
by Michael R. Burch

I.

If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.

If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.

If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.

And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review



Keywords/Tags: Sports, locker, lockerroom, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation


Keywords/Tags: Icarus, Daedalus, flight, fly, flying, wind, wings, sun, height, heights, fall, falling, ascent, descent, imagination, bird, birds, butterfly, butterflies, hawk, eagle, geese, plane, kite, kites, mrbfly, mrbflight, mrbicarus

: Don't pelt on me ,
The stone of your ignorance ,
it hurts me and hurts me alot.
Me and my silence still gazing.
I am already broken into pieces.
Your enthusiasm suddenly change into hatred.
now from where I will bring
those dareness to face these kind of pebbles. I have tried to save myself
to Turn my face around but i couldn't bare to do it.
Did you ever felt it
how i am getting hurt...of your pelting .
..blood of tears countinuously
come out from the eyes.
I am tired to wipe it so many time but I am failed.
Your pelting makes so many invisible wounds that no one can see
till then you cant felt it like me.
your passing through besides me
I do stand every day with my seeking eyes when will you walk from here and look here
to make me comfort with your beautiful eyes, but it was only a expectation
which always turn into Ignorance. ... somewhere you have broken me ,
abandoned me..where ever you live my dear , whether it is close or far away from my me you are always in my eyes.
I am those who are facing your hatered.
O my today's stranger. .
.go away wherever you want to go.
Live wherever you want to live..
i have loved you and it is part of the fact of our together journey.
You have broken me into pieces
with your pelting.
.but I want No one ignore you.
. No one hurt you
due to pelting as you did
With me. ....MGO

Minnehaha Park is hot in the summer
Even by the water
Who knew it would be so hot
Even down by the water?
But all of it is hot

And there are acorns everywhere
Scattered on the ground
Below our butts as we try to sit
And have a little picnic
On a brightly checkered blanket
Between two tall trees
That tower above us
And grant us shade
While pelting acorns down
Into our cheese and crackers

And fancy rosé wine
Whatever that means
I thought wine was wine
But I guess they have personalities
Like people
Like couples
Some things pair well together
Like my crisp pineapple and cheap ******' pizza
Or your stinky blue cheese and weird cookie-like *******
Like us

And the cheese sits on a green marble slab
Elegant as ****
Because that's just who you are
But that marble slab sits on top of a pizza box
Simple as ****
Because that's just who I am
And we pair well
On this hot *** summer day
While we drink rosé
And "I love you" is all we say
Because sometimes we don't have to say anything
We're okay without words
In the middle of a park
On a hot *** summer day

I love when The rain pelts me hard it makes me laugh the harder it rains.Doesn't it sound insane well I liked that pain it wiped away the memories I wish could fade even though there was still a strain It all felt okay In the Glorious rain.I could feel no Pain Yes Maybe I was insane.But It's okay now because I no longer feel my old pain.Yet I still miss my friend the pelting rain.

We don’t really understand

How atoms behave;

Or infinity;

Or how winds carry the seasons -

Like ‘Olde April ‘ with it’s 'showers sweet' !

Yes, I’ve felt them...



The clean stinging scent of rain

Scratching at the earth,

Pelting aromatic plants,

Condensing the smells of seas, winds, continents;

Infusing the sum of all these aromas in its perfumery,

Marketing it: April, again.



And Eliot said,

There be April,

'The cruellest month'.

Oh my (!)

Appealing April, with its sunny flavours,

Cascades of cats & dogs,

And dead-eye jack,

Firing frosts that just might spend the tender herb.



It was snowing in April,

And Easter was early, that year

When I took Schrödinger’s cat walking

On a leash, And April was still new,

And capable of shocking...



Now any month - could bring pitiless ruin.

The year annually

Out of step with migratory designs,

Throwing epithets out of its greenstick pram,

Its months in disarray ,

No-one knows what’s going on...





The drunkard earth sups up it’s own tears,

Reeling in its spin,

Until,

Saturated,

It can drink no more,

And every dip fills,

Every meadow spills,

Banks overflowing,

Its resolve drowning,

Questions washing

Up like a tide of interrogative curiosity.



