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"acrylic" poems
Lipstick kisses, we're both wearing red. I motion her over and onto our bed. Blood red smeared across our lips. I keep her enticed, I straddle her hips. Seductively playing, I'm touching my lips. Long acrylic nails, for us never fails. I show her a ***** and she gently wails. She's waiting, my sweetheart, I lust her so much. We **** we're on fire and I wonder, which of us holds the power. I, in all honesty is hoping it's her, 'cause then I'll continue this life in her beautiful blur. Poetry by Kaydee.
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Jul 9, 2018
Jul 9, 2018 at 11:44 PM UTC
We're on Fire.
I am adept In the art of being okay I have mastered the craft Of covering my troubles I use all sorts of fancy facades Acrylic, oil, watercolor You name it. I can paint over nearly anything You will never know How late I was up last night Or why. My eyes flicker Like candlelight But you couldn’t see You couldn’t possibly see I’m too good For that. I can dance, too Waltzing away my sorrows Carefully tip toe-ing the Pas-de-I-am-fine I get a standing ovation every time I’m very talented, you see. But my all time favorite Is my disappearing act I’m still perfecting it Right now But one of these days I’ll show you How I Slip Slip Slip Away Right through your fingers.
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May 13, 2018
May 13, 2018 at 4:37 PM UTC
The Art of Being Okay
You were born near the warm ocean, grew up around there, With your clear acrylic smile and sun-kissed blonde hair I, the winter cold More north than I can remember, We met that day you visited, a brisk chill, that December We drank and danced, while the years passed over Argued and grew apart, our greatest fears, now sober My memories of you, once treasured Now, faded as sun deprived lands complain, Forever, jaded
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Apr 4, 2019
Apr 4, 2019 at 2:04 PM UTC
Seasons Change
big sweaters, ghibli, acrylic paint, cafes, knit blankets and unplanned afternoon naps on the couch, gardens, bananas, vanilla almond milk, soft yarn to crochet into ****** scarves, candles after midnight, the big trees with bulky roots, patio furniture, pianos in random buildings, the internet, manatees, the boundless colours of nail polish, peanut butter & honey, rubber boots, pens that write well, fresh new notebooks, skylights, american netflix, mothers that understand, tête à têtes, one glass of sweet white wine, awkward eye contact that turns into comfortable kissing, airplanes, fresh air, baseball caps, the female collective, the really good dark chocolate, flowers, pumpkin spice lattes and ***** chai lattes, candid laughter, yoga, oceans, high waisted shorts, striped t-shirts, docile cats, playful pups, french presses, integrity, sunscreen, meerkats, penguins, chameleons, autumn leaves, fall fashion, ruby woo mac lipstick, osho, dynamic meditation, compassion, siblings, scrambled eggs, smart phones, garageband, metronomes, hot glue guns, quinoa, ferry boats, soft hands, bicycles, real people, fat snowflakes in ample, graceful ********** backpacks that don't hurt your shoulders, hair conditioner, multi-vitamins, soft sand under bare feet, people that own up to lies, clarity, samsara, satori, samasati, visions, echinacea, lavender oil and frankincense, ambrosia apples and ripe avocados, authenticity, Morgan Freeman's voice, good kissers, ******* iced tea on a hot day, curtains, the smell of beeswax, art galleries, hand massages and foot massages, reiki, plums, mild thunderstorms, soccer ***** good surprises, when birds don't **** on your head.
