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May 2023
HP Poet: Edmund Black
Age: 39 (almost)
Country: USA

Question 1: Welcome to the HP Spotlight, Edmund. Tell us about your background?

Edmund Black: "My real name is Merlin Edmund (Black) cause I believe in magic and besides, it matches my cool ;). I was born in Port Aux Prince, Haiti. I moved to the United States when I was 11 years old and I’ve been living in New Jersey ever since. Seems like here on Hello poetry I’m stuck on 34, like I'm frozen in time alongside error 502, but I’ll be 39 years young this year on May 6. But please don’t tell anyone ;) lol."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Edmund Black: "I wrote my first poem (ever) here on HP called Caribbean love, back in 2018, and I have been a member since. I wrote that poem after I returned from a missionary trip back home in Haiti, after I witnessed so much poverty on such a small island. And I wanted to write about all the suffering, the poverty and the beauty. At first I was afraid, I was scared because I didn’t know how people would take to me. But there was a piece of me that wanted to come out, wanted to be free, and to learn, to help others find their own Joy, gratefulness, peace and humility? I started writing to encourage myself and many others. The truth forever remains that we're all brothers and sisters. I wanted to sprinkle some love and hope around the world, seasoned with a little bit of madness."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Edmund Black: "I guess every writer is inspired by different things, for me I get inspired by all the little things I experience on a daily basis. I get inspired by hatred, poverty, love, music, nature, grief, etc. I get inspired when I'm desperately searching for a life in a happier world. When I feel the desire to remind myself and others that we're all the same. Everybody has a little bit of the sun and moon in them. Darks and lights in them. Part earth and sea, wind and fire. We have a universe within ourselves. We all can shine in the midst of dark moments and we have got to remember that, no matter the weight."


Question 4: What does poetry mean to you?

Edmund Black: "Have you ever met someone that makes you happy and smile, just from being around them? They make you feel good just from their laughter. They make you feel like all the problems or negativity that you may be facing during your daily activities, means nothing. They make you realize that it’s okay to make mistakes and still find ways to make things better. This might sound insane, but that’s poetry to me. It's healing, it's cathartic, it brings out strength from within. Trust me, you can write about anything and still come out with a win. Poetry is an avenue that lets you be free while holding the memory of the world in the palm of its hands."


Question 5: Who are your favorite poets?

Edmund Black: "I think my answer is going to shock you, Carlo. I DO NOT HAVE A FAVORITE WRITER OR POET besides you guys here on HP. But If I had to pick one famous poet, if it’s a must it would have to be Jesus Christ. He was a brilliant poet who had his work of art on every mind and heart in the world. His expression, His poems, His delivery and the depth of His thoughts. The poems are so relatable and beautiful. His words are addictive. Every time I am a little bit depressed and in need of a lift upon high, He is the first and only one that always comes to mind. He’s my inspiration…… Without question."


Question 6: What other interests do you have?

Edmund Black: "I love spending time in nature with my family; creating art in the backyard whenever I get a chance. Weight lifting and bicycling are two of my favorite hobbies, and plus I'm a foodie so I'm very passionate about my cooking ;) especially fresh seafood, hmmm so so so good. And lastly, I have a great enjoyment in fixing old houses and turning them into a home for families to enjoy for years to come, for a small fee ;) to me it’s a form of art. It’s a busy lifestyle."


Carlo C. Gomez: “Thank you so much for allowing me to interview you, Edmund! I really enjoyed getting to know you better!”

Edmund Black: "Thank you so much Carlo and to everyone who has ever shown me love, support, encouragement, forgiveness, concern...at any point in my life. Your grace, compassion, and mercy does not go unnoticed. I love you all. Be gentle with each other my dear poet brothers and sisters. To all writers and poets, don’t boo yourself off the stage before anyone has a chance to see you shine. Keep dreaming and your visions alive because without us the world would be empty, sad and without a sound. Let’s create joy for hope and hope for humanity……I am all gratitude Carlo and family, thank you 🙏🏽"




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Edmund a little bit better. I know I did. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #4 in June!
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Tony Davalos Jan 2013
I walk into a room and I’m the life the party
Everything seems to be crazy; all the eyes are on me
The spotlight shines on me and I don’t know why
It just happened but I feel dead inside

When I was with you, a sudden smile from me would make you smile
I was me and I was happy but that was a long time ago back a while
I don’t know how I got here but all I know is I need you right next to me
I can’t be happy; I can’t take the spotlight, when I know you’re not at the party

I tell a joke and everyone seems to laugh and have a good time
I’m wondering what you’re doing and why you’re on my mind
The spotlight shines on me, and I don’t know what to say
I’m just wondering in sadness why you had to go away

I remember when I was your one and only clown
I would make you laugh and tear away that frown
But now that’s my job for everyone who’s down
I’m like this superhero that doesn't have his hero around

Money and fame came to me and it made you disappear
Success and fortune wasn't what I wanted, I just wanted you here
I was living everyone’s dream of being this rich lovable guy
But was it really worth the price of dying inside.
~
June 2023
HP Poet: Patty Mager
Country: USA


Question 1: Welcome to the HP Spotlight, Patty. Please tell us about your background?

Patty M: "I was born an only child in a 3 generation household. I loved books, and playing imaginary games, and chasing my mom with really long nightcrawlers, my Grandpa raised in a washtub. I was a banker, and a financial banker for many years. I quit to do hospice for my Dad when he was to go into hospice. My husband had heart problems and my little Mom eventually got Cancer. So I nursed and loved them all. My Dad for a year, the others over an 8-year period. I saw the transition of each and the way each handled their ending, and I was there for them all. I consider that a special blessing."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Patty M: "I always wrote, but I found a poetry site 20 years ago, and began to write seriously. I've been published in many anthologies both in the US and abroad. I was nominated for the coveted Pushcart Prize twice and I once had a three-page spread in our local newspaper. I came to HP in 2014 and I love this special place with amazingly wonderful poets who have become really great friends."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Patty M: "Sometimes poems seem to write themselves, almost like automatic writing."


Question 4: What does poetry mean to you?

Patty M: "Poetry is spiritual, and a lifesaving rope that carries me through both good and the horrible times of my life."


Question 5: Who are your favorite poets?

Patty M: "My favorite Poets are: Sylvia Plath, Neruda, Billy Collins, Maya Angelou, Poe, Ginsberg, Anne Sexton, and Longfellow."


Question 6: What other interests do you have?

Patty M: "I love to cook, do crossword puzzles, read, and play card games like canasta, and spider solitaire. Being with family is my heaven."


Carlo C. Gomez: “Thank you so much for allowing me to interview you, dear Patty! I learned a great deal about you!”

Patty M: "Thank again Carlo. Thanks so much for all your help and kindness."




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Patty a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #5 in July!
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July 2023
HP Poet: N (Neville Pettitt)
Country: UK


Question 1: Welcome to the HP Spotlight, Neville. Please tell us about your background?

N: "Although I currently post my little scribbles here under the initial N, I once used to sign myself off with my full first name which is Neville and in fact, I may well do so again .. For anyone interested, my full pen name is Neville Pettitt and it is only after much deliberation that have I decided to reveal it here today .. My birth name is different .. The reason for my caution is entirely due to my line of work .. I am employed as a clinical specialist in adult psychiatry, with special interests in substance misuse, personality disorder and clinical risk management .. Consequently, from time to time I may be called upon by the Coroner, local Mental Health Trusts, or very occasionally the police dept, to conduct in depth investigations into serious adverse events for example, murders and or suicides .. I hope the reason for my transparency becomes clearer as you read on (that is, assuming anyone actually does read on) .. I studied at both Middlesex & Hertfordshire universities and have occasionally served as a volunteer in psychiatric facilities overseas .. The longest was a few years ago at Tanka Tanka Hospital in West Africa the Gambia and Senegal to be precise where I managed to last just under six months .. I am as old as my tongue and a little older than my teeth, I was born and currently live in a beautiful part of England by the sea in the county of Somerset and in an old converted Banked Barn that dates back to 1547 .. I know I am very lucky .. I have two grown children .. My daughter heads up the hepatology department at a local hospital and my son has his own business .. My wife was previously a partner at a General Practice .. In 1995 I registered as a Kongo Zen Buddhist and am also a black belt student of Shorinji Kempo which I also used to teach .. "


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

N: "I guess I have been writing poetry for the best part of my life to date, certainly from around ten or eleven and I have been posting here at ‘Hello Poetry’ for around three years or thereabouts .. "


Question 3: What inspires you? (In other words, how does poetry happen for you).

N: "When asked what inspires me, I often find myself lost for words because there are so many things, I love nature, people generally, travelling, my work occasionally and those I encounter during the course of just being .. There’s probably not a lot that I have not been inspired to write about at some time or other .. Relationships of course do tend to feature a lot, as do both losses and gains of various kinds .. My lovely parents, now both deceased were also a great source of inspiration too .. I would be lieing if I denied getting pleasure from writing .. I get a great deal of pleasure from it .. and I enjoy trying to give others pleasure too .. Sometimes my muse deserts me for a while and I get those dreaded blank page days but always carry a pen and notepad around just in case something tickles my fancy or I get one of those light bulb moments .. "


Question 4: What does poetry mean to you?

