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"cleanest" poems
Poetry is like a ***** in its wobbly, dangly freeness (This poems not the cleanest so stop reading if you're a little squeamish) Some have it, some don't some use it, some won't some like it awkward with a twist at the end like a shakespearean couplet but on the person it depends for others its merely secondary (oh but always necessary) to the holder - their Mars or Venus So, as god is my witness, poetry is a *****
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Jun 18, 2015
Jun 18, 2015 at 8:34 AM UTC
*****
I have been in skin of wolf all my kitten life Your sister is getting an attack, help her surrender Your ****** is bleeding Save the world red Unite the blood of Eve and perform monthly have daily routine of keeping melanated to the cleanest groom oil your crown oil your skin wash your bedding do your thing have it your way you are royal you are royal bow your head give thanks and conquer                     I have been in the skin of wolf all my kitten life                     never little                     never naïve                     never broken                     a shapeshifting ******                     with eyes of enchanting love and paws that hold power                     of goddesses and queens before I                     spoke myself into reality                     wrapped with stars on my spine and the moon and mars as my eyes I have always seen the wolf inside my kitten skin all my life wrapped in grace some call it woman wrapped in mastery some call god allah Adonai Mother Mary Anetha Medunsa surrendered to love, fully submitted into intuition. I am every. I am all.
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Jul 29, 2018
Jul 29, 2018 at 5:38 AM UTC
wo(O{b}m)en, God, wolf, woman, All
Spiders spin webs to catch files They tell their prey lies They may be flirty But they are not ***** 
In fact, they are the cleanest of guys My sisters all scream 
But, that's in my dreams Because no sisters have I Spiders are seductive and smart 
They make their own art But they only spin webs to catch flies
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Nov 23, 2012
Nov 23, 2012 at 2:41 AM UTC
Silly Spider
I was once a boy who believed in words dipped in magic Carefully coated with sugar From a distance, they shimmered whispered fog in its wake surgically dipped into your heart at hummingbird speed these sweet tender words were easy to swallow however leaves a burning hole in your chest once it finds shelter in your body. Even though your lips produced sweet words I could never get the sour taste out of my mouth The most you could have done was give me something to wash it down with: the leftover tears in Samantha Thompson’s eyes above Wedgefield’s polluted night sky somewhere in the middle of an empty field inside his pickup truck between the words I’m and Sorry the cleanest and most deceitful of them all I doubted every word. I never cared much for the empty spaces between the lines of college-ruled paper They are only meant to be filled with even emptier phrases If I could, I wouldn’t fill in any spaces in the time we were together It would only make our story much more incredulous Adding more would make us less real. Two hearts in love need no words but in reality, you did most of the talking The ***** blanket of faith is a cocoon of words shared only between you and him. We, however, were alien to this Earth We dissolved amongst the shadows of light produced from lampposts, only to be thrown back into the light whether or not you wanted to show me who you really were You always fancied yourself in artificial lighting compared to natural lighting Fearing the natural light would show the colors you only kept to yourself. Lovebug ran to each light as quickly as he could for these lampposts can only cover so much of the unknown We’ll be together forever He ran to each one until he was alone Until he couldn’t find himself Each shadow that was passed before can be seen, traced however his new reflection is indiscernible You can try your hardest to look into dry puddles only to find something that is not so concrete. The only words worth believing in are the ones that are burnt slowly afterward Entre deux coeurs qui s’aiment, nul besoin de paroles. But no matter how much the lampposts grow taller, or how the spaces between ruled-paper continue to dance, the word love will always be the easiest word to swallow but the hardest to digest once it rots in the thick of your stomach.
