Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.

Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.
Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner

When I am in statistics I cannot focus
because the world around me is ending in my mind
slowly fading into something without meaning
until I cannot breathe and I have to leave
to go cry in the bathroom.

When I am in my statistics class I cannot focus
because there is a boy there who looks like my favorite **** star
I know what his ***** looks like
     or might look like
     Schrödinger's **** in a box.

I cannot help but stare at him and
picture him in gym shorts and no boxers
or cargo pants and no boxers
or just in boxers
or.

It's an uncomfortable feeling of morbid intrigue that
makes me tap my toes too fast.

I want to know him.

I want to tell him that
I love the way he smiles
and laughs and communicate s
and makes sure everyone is safe and happy.

I can only watch **** that has behind-the-scenes features.
It's comforting to know that
everyone is happy and
everything is consensual and
everyone is having fun.
I get too invested in these people, too attached -

One time I had to give up
and take a moment to breath
because I was just so overwhelmed with pride
Like a parent watching their kid graduate after all their hard work.

And that feeling is not okay.

And seeing that boy in my class is not okay,

Because I feel so proud of all he's accomplished
So when he answers a question right in class all I can think about is
When he ****** a **** on camera for the first time
And the first time he licked whipped cream off another man's *******
And it's very distracting.

When I am in statistics I cannot focus
because I start to worry that I will fail this class
and then I start to worry that I will hate my future
and then I worry about having a future in the first place,
bunching up into an unfocused, panicking, asthmatic mess.

The **** star boy is a distraction.

It's because of him that I'm passing this class.



( and in a way, a stupid, silly way,
it's because of him that I'm alive. )

The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.

Early Sunday morning.
Brisk wind, no jacket.
Waiting for a taxi,
shivers in my bones.
Shameful looks from my mother -
she thinks I stopped out last night.

Monday afternoon.
The whole school knows.
Taunts, laughter, names
as I walk through the corridors -
isn't school supposed to be safe?
I see the boys
- I hate them, I hate them, I hate them -
feel ***** rise through my throat
and the blood in my brain thicken.
Hear words that cut like knives:
"****", "*****",
"I can't believe she had a foursome".
I cannot walk into the canteen,
it's full of piercing lion eyes
searching for their prey;
me.
I am called into the head of years office,
heavy footsteps echoing with sorrow
as I enter.
Concerned eyes break through my skin
creating bullet holes in my fragility.
The words I couldn't face
finally enter the wind.
"Was it consensual?"
No, no, no, no.
Cheeks wet with cascading tears.
The truth finally said,
spoken aloud like an oracle.
I wait for fifty minutes.
Fluorescent police uniforms march the halls.
And my mother.
She's crying, she knows,
she hugs me.
Tells me she's sorry.
In the small back office
surrounded by teachers and police and my mum,
words are exchanged.
I see moving lips but cannot hear the words.
My senses are drowned by the event leading up to this.
They gave me a name
in the bedroom that night.
"It", like an object.
Unhuman, unfeeling.

The same Monday evening.
Next thing I know I'm at home.
Brought back to consciousness
with an assertive knock at the front door.
More uniforms, more police.
Mum explains that they have to take my statement.
I panic, cry -
I've done a lot of that today.
I hide some things from them;
I'm too ashamed.
They have cameras on their vests,
tiny eyes watching me,
recording the moment I recall my trauma.
My body hurts,
but my brain and my heart are in agony.
They ask me to take my clothes off.
How can they ask me that?
Explanations are given to my mother,
her face conveys the emotions that I'm too numb to feel.
It's protocol,
they need evidence of any injuries, they say.
Choked sobs escape my mother's mouth
as I take my clothes off.
Shades of black and blue litter my body.
*******, thighs, stomach, *** -
my skin edited by violent hands.
My most intimate areas a part of a police file forever.
They take my ****** jeans, underwear, top all into evidence.
They leave.

Tuesday morning.
I am told not to go into school
by the head of year.
The boys are still allowed.
Motionless body lying in bed,
I stare at the wall for hours.
All of my energy put towards breathing.
Mum skipped work,
sitting outside my bedroom door
like a prison guard -
terrified I would hurt myself.
I can't speak.
How do you tell the woman who raised you
that you don't want to be alive anymore?

About a week later.
I still haven't been to school.
I've barely moved from my bed.
The physical marks have almost vanished,
but the sadness cripples me still.
I have to go to a police station today,
a forty minute trip.
My best friend comes.
I'm numb, I cannot feel the car moving.
I have been numb for over a week.
Isolation caves in on me -
I'm in an interview room with a policewoman and man.
They say three's a crowd,
but I still feel completely alone.
Just over six hours.
Recounting the event took over six hours.
The walls of the interview room painted grey,
or maybe that's just the only colour I can see now.
I didn't cry.
I haven't cried since the Monday that everything became real.
Fragments of the night flash through my mind,
it's becoming difficult to close my eyes.
I went into the interview room while it was light outside,
I leave and it's pitch black.
When I check the time on my phone before I hand it in as evidence,
it's almost 11pm.

Another week passes.
I'm still not allowed into school.
Most of my friends have given up on me.
They don't want to be associated with the girl who cried **** because she was embarrassed of her foursome.
But no-one knows what happened behind that door.
The horrors that occurred,
the venom in the insults they spat at me,
using my body as a human rag doll.
The police call, the detective assigned to my case.
My heart drops
as my mum tells me what he says.
"They're treating two of the boys as witnesses,
only one as a suspect."
I go to my bedroom as I feel my heart strings sever.
Try to sleep,
but I cannot close my eyes.
I see the room,
the darkness,
their eyes.
I smell sweat and shame.
I hear them calling me "it" -
a worthless victim.
I feel the poison on their fingertips.
Dead the second they touched me.

Months pass.
Less contact with the police.
I go back to school.
Adjust to life as 'that girl'.
Learn to sleep again.
Deal with the nightmares and flashbacks.
Stop panicking every time someone touches me.
Open up about the pain I feel every day.