N: "As already mentioned, poetry in many of its various forms has been a major part of my life, if not a friend and comfort for almost as long as I can remember .. I also use it as a means of expressing my self and communicating with others .. However, in the last five or six years, I have been publishing anthologies in order to raise money for each of my chosen charities .. Mental Health of course features, but also for Breast cancer since my wife had this .. More recently however, Brain Tumour research has been included following the death of my sister in law and my little niece developing a similar brain tumour too at age four years .. I currently have eight books/anthologies of poetry in print which are available almost anywhere on the planet from Amazon .. and these are listed in chronological order below a ninth is due out in early 2024 and called A Handful of Ghosts and a Woman in Blue .. a bit of a mouthful I know, but it features an old image of my wife on the cover ..

Turquoise & Other Shades of Blue

Somewhere Behind These Eyes

Victims of Indifference

Beautiful Bruises

The Logic of Fools

Cotton Girls & Paper Chains

Chasing Light

Slaves of Eros"



Question 5: Who are your favorite poets?

N: "My favourite poets are Leonard Cohen whom I kind of grew up with and who incidentally once wrote to me twice in fact .. or to be absolutely correct, the first time, he answered one of my letters to him .. I am also a fan of the late great Sylvia Plath, Charles Bukowski and oh’ so many others both classical and more modern .. "


Question 6: What other interests do you have?

N: "Other interests include travelling in particular foreign travel, dining in and eating out, gardening painting and drawing when I have time .. (hardly ever these days) I still practice zazen as per Kongo zen and I enjoy reading and listening to music .. "


Carlo C. Gomez: “Thank you so much for taking part in this series, my friend! You have truly enlightened us about yourself.”

N: "Finally, I would just like to say what a real and great honour and a privilege it was to be asked to post a little about myself here on this mighty fine poetry site and to express my very sincere thanks to anyone that follows me or reads just one of my works .. Many thanks to one and all .. Peace, Love & All Good Things, Neville"




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed Neville's story. For certain I have. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #6 in August!
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N: "Having been asked to list a few of my own favourite poems has proved impossible .. not because there are so many, but because, I truly feel that my next one will be it .. however, I do sincerely hope that others here who are kind enough to visit any of my scribbles will each have their own .."

Carlo C. Gomez: "I highly recommend Neville's book 'Turquoise and Other Shades of Blue.'  It's an anthology of 200 journeys. Open and direct, Neville allows us to be privy to his disquieting thoughts about life, love, loss, ***, curiosities, and travails; whether they be his successes or failures. The poem  ‘War Is Not for Lovers’ is an essential read."

War Is Not For Lovers:
https://hellopoetry.com/poem/3333072/war-is-not-for-lovers/

Link to book:
https://www.amazon.com/Turquoise-Other-Shades-Neville-Pettitt/dp/1699210268/ref=sr_1_2?crid=3MYUAAWTXINAK&keywords=neville+pettitt&qid=1688237395&sprefix=neville+pettitt%2Caps%2C146&sr=8-2
Ann M Johnson Jul 2015
As a child I thought it would be neat to be a Movie Star like Ginger on Gilligan's island, who seemed Glamorous on a deserted island even though far away from all publicity.

As a teen being a movie star was no longer my dream
I dreamed of being a singer but one who would inspire humanity
It did not matter to me if I made it to the spotlight or not
I wanted to do something that I love doing

As I got older my dreams changed
Most of my dreams got pushed aside
do to tending to the realities of day to day living
It became much more important to encourage my children
in their education so they could reach for their dreams

Tell one day my daughter came along and encouraged me to reach
toward my dreams, which inspired me to continue my education
after a several year break
I am not concerned about the spotlight or how much money I will make
I want to encourage other's and help them through tough times
If I am able to also inspire them to try to reach for their dreams
That is worth more than a financial bottom line

Thinking back I am thankful to not have been in the spotlight
After all it is best to view a star from afar
I enjoy my simple lifestyle and anonymity
A lifestyle of Movie Star is not the life for me
It would be tough to have ever mistake (whether real or fake) in every gossip newspaper or magazine
That don't sound like peaceful living at least  not to me
I am content to stay out of the spotlight and live each day
and do the best that I can
I will be starting school soon at a new school for me, I am excited yet nervous while reaching toward my grown up dreams.
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April 2023
HP Poet: Sarita Aditya Verma
Age: 47
Country: India

Question 1: We are so happy you could be a part of this, Sarita. Tell us how long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Sarita Aditya Verma: "I have been writing for the last six years (19th October 2016), that was the first time ever I wrote to express myself. I have been a member and have posting here at Hello Poetry since December 2016. This is the only place where I share my words, sometimes a copy of the same with friends who are willing to read. Hello Poetry has been my sacred space, I feel blessed to be here."


Question 2: What inspires you? (In other words, how does poetry happen for you).

Sarita Aditya Verma: "Nature has inspired me forever, be it rain, sunshine, trees or the blooming flowers. The length and breadth of vivid times and emotions. I usually write about the experiences in life, as I lightly observe around. Sometimes it could be a photograph, a painting or even my morning walk. In general, the geometry of life and the rainbow that shines. That’s how poetry happens to me."


Question 3: What does poetry mean to you?

Sarita Aditya Verma: "Poetry is one of the best experiences in my life. It has given me a sense of belonging, a space which is totally mine, brought in a lot of clarity, and words have set me free. 'Sometimes poetry, mostly life, unwritten quotes destiny shall write'- is what I believe in."


Question 4: Who are your favorite poets?

Sarita Aditya Verma: "I have been a science student, and haven’t had much exposure to literature/poetry in my graduation years. So it would be unfair to quote any of the greats here! Robert Frost and Mark Twain are the ones whose works I have enjoyed reading in school. The rest, most of my reading and learning experience, has been at Hello Poetry - from the many great poets and poetesses who share their wonderful work here, and I am grateful for that."


Question 5: What other interests do you have?

Sarita Aditya Verma: "One of my other interests is photography, I love the geometry of the subject- it’s all about angles and curves, and right moments to capture. I am drawn to nature and street photography. I am still into the process of exploring and acquiring the skills. I also enjoy listening to upbeat music :)"


Carlo C. Gomez: “Thank you so much, Sarita! We are really excited to add you to this spotlight series.”

Sarita Aditya Verma: "Thank you so much Carlo, for interviewing me here. I truly enjoyed the questions and am eager to know about and read from other contributors at Hello Poetry :)"



Again thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Sarita a little bit better.
– Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #3 in May!
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Below are Sarita's favorite poems of hers and links to each one:

Bonding Free:
https://hellopoetry.com/poem/2943925/bonding-free/

The Words:
https://hellopoetry.com/poem/2704113/the-words/

Boundless Love:
https://hellopoetry.com/poem/2367490/boundless-love/

MastMaula:
https://hellopoetry.com/poem/2442476/mastmaula/

My Dear Poetry:
https://hellopoetry.com/poem/2331828/my-dear-poetry/

Recycle:
https://hellopoetry.com/poem/2028389/recycle/

Sharing the links to some of my older poems, hope you like them :)

Thanks and regards,
Sarita 🙏
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September 2023
HP Poet: Old Poet MK
Age: 80, but feels 79
Country: Canada


Question 1: We welcome you to the HP Spotlight, Old Poet MK. Please tell us about your background?

Old Poet MK: "I was a poor scholar…difficult concentration issues from grade school onward…very little was known about dyslexia in those early years…it’s a bit of a different world…many blessings and all kinds of curses. I was fortunate to invent and able to patent a few things that people were willing to pay for. My wife and I opened a small factory and manufactured decorative accessories for interior designers in the commercial market, offices…malls…lobby’s, etc. Making a living doing something you enjoy…feels good…and for almost 40 years It was hard working fun…I was inventing day and night."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Old Poet MK: "I recall attempting poetry when I was in my early 20’s…lyrics for tunes, etc…but I didn’t keep a record of that period, it wasn’t until my early 50’s when Leonard Cohen captured me in the magic of his rhythmic language…it was a melodic trap…the lyrics blew my mind and my world got a little bigger, from that time on I wrote frequently…and read the work of many poets trying to figure out how it all works….I wrote for my own enjoyment and a deep desire to improve...I began to submit my poems on a couple of sites about 12 years ago…I finally found Hello Poetry in 2016…the best of the lot in its own way…There are talented wonderful people here…"


Question 3: What inspires you? (In other words, how does poetry happen for you).

Old Poet MK: "There’s no particular formula or pattern….I think it happens when I get a little edgy…and my unconscious has observed a puzzle untamed…for me poetry is self discovery, it emerges raw…and I do my best to tame it."


Question 4: What does poetry mean to you?

Old Poet MK: "Poetry is important to me….a sense of fulfilment digesting the work of the great poets…incredible philosophies between the words….reading the work of fellow poets…learning from heartfelt insight…I take my own work seriously and work ******* interpretation and refinement…it all feels a worthy time spent….squeezing meaning out of abstraction and allegory tongues or plain words. The freedom of poetry is a gift….the lightning speed of brevity conquers a complex point in a flash….compared to a few pages of prose…it is a fascinating creative process using colors of your own choice…up down or sideways…verse rhyme or hybrid…you birth an original poem."


Question 5: Who are your favorite poets?