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Dec 15, 2015
Dec 15, 2015 at 2:20 PM UTC
Two Hearts In love Need No Words
I was once a boy who believed in words dipped in magic Carefully coated with sugar From a distance, they shimmered whispered fog in its wake surgically dipped into your heart at hummingbird speed these sweet tender words were easy to swallow however leaves a burning hole in your chest once it finds shelter in your body. Even though your lips produced sweet words I could never get the sour taste out of my mouth The most you could have done was give me something to wash it down with: the leftover tears in Samantha Thompson’s eyes above Wedgefield’s polluted night sky somewhere in the middle of an empty field inside his pickup truck between the words I’m and Sorry the cleanest and most deceitful of them all I doubted every word. I never cared much for the empty spaces between the lines of college-ruled paper They are only meant to be filled with even emptier phrases If I could, I wouldn’t fill in any spaces in the time we were together It would only make our story much more incredulous Adding more would make us less real. Two hearts in love need no words but in reality, you did most of the talking The ***** blanket of faith is a cocoon of words shared only between you and him. We, however, were alien to this Earth We dissolved amongst the shadows of light produced from lampposts, only to be thrown back into the light whether or not you wanted to show me who you really were You always fancied yourself in artificial lighting compared to natural lighting Fearing the natural light would show the colors you only kept to yourself. Lovebug ran to each light as quickly as he could for these lampposts can only cover so much of the unknown We’ll be together forever He ran to each one until he was alone Until he couldn’t find himself Each shadow that was passed before can be seen, traced however his new reflection is indiscernible You can try your hardest to look into dry puddles only to find something that is not so concrete. The only words worth believing in are the ones that are burnt slowly afterward Entre deux coeurs qui s’aiment, nul besoin de paroles. But no matter how much the lampposts grow taller, or how the spaces between ruled-paper continue to dance, the word love will always be the easiest word to swallow but the hardest to digest once it rots in the thick of your stomach.
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46
Absence of imagination, the End of independent thought. Cities reek of corruption, ****** and the greatest of sins. They raise and **** in by the millions yet onlysome men seem to win. Glorious eyes of curve-free posters used as wallpaper for the cleanest streets. Looking up to their Father all good citizens try to weep the plain and empty tears the Party demands them sheep. Maybe it will soon end, but I'm never able to trust us men; maybe weeks will tell, but I still can't seem to hear a bell Inside the people's empty homes, Fathers, sons left alone. Big Brother dominates, he commands, a billion voices in one hand. Behind the money lies the pain, into fields fall the rain. With empty pockets walk the road a thousand stories left untold. Blood can be found on every street, death and life here meet.    Maybe it'll someday end, but I'm never able to trust us men, maybe years will tell; but I still can't seem to hear a bell. A hungry stomach calls for meat, rotting, green, foul or sweet. Rank food from the kitchens, will be served, millions of peoples have reserved. Between the alleys at the mass the cross’s shadow isn't cast. Those booklets burn easy, use them well, let vain ideas fry in hell. Maybe it's will oneday end, but I'm never able trust us men. maybe our grandhildren shall one day know, Their grandeparents wept but did not sow.
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Jun 30, 2014
Jun 30, 2014 at 5:24 PM UTC
CCCP
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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Feb 11, 2016
Feb 11, 2016 at 11:55 AM UTC
Pa wears a sweatshirt, ma carries a golden purse:
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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60
Was there a time when dancers with their fiddles In children's circuses could stay their troubles? There was a time they could cry over books, But time has set its maggot on their track. Under the arc of the sky they are unsafe. What's never known is safest in this life. Under the skysigns they who have no arms Have cleanest hands, and, as the heartless ghost Alone's unhurt, so the blind man sees best.
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3.2k
Was There A Time
'Cause ***** words                     nasty and ****** words                                                  are the cleanest of expressions.                    For they have the ingredient of naked truth.
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Oct 13, 2015
Oct 13, 2015 at 3:56 PM UTC
.