It's February.
Ten months later.
I haven't heard from the police since December.
When I ring
they tell me my case has been dropped.
They say there's a lack of evidence.
What they really mean is that no-one in court will believe
my story against the three of there's.
I expected this.
The blood on my underwear
does not count.
The pictures of my body painted with bruises
do not count.
The six hour recording where I describe every soul breaking ******
does not count.
The countless therapy sessions trying to fix the flashbacks and panic attacks
do not count.
The nights I planned how to die
do not count.
I used to be a person.
Now I'm just another **** case,
unsolved,
at the bottom of the pile.

i started this poem
when i was
nearly 23
i'm 24 now
almost 25
but i still feel
like a child.

19
trying drugs,
loving the man
who would **** me.
and i'd forgive him
take him back into my arms
let him touch me anywhere
just to feel something.
afterward
he smokes
and smokes
and smokes
apologizing
through a haze
of drugs and
shame. he spoke
useless fragile
words and i drank
them up eagerly.
they tasted like
whiskey,
valerian,
and ice.

when i'm 20
i find a therapist.
no more drugs;
still loving him.
i slide a new slate
across the kitchen
table just for him.
but it's cracking
as his fingers
pick it up,
shattering in
place. he moves
from stone
to skin. rips
and tears
until i'm
finally
split
too.

21
still in therapy,
i tell him
it's okay
that he
cheated
because
it was
all
about
the drugs:
not me.
but when i
tell him how
much it hurts
he says
maybe you
should work on that
in therapy.
i lean into
his side
but being
near him
never quite
feels the
same and
i ache for
comforting
sin.

i'm 22 when i find out
that being pressured
into *** after
saying no twice
isn't consensual
and he's not
round anymore
but at night
i hold my breath
terrified that he'll
appear. in my
dreams there
are flash
backs lying
in wait, even
though i've
begged for
some dream
less sleep.

when i'm 23
my third or fourth
therapist
tells me
she's sorry that
i had to go through
it all. and she listens
as i fade away and keeps
listening until i
can feel the earth
at my feet
once more.
she's a good
sort. i'm sad
when she
moves.

24 creeps
upon me
like a scratchy
sweater. i want to
shrug it off of my
shoulders, but it's
too cold. i'm no
longer the things
that happened
to me in that
darkening room,
and at twilight
most nights
i no longer find
myself thinking of
him.

i feel so old.
my bones always
hurt, the cat's food
is so expensive, and
i always have chicken
in the freezer. but
i can't bring myself
to eat. the medications
keep the ache at bay
but i feel it waiting.
at least my cat always
purrs when i feed him.
makes me feel
a little
loved.

my chance to grow
got pushed back a
few years
and i probably grew
anyways, unknowingly
pushing back against
invisible walls waiting
for one to finally give.

i hate that i'm here
trapped in adolescence
i hate that i'm still
writing about him
about what happened
and how much it still
hurts me.

maybe when i'm 25
i'll try to edit
this poem.

Some people like being *******.
Being ******* scarred me.
Being ******* unable to stop the torture, was disturbing.
Some people will never understand this torture.

He said it was the goodbye to our relationship.
This was a goodbye no one wants.
People thought it was consensual with the marks on my neck.
They were wrong this wasn't consensual, it took my self esteem.

The ties were broken after that night.
When the ties were broken, he didn't like that.
He made different media accounts under different names to see me.
I'm proud to say I survived the ties but not many do.

studied dispassion,
go about
the roundabout
of practiced ordinary living,
fully aware,
there are no open exits
currently available,
leading back to when,
all exits
led only bright forward

consensual distance
spaces tween
registered vehicles
but no longer
registering bodies,
legally maintained,
by all
outward appearances,
minor kisses
in a habitual habitat,
perfunctory
of the functionary,
"I love you's"
traded before
shutting off the
permanence of the
finale of the
now dimmed bedroom light

diminution
by the minute,
covertly clarifying
the ex-mission critical,
cutthroat ended
by consensual distances,
silent no speaking
empty spaces that
cannot be closed,
or
dispossessed disposed,
the sensual, desensitized

been down this
slow mo lazy path,
to slow ruin
before
the quick road to
The End

the questions
air hung but
unasked,
the words
unspoken,
they,
the ultimate
****** weapons
inevitably found,
getting at long last
a final hearing,
judgement reached
at the
reenacted scene
the finale resting place,
the grave of spaces,
consensual spaces,
the gulf of no love,
the pre-partum dénouement

Anwar Ibrahim
Convicted of ****** in 2008
Acquitted in 2012

The Court of Appeal overturned the acquittal
He is currently serving his sentence

An aide to Anwar
Said he was sodomized by Anwar
******, even if consensual
Is punishable by up to 20 years in Malaysia

Anwar responded the complaint was politically motivated

Support for Anwar grown stronger
His wife is battling his conviction

Some say that political rival Dr. Mahathir
Will recover from his decrease in popularity
And remain in control
Because he helped Malaysia through a though economic time

Although it seems as though Anwar is gaining support
From a majority of the Malaysian people

Human rights groups accused Malaysia's government of using
An anachronistic colonial era law that criminalizes
"Carnal ******* against the order of nature"
To persecute Anwar

Anwar leads a three-party opposition that has become
Increasingly popular in the predominantly Muslim nation

This is not just
Anwar has been wrongly accused
I will pray for his wife
And his supporters

Stay strong Anwar
You are an innocent man

One morning, I decided to ask people what their favorite myth is. I asked them what myth did they think was the greatest, and the one that made a huge impact on them. The most interesting one, the myth that would keep you wanting for more. Some people said vampires, some people said dragons, some said the origin of the world, and of course, most of them said the famous Greek mythology. And I asked some, what myth do they think is the most unlikely thing to happen, what is the myth that will never be real? And I was taken aback when some said their favorite myth was **** culture, followed with laughter. As if it’s a myth, as if it’s fiction, as if it’s something that isn’t real.