OK – so I am really hiding in my acres...

At least I can tell - it’s April !



Enquiring lily-of-the-valley,

Puts up green periscopes.

Peering through the sodden grass,

The remnants of last year’s soggy leaves,

Cosset primrose & ramsons.

Daffodils are past their best, but soldier on

Like hungover squaddies,

Snowdrops have fat capsules where white drops shone,

Hellebores have been up since the crack of time -

Good movers - they could dance all spring!

Dingles are glinting green with native bluebell leaves,

And their mophead mates have muscled in the garden,

Quiet violets lounge on the field’s chaise long,

Coy, understated,

How British!

Oxlips and cowslips join the brave primroses

Who have been on the razzle for weeks.

White & purple lilac in green cassocks,

Will soon burst out

Like kiss-o-grams.

Boughs hung with clematis,

Still tiny shoots like birds on wires.



I am giving a prize for the first celandine on my patch;

Each little celandine - Rannunculus ficaria - is

A miniature sun uttering: Oi! You up there, old currant bun!

Here’s the template for a perfect summer sky !

The suns light gleams on the golden Fall trees
Casting speckled shadows on the parched ground
But the pelting rain makes the season freeze.

Birds keep warm from the frigid Autumn breeze
Chirping to the heavens with serene sound,
The suns light gleams on the golden Fall trees.

Crimson and amber color the dry leaves
Where tracks of limber deers forever are found
But the pelting rain makes the season freeze.

Aspens begin to shiver and wheeze
But the horizon glows from all around,
The suns light gleams on the golden Fall trees

Crisp winds blow from the mountains to please
Those who find Fall’s vibrant hillsides unsound
But the pelting rain makes the season freeze.

No other time of year will life appease,
Leaving the air full of spice to surround
The suns light gleams on the golden Fall trees
But the pelting rain makes the season freeze.

(A Reminiscence, 1893)

She wore a ‘terra-cotta’ dress,
And we stayed, because of the pelting storm,
Within the hansom’s dry recess,
Though the horse had stopped; yea, motionless
     We sat on, snug and warm.

Then the downpour ceased, to my sharp sad pain,
And the glass that had screened our forms before
Flew up, and out she sprang to her door:
I should have kissed her if the rain
     Had lasted a minute more.

Dedicated to the Steelers who do their hard work so well.

The Pier five superstructure
Looms above the turgid waves,
Gothic cranes do hover close
To service needs of orange knaves
Who swarm to manufacture,
Who work to make complete
This massive bridging edifice,
This mighty engineering feat.

Cathedral like in grey austerity
Freezing zephyrs howl and blow,
Through the maintenance shaft tunnels,
Through the bridge's bowels go.
The catacombs are echoing,
Stark light's reflection deep
In corridors of baleful concrete
Through which angled cause ways sweep.

A forest of reinforcing rods
Stand starkly high and straight,
Atop adjacent pylons
Which arise from deep mud's gate.
Hazard lights are flashing
Amber, green and blue
As north east gales bring pelting rain
To obliterate the view

The tattooed hands of black skinned steeler
Twitch the wire to make the loom,
Lattice works of reinforcing
Blackened mesh of iron entombed.
Hard to fathom steeler's chatter
Bending low to twitch by feel,
Working fast in noisy unison
Twitching reinforcing steel.
Pliers flash in rapid movement
Wrist's convulse in rapid slap
Unintelligible chatter flows
But the job is finished, just like that.

Skill saw screams in echoed silence
Booming blows of hammers pound,
Pipe work's resonance percussion
Tempered by a sad song's sound.
Great concussions pound the air
As towering cranes do drive,
Enormous pylons into mud
And bedrock's solid hide

The mighty form travellers moving
High above cold estuary waves,
Reaching forth for unbuilt mana
It's red extension arm enclaves
Providing for the next poured section,
Providing for the next steel work,
Reaching out for firm embrace
Where Pier four's form travellers lurk.

The pungency of solvents spread
Across the steel plate, made to last;
Barrier to adherence of
The sticky concrete's surface cast.
The form work archway's wooden shell
Adopts a high cathedral stance,
This bride in waiting nervous for
The concrete pumps lithe serpent dance.

