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the higher you climb
the greater the pressure.

those who manage to
endure
learn
that the distance
between the
top and the
bottom
is
obscenely
great.

and those who
succeed
know
this secret:
there isn't
one.
Olympia Nov 2012
Silver-sided thursday
Late morning, not quite
Afternoon
The steady scent of spring's flowers, dutifully
Blossoming
Obscenely in the cold
The cold wet around my ankles
Dragged up from the ground
Frail next to the bark of
Tuesday's tree
Stark brick building
My mother's morning tea
The shadow of a crucifix
Blocking the sun from my
Chameleon eyes
The time between texts
A deep inhale and a harsh white in knuckles
Replacing the rosy pink of
Moments ago
Yes, but
Well...
Another mile won't make me
Stronger
When I already emptied
My pockets for you...
And how my small change made you smile!
Remembering,
My smile
Opening me up
Like an old wound
The crows are at my throat
Brent Kincaid Dec 2015
Omigod, Donald T. ****,
You unconscionable creep,
You are disgusting enough
To cost us all sleep.
If lies were US dollars
You sonofabitch
You would truly be
Obscenely rich.

It’s not enough for you
To have gold water faucets,
Crystal mirrors everywhere
And marble floors in closets
Now you want to play at
Being a savvy politician
Stands for Christian principles
From the *******.

Omigod, Donald T. ****,
You unconscionable creep,
You are disgusting enough
To cost us all sleep.

With a changing cast of women
You call your lawful wives.
And you’re the one who wants
To control our very lives?
You utter your vituperation
At poor and the non-Christian.
Is having the world hate you
Part of your final mission?

If lies were US dollars
You sonofabitch
You would truly be
Obscenely rich.

You also want control of
Our country’s financial hopes.
If we fall for that stupid tale
Then we are a nation of dopes
Because you have bankrupted
More than the Monopoly game
Would allow a toddler to have
And that is quite a shame.

Omigod, Donald T. ****,
You unconscionable creep,
You are disgusting enough
To cost us all sleep.
If lies were US dollars
You sonofabitch
You would truly be
Obscenely rich.

No, Mr. T **** please do
What is proper and fitting;
Call up the press and say
That you are finally quitting.
Tell them you were just testing
To see what the others would do.
So, kiss our collective ***** goodbye
And take with you that dumb hairdo.
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you . . .
something at 8 a.m., something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.m. coffee, waiting for the grass
to dismiss the frost . . .
they tell you nothing at all.

we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than ****;
checkerboard days of moves and countermoves,
****** interest, with as much sense in defeat as
in victory; slow days like mules
******* it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and ****** a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges . . .

and nothing, and nothing, the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who'd **** you
because they're crazy and justify it because
it's the law, men who stand in front of
windows 30 feet wide and see nothing,
men with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good . . .
and nothing, getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn't want
anyway.
income tax, sickness, servility, broken
arms, broken heads -- all the stuffing
come out like an old pillow.

we have everything and we have nothing.
some do it well enough for a while and
then give way. fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay --
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go! -- all
the ones you thought would never go.

days like this. like your day today.
maybe the rain on the window trying to
get through to you. what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad. people in
wax museums frozen into their best sterility
are not bad, horrible but not bad. the
cannon, think of the cannon, and toast for
breakfast the coffee hot enough you
know your tongue is still there, three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums, no wonder sometimes the women
cry, no wonder the mules don't want
to go up the hill. are you in a hotel room
in Detroit looking for a cigarette? one more
good day. a little bit of it. and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go -- walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all. enough
and not enough. arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.

in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you'll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you'll keep looking
keep looking
******* your ******* little
ah ah   no no   maybe

some do it naturally
some obscenely
everywhere.
Ashley Chapman Oct 2017
In Hornsey
      N8
          resting.
              From somewhere
                  a rising crescendo
                       'Ohhh, My God, yes.
                            That's so ******' good!'
                                On the walkway
                                      the plasticised soles
                                           of black pumps
                                                slap the pavement
                                                   obsce­nely,
                                                        I think.
                                                              Bu­t ...
                                                             ­     Hang on!
                                                            I hold
                                                      slowin­g
                                                 And
                                            look up.
                                      From a cherry tree
                                 an exquisite
                           pink blossom
                       releases herself
                  gliding
              closer
          &
     closer
.
Unfortunately, this poem hardly works on a mobile. It needs a wide screen to catch the visual effect.

I've seen the way some write here on HePo using the line breaks to punctuate and I wanted to try.
There are other techniques, too, visual puns,  that I love.

Anyway, when is a poem over? For me I tinker over days, through many hours, moving stuff around until I can't move anything any more because the effect of moving it jars with the intention. The intention? I don't know, it's intuitive. This poem for instance is problematic because what I really liked about it was the juxtaposition of a blossom and my own crabbiness, but that may not work for others, which would have meant that my love of the blossom would have been wasted.  Ahhh, perhaps, if that's the case, she'll come back to me in some other way; for my love of the blossom springs, of course, eternal ...
Despondent Sep 2015
Yeah, we have a great relationship. But imagine how much better this would be if I actually loved you back?
But oops, that's right. I forgot to tell you that I'm kind of incapable of loving another human being.

But it's okay, it's not like love is real anyways.