Old Poet MK: "Leonard Cohen…I understand his misery. Irving Layton…another Canadian poet…a close friend and mentor of Cohen…fascinating love poems. Bukowski…for his genius and dignity. Mark Strait…amazing work that surprises. Billy Collins…the lightness of his heart. Emily Dickinson…who forced me to find the voice in a poem and it’s attitude to help me understand and interpret (as important as writing itself) and I don’t always get it…"


Question 6: What other interests do you have?

Old Poet MK: "It is wonderful when one retires and has a few hobbies and deep interests. I’m an Audiophile…with a proud record collection and old vintage gear. I clean, preen and constantly improve. I paint large abstract expression (acrylic on canvas), they take a long time, sometimes one will surprise me and end up on a wall. I’ve been playing saxophone since I was a kid….never could read worth a nickel, yet it’s been very rewarding…the challenge and joy of improvisation trusting your ear. In the world of jazz I’ve met and performed with amazing people…"


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, my friend! You are a wonderful addition to the series!”

Old Poet MK: "Thank you Carlo…Appreciated….What you do is not easy…"



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Old Poet MK a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #8 in October!

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November 2023
HP Poet: Lori Jones McCaffery
Age: 84
Country: USA


Question 1: We welcome you to the HP Spotlight, Lori. Please tell us about your background?

Lori: "I was born Loretta Yvonne Spring in a tarpaper shack on Lone Oak Road, Longview Washington, on New Years Day in 1939. That means I’ll soon turn 85. In high School a boyfriend changed my first name to Lori and I kept it. At 29 I married and became Lori Spring Jones. (I signed poems “lsj”) I had one child, a daughter, and when 20 years later I divorced, I kept the Jones name. I married again, in 1988 and became Lori Jones McCaffery, sometimes with a hyphen, sometimes not. I’m still married to that Brit named Colin and I speak “Brit” fluently. I sign everything I write “ljm” (lower case). I didn’t know about handles when I joined HP, so I just used my whole name and then felt I may have seemed uppity for using all of it. If I had a handle, it would likely be POGO. Short for Pogo stick. Long Story. I have an older sister and a younger brother. Both hate my poetry. My parents divorced when I was 12. My mother’s family was originally from No. Carolina. I’m proud of my Hillbilly blood. I went to college on a scholarship. Worked at various jobs since I was in high school. Moved to Los Angeles in 1960 just in time to join the Hippy/summer-of-love/sunset-strip-scene, which I was heavy into until I married. I read my stuff at the now legendary Venice West and Gas House in Venice Beach during that period. I’ve been an Ins. Claims examiner, executive secretary, Spec typist, Detective’s Girl Friday, Bikini Barmaid, Gameshow Contestant Co-ordinator, Folk Club manager, organizational chef, and long time Wedding Director. (I’ve sent 3,300 Brides down the aisle) "


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Lori: "I wrote my first poem in the 5th grade and never stopped. I had an awakening in 1957 when I worked at a resort during school break and met another poet, who unleashed a need to write that I’ve never been able to quell. I joined Hello Poetry in 2015, I think. Seems like I’ve always been here. I tend to comment on everything I read here. I’ve received no encouragement from my family so I feel compelled to encourage my “family” here. I do consider a large number of fellow writers friends, and value the brief exchanges we have. I don’t know if Eliot intended HP to be a social club but among us regulars, it kind of has been, and I love that."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Lori: "Living inspires me. The intricacies of relationships, and the unpredictability of navigating society. A news story often does it. A song may stir words. Other poetry often sets me off on a quest of my own. I write very well to deadlines and prompts. I adore BLT’s word game and played it a lot in the beginning. Seeing the wonderful job Anais Vionet does with them shamed me away. I have hundreds of yellow lined pages with a few lines of the ‘world’s greatest poem’ on each, all left unfinished because I’m great at starts and not so great on endings. Some day, I tell myself….some day."


Question 4: What does poetry mean to you?

Lori: "Poetry has been a large part of my life as long as I can remember. I would feel amputated without it. I recited the entire “Raven” from memory in Jr. High School. I still remember most of it. More recently I memorized “The Cremation of Sam McGee” Poetry is my refuge - with words I can bandage my hurts, comfort my pain and loss, share my opinions and assure myself that I have value. It is where I laugh and also wail. I would like to think it builds bridges."


Question 5: Who are your favorite poets?

Lori: "My favorite poets include Edgar Allen Poe, Robert W Service, Amy Lowell (I read ‘Patterns’ in a speech contest once), Robert Frost, Shel Silverstein, and Lewis Carroll."


Question 6: What other interests do you have?

Lori: "I’m a collector. Whippet items, vintage everything, I read voraciously: 15 magazine subs, speculative fiction (SF) and anything else with words written on it. I try to read everything every day on HP. I watch Survivor religiously and keep scorecards. Ditto for Dancing with the Stars. I’m a practicing Christian with a devilish side and involved heavily in Methodist church work, which includes cooking for crowds and planning events."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, dear Lori! It is an honor to include you in this series!”

Lori: "Thank you so much for this very undeserved honor. This is a wonderful thing you are doing. I know I write with a different voice than many, and it is empowering to be accepted for this recognition. I apologize for being so verbose in answering your questions. When you get to my age you just have so many stories to tell."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Lori better. I learned so much. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez & Mrs. Timetable

We will post Spotlight #10 in December!

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August 2023
HP Poet: Amanda Kay Burke
Country: USA


Question 1: We welcome you to the HP Spotlight, Amanda. Please tell us about your background?

Amanda: "It just so happens my HP handle is my actual full name. When I originally signed up on this site it was wordybirdy333 but a friend of mine suggested my real name would seem more professional and I was inclined to agree so Amanda Kay Burke it's been ever since. I am 28 years old physically but will forever be a kid at heart. And I was born and raised in the US; Alaska more specifically. I have to admit I haven't accomplished a whole lot yet in my life, seeing as how I suffer from recurring depression/addiction problems. Which is probably an excuse, but hey everyone has their issues. I have lived in a small town called Willow, AK basically my whole life; I have only been out of state one time (that I remember) but I would love to travel and see the world one day. My mother passed away last year so since then I have been keeping my dad company trying to provide whatever emotional support I am able to. I have a Chihuahua named Mocha and she is my best friend and one of my only friends these days but the few people I do hold close to my heart make my life worthwhile."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Amanda: "I have been writing poetry since I was just a kid, probably nine or ten years old, but I remember being eleven when I wrote the first poem that I knew was actually good. I have been a member of HP since April 2017 so that makes six years now huh? Wow time flies..."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Amanda: "Patty m described it perfectly when she said that it feels like they write themselves at least the truly superb pieces do. I don't know where the words come from sometimes they just flow from the pen and when I'm done I read it over and get goosebumps because I can't believe that it came from my hand/brain. But the majority take a lot of effort. I like to challenge myself to always keep writing when I can, even when I have writers block and don't approve of the result. And I always post it eventually just to compare against my other works. (No matter how cringey) those I derive inspiration from my daily experiences mostly heartbreak/relationships/depression/substance abuse I am not very good at writing happy poems I try about nature and other positive subjects but they lack the raw talent and depth of my darker poetry."


Question 4: What does poetry mean to you?

Amanda: "Poetry for me has a very loose definition I have crafted everyday conversations into poems before for instance. I also believe some experiences in life can be considered poetry or at least equates to it in some manner such as making love or the setting sun if that makes any sense to anyone besides me."


Question 5: Who are your favorite poets?

Amanda: "My favorite poets are Dorothy Parker, Ogden Nash, Edna St. Vincent Millay, Leonard Cohen, and Eminem who is in my opinion the greatest poet of our generation by far. After all, rap stands for 'rhythm and poetry'."


Question 6: What other interests do you have?

Amanda: "My other interests are art such as coloring, painting, and I recently received a pottery wheel that I haven't tried out yet. Music is also a huge part of my life, I love writing lyrics to instrumentals, listening to different artists to broaden my tastes, or just singing along to old favorites. I have also recently gotten into online gambling such as slots and blackjack."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, Amanda! You are a wonderful addition to the series!”