You want me to talk, Sir? I’d relax and you can paint better, Sir? Maybe, Sir…maybe, but what shall I say, Sir? For I am not used to talking to important people like you, Sir… Why do you laugh, Sir? It is true, I’m just a girl from the village, Sir attending to Laxmi and Ganga – those are our family cows, Sir; and I milk them; and my father and I bring the milk to the market and to neighbors who can afford to pay for them… We don’t carry them in these fancy pots Sir, you make me pose with but just earthen jars, Sir… But this morning, Sir, my father said to me: *Come, Mina – you shall pose for a famous artist; India has never seen such an artist and he shall pay well and perhaps with that I shall buy a third cow; three neighbors owe us money and will never return them in this life; and the old woman in the sixth house has died owing us money for these last four years… You just have to stand there before the artist in your cleanest sari and use borrowed milk pots…* And that is what my father said, Sir… I normally don’t dress in such clean clothes, Sir; the saris I have are saris my mum used but she died when I was little, Sir… Sir? You want me to keep talking…but I am boring, Sir and I talk simple words and I am sure you’ve heard… Oh Sir, I’m more used to talking to cows than important men, Sir… All right Sir, I will tell you…I will tell you… I do have dreams, Sir and it is just the dream of all the girls in my village: I’d like new saris and jewels and I’d like to be married before the year ends; Arun from the next village always looks at me in our town fairs and Oh, would that he’d marry me and we’d have a home and a farm and cows and we’d have children and we’d live our quiet lives in our secluded village… Sir, that is my dream…I have nothing more to say, Sir… I hope you are done… Or maybe you should talk, Sir…
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Aug 7, 2011
Aug 7, 2011 at 8:55 PM UTC
The village girl models for the artist, 1904
You want me to talk, Sir? I’d relax and you can paint better, Sir? Maybe, Sir…maybe, but what shall I say, Sir? For I am not used to talking to important people like you, Sir… Why do you laugh, Sir? It is true, I’m just a girl from the village, Sir attending to Laxmi and Ganga – those are our family cows, Sir; and I milk them; and my father and I bring the milk to the market and to neighbors who can afford to pay for them… We don’t carry them in these fancy pots Sir, you make me pose with but just earthen jars, Sir… But this morning, Sir, my father said to me: *Come, Mina – you shall pose for a famous artist; India has never seen such an artist and he shall pay well and perhaps with that I shall buy a third cow; three neighbors owe us money and will never return them in this life; and the old woman in the sixth house has died owing us money for these last four years… You just have to stand there before the artist in your cleanest sari and use borrowed milk pots…* And that is what my father said, Sir… I normally don’t dress in such clean clothes, Sir; the saris I have are saris my mum used but she died when I was little, Sir… Sir? You want me to keep talking…but I am boring, Sir and I talk simple words and I am sure you’ve heard… Oh Sir, I’m more used to talking to cows than important men, Sir… All right Sir, I will tell you…I will tell you… I do have dreams, Sir and it is just the dream of all the girls in my village: I’d like new saris and jewels and I’d like to be married before the year ends; Arun from the next village always looks at me in our town fairs and Oh, would that he’d marry me and we’d have a home and a farm and cows and we’d have children and we’d live our quiet lives in our secluded village… Sir, that is my dream…I have nothing more to say, Sir… I hope you are done… Or maybe you should talk, Sir…
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53
The coffee cups are ***** But it’s the cleanest way To drink whiskey here. The barman lost half his right fingers To a wood chipper in his early 20’s And spent the rest of his adult life Flipping the world off. He got it down to a fine art By the time I showed up. He didn’t smile when I ordered my drink. He didn’t smile at all. The jukebox hasn’t changed For two stagnant decades And most everyone but the regulars Are too scared to use it. It’s the same rotation Of Elvis, Muddy Waters, BB King, John Coltrane, And early Bruce Springsteen. Not a woman in sight But every song is about them And we are all here Because of them. Certain patches of carpet Have not seen a crack of light Since the Berlin Wall fell. Nothing changes here but the customers- And that change is incremental at best. The same filthy etchings over The same filthy cubicle doors. The same Cherokee Indian Smoking a Cuban Cigar In the heartland of America. I can’t find myself here But there is no feeling of loss. There is no profundity in anything here. Just squalor And enjoying one’s squalor. I think that is what it means To be truly happy.