And even though a good percentage of the general population have the same opinion as me, I'm labeled by those around me as a cynical, lonely, pessimistic girl, simply because others can't seem to comprehend that everything I say is derived from my own personal perspective and observations that I've made.
What was it that the naively optimistic, overly positive young man from the book store called me?
Oh yes, an "unjustifiably, unnecessarily negative teen who is disappointed with her life because she has yet to 'experience love.'"
Despite his ignorance and obscenely immature mindset, which evidently accounted for his matching personality, I don't think he realized that my lack of belief in the existence of "true love" was the exactly the reason that I was in the book store.
Because, as I came to realize, it appears that the only form of "love" that I seem to recognize as being adequate enough to somewhat believe in are those spoken of and created in novels.
It's formulated by the birth of a ridiculously intense, love fueled storyline, supported by a mindful choice of cohesive, dramatic, and emotional words.
Hence, fictional love is born, except to most it doesn't seem fictional because it's so breathtaking to read about.
They believe in it, they worship it.
As if it actually exists in an alternate universe.
The unrealistic perfection of it gives them a disgusting, false hope which just drives them to cling to it more.
It's a drug to them, they can't live without the hope that such a "love" exists somewhere in the world; they need it.
And the sad part is, they're completely oblivious to the fact that they have just become addicts, that they just sold their soul and relinquished part of their freedom to a fictitious concept.

It's so fake, it's almost real.
This is kind of more of a rant, but oh well
TERRY REEVES Mar 2016
NOT ALL POETRY SHOULD BE ABOUT DEPRESSION,
LOVE, WIND AND TEA-CUPS - I PREFER TO BE
THE DONALD TRUMP OF THE POETRY WORLD:
SEEMINGLY ILLITERATE, OBSCENELY DISSOLUTE,
UNINFORMED, SOCIOPATHICAL AND FALSELY MAGICAL;
SOMEONE SAID THAT, 'WE HAVE A DUTY TO
IMPART KNOWLEDGE,' I DID NOT ENTIRELY AGREE,
NOT ALL OF US ARE SUITABLY QUALIFIED AND THOSE
WHO ARE NOT MAY PASS ON THEIR OWN MISTAKES;
A TEACHER MISSPELT THE WORD '*******,'
AND NOW HALF THE TOWN IS WRITING THE WORD
BOLLUCKS INCORRECTLY; THOSE WHO CAN, DO AND
THOSE WHO CAN NOT, JOIN THE RADIO -LIKE CERTAIN
PRESENTERS, IT RINGS, WHO SEEM TO HAVE KNOWLEDGE OF ALL THINGS.
Murphy Mar 2015
Last night I dreamt
You called me "gorgeous,"
"Gorgeous?" I said, "that's not my name," I said,
As my cherry red tongue dropped my lollipop
Straight on the ground,
***** red sugar slivers gorging on my
Blood vessels pumping into my heart -
A big metal spoon banging on a cast iron skillet.
Skillful, you are with your
Cinnamon heart smile
Burning my taste buds and
Hugging my curves with every -
Gorgeous.

I dreamt of you
Running your finger like a wet paintbrush on my
Obscenely white canvas
Soaking up my stereotypically common insecurities and
Gently placing them in your pocket,
"I'll take those, gorgeous,"
And then you color me with purples and reds,
Red,
Like Red Delicious waiting
For the bite, like my neck,
Waits for your teeth, maybe
I'll just wake up and keep dreaming,

To see you,
Fiddling with a razor in one pocket,
A cloudy crystal in the other,
Mediating the argument of
Who gets to protect you -
Who gets to lick the salt from your cheeks
After backyard creeks race to your lips
The space between our tongues so small,
Yet it weighs on me like
A sixteen hour car trip with your baby cousin,
Torture.
Like blue eyes shaded by glasses,
Hiding behind fallen heads.

I woke up just to remember
That your eyes are the only shapes I draw in the dark.
Begging for sleep to bring me back
To watch you stare at the dirt snuggled into your
Weather cracked boots
Your fingers tugging at the chain that rests on your chest,
Keeping my attention,

On the heavy black coat I'll be wearing 'til
Summer, an extra layer of skin,
Keeping me from gorgeous,
Let me drop it like an old tissue in the cold,
Let me lose it like I've been sick for weeks on you
And I'm shedding my skin like it's time to start new,

There you go,
Wearing your silence like a tuxedo,
**** - always ****,
And you're breathin' fractions of facts in my ear,
Seducing it's drum like a late night jazz club and
It's your first time on stage,
Gorgeous.
Let my stomach politely introduce itself to my throat,
Pleading with my temple to hold on to that bead of sweat that
Reluctantly drips down,
Gorgeous.
Down,
Like the tips of your lashes meeting my bellybutton,
Wet lips tracing my skin with "gorgeous,"
In your black coffee voice,
Gorgeous.
lust was in her eyes so blue
did things good girls just won't do
with that wicked glance
made your **** hard in your pants

she was her own *** show
let everybody know
what she was thirsting for
desire burning in her core

your perfume lingers in the air
i reach for you but you're not there
pull back the sheets and blindly stare
cold pillows laced with strands of hair

she don't **** around like some
only hopes you'll make her ***
she'll wake up the neighbors
as she's layin down the favors

always up when she goes down
then she grinds her hips around
her hair tangled and naughty
as sweat glistens off her body

your perfume lingers in the air
i reach for you but you're not there
pull back the sheets and blindly stare
cold pillows laced with strands of hair

fingernails down your back
better than a hit of smack
her flesh ripples with passion
howl and moan in rhythmic fashion

she screams and gyrates one more time
giving reason to your rhyme
carnal pleasure she defines
like an ****** that blinds

your perfume lingers in the air
i reach for you but you're not there
pull back the sheets and blindly stare
cold pillows laced with strands of hair

always pushing one step further
is this *** or is it ******
leave you gasping as you shake
both get off like a **** earthquake

the world around stops turning
lying there in blissful burning
the myth takes human form
as all night she keeps you warm

your perfume lingers in the air
i reach for you but you're not there
pull back the sheets and blindly stare
cold pillows laced with strands of hair

shadows dance across the wall
as your bodies rise and fall
she feels you deep inside
ebb and flow she rides the tide

you stare into her eyes
as the sun begins to rise
a smile begins to creep
then your grinning in your sleep

your perfume lingers in the air
i reach for you but you're not there
pull back the sheets and blindly stare
cold pillows laced with strands of hair
Sean Hunt Jun 2016
I live in the belly of the bully, And that bully is fat and bloated
after eating too much of everyone else’s food without permission.  Although he had more than enough to eat and he wasn’t really hungry, he left his island home; and sailed the seven seas to fill his sacks, and bring things back.  He pretended to pay, elbowing his way into, through and around their worlds, and because they did not speak English they did not understand his slippery words (and he didn’t learn theirs).  With sleight if hand and cannon he subdued then sold their souls to some obscenely wealthy aristocrats back in his island home.