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Oct 9, 2013
Oct 9, 2013 at 7:24 AM UTC
thank the universe for:
big sweaters, ghibli, acrylic paint, cafes, knit blankets and unplanned afternoon naps on the couch, gardens, bananas, vanilla almond milk, soft yarn to crochet into ****** scarves, candles after midnight, the big trees with bulky roots, patio furniture, pianos in random buildings, the internet, manatees, the boundless colours of nail polish, peanut butter & honey, rubber boots, pens that write well, fresh new notebooks, skylights, american netflix, mothers that understand, tête à têtes, one glass of sweet white wine, awkward eye contact that turns into comfortable kissing, airplanes, fresh air, baseball caps, the female collective, the really good dark chocolate, flowers, pumpkin spice lattes and ***** chai lattes, candid laughter, yoga, oceans, high waisted shorts, striped t-shirts, docile cats, playful pups, french presses, integrity, sunscreen, meerkats, penguins, chameleons, autumn leaves, fall fashion, ruby woo mac lipstick, osho, dynamic meditation, compassion, siblings, scrambled eggs, smart phones, garageband, metronomes, hot glue guns, quinoa, ferry boats, soft hands, bicycles, real people, fat snowflakes in ample, graceful ********** backpacks that don't hurt your shoulders, hair conditioner, multi-vitamins, soft sand under bare feet, people that own up to lies, clarity, samsara, satori, samasati, visions, echinacea, lavender oil and frankincense, ambrosia apples and ripe avocados, authenticity, Morgan Freeman's voice, good kissers, ******* iced tea on a hot day, curtains, the smell of beeswax, art galleries, hand massages and foot massages, reiki, plums, mild thunderstorms, soccer ***** good surprises, when birds don't **** on your head.
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1
Lady Macbeth washed her hands cleaner than Pontius Pilate with a new improved, bio-enzyme oxy-bursting, 99.9% germ-scouring recommended by dermato-logists scented with rose attar oils from Arabia and spermaceti soothing unguents from long dead whales. She’s going to the nail bar for a manicure and application of semi-permanent, diamond- tipped, acrylic base-coated in red blood enamel. She’ll scratch and etch rich tattoos on her husband’s back with every ****** he will shudder with pain and delight He’ll soon forget long, dark nights bewitched by ghosts and ambition. © M.L. Emmett
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Aug 10, 2015
Aug 10, 2015 at 2:55 AM UTC
Lady Macbeth
the british way, not mentioning yarn, too much, repeating words, where no longer necessary. wool in abundance here, piled on wool lorries, neatly balanced with premium acrylic. it is a fine line we walk, gently avoiding peptides, only just a theory, yet used independantly, alongside honest work, for mending. today is hallow e’en sbm
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Oct 31, 2013
Oct 31, 2013 at 2:00 AM UTC
describing wool
sometimes she daydreams about life the way i do about death. it's ironic, i know: black and white aren't meant to be grey and the rumbling hum of expletives digging into mauve lips pass through like desaturated light to translucent statures. it makes everything seem sweeter than it looks. she thinks the ache feels lukewarm, just like those half-hearted smiles she gives out like presents on a holiday, and she may be right. pain is not cold, it covers your entire heart with microwaved fingers, leaving burn marks that leave chars and ashes. snaps the purple heartstrings and clumsily tries to mend it. (i love you because you're corporeal, she murmurs, you keep me sane) she's spider-webbed, sung gossamer and silk while her bar lines drip with ink. and she seems moonstruck—because of me she says and blooms throughout my epiphanies. fancies herself a ghost, a wisp, something ethereal that lingers on my lips like a kiss. and she lingers, oh she does. toppling from the skies and collapsing into my rib-cage, she stays, blushing rose-like and thriving. velvet and constellations of blood clots patter against her skin. it blooms like she blooms, a paint splattered canvas meant for all to see.
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Jul 28, 2018
Jul 28, 2018 at 2:50 AM UTC
acrylic dreams
You breathed your last breath from the air in this room; that threadbare Persian carpet holds flakes from your skin; hairs from your head corkscrew the dented cushions scattered and idly waiting on the sofa; bed linen scented with your sweat the goose down doona that stole your last warmth; sleep spit and tears human moisture that permeates the acrylic layers of your pillow; an eyebrow hair wedged in the tweezers; a clipped nail that flew off somewhere out of sight; that new toothbrush used only once; your flannel and towel still drying out; the wet press footprint on the bathroom mat; the talcum powdered slippers abandoned under the brass bed. Each moment of everyday we shed ourselves shed dead cells and renew - a cycle of shedding until the last shedding of ourselves. © M.L. Emmett
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Aug 6, 2014
Aug 6, 2014 at 7:01 PM UTC
The Forensic Science of Grief
Setting off a rollicking charge… like a waiting rocket to countdown Solo pugilist in the ring… lancing darts at butterflies in cloistered air 10…. 9….  8…. Boxed in from all sides… whichever way turning… meets unsettling walls Notes unseen and unheard… magic windows stripped away… acrylic drips dry 7….   6…..    5…. Tap runs on… letting of foundation-blood…no fear nor fret… yet exacts converse Gentle persuasion to reach shores… hard credence yet so true… all in good time 4….  3….  2…. One vision Two hearts Three kisses.. Forever :) No countdown needed....ever Count to one…only and breathe... It’s all ok all in good time...