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Aug 17, 2018
Aug 17, 2018 at 5:24 AM UTC
Sloucher's Bar
***** is the only language I know Burning brightens anguish that grows Like the blinding light the sun shows A star providing life While simultaneously burning me As I dream of turning free Floating here I sail a sea Of words that hurt And kick up dirt Of actions that keep stacking Of factions that keep attacking Of agency that I'm lacking To change any of these things Or the sorrow they bring The sun's assault through trees Scorches the dirt off of me In a world on fire Incinerators are the cleanest places In a hateful empire Interpreters are unwelcome faces And we continue to count the paces Until we master mudslides And we continue to erase the traces Of our humanity under dirt We live in this sandstorm Brought by man's scorn We attempt to grow corn But the dusty fields remain barren When the sun that used to activate photosynthesis Now burns all the young seeds to a crisp The seeds are now manufactured As people wait for the rapture Unable to see salvation starts here on Earth And it starts with us cleaning up dirt
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Aug 28, 2017
Aug 28, 2017 at 7:57 AM UTC
Dirt
The condensation slowly begins To eat a hole in The cotton of my jeans And I've been through this enough To know I'm not alone in it But I can't help but feel empty. The dripping grass emits it's gasses filling the air with the sweet smell of freedom and October; The plants releasing their last breath into the world before the snow comes and brings death upon us all. Even in this facade of freedom I feel trapped Caging myself within the confines of a small One-bedroom apartment that's supposed to be "home". The soaking corpses of thriving flowers and the sweet tickle of chirping crickets are drowned out by the overwhelming sadness that's begun to overthrow my lungs, echoing throughout my limbs as it sloshes through my eardrums and soaks my shoes Dear god, why am I still hurting? It's been 9 years and I still can't escape. This depression has stolen every last part of me. Until it's all I have left. And yes, out here, I feel free Away from the judgement Where no one can touch me Connected with the Earth Simply observing all that surrounds me. And of course I can hide from my anxiety But even feeling the cleanest sand between my feet And deafening my mind with these crashing waves around me I can't run from the demons eating at the tatters of my soul Because they will find a way to lure me back in To disconnect me from the beauty that surrounds me Leaving me dying alone on the cold, dark concrete that lines my broken memories Bleeding out these sins until I no longer feel empty
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Sep 6, 2017
Sep 6, 2017 at 8:24 PM UTC
Decaying Souls and Broken Dreams
The condensation slowly begins To eat a hole in The cotton of my jeans And I've been through this enough To know I'm not alone in it But I can't help but feel empty. The dripping grass emits it's gasses filling the air with the sweet smell of freedom and October; The plants releasing their last breath into the world before the snow comes and brings death upon us all. Even in this facade of freedom I feel trapped Caging myself within the confines of a small One-bedroom apartment that's supposed to be "home". The soaking corpses of thriving flowers and the sweet tickle of chirping crickets are drowned out by the overwhelming sadness that's begun to overthrow my lungs, echoing throughout my limbs as it sloshes through my eardrums and soaks my shoes Dear god, why am I still hurting? It's been 9 years and I still can't escape. This depression has stolen every last part of me. Until it's all I have left. And yes, out here, I feel free Away from the judgement Where no one can touch me Connected with the Earth Simply observing all that surrounds me. And of course I can hide from my anxiety But even feeling the cleanest sand between my feet And deafening my mind with these crashing waves around me I can't run from the demons eating at the tatters of my soul Because they will find a way to lure me back in To disconnect me from the beauty that surrounds me Leaving me dying alone on the cold, dark concrete that lines my broken memories Bleeding out these sins until I no longer feel empty
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40
You're good for me like penicillin. But I haven't popped enough of you yet. Sightings of you as rare as an eagle, The rare occasion I feel like a human. Your purity is beyond belief, like the cleanest **** on the street, Your skin is the smoothest white marble You're like renaissance art I would quit all of my bad habits just for a day in your presence I wouldn't need another sip of ***** or sweaty fumbling in the back of a car How do I tell you how I'm feeling With a keytar and shaker at your door? Could I win a joust for you? I would invent electricity if I could. But that's it, you demigoddess You're boarding now a flying syringe ******* the life of me with every inch What's blood for if not for spilling? To me, you are perfect, love A hologram i'm not allowed to touch My tangled heart with stay right here and pump occasionally for you my dear 10.13.12 1:20 AM
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Dec 9, 2012
Dec 9, 2012 at 10:21 AM UTC
Penicillin
For years I’ve had marbles tucked in my mouth, Different colored weights that pulled on my glands, on secret saliva. For years I’ve had marbles in my mouth and I forgot to spit them out or hide them away so I let them become permanent placements in my always-cavities; soon they even slipped so easy into my bloodstream. The black ones made me say yes too often. The reds made me want to bleed. The blues made me cry, obviously. They stood guard on my tear ducts, deciding when and how to show emotion. They didn’t let me cry that night. They didn’t let me cry for months. Now I am crying almost everyday, and I am shooting those blue marbles straight to the moon; I’ve had it with avoiding emotion every day of my life. The yellows made me want to forgive you, made me want to **** on sunshine, made me want to clamber into your mother’s arms, let her know that it wasn’t your fault. The yellows are ******** The cat eyes have me avoiding eyes with every man on the street, so sure they will spit out words that they expect me to lap up like milk with an easy grin, tail twitching for attention. The cat eyes have me distrustful, have me always knowing it could happen again. The rainbows loosened my tongue, had me admit secret sexualities, let me march in parades and kiss girls, had me falling over myself tripping into love. I’m not sure who this poem is for anymore, or what it’s even about. The doctors say I have the cleanest bloodwork they’ve seen in a while, I don’t ask them about the marbles. They refer to some of them as disordered. I’m not sure if they’re marbles anymore, I think they’re just me, and I’m sorry I’m getting off-track, the marble in my hand right now is glitter and sparkle and confusion and I’m trying so hard to stay put. Give me the orange ones, the fire, ones that looks like Mars or Jupiter. Give me two moons, or maybe sixty-six. Give me a giant ladder. This is about running away. This is about playing with your marbles and learning everything about them and staying put.