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Amanda a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #7 in September!
~
Julian Jun 2018
The ******* of embezzled glory staunchly defend their counterfeit stature by defalcating the public trust of industrious societies governed internally by compunction and sabotaged externally by the tempests of acerbic fate met with inclement aleatory convergence. To supply a society with ingenuity without being complaisant or officious with unctuous pleas to the overlords we must fashion a new vogue that taps the bustle of giants and aggrandizes the margins to oversee their own creative destinies with scaffolded arrangements of titanic promise and justifiable fluidity to conquer the blinkered dogmatism of a dissolute chastity to inveterate apocryphal tenets of factitious but unmerited perspectives. Democracy crumbles when the convenience of sensationalism supplants the resolve of those that fossick hidden wealth and promulgate validity instead of undergirding pomp with precarious prevarications of duplicitous omission guarded gingerly by the gatekeepers of a ****** sanity that whitewashes the discussion with invented hobgoblins and purblind catharsis. To defeat simplicity and enshrine byzantine elegance as the paragon for voguish commentary rather than abide by a bowdlerized decorum for appeasing simpletons with divisive balkanization through identity politics we can overcome the impediments to human progress that are engineered to persist because of the inertia of the listless and the stubbornness of doctrinaire politicization and invent vivacity and festivity anew. We need to divorce ourselves from pedestrian quibbles of hero-worship that endanger the vitality of the common discourse because of fastidious pedantic disempowerment that ravages us with debased dreams by underscoring nuisances and tolerable nightmares that emasculate the virulence of the liberated individual and subvert his ambitions to contend with a picaresque world of limitless promise and self-motivated internal wealth.
      The bane of modernity is how chary the world becomes because of fractured histories intersecting with controversial destinies and the antidote to that poisonous self-defeating self-censorship is the audacity of brazen challenges to expurgation through assiduous resourcefulness and delicate diplomacy in wrangling controversies with outspoken courage rather than whispered resentment. Temerity waged in inclement circumstance is justified and curiosity stoked by lambent flames of fulgurant individualism should be fortified to the extent necessary to conquer the feckless spoilsports of unctuous puritanism and institutional obedience. The quacksalvers that blather about inconsequence strand the imagination in a desiccated desert that is ostracized from the palettes of the artistic whim to wield efflorescence rather than squander life in pursuit of perfunctory lucre or tenuous solidarity around banal idealism promised by social justice warriors that forget the biggest war being waged on humanity is on the ingenuity of the common discourse and the liberty to opine about real issues rather than saccharine conventions of emasculation through linguistic imprisonment and epicurean slavery to fashimites who relish the buzzword but never the enlightened audience that scoffs at feeble attempts at cultural commentary like Childish Gambino’s “This is America” music video. This particular artifact is a demonstration of how childishly fickle the plebeian mentality really is, stitching together a bricolage of violence to engineer controversy and serenading it with the most banal music imaginable and exhorting people to herald it as a high artform while inundating the world with unimaginative comic book movies and Star Wars rip-offs because of the lucrative business of formulaic replication. “This is America” should be regarded as a parody of itself because of how hackneyed its design is and how cacophonous it sounds and mocks its audience with lowbrow tactics of adding tinsel to trash and marketing it as the glory of tatterdemalions rather than the refinement of true cinematic achievements that have been relegated because Warhol’s Campbells-Soup-consumerism trumps true belletrist in the public view.
        Cultural watersheds punctuate our history with salient achievements in experimentation, but the formulaic profiteering of buzzword sensationalism and yellow journalism and the ostentatious glorification of promiscuous boasting and fancy cars tantalize the mice to continue playing slot machines rather than penning a novel or doing something promethean. The world scoffs at Trump but ignores the bigger institutional caveats that endanger us much more than a pragmatic albeit unconventional pontificator who is complicit in constructing a false narrative to enslave mindless people to fret about eminence rather than delight themselves in the consequential nuances of established refinement that used to serenade the world with flourish and spectacle. The world kowtows to the crusade against flavor-of-the-week enemies of the liberal-conservative syncretism because it has been conditioned to believe that synthesis is the only logical solution for the polarized worldviews of churlish people that become parvenus not on their merits but on their marketable pitfalls and their public foibles. Peccadillos are more important to people than virtues and this makes society morally bankrupt if we loiter around Astroturf causes that have been infiltrated by corporatism and venal debauchery and acquiesce as disempowered gossip hounds that hunt in packs to find jest in aberration rather than achievement in self-created narratives that defy the stupid purblind boorishness of the mainstream media and its haughty liberalism or the persnickety condemnation of priggish conservative moralities that had an expiration date 50 years ago. Who the **** cares about transgender-touting-gender-fluidity quidnuncs and the snooty obsession with lurid personal endeavors of reputable people that made minor ****** transgressions in a world policed by wide-eyed feminazis that seek to ransack men of their vital virulence to spotlight their unjustifiable oppression. Women are oppressed but the carnal nature of their calumniation and their vindictive powers of persuasion are deployed with such vehement vigilance and such distaste for the majority that the world relegates itself to quibbles of celebrities rather than substantive issues. There is a systemic feminization of society occurring that seeks to demarcate despotic uxorious pleasantries as an incarceration of vocal dissent against supercilious women and their tamed men that slavishly grovel in repudiation of anything prickly.  Men historically have oppressed women but the solution to this quandary isn’t a reverse discrimination where the minority concern is spotlighted as a majoritarian issue that overshadows the disproportionate nature of our society where nominal accreditation is afforded in a non-meritocratic way to absolve people of their carnality and demote the vigorous defense of human liberty as secondary to compromise solutions that appease more people than they offend but simultaneously result in suboptimal conditions that reward arbitrarily coachable people while jettisoning anyone witty enough to be capable of insubordination of a hedonistic epicurean world obsessed with appearance and ravaged by the decadence of formulaic profiteering at the expense of originality and true promethean art that is herculean enough to defy hackneyed tropes and siphon the best elements from a piecemeal world variegated with complexity but stifled by fomented hatred.
The solutions to these problems is to create a watchdog group of artistic critics who become eminent and ubiquitously heard enough to offer creative consultation to the artistic endeavors that we consume and the music that is curated for fastidious ears that crave euphonic originality rather than the banality of easily dovetailed bass-heavy cookie-cutter garbage and the gaudy tactics of talentless rappers whose swagger derives from  the intersection of opportunism and the divestiture of an industry that rewards gloated supercilious epicureanism and meretricious marketability. Am I the only one jaded by second-rate superhero movies that infest the cinemas that borrow from Michael Bay while thrusting pulse-pounding but narratively bankrupt movies down the throats of consumers that might prize the cinematic originality of the heyday of filmmaking? Is it always high art to invent controversy that is witless or half-witted just because it will create buzz? Shouldn’t we condemn the laziness of society in acquiescing to the penury of the modern cultural narrative which belabors the dead horses of racism and sexism ad nauseum? Shouldn’t we fight the war of against inequity through legislation rather than hibernating about scandalous eminence and testy malfeasance?
          Liberty should be championed above all else and we are turning our backs on the future unless we muster the resolve to diminish the sway of the common narrative and aim our spotlight at consequential endeavors rather than the tropes of prosaic and pedestrian bastardization of art and culture. We need to fight artistic laziness which has ravaged our culture and castigate the tactics of wannabee celebrities that use lurid tactics to attract an audience by bedizening themselves with Pyrrhic ostentations and rampant fakery to create more melodrama in a world that needs to be less histrionic. YouTube celebrities swarm us as they get high on ******* and lean-- at our expense-- and vandalize property and convincing nine-year-old’s like Lil Tay to flex her money like it is infinitely renewable in a finite world where all our attention is wasted on artless artifice of less talented people that know how to engineer a ruckus by strutting themselves beyond all decency and selling out to a corporatist nightmare of enslaved convenience. We need to be more vocal about the dissolution of artistic merit and the formulaic repetition of successful formulas that jade us and make us yawn about another retread of a previously successful idea that is milked to the point of cruelty.                                                         ­                       
       Let’s change the narrative and focus on creating true art rather than reacting to the meretricious tinsel of the vogue consensus which is so impotent in its ability to rivet audiences because it has become so notoriously lazy. Fight laziness in art, dismiss your news feeds, be resourceful, seek true happiness rather than find yourself hoodwinked and duped by the idea that Trump is the most important issue or getting caught in thought loops and brooding about sexism and inequality. Let us strive to be egalitarian but within limits that would also appease hominists rather than just the hypertrophy of the leftist narrative that seeks to cage us with the doublespeak of complaisant conformity.  Reject the unctuous charlatans that pretend priggishness when their banausic purpose is barbaric but beguiling to be a lullaby for laggards. We need to fight for the future of civilization rather than hobnob with convenience and loiter around decrying false perpetrators rather than systemic injustices that could otherwise be rectified if enough people fought for it. We can invent a future that is a great festivity serenaded by cultivated artistic refinement and forget about the trifles that divide us. United in ambition and fueled by ingenuity we can defeat artistic laziness and be resourceful with how we decide what is newsworthy. Spurred by the argosy of proactive motivation we can change the world in a substantial way by deciphering the subtext that governs the world. The subtext is everything!
Like a spotlight on my soul
You enhance me, make me feel whole
Brightening my world
My happiness your only goal

Because of you I'm finally seen, heard and recognized for the beauty that I didn't know was inside of me
Emotions I didn't even know I could feel have been blossoming throughout my body

This spotlight may have finally made everyone see, but it's what it's done to me
It's shown me you and that is a blessing
armon Dec 2013
Do I relate to the post-postmodern
True-life voodoo incomes are hard-earned
If I put a hyphen between words
Does that spawn a new one like lovebirds

Isn't love the same word that I saw
Don't crows live like bandits and outlaws
Don't they have the outlook of bourgeois
Carry stolen crackers in their claws

There's no change that I couldn't change
Every change that I change always stays the same
I wanna sing with a slingshot serenade
I wanna donate change to a masquerade

I wanna die while I'm in the spotlight
I want my death to inspire a rewrite
I want to blur the lines of insight
I want to make them think that I'm their height

So give me all your red green yellow blue
If you can find a pool then I'll refract with you
You're a mirage and your favorite color's see-through
You're my fata morgana from this point of view

Are there any words for my freakshow feelings
Isn't sugarcoated terminology appealing
Wouldn't it be easier to represent the meaning
Of a hard to swallow concept with an arbitrary ceiling

Cryptic cultish crease in the catalog
Paranoia backtrack to analog
I can run much faster than I can jog
Magic circle summoning Chernobog

I can break the barrier of sound and space
With these essential elemental explanations in your face
But it doesn't matter everything I say will go to waste
Because the power of the mind is putting power out of place

Hindsight reflecting, teenagers texting
Late to the punch with the big money flexing
Let's settle this with a match in the ring
Or a match to the rope of a cannon firing

I wanna die while I'm in the spotlight
I want my death to inspire a rewrite
I want to blur the lines of insight
I want to make them think that I'm their height
I wanna hypnotize and paralyze
I wanna make them think that I'm their size
I wanna break their spirits drink their blood
I wanna **** their souls I wanna **** them good
~
April 2024
HP Poet: Pradip Chattopadhyay
Age: 63
Country: India


Question 1: A warm welcome to the HP Spotlight, Pradip. Please tell us about your background?