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Oct 16, 2013
Oct 16, 2013 at 5:08 PM UTC
Countdown
the truth is no one ever taught me how to fix a flat tire or how to ask for help or what love was even good for in the first place and the truth is that the cookie was good but the lemon icing wasn't and the truth is baking should be done without any kind of lemon at all and the truth is i wish you'd hold me close enough that our skin fused together and i could burrow into your spine and learn all the things you won't teach me and the truth is you were never good at making eye contact but i dare you to look at me long enough that i can trace the line that connects your iris to your pupil and count how many shades of black a person can produce and the truth is i don't know if the grass has fingerprints but i know that yours are cigarette stained and no better at letting go than mine and the truth is i am a dump site and you are an inhale and i am clockwork and you are a melody and i can't keep my teeth off your eloquence and the truth is my feet are covered in acrylic paint from leaving smudged footprints in sparkly things and the truth is i don't want you all to myself but you can pretend i'm yours when i'm engulfed in the ocean and making it hard for you to breathe and the truth is i'm looking for a different kind of intimacy from you and maybe it's just some teenage girl talking but the truth is that i want to drown with you. i want to burn with you. i want to scream with you so violently that the body that crushes my lungs crumbles and i become a balloon for real this time and the truth is, if you hadn't called me beautiful, i would have mistaken last night for a paradise i don't believe in
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Aug 18, 2014
Aug 18, 2014 at 8:21 PM UTC
bag wine & candor
the truth is no one ever taught me how to fix a flat tire or how to ask for help or what love was even good for in the first place and the truth is that the cookie was good but the lemon icing wasn't and the truth is baking should be done without any kind of lemon at all and the truth is i wish you'd hold me close enough that our skin fused together and i could burrow into your spine and learn all the things you won't teach me and the truth is you were never good at making eye contact but i dare you to look at me long enough that i can trace the line that connects your iris to your pupil and count how many shades of black a person can produce and the truth is i don't know if the grass has fingerprints but i know that yours are cigarette stained and no better at letting go than mine and the truth is i am a dump site and you are an inhale and i am clockwork and you are a melody and i can't keep my teeth off your eloquence and the truth is my feet are covered in acrylic paint from leaving smudged footprints in sparkly things and the truth is i don't want you all to myself but you can pretend i'm yours when i'm engulfed in the ocean and making it hard for you to breathe and the truth is i'm looking for a different kind of intimacy from you and maybe it's just some teenage girl talking but the truth is that i want to drown with you. i want to burn with you. i want to scream with you so violently that the body that crushes my lungs crumbles and i become a balloon for real this time and the truth is, if you hadn't called me beautiful, i would have mistaken last night for a paradise i don't believe in
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V. Ethereal Maybe being drunk is the closest I will ever get to zero gravity-- to walking on the moon. My fingers curled around the neck of a liquor bottle,   I wander to my bedroom window, as a tipsy weightlessness settles amongst my limbs (and my thoughts). Swaying slightly, I part the curtains and, in my intoxicated stupor, search for Polaris in the night sky, point to it, press a clumsy hand to the glass, convince myself that I have captured the star, and all the omniscient power it possesses, beneath my finger tips. Star light, {lips pant-- inebriated, heavy} star bright, {my breath appears a catalyst as the window pane glazes over in an impenetrable paroxysm of fog} first star I see tonight, {I take a swig, raise the bottle-- a toast to the cosmos} I wish I may, {Lashes meet in silent matrimony} I wish I might, {Behind closed, desperate eyes, ribbons of colour dance towards me in a disoriented jig} have this wish I wish tonight-- to be obliterated by the very galaxy that birthed these grieving bones and this tumultuous heart. Because only then-- as the Gods paint the Night with the innards of my soul, acrylic purples churning against the blackness-- will I become what I have always dreamed of becoming: Lovely. Ethereal.
