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Cindy Long Jul 2017
Jack and jill
Went up the hill
Looking for a thrill.
Jack got high
And got jill to try
Then jack unzipped his fly.
Jill bit her lip
Placed her hand on his hip
And licked around the tip.
Jill got top
And fell with a plop
And the pleasure did not stop.
Jack groaned loud
Jill was proud
Their heads still in the clouds.
But as they came down
Jill started to frown
And jack headed back towards town.
Jill sat still
Alone on the hill
Wishing for another pill.
Jack didnt care
About what happened there
Jills life began to tear.
Jill cried alone
Jack on his throne
Still not answering his phone.
Jill went to the hill
Hoping for jack still
But he didnt even think about jill
Jack brought another to set free
And was shocked to see
Jill standing beside the tree.
Jack wasnt glad
In fact he was mad
That jill was still so sad.
Said she gave a good ****
But was just a ****
And now shes out of luck.
Jill just stared
As jack glared
His heart flickered and flared.
He didnt know why
So he let out a sigh
And all jill could do was cry.
Jill fell to her knees
And begged jack please
But his words didnt ease.
He shooed her away
So that they could stay
And the other girl he could lay.
Broke jills heart
It fell apart
But a fire in jack did start.
She moved back east.
Jack turned into a beast.
On women he did feast.
But jack never got enough
Noone liked it as rough
As jill; she was tough.
Jack fell down
He hit the ground
When he realized he had given jill his crown.
Jack visited the hill
And felt a little ill
At jills heart he did ****.
Jack hung his head
And wished he was dead
At the thought of someone else in jills bed.
Jack ravaged his brain
He jumped on a train
And headed out towards the plains.
Jill he did find
And she was so kind
How could he be so blinde?
Jack said he was wrong
But jill had moved on
Her heart sang a new song.
Jack died inside
His face couldnt hide
The saddness flowing like a tide.
Jill gave him a pat
And said that was that
Jack went home and sat.
Jack, on his throne.
Messaging every girl in his phone
But knowing he was forever alone.
Jill said all she had to say
And went on with her day
Eager to go home and play
For a king jill did pray
And a king she did lay
And with a king she did stay.
Jill forgot the pain
Learned to love again
And jack was the one going insane.
Many women did jack claim
And many he did tame
But none of them were the same.
Jill had been jacks one
But he was too busy having fun
And now he has to sit and watch the sun.
Jack hates himself still
He rests on the hill
And take a whole bottle of pills.
Jack laid back
Foam he spat
And let everything fade to black.
The lesson is fine
If you take the time
To really understand this rhyme.
Just for fun. Different concept on old rhyme
judy smith Dec 2016
"I wouldn't know what to do; I think I would just rot in a corner," replied Zandra Rhodes when asked if she plans to retire anytime soon. The 76-year old British designer who was down in KL (it's her fourth time here now) for the recent KL Alta Moda held at Starhill Gallery where she showed a collection of beautiful songket pieces alongside her signature chiffon print dresses, shows no signs of slowing down even after an extensive six decade-long career that has seen her dressing both rockstars and royalty.

Dressed in one of her designs – a stunning midnight blue, tiered kaftan dress covered all over in gold squiggles, huge pearls and her trademark fuchsia bob, red lips and blue eyeshadow-rimmed eyes, Rhodes maintained a spirited, bubbly cheer at Ritz Carlton where we finally sat down with her after stealing her away mid-tea with the crème de la crème of Malaysia's society.

What's the story behind the collection that we've just seen?

We did a collection initiated by Dodi Mohammad – one that really focused on songket. We chose lovely iridescent greens and pinks, and various groups of clothes. Then I designed and worked on the weaves to make suits and short dresses. It was really to give it another look. Three quarters of the collection are made up of Malaysian songket weaves.

What about the archive looks that you included? How do they relate to the new collection?

I had students who couldn't believe how people were copying the things that I've did in the past – like the pink dress for Princess Diana or the gold dress that Pat Cleveland wore dancing at Studio 54. They suggested that I produce the collection again in a new look, so we did that for Matches Fashion in UK.

Your AW16 collection is said to be inspired by Studio 54 back in its heyday. Would you be able to share with us an interesting story of your own at Studio 54?

I remember with shame going to Studio 54 when they reopened. I sat down in the corner and I was so tired, I fell asleep. I'm sure I was the only person who would fall asleep in Studio 54. I also remember lots of times it was like the parting of the Red Sea when you went in there with Bianca Jagger or Pat Cleveland.

Could you tell us about the Hieronymus Bosch-inspired prints you created for Pierpaolo Piccioli's first solo collection at Valentino?

That was one of the most amazing experiences in my life. He flew over with two of his assistants, opened the Hieronymus Bosch book and said he wanted the collection based on that. And I'm thinking, "Do we want naked people all over it?" It was a fantasy look that I was completely overwhelmed with. I came up with five or six initial ideas and he would look at the things I did and say, "I like your wiggle" or "I like this." Finally, he looked at one of my designs – a lipstick design I had done in 1963 – and said that he wanted daggers and hearts, so we turned that into daggers and hearts and it was wonderful.

