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"lamppost" poems
In bed, I lay upon my cushioned existence I stay but outside the world's at play birds swimming in the sky and trees that gently sway dancing the day away and I continue to lie the distant sounds of yawning grounds two parched lips as the Earth does rip let the rain come so we may take a sip heavens nectar falls upon a discarded deckchair striped like candy cane blotched with the rain scattered upon sandy dunes could this be a monsoon ironically late but still worth the wait paid patience admission at the gate one ticket to wet wet wet this is what patience gets just need a raincoat so I can appear in the matrix how can you hate this a neopolitan sky dripping with colour if I were a scholar I could espouse on its many virtues instead, I turn up my collar and tip my hat a little milk won't hurt you an umbrella swung round a lamppost and now I'm Gene Kelly still wearing a raincoat but dancing romancing the moonlight for night has snuck in the back door like an absent teenager but this too shall pass soon the dunes turn to grass and I too return to task a new day at play.
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Oct 7, 2018
Oct 7, 2018 at 2:35 PM UTC
At Play
at first i did not realize what you meant when you said 'i love you'. i thought you'd said it because you knew just how vulnerable i was to you. you knew what i felt was real. but what you did wasn't you were hiding behind a mirror that only reflected the love i had for you. the things that weren't really there. i did love you i shouldn't have but i do not regret kissing you that night under the lamppost and i do not regret staying in my room all day long with you but i do regret that first kiss by the ball field the night you vowed you would never stop loving me. the night that i was truly undoubtedly beautiful to you i felt that. but now i feel nothing for you. you were the closest thing I've felt to true love and definetly the closest to heartbreak. for months i couldn't breathe my eyes were the red of blood my checks were puffy as clouds my skin was salty and id lost all passion for mascara because it only seemed to run down my face within minutes of applying it. i laid in bed nearly all day i couldn't move or speak you had shattered me and here i am being you're friend watching you kiss her watching you hold her hand and watching you love her. but i don't feel pain anymore. i feel something worse i feel empty
0
Dec 12, 2014
Dec 12, 2014 at 4:11 PM UTC
you broke my heart
Motorway Lamppost Buzzard with his Evil Face Watches the Rushhour
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Aug 13, 2013
Aug 13, 2013 at 1:18 PM UTC
Traffic
In our love for the wind and all that passes, Each smote of self, a wisp of loss and absence, Like the snow pendulous slips over last grasses, In the glow of the lamppost and unholding fences: So too the thousand-grains of breath Blow through our bodies’ incandescence, And in the starlit-smoke from the dragon's mouth On wings of filth swirl the bone-edge of death.
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Mar 18, 2023
Mar 18, 2023 at 9:20 PM UTC
The Dragon of Snow and Starlight
Somehow I am surrounded by suns and stars Me A measly old lamppost that can barely stay lit In the shadows of their bright lights I'm barely visible Who wants to watch a flickering lamp When there are beautiful suns and stars all around My heart is breaking But they don't mean anything It's just what happens when your a broken lamppost Surrounded by suns and stars No one can help me I can't find any beauty All I can see are suns and stars And I feel all alone A broken lamppost Old and forgotten All but abandoned I just want to feel loved I want someone to show this broken light That I can be star Or maybe even In my dreams I can be the moon or sun In someone's eyes But  tonight I'm a broken lamppost And they are more beautiful lights to watch
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Aug 22, 2015
Aug 22, 2015 at 12:19 AM UTC
Lamppost
Someone undeserving of my devotion, ugly and beautiful, whispers that scratch up all my dreams, crazy glue, a strutting rooster, cocking its vibrant scarlet head back and forth, a wolf crooning into the night, only to eat me a minute later, an ornately decorated box, containing a demon of possession, a precious ******* up vinyl record, an expensive bugatti that everyone wants but no one can get, a snake, venomous, but protective of her eggs, really just scared, a lamppost that's tired of it's job.
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Nov 4, 2014
Nov 4, 2014 at 3:22 PM UTC
Synonyms (for you)
For at least a week now, shrivelled leaf-like globes of heliotrope and platinum, umbilical cords caught on the top of a lamppost's ***** finger, jostling, huddled together in the breeze like players in a scrum. I go past on the top deck, see those wrinkled baubles skirmish, wish to leave and drift in mist before rasping with a whimper, an out-of-breath splat of colour caught in some tree.