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Sep 25, 2018
Sep 25, 2018 at 11:57 AM UTC
I, Ophelia (Part Five--Ethereal)
My father always had a picture hanging up over the mantle. It was an oil, possibly acrylic, painting. I've always been terrible with art, and the definitions and distinctions therein. It had a gold-leaf frame, and I recall, as a child, staring at the shine that the sun reflected off of the beautiful gold that surrounded the picture. The picture itself, however, was far more extraneous: a deer head and the body of a businessman. The suited businessman's body sat in a chair, within the painting, but instead of a man's head poking out of the collar, there was a deer's head. It was adorned with antlers, two to be exact, and it sat above that mantle, staring emotionless into you or the distance. I was never sure which it was. And after my father passed, I inherited the deer head and the body of a businessman.
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Aug 2, 2013
Aug 2, 2013 at 12:43 AM UTC
A deer head and the body of a businessman: I
Not one thing! Not a bottle, nor a song nor a conversation could 'ere last too long Not a heartbeat, nor a rhyme Never a marriage not this time Nothing lasts forever my friend! Not even the pages we scribe! Neither oil nor acrylic even water based leaks under the test of time No ink will outlast us No pencil could describe either of our loneliness completely erased by the tide Nothing lasts forever The sunset taught me that! The sunrise fools us into thinking that the sun will stay where it sat It's why we keep on going knowing, nothing will ever last We die each night only to wake pretending we forgot the past
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Dec 27, 2016
Dec 27, 2016 at 5:23 AM UTC
Nothing Lasts Forever
applying his               lingual buds    to the smooth lush of her thighs she rippled          as a lava lake,           no stone skipped                                       just melting milk, lapped up in hungry pulses cream of silk    pounding thunder         in consonants of              taut skin drum                 nuances in vowels          uttered in animal dissonance his bristled breath all over her               fingers salivary intentions over rim of lip feeding the emptiness, a holy vessel more ancient than         before time               now ready               to be filled by the            essence of feminine pineapple juice drizzling firebud glistening in fuchsia exposure open gateway       to divine outpour a sacrificial altar of unmasked psyche completely stripped of                      any pellicle his palms firmly planted in hot muscle thumbs parting             glory's hole deer at the saltlick lost in the velvet just pour it in thick molasses not stifling, only honeyed bark multi-hued like       eucalyptus deglupta in buttery tips dripping love, all over her lips and just like that, in slick-painted dabs of their own acrylic-drip art just like that in the wild             and thick explodes the ache of her ripped          apart    heart
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Jul 14, 2017
Jul 14, 2017 at 7:09 PM UTC
an ache, exploded
applying his               lingual buds    to the smooth lush of her thighs she rippled          as a lava lake,           no stone skipped                                       just melting milk, lapped up in hungry pulses cream of silk    pounding thunder         in consonants of              taut skin drum                 nuances in vowels          uttered in animal dissonance his bristled breath all over her               fingers salivary intentions over rim of lip feeding the emptiness, a holy vessel more ancient than         before time               now ready               to be filled by the            essence of feminine pineapple juice drizzling firebud glistening in fuchsia exposure open gateway       to divine outpour a sacrificial altar of unmasked psyche completely stripped of                      any pellicle his palms firmly planted in hot muscle thumbs parting             glory's hole deer at the saltlick lost in the velvet just pour it in thick molasses not stifling, only honeyed bark multi-hued like       eucalyptus deglupta in buttery tips dripping love, all over her lips and just like that, in slick-painted dabs of their own acrylic-drip art just like that in the wild             and thick explodes the ache of her ripped          apart    heart
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O eraser! O eraser! You were supposed to make it white Instead you made it gray O eraser! O eraser! You smudge my work all day O eraser! O eraser! I'm throwing you away O eraser! O eraser! You're hard and black from pencil dust You're sticky gray from acrylic crust O eraser! O eraser! Away!