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Sep 23, 2012
Sep 23, 2012 at 5:11 AM UTC
Untitled #72
For years I’ve had marbles tucked in my mouth, Different colored weights that pulled on my glands, on secret saliva. For years I’ve had marbles in my mouth and I forgot to spit them out or hide them away so I let them become permanent placements in my always-cavities; soon they even slipped so easy into my bloodstream. The black ones made me say yes too often. The reds made me want to bleed. The blues made me cry, obviously. They stood guard on my tear ducts, deciding when and how to show emotion. They didn’t let me cry that night. They didn’t let me cry for months. Now I am crying almost everyday, and I am shooting those blue marbles straight to the moon; I’ve had it with avoiding emotion every day of my life. The yellows made me want to forgive you, made me want to **** on sunshine, made me want to clamber into your mother’s arms, let her know that it wasn’t your fault. The yellows are ******** The cat eyes have me avoiding eyes with every man on the street, so sure they will spit out words that they expect me to lap up like milk with an easy grin, tail twitching for attention. The cat eyes have me distrustful, have me always knowing it could happen again. The rainbows loosened my tongue, had me admit secret sexualities, let me march in parades and kiss girls, had me falling over myself tripping into love. I’m not sure who this poem is for anymore, or what it’s even about. The doctors say I have the cleanest bloodwork they’ve seen in a while, I don’t ask them about the marbles. They refer to some of them as disordered. I’m not sure if they’re marbles anymore, I think they’re just me, and I’m sorry I’m getting off-track, the marble in my hand right now is glitter and sparkle and confusion and I’m trying so hard to stay put. Give me the orange ones, the fire, ones that looks like Mars or Jupiter. Give me two moons, or maybe sixty-six. Give me a giant ladder. This is about running away. This is about playing with your marbles and learning everything about them and staying put.
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20
(Dedicated to my mother, Juna Marie Nagley- happy mother's day momma!!!) O' Màthair, Màthair, from whence I birthed. Best friend, mine Angel, mine guide; Disguised As a lady at birth; it's from thine womb from Whence I arrived, this is a thanking thee, to A flawless seraph, mine Màthair, mine Màthair- To thee; whom do I compareth? Anglamotharia, thou hath always met mine need's, When mine knee was scraped, and when I got sick; Thou wouldst alway's protecteth me. Eyne blue as The sea's, hair blonde as the street's thou hath stemmed from, Anglamotharia-Jehovah's chosen One, mine host of host's, guardian from the ghost's Who always tried to hurt thy own son. Anglamotharia, from whence I am from- Latha màthair math; angelic one. (Second part is a mothers day dedication to my mother in law Evangeline sardua- Earl Jane sardua my Queens mother....) Adlaw Malipayon inahan, dearest mother-in-law, the Apple to Jane's vision, hardworking, gentle-calm. I thankest thee for showing Jane the right way's; the way's of God, the way's of love, O' heaven knoweth thy name. Adlaw Malipayon inahan, woman who knoweth none time, for thine family is thy priority; thou cookest and cleanest, thy labor hath heavied over time, mayest the Lord bless thee and keep thee, and the Lord make His face shine upon thee. And be gracious to thee. The Lord lift up His countenance upon thee, And give thee peace. Mayest thine abode be a blessing from Mount malindang-west unto East. Mayest Yeshua guideth thy feet to where dangerous travels cometh and goeth. Mayest the word of God always from thy mouth appear and floweth. Mayest this mother's day, be a remembrance to thee, Evangeline; thy love hath not been forgotten, this is mine gift and thanking to thee. ©Brandon Nagley ©Lonesome poets poetry ©mothers day dedication to two special mother's ( Evangeline Sardua, janes mother, and dedication to my mother juna Marie Nagley, ) happy mother's day to both of you and may God shine his face upon you!!! With love Brandon!!