An unyielding environment
A hard surfaced place to be
Where materials of venom
Are handled casually.
Where massive superstructures
Unforgiving in their stance
Lead the busy, ant like steelers
In their lofty, hard days prance.

To look across Pier Five's expanse
And view the surface cant,
And visualize the future motorway
With it's headlong traffic rant;
And look again at what is spread
Across it's surface now,
At the jumbled reinforcing steel,
The cables, tools and how,
Organizationally chaotic
The whole affair appears ???
Whilst in actuality, my friends,
This clockwork sequence has no peers.

With the roar of passing traffic
As the headlights flash on by,
And the Pier's massive cantilever
Looms impossibly to sky.
One must praise the skilled designers
And those engineers of skill
Who summount vast odds of nature
To scale this monumental hill.
As this mostrous concrete edifice
Claws inexorably from tide,
To loom in towering sillouhette
Where estuary mists abide.

Marshalg
onsite@Pier5
Manukau Harbour Crossing
29 June 2009

I planted a cherry tree
Four seasons back
In a morose rain
Pelting sharp upon nimble naked boughs
And rows, of wild berries
Running amuck in an unruly strain.

The tree is a full bloom now
Of white satin flowers
Swirling against a beaming blue

Tonight, as night keeps a vigil over my eyes
I get under my squally Cherry Tree
And suddenly I see it ailing
Sick old moon peeps through its branches
And I hear them crackle, not clear though
Moaning unobtrusive, through a wicked grin.
The moon lingers on long
Shining painfully in the womb of night.

I feel the stiffening wood coagulate in my veins
As blackness suffuses unbridled
In the cold wilderness of mind.

April never was summer in Kashmir
Look unto these dark skies
Those pierce the ether yet once more
Pelting mercilessly upon
The ailing, armourless beings
Whereby the cruel moon grins
And my heart wilts with each withering flower
Knocked down in the mud by
The unsparing shower.

Tears trickle down the smeared petals
And I collect them into my eyes
Till the plethora can no longer be contained
I let them fall
Into the capacious ***** of earth

And in this cruel April rain
My Cherry Tree shivers.
Moans. Weeps. Over me.

She sat by the window, with the rain pelting the foggy glass, breathing hot air into the cold. She took her finger and slowly ran it across the pane, pushing away the gathered dew and then running her fingers up, down, up, down. G O N E sprawled in messy cursive. Her thoughts were as dreary as everything surrounding her. It was as if the rain was complementing her. After all, if it was sunny, depressing thoughts would be banished to the back of her head.

They had all left her, her past lovers. Their words echoed across the wooden floor, false promises stealing pieces of her heart until the outer shell was the only thing that remained. It was beautiful really. Her shell was so delicate, like a bottle tossed into the ocean, broken and grinded against the sand and rocks, until it finally rested on a beach somewhere, all edges smoothed. She was seaglass, a reminder of the past, but beautiful.

the first told her that she was an angel, just one without wings. “But that’s ok” , he said, “sometimes there is no need to fly”. He found a  single mom on concord avenue two weeks later. She got child support. He bought her a ring soon after.

The third she met in the winter, where for months, white was the only variation of color. He liked to push her on her sled, but he laughed with more joy when he pushed her down the stairs. Red was the second color discovered that winter.

The fourth was the last. His love aged like a plum, darker and sweeter each week she was with him. He stroked her knee with his fingers when they sat upright at the doctor’s office, and he stroked her neck with his lips as she cried, laying horizontally on his bed. “Where did you get the scars on your back?”  he would murmur into her skin.

“I fell down the stairs once”,  she would whisper in the direction of his voice, her words floating in the darkness of the bedroom. The tip of his thumb would run down the pale pink scars, but she wouldn’t feel him there, that part of her had become numb long before. He left her two years later, his side of the room empty except for the spare key resting on the mahogany side table. His smell still lingered carelessly on her pillow.

Whenever it rained, she sat at the window, shadows gathering at her feet.