**** culture is a myth. It’s not real. It’s not happening. Apparently, it’s just a work of fiction for some people. Apparently it is a myth when it’s happening everyday. It is a myth when you report it to them, and instead of asking “Are you okay?”, the first question they will ask is “What were you wearing?”. Because your skirt was the reason, your sleeveless top was the one that gave them permission. And when you told them you were wearing sweatshirt and pants, they will ask you “Were you drinking?”. When someone took away something that is yours without consent and you’ll be the one blamed. Because you were wearing shorts, because you were drinking, because you were just outside. When we teach women everything about not getting ***** but we don’t teach men to simply not ****. When our bodies are nothing to you but to objectify. When you see us and think the word sexualize. When they asked you whether you said no or stop, and if you didn’t, you liked it. It was consensual. But you never said yes, and it’s not ****, right? It is not real when people shame the victim, when the help people are giving you are words such as “****”, “*****”, and instead of calling you a survivor you will be known as “the girl who was asking for it”. It is a work of fiction when nothing happens to the ******, or when some even refuse to call that person a “******”. You will see headlines describing him as an athlete, as someone who has scholarship, any good thing but ******. It is a myth when the ****** runs free, but the victim is still suffering and constantly being shamed. It is a myth when the world thinks men who are getting ***** are weak men, when they don’t think the consent of men are also important. When people continue to joke about something that can ruin someone else’s life. Apparently all of these things aren’t real, these things aren’t happening.



But how could one person even think that **** culture is a myth? That **** culture doesn’t exist? It’s not like the trojan war, because it’s far more chaotic. It destroys and kills people. It lets bad people win and victims suffer. It’s not like vampires who don’t sleep and **** people’s blood, instead this is even more dangerous than vampires. This normalizes something dangerous, something horrible. And the people who do it, who contribute to it, and who do nothing to stop it? Are worse than monsters in mythology. And why would we even call it a myth when we learn something good in myth? When myth teaches us something good in life? **** culture is not a myth, **** culture is happening everywhere. When you turn on the television and see comedians joking  about ****, when people call the **** victim they know a ****, when people don’t believe someone when he/she reports it to them, when until now, **** is still considered inevitable. **** culture is not a myth, **** culture is real, **** culture is happening. And they say **** culture is part of the reality that we have to face, but what do we do to things that bring us no good? To things that damage our reality? We do everything we can to stop them, to destroy them, to crush them. And that needs to happen to **** culture,  **now.

Claustrophobic in this vessel
                 that I'm
contained within.  
I'm floating on a sea of waves
                                 that never settle,
but slam upon my
                     subconscious membrane.

Stimulating my pools to never close,
                              but stare into the vastness
          of unfulfilled gazes.
The charcoal stain within the white cleaner
                       than the pool it resides within.


I feel like I'm a victim of non-consensual birth,
            never wanting to be in this void less
                                                      manife­­station.

Could I delete this construct, make it static.
                  Yes, but my breath is continual,

and my morality keeps me tied to this frame.

              I'll have to live, even though i didn't
agree to this sting tying me to this existence.

Can I just write a poem that says "**** the police"
for every single line
for every single stanza
and leave it at that?

Because I'm imagining his next victim, because there will be a next one,
and how she will feel when she finds out that he had my former report
on his private police record, accessible only by certain police.

I want to scream, but the metal chain he put around my throat to choke me because
"ha ha you like that, right?" after I had already said no
is still there, so nothing can come out of my mouth,
except I've been screaming as loud as I can for so long;

One year and I'm still not free.

His body weight is still crushing me, still heavy; the bruises on my body still felt every day, my body a museum of decaying loss and my mind a perfect video recording that plays on repeat whenever I just
want
some
sleep;

Nightmares I wake from and can't wake from.

I think one of the hardest days of my life was when I got my **** kit.
I mean- you know- other than the actual ****.
I developed a stutter that day.
I blame myself.
I blame. I -I- I blame myself.
But I can't!

All of the "no's" that I said to him didn't matter, the police said;
everything non consensual didn't count;
it was only the one coerced "yes" that counted;

Scared for my life but, **** the police, right?

And all the times that I said to the police "yes" that I was *****,
collapse and boom like a bomb on deaf ears of police that tell me that,
"maybe you just regretted having *** with him."

Or how about when they rolled their eyes when they learned that I met him on tinder?
I gave them a smile and answered that yes, that's true, because what else was I supposed to do but tell the truth?

Or the first thing they said to me was "so then you had a few drinks..."
Well no, sir, that's not what happned, at all.

See, there have been multiple levels of injustice here and I thought I was doing the right thing to heal.

In my partial hospitalization program that I went to for PTSD,
that I got from my ******,
I learned that the "right" thing to do was to seek help right away after a traumatic incident so that it doesn't lead to lifelong suffering;
Quick help leads to a faster recovery,
and I've always wanted to do the right thing:

Like getting him arrested for ****** me.

But the police don't listen even when your body has been confiscated, graffiti marked by your ******,
and the police tell you coldly to just seek counseling because, after all,
you "consented,"
and that your ****** isn't a ****** in the eyes of the law.
A ****** isn't a ****** but is a ****** and he's going free.
I did the right thing but I'm still stuck night after night, waking up crying;
I wonder who will be next, and that person's weight is added on top of me;
The gallery of bruises he inflicts will just continue, and I wonder where on snapchat will they be next?

To the girl in the hallway of my high school
Who called me a *****.
Please, dear
Tame your venomous tongue.
If you want me to "act like a lady"
Why don't you talk like one?
By your own standards, of course.
Your words are spikes that are omitted from your spit
Can I spit them back at you?
Then again,
I guess that would only do some good
If I cared enough.
You see,
The definition of a ***** is
A derogatory term for a *******.
Please educate yourself
As I am not a *** worker
No, I do not get paid to be an object for men
As I have only even slept with one
As I have only even done anything consensual with one man
And no man has pleased me since.
Apparently I tempt them by saying
"I'd like to see you try"
Even though I meant it in the most sarcastic way possible.
And oh, do they try
Many even disguise satisfying themselves
As attempts to satisfy me.
But once the lights come back on
I'm not quite done with the last man I spent the night with
But he's already out the door.
His skin still lingers like fog in my mind
And in the corridor where we did unmentionable things.
I feel as slimy as ever
But it was stupid to sleep in our clothes anyway.
Because things went further than I wished.
I pull a blanket over my shivering body
It has been a cold autumn thus far.
And I'm sure my mom was worried sick
But she slept that illness right off.
Boys will be boys, she says
And when I try to explain what happened that night
How my memories are a little bit shifty
My credibility seems to fade as his ghost did.
Instead of questioning what happened that night
I am answering to questions like
"Well, what were you wearing?"
"Did you lead him on?"
Why, of course I did
Because everything I do in this ******* society is "leading him on"
If I blink, smile, wave, walk toward him, have confidence
I am suddenly opening up my body like a book to be examined and gawked at
Suddenly, I abandon my personhood by doing any of these things
And leave myself as a thing to have *** with
But because I know the consequences of being a woman and existing
I am still some two-dollar *******
Just for being a woman who has consensual ***
Just for being a woman who does not want you poking her bruises and revealing her scars
After all, they are not fully healed.
Just for being a woman who wears low-cut shirts and tight dresses
Even though I am not a size two.
Just for being a woman who believes that we, as women, should be able to make choices about our own bodies.
Just for being a woman.