Pradip Chattopadhyay: "After graduating with honours in Geology, I worked in various sectors including railway, banking, teaching, accounts and audit, consultancy and advertising. I feel working in diverse fields have helped me to come across people and characters of many shades and hues. This probably broadened my perspectives and laid the foundation for my poetic creativity. I have a wife of 40 years, and we together have raised a family almost from scratch. We have our son, daughter in law and a granddaughter 5 years old. They have been a source of many of my work."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Pradip Chattopadhyay: "I have been writing poems since I was in 8th standard. Initially I wrote in my vernacular Bengali before experimenting with writing in English from the early nineties. There was a hiatus of nearly two decades when I didn't feel like writing. From early 2011, I have been among words regularly snatching time for creative pursuit from my work in advertising. The ***** went up till 2018, my most prolific period, before the curve went down. I admit I'm not writing as much as I would have loved to. Arrival of my granddaughter in early 2019 both added and eroded my urge to write. Most of my time was for her. I started with posting my work on Poem Hunter before coming to Hello Poetry on March 22, 2013 where my first post was 'My Name is Bond'. I post on no other site."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Pradip Chattopadhyay: "The spark that begets a poem is hard to explain. For me, it can be a momentary emotion, an impulse that's too compelling to ignore, a character or relationship, intimate or distant, an event or incident that might appear mundane on the surface, even a sight fleetingly seen. I have been an avid traveller, and moments with my wife during such excursions have produced many of my poems. The river has always been an inseparable part of my life possibly due to my growing up and living in the riverine areas. So the river silted or flowing has been a constant inspiration for my work. There are also other places for my poems. The daily market, slum, a pavement dweller, a daily wager, a salesman, religious beliefs and practices, faith, a journey, ruins, fairytale and so on. I place no limits on subjects; love, relationship, humour, horror, mystery, memories. Often they take the form of storytelling through a blending of experience and imagination. All said, what satisfies me immensely is to be able to write poems for children. I have tried a few trying to fit into a child's mind, a difficult process. Most of the poems rise and sink in my mind. Only a few see the light of ink and paper. Of late I've been a little lazy or maybe a little too busy for retrieving the ones that float for only a while."


Question 4: What does poetry mean to you?

Pradip Chattopadhyay: "For me, poetry is painting collages of life from within and without. The stimuli arise from the interaction between the external and the inner world. It is not to preach but to present what is seen and perceived by the poet, and leave the rest to the reader. You get down at the wrong station and see a reflection that you never thought existed within you. It becomes a poem. For me, poetry is touching upon the entire gamut of human emotions culling them from the simple happenings around us. Bringing out the hidden "more" than what meets the eye. Poetry is making meaningful an apparently simple happening. Even a mundane occurrence may contain the seed of a deeper realisation. For me, poetry happens for all that happens in our surroundings, be they conspicuously visible or not. The poet is an explorer and discoverer."


Question 5: Who are your favorite poets?

Pradip Chattopadhyay: "Rabindranath Tagore occupies a pedestal. He is universal in his dealing of all aspects of humanity. I also love to read Wordsworth, Shelley, Frost, Macleish and Neruda. I am not very familiar with contemporary poets in English language."


Question 6: What other interests do you have?

Pradip Chattopadhyay: "I love travelling and take interest in photography. Mountains attract me more than the sea. I have been to the higher altitudes of the Himalayas including Ladakh and Sikkim. Once I was a good reader but now I have fallen out of that habit."


Carlo C. Gomez: “Thank you so much for allowing us this opportunity to get to know the person behind the poet, Pradip! We are honored to include you in this ongoing series!”

Pradip Chattopadhyay: "I am thankful to Carlo for providing the opportunity to talk about myself and share my views with my poet friends on this site. The Spotlight on Poets is a greatly admirable effort to showcase the work of the many great poets here. Thanks to Carlo again for this truly encouraging initiative."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Pradip a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #15 in May!

~
~
December 2023
HP Poet: Marshal Gebbie
Age: 78
Country: New Zealand


Question 1: We welcome you to the HP Spotlight, Marshal. Please tell us about your background?

Marshal: "My name is Marshal Gebbie and I write under "M" or "M@Foxglove.­Taranaki. NZ". I am 78 years old and a native son of Australia. I came to New Zealand for a looksee with a pack on my back and a guitar under my arm, intended spending six weeks but absolutely fell in love with the Kiwi people and this magnificent little jewel of a country nested deep in the waves of the great Southern ocean of the South Pacific. I've now been here 54 years and counting. I married darling Janet back about 35 years ago and we produced two fine sons, Boaz and Solomon both of whom have great careers, wonderful partners...and in Solomon's case, produced a delightful granddaughter for us to love and spoil to bits.

From ****** agricultural college I went to the darkest, deepest wilds of Papua New Guinea as an Agricultural Officer, returned to Australia two years later to become a secondary college teacher in Ag Science. Easily the most satisfying profession of my life in that I succeeded in drawing the pearls of enlightenment from within the concrete mass of the, then, recalcitrant, brickheaded studenthood to realise the wonder of discovery, involvement and engender, within them, a genuine spirit of endeavour. Stepping off the boat in NZ I took a bouncers job in a rough public bar, three months later I started my own brand new tavern @ the Chateau Tongariro in the skifields of Mt Ruapehu.

Seeing a unique opportunity and with no money of my own I bought a derelict motorcamp in the small country township of National Park, named the place "Buttercup Camp" and set about making the enterprize one of the very first destination holiday venues in New Zealand. I pioneered paddle boat white water rafting on the wild rivers of the North Island, commercial adventure horse trekking in the wilderness trails, guided adventure hikes across the active volcanos of Ruapehu, Nguarahoe and Tongariro. Cheffed three course roast dinners and piping hot breakfasts for up to 150 house guests daily and initiated an alpine flightseeing business and air taxi service to and from Auckland and Wellington International to the National Park airstrip, a long grassy, uphill paddock liberally populated by flocks of sheep and/or herds of beef cattle.

Somewhere along the way I earned myself a Commercial Pilots Licence and owned, through the duration, 7 different aircraft. With the sudden fiscal collapse of tourism in the late 80s along with several inconvenient local volcanic eruptions, I divested myself from "Buttercup", moved my young family to Auckland and took up a 20 year lease of a derelict motel in Greenlane. Within three months I had converted the business into Auckland's premier truckstop providing comfortable welcoming accommodation, piping hot dinners and early breakfasts with the added bonus of a pretty young thing serving drinks in the bar....Super service with a smile for the nations busy truck drivers.
It worked like a rocket for ten years then the local matrons objected to the big rigs starting up at 4am and the Ministry of Transport and the Local Authority shut me down.

I worked the last 12 years of my serious working life as a Storeman and Plant Coordinator for a major construction company building motorways and major traffic tunnels in and under Auckland city and in rural Hamilton. I loved every minute of it all and objected furiously when they retired me at age 75.

Now I'm happily a Postman Pat in a little rural country town on the coast called Okato, have been for three years and shall continue be, gleefully, until they put me in the box. It has been a helluva run....and I wouldn't have missed a minute of it all."



Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Marshal: "Poetry started for me when I wrote a beautiful ditty as an exercise at high school.....and the caustic old crow of a teacher said, publicly,...."You didn't write this!" That got the juices flowing and set me off on the tangent of proving my worth as a writer....and I have never stopped."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Marshal: "Falling in love for the very first time kick started the romanticisms....it took me years to mollify that. Since then and throughout life Poetry has hallmarked discovery, achievement, white hot anger, combat and delight!"


Question 4: What does poetry mean to you?

Marshal: "It is the medium of expression which allows the spirit to enhance and colour my world."


Question 5: Who are your favorite poets?

Marshal: "Samuel Coleridge-Taylor, Emily Dickinson, WL Winter, WK Kortas, L Anselm, Victoria (God Bless her), and a character, sadly long gone from these pages, JP. All favourite poets of mine."


Question 6: What other interests do you have?

Marshal: "With the slowing of my battered body these days I commit myself to my darling wife, Janet, our kids, now grown and living out there in the big wide world, and in growing and nurturing the truly magnificent gardens of "Foxglove" ......following the All Black rugby team and enjoying the serenity of a cut glass noggin of Bushmills Irish whiskey (neat), sitting in my favourite chair, watching the sun set in golden array over the grey waters of the distant Tasman Sea, far, far below."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, Marshal! It is an honor to include you in this series!”

Marshal: "Greetings Carlo and thanks for the opportunity to unload on my fellow poets."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Marshal better. I learned so much about his fascinating life. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez & Mrs. Timetable

We will post Spotlight #11 in January!