There’s a place, where licorice vines have climbed,
Deep in the night, that only children can find;
Where leaves of waxed paper on trees are hung,
And what grows on the branches is sweet to the tongue.
Garlands of butterscotch, chocolate, and mint,
In their bright wrappers, sparkle, and glint;
Bubbling springs of sarsaparilla, through the valley are poured,
Washing sugar beaches with reeds of sour chord.
Swedish fish swim in soda geysers with bliss,
While fizzing pop-rocks spurt, spittle, and hiss.
Sunset clouds of cotton candy sweep past in the sky;
Trees sway in the delicious breeze that smells like apple pie.
Skies will rain down skittles, when there is a storm,
Pelting molasses window panes in a giant swarm;
Sour gummi worms are dug up, free to take,
In the grainy, nutmeg layers of the coffee cake.
Carmel creams, Mary Janes, Black Jacks, and Almond Joys,
Coconutties, Jawbreakers, Carmel Rolos and Long Boys--
All these grow, in lines straight as peppermint sticks,
Planted in brown sugar, on fields of cinnamon toothpicks;
But when the sun lets out its first ray,
The entire land just melts away
And children don’t remember where they’ve been,
That whole night asleep, but they wake with a grin;
And through the whole day, their dreams will entice,
Until they visit again, the Land of Sugar and Spice.
8/9/11

It's raining ever so lightly out on the street
The tiny water droplets are pelting the ground, shattering as they meet
The ants scatter away, their colony deep underground
The birds take cover under a tree without making a sound
The air is warm, the ground is wet
Mother nature is soothing and calm and hasn't destroyed mankind yet.

The Creator looked at the elephant and said:
I made you big so you could be gentle
To the mouse he said: I made you small
so you could walk tall
But over millions of years you two could exchange
places and one become the other.

I know I shoved the lot of you in an Ark
Because Noah was being a pesk asking for rain
when his washing machine ran dry
So I had to fill the oceans to stop that old man
from complaining all the time. Besides I needed the bark
from the trees of the Ark to make me  a small tug boat
to carry some DNA samples of my own, in case,
the lion ate the cow, the tiger chewed on the cat
and the fox tricked the rest with his cunning ways
You see, my friends, there was no grass, or snakes
or bird cages, or trees for the monkeys to swing on.

I thought of many things before I gave the building plans
to Noah and his sons. Only one was a builder the rest
were bums, who never held a hammer or learned how to
tie two bits of trees together, leave alone building
an ark to hold the worlds whole creation.Thankfully
there were no real estate agents pushing the price up
or bankers charging interest. The mafia thought of charging
an entrance fee for each pair, but before they could do that the rains came pelting down and the tickets got washed away in the storm.

So you see the Ark was a joint venture between
The Americans and Chinese and Indians
because they were willing to multiply quicker
than the rest once Mt Sinai rose up to meet the
oak leviathan from underneath.

And so my dear elephants and mouse
and fox and snake and bird and
lion and tiger. Noah and his wonderful Ark
was a script written well ahead so that Russell Crowe could get
a part playing Noah in a computer generated extravaganza
where only the actors and actresses who could afford
to pay a price to be in it - were involved.

The rest of mankind be ******.

Author Notes

Quirky.
© Marshall Gass. All rights reserved.

On the wind of January
  Down flits the snow,
Travelling from the frozen North
  As cold as it can blow.
Poor robin redbreast,
  Look where he comes;
Let him in to feel your fire,
  And toss him of your crumbs.

On the wind in February
  Snow-flakes float still,
Half inclined to turn to rain,
  Nipping, dripping, chill.
Then the thaws swell the streams,
  And swollen rivers swell the sea:--
If the winter ever ends
  How pleasant it will be.

In the wind of windy March
  The catkins drop down,
Curly, caterpillar-like,
  Curious green and brown.
With concourse of nest-building birds
  And leaf-buds by the way,
We begin to think of flowers
  And life and nuts some day.

With the gusts of April
  Rich fruit-tree blossoms fall,
On the hedged-in orchard-green,
  From the southern wall.
Apple-trees and pear-trees
  Shed petals white or pink,
Plum-trees and peach-trees;
  While sharp showers sink and sink.