A girl lies naked, bruised and bleeding on the bathroom floor. She’ll say she was ***** but it’ll be her who’ll take the fall. The football team will still play that Friday night and she’ll be accused of telling hysterical lies.
“She was breaking the dress code” you were breaking the law, violation of the law gets you a court sentence but rich parents get you good lawyers who get you off free, she’ll never be free to walk the streets home alone fearing that every time she looks into a man’s eyes she will see the image of you as she prayed for help but was instead preyed on by the Prom King Predator.

Her bruises whether they be physical or not are hers to reveal and if you feel the need to go around telling her story then you’re an ***, “she had a sweet ***” you had sweet talk which made her feel safe and then suddenly she felt betrayed. So she’s a ***** if she sleeps with a guy even if it wasn’t consensual but when you sleep with a girl you’re a playa and did a good job on hitting that; you going to bang her? ***** her? Nail her?

The words used to describe it are almost as violent as the act done upon her.

There was pain in her voice but her body betrayed her, it portrayed pleasure when all she felt was agony. The pain in her voice was clear to those around her but the pleasure was all they focused on, the pleasure is what caused her the feeling of being ashamed for the next four years until she could open up to someone.

Around school she was known as the quiet girl, the girl without a story, this was true in a sense because her story like most was never told.

The Explorer

“Good evening everyone!  We are here outside the home of missing serial ****** and kidnapper, Chris Morris.
I’m here with my beautiful girlfriend Rachel and I’m sure being so close to Chris Morris’s house here on 21 Hoover Ln. is making her *******
tingle with excitement at the idea of the unknown we are walking into here.
A cop car has been parked outside the home for the past few hours now and has yet to disappear.
We have been waiting to venture inside just in case cops are inside doing another search,
but based on both long distance and short distance research
of the house and area, we are convinced no one is inside.
The house is dark, no movement has been detected so it’s time to decide,
go inside and explore, or bail and go home.
I’ve been salivating at the chance to explore this house and I’m pretty sure at the mouth I’m beginning to foam,
so inside we are about to go!
I’m your host Andrew Pittman and what we are about to find inside, well no one really knows.
What we discover will be caught on my camera for all of you guys to witness for yourselves.
We are going to video tape the secret room where Chris kept his victims locked up for his own sick ****** pleasure.
Whatever else we may document on this camera will be added treasure.
Here we go, on a grand endeavor,
to document and bring to you this dangerous and risky adventure.”

The cop car sitting outside the house still has me worried.
If a cop is inside combing through the building for evidence, he has not been in a hurry.
We have been parked waiting outside for a good three hours now and we can’t wait any longer.
What exactly are we walking into, well that’s the dilemma we currently ponder.
We approach the house cautiously remaining on our tip toes in order to remain silent and move undetected.
I look over to Rachel, she has to be as nervous as I am, but her face doesn’t look affected.
She’s smiling and in control of her emotions.
My face is a nervous wreck stuck in a monotone blank stare almost as if it is frozen.

We stop our approach at the front door and gather our wits for a moment.
I give Rachel a quick kiss in admiration of her determination, unbroken.
I place my hand on the door **** and hold my breath
as I turn the **** slowly opening the door, exposing a world that feels as if it’s plagued by the black death.
I was secretly hoping the door was going to be locked and we would have to find an alternate route inside or bail,
but I guess inside we go in risk of going to jail.

Once inside, we close the door behind us as quietly as possible to avoid detection if anyone is indeed inside.
I’m instantly hit in the gut with a feeling that someone has recently died.
The house is dark, very dark and quiet, too quiet.
Rachel grabs me on the shoulder, her face is excited.
She can’t believe we are actually inside the home of Chris Morris, no butterflies are swarming around in her stomach.
I, however, feel as if I’m standing on the edge of a mountain and am about to plummet.

I notice the bookcase in the living room still moved aside showing off the entrance to the hidden room.
We will explore there last as that will be the last scene my viewers are allowed to consume.
It will be the ****** of this film after all.
In the comments section below, you guys can debate that call.
Rachel moves ahead of me into the house and stops at the bedroom.
Her mouth drops nearly to the floor; her eyes fill with a sense of doom.
She looks my way beginning to shake, tears beginning to fall from her eyes.
She tells me that we have a problem and I can tell by the horror in her ****** expression that is no lie.

I make my way next to Rachel and look inside the bedroom.
What I witness more closely resembles a tomb.

With the camera still rolling, “What in God’s good name happened here?”

A naked man lies apparently dead on the ground.
A police uniform lies scattered on the floor; we may have found our cop that belongs to the patrol car out front.
A woman is handcuffed to the bed but is not moving.
If this was consensual or not, right now there’s no telling.

I approach the woman and touch her on the face to see if I get a response.
It only takes a few seconds for her to respond.
Her eyes shoot open in panic, she must have fallen asleep.
I’m not sure what we’ve stumbled upon, but whatever it is, it’s deep.

“Are, are you real?  Please tell me you’re real!’

“Yes, we are real.  What happened here?”

“That man on the floor is, or should I say, was a cop.
He pulled me over near the intersection of Bradberry and Hilltop.
He planted ******* on me and told me if I didn’t play along with his game that things wouldn’t end well for me.
He cuffed me and placed me in the back of his patrol car so I couldn’t flee,
then brought me here in order to **** me.
He snorted line after line after line of ******* off of my ***,
then as he began to **** me, he overdosed and died right there on the floor.
Honestly, I thought I was done for.
He died and I was handcuffed to this bed and no one had a clue anyone was even inside this godforsaken house.
If you don’t mind, can you find the keys for these cuffs and get me unchained from this bed?”