Is there anyone else on your collaboration wishlist?

Oh gosh, that's difficult. I think I really just pick and choose. For example, we're currently working on the idea of me doing a print for Anna Sui who is going to have an exhibition in my museum in London. We're going to do the print here in Malaysia using Malaysian fabrics.

Your dresses have been worn by iconic stars from Princess Diana to Pat Cleveland. If you could design an outfit for a current It girl, who would it be for?

I would love to do something for Princess Kate. It would be fabulous to do something for her. She always looks good.

If you could describe Malaysia as a print, what would it look like?

Mad Malaysian houses! I love looking at these tall blocks with curved roofs. I've done a Manhattan print but I think I should do a KL print. You'd need to put the Twin Towers in. I think there's room for a lot of things.

What projects have you got lined-up for the future?

At the moment, I'm designing for the Turandot opera, which is about a mad Chinese princess and a pair of lovers that get beheaded. It's wonderfully mad. It's due to be out in San Diego in 2018.

You've been working since the 60s, any plans of settling into retirement soon?

I wouldn't know what to do; I think I would just rot in a corner.

What inspires you?

Wonderful people. I think it's one's friends. It's very important to do something and exchange ideas. I also love traveling when I get the chance. It's really a case of seeing how far my adventures can take me.

What do you think has been the key to your longevity in this industry?

I'd say longevity is the result of hard work and enjoying what you do. If you do something and it doesn't succeed, you pick yourself up and have another go. You never give up.

Describe yourself in 3 words.

Pink, short, makeup.

What would your hair be if not pink?

I think it will be several different colors. I see all these people with all these different colours, I think I might try that next.

What's your hobby?

Cooking and gardening.

If you weren't a fashion designer, what would you be doing?

I don't know, I don't have time to think about that.

What's the best advice anyone has ever given you?

Oh, good one! Be careful who you step on going up, cause you might have to lean on them going down.Read more at:www.marieaustralia.com/one-shoulder-formal-dresses | http://www.marieaustralia.com/red-formal-dresses
Geno Cattouse Mar 2014
Driving down the main this eveningI heard happy music playiing but

radio had the news. It was the girl going south with a cell phone to her mouth. Samba, merengue.played
loudly .

No one was singing.I swear.flowery,earthy beat to pat my feet.
From where ? Just out of thin air.. no im pleased to report the girl going south had a roll and sway in the way she walked, I swear I heard music as she walked I swear I heard a samba mambo.how beautifull.and sweet.
The hot stepper took the music with her but my day was complete.
C David Horton Oct 2012
It’s a different kind of love story now
One where everyone is happy
And no one is laying up all night
The kind that you hear about
And see in the movies
The kind that you really don’t think exist
I didn’t think so either
But then I met her
She was beauti – is beautiful
Her eyes are the most beautiful window
To the most beautiful soul
That ive ever seen
My friends are jealous
My parents are proud
My brother gave me a pat on the back
Literally
It wasn’t love at first sight
But it didn’t take long
And when I knew I really knew
I’m so in love with her
And the only thing I wish
Is that this was all real
The Whisper Jul 2014
As I sigh, I pat my pockets
And search for an old friend.
Seeking comfort and consolation
In someone I know all too well.

A pure white cigarette with a cotton filter.
I place it in my mouth and light the end.
A familiar greeting. A firm handshake.
Then we begin our conversation.

I take a long drag from my dear old friend.
He pats me on the back.
He tells me that I will be okay.
He gives me the strength that I lack.

Another long puff with a cough at the end.
Five minutes of my life that I'll never get back.
Five minutes of life taken from me,
In exchange for a glimmer of solace.

Holding my friend, I take a deep breath.
Inhaling the oxygen I need.
Then I fill my lungs with smoke.
As I feel the comfort slipping away.

My friend is gone; my friend is done.
I flick his remains away.
Although he is gone, he will soon return.
Helping my body decay.

My solace has disappeared.
I'm back to the way that I felt before.
My former feelings, now magnified.
Leaving me unsatisfied.
"A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want?" - Oscar Wilde
Marian Oct 2012
You're my favorite cat,
You used to sit on our mat,
Sitting there waiting for someone to give you a pat;
I will always treasure the place in which you sat;
When on your bones you had more fat.

Now it is not the way it used to be,
You are not as fat, as playful, as strong, and as hungry, you see.
It pains me now to see you so thin sitting on your little chair,
Still and hopefully always sitting there.

    ~Marian~
This was a poem I had composed when our sweet cat was still living now. . . its kind of like an In Memoriam.
This poem was wrote October 1, 2012 and our cat, Pusah passed away about 4:00 AM October 7, 2012.
NARMONSEA Jan 2015
I hope you know it calms me down to hear that you're doing well.

I hope you know getting a message from you will brighten up my day.

I hope you know I get jealous all the time when you talk to other guys.

I hope you know that I cried rivers for you.

I hope you know I don't treat anyone else like a queen but you.

I hope you know I get excited talking about you to other girls.

I hope you know it makes me feel happy that you depend on me at times.

I hope you know I fix your hair even though there's only one or two strands on your face every single time, just to get an excuse to stare at you.