He pushed them into the fields to farm and when they could not lift their arms from starvation he said it was nature’s predestination, so he did not shed  a tear and he did not interfere.  The natural law was all he saw.  That man was very  fat and and he was very flawed.

Sean Hunt  June 12th
This poem was inspired by a recent article I read about how Colonial England engineered famines in India that killed millions of people and stood by pointing to  'Nature' as their excuse for not stepping in, as was their excuse in Ireland.  When the Queen of England heard that the French Queen was moved to make a donation towards the Irish famine three times as large as the Queen's she reminded them that this would be 'inappropriate' and insisted on the donation being reduced to the size of the English donation.  The abominations of Britain on our planet need to be remembered as much as the Holocaust.  Though I live in England and benefit from the Social Services that 'The Beast' is wealthy enough to provide, and I was born in Britain, my blood is all Irish.
Lost for words Sep 2010
Your sunlight wakes me with a gentle glow
Lifting me from the sleep below
Your omnipresent blue twinkles serenely
While your beauty overwhelms obscenely
Each street a new promise of adventures new
And distant islands known to few
Your water so powerful cleanses all
Sweeping under bridges so tall
The mystery of your Eastern delight
Keeps me with you every night
Smoky, silky, rich and heady
Always waiting, always ready
I rely on you to lift my frown
And you have never let me down
Cacophany of noise, your urban voice
Embodied by life and love and choice
Towers on which a thousand summers have shone
Here long  before me and long after I've gone
Five times a day you sing out your chorus
Reminder I share you with each grubby tourist
But underneath this ancient dome
I know you are mine; my City, my home
The mirror, mirror lies
Reflecting back at me
All I see is powder
Where could I be?
Numb from the Columbian
A new national war bond
A roman hierarchy
Bang their drums obscenely
To One Right Wing God


The dragon took the towers
But man, it’s happen before
It’s been real hard to ***** all these drugs
To crush all over my mirror
And hide my ugly mug
When did I change?
I think I know who’s behind it completely
Samson’s in my blood
Wrote this in rehab no joke :)
www.eugene-moon.weebly.com
Ben Jun 2013
sleep deprivation and left hand love
a recipe for a night filled with self loathing
no matter the matter of cigarettes
i've killed on my arm
i still can't feel a feeling worth feeling
searching seeking self destruction

*applaud and cheer the sinking ship to
obscenely watch the dysfunctional waves ripple, grow,
rage, against this cracked and broken shore of my mind
enchanted by the beauty of the storm seductively
dragging the bodies of memories and passion
out to the deep blue sea to drown and drown
and drown again heads held under
until their souls stop screaming
neth jones Jul 2022
wolf ,
         can you land meat ?
            or are busy being needlessly cruel to 'lesser' peers ?
could you even take a basic stalk about the woods ?
            or would you be blistered
               breaking in those brand new pricy walking boots ?
a full moon ?
   maybe you'd drink to excess on those nights ?
   maybe pick a fight or beat on your loved ones
                                   but whimper the next day ?

that smart suit ?
ridiculous over your fur
heard you're on a trendy fad diet
you fidget at your desk
you fidget on your screen
work is obscenely wasteful
distractions are just plain obscene
you are a coward to your soul
soiled by domestic inactivity
skredman Sep 2009
I'm perfectly imperfect
That's what they always say
I'm crookedly straight
But I'm far from gay
I forever speak my mind
Always and all day
My heart is on my sleeve
But guarded all the same
I'm devilishly innocent
My mind is not so tame
I'm dishonestly truthful
But never take the blame
I'm completely backwards
We can never be the same

To me upwards is downwards
The sky's my only ground
Your life I can still ruin
It is with in my bounds
I'm depressingly happy
There is no middle ground
My version of earth is flat...
Why should it be round?
My earth is a work of art
With colours everywhere
Your world I broke and ripped apart
Just to prove I don't fit there
I tore it up in little bits
I left the pieces without a care
I'm completely backwards
I'm such a major scare


I'm nationally local
You can see me all the time
I can disappear into thin air
Leaving you without a rhyme
For I'm melodically harmonious
No brighter than the dullest shine
I'm incomprehensibly real
And yet so hard to find
Pure white to me is simple black
Race is gone and can't come back
I can prove all that I am
A thing to which you surely lack
I'm disrespectfully respectful
My words are always fact
I'm completely backwards
I'll drive you past insane
Then I'll never bring you back

I'm illegally legal
Like a drug that you can't sell
I'm contrastingly bendable
In this world of my own hell
I'm resistingly irresistible
My secrets you will never tell
I'm obscenely lovable
In this world in which I fell
I landed in this twisted place
A world of expectations
This world I created on my own
For I'm an undertone of exaggeration
Here I've found my only home
In a backwards world of my creation
And all in all I'm here to say
"I'm completely backwards
In every single way"
st64 Mar 2014
plea of oddities: bring the tinkling back
its bell lies silent