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Apr 16, 2019
Apr 16, 2019 at 4:14 AM UTC
This Eraser *****
American city, your roads make me gasp, Hold my breath with cancerous anxiety. Your sidewalks, Ancient ruins of time passed: A failed optimism for Utopian desire: A house, a yard, a car for every person. Now derelict, termite infested, but rented. Chlorinated chemical water runs through rusted, moldy spickets to Rinse pesticide seasoned vegetables. And yet they remain so tasteless. But who cares? Suburban middle class zombies? Created with media placed propaganda. Born and inoculated with DisneypepsiMccocacola ideologies. Oh Wal-Mart, how we love your homogenized Chinese products. Oh America, how we love your multi-million dollar cathartic films, They bring my mind to no place and inspire nothing. Your theme park inspired retail caters to any identity I desire: I am a professional, My wallet lined with the best credit cards, SUV, Hummer, Super boat, designer label, mall bought, bleached teeth smile, with slick greasy hair style. I'm cool, I pay for the gas. Beep your horn, and rev your engine. We are at war with each other. Everyone get out of my way: road rage lifestyle: compete or die. Big screen television dream. Bought it at Target. Open my cupboard: Macaroni and Cheese, delicious. Ambian, Prozac, antibiotic, Listerine. Collagen bovine beauty: Manicure, pedicure, dye and wax Acrylic nails, hair extensions And silicone sacs. Oh, American city How we want to steal your money and **** your blood. Chop your trees and cement your grass. American city you are dead.
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Jan 11, 2010
Jan 11, 2010 at 6:22 AM UTC
American City
American city, your roads make me gasp, Hold my breath with cancerous anxiety. Your sidewalks, Ancient ruins of time passed: A failed optimism for Utopian desire: A house, a yard, a car for every person. Now derelict, termite infested, but rented. Chlorinated chemical water runs through rusted, moldy spickets to Rinse pesticide seasoned vegetables. And yet they remain so tasteless. But who cares? Suburban middle class zombies? Created with media placed propaganda. Born and inoculated with DisneypepsiMccocacola ideologies. Oh Wal-Mart, how we love your homogenized Chinese products. Oh America, how we love your multi-million dollar cathartic films, They bring my mind to no place and inspire nothing. Your theme park inspired retail caters to any identity I desire: I am a professional, My wallet lined with the best credit cards, SUV, Hummer, Super boat, designer label, mall bought, bleached teeth smile, with slick greasy hair style. I'm cool, I pay for the gas. Beep your horn, and rev your engine. We are at war with each other. Everyone get out of my way: road rage lifestyle: compete or die. Big screen television dream. Bought it at Target. Open my cupboard: Macaroni and Cheese, delicious. Ambian, Prozac, antibiotic, Listerine. Collagen bovine beauty: Manicure, pedicure, dye and wax Acrylic nails, hair extensions And silicone sacs. Oh, American city How we want to steal your money and **** your blood. Chop your trees and cement your grass. American city you are dead.
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39
I wear no sunglasses that Shield my    eyes from the realities        of this world that put a Valencia filter over the     things that I see or a sensor         over the things that I hear. I do not push the news stations     through a small strainer only         allowing the ”easy to              handle”  stories to reach my                  cup for me to consume. I know that red is this world's favorite     acrylic, black it's favorite oil paint, and blue it's favorite watercolor. the painting of our world has red     splattered across every         building and seeping out of every             wrist, black in every sidewalk crack, every      alleyway, and across          every, screaming, mouth, and blue welling in every eye. I know this, but I have ripped the tape     from my mouth, bandaged my         wrists, and wiped my eyes I have become comfortable. opening my mouth Like pulling the trigger of a gun Aimed at anyone trying to Paint those     colors back into my life shooting their thoughts down making     pastel bullet holes so the light can          shine in. I have become too comfortable. I only come to this realization when I     hear gunshots coming from a hand         who does not know what it is               holding when I hear seemingly Innocent      Voices say “Well, why does it even matter, if you've given a ******* before, what's the hesitation to doing it        again?” “ Because I said no.” “ But you've already done it, before.” I've told you, I do not wear filtered      glasses. but sometimes I forget that people are      programmed with black paint on           their brushes ready to cover over                your mouth again. I remember that as soon as I learned      to rip the tape from my mouth I realize that I can't just watch them       bring the tape closer until they            push it over my lips I have to scream, as soon as I see it, Because that is what my mouth is for. And I have to fight to keep it of, because that is what my hands and       wrists are for. And I have to look- not like the prey       trying to stay out of sight, but like a warrior with eyes like        swords and a mouth... like a gun.