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Mar 8, 2013
Mar 8, 2013 at 10:16 AM UTC
Helium
~~ Southern winds have gone away The music player has hanged When playing the last romantic song The Chill North wind is Sigh of yours Has grown the pale Afternoon How stupid the fade trees Standing! Distant garden flower's Petals Wither, Helpless, Careless Midnight dew Create the illusion of Sound Nearby Lamppost, Standing in the dim light fog Alone, Retreat As the Calling Owl of the Night Smokes of Cigarette lost in the Shadow Putting the day, Slowly vanish before As the Mist   Along the road that you have left Looked at me Surprisingly Opening the door, Just want to scream for unknown reasons Once Again ~~ @Musfiq us shaleheen
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Feb 11, 2015
Feb 11, 2015 at 3:39 PM UTC
As the Calling Owl of the Night
on the night train to Vienna I dreamt as the soft tangerine light bled into the windows, tumbling down infinities of Italian countryside absorbing into my retinas in summer shades of dusk-colored haze entranced I was-- a nervous girl of sixteen years, uncharted valleys sprawling ceaselessly at the beds of my fingers, love languages my tongue could not yet stretch its fibers around freedom forming its hunched silhouette just outside of thin glass windows cooled by the night’s apprehensive breeze endless, it seemed the rumbling blur of possibilities-- my hands sedated for the first time in years. quietly existing in the jolt of a moving cab, the subtle ricochet through the faint lamppost glow of fragile Austrian dreams. home-- four thousand and forever miles away and yet here was fine, just fine a girl with stringy hair and a steaming cup of midnight European tea as her mother sighed to herself in the peak of her American afternoon, wondering whether her baby had found sleep in someone else’s morning.
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Nov 2, 2016
Nov 2, 2016 at 9:22 PM UTC
ON THE NIGHT TRAIN TO VIENNA
There are metallic, life-like statues of human figures scattered through my city, often on park benches. You must look twice the first time you spot them, and sometimes, each time, as they are so nat-ural, that they fool the retina image of man. The traffic light, red to green, yet my limbs, froze fruit solid, release catch stuck, unflippable, somehow plastic freezes, mobility skills rusted by December's hampering cheeky cheeks, a seasonal reddish copper discoloration of the extremities, a harmony of no sensation A comet stuck in pedestrian neutral, collided/jostled by starry eyed Fifth Avenue street walkers and tourists. my presence sensed, touched, yet avoided, unnoticed, like streetlight, lamppost, mailbox, I am, a body, at rest, unseen but on display in the art gallery of Manhattan's Lost and Found In the section of the paper where the unimportant local news is sliced n' diced into single paragraphs, of human interest, tidbits, amuse bouche, items of major minor interest, The New York Times reported the discovery of an unauthorized lifelike bronze n' copper sculpture. eyes of polished nickel, heart of stained steel, rendition of a man so lifelike y'all do a triple take, smile, take a cell photo, phone a friend his embodiment can be found on the rounded corner of Columbus Circle, @59th St., where you enter Central Park. upon a bench, man clutching Sunday newspapers, a pair of scissors, coupons cut, scattered at his feet. a homely but comely, ****** expression, one of bewilderment. A tiny plaque on a brass plate, at his feet, hints of his progenitor and human origins. Artist: Unknown, Materials: Organic Metals Title: A Living Finish
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Nov 18, 2013
Nov 18, 2013 at 5:38 PM UTC
A Living Finish (Sunday's newspapers come on Saturday - Part II)
There are metallic, life-like statues of human figures scattered through my city, often on park benches. You must look twice the first time you spot them, and sometimes, each time, as they are so nat-ural, that they fool the retina image of man. The traffic light, red to green, yet my limbs, froze fruit solid, release catch stuck, unflippable, somehow plastic freezes, mobility skills rusted by December's hampering cheeky cheeks, a seasonal reddish copper discoloration of the extremities, a harmony of no sensation A comet stuck in pedestrian neutral, collided/jostled by starry eyed Fifth Avenue street walkers and tourists. my presence sensed, touched, yet avoided, unnoticed, like streetlight, lamppost, mailbox, I am, a body, at rest, unseen but on display in the art gallery of Manhattan's Lost and Found In the section of the paper where the unimportant local news is sliced n' diced into single paragraphs, of human interest, tidbits, amuse bouche, items of major minor interest, The New York Times reported the discovery of an unauthorized lifelike bronze n' copper sculpture. eyes of polished nickel, heart of stained steel, rendition of a man so lifelike y'all do a triple take, smile, take a cell photo, phone a friend his embodiment can be found on the rounded corner of Columbus Circle, @59th St., where you enter Central Park. upon a bench, man clutching Sunday newspapers, a pair of scissors, coupons cut, scattered at his feet. a homely but comely, ****** expression, one of bewilderment. A tiny plaque on a brass plate, at his feet, hints of his progenitor and human origins. Artist: Unknown, Materials: Organic Metals Title: A Living Finish