I hope you know I make sure you're safe first before everyone else.

I hope you know I'd call you in a heartbeat to check if you're okay.

I hope you know that I cry when you do.

I hope you know that I go out of my way to help you through problems.

I hope you know that all I ever worry about is you.

I hope you know I pat you on the head to tell you I like you.

I hope you know that I try my best to remind you that I like you.

I hope you know, over and over and over again, that I like you.

I hope you know I like you.

I like you.
Past feelings. These may come up in episodes throughout the year. Ah well haha.
Stages and Ages Nov 2014
I remember the 2am nights
That I miscalculated in trying to see the sunset
But the ink ran off the page.

I went outside and prayed to the Moon
That the pen won’t take my life by the time the Sun sets again.
Then I went inside to rewrite the words covering the trashcan
Until I felt the Sun pat me on the shoulder
Congratulating me.

I spent the day
Scrubbing the wall, floors, myself

The evening Sun told me I was almost there
I was almost cured
Then she frowned at
The new paper I found
And the feather and ink I conjured.

Then I smiled and showed
Her the written words
I tattooed on my chest
“I am the madness in your eyes.”
The Sunset gasped and fainted
As the Moon went to catch her

Then I found myself again
At 2am.
Writing on my last piece of paper;
Waiting for the Sun to rise.
“I think all writing is a disease. You can’t stop it.”- William Carlos Williams
Ashtereth Jul 2021
Streetlights glow softly tonight, oh such a simple delight,
Fleeting through the blurred streets, how quick my heartbeats,
Footsteps in snow; paired with faces aglow,
Pitter-pat they go,
Down in Trafalgar Square

A Nordic pine so fine, a true one of a kind,
Upon which one could not scribe such beauty in mere rhyme,
And you'll know it's the right time
When ears hear tunes of glee, eyes see sights carefree,
For it is the season of joy and celebration,
Down in Trafalgar Square
L J James Mar 2011
Can you hear them now;
The white lights exploding above our heads?
Sweet smell of smoke and canned peaches.
The door shakes violently against the concrete walls.
Steel can make such a horrid noise.
Scratching and scarping of it like nails on a chalk board.
Aww, your shaking,
Like a puppy in the rain.
Why are you scared?
I told you we are safe.
I will let no one or thing hurt you.
Pat , Pat , Pat your head,
Your safe with me, I love you dear.
No soldiers will take you,
No bombs will burn out your light,
No amount of smoke will **** us;
No fear in this bomb shelter tonight.
Crash crash against the door,
We don't want your soldiers anymore
Towela Kams Sep 2014
Yesterday
I'm sitting in my bed
Thinking, "yesterday"
A few hours ago
It all happened
And it gave me hope
I hadn't felt like that
In quite a while
It was beautiful
Yesterday

It's been so long
A lot has happened
I spent less time on me
I spent more time on them
I lost me
In finding them

So I sat in the crowd
In the presence
Of friends and families
Haters and liars
Back-stabbers and betrayers
It didn't matter
This was my time
I looked at the wall
I saw a cloth printed
"Merit Award Ceremony"

I fell into a trance
While the guest speaker
Gave his speech
In half an hour
He would give me a handshake
One I truly deserved

I felt my heart sink
My spirit kneel
I could hear my heart beat
And so could everyone around me
I was shy
I wasn't used to this
I've always been smart
But lately
I had dimmed
A lot had happened

So this moment
Was the affirmation
Of my comeback
I knew this wasn't the end
This was the beginning
Only the beginning

You can never know
How fast a runner is
At the beginning of the race
We just believe
That they're ready
It is when they begin to pace
Accelerating
That we truly appreciate
I felt that way
Yesterday

My phone vibrated
I glared at it's screen
It was my mom
She sent a text
She had just arrived
To uphold my achievements

I felt someone pat my back
Persistently
I shot back to reality
I looked above
It was my friend
Reminding me
To get in line
The time had come
I stood up
Confidently

I felt eyes on me
Envious eyes
Of the other students
Who came
To witness the success
Of students like me

The speaker
Announced my name
I took a step forward
I walked up the stairs
It didn't matter
My failures didn't matter
The fact is I achieved
That was why I was invited
In the first place
To this pleasant ceremony

I felt deserving
When the guest speaker
Gave me my certificate
And shook my hand
We posed for a quick picture
I heard the crowd cheer

I stood on stage
I recalled whatever it was
That the guest speaker said before
I felt inspired
Motivated
Strengthened
I smiled at the thought
They will be seeing
A lot more of me
Here, every school term.
Yesterday, on the 24th of September, I went for a school function - Merit Award Ceremony. I never thought I would make it to be invited to this. I underestimated myself. It was God's doing, surely.
Larry Potter Nov 2013
Life is a heck of an application.
You may know how it should start
But you can't be certain how it will end.

You can never delete what has been written
But you can give yourself a pause break
And then decide if you have to shift paths.

You cannot escape what has been laid before you
Or try some backspaces to correct your wrongs
Jumping between tabs is also impossible.

Different people will insert in your life's many chapters
Those who will shake your hand during your page ups
And those who will pat your back on your page downs.