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Oct 14, 2017
Oct 14, 2017 at 11:16 PM UTC
Red, Black, & Blue
I wear no sunglasses that Shield my    eyes from the realities        of this world that put a Valencia filter over the     things that I see or a sensor         over the things that I hear. I do not push the news stations     through a small strainer only         allowing the ”easy to              handle”  stories to reach my                  cup for me to consume. I know that red is this world's favorite     acrylic, black it's favorite oil paint, and blue it's favorite watercolor. the painting of our world has red     splattered across every         building and seeping out of every             wrist, black in every sidewalk crack, every      alleyway, and across          every, screaming, mouth, and blue welling in every eye. I know this, but I have ripped the tape     from my mouth, bandaged my         wrists, and wiped my eyes I have become comfortable. opening my mouth Like pulling the trigger of a gun Aimed at anyone trying to Paint those     colors back into my life shooting their thoughts down making     pastel bullet holes so the light can          shine in. I have become too comfortable. I only come to this realization when I     hear gunshots coming from a hand         who does not know what it is               holding when I hear seemingly Innocent      Voices say “Well, why does it even matter, if you've given a ******* before, what's the hesitation to doing it        again?” “ Because I said no.” “ But you've already done it, before.” I've told you, I do not wear filtered      glasses. but sometimes I forget that people are      programmed with black paint on           their brushes ready to cover over                your mouth again. I remember that as soon as I learned      to rip the tape from my mouth I realize that I can't just watch them       bring the tape closer until they            push it over my lips I have to scream, as soon as I see it, Because that is what my mouth is for. And I have to fight to keep it of, because that is what my hands and       wrists are for. And I have to look- not like the prey       trying to stay out of sight, but like a warrior with eyes like        swords and a mouth... like a gun.
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Single. Double. Pull it through. Single. Double. Pull it through. Chain after chain Row after row Blisters on fingers that pull tight I work well into the night Only when I have the light Baskets spill over Sari silk yarn Acrylic blends that mold and stretch A thousand colors tangled Before my eyes Into warm, cozy gifts, a birthday surprise The feel of the hook is home to me Ask me nicely and I may see If I can make something gorgeous for you With hook and yarn as I am known to do
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Dec 3, 2014
Dec 3, 2014 at 2:00 PM UTC
Crochet Momma
Gold and silver in the night Texaco sign burning bright. There's freedom in her lies, there's summer in her eyes. She's far away now cartoon lips, bottle blonde and how? She sells her soul, crying. Claiming she's happy and yet she's lying. In the Sunset Boulevard, she's living fast and playing hard. Light up that sequin dress in the spotlight and smoke, god bless. Bless her young life, having fun. Just drive till dawn in the sparkling midnight sun. She says "Don't worry, I'll be fine." She's slowly dying, drowning in the risen moonshine. The girl with the Arctic Mind, left behind and she's doing time. Broken down dreams are the crime. Acrylic paint and golden curls in the pink light, she dances and twirls. Lives her life on, depending on his paper love and his con. Furs, diamonds and thick smoke, happiness for her is turning out to be a sick joke. She was the girl with the Arctic Mind.