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69
The light softly flickers As you pace and stall Wait for me here Listen for my call Up on the old bridge I can feel your body fall Watch the light flicker 'till there's no light at all
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Jan 17, 2021
Jan 17, 2021 at 10:06 PM UTC
The Lamppost
We sat outside the coffee shop next to a fire, watching the sun set behind decrepit buildings. I lamented over the lack of a roller rink in the area, reflecting on memories of wobbling around in circles with dizzying lights and blaring speakers ejecting Pink, Daft Punk, and Eiffel 65 onto my critical youth. I felt like a king. We finished our smoothies and retreated to an empty hotel parking lot, where I taught her to skateboard. One foot over the front bolts, the back foot over two of the back bolts but resting over the tail, kick, push, it's in the ***** of your feet-- weight distribution. Tic, tac, scrape, thud-- she falls repeatedly and gets back up. I admire her resilience and perpetual smile-- This is what skateboarding is all about. We roll around the hotel parking lot, our endpoints being a lone luminescent lamppost and a telephone pole beleaguered by a plot of shrubbery that demarcates itself from the pavement. We circle around the poles for hours, forming an imaginary oblong track between the two, our laughs carrying into the cool summer night lullaby that sang the drowsy small town to sleep. The fading throb of the wedding reception at the bottom of the town square by the wharf, carrying over to us. The stores closed up hours ago, silent empty windows reflecting the lonely streetlights and our ambulance back at us. We skated on unperturbed into the night hour. A man walks outside the hotel to have a cigarette on the sidewalk-- I imagine he is watching us and admiring our glee. Rolling between this telephone pole and lamppost, the glare and reflection of the empty silent windows, the soundtrack singing above our heads, our laughs, and the tic-tac of skateboards and groaning of wheels over stubborn pavement bringing my melancholic reverie to a halt, recognizing and understanding happiness in the present moment-- This is my roller rink.
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Jun 12, 2016
Jun 12, 2016 at 1:13 AM UTC
Roller Rink
We sat outside the coffee shop next to a fire, watching the sun set behind decrepit buildings. I lamented over the lack of a roller rink in the area, reflecting on memories of wobbling around in circles with dizzying lights and blaring speakers ejecting Pink, Daft Punk, and Eiffel 65 onto my critical youth. I felt like a king. We finished our smoothies and retreated to an empty hotel parking lot, where I taught her to skateboard. One foot over the front bolts, the back foot over two of the back bolts but resting over the tail, kick, push, it's in the ***** of your feet-- weight distribution. Tic, tac, scrape, thud-- she falls repeatedly and gets back up. I admire her resilience and perpetual smile-- This is what skateboarding is all about. We roll around the hotel parking lot, our endpoints being a lone luminescent lamppost and a telephone pole beleaguered by a plot of shrubbery that demarcates itself from the pavement. We circle around the poles for hours, forming an imaginary oblong track between the two, our laughs carrying into the cool summer night lullaby that sang the drowsy small town to sleep. The fading throb of the wedding reception at the bottom of the town square by the wharf, carrying over to us. The stores closed up hours ago, silent empty windows reflecting the lonely streetlights and our ambulance back at us. We skated on unperturbed into the night hour. A man walks outside the hotel to have a cigarette on the sidewalk-- I imagine he is watching us and admiring our glee. Rolling between this telephone pole and lamppost, the glare and reflection of the empty silent windows, the soundtrack singing above our heads, our laughs, and the tic-tac of skateboards and groaning of wheels over stubborn pavement bringing my melancholic reverie to a halt, recognizing and understanding happiness in the present moment-- This is my roller rink.