Little brings the May breeze
  Beside pure scent of flowers,
While all things wax and nothing wanes
  In lengthening daylight hours.
Across the hyacinth beds
  The wind lags warm and sweet,
Across the hawthorn tops,
  Across the blades of wheat.

In the wind of sunny June
  Thrives the red rose crop,
Every day fresh blossoms blow
  While the first leaves drop;
White rose and yellow rose
  And moss-rose choice to find,
And the cottage cabbage-rose
  Not one whit behind.

On the blast of scorched July
  Drives the pelting hail,
From thunderous lightning-clouds, that blot
  Blue heaven grown lurid-pale.
Weedy waves are tossed ashore,
  Sea-things strange to sight
Gasp upon the barren shore
  And fade away in light.

In the parching August wind,
  Cornfields bow the head,
Sheltered in round valley depths,
  On low hills outspread.
Early leaves drop loitering down
  Weightless on the breeze,
First-fruits of the year's decay
  From the withering trees.

In brisk wind of September
  The heavy-headed fruits
Shake upon their bending boughs
  And drop from the shoots;
Some glow golden in the sun,
  Some show green and streaked
Some set forth a purple bloom,
  Some blush rosy-cheeked.

In strong blast of October
  At the equinox,
Stirred up in his hollow bed
  Broad ocean rocks;
Plunge the ships on his *****,
  Leaps and plunges the foam,--
It's O for mothers' sons at sea,
  That they were safe at home!

In slack wind of November
  The fog forms and shifts;
All the world comes out again
  When the fog lifts.
Loosened from their sapless twigs
  Leaves drop with every gust;
Drifting, rustling, out of sight
  In the damp or dust.

Last of all, December,
  The year's sands nearly run,
Speeds on the shortest day,
  Curtails the sun;
With its bleak raw wind
  Lays the last leaves low,
Brings back the nightly frosts,
  Brings back the snow.

The violet sky stood bashful against the dimming horizon. Stark trees sprang from the ground, flourishing in dots midst the blushing stars.

Street lights flicker on, reminding me of how mom didn't have to yell for me to come home, the lights whispered it to me, carried in the caressing breeze.

I'm reminded in the spring, of the day me and my friend ran into the pelting rain and jumped through puddles, soaking our bodies in high pitched laughter and impending colds.

I'm always reminded in the summer months, how everyone including myself, preferred water from the hose over water from the tap. Or how we'd run rampant through the field behind my house, screaming against the heat.

The broken sidewalk reminds me of the time when we all thought we were cool for trying to smoke cigarettes we stole from our parents.

I fell in love with patches of clovers more than that of a boy's selfish smile. I was more in love with the act of collecting lady bugs as pets rather than holding a hand pushed into mud.

I preferred shallow swimming pools over the small voice of a boy asking me if i had other friends like them. Or how the beam of the sun was better than the beam of a slender, pale face with blue eyes.

Blind and innocent children, we fell in love with things we could touch or splash in. We fell in love with the beautiful colors and characters in our favorite Saturday morning cartoons. When we weren't playing cops and robbers, we were lost in a world of SEGA and Super Nintendo 64. We were infatuated with a world that never altered, but our vision cleared of.

We were saturated in a time where our only big worry was making sure we got our recess time. And when the smog cleared we realized our biggest worry was making our parents proud.
And it seems that it should be the other way. We should be proud of the kid our parents raised.
But ultimately, the monsters under our beds became the demons in our heads.
And the kid your parents raised
slowly became the kid you wish your parents never had.

There won't be a day in my life where i wish i could fall in love with the sound of an ice cream truck, or the animals at the end of my bed again.

To start --
being an adolescent with autumn eyes,
seeking a prophecy for long-standing bravery
to further the spinning spokes for minutes, five more,

I burned the drapes to reveal a humanity only I could see.

The expectations were elaborately existing, unsatisfying. Sons
and fathers, years refrained from matters
that reverse reverse reverse curses and maturity
without purpose.

Those idle accepted neglect, and the existence of an
unsalted bridge was quickly detained. Alone, the foolish described
to search for the future in geometric formation and coffee ring
stains fading the desk.