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Apr 21, 2015
Apr 21, 2015 at 8:49 PM UTC
The Girl With The Arctic Mind
Drowning out through seeping acrylic Unconventional canvas on a rickety easel Not even possessing the power to paint The broken wing of a broken swan Despite her weakened frailty She paints Using her beak, using her feet The swan finds it consoling to know That the littlest, infinitesimal purposes Are purposes None the same
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Nov 12, 2014
Nov 12, 2014 at 12:33 PM UTC
the swan
I am from the towering oak and pine trees That sway on the old forest’s edge, Coyotes howling in the shadows A haunting lamentation I am from the creaky stairs and floorboards At the house on Liberty Street, From the ancient gas heater and its tendrils of flame That never seemed to be quite hot enough I am from the sound of my father’s voice Heavy with sleep as he whispers to us A late night bedtime story, Scaring away the monsters under our beds I am from Sunday mornings Bursting with rays of golden light and Filtering through glimmering church windows Lingering on familiar faces I am from ‘make good choices’ 'Be a peacemaker’ ‘You are greatness’ and ‘Oiaue!’ I am from the scent of Mom’s cookies Chocolate chip and butterscotch Melting away winters and Warming cold hearts I am from acrylic paint, Graphite, ink and canvas From smudged hands, stained clothes, And a sketchbook full of scribblings I am from the crisp chill of autumn In the mountains of Vermont, Staring into a sea of stars As dazzling sparks float skyward in the distance I am from the cool sea breeze And the salty mist over the water Waves crashing fiercely in the haze Of Newport’s rocky shores I am from the quiet peace That can only come from the words “I love you” and the warm embrace That often follows I am from endless words Written with shaking, ink-stained hands On crumpled bone white paper Hoping to be good enough to keep I am from weak muscles and fragile bones From hesitant first steps and training wheels From stubborn no’s and penitent yes’s From late nights and shadowy eyes I am from the past I am from the present I am from the trembling, changing Pathway to my future I am from this house This family and This home
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Sep 26, 2013
Sep 26, 2013 at 8:08 AM UTC
I am from Endless Words
I am from the towering oak and pine trees That sway on the old forest’s edge, Coyotes howling in the shadows A haunting lamentation I am from the creaky stairs and floorboards At the house on Liberty Street, From the ancient gas heater and its tendrils of flame That never seemed to be quite hot enough I am from the sound of my father’s voice Heavy with sleep as he whispers to us A late night bedtime story, Scaring away the monsters under our beds I am from Sunday mornings Bursting with rays of golden light and Filtering through glimmering church windows Lingering on familiar faces I am from ‘make good choices’ 'Be a peacemaker’ ‘You are greatness’ and ‘Oiaue!’ I am from the scent of Mom’s cookies Chocolate chip and butterscotch Melting away winters and Warming cold hearts I am from acrylic paint, Graphite, ink and canvas From smudged hands, stained clothes, And a sketchbook full of scribblings I am from the crisp chill of autumn In the mountains of Vermont, Staring into a sea of stars As dazzling sparks float skyward in the distance I am from the cool sea breeze And the salty mist over the water Waves crashing fiercely in the haze Of Newport’s rocky shores I am from the quiet peace That can only come from the words “I love you” and the warm embrace That often follows I am from endless words Written with shaking, ink-stained hands On crumpled bone white paper Hoping to be good enough to keep I am from weak muscles and fragile bones From hesitant first steps and training wheels From stubborn no’s and penitent yes’s From late nights and shadowy eyes I am from the past I am from the present I am from the trembling, changing Pathway to my future I am from this house This family and This home
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55
I stepped into the house and removed my rain-soaked shoes on the grizzled entrance mat. No one in the kitchen. Though the aroma lingered, the coffee *** had turned itself off. I touched the glass -- cool. No one in the living room. Half a pair of sequined flats were in the dog's mouth, half a lady's pantsuit -- the black legs -- lied on the floor. A soap opera on the screen, the volume low, the gold-tipped ceiling fan oscillating, and Serge Gainsbourg's Histore de Melody Nelson played down the hall. I followed the breathy vocals and wandering baseline to my room, and there she sat. The blinds open, veiny rain running along the pane, on the beige carpeted floor, next to my unmade bed, criss-crossed Jessica. "Hey, sweetheart," I said. Jessica smiled. When she smiles, her cheeks go flush, she lowers her head slowly, embarrassed, but yet when she laughs, she laughs loudly, boldly. I've never understood that. Jessica was wearing a white, spaghetti-strap undershirt and blue cotton ******* Her brunette curls -- down, reaching past her shoulders. Her toenails -- painted purple and chipped. Newspapers lied strewn about her, with puddles of acrylic paint atop them. In her lap, a white canvas stapled to a wooden backing frame. She sang, *"Princesse des ténèbres, archange maudit, Amazone modern' style que le sculpteur, En anglais, surnomma Spirit of Ecstasy."* as she painted two lovers growing together like curious oak trees. I sat behind her on my bed. Pushed aside the tangled sheets. She craned her neck to kiss my cheek sweetly. "How was your day?" I asked. "Oh, who cares," she responded. Her eyebrows lifted, her fingertips traced my thigh, "Tell me something beautiful." "What?" She dipped her paintbrush in red, in white and applied them to the lovers' lips. "Tell me something beautiful." "I can't think of anything," I said. "Try."