So caps lock for all your big moments
And scroll lock for your every lofty dream
Num lock for every blessing you will receive.

If you scroll up you life's pages but get no clue
And scroll down only to find yourself regrets
Don't forget that  you can always go back home.
tiny hand slips from my finger
“me do!” he boldly declares

pit-pat first step
he beams, I smile
pit-pat second step
“me do?” “you do”

Pit-pat third step
thump- I reach…
“no! me do!”
up again pit-pat

pit-pat, pit-pat, “me do! me do!”
Singing - chanting - laughing - marching

pit-pat goes my heart
learning to let go
This poem is part of my anthology about Mary, mother of Jesus, but it's also about the bittersweet moments felt all moms and dads, of baby's first steps.We are thrilled about baby's accomplishment, but a little sad knowing that this is our first call to "let go"
Connor Mar 2016
Old Katherine Kimberly had a sty near her eye
it was a bleeding abhorrent electric
dream spilling out her sanity
the sty was not just any regular sty
it was a satyr placed there by cruel forever
just because
why not

old KATHERINE KIMBERLY had a
mute cousin who came over for tea
when K.K was feeling down, he wanted to be a comedian
but this wouldn't work out for obvious reasons.
old Katherine Kimberly
had a recurring nightmare involving the world around her inverting it's layout, a backwards realm with backwards chairs and backwards backs
everyone looking like they suffered a dramatic accident
spine snapped but still walking
she was the outcast with her even shoulders and
delicate form but there it was that sty by her eye
wouldn't quit not even with sleep.
She went to see a doctor about the nightmares he prescribed a miracle
didn't work
so she went to church
met some wiry bald-spot
evangelic addict figure who
gave her mysterious bagged-and-untagged drugs
(those didn't work either)
nothing would help.. Kimberly came to the conclusion that the sty and the dreams were correlated in some spiritual, cursed sort of way.
Nobody could see it they promised

"No! no! you look fine, everything is in order god knows what you're on about Kim"

but she scratched and scratched for hours in her bedroom and looked in the faded mirror with microscopic detail and sure enough it was/gone??
since when??
she could feel it there, she was no hypochondriac it was alive and feeding off her still
that HORRIBLE THING!
some months now or maybe more it had always weighed her down but now gone
or never there...?
IMPOSSIBLE!
this wasn't over, old Katherine Kimberly would tear this ****** apart on a sub-atomic level and make sure it would never haunt her in any respect from "this day forth!" she said poetically,
wearing a conservatively fashioned dress with green flowers on it
and green grass, too.

She took to the New York subway on a Wednesday, the time was.......2pm
and she was headed to the drycleaners but not the one closest her apartment, the people that ran that one were pushy and irritating.
She was going to "Maude's" she and Maude had lovely conversations about the Gardener who lived one floor up from her who sometimes allowed a small hello from his lips on the way up, off of work.
She liked what he liked
or at least she imagined that to be true
but then again we all do that
it's a bad habit
he could be a total *******, she thought.
Old Katherine Kimberly walked in and opened the backroom there was Maude listening to Brian Eno
(Cindy Tells me/HERE COME THE WARM JETS/1974)

"THE RICH GIRLS ARE WEEPING"

Maude heard K.K come in and swiveled around in her office chair with the one off-kilter wheel which she didn't do a very good job of fixing.
"Well I don't shop at Ikea, its no wonder why, Kat"

"This sty! I know it looks like it's gone, but it isn't, do you still have any of that herbal remedy stuff you told me about earlier?"

"yeah, yeah.. the stuff you refused take way back when?"

"I admit I was being stupid, I just need help, I'm out of options and I'm kind of on a bad trip right now, see? some ghoul at the church gave me these pretty pink pills, said they were from mars and that they could cure anything! O Maude I was desperate and now I'm hallucinating all sorts of wack. I'm afraid I won't come back from this! I dunno what to do Maude! I dunno what to do!"

"Relaxxxx poor doll, you're always getting caught up in messes like this. It's like I said! you gotta settle down with that Rupert, he seems like a genuine guy, real caring, real. I'll help you, I have that herbal medicine in my car I will be right back"

Maude left hastily with a pat on K.K's shoulders as she went
K.K was going cuckoo
she suddenly felt that on a very metaphysical level her atoms were remembering this drug
always
and that when she died, eventually..some innocent child would be reconstituted with her atoms
to live with this for all time
and to be forcefully admitted into a psychiatric ward
pleading for lobotomy!

"What is this? what did I take? does that Kubrick-looking ****** use this often? how is he even tethered to reality?" she was dizzy, good thing she was sitting down..

Maude came back, shaking her head in sympathetic disapproval
"Jeez.. you've gone down the rabbit hole as far as ailment is concerned, that's for sure"

"What do you mean..?" Katherine Kimberly kept her feet grounded to the carpet as to not sway reality to a snowglobe catastrophe.