1.
Existing (not entirely) alone
entertaining itself with nightmares witnessed from long ago
It waited and waited
until the neighbour-orb grew to a level sophisticated enough
to house that lovely assortment of fine specimens.. of females
       that flock of dusted-crystals so long dreamt of
       that mould of sensibility, that plug of warmth
       that banner of softness
which all mirrored the opposite of their ways


2.
they fled in quiet-rebellion from inhospitable hands of the boor-males
altogether, in a ship.. down into the bowels of their breaking planet
subtleties long abandoned by the barbed-wire handling of  rough hands
these gentles could take no more and *uncoupled
themselves for good
burning, like the bridges behind them
               they disconnected and slid into a nether-sphere

When the males woke in stupor to find them gone
                 they flipped and fed in anger
and with access to goodness gone and unplaced voracious appetites
It decided to encase them.. in a giant glass-jar, preserving them in ire
until the time was right.. like a tea awaiting perfect steeping
In stasis, they remained for what seemed aeons
the glass-jar which held this army of men, was reduced
became small, like a coin.. which Foog summarily swallowed
and waited . . .  


3.
The sun turned its face in blank-horror of severe sights
                                                               splayed across the surface
forests shrank to toothpicks and died
         blue seas curled and dried
                                 meadows melted to greyish slush
every flying creature lost gravity and got ****** away, too high..
                                                        into harsh deafening-holes
when the tall sentries of oxygen.. twisted and became wiry-distorted
the sky sank and folding itself up.. hid in a black corner
                               behind the crumbling mountains

Foog hid beneath a crater made of ice, on the dark side of said planet
and once every millennium
        it felt the colliding-smack of a passing planetessimal
and it swore that somewhere, somehow..
        that punishment awaited new life

So, it shut its senses to the bay of life
       while hankering viciously for the scream of warm blood
The bell-jar inside, silent and
                        also somehow.. obscenely waiting in its oblivion



4.
Then, came Earth spinning round in flourish.. oh, the day on hand
Yet, veryyyyy far away.. an eye slowly opened
                      / /  roused by the smell of fressshhh life . . . / /



5.
A popping sound and the bell-jar was birthed from a slit on its forehead
It looked nearly quizzically at this odd creation beneath the silent-glass
this assortment of creatures trapped in the folly of Foog:
                                                                ­     oh, shall I, or not?
A cosmic joke, almost.. with so few revisions
The lid lifted and with proportion righted once more..
                                they came, oozing out in droves
Roaring from their milleniac-slumber,
                               crazed in half-remembered wounds
But alive with burning-purpose - - to find the equivalent
of
those soft-crystals

To melt the iron.. inside.



(unsolicited but self-warranted visitations:
camouflaged abductions.. secret prodding..
subtlety re-learnt.. poverty rehashed..
Fugue in a glass bell-jar.. unleashed)  



But alas, when sweet-sounds are closed again
see at whose smart-hands calamity befalls Life
Yet.. who are ultimately the ones
picking up the pieces after devastation wrought?





st, 27 march 2014
woke from nightmare.. to find this on my waking-plate.


sub-entry: day to dawn

It came in a dream.. and told me so
a day to dawn
for reckoning.
Emma Liang Aug 2010
let's go back, you an me
dance with me, i'll twirl with the dust mop
and you'll laugh and pick dust out of my hair and say i'll never be old

let's go back, you an me
record me stealthily when i sing obscenely-loud songs in the shower
and play them over and over and over as i blush different shades of fire

let's go back, you an me
tickle me while i'm tryin' to play hopscotch
as i beg for mercy between gasps and giggles and threaten to wet my pants

let's go back, you an me
take me for never-ending piggy back rides, pretendin' i'm flyin'
then dump me on the dewy grass, make me laugh because you're laughing

let's go back, you an me
i'll push you in the fountain and you'll grin
and pull me in with you, we'll float on our backs
ignorin' the stares
and watch night fall in little pieces, here and here
except for in your eyes, which blind me

let's go back, you an me
paint sloppy, clumsy kisses on my cheeks
and make stupid looking necklaces out of sparkly plastic beads you know ill never wear

let's go back, you an me
whisper in my ear forever
so that now i can hear you in my head
and smile smiles that don't reach my eyes
and dance with the dust mop pretendin' that it's you
A different style, yet again; comments, suggestions, and criticisms all appreciated. Thanks for reading! (:
Algebrarian May 2019
Joseph Argyle, Andrew Misseldine
Southern Utah University

Today we will be talking about advanced mathematics.
Let out your primal screams now.
It almost seems as if mathematics are a histamine to most people,
But mathematics is omnipresent in every interaction between two universes.
Mathematics is obscenity. We know it when we see it.

Mathematicians are the teenage girls in the back of a borrowed Toyota Camry
Demanding to know “what are we?”
Most people feel the tense shrug and the stiff arm of her companion.
Mathematicians feel the swagger of a braggart uncle at the watermelon-spitting contest.
Demanding more precision than everyone else at the party.
And at the same time they are the children standing up to the bully saying
“My dad can beat up your dad.”
And hoping their opponent doesn’t say “Prove it.”
They always say prove it.

There was a time where proofs were guarded in secrecy.
When braggart mathematicians,
the dogs of rival states who lusted after academic supremacy but not knowledge,
claimed they could prove things without proofs.
Where even a jot in the margins of a notebook done with enough pomp made you a god.
The mathematics eventually rebelled against loose proofs and found its true ecstasy,
Rigor.

Rigor is what separates mathematics from the beasts.
Science dictates the rules of our planet,
and daresay our entire dimension.
However, even scientists struggle with math.
Scientists view mathematicians as,
well, masochists is the wrong word.
I guess scientists acknowledge mathematicians the way most sports view cross country runners. Mathematicians relish doing the parts other scientists do as punishments.
But math is an obscenely illuminating and beautiful subject.