I agree to the request and take the keys for the cuffs off of the officer’s belt.
This is quite the unforeseen situation we’ve been dealt.
I take the cuffs off of the woman who gets up and hugs me for freeing her as Rachel looks on with a jealous stare at a half-naked woman hugging me.
I mouth towards her, “she’s just happy to be free.”

“So if you don’t mind me asking, what brought you two into this house in the first place?
I honestly had myself convinced I would never see another living face.”

“We are explorers who like to explore and document our adventures in abandoned or just down right creepy places,
and what’s the top place to hit up and explore right now?
Well…Chris Morris’s house!
So here we are to explore and document our findings.
Didn’t expect to find you and a dead cop here though.
We will cover up your identity in the film, just so you know.
O, and don’t call the cops and report this when you leave.
We will do that for you after we achieve
what we have come here to achieve.”

“Regardless of why you are here, I’m happy you guys showed up.
You just saved my life.
I won’t report this to the police, I’ll leave that for you to do.
This place does give me the creeps so that might be a cue
to not hang around here to **** long,
so do what you got to do and get the **** out!”

With that said, the woman departs leaving Rachel and I alone in the bedroom with a dead cop turned ******.
Time to find out just who this man is.
I locate the dead man’s wallet and take out his I.D. to identify just who he is for my future viewers.
Anthony Armstrong is the man’s name, what a loser.
I recognize the name.
He’s the cop that lead the searches of this house for both of the missing girls but was unable to find either of them each time.
He had everyone fooled thinking he had a heart of gold, instead it’s made out of slime.
The ****** wasn’t even able to locate the girls in this house when he executed the search warrants.
It took outside help for them to be located.
An anonymous tip lead to the location of the girls.
That must have been embarrassing.
And this Chris Morris guy is still missing!
He could be anywhere, even somewhere nearby, but he probably fled the country to avoid going to prison.

“Did you get that viewers?
This cop failed to located the two missing girls who were being held right here in this house, and was only able to finally locate them after an anonymous tip came in alerting the police to their location.
Then, when they arrived to save the girls, Chris was already gone and they have been unable to locate him ever since.
Police work at its finest, I’d say.”

Rachel and I, now tired of being in the same room as a dead corrupt cop, decide to finish up the adventure and check out the hidden room Chris used to keep the girl’s prisoner.
It would be nice to find some evidence pointing to Chris’s whereabouts so he’s finally able to face the executioner.

We exit the bedroom and make our way into the living room where the bookcase that hid the room is still moved exposing the hidden room for us just to walk into.
This is the moment we have all been waiting for, I hope you all enjoy the view.

We walk past the bookcase and enter into the hidden room,
where we are greeted with a nerving sense of gloom.
The room is even darker than the rest of the house.
Hanging on the wall is a skimpy school girl blouse.
The pervert was a teacher and I guess had a fetish for his students.
He probably brought them here to punish them for being truant.
Yeah I see it now, he would bring them here to punish them in hopes they would begin to show improvement,
but all he would do was leave them with their virginity’s ruined.

This room feels like a dungeon.
If I had to choose a way to die, I would have to go with being bludgeon.
I can’t imagine being ******* here, ***** and tortured for months on end.
This man’s actions, no one is able to defend.
The one poor girl gave birth to a baby just after being rescued from here.
That had to be one hell of an ordeal to endear.
After being ***** and abused for months on end,
she finally is rescued just to give birth to a baby that will remind her of her abuser for the rest of her life.
What a cruel ******* fate.
I hope one day she can find a good, loyal mate.

Rachel whispers into my ear…
o…I guess she is dead now…
murdered by the other girl who was kept here…
she was killed by the cops and is dead as well…
**** this adventure keeps getting darker as we go on.

Anyways, the room contains no windows as one would expect.
The one room has a table with straps and I swear it still smells of young ******* being wrecked.
*** toys still line the walls of the room.
I hope one day all of this is used as evidence in the courtroom.

The second room is just a chain attached to a wall.
The one girl reportedly spent many long hours chained up in here with nothing but a hard floor curled up in a ball.
She was drugged for her obedience or so the media has reported.
This is sickening, I wish there was some way it could all have been thwarted.
Chris really does need to be caught and forced to pay for his actions.
He needs to be punished in a merciless fashion.
I would love to have a few shots at him myself.
I would turn his final moments on the flat Earth into a brutal farewell.
This room, and house overall in general, really gives me the creeps.
I can’t imagine staying overnight here to sleep.
A constant, cold, nerve inducing chill crawls up and down my spine.
This place should be demolished and be covered by the local paper as their front-page headline.

Having enough footage between the dead police officer, cuffed to the bed, seminude girl and this godforsaken hidden room, I turn around to head back out of the room to leave.
I believe I accomplished everything I came here to achieve.
I stop in my tracks as standing in front of me at the entrance to the hidden room are a man and a woman.
The woman has a gun pointed directly at my head, wanting to pull the trigger I’m sure, to insert into my brain an life ending bullet.

The man speaks, “What are you two doing in this house?”

“We mean no harm, just came here to explore this house a little bit, to get a bird’s eye view of the set Chris Morris used to torture those poor girls.
This room is beyond disgusting and makes us want to hurl.
We found a dead cop in the bedroom and a young woman who was handcuffed to the bed who we released and has already called the police to come here, so I suggest we all make our way out of here before we get in real trouble.
Once the cops arrive and see their friend dead in that room, they won’t be in a mood to sit around with us to ******* and chuckle.”

The man motions to the woman to lower her gun.

“My name is Nathan and this is my friend Amanda.
We didn’t mean to startle you like this.
We got suspicious of the cop car that’s been parked out front for far too long and got suspicious after your car showed up and remained parked out front for an extended period of time now.
This isn’t a place for people to be hanging around anyhow.
We stumbled upon the dead cop as well so I suggest we do get moving and leave here immediately before trouble happens to stumble upon us.
I see you have a camera and like to video tape your explorations, so I have something I would like us to discuss.”

“What do you have in mind?”