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May 8, 2016
May 8, 2016 at 1:51 PM UTC
Latha màthair math Juna marie nagley, Maligayang Araw ng mga Ina to Evangeline Sardua( Mother's day poem for my mother , second part is dedicated to my queen earl jane nagleys mother ......
(Dedicated to my mother, Juna Marie Nagley- happy mother's day momma!!!) O' Màthair, Màthair, from whence I birthed. Best friend, mine Angel, mine guide; Disguised As a lady at birth; it's from thine womb from Whence I arrived, this is a thanking thee, to A flawless seraph, mine Màthair, mine Màthair- To thee; whom do I compareth? Anglamotharia, thou hath always met mine need's, When mine knee was scraped, and when I got sick; Thou wouldst alway's protecteth me. Eyne blue as The sea's, hair blonde as the street's thou hath stemmed from, Anglamotharia-Jehovah's chosen One, mine host of host's, guardian from the ghost's Who always tried to hurt thy own son. Anglamotharia, from whence I am from- Latha màthair math; angelic one. (Second part is a mothers day dedication to my mother in law Evangeline sardua- Earl Jane sardua my Queens mother....) Adlaw Malipayon inahan, dearest mother-in-law, the Apple to Jane's vision, hardworking, gentle-calm. I thankest thee for showing Jane the right way's; the way's of God, the way's of love, O' heaven knoweth thy name. Adlaw Malipayon inahan, woman who knoweth none time, for thine family is thy priority; thou cookest and cleanest, thy labor hath heavied over time, mayest the Lord bless thee and keep thee, and the Lord make His face shine upon thee. And be gracious to thee. The Lord lift up His countenance upon thee, And give thee peace. Mayest thine abode be a blessing from Mount malindang-west unto East. Mayest Yeshua guideth thy feet to where dangerous travels cometh and goeth. Mayest the word of God always from thy mouth appear and floweth. Mayest this mother's day, be a remembrance to thee, Evangeline; thy love hath not been forgotten, this is mine gift and thanking to thee. ©Brandon Nagley ©Lonesome poets poetry ©mothers day dedication to two special mother's ( Evangeline Sardua, janes mother, and dedication to my mother juna Marie Nagley, ) happy mother's day to both of you and may God shine his face upon you!!! With love Brandon!!
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23
Now I posted a poem or two which grabbed the eyes of a dozen or so like glue; but now I’d like someone to tell me what I should do 1 I mean, I got a few followers, right… *“Latenight ****** started following you”* said the notice from the website; and: “ Moonface at Window started following you” but I got no comments from the followers so I have no idea what sort of people they are - and now, hey, I’m so afraid of all these followers (these Moonies and Loonies) I constantly look back over my shoulders to see if they are following me And everywhere I go every other person looks so sus and when I’m out (wont to water more often, as it happens at my age) I visit public toilets (McDonald’s is often cleanest) and I get this feeling (deep down in me) my followers are hiding in the ceiling watching me dadadidado – But please, O don’t look down on me! And the rest of you decent people - will you please tell me what to  dadadidado? 2 And look, I got all these likes - which is good, right? “Pimply Whanker liked this” ***** TouchBottom liked this”* is all it says And don’t you hate it when they don’t leave a comment? – And now, I’ll never know what it is they liked… Can someone fix me right - what should I dadadidado??