But the sense proposed in my decided equality drank dignity
straight from the bottle. The road that lead me between two cliffs,
Propriety and Statistics, with the rocks already pelting down,
could not diminish my enthusiasm for necessary absurdities.

There's no flesh in declared mediocrities.

I became a luminary for pleasures of eminence, hope with resolve,
opportunities in destiny. Blind gambles obliged the fear of exacting
sensibility. Passionate follies created no-regret-consequences,
satisfied stability. Only the **** are granted victories in eternal gaiety.

Mortality is irrelevant if you let mystery be your urgency.

You closed the door,
But I was standing on the other side.
With shivering lips and numb fingertips,
You made me hide.
Peeking behind trees,
Crouching to where I cannot be seen,
A ghost with a pale face,
Living among the evergreens.

Hiding so you won’t see me,
Shaking with fear.
The pelting rain,
Blending with my tears.
I see your shadow,
But fog covers the glass.
You were my first,
And now my last.

You are no longer my sun,
And rainy days have surely come.
Stumbling in 5 inches of deep regret,
but I have not fallen yet.
I miss your sunshine,
I was always the clouds.
Keeping your rays for myself,
But sometimes two is a crowd.

My lips still ache,
To one day whisper your name.
Until then my heart will break,
The world ends in flames.

My heart is as vast as the earth I now stand on.
I love with the might of seas that rage,
In the same manner so my heart breaks.
With rough tumbling crashes of waves pelting my fragile body.
Defenseless to the matters of the heart.
Pain felt in sickness or battle, none can compare.
To the pain that just is, not to be felt in one place, but destroys the whole being.
To be broken hearted is to feel abandoned by love.
The feeling of death though still alive.
Is there a place where we may go to escape the feeling within?
Is there a river where we may go to drown the pain that lingers and threatens to destroy our souls?
The crippling feeling of nothingness taking over with every breath.
Suffocated by the very air that we breathe.
I want to leave this land.
This land that is scorched by tears and agony,
Ravished by betrayal and loss.
Destroyed by the selfishness of man.
My heart longs to go back home.
To the place where danger was unforeseen.
Where love smiled so beautiful.
So beautiful that my strength left me as it did Solomon in the days of old.
As I fell weakened to my knees,
The wraith of murdered love crept in and gutted out my very heart,
Stolen in the night.
My only hope at this hour is that my heart seeks its abode,
And returns to the place where it once slept in the comfort of love.

This world will throw road blocks in your path
Disguised as people.
People masked with love and honesty
Men and Women adorned with fair hair and a sparkling smile.

This world will throw boulders into your path
Marking you with kisses and scars
Swaying you to stray from your goals
Asking you to give up your morals.

This world will send storms into your path
To push you back
And off the road
To hold you down.
Though through all of this,
We continue to walk
To run
Onwards.
Away from their grasping hands
And through the pelting rain and hounding thunder.
Toward the horizon shining with the ever-present idea of hope.
-ALC April 8, 2019

Notus in fratres animi paterni.
                       Hor. Carm. lib.II.2.

A blesséd lot hath he, who having passed
His youth and early manhood in the stir
And turmoil of the world, retreats at length,
With cares that move, not agitate the heart,
To the same dwelling where his father dwelt;
And haply views his tottering little ones
Embrace those agéd knees and climb that lap,
On which first kneeling his own infancy
Lisp’d its brief prayer. Such, O my earliest Friend!
Thy lot, and such thy brothers too enjoy.
At distance did ye climb Life’s upland  road,
Yet cheered and cheering: now fraternal love
Hath drawn you to one centre. Be your days
Holy, and blest and blessing may ye live!