Mathematics needn’t be scary.

Mathematics is really the study of sets.
Sets are the piles of objects curated by the lonely.
The horde exhibits consistent rules.
Every object can be related and grouped with every other object
As can two people find some common ground.
These connections map to constellations across papers meaning more than the papers
And the time they take to construct
We are all connected.
Whether we join each other up or bend down to meet someone where they lay,
We are escaping the void of an empty set.
And the laws of mathematics steady with the same consistency all through whatever ordeal
The chef has challenged diners with today.

There are always rules, and the rules can be trusted.
In this set, joining and meeting are always the same.
They are Idempotent, meaning an operation sticks.
One and done.
Idempotency is the effective lesson which is learned exactly once and remembered forever,
Like the cat who jumps on the hot stove exactly once.

If the definition of insanity is the repetition of a single task over and over again
while expecting different results,
Idempotency is the opposite of insanity.

The human race is one huge set.
Idempotency is how we interact with other people.
It is meeting someone where they are.
We can all be a little better than we were before.
Idempotency is inviting them to raise each other up and join them in the journey.
PK Wakefield Apr 2010
bittering every sweet
thusly shifting arrogant flavor
seems to make all the tears
a dusty eruption over
tongues not built to
ever know such obscenely beautiful oral
Oscar Mann May 2016
Solitary man
Always in good company
Of wonderful women
And Gainsbourgian groove
C’est bon chic bon genre
And rudimental rock at the same time
Crude cool
Love’s fool

Passion and percussion
Lust and lavish beats
Charming chansons
And seductive songs
Melody’s magnetic melodies
Du Jane B & Initials BB
A celebration of beauty

Monsieur Gainsbourg
T’es magnifique
Authentique
Flegmatique
Channeling what it means
To be obscenely genial
Fericiously cordial
What it means to live life
As If there’s only one day left
Toujours
Monsieur Gainsbourg
susan Oct 2015
i'd love to take your face apart
inch by inch
pore by pore
counting every eyelash
small lines
barely noticeable
the color of your lips
your cheeks chapping in the cold air
eyes watering with a brisk breeze
chipped tooth
crooked smile
messy hair
the imperfections
that make you perfect
to me.
Swanswart Aug 2016
I

Home
inside the house of the lording
a frenzied pumping play.

Within
the colander
pouring the mold—
an altar of fetid sacrifice
and perfumed devotion.
My personal Pentecost (conversion
out of form)
My feats are handed to me far
ahead of my own devices.
Filling it up
Faster! Filling Faster!
Draining filling faster filling!
faster faster!

Violet lids are locked open in a rose
colored stare of thorns.
Puddles form opaque
and uneasy across the floor.
Ripples flex and bend-
a taste of lavender sweat and kisses
washes across my tongue
the flavors coagulate obscenely
stirring thirsty petitions
for more

II

The sunlight slits its way through the shutter
to rest upon the floor.
It strolls languidly across the breadth of the room
defying perception with a cadence
that patiently consumes the afternoon
Within
the anxious minutes struggle to keep pace





III
Speaking with the tongues
of omens and devils
Love is nothing
and I am less
Charity is the anchor
and compassion the straight-jacket
Lies! Lies!
Memory is privy to the cure.
I am up to my ankles in defeat
Wading through my room in shackles
a supine sense of clemency
bends my knees in prayer
Mercy! Mercy!
Mercy-
for the barbarians and schemers
and those who long for sleep
for the bleeders and the healers
and the **** crowd that pays to watch
for the hidden and the hiding
the blind,  the short-sighted, and the bell gatherer on a leash
for those who have never seen their own spectacle
and for those who have yet couldn’t laugh
Mercy! Mercy!
Mercy to all
Without

IV

Within
the pool rises
In genuflection I supplicate my position
Surrounded by the baptismal abyss
I contemplate immersion
into the excrement
I have poured about myself
A frivolous query of destruction complete
It’s a sprite idea
a fairy thought
flirting with my insensibilities
teasing my degrees with magic and trance
with spells that bind the curious
to moonless night visits
and the breaching
of hoary sepulchers alone
Filling! Faster! Faster!
Draining! Faster! Faster!
Filling Draining Filling
Faster! Faster! Faster!
The colander is engulfed
within

V

Afloat in the mire
of ponderous subversion
excess has risen heavy upon my heart
swelling about my neck
with rigorous aplomb
licking my lips with tar and suffrage
To my feet
I must stand!
I must keep my head above
and chin up

Gut-check drench and saturate
seeping into my passions
seething out of my skin
and into my dreams
sealing me inside myself
It is an epiphany of osmosis
Sangfroid boiled to satiety.

An emancipation?
Is this contentment I feel?
Could this be...
I AM FUFILLED
if but for this fleeting
whim of a moment
I’ll take the burden as luxury
my soul rings with ******
my body shudders with dissolve
I am without—
Time
Needs
A Home




VI
I catch the last shards
of sunlight lingering
upon the far wall
Glowing
So alive in those last few moments
bright as language
etching vivid accomplishment
fading
memory
gone

VII

Ecstasy is swallowed in desperation
a flotsam and jetsam exchange
Grasp-breath beg and flurry
for space
wallowing head-full pleading
swimming in vibrant exhaustion
I writhe back into my skin
like a womb worm foraging
for original flesh

The casket ceiling offers me
Othello’s kiss
I see the cacography on the wall
and it’s my eulogy
blind as a battering ram I am
the walls before me
the colander cloys
the cullion claws
the cauldron is full


Boiling drown the barricade
the gallowed decision
is no simmering reaction
to the pangs of entropy
The filling has ended
my effluence has trickled to a halt
A maelstrom opens
draining Draining DRAINING
Within





VII

Without
The vortex rages
a frenzied drowning dirge
my eyes scour the darkness
scrubbing the void for light
The nothingness gawks back
shadows swirl in the pit
of my stare
I close my eyes in defiance
turning my gaze to the visions
Within
My thoughts are black
my dreams are black
my mind is an obsidian landscape
of residue and remnants
purged in the strain
of the colander
within.