~
Below are some of Marshal's favorite poems and links to each one:

https://hellopoetry.com/poem/1620867/windwitch-of-the-deep/
Windwitch of the Deep by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/1274911/running-the-beast/
Running the Beast by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/386523/so-wetly-one/
Once, so wetly one. by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/435103/perchance-in-a-bus-shelter/
Perchance, in a Bus Shelter by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/389195/white-foggy-days/
White, Foggy Days by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/266893/cheetah/
Cheetah by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com
Julian Jul 2016
Hip Service
By Julian Malek

The zeal of cobblestone tolerance arrayed in fashionable hues masquerading as crimson secrecy, elevates the tide of man but some boats leak in their foundations. Therefore a cork to every exuberance and a triumphant torch for every sorrow lives onward in collective time. Larks that abound because prescience and PUGET sound, that brown has become the new orange which in turn prowls as a concealed swarthy black. To antagonize the willful and frenetic pace, a prodrome of lasting but memorialized disgrace. Should I move to a state by first or last name, or is the final appellation worthy of much more lasting fame. I scurry down the aisles, bemused by shimmering tiles and the beguiled audiences who see much in my limitation but doubt little about my debited elation. Ringmaster Barnum, how much horticulture is needed for assured superstardom, how many cloisters must we evacuate from the incendiary plumes of a metaphorical Harlem..  But know that no virtual reality can supplant the reality that does truly exist, or at least our time is too infernal and purblind to resist. Carrey the tops of mountains in the humor of wellsprings and fountains, we engage a menagerie of egos lilting of an etiolated pragmatic concern. Evicted from paradise, littered with say-cheese demise ensnaring three blind mice eaten alive by snake-eyed vice. To feel good without incorporated tyranny, we must see blue and red as alternatives to the same destiny. A world that reckons with the futilitarianism of pacified malcontent and astroturf monikers that lead the impressionable into a slaughter shed. Established or not, any enchantment under the sea must include fishes once a pastiche of me, but to them I avoid their courtesy flush and never even faintly blush as my egalitarian statements are lavish thrush.

Five TO Won baby one in 99, everyone here aboard the titanic stays alive, you got your boat baby and I got mine, gonna make it with babies numbered in surreal primes. Halt the slots game the nines, a stitch in time is going to turn out to be Mine. Flanger goals, girded piles, liminal like an aborted Harry Styles, we climb mountains we issue tithes, and the turmoil is etched into 45-notched bludgeons and two-tucked knives. Excuse you, where have you been all day, have you been sauntering in a gentle rain or a genteel pain, have you wallowed beyond the mires of doubt and ranked above David Blaine. I hope you tell me of your magic tricks, rather than your other flicks endeared I stand to fight an ineradicable itch. But if not, you placid pond dented by so many rocks and so many ripples give your heart over to me, before I clinch the special Olympics *******, we ran, we span the homespun garments of your left and right hand, but death is a specter that ghoulishly carouses along the carousel terminal disease we call life. I beseech your deepest affection and want to console you for your deepest struggle, to be there every time wed with time rather than a throttled scuttle. Moons make you guarded but maroons leave me desiccated, don’t ever let that wilted flower die, always water it with a rich but gentle ties and widened deck for all to at once marvel and pry.  Monsters of Mars Attacks once flanked my bed, as though the **** brain scared every gooseflesh and restrained every frisson of mystery. I lampoon myself for those cold Dark Knights and the protection ended by the plight of the poor mattering nothing to the deliberately internecine rich. I struck gold in a valley somewhere, an oxymoron of paradox that now you have the privilege to dock, to stay aboard to be a vessel of peace less widely deplored. Even if we don’t sprout wings, we garner the exactitude of measured things and our glass elevator though easily shattered by the glower of enslavement is actually our vista to heaven or listening to brethren tingles for rich mans trinkets and other things. For humanity deserves a legend and a princess, a regimented desuetude and a flanged lust but in our mistakes wildly flouted in momentary moments we become purified by the temptations of an alabaster palace.

***** the left-field wisdom of a pragmatic paragon ellipsis in prison, slip between the cracks and let my suburban muse become your urban ruse. To enchant a caged world beyond a reality delicately and deliberately unfurled. Squirming toads on highways enchanted but dead, are graves for the blue becoming purple in every dignified red. Gainsay assaults me with platitude, a repeated hitter quit on the first bunted ball into foul-line territory. Those gripes are swiped right in all circumstance no matter the plight. The pronged hearing of a trident sensitive to ambient collection, and suddenly we are all in the mad house even though the house of profaned pain is much worse. Glimpses of gambits that gambol for nickels in transit as occult grenades and known dice waddle through without artifice or device, and the laughter and slaughter that trains collegiate minds, differs no more than the tropes of a glamorous violence articled in sordid rhymes. This surfing movie means so much more than Surf Wax America pristine in limited but sacrilege nirvana. Teen spirits smell muskier than 90s pop dreams, the grasp and grunge of gouged eyes becomes a mummified staid, a scarecrow to those who disobey. Childhood flashes with blinding light, and new sight illuminates darkening blight, A blight eradicated only by two magazines and including one that houses the bullets that ***** themselves between death and comatose dreams both within astral sight. Littoral harbor on a seaside town, a shanty with a brackish gown that glides the gourmand to the cosmopolitan eatery on the outskirts of lost & found. But forever lost in embonpoint and forever gained in chavish that exonerates the gaunt, the etiolated prince in heart becomes irrefutable marrow in minded souls.

If I am a spy you are an ESPY, and if I cry than you are a baby,but since neither are the case my wiseacres will cultivate lava lamp dreams for a new generation and suddenly Boston bets on Harvard, but who knows of this piped blather squirming for relevance rather than voguish but temporary chatter. My regatta knows how to swim, my life now knows how to cringe and yet still win and in stilted plays of bungled sincerity the God of peace reminds us of our transcendent personalities. That we in sincerity top the barnacles of invention a novelty but a rarity. But the guillotine quill of emboldened unscripted parvenus ruthless in their eager dues, outdate and outlive the sued swayed blues that indemnify Clinton and make the atomic dog an amazing Winston hill a church often in sheltered disuse. Imps and urchins sting the sentiment, cloy the alimony of repentant betterment, but neither touches the gilded skies of pleonasm striving for raspy disguise as to dissuade further diatribe investigation. Lurking in those scared days of youth, the gore of unalloyed horror scourged me with a limp, that compassion itself could ever become a gimp. Now years later athletics better and scoring goals making the mildew sweat and the years wetter, not a global warming that can be alarmed by global mourning. Take peace at heart if distanced spears of separation make Idiocracy as a pastiche look exceedingly smart. And spar only with the true antagonists bridging malevolence with expedience. Killjoys sure, will joy even more sure, but still boys fluttered heart stopping dead at a stop-watched alarm the worst tragedy of our sordid sort. Give an African Child a real home rather than a spatial roam, a palatial desiccation of momentary Jonas Brothers snapping back at captives with sexualized foam.

Narrative blinds shuttered in an Island among mountains hardly ever wiser to sanitize the sanitarium among the wasps of stung power. Police crumple their uniforms as they prowl down the avenues, looking for misfits and widened platitudes. Somehow that the vigilance of those corrupted by their very career choice, look even worse when megalomania of private is the limelight of public, to their defense few turrets I can muster but castles in the sky will be the apartheid judge. Those that cling to virtue to eradicate Porsche-driven faked or real deaths at the most breakneck speed, that Fast & Furious operation if disclosed completely would turn the Shire of the ring into the hatred curtailed by a song in Sing-Sing. Immunity must not Yoda implore, that livery Liverpool marooned on islands can also to deplore the R.E.D. and still whet the sharpened stead and the fly-by-night Manchester United alights like militant peer pressure for wranglers in tights. But beating the Beatles at a game of Walruses and egg-shelled eyeful towers likely impedes rinkside hockey from anything over bellicose ballyhoo…it exists as a transient fixated glower. But who knows about soccer speculation when love is the transcendent temptation, when nest-egg hens rather than neglecting rig Bens of clockwork and clocked words designed arise better for their token ken. Do I must repeat the subtext of submarines, yellowed as though ugly unused as though unseen, as though the quixotic earthquakes of tintinnabulations Avatar dreams. Wafted souls console the disheartened thoughts of a dashed dream that Berlin hates more than a Furor’s unbridled and useless scream.
Demotic clips slinging from the bedridden silence of a token moon and its token friends, swimming in a shore of ambiguity whether history mellows or whether its furor melts away momentary doubts. I want to avoid the sting rays exorcised by due providence and become the amalgamated talents gentry and of course the upstart swagger of Jack Dawson. But with the psy-op going on, the people manipulated on all sides of a gray picket fence will the relationship bloom without muttered dissent or pretended smiles. Will we take upon the shuffled shuttle and dig with shovels deep-rooted Christmas trees and toast our lives to Dos Equis. We may never go out of style, but the treacle of illuminated imagery when divorced from sentiment bristle shows a swagger that prioritizes rather than amalgamates all love. I love being brash and brazen and honest because when she finally ditches the grandstand of delayed frenemies fandoms of other tinsel decorations without any substance beyond meretricious thrill. You want a roller coaster on some days, but most often you want the nutcracker to elope to secret hiding places. Swim with adventure not just in love, not just in affection with the starlight now matter how luminous, sixpence all the richer is no centuries any poorer and we could be that gilded couple of star and screen and if we ever have to scream, let our screams unite us in passion, rather than a milquetoast deference to pedestaled beauty. but of course the end times don’t laugh at your crumpled wizened relapse. Not out of convenience wed by a discriminating genetic harvest moon but a deeper engagement that flatters when stylish and bristles when romantic but never defiled, never riled of specious pretense. Promise me that you will always remember me in my flaws and my faults, in my scause factory destructions and the penults of PEN-ULTIMATE wisdom that comes before the grace of God in the annihilation of passion for eroded omission. If your goal is to be remembered, check that out…but the most admirable goal is as the propinquities of souls dusted in the wind returning to a spring equinox of passion and if you find in yourselves reservations do not depart from sacred land, and never jilt me because of a boisterous and menacing friend. You are everything to me right now, and I Hope this persists despite the vicissitudes of star-favored afflictions mixed with utter benediction without the pontification of stilted Benedictines  or rather the hyped ludic effrontery of termagants being made of younger and younger women. Leave it at this ,32 leaves the royal secret in royal hands and the Knights Templar and us we altogether hold hands, if only a prelude for a masquerade ball. But the stilted embarrassment of crestfallen time, let that be relegated and emphatically lets embrace what is like to not ever need a real white horse to get back into your favor, because we never go out of style we can brandish the best elements and reject the sentiments of the too newfangled and the too stodgy. We in our crenellated pleonasm can eager ride the lightning to another tomorrow and another yesterday and if even not that, we virtually make an indelible impression of embroidered love not too distant in ivory towers and not to vulgary( catering to popular sentiments) to become a trash glam movement. We soar, others deplore but let their purblind doubts render them blind to our burgeoning love.