"Well you say the sty has something to do with the nightmares, or vice-versa, so you took drugs from a complete stranger! only made things worse, I'm sure.. and now you've come to me"

"That's true" K.K agreed
"Why do this to yourself?"
"I've been lost, out of tune, completely washed.."
(((((())))(((((()(((((((((())))(())))))))))()()()))))((­(())))))))))
she was going to continue, but felt like vomiting

She lept from her seat and hunted for a bathroom,
A vicious tabla bleached her brain
with supernatural viscosity
her body played like a cosmic instrument
for a higher being in a higher realm.
Next, the frantic sitar which reminded K.K of July and
the humid balcony marijuana, Ravi Shankar melodically spinning in her living room.
This was a much different experience.. as made clear by her
convulsions
the viper's final dose of venom

"The great spirit lifted his hand without much ado, and split apart Flower Mountain's ten million layers." - from Elder Ting Stands Motionless. (Blue Cliff Record)

"-******* that ******* from the church
why I ever listened to him-
-I feel like I am afloat atop the world able to see the stars as vibrant eyes! but I'm wavering without a sense of gravity. I am at once motionless and spinning!-"

A lot more trouble than it was worth,
O the wisdom of consequence!
K.K, poor doll, lucid consciousness
and an acute awareness for her disposition in this Universe
and all alternate universes for that matter.
(Including the version of her that decided against taking those pink pills from that pink-cheeked man, Stanley Kubrick lookalike ******* probably only posing as a religious man, they never met in one reality, they ****** in another. In one he is god! he is the only god! and in one she is god! anything better than this reality now! her lungs foaming up with death)

GLOBE-O-VOOTY/
GUIDE-O/
ME SOFTLY/
GET THIS THREY-WAY/
OUT FROM MY MIND/
(That's VOUT language for you, there. Slim Gaillard's timeless bop language)

after puking up the rest of her morning meal
she wiped her mouth dry with her sleeve and
reunited w/ Maude who handed K.K that herbal
music
and wished her well

"Look, I know it's none of my bussiness.. but if I were in your shoes, I'd make some changes.. that's all I'm gonna say about THAT"

so Katherine Kimberly went home, she wept
wept about her disposition
about her mistakes
about that inoperable mental sty which was more than a sty
parasitically latched onto her for ages
she wept about how boring people were
how after all this protest and bloodshed
we're just the same as before if not less intellectual!
this fever dream of a day hath made her realize
that she SHOULD make a change.
Hell, Maude was right, sometimes insufferable (tho not as much as others)
She couldn't keep doing this, whatever this was.

The herbal medicine was contained in some cutesy vial
a kind of amber-shade
thick liquid.
Just in the fashion of Lewis Caroll she
drank up her prayer potion, with the sensation that the room was expanding around her, shrunk down to the pathetic dreamer once again,
and so she tried to sleep this desperate sickness off.

One floor up, Rupert thought about whether or not he should *******, he decided to make some coffee instead, continuing where he left off on a new-age book about hypnotism.
Shelley Connor Mar 2015
I'm on the train, it's six o'clock
With a hunger bomb, tick tock, tick tock
Which at any moment, will explode
My weight loss goals start to implode
Why not have a small baguette
Who needs a diet, just forget
No one knows, it's not a sin
Just buy that chocolate, stuff it in
How dangerous can a latte be
With that biscuit pack that comes for free
Or maybe just a little wine
Along with nuts, go on it's fine
Determined, I shut out the voice
Stay in charge, I have a choice
I sip some water, shun a snack
And pat myself upon the back
Lets be honest - I did give in really!
Anais Vionet Mar 2022
Peter is joining us for lunch in the cafeteria. I met him on a crowded Saturday morning at a coffee shop. He’s from the flammable, paper-dry, sagebrush hills of Malibu and grew up overlooking the hazy blue pacific ocean. He says Mel Gibson’s drunken **** rant, when a cop pulled him over for a DUI, put them on the map.

Poor Peter is fashion challenged. He’s 25, too tall, and too thin. Reading glasses hang around his neck. His too loose-fitting clothes are all variations of brown, like tawny, penny and wenge. He’s wearing a battered tweed coat, brown corduroy slacks and tortilla colored mock turtleneck. He’s adorably shabby-fancy. If he fell in the dormant, straw-yellow grass, we probably couldn’t find him.

Peter has a serious aura of experience about him. His cheek bones are sharp, his hair is an explosion of uncombed black, his skin is pale - bleached - by over exposure to library lighting.

He lives in a different world - the prosaic, laissez-faire universe of research - where students are left to their own devices and expected to self-manage.

Right now, he’s being vetted by one of my roommates, Leong. His student lanyard marks him but she wants specifics if he’s going to hang around. “What’s your major?” she asks, her eyes squinting like the Chinese lie detectors they are. “I’m a doctoral student in applied physics,” he says.

I pat his knee, “It’s nothing to be ashamed of.” I say, reassuringly.
BLT word of the day challenge: Prosaic : dull, unimaginative, everyday, or ordinary.
Sunny Snow May 2013
You sing yourself to sleep each night,
A hushed, whispered lullaby
Of the battles you fight.
Dance around your demons,
Make them wish they weren’t yours.

Made of scars, we are who we are…
Wish all you want on that shooting star,
But you’ll never go anywhere,
Without moving your feet.
You think there’s something wrong with you,
But we all feel that incomplete…

We all know there’s something more,
Weather we inquire,
Or weather we ignore,
Makes all the difference here.