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Sep 28, 2012
Sep 28, 2012 at 12:03 AM UTC
tell me something beautiful
I stepped into the house and removed my rain-soaked shoes on the grizzled entrance mat. No one in the kitchen. Though the aroma lingered, the coffee *** had turned itself off. I touched the glass -- cool. No one in the living room. Half a pair of sequined flats were in the dog's mouth, half a lady's pantsuit -- the black legs -- lied on the floor. A soap opera on the screen, the volume low, the gold-tipped ceiling fan oscillating, and Serge Gainsbourg's Histore de Melody Nelson played down the hall. I followed the breathy vocals and wandering baseline to my room, and there she sat. The blinds open, veiny rain running along the pane, on the beige carpeted floor, next to my unmade bed, criss-crossed Jessica. "Hey, sweetheart," I said. Jessica smiled. When she smiles, her cheeks go flush, she lowers her head slowly, embarrassed, but yet when she laughs, she laughs loudly, boldly. I've never understood that. Jessica was wearing a white, spaghetti-strap undershirt and blue cotton ******* Her brunette curls -- down, reaching past her shoulders. Her toenails -- painted purple and chipped. Newspapers lied strewn about her, with puddles of acrylic paint atop them. In her lap, a white canvas stapled to a wooden backing frame. She sang, *"Princesse des ténèbres, archange maudit, Amazone modern' style que le sculpteur, En anglais, surnomma Spirit of Ecstasy."* as she painted two lovers growing together like curious oak trees. I sat behind her on my bed. Pushed aside the tangled sheets. She craned her neck to kiss my cheek sweetly. "How was your day?" I asked. "Oh, who cares," she responded. Her eyebrows lifted, her fingertips traced my thigh, "Tell me something beautiful." "What?" She dipped her paintbrush in red, in white and applied them to the lovers' lips. "Tell me something beautiful." "I can't think of anything," I said. "Try."
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48
The picture frame is slanted Because every time I tried to make it straight again I remember the moment In the photograph When it was You and I Suddenly I remember all the things You weren't In all the things That were And I see the start of my Misery The clothes are hanging out In the sun And i watched as the same light that dried them Resembled The spark we once had But that wasnt the only spot In the house The house of flaw and misunderstandings The house that still echoed "i love you"'s That you didn't mean That wasnt the only spot That reminded me of where it all went wrong Because upstairs My blanket is messy I spent Night after night Thinking of when it would cover the both of us again In the living room I have gifts left unopened Because I spent the entire Christmas morning Thinking Of what I could give back to you And even the narrowest corner In the abandoned attic My guitar seemed only to have five strings And I wondered How Could something incomplete Still Sound so beautiful But our love Wasn't like that I had to remind myself time in And time out That bluberries don't start out ripe There was a time your porcelain teeth Bit into the plump berry And it didnt quite taste right But you kept chewing even with your face Splattered with the unripe juice This Is what it was like This Is what we were like Because our love was a lot like the time I ran out of acrylic paint But the watercolors I replaced them with Made every other picture Blurry
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Oct 5, 2013
Oct 5, 2013 at 12:59 PM UTC
Blurry
Stroke, stroke, dip Stroke, stroke, dip The writings on the wall The words from my lips The vibrant red is live On the brush it drips Paintings of my pain Sanity losing grip A world now warped The handle starts to slip Years of wear and tear A heart with a small chip Cracks began to grow As the wall starts to bleed Stains scar the surface A wounded soul in need Acrylic love ascends Brushes with such speed Paintings of my love An attempt of good deeds Soon is forgotten As the walls start to strip Unable to let go The paint starts to rip The tears began to form The shaft loses grip The writings on the wall The words from my lips The vibrant red is dead On the brush it drips Paintings of my pain Stroke, stroke, dip Unable to escape Stroke, stroke, dip
0
Jul 14, 2014
Jul 14, 2014 at 2:55 PM UTC
Paintbrush