Forget the brisk trees dangled in the wind on winding paths through haunted forest or remember them because of ghoulish fortress but with our apotropaic lamp we can avert most evil and call the rest fun and gains and shun but fames never profaned, never inalterable a destiny to magical to be some whimpered catcall. Or we could linger beneath lambent street lights disguised as though wilted garb, attrition of circumstance waiting patiently for the matinee and the vintner to escort us beyond the garb of pretense in a city so abundant with it that it deserves castigation. But I digress, a beachside cliff overlooking tepid waters tumultuous in their power but august in their noises, the cadence of love will sing a half-moon bay on full-moon nights and we will frisk each other like grasping at straws of permanent tracks trammeled of the elite and a sidetracked basque bet. Trim those antlers and instead grow metaphorical wings, to us we all sing but few can match your elegance and everyone would be crazy not to see your ennobled age and together thrilling songs to emulate thriller in sales we will collaboratively sing.
Haughty sneers from lifeless lycanthropy straggling furtively along the pastiched sidewalks of grime, livid because they can’t share the lingering limelight, with as many guarded perks of privacy clambering like a hive of snarky sharks. Lets ditch the big town dreams in terms of posh and stature if only for a caressed moment beneath the unadulterated stars and if you find spars **** to the extent they are amiable than I say guess what my name is Lars! Or wait a second, paused in the big city spotlight our stenciled hearts will guide whatever progeny is yours or mine or ours together we will sing the most comforting lullaby, and caves no longer must we abide. Yearn and earn every inch, as I gripe with my delicate saddened pinch but I think the innuendo speaks . Ripen with our trips to Napa, long afternoon sunsets swim in our hearts as we taste the vanguard’s toast on elegant wine.I console with entreaty to disavow the omen of that San Franciscan church October 2008, the doom implied by Einstein, the raillery of a world grinding down the endless decadence of a railed future inalterable in destiny or partialy amenable to widespread coquetry.

Forget those rumbles in your past that made you feel partial to insecurity and learning the ropes you transcended all and live in all eternity. Thimble and brook, tolerant of all those tokes I took your rebellious side flattens the yeast of Exodus raspy in its begrudged clapping. But the Pharaoh of the modern world sheltered me under his prickly thorns, shielded me from the sickly things that life adorns. We have the numbers on our side, the weight of destiny on our shoulders, dedicate yourself to yourself and I will preen the most vibrant wisdom and love will leap like Apollo across all borders not for camel-****** hoarders. We are culminated destiny in the wings of the best daydream
Life, Love and No Mathematics to God and Gain
~
October 2023
HP Poet: Maddy
Age: 65
Country: USA


Question 1: We welcome you to the HP Spotlight, Maddy. Please tell us about your background?

Maddy: "Retired Teacher now Media and Digital Literacy Educational Consultant and writer."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Maddy: "Been writing since I was eight. Three years now as an HP member."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Maddy:  "Poetry wakes me in the middle of the night on airplanes and when I walk. It is still one of my best friends other than my husband, sister, and Best BFF Irene."


Question 4: What does poetry mean to you?

Maddy: "It is my friend and companion and is a precious asset. Without it my life would be empty."


Question 5: Who are your favorite poets?

Maddy: "Thoreau, EE Cummings, Sappho, MAYA Angelou, Carole King, Emily Torres, Mary Oliver, Millay, and many here on HEPO."


Question 6: What other interests do you have?

Maddy: "I love Travel, Photographer, Nature, Cooking, Theatre, Concerts, and Reading."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, dear Maddy! You are a wonderful addition to the series!”

Maddy: "Thanks and looking forward to it and your review of my book on Amazon."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Maddy a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #9 in November!

~
Maddy: "My books 'Put Your Boots On and Dance in the Rain' and 'Beautiful Heart' are both available on Amazon.com, Barnes and Noble.com and local bookstores in the US. My best poems are here on Hello Poetry, you can choose."

"Here are five of my favorites." - Carlo C. Gomez

Anatomy of a Poem:
https://hellopoetry.com/poem/4440901/anatomy-of-a-poem/

Special Someones:
https://hellopoetry.com/poem/3265576/special-someones/

Isles of Skye and Iona:
https://hellopoetry.com/poem/4427746/isles-of-skye-and-iona/

Only You:
https://hellopoetry.com/poem/4731877/only-you/

Beautiful Heart:
https://hellopoetry.com/poem/4569936/beautiful-heart/
Alex Hoffman Apr 2015
The split personality which exists within us,
constantly battling for the spotlight of your mind,
feeding off your acquiescence to their imposing forces.
Beating like a drum at the sides of your skull.
I waited…
Waited for the music to stop
So you would stop all your dancing.

I waited…
Waited to get your attention
While the attention was on you.

I waited…
Waited my turn to be seduced
While you seduced another man.

I waited…
Waited for the dimming spotlight
So the spotlight could shine elsewhere.

I waited…
Waited on your flirtatious kiss
While you kissed every man that night.

I waited…
Waited to partake in your lust
While my lust played me as your fool.

I waited…
Waited for the music to stop
So I could stop fantasizing.
Follow me on Instagram @insightshurt
Read my blog at insightshurt.blogspot.com
Buy "Insights Hurt: Bringing Healing Thoughts To Life" at store.bookbaby.com/book/insights-hurt
Julian Mar 2019
Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.
~
January 2024
HP Poet: Melanii
Age: 27
Country: USA


Question 1: We welcome you to the HP Spotlight, Melanii. Please tell us about your background?

Melanii: "My real name is Arianna. I was born and raised around Dallas, TX and am currently still living here. As it relates to writing, my background draws heavily from exposure to the arts as a child and the fascination, I guess, for beauty that this instilled. My parents (but especially my dad) were enthusiastic about music, art, history, literature, and the sciences, and my interest in all of these topics was piqued by association. Growing up I can recall countless visits to the local art museum, watching documentaries in the evenings after school, attending operas with my parents, and running home after school in the early days of each month to see if the latest issue of National Geographic had arrived so I could soak up the pictures and get lost daydreaming of faraway lands and peoples.

With time these influences grew into a general interest in the humanities. I attended the University of North Texas in Denton from 2014-2017 and studied anthropology, French, and Russian after doing a 180 on my initial intention of studying and pursuing psychology as a career path at a different school. At the time it felt kind of reckless, but in hindsight it was definitely the right decision.

After graduating, I was working as a barista and somewhere along the way ended up going to Prague for a month in the summer of 2018 to do a TEFL certification, fell into poetry that fall, and then returned to Prague for 11 months in 2019 to teach English. It was very much the best and the worst of times: I met some amazing people while there, took the opportunity to travel around a bit, and lived and learned from a horrendous relationship that also transpired during that year. I definitely went into that experience without any clear objectives or expectations; looking back, life definitely took that complacency and turned the tables with it, and while it took several years afterwards for the dust to fully settle, I've made it out the other side stronger, more intentional, and more assertive than before.

Since then, life has really just been what it's been. There have been ups and downs, of course, but the lows don't hit as hard anymore. Right now, there's not much to report and I plan to keep it that way. It's nice. Peaceful. It's a new year, and with it I will continue to focus on working, saving money, making a dent in the hydra that my reading list has become, and overall just living well and building towards the future."



Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Melanii: "As a teenager I’d scribble fragments of poems here and there, but never considered writing to be a hobby. That all changed around September 2018 when, for whatever reason, I decided that I enjoyed writing and wanted to dedicate more time to it. As mentioned in Question #2, this was right around the time I was preparing to relocate to Prague. It's kind of hard to describe; maybe it was just the excitement of the unknown, but that whole period of time had a sense of magic and beauty about the way it was unfolding which the “discovery” of poetry as a creative outlet only elevated."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Melanii:  "At first, it seemed like “there was inspiration around every corner”, to quote another poet I read here on HP one time (can't remember who it was or the title of the piece, but they were describing how great poets like Bukowski seemed to find inspiration so effortlessly, and the way they phrased it has stuck with me). Fast forward five years to today, and while I don't write as prolifically anymore the words come when I have something to say.