      'You said,  
     "Someday I'm gonna break your heart",
      the first time that we met--

     Were you warning me..

     ..or just seeing how close I'd get?'


If you didn't want to exist  in the heart
of a man like me, then you shouldn't have
allowed your scrapper little spirit  
    to write the way you do.

And I was so naughty--  so very intentioned  
in all of my obscenely-truthful lies..
I told you it was all your  fault
        that you got in so quickly


         --and   it  was.

I got you back, though
I knew it the moment you let on
that you had fallen  deeply  in love..   not with me..
but with the love that had so deeply  fallen
for every-thing about you

And so,  it increased..  but at such a strange distance.
But even then,  the years only perfected  

   and strengthened..

   until lately..  
                      until lately..


     'We lay down in a lover's sigh
     As a million years of time rolled by
     How can I be hoping that it's not over yet?'


     I wasn't done, young Andi..
     no..   no..   far from it

You see.. there's this shame-thing
I wanted to flood  with light.
I'm getting so close  to finding the words
     that have never been heard  
     in this world before

    (And now.. and now.. and now..)

     'I can't hold on to the night
     Things change, ain't nothin' ever stays the same
     You're gone as far as I can see

     If you feel like letting go
     Honey, I don't wanna be the last to know

    ( I wanna hold on tight to the sweet memory
        of you loving  me)'



Let the good times find their own way home
I'd kiss you goodbye but you're already gone
Cryin' now.. just  tryin' now to wash me away

When you look back on the times we've had
Let the good ones wash away the bad
Don't look back on these bitter words
  we spoke today

I can't hold on to the night
Things change, ain't nothin' ever stays the same
You're gone as far as I can see

If you feel like letting go
Honey, I don't wanna be the last to know
I wanna hold on tight to the sweet memory
   of you loving  me

https://youtu.be/YyBLo20LY3c
~H


don't go

don't go

don't go
.
Hunter Green Sep 2018
I get roped in,
I get caught every time.
The smell of bait is always attracting like a word’s next rhyme.
And I can’t seem to get out of this trap I find myself in so often,
All I need is a glance, a smile, a touch, and I find myself in this coffin.

You see, I write about these things so routinely.
It takes up all my emotion,
And my thoughts are formed obscenely.

I am either running
From the things I dream at night
Or dwelling in my sleep
Until I can't stand my waking self.
My character seems to hang by a thread’s might,
And I now see it lacks in wealth.
Joseph Martinez Jan 2011
America

**** your McDonald's drive-thrus

**** your ninety-nine cent ******* hamburger, taco, pizza, salad, milkshake, hotdog, cheese, chicken and ice cream.

**** your ever-penetrating, all-enveloping television stare
-looking into every home and obscenely tucking children into bed with your poisonous, dangerous nonsense

**** your deadly highways and metal death machines

**** your educational system which affords no opportunity and disgraces the intelligent by basing self-worth on imaginary symbols

**** your restriction of information and for appointing one man to represent anybody but himself

******* for breeding such similar beings

**** your twisted hatred of change & for arresting children while cadavers dry-**** the so-called american dream

******* for losing your own soul & destroying us daily

******* for putting faces on beauty and giving such loud voices to hypnotic fantasy

**** your favorite sons and daughters

******* for the wars which can never be won

******* for advertising Jack Daniels on the freeway

******* for a pack of cigarettes - seven dollars and fifty cents

******* for making my **** hard

******* for not looking at the stars every night

******* because I am poisoned by paper

******* for the starvation of spirit & pills handed out to numb the broken minds you've made & the shattered ones you avoid

******* for the homeless prophets

**** your speech decree & for rubbing freedom in the faces of the dying

**** your holy stars & stripes

**** your hushed genocide and & torture

**** your phantom masses and empty religions

******* for providing no wholesome evenings in my rotten town

**** your signposts and support beams

You are but a word
J.M. 01/26/11
Mike Essig Apr 2015
One night
of shameless ***
with a warm,
willing, talented,
obscenely younger
woman
works every time.
- mce
Hmm, maybe I am a ***** old man. Who knew?
Donall Dempsey Aug 2015
Haiku Sequence
(For Mr.N. Of  O' S)

Empty field except
clouds grazing at its centre
somewhere far off...sheep.



Empty field except
for the colours green...blue & white
creating a scene.



Empty field except
for the silence being shattered
by the big dog’s bark


Empty field except
invisible voices call
“Where are you..? ”  “I’...lost! ”



Empty field except
for an oversized unseen
big green frog:  “...ribbit! ”



Empty field except
for a cow exiting now
the scene by a tail



Empty field except
for a cow now entering
the scene by a nose



Empty field except
for the well concealed couple
making out in hedge



Empty field just
waiting for us to come in
to keep it in mind



Empty field full now
with clouds, a sheep’s bleat, laughter
& two lowing cows



Empty field full  to
the brim with such memories
colouring it in.



Field empty now
because we have left...does it still
exist...now we’ve gone?



Clouds migrate from field
to field occasionally
getting caught on top
of people’s heads in photos
or trapped in a mesh of trees.



DEER PARK

Mountain   empty   of people
but somewhere...invisible voices
Buddha’s rays penetrate dense forest
greener again...illumination of lichen.




DEAR PARK

Tourist mountain  people & their litter
everywhere to be seen...obscenely obese.
Old poem in my hand penetrates my mind
its words an illumination of green lichen.
*

The EMPTY FIELD haiku sequence came about with my efforts to translate(rather badly I fear)**** Wei’s famous DEER PARK.