“Well, my good friend Dr. James Allen Burke is conducting the most groundbreaking experiment of his life right now as we speak and could use a camera man to capture the moment on tape.”

“James Allen Burke, I’ve heard of him!  Wasn’t he the world-famous brain doctor that was forced into retirement due to trying to conduct very controversial experiments and surgeries on people?”

“Yes, however his experiments have not stopped, he just moved them underground and out of the spot light.
He lives right next door to this house, as do I on the opposite side, so how about you come over with me and use your camera for some good?  I promise you the man won’t bite.
You will be recording an event that will rewrite the history books as we know them.
Too pass on this offer would be mighty dumb.
So, what do you say?
Will you come with us?”

I look over to Rachel who appears unsure of what we should do.
I smile and wink towards her also feeling uneasy about this since this offer just came out of the blue.
But if Nathan is right and I’ll be recording a massive historic event, I can’t pass that up.
Worst comes to worst, we will thank them for their time and leave if this turns out to be a bust.

“Ok we will come with you.”

“Great, let’s get moving!”

so you call yourself pro-life
okay, I guess I can pretend to respect that
which then means that you must also
respect the fact that I am very loudly pro-choice
and thanks to science
I know that a bundle of cells
and a living child are not the same thing

because an actual fetus is not fully formed
until the third trimester
and by fully formed I mean that it is
for all intents and purpose alive
but before that
there is nothing but a group of cells
there is no brain
no heart
not even pearly pink fingernails

so now what, huh?
you’re probably going to keep protesting
Planned Parenthood and harassing the people
that work there, right?
because all that Planned Parenthood does
is condone the vicious and inhumane ******
of defenseless, unborn children, right?
right?

either way, you don’t care about the child
once they’re born
all that you care about is making a woman
and other individuals who have a ******
carry this thing that is literally feeding off of them
and why should a child be brought into this world
if the circumstances through which it was
conceived are non-consensual?

because, if you really did care
if you really were “pro-life”
then you would care about the child
after it is born
or better yet
you could turn your attention and time and money
and anger to all the millions of orphans living
in the US

ya know, the living children?
with no homes?
with no parents?
packed like sardines in orphanages?
what about them?
do they not matter because they are not a group
of cells, and therefore not defenseless?
and therefore they do not matter?

because,
if you only care about that bundle of cells
and because some states actually make women
and those with uteruses
have funerals for the aborted “child”
then by default whenever a man
masturbates and then *******
shouldn’t he be made to have a separate
funeral for each of the thousands of children
that he just killed?
because one of them could have cured cancer, ******

and tell me
when I was still menstruating
should I have said “amen”
over all the potential children that bled out
of my body and into the pad
and the sides of my boxers?

should I have
said “grace” over all the
little pad mummies that I threw away?
should I have cried when I flushed
the ****** toilet paper?

because,
since I have a ******
how dare I want and feel as if I should
be owed control over my own body, right?

how dare I believe that
each and every woman
biological and otherwise
have a say in what they do with their body
how dare I be pro-choice, right?

well, let me knock you down
a few pegs with this closing statement:
if you only care about the “child” when it is
just a group of cells that doesn’t feel a **** thing
and couldn’t care less about it
once it is born
and homeless
or an orphan
or queer
then you are not “pro-life”
what you are
is an *******

Sleep deprivation

***

Guilt

Sense-making and maps of meaning

Revisiting memories

Crying

Staying away from scary corners of my mind

Deliberately going toward scariness

Not resisting

Yes resisting

Respecting resistance

Compulsive tv watching

Dropping or letting go over and over again

Exploring

Curiosity

Forgetting and then remembering that it’s all happening on its own, noticing this, knowing this, realizing this

Realizing that realization comes and goes on its own

Being in love with everything

Crying

Playing with time and concepts

Craving emptiness

Love

Catastrophizing

Ranking what "works" (i.e. sleep deprivation is effective), noticing that the metric of “effective” and "works" is = resulting in greater illusions of "forgetting" with a capital F

Loving everything

Being everything

Self-flagellation

Not really believing any of the stories or narratives

Procrastinating

Being irresponsible

Getting off on self-loathing

Forcing intimacy

Compassion, large, whole, unrelenting, everywhere

Oversharing

Falling in love with a homeless person at a traffic stop

Being bored and sad and hopeless and desperate

Remembering inherent wholeness

Being stubborn

Getting out of the way always feels like dying

Loving dying

Loving mourning dying

Dramatizing dying

Wanting to be seen and loved

Self-loathing

Intensity

Craving intensity

Hating craving intensity

Knowing that nothing is a problem

Suffering

Being impatient

Being very very patient

Feeling like I don’t belong in the world, like people and things and money and social media are alien, foreign and scary

Feeling like I am the world

Forgetting that knowing how to verbalize isn’t the same as knowing

Wanting knowing with words to be the same as Knowing

Wanting knowing to be a Real, solid thing

Fear

Mortal fear

Bewilderment

Constant background anxiety

Hating this body

Not caring for this body

Being burdened by this body

Feeling trapped in a body

Feeling more trapped in a mind

Wanting knowing to resolve everything

Wanting to be saved

Thinking that I probably don’t need to be saved

Thinking or knowing(?) there’s nothing to be saved from

Knowing that I can’t be saved

Feeling open

Feeling vulnerable

Feeling exposed

Feeling bad

Feeling like I'm doing it wrong

Believing it all

Wanting to both believe it and have a choice about when, where, and to what extent I believe it

Not knowing where the edge is until I've fallen off

Feeling violated

Feeling like existence is non-consensual

Somehow trusting all of it, totally, exactly as it is

Watching the panicking

More crying

Being one

Being very very aware

Noticing and letting go of effort in one swift move

Compulsive clenching

Compassion

Dissolving

Disillusion

Dying without the novelty

Being ok vey very briefly and for no apparent reason/because of no reason./?

Wanting distraction

Respecting needing distraction

Getting out of the way of intelligent coping mechanisms

Villifying coping mechanisms

Understanding only in retrospect

Frustration

Compassion, deep, like warm water

Compassion, hard, like being ****** vey very slowly

Torture

Life-giving torture

Never wanting to stop

Marveling

Abundance like grace, like not deserving, like not needing to be deserving, like deserving is perverse language

Tasting everything

Endless kaleidoscopes of being and tasting and knowing

Non visual seeing

Clarity, brightness, nothing is a problem

Being alive

Being sososo tired

Wanting to rest, to die into void and nothing

Wanting to hibernate

Wanting to still

Dying to get off

Begging to get off

Finding the edge more thrilling than the center (because then the center can be anything at all?)