Come to peace with yourself,
Stop beating up and picking on
Your imperfect aspects,
Or else they’ll just keep coming back.
Give yourself some credit.

A pat on the back,
Never killed anyone.
There’s nothing wrong with feeling low,
But know, there’s always a way back up.

We are yin and yang,
Bonded to sin, and rebounded for our own gain.
You don’t need to be “fixed”
There was nothing wrong with you to begin with,
Simply a misunderstanding…
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
Robby Robinson Dec 2015
I do not have depression,
But I face it every day.
I have spent years
trying to save someone else's life
instead of taking care of my own.
Many times I have caught myself
picking people up off the floor
and leaving a piece of me in their place.
I have spent many sleepless nights coaxing them out of death
because the insomnia was having it's way anyways..

I am not asking for sympathy
or a pat on the back.
I ask simply that you remember that
I am human too.
I can break just like everyone else can.
The only difference is that I am willing to break for the sake of those who are already broken.

I do not have depression.
But that doesn't mean I am not depressed.
For the people that live to help others survive..
Johnny Zhivago Mar 2012
Iym onna mishon forra gerl
krossing China jus to si her
ona slo chrayn going west
krossing mouwntins in my kot.

Shis onna mishon for tha boi
fly eirchina for to si mi
bundling legings inna bag
wot to bring and wot to not

bring your person bring your boots
spanix boots and spanix wyn
put your bodi in this plays
taiwan boox and qinese wyn

i wil sit heer lyk an ox
wayting unda shaydi tri
wayting hyuman wil tu find me
pat my **** and skweez my ni

qyneez wyn
qyneez wyn
wyn in qyneez
qyneez wyn

pump my rat and wyn qyneez
shaydi tri with pengyou lao
thingking hyuman tu gud tu mi
wy *** look for stinki kao
some sounds use mandarin pinyin spelling, and also some chinese grammar. some olde english Shakespeare era free-spelling.
in pinyin q is pronounced ch
and x is pronounced sh
Sophie Jul 2019
My niece is sat opposite me
My niece is in possession of paint
And a paintbrush
And I’ve surrendered my hands to her.

That tickles!
My face scrunches

Paint properly plastered
The newspaper in front of us her dad had put down for her she swaps for plain
I wiggle the digits on my
Upward facing palms.

Now flip!
Like this?
She nods
And splat
SPLAT!

The One That Married Into This
Via me
Comes in from the kitchen.
I rise from my cross-legend position
And pat his cheek as we meet in the doorway
Then I rest my hand on his shoulder,
Trying to gaze lovingly,
As opposed to smirking.
He doesn’t notice the paint
Because it’s warm
And maybe I’ve just got clammier hands than usual.
I go to wash my hands off.

Your turn!
Le artiste demands
My turn?
Everybody turn!
Great-aunties groan.
Alright then.

SPLAT!

The One That Married Into This
Touches a reassuring
Painted
Palm
To just below my back.

So ordinary
We only notice the paint prints
As we graze the hall mirror
As we start the 30 minute process
Of saying goodbye

Walking art
He whispers
As we walk out the door
Michael W Noland May 2013
The spout
Of the battle
Shouting
In inconsiderate
Babble about bling
While i'm saddling
My steeds
Manning the machines
And breathing easy
Before i speak
Clearly to your dreams
Interjecting the theme
Of the losing team
Cheering in victory
Snickering in mockery
I remarkably sing
In drowned out tones
And zings
And i'm gonna be
Everything you been
In a week
And its weak
That i win
And you grin
With your arms up
Hooray!!
But you lost today
Too dumb to know it
But showin it
To everybody
Rhyming
Isn't about money
Its about diction
Metered rhymes
And harmony
Arming the
Alarmingly
Disarming memes
Of scattagoried kings
Euphorically
Seized
In the lean
Of delivery
Creativity key
The breezy
Sleezinous
Sheened
In the has beens
Gassed up
Gin drunks
Grunting whats
In response to love
Callin bluffs
On the tuffs
Of your huffs
And shrugs
Whatever punk
I got a foot on you
And your ****
On my side
Talking over you
Until you shut
Out the light
With your mouth
Over your eyes
And your house
Of flies sized up
In tough love
And shoved off the shores
To the unexplored oceans
In the notions
Of severed portions
Aborted with a snorkel
In the cortex
Of Oxygenated
Brains showing you
A thing or two
So ******* vein
Watching you strain
To speak
To breathe
To think
When your ready
Il be brief
A pat on the back
And declaration of king
Before you bend over to be
Blessed by the best
In this contest
Im tested
Only of my patience
In the vagrancy
Of your empty words
Freshly matured
In manure
Skewered
In the lured
Obscurity
Muraling
The masterpieces
Stealing thesis-es
With the soul content
Of cheeseless pizzas
Sauceless in the lossless
Belligerence
And im tempted
To kiss
My fists
And commence
To smash out the comments
To astonished onlookers
Booking for Brooklyn
When im shooting
Blood across the pavement
With fury of a patient
To fairfax and back
To break the bones
Of your home
Set your soul apart
From the heart
That pumps lumps
Of *******
From the start
Of your every sentence
Ill take two seconds
To count on your blemishes
To settle this
In nubbish
*******
Stumbling
From a kid
Im only kidding
In my giving a single ****
Get with it
The mic is yours
And ill freely admit
To being bored
Here you go