The failure of this(nothing goes to waste...it being all being grist to the mill)then provoked me to write my tanka about the grazing clouds and the invisible sheep which then propelled me into writing haiku about an empty field where nothing is apparently happening...or it would appear so.

And so by indirections I found directions out as Mr. Shakes so succinctly puts it.

LU ZHÁI  -  **** Wei(c.700-761)       Tang Dynasty

These little lines(over 1200 years old)enduring the transformation of translations through time after time until finally arriving in my mind and using my words much as a hermit crab would take up residence in an old shell or broken *** on the seabed of my mind. My words may not be a perfect home but it is enough that these lines have agreed to take up residence in my mind if even for the briefest time illuminating words of mine.

*******

LU SHÁI

Kong shan bu jian rén
Dan wén rén yo xiang
Fan jing(ying) ru shen lín
Fu shao qing tái shang

CHARACTER BY CHARACTER TRANSLATION

Empty           mountain            (negative)                  to see                     people

But                to hear                  people                  words                      sound

To return      bright(ness)            to enter                 deep                       forest

To return      to shine                green                    lichen                       above
Again          to reflect               blue/black             moss                       on top

*******

**** Wei was a fervent Buddhist and in the Mahayana texts the Western Paradise(being the domain of the Amida Buddha)      crops up every now and then..it being the place of the setting sun where one desires to be reborn.

Hence the brightness or sunlight in the original I have translated as Buddha’s rays.

I also stand the mountain in its own magnificence and have it empty of people.

I had the most trouble with the returning/shining aspect and have taken the liberty to express it as greener again as if it were already green but made even more so by this dying light. And of course we along with the lichen are...illuminated.

I couldn't help but stick it into a future where it is nothing but a tourist trap...come and see where the Buddha gave his first sermon. Roll up!

A translation is an agreeing to live with the imperfections of your perfections or the perfections of your imperfections.
david badgerow Feb 2012
This isnt a poem, it is an open invitation to any member of this community to attend a poetry reading that myself, Travis McCullers, and Jaysen Good are hosting. It will be held in our homely hometown of Live Oak, Florida at a certain Spirit of the Suwannee cafe on Sunday, March 4th. You all are more than welcome to attend and any contributions you wish to make to the performance will be considered. The cafe is a full service restaurant and bar, so please feel free to get obscenely drunk on the premises. Directions and contact information will ne provided to serious inquirers via private message. Please feel free to ask any other general questions that may occur to you in your comments below.

thanks for reading,
David Badgerow
Brent Kincaid Nov 2015
There may be a heaven
And maybe a hell
But there is one thing
I know **** well;
There are devils around
And they do their worst
To put the working man
Into a poor man’s hearse.
They hate poor people
And kiss the royal ***
Of those who they think
Represents real class.

And real class to devils
Is money beyond belief
So they side with the creeps
That hate welfare and relief.
They know what they are doing
And they do it every time.
They gleefully participate
In global-scale crime.
They pump up bank accounts
Of the obscenely rich
And call the working a man
A loser sonofabitch.

They buy the politicians,
Who are devils themselves,
And push helpful programs
Onto a dusty back shelf.
If it doesn’t make money
For the greedy one percent
Then any such bill proposed
On the floor is never even sent.
So, I do believe in Devils
Not so much of the rest of the book.
If you don’t believe in Devils
Turn around and take a good look.
mark john junor Jan 2014
this maligned soul
speechlessly awaits with lips bound
by butter soft feelings
forever melting on the tip of tongue
with its lies and doubts forever right
there graphic and visceral in minds eye
having reached the edge between this and all other human beings
she asks from the other side how it feels
asks if it would be all right to venture
my emptiness finds no objection
just objectification
pant and release the guttural sounds
where they seem to be heard
wish  it was more
but its just empty push push push push
i cant  feel anything
should that make me sad
she asks how that makes me feel
i just look out at her perfections and softness wares
with a maze of questions
and a thousand lies
to cover the obscenely unclad
to remove the dried stain
in my eyes
don't touch me
don't touch me
for riwa
Amy Grindhouse Jan 2014
The flat desert terrain melts together
when you’ve been driving all night
sliding through twisted canyons filled with nothing
but rugged gray brush and ***** sand.
Even in complete darkness the desert air is still hot and dry
every breath harsh and dusty as it’s drawn deep into my lungs.

We round another of the endless corners on this highway
the engine of our rapidly aging vehicle shakes
as it soars along this empty stretch of nothing.
She sits quietly
almost comatose
blankly staring forward
with occasional slight smirks of morbid fascination
each time an insect smacks the windshield at
breakneck speeds.

She used to love hanging out of the top of sunroofs
letting the breeze flow past her body
dancing
my obscenely beautiful angel.

But we are long past that now.

When we met we were that couple
everyone knew
would be perfect for each other
but horrible for everyone around them
We did all the awful things most people our age did
but no one would have pictured us on this path
On occasion she shoots me hateful looks
silently accusing me
of ruining our perfect romance
with weakness when confronting the things
we've done.

At the edge of the horizon, a downtrodden motel
our destination
and tomorrow's headlines.
I don’t say anything to her
I just nod slightly
For me this is a matter of survival
because without her I could not survive.
Vague pulls of morality tell me this is wrong
but I remind myself my morality is reserved
only for her
Morality is for people that have everything
and I have only her.

We select our target by the cloudy glow
of a left on television that will muffle
any sound
The flimsy door splinters against the hardened sole
of my combat boot while
her hardened soul howls with tragic insanity,
and as my angel's wings grow black
the grisly screams are lost to the sweltering desert air.
MereCat Feb 2015
I live in the bottom of a tea-cup,
the basin of an English town
that is no more remarkable than any other English town.
It has little flair,
too much submissiveness,
many characters but no character.
It is a stencilled town convinced that it is something more
than margins.