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May 3, 2013
May 3, 2013 at 8:31 AM UTC
What should I dadadidado??
my       teeth       hurt          in       Winter the   beginning   of   Winter     for   sure a                      fantastic                     ache even           when      the      wind      sits even             the       cleanest       breaths           draw       hard          on       my       chest but my heart still draws on the beauty invites   stillness       to   meet   stillness
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Mar 27, 2024
Mar 27, 2024 at 8:58 PM UTC
cold pain
It's not the docile who are the most peaceful It's not the quiet who make the best mothers And it's not the pilgrims who make the finest believers For, the blade is not the only part of the sword Only part of the sword, ooh hoo.... It's not the poets who pose the deepest questions It's not the enemy that you have to fear And it's not enough people who live in cleanest conscience For, the string is not the only part of guitar. Only part of guitar, ooh hoo.... Refrain: Beware even the blunt side of the sword Beware even the blunt side of the sword! Oh, you know, the blade is not the only part of the sword. Only part of the sword, ooh hoo.... It's not the animals who are the uncivilised ones And it's not in the light that you get to know yourself And it's not up to you to decide the life that I live For the heart is not the only part of me. Only part of me...... It's not the well-spoken who speak the most wise words It's not the sufferers alone who feel the pain and anguish And it's not the have-it-alls who really have it all And the Eiffel Tower's not the only thing in Paree. Only thing in Paree..... And you know, the blade is not the only part of the sword.... Oh, you know, the blade is not the only part of the sword. Star Toucher, Feb 2013
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Mar 7, 2013
Mar 7, 2013 at 4:24 PM UTC
The Sword
*I am the cleanest, most thoughtful Most caring one around that I know Not giving one selfish desire my time, Only hard working, dedicated and here To be there to keep things in line, So feel free to give me extra criticism, To make me "walk on egg shells," I try so hard, I'm just so poor, But who cares, I'm the worst because Of some stupid argument at a door.*
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Jan 18, 2016
Jan 18, 2016 at 1:49 AM UTC
Slaves
Each morning, the earth and sky meet, At first lightly touching, eventually adjoining, And finally presenting a blend of color, A spectrum of pink, orange, and gold… In all their glory. The trumpets sound, signifying a new day, Unlike every other, yet it is still Monday. It seems the birds and insects congregate, Preparing an intricate symphony, An orchestra of billions of noises, Each his own. And still no one knows Who has danced upon the grass, Sprinkling flawless, spherical drops Of water, frosted with glittering crystal, Onto the earth on which we walk, That seems so common by ten ‘o clock. And shameful, I feel at times When I miss the air at its cleanest By an hour or two, or more; When I miss the symphonic chirps, The dampened grass and rainbow sky, I am mournful. Thought it seems I always recall The orchestra performs again tomorrow Around the time of dawn.
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Feb 12, 2010
Feb 12, 2010 at 10:39 AM UTC
Overslept
Still, it really doesn't matter, After all, who wins the flag. Good clean sport is what we're after, And we aim to make our brag To each near or distant nation Whereon shines the sporting sun That of all our games gymnastic Baseball is the cleanest one! Anonymous. 10/29/2016.
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Oct 29, 2016
Oct 29, 2016 at 11:52 PM UTC
Baseball is the cleanest one!
all winter housed in the yard. Fed the freshest silage, the cleanest water. All the nuts they could eat. But they’d hang their heads by the gate, longed for earth between their hooves. Hard to run giddy on concrete between confining walls. Eventually beaten with hurlies and a black pipe onto the back of a truck. 5 heifer hang from hooks.
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Aug 30, 2010
Aug 30, 2010 at 2:14 PM UTC
5 Heifers
I grabbed a passing breeze, Like a word, in a thought. There was a weathered salt, An old storm, in it's taste. Our Souls are the finest wine, Exquisite caliber. The color coded gravity, After ignition. It is the brainwaves, Sending us in search, Of what we already have. Gold to the cleanest degree, An ancient myth, Symbols of life, The beginning. Flawless musical keys merge, The initiations, Were only for dreamwalkers. Eyes of Pharaohs, Hands of Saints. Our souls are the closest thing, To God. The most exquisite caliber, Of needle & thread.
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Oct 23, 2013
Oct 23, 2013 at 9:53 PM UTC
"Exquisite Caliber"