Loving all the previous versions of this being

Needing to hate, loathe, earlier renditions of this being

Hating repulsion

Trusting repulsion

Getting stuck because resisting repulsion

Knowing that there's no way out

Knowing that the way out that I'm seeking isn't a way out

Not wanting to do the work

Dancing around the center, constantly

Feeling dizzy with chaos, with knowledge of power

Feeling comfortable with mediocrity

Hating mediocrity

Waking up with jaw tension from the enormity of my own suppressed power

Telling stories about sensations

Relying on self-bullying methods I know don't work

Perfecting the art of pretending

Perfecting the art of self-deception

Wanting to make the stakes higher

Being overwhelmed by my own storytelling

Not wanting to give stories credibility by dispelling them

Naval gazing

Loving philosophy

Feeling dried up, tired, stagnant, disinterested, not engaged, not here.

Sleepwalking. Sleep writing. Sleep talking. Sleep caring

Not sleeping

Vivid dreaming

High weirdness

Questioning my sanity

Romanticizing insanity

Wanting to blur all boundaries

Wanting to smooth the edges of reality

Questioning reality

Destabilizing reality

Feeling destabilized

Feeling irresponsible

Guilt

Feeling sick and tired

Feeling scared

Feeling hopeless

Wanting to reach out

Feeling like everything is inevitable

Feeling like suffering is inevitable

Recognizing kindness

Discerning well (properly? Clearly? Well.)

Fearful trusting

Thinking too much

Not wanting to love my dad as much as I do.

Chasing the intellectual high

Disappointment

No need for resolution

Feeling caught in existence

Feeling caught up. Like in a potato sack; I can explore the exact measure of my confinement, the sensorial elements, the scratchiness, the filtering light from the outside, the stagnation, the wanting to stretch.

I love this being.

This. It's not a problem.

Confusing familiarity with comfort

Confusing comfort with peace

Reifying confusion, but not really

Yielding, on my knees, heart to the sky

Seeing through, like pinholes in a perfectly realistic backdrop

Dispelling everything

Stripping away the Stripping away

Trying to stand still and feel

Wanting to be convinced by rage

Always loving Sad, not despondent, just sad

Feeling continuous

Feeling fragmented

Feeling like motion, like flow

Feeling like thousands of still frames, constant flickering

Grasping at impermanence

Resting in the middle

Dancing down the tightrope

Knowing perfect poise, so so brief

Everything is hysterically funny

Hysterically

But also just plain humorous

And absurd

Loving people

Feeling grateful for people

Seeing beauty everywhere

Always coming back

Like an epic

Like a great love story

Like a violin solo in a forbidden song

Like the last wring of that silk dress you're not supposed to squeeze dry

Knowing the inside of my hand

Knowing teenage shame

Knowing being yelled at, towered over, by my dad, in a narrow
hallway, eyes glued to speckled floor tiles, feeling small, nowhere to go

Loving with my body, with my hands, with my mouth, with my whole entire strong soft body

Crying with tears, and snot, and heaving

Becoming one single, concentrated point

Wanting to envelope everything. Really. Actually. With my body.

I am not this voice

Or this writer

Or this narrator

Though I am also all that

had some ****** up dream
some ratchet chick kept saying '**** me' etc
so i went to do it but where was her *****?
it was like too blurred or something, was that my **** or...her's?
i went it to but...my *** ended up taking the ****
why are other's always present with these ****** dreams?

then later i think like, i'm on MD majorly
can barely sit down, my mums calling me, i can't speak!
i'm trembling! gotta wait for the come down
these images are made all the worse by the fact i'm at my grandad's house

some train ****, we heading to northern chinatown
but it's all so confusing, do i jump on the tracks and wake up as i die?
or do i get on the wrong train, because like the platforms are so mixed up
platform 7 is yesterday's plat. 5
one thing i will say is there are no vondelspectors anywhere to be seen

i remember in part of the same saga (my dreams take me different places these days)
more fruity and exotic, but still a girl in a bikini
and still other observers, but as I'm in a dream i'm like, why not?
is this not the one place i'm allowed to **** *******?
is that bad? or is it merely consensual?
she's twerking kinda, or i'm rubbing up against her
get an *******, but then, her dad notices
so i pull some crazy faces and wave the bulge in my pants for the world to see, and wake up

there was definitely a epic thrown in there
some strange motion in which i play the protagonist
or anti-hero, i can hardly tell because i keep waking up,
sleeping again to dream more, it's so addictive

Her hands always quick to throw.
Spit the first words.
Throw the first punch.

Relationships aren't perfect.
Mine was far from.
Words biting deep into my soul.
Tearing me apart bit by bit.

I was a doll in her games.
Her hands constantly put up one me.
Non consensual things.
Yes **** still applies in relationships.

All the people would come to her house.
Watch the door while we roll this.
Watch the door while we crush these.
I was nothing but a pawn in her games.

Sneaking ***** into my drinks.
Calling me nothing at nights when I couldn't sleep.
Holding me close only to destroy me later.

A.C. Long gone.
Down a road very bad.
A road of **** and ******.
Going to collage to be a psychologist until she fell into the arms of the monster.

The monster she hold so dear.
The monster who changed her.
The monster clenching her soul.

This monster can be injected,
This monster can be smoked...
this monster is impossible once it gets a hold.

She became the monster.
The one I was afraid of.
Started off small then bigger.

Drugs won't affect you unless you do them,
A common mistake people say.

No, never once did they affect me.
Or at least I can say.
But that was a lie.
Depression, eating disorders, self harm, emotional abuse, physical abuse, trauma, hallusionations, trust issues, fear.
All lay deep within the hands of the monster.

The monster chokes the good memory out of me.
The monster put me on a leash.
Home by midnight.
Locations on my phone.
Who is he.
Why are you not home?

A controlling girlfriend.
Talk to no one.
Only her.
Her whom was held dear by the monster.