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48
I am staring at the red hand demanding stop in a mostly silent rushing manner with any urgent notice for the blind lost in the crushing banter. And there is white hot anger in me at the flamboyant capsules borne along to be seen it is Soylent in essence proudly proclaiming to be green I am flaring at the steady hand pandering hot in a most heady hushing stammer. Myths nay jerkingly, quoting for us the signed history and sing lush slander. And there is white hot anger in me at the clairvoyant ape who is now born chain-smoking and mean; it is annoyance in adolescence rowdily claiming to be clean.
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Nov 2, 2010
Nov 2, 2010 at 9:58 PM UTC
Leaning Against a Lamppost.
For Sam Cook and Michael Lee While standing at Marshall and 140th the lightning over the horizon begs me to come to it it's like the flickering streetlights, seeming like silent firefights, simply asking to be looked for. When I still elementary, I used to watch the sky as the bolts shocked the earth and I'd count: one two three Until I heard the boom and crack of thunder three miles away, at least, the fourth graders said each second was a mile it could have been true, it could have not, yet still I watch the light. The flickering of the fading streetlamp tells me that this moment is not going to last forever that it will not be heavenly or touchable, but it is there and it wants you to touch the light as it flickers like a strobe light like kids playing with the tabs of flashlights and like the first discovery of light switches and I'm reaching out so far. Trying to grab hold of a piece of simplicity, of normal, of what I can always find: Mistakes and wounds and trying to hold on Because lately, it seems like the only places we want to flicker are in the clubs. Standing on a planet where illness and difference are cause enough to torch cities. We like to light the fires and we like to watch them burn, but we could care less about what their burning and it seems like the dark ages came and stayed, But like tributes to Guy Fawkes say: *A man can be killed and forgotten, but four hundred years later an idea can still change the world* So I think as I stand at that intersection watching the streetlights and the night's light bulbs flicker on and off like the light in my head I can feel my fingertips prickle and I seize that moment to reach for the lamppost and final destination those kids are flipping tabs faster and faster my hair is at attention and I can feel the race. For a second, everything slows down. The streetlight stops flickering as my fingertips come upon it and the lightning illuminates the sky I can feel the breeze push my hair to this minutes path and for a second, I have something. I pull my fingers away from the light and it returns to its flicker the lightning fades away and the boom comes in. And here, standing at what once for me was Marshall and 140th I realize, that all I have is all I'll ever claim to know
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Oct 21, 2012
Oct 21, 2012 at 6:48 AM UTC
Streetlights
For Sam Cook and Michael Lee While standing at Marshall and 140th the lightning over the horizon begs me to come to it it's like the flickering streetlights, seeming like silent firefights, simply asking to be looked for. When I still elementary, I used to watch the sky as the bolts shocked the earth and I'd count: one two three Until I heard the boom and crack of thunder three miles away, at least, the fourth graders said each second was a mile it could have been true, it could have not, yet still I watch the light. The flickering of the fading streetlamp tells me that this moment is not going to last forever that it will not be heavenly or touchable, but it is there and it wants you to touch the light as it flickers like a strobe light like kids playing with the tabs of flashlights and like the first discovery of light switches and I'm reaching out so far. Trying to grab hold of a piece of simplicity, of normal, of what I can always find: Mistakes and wounds and trying to hold on Because lately, it seems like the only places we want to flicker are in the clubs. Standing on a planet where illness and difference are cause enough to torch cities. We like to light the fires and we like to watch them burn, but we could care less about what their burning and it seems like the dark ages came and stayed, But like tributes to Guy Fawkes say: *A man can be killed and forgotten, but four hundred years later an idea can still change the world* So I think as I stand at that intersection watching the streetlights and the night's light bulbs flicker on and off like the light in my head I can feel my fingertips prickle and I seize that moment to reach for the lamppost and final destination those kids are flipping tabs faster and faster my hair is at attention and I can feel the race. For a second, everything slows down. The streetlight stops flickering as my fingertips come upon it and the lightning illuminates the sky I can feel the breeze push my hair to this minutes path and for a second, I have something. I pull my fingers away from the light and it returns to its flicker the lightning fades away and the boom comes in. And here, standing at what once for me was Marshall and 140th I realize, that all I have is all I'll ever claim to know