....
Icarus Kirk Oct 2013
it is cold, and you're walking, and you can't see your feet
you're numb
not just your face and hands
but everything
detached
unable to distinguish from emotions now
and emotions then

you're walking down the road
and the stars are shining
headlights flying past, rocking your body
threatening to pull you under and break you,
crush you and your mind
and everything else

you're walking down the road, and the moon is low and dark and the sky is otherwise empty
lets say that your eyes are closed
but the drivers eyes are also closed
in the car behind you
and you, perched precariously
toe the white line between death and a dirt road

everyone, it seems, is waiting
for something unknowable
a feeling
a thought
a pat on the back, signalling that everything's okay
everything's allright
it's just fine
go back to sleep
ignore the questioning looks and just
relax

the man in the tan trenchcoat is looking for you
his brothers, his family
disapprove, but
why not
you're not a  bad person
after all
you've done bad things, yeah
made bad decisions, yeah
but overall
what's so bad about sleeping in hotels when the back of your car
is not as comfortable as it looks
so you're desperate
and he's desperate
and you keep missing each other
the looks and idle touches
while comforting
scare you
you are not a  person who feels
so you cannot feel the stubble whispering over your skin
and you did not swallow openly
and stare across the tables as his blue eyes watch you
he doesn't judge you
and for that
you love him
wait.
no.
you don't love him
because that would be wrong, and decades of reinforcement are telling you this
but honestly
if he just loved you back...
there's that word again
the lights over the Arby's are hovering 100 feet above the ground
and you're freezing and alive
and maybe you wish you were dead
but you're not
and that's what really matters
probably
you hope.
i edited this a bit ago
just fyi
Megan McCormick Mar 2013
My depression has stages, as everyone's does,
First is the need to cling to someone,
The need for human touch,
For a hug, a pat on the shoulder, an arm around me.
Next is the claustrophobia,
The cringing whenever someone touches me,
Especially someone close.
Finally is the exhaustion,
The need to sleep for eternity,
Feeling like a dragon, wishing to sleep for centuries.
Then it's over, I'm content, even happy,
But only for a little while until the stages start again.
What happened to make you decide to end it on our 1 year anniversary?
When did you decide that pretending you loved me was being honest?
Where did you get the impression that you needed to use me once more?
Why did you have to go & hurt me again, the way you said you wouldn't?
How could you think that I would be okay with being led all year long?
What did I do to deserve being treated this way by someone I really love?
When did you think that lying to me was the right way to be truthful?
Where did you learn you could love someone because they're lonely?
Why did you say yes to liking me when someone else said it for you?
How could I not have seen all the signs that proved you didn't love me?
What made me think that what we were actually meant to be together?
When did my mind decide to forgo any doubts that kept surfacing?
Where did you start giving off vibes that I should've picked up on?
Why didn't I see that you were only "going through the motions"?
How could I not see that my mom was totally right about you?
What made you think that lying to me was the right thing to do?
When did you think that I would love to hear that you never cared?
Where did you get the idea that you could keep your feelings inside?
Why did you think that I needed to be lied to for a whole year by you?
How could you just blurt something out on the very day of our 1 year?
What other questions am I supposed to be asking you before I let go?
When will I finally be able to feel the way I did before you came to me?
Where can I find the happiness I had when you told me you loved me?
Why do I need to go through this heartbreak for the second time?
How could you be so heartless, yet seem so sweet and genuine?
What was I thinking when I tried so hard to keep us from breaking up?
When did I imagine us sitting on your porch, for you to hurt me again?
Where was the first sign of you not really being honest of your feelings?
Why do I care so much about you, after you broke my heart and trust?
How can I be friends with someone who doesn't care about me at all?
What makes you think that you can do something so mean and selfish?
When did you think that using my loneliness to fill yours was honesty?
Where did it occur to you that made you didn't care about me at all?
Why would you decide to take a special day, then rip it to shreds?
How am I supposed to forgive you for what you've done to me?
The truth is, I still wish we were together, though it's not right.
I wish that Friday never happened, and that we were still one.
I loved the times we spent together, and can't act like I didn't.
I can't fake how I feel about someone, unlike the way you did.
I can't find it easy to "go through the motions", the way you did.
I don't say I love someone, only because it seems like "they" like it.
You told me love me way before I had the courage to say it back.
You kept telling me to take my time, and earning my trust back.
And the whole time, you were playing me, knowing it was wrong.
Honestly, you should have told Pat that he was wrong about it.
That you didn't really like me, instead of just go with what he said.
I can't believe you used my loneliness in order to fill your own needs.
I know you were lonely, and I'm sorry, but it doesn't make this right.
You still didn't need to lead me on for a whole year, then break me.
I let down my guard, let you all the way in, and this is the thanks I get!
You know what, I wish I could say I'm over you, but I'm not there yet.
You can pretend that we never existed all you want, but I know we did.
I need to accept the fact that I wasted a year of my life, being used.
And I need to come to terms with having my heart broken once again.
I still see you in my dreams, but it's never for good reasons at all.
Since Friday, I keep seeing you, and you could care less about me.
You tell me that you were using me because I needed you, I felt guilt.
You came to my house to ask if I could help you with school, then left.
Tried to make me think that I wanted to be your friend, you didn't care.
All you cared about was school, like on our 1 year anniversary.
You might not care about me, or love me, or anything, but I still do.
I still love you, & it will be a long time before I do, but I will move on.
I just had my boyfriend of 1 year break up with me, on our 1 year anniversary. I am very upset, sad, confused, and heartbroken. I have to write this, just to vent a little. If you read, you can like, comment, and subscribe if you want. All I wanna do is get out some emotions that are burning inside of me. Thanks for reading this if you did.
W Apr 2015
!
None of clothes are right and so I am not human. Only cold winds and crazed neon. I sometimes shine a flashlight under my fingers to remind myself of my bones. But they're as breathlike and photonic as the plastic tears I will never be given the right to have.