The monster took the form of a black blur.
The one that sneaks up when you least expect it.
Yet she was excellent at hiding it.

I'm fine.
Nothing is wrong.
What's wrong with you.
Why do you question me.
Keep your mouth shut or things will get bad.

Tape over my mouth because god you don't want to see her mad.
Clothing may have hid my bruises.
The emotional pain still apparent.

All because my girlfriend held a contract with the monster.
The monster held her at night.
And that is what the hands do.

In these last moments that I breathe,
tell me why you made this plea?

That my touch was a forced one,
when you knew it was consensual

Before I could blink,
the world had gone bizarre

they came, they beat me,
paraded me naked on the street

Do you think I deserved this?
A punishment for an uncommitted crime?

Don't forget that you have killed me
in an unfair public trial

This divided society
putting most of us in poverty
but can't do nothing 'bout it
cause the computer cuts us too neatly
Still upholding the divinity of Austrian economic theories
when for the last hundred years
the rise of the dollars been all about
demographics & behavioral science
Capital is nothing more than a natural resource
I don't care that you got there first
The aquifer runs wide
please don't poison mine
Profit is nothing but an unpaid cost of labor
Cause I agreed to a certain pay
I must work the rest of my hours as a Wage Slave
Yeah, you could say it was consensual
but don't have much choice
when I got mouths to feed, a checklist of other needs,
and no extra dough to risk buying
exclusivity rights to plunder a piece of Earth

Human Beings: We call ourselves advanced
when we never been closer to death  

Human Beings: We fear the government
while proprietors with most control grab up more

Human Beings: I get more joy buying things today
than playing with the things I bought yesterday

Human Beings: Millennial pessimists, riding out the apocalypse
instead of promulgating progress

his name is andrew
i met him once
he seemed like an *******
but like
in a good way
we met.
i stayed at his house.
he was an actual *******.
we had ***
while i was half asleep.
i cant remember if it was consensual
in the beginning.
i left the next morning.
he started being weird.
sending me gibberish.
i blocked him.
he added me back
again
and again
and again
30 times now.
making usernames
calling me fat
and again
and again
please dont find me

It's a downer to express the largest-scale tragedy of my lifetime

over and over again.

I've combed through 10,014 medical malpractice reports of young people who had been strong and without complication up until receiving the one-eyed technocratic snake bite that supposedly has nothing to do with their suspicious deaths,

I've gone through 25,117 autopsy reports (not every report: I scanned bunches of 250 reports in 10 groups of 25 reports or 25 groups of 10 reports at a time for very specific details, though I've read some of the reports 5 or more times) of elderly people who had survived world wars, epidemics, pandemics, and many outbreak and spikes, only to succumb within 72 hours of receiving whichever junk SGT inoculations that have nothing to do with their untimely deaths—

that occurred in North America
over a 2 week period.

I'm not supposed to talk about it.

I'm not supposed to express anything
other than expressions of agreement
that Delta variants and the unvaccinated
are killing the vaccinated

or express nothing at all.

I'm not supposed to express that I know the ingredients, and the processes involved to source ingredients, on chemical, molecular, cellular levels; that I know the MSDS and LCSS documentation, and patents, involved.

But, I do express it, just as I did again above.

When someone claims that their significant other didn't die from the shot that they had received within 24 hrs of dying,
I'm supposed to agree with the cheap, disloyal, dumbed-down, brainwashed, bootlicking, unscientific, pseudo-intellectual, spineless coward

who is hurting from losing a loved one.

I'm sorry.

I'm not supposed to express that we've known since 1991 that the synthetic chemical digitized mRNA, that isn't really mRNA, causes the host to spin-off variants of multi-drug-resistant and multi-vaccine-resistant super microorganisms—subtype variants of virions and bacteria that are often variants of variants of variants.

I'm supposed to stay zipped-up
or—encourage!—offer support
and congratulations to people
who are suiciding and committing
****** and euthanasia

without proper informed consent.

Be positive about it. Smile. Nod.

Have it be whatever you want it to be.
Use mockingbird skills to make it real— abracadabra!—it's en vogue, all the rage
to parrot percentages of efficacy,
to virtue signal over standing with
trillion $ industries and special interest
against Earth and humanity.
Insert cash money and mirages
into the soul-******* jukebox, baby.

Rage With The Machine.
Rage For The Machine.

Yesterday's false-positive
is today's false-negative.

Thomson Reuters will fact check you
into a cancer case to vindicate delusions, stubbornness, and negative pride.

I'm not supposed to express that within the principles and disciplines of medical ethics and the Hippocratic Oath, it's ethically corrupt and illegal to use political and emotional coercion, especially while simultaneously dangling fear over the intended target, to enforce/push any drug treatment, regardless of situation.

I'm supposed to use dope and *****
and a movie
to switch tracks
from my passionate obsession.

I watched a movie that included
a medical health scam to entrap the people
in a fashion similar to when the Germans believed that they were receiving vaccines
that helped to defend against typhus.

If we ever find ourselves in opposite sides
and positions as we are currently,
please offer proper informed consent
to the people.

I feel like God hates me
Or stopped caring
Ceased to provide
Left for good

And now I'm left here to straighten myself out for better or for worse

I've met people who feel the same way
Who surprisingly have the pincushion audacity to put all the blame of their misfortunes in the absence of the omnipotent one  
I just feel abandoned they feel betrayed

Maybe he makes a chump change commission on every life he guides to a certain point then leaves them stark naked at the haunting hour

I know all the preachers and secular teachers lie through their teeth
They win the merit-less hoax award by a landslide
They have no consideration of for the people they mislead or the ramifications their poisoned sermons causes

They use emotionally charged language to increase the parish's numbers
They're terrified of God, they live in fear
And see carpal tunnel as a punishment for ******* and wish blindness upon all those who partake

There is shared consensual hiraeth between those who have been through an invasion of privacy and the trespassing of private property
They want their rights and their guns back
They want their personal space
They retreat to their happy place

Let's go back to the Pantheon of lactose intolerant divine idols
Of epileptic godheads
Who's line of work is about incubated pie pans

Can you make a tutorial that summarizes the resounding reduction of options using nothing but euphemisms?