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54
Hot today Road-crossing slow Couples snail-walk Love on show Buses queued Shoppers bagged Cars throb-beat Traffic drag Mid-road-island Man is lost Tiny dog Seeks lamppost Time getaway Stop revolve Go home vicar Mystery solved
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Jun 5, 2011
Jun 5, 2011 at 9:30 AM UTC
Sunday Wind-down
*Loving you is like Seeing the first lamppost light up Then watching all the others Shine one by one.*
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Sep 30, 2015
Sep 30, 2015 at 7:41 AM UTC
Lamppost
poems are raining down from the ceiling. poems are crawling in from the windows. the garden is blooming poems. it is also a poem. this house is mostly poems. the yellow dog in the yellow house is barking poems. the girl who lives down the street is a poem and she speaks to the neighbor in poems. me, watching them from my window, is a poem and all the words i want to tell them are made of poems. her brother rides a bicycle poem and the laughter he leaves behind is a poem. the man who walks by smiles a poem. more children come, dressed in poems and they begin to play, which is my favorite poem. the sun sets, like a poem and the darkness that comes is a poem. nobody goes home, and this too is a poem. the crickets begin to sing, which is a kind of poem. today is all poems. the lamppost is shining poems, the light is a poem, the cold coffee is a poem, this window is a poem, and the night that holds all of this is a poem. oh, i never want to leave.
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Jan 19, 2019
Jan 19, 2019 at 6:39 PM UTC
poems are raining down from the ceiling
Come ask me questions of thoughts I’ve forgotten and send me dreaming to a distant road where music is free and tired feet don’t stop dancing when the tap is dry Moon heron blue tide Wandering naked lonely Covered in feathers faster bird flew Where long haired brother smoking soothing sadhu can sit at leisure or stand or lay (or be lain!) Lovers fall off the train Drinking wines on Summer strut Trough graveyards old tombstones White women in dresses With cotton torn old sole rubbed closet rug Shoe stains got gritty in dusty old trunk Her wig bleach bald eyes lacking interest Tired old neck feels like a head on a stool Thespian laughter grouped in the attic They animate slowly in the shape of ‘you’ Ghosts get me closer on hot summer drives Up North to see dams and **** forest rivers In dark we then travel with Kings of old tidings and Queens who lay buried the lamppost their bed Laying so gently the Bishop wife Medley The grass that laid bare of yesterday’s supper The lamppost we take a notion of tender Still a safe haven so deep in my heart The sunset of splendour the primary sunrise they howl their jowls Hysterical laughter
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Dec 2, 2012
Dec 2, 2012 at 12:47 AM UTC
Calithumpians on Nightly Voyage (Thespian Laughter)
I was in the street of a busy city. One of those cold concrete cities With loud noises and fast paced people. Standing alone in the warm smog Nobody noticed me as they passed by, Walking to wherever they felt they needed to go. I may as well have been a lamppost. Not even that, they would notice a lamppost at night When they use it to guide their way home, From what ever they were celebrating that evening. They don't think they could gain, Any kind of their quick bursts of joy Through a conversation with me. Like junkies they go through life Looking for the next high, Hoping that whatever high they're on Will help them get to the next one. They can't see me. I am alone. Chasing lamposts.
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Mar 25, 2012
Mar 25, 2012 at 8:16 PM UTC
Alone in a Crowd
"I wish we could have came into each other's lives at a better time for me." Because that's how things work. It's all about timing, and you ran the clock. *** alarm, wake up call. I didn't even take my shoes off. You talk so loud but you never say a thing. Just push me against car doors in the parking lot outside your apartment with the lamppost's reflection blurring on the rain covered pavement, a ***** mirror smearing our shadows together. I yell but you only answer with the breath from your open mouth as you kiss the frustration out of me— suffocation. Your tongue speaks a language only I thought I knew. Turns out she did, too.