  To me the Eternal Wisdom hath dispens’d
A different fortune and more different mind—
Me from the spot where first I sprang to light
Too soon transplanted, ere my soul had fix’d
Its first domestic loves; and hence through life
Chasing chance-started friendships. A brief while
Some have preserved me from life’s pelting ills;
But, like a tree with leaves of feeble stem,
If the clouds lasted, and a sudden breeze
Ruffled the boughs, they on my head at once
Dropped the collected shower; and some most false,
False and fair-foliag’d as the Manchineel,
Have tempted me to slumber in their shade
E’en mid the storm; then breathing subtlest damps,
Mix’d their own venom with the rain from Heaven,
That I woke poison’d! But, all praise to Him
Who gives us all things, more have yielded me
Permanent shelter; and beside one Friend,
Beneath the impervious covert of one oak,
I’ve rais’d a lowly shed, and know the names
Of Husband and of Father; not unhearing
Of that divine and nightly-whispering Voice,
Which from my childhood to maturer years
Spake to me of predestinated wreaths,
Bright with no fading colours!
                                               Yet at times
My soul is sad, that I have roam’d through life
Still most a stranger, most with naked heart
At mine own home and birth-place: chiefly then,
When I remember thee, my earliest Friend!
Thee, who didst watch my boyhood and my youth;
Didst trace my wanderings with a father’s eye;
And boding evil yet still hoping good,
Rebuk’d each fault, and over all my woes
Sorrow’d in silence! He who counts alone
The beatings of the solitary heart,
That Being knows, how I have lov’d thee ever,
Lov’d as a brother, as a son rever’d thee!
Oh! ’tis to me an ever new delight,
To talk of thee and thine: or when the blast
Of the shrill winter, rattling our rude sash,
Endears the cleanly hearth and social bowl;
Or when, as now, on some delicious eve,
We in our sweet sequester’d orchard-plot
Sit on the tree crook’d earth-ward; whose old boughs,
That hang above us in an arborous roof,
Stirr’d by the faint gale of departing May,
Send their loose blossoms slanting o’er our heads!

  Nor dost not thou sometimes recall those hours,
When with the joy of hope thou gavest thine ear
To my wild firstling-lays. Since then my song
Hath sounded deeper notes, such as beseem
Or that sad wisdom folly leaves behind,
Or such as, tuned to these tumultuous times,
Cope with the tempest’s swell!

                                                These various strains,
Which I have fram’d in many a various mood,
Accept, my Brother! and (for some perchance
Will strike discordant on thy milder mind)
If aught of error or intemperate truth
Should meet thine ear, think thou that riper Age
Will calm it down, and let thy love forgive it!

A large penny for the mysterious sweet shop and
A wooden tray of treasures, for my paper twist,
Fingers sticky with sugar, giggling at the silliness
Of a younger sister with a boys haircut

Silver milk bottle tops on a frosty winters morn
Pierced by hungry, pecking ****,  
Finger nails scrapping frost from window panes
Revealing the dim day dawning before simpler eyes

Listening to the breakfast radio show for latest releases
Above a chattering bustling kitchen
Shouting, a little sister curling her hair, that we’d be late
Pelting towards school bus, with Camus stuffed in a torn pocket

dearest moenhead,
i am so deeply relieved that you are here for me
when I walk in the door
silently waiting to comfort me after a long day.
I look up at your beautiful head,
yes, I have neglected you~ there is rust collecting in your pores,
and tears welling up in your sparkling grey eyes
I wonder how long you have been going on like this?
Oh come now. Don't be cold. I'm home!
We can be together, right?
I turn up the heat
no wasting time
I turn you on, warm you up,
and step into your powerful flow of pure joy...
You shower me with kindness, gently massaging
away my every ache,
all the day's tension down the drain
oh you are the best~
under your washful forgiving eyes,
freed from from the distraction of self awareness,
lost in the luxury of suds and pelting pleasure,
i seem to melt into the cheap fiberglass casing.
but you...
you transform ordinary water into liquid gold and
make this place feel more like a resort
taking me away to places no Calgon bath could ever dream of
oh showerhead,
I can barely stand to be out from under your steaming streams~
your warming current of comfort
washing all the days crud off of me
making me feel clean, energized, vibrant and youthful again
ready to face the world or my dreams.
Showerhead,
sediment notwithstanding,
I am happiest when I am with you.
I am a better person.
you make me feel alive again,
and though I have tried to articulate this into meaningful words,
words are unable to express my gratitude, for alas,
you can never know what you mean to me.
Just know that you are the most wonderful and awesome shower i have ever had,
there is none like you.
from the bottom of my sole,
thank you. All my love,
Geegirl