Front gardens are filled with bits and pieces
of broken things
that are perpetually leaving.
Cardboard boxes,
disconnected fridges,
unfinished patios,
wellingtons that have paused to collect the clouds.
The crocuses have frostbite
and the lawns are fraying at the edges
like muddy carpet.
As you follow the road the houses get bigger
and their front doors get shabbier.
Paint peels like sunburnt skin
and the road stains yellow.

The old and the new mix obscenely;
two girls, tied at the elbow,
crack their feet on the sound
of their sisters’ high heels slapping paving stones.
Most people have got extensions
that have left their house in two pieces,
the bricks never seeming to meet.
Gingham table cloths hang out to dry,
a red double-decker teeters on a corner,
biked teenagers slip through the net of the Friday sky.

It’s a green-ish evening
and the clouds are strung like DNA blots
around the blurring sun.
The light’s not strong enough to dry your bones but,
when you look at it,
it seems to have exceeded any outline.
A slab of sky is golden.

The allotment is rows upon rows upon rows of bamboo canes,
browned like apple cores.
Chicken wire and faded Wendy houses
slouch upon their soil trenches.
It is a patchwork of mediocrity;
the beige and the brown and the grey
overtake the green.
Tin cans stud the place
like piercings on the body of an ex-punk;
only dead things grow
and the colours have been switched to mute.

There’s a market on Saturdays
where strawberries will cost you the moon
and where egg boxes are recycled
until they drip in the rain.
My grandparents remember my town in its embyonic stages,
my parents remember when it still was framed with local business,
I remember it when Shakeaway was a fruit and vegetable store
that sold palenta on Wednesdays.
My town is locked in a cycle of self-improvement
that it never seems to benefit from.
It is infitely greyed
and nothing more or less than ordinary.
Boys with blackheads pretend that they understand parkour
and the haberdashery closes down.
Each month, the window displays alter to no avail
and the dust sinks a little closer
to the pages we’re constantly trying to turn.

I live in the bottom of a tea-cup
and I never stop trying to read insubstantial fortunes
from the dregs I’ve left behind.
Walking to my ballet lesson I realised how stupid the task of "describe your town" is in French class when I am hardly capable of constructing an answer in English...

I also apologise for the fact that this is not really a poem (just prose that has been chopped up into segments) and that it's probably very long (I can't really remember) but I hope it has some worth to it...
falling into subterranean sleep, I notice such blackness
   bypasses a pinprick of light; dreams are avenues
   to enigmas presenting themselves as someone forgotten.
sleep laves labyrinths with incandescent sequins.
    everybody is strange here, interlocutor commune,
still yet nothing I can understand – better be braille, or
    contrapuntal dance, but still you uttered nothing;
your locutionary silence seeks no contentment.

                                           i have never heard such riot
of laughter toss me out of sleep. perhaps it was our undoing,
   our deepest, secretive entrails unloosen us in such fashion
   worth depicting as obscenely courageous, the width
of arm-span the size of outstretched islands, and stepping into
   that particular wideness, are my small feet traipsing
   swiftly throbbing in the heat of choosing:
to go      or     to stay – cyclic spectacle that eschews
            dailiness that I know I may have forgotten you in faces
of lampposts, the pared skin of onion, the gleaming washlines,
     the white feral on the rooftops, a blank piece of paper,
            a munificent Bulacan sky, or any sky at that since
they are all bleached and they arrive not with wind but
    with lashes: the color of white that flagellates, that blinds,
        that oscillates in space which is then reduced to the
     back of my hand: I know this. I know all of this.

                                                we were not naked, yet something
         buried in the skin reveals itself disarmed, mumbling
             an earnest palaver of questions I have no answers for.
                     what happened? where are we? should we just – die?
                                   an echoing reverb, or simply a song – a metronomic
          carousal of swan-song I have heard before persists
                            and maybe all this time,
                                                       we have been awake, in separate cities.
PK Wakefield May 2013
the she raw is beautiful because
because short
(eyes green ) hair the

lips by

sing easily with neatness
and her mouth is

where exactly it might appear obscenely wonderful
to push my mouth

which i also like would
my own to raw she become
into a singe of crisp love
together as like a sprig in Spring
blossoms such uncaving of coloures

but sharp too
as a rose might wear
the coloures are

for parting of skin
between rib and breast
where a heart lies

wanting to fold
folding of want
of raw she

who beautiful because is
The fact the rich are getting richer
likewise the poor stay poor.
As the ones in between every where
increase the profits for the rich.
Plus pay the taxes and benefits to
not receiving the recognition.

Those with money get obscenely richer
a division is obvious to see.
Countries going bankrupt who suffers
not those with the mega bucks.
The interest covers their daily need
they are their own breed.

When we are told these times are hard
this for millionaires does not apply.
Certainly no worries how they will pay
heating motor fuel what problem?
Without any financial debt to be met
fly off on holiday in the private jet.

Those thought of as the poor draw benefits
not working it is not worth their while.
The ones in the middle are the true mugs
losing the most in every quarter.
Jobs, countless taxes the cost of living
for them life is not forgiving.

But how long before currencies are worthless
when nobody can afford to buy.
Could every being be worth the same
a meltdown of the human game!

The Foureyed Poet.
The rich have no problems with the bills. The poor are the poor. But those in the middle pay most of the bills! Losing out while supporting the other two!
The Foureyed Poet.
OnwardFlame Jun 2016
Not sure why
This white man thinks
We moon ladies
Ain't worth the investment
He trickles in his own sovereignty
Deciding to highlight an inner resentment

You're just obscenely jealous.

— The End —