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Jan 14, 2014
Jan 14, 2014 at 12:33 PM UTC
So Did She
*to be or not to be*... he stands at the lamppost, screened from view evening light slopes across the street and cuts an oblong square of light from the Hotel de Ville lobby-entrance. she wonders who he is, standing there so almost melding into post, his nondescript shadow sidling alongside while early eve strolls through Le Parc des Céléstins steady presence, half but not quite menacing. he gazes down at his silhouette, Gauloise alit and it, in turn, looks into the kerb...or up at him... he turns his head up slowly, hazy wisps as bewilderment draws reredos. she hears footsteps clack across the parquet floor as someone leaves the rez-de-chaussée she wonders what he wants; why he stands there who he waits for; and why so long..... she can never see his face, ponders much on this she longs to understand, yet feels afraid as if she's seen that shade before, across the road moving slowly, as the hours steal away... visible from her second floor, she eyes daddy-long legged limbs and dangly shapes he has merely wandered into his past seeking only the one he hopes to find. traveled so far and sought so wide crossed oceans, traversed treacherous terrain perseverance the clutch word of the day only to linger long to recover dashed prize. later, as she peers into the heavy night from windows shut, all her eyes can pierce are nought but empty shadows 'neath that solitary lamp post seems the mist carried off her spectral fear.... as well. *or... did it?* S T, 28 June 2013 (Fry-day:)
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Jun 28, 2013
Jun 28, 2013 at 8:00 AM UTC
N O R M A N D I E
*to be or not to be*... he stands at the lamppost, screened from view evening light slopes across the street and cuts an oblong square of light from the Hotel de Ville lobby-entrance. she wonders who he is, standing there so almost melding into post, his nondescript shadow sidling alongside while early eve strolls through Le Parc des Céléstins steady presence, half but not quite menacing. he gazes down at his silhouette, Gauloise alit and it, in turn, looks into the kerb...or up at him... he turns his head up slowly, hazy wisps as bewilderment draws reredos. she hears footsteps clack across the parquet floor as someone leaves the rez-de-chaussée she wonders what he wants; why he stands there who he waits for; and why so long..... she can never see his face, ponders much on this she longs to understand, yet feels afraid as if she's seen that shade before, across the road moving slowly, as the hours steal away... visible from her second floor, she eyes daddy-long legged limbs and dangly shapes he has merely wandered into his past seeking only the one he hopes to find. traveled so far and sought so wide crossed oceans, traversed treacherous terrain perseverance the clutch word of the day only to linger long to recover dashed prize. later, as she peers into the heavy night from windows shut, all her eyes can pierce are nought but empty shadows 'neath that solitary lamp post seems the mist carried off her spectral fear.... as well. *or... did it?* S T, 28 June 2013 (Fry-day:)
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38
since I last rode a bus, no, poems aplenty have poured and dripped from ink-saturated fingers, here there and  everywhere, disguised by many a nom de guerre the bus riding infrequently, as work no longer demands me, I ride for the occasional occasion, when legs won’t carry me the far away distances they say violence in the city is random, and just seems worse, seemingly a newspaper creation, but I know better, and random violence & poetry inspiration do not walk or talk hand in hand, not for the hands that write… in every crack, lamppost, festooned with flyers for concerts years ago, poems reached out to me, write, right? I too am papered with memories of long-ago city travels, picking up scenes & dreams that became poems, instantaneously, scrambling, to get home with them retained, untainted, preserved with the freshness of city smells, city swells, homeless, rowdies & oldies shuffling, the interwoven of disparate desperate humans, fodder once and now for Walt Whitman’s leaves, each distinct needy for something else, but for me, just one city big view, a Cloister’s museum tapestry, remade, rewoven anew every moment of every day and a poem-rough tumbles from without & within ,
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Oct 24, 2023
Oct 24, 2023 at 8:55 AM UTC
it’s been awhile...
Stand strong and tall, old lamppost. Stand holy and unforgiving. A nuisance to young teen lovers, groping in their parents' cars Savior to the children, extending their parklife, as so they may not face age and life, for another hour or so. And know if your bulb ever runs out, I'll warn the women to stay out of the park, after dark.
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Apr 4, 2014
Apr 4, 2014 at 1:13 AM UTC
Lamppost