We know that **** ain't real.

How brittle a (we) can be. What sound is my voice allowed to have other than the violent dance of glass on concrete? My happiness always hangs from the end of a baseball bat.

And that's the way things are.

Of course, my mantras are just idolatry or faggotry. Systems of oppressive heat and chemical equations either pat me on the back or slap me across the face and I can never quite seem to catch my breath or feel an embrace, not really.

My forehead burned, but I closed my eyes.

How heavy must my skin and eyelashes and all the things that encase me, engender me, hang about me before I can finally count myself beloved? The question is as impossible as my own humanity, and my existence is not so self-evident that kiwis taste like queer fruits. So until smiles lose their tartness and I can breathe at last, *******.
The italicized text is from, in order of appearance:

Trainor, Meghan. "All About That Bass." TITLE. Epic Records, 2015. MP3.
Newman, Randy. "When We're Human." THE PRINCESS AND THE FROG: ORIGINAL SONGS AND SCORE. Walt Disney Records, 2009. MP3.
Discovery. "Swing Tree." LP. XL Recordings, 2009. MP3.
Poetic T Oct 2014
I pondered the world around me
Looking
Staring
Around to what was seen,
Then I happened upon a bird
"Just sitting watching me"
I waved once,
I waved twice,
It just put it head to the side
Maybe to get a better angle on me,
It tweeted
And left, the last I thought to see,
But where one once was, now I count
Two
Three
Four  
Five now perched upon the fence
On the tree, I was getting a
"Alfred Hitchcock"
Vibe, with all little eyes looking at me,
I smiled an awkward grin, teeth did show
Scattered to the wind,
I closed my eyes, noises
Singing awoke a slumbering me,
Six,
Seven,
Eight,
More birds, sitting on the fence,
But also congregating on the branches of the tree,
I waved once more,
Eyes watching upon me,
This is getting creepy
So I stood on all fours licking my teeth
And purred a
"QUESTION"
"Why do you congregate"
"And watch from a far upon me"
Tweeted words sung out to me,
"It just catches our attention that you being a cat"
Not once,
Not twice,
But three
"Times you have waved at us sitting"
Upon a fence,
Upon a tree,
"Childish games of youth"
I purred back,
I have a good life, I am not as wild
as you think, I wave to say hello
To listen to you sing,
"I walk up to the fence"
Pat once then two on the head you see,
"But there is a moral to this tale"
"What is that the birds sing"
As with reflects to fast to see
Not one
Not two
But three
Birds in mouth, they fly, flutter away
And with a mouth full I say
"Don't believe in what you hear or see"
"Were just more sneaky now"
Now shoo be gone, unless you wish
To all so ******* teeth upon your bodies.. and they flee.
Won’t you let me in
Dear friend?
It’s rather cold out here
And there’s a frost that’s beginning
To bite onto my ears

Won’t you open the door
Kind sir?
You are passing right by
And there’s no great difference
In the tolerance of you or I

Won’t you come this way
Sweet madam?
Take pity on a poor cat
And hold me in your fur-coated arms
Give me a gentle pat

Won’t you let them know
Dumb dog?
There’s a king at their door
And he will not take being treated such
And will ask kindly no more!
David Nelson Jun 2013
The Monkey's Uncle

I'm french fried
freeze dried
pour tabasco on top
if you think I lied

if I look your way
I will go astray
pat the monkey's head
every night and day

you drive me mad
with your beautiful smile
for one of your kisses
I would walk a mile

sometimes sassy
with a sharp wit
work the fancy words
rub your hands with spit

a pound of clay
a box of sand
I can spank that monkey
with either hand

hair of gold
hot and cold
motorcycle mama
but it's been sold

likes to dance
when given a chance
has a frequent fire
inside her pants

keeps my head
in constant flux
spinning in circles
that sure *****

it's my own fault
I'm a carbuncle
stay where you belong
I'm the Monkey's uncle


Gomer LePoet ....

— The End —