Inspiration comes from many sources for me: music, art, and nature; random thoughts, feelings, ideas, and observations; the works of other poets; travel when it happens; disappointments in family and other relationships; loneliness…

As far as the actual writing process goes, it's pretty random. More often than not, I'd say the poems write themselves and I just jot them down once they're ready, or as they evolve and refine themselves to fruition. Not the most thoughtful approach, but it comes from the heart."



Question 4: What does poetry mean to you?

Melanii: "To me, poetry is a language — specifically a language of consciousness in its purest, most elemental form. Poetry has the ability of transcending and even defying the typical rules of language without losing cogency, and for me it's this inherent flexibility that makes it at once so unique and so impactful as an art form."


Question 5: Who are your favorite poets?

Melanii: "Federico García Lorca, Li Qingzhao, and Pablo Neruda are the top 3 names that come to mind. I enjoy the unique way that each one of them uses language and imagery to illustrate the pieces of their lives and humanity which they decided to share through their writing. There's an element of surrealism, sensuality, and expansiveness running through each of their writing styles that speaks to me in the way it encompasses the beauty and complexity of life's possibilities across good and bad times alike."


Question 6: What other interests do you have?

Melanii: "I enjoy traveling and would love to be in a place someday where I can do so more often. The urge to explore again has been gnawing at me recently, so after a little bit of research and number crunching, I renewed my passport and booked a flight to Peru for three weeks in March. I had promised myself to visit a new region the next time I traveled, and despite growing up in Texas I have yet to visit Latin America. The plan is to start in Cusco, sightsee there, then head south into Bolivia to tour the Salar de Uyuni, which has been on my bucket list since learning of its existence from National Geographic. I couldn't believe that a place like that was real, and words cannot express how excited I am to finally experience the landscape in person! With March marking the beginning of the end of the rainy season, I'm hoping to still catch some of the “mirror” effect that the salt flats are so famous for. After touring the flats, the plan is to take an overnight bus back to La Paz before heading north again towards Lima with some sightseeing stops along the way and a few days left over in the city before flying back home. So we'll see what happens!

Languages are a long standing interest as well. I studied French for 7 years between high school and college, and Russian for the 3 years I spent at university. Since graduating, I've kept up with both through podcasts, YouTube videos, news articles, and music, and despite being far from fluent in either it's helped a lot with retention and comprehension. Learning ancient Greek has also been an on-and-off endeavor since 2017 after reading Euripides’ plays and deciding that I'd like to read Medea in its original text someday. Time will tell if that ever happens, but I did recently complete an online introductory course to the language which was a nice memory refresher and helped with unpacking some of the grammatical concepts that threw me for a loop back when I first started and which are part of the reason I fell away from Greek in the first place. After Greek, I would like to learn some Coptic, Farsi, and Turkish, and would be satisfied with learning to read at least one sentence in Mandarin in my lifetime.

Outside of travel and languages, I enjoy researching and cooking dishes from various cuisines, reading, taking walks, trying out different exercise classes on days off (recently I've done tai chi, pilates, barre, aerial silks, and kickboxing, but in the past I've tried pole fitness, archery, aerial silks, cycling, and horseback riding), visiting art museums, dropping by the symphony or opera once in a blue moon, and watching videos and documentaries on philosophy, history, theology (not religious, though, just curious), and science."



Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know the person behind the poet, Melanii! We have loved adding you to this series!”

Melanii: "Thank you so much for having me and for all your efforts conducting this series of interviews! It's truly a pleasure having the opportunity to break the ice and learn more about our fellow poets."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Melanii little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #12 in February!

~
Daniel Jul 2020
Goodbye forever, fleeting spotlight.
I’ll remember you
But the stage is no longer mine
So long I feared the dark
I was afraid to step out
But the dark cannot be avoided
Or mitigated
Or even contained.
It covers the ground you walk,
Encasing the trees and their roots
The flowers’ lack of colour
The roadside curb and accompanying footpath.
It’s everywhere.

To the shadow that pleaded me to stay,
I’ve stopped listening to you
You took my form and enclosed it in darkness
You thrived in the spotlight
But now you’re gone.
All that’s left is me
and the dark.
The inevitable darkness

I'm walking through some grass now
My hands reach out and feel
A variety of stones and flowers and petals
Of a sprawling summer field.
With a cautious **** I opened one eye
I squinted at the neon yellow
But soon I saw a broad blue sky
bolstered by a vibrant meadow

Though confused at first, I now realised
That what lies in the dark isn’t so bad
It’s a beginning as much as it is an end
The birds sang freedom
as they soared the skies.
That wretched shadow
Filled my head with lies.

Goodbye forever, fleeting spotlight
My act of pretending is done
Gone is the glare that distorted my vision
Gone is the glare that you once shone.
Flo Jul 2016
A young man
Uncertain of his talents
Seeking glory in former poems
Scared of failing his own expectations

The hardest critics, given by himself
Afraid of lacking quality in midst spotlight
He can't meet up to his former pieces
New poems remain unpublished

Uncertainty
Detaining him from creation
Letters remain unaligned clusters
Wasted potential all along

If only he was more confident
To search that spotlight once again
Maybe he could be an impact at last
Influencing other poets
Nakasisilaw* sa Kapitolyo
Sa sentro ng siyudad
Tatak ng probinsyang pabo.

Sari't sari ang trayanggulong baligtad
Nasa ere silang kumukumpas
At tila ba may spotlight sa norte paroon
"City of the Living God,"
Inukit sa tabla ng di kilalang manlililok.

Minsan ding naging "City in the Forest,"
Sabi pa sa balita'y "Safest place in the Philippines"
Bagkus ang pagmimina'y tuloy pa rin
Lalo na sa Rio Tuba na ramdam ang Climate Change.

Dagdagan pa ng pamimihasa ng PALECO
Hihiramin nang saglit ang kakaunting ilaw at hangin
Nang di maglao'y mapa-"OO" ang lahat
Sa mungkahi nilang planta ng pagbabago.

Bulag sila't barado ang isip
Kikitilin ang hanapbuhay ng mga residente
Walang kamalay-malay ang iilan
Ito'y mitsa na pala ng pagdarahop.

Hahalayin ang tigang na lupa
Bubungkalin raw ang kinabukasan
Bagkus ang pawis ay sa atin
Tayo'y alila ng karatig-bansa
Dayuhan sa sariling bayan.

Titirik sila sa espasyo
Bisig ng tabing-dagat na buhangi'y sutla
Inosente nga sa Salvage Zone
Paano pa kaya pag naimplementa na?

Likido ang bawat anino sa semento
Tumatakbo't tumatagpo sa iba't ibang direksyon
Hindi makapuswit ang mga sasakyan
Maging ang simpleng harurot
Ng munting bisekleta ni Juan.

Doon ko nasilayan ang magigiting na pulis
Taas-noong suot ang uniporme
At iilang traffic enforcer
Na wala sa linyang puti.

Tila bawat uri ng katauha'y nasa parada
Kung hindi man,
Sa iilang personang lumalabas-pasok sa eksena
Kukuha ng larawan, akala mo eksperto
Hindi naman pala
Ayos, selfie pala ang gusto
Dekorasyon ang mga artistang Netibo.

Bawat munisipyo'y may nagsisilbing pambato
Makukulay ang mga sasakya't pudpod ng disenyo
Na sa kahit sa palamuti'y maitaas ang munisipyo
Buhat sa pagkabiktima ng gobyernong manloloko.

Highlight nga ang Street Dancing
Aba't ang layo ng kanilang lakarin
At sa bawat kanto'y sasabay
Sa saliw ng Remix na musikang inihain.

Nalugmok ang puso ko
Bagamat ito'y nararapat na saya ang dulot
Ito'y nagsisilbing maskara na lamang
Nakasanayan, naging tradisyon
Ang kulturang laging may bahid ng eleksyon.

Nakaririmarim ang iilang nasa trono
Pinalibutan ng berdeng hardin ang sentro
Bulong ng Supplier doble pala ang presyo
Aba't sige nga, saan nila ibubulsa?
Kung ang kanila'y umaapaw pa.

Bagamat ang lahat ay nasa bilog
Paikut-ikot tayo sa animong sitwasyon
Tanging takbuhan nati'y ang Maykapal
Na hanggang sa huli'y magwawasto ng bawat kamalian.

Sa probinsyang kinalalagyan
Ito'y nag-aalab na espada ng lipunan
Bawat isa'y responsable't may pananagutan
Tamang dedikasyon sa sandigang bayan.

Walang masama sa pagiging alarma
Maging aktibo ka, kabataan
Ikaw ang pag-asa ng Perlas ng Silanganan
Abutin mo yaong pangarap at manindigan
Hindi pansarili, bagkus pag sa tuktok na'y
Gawin ang tanging tama
Na naaayon sa batas ng higit na Nakatataas.

(6/29/14 @xirlleelang)
Benji James Jun 2019
Pretty girl
I want to see you smile
I'm going to use that line
like it's going out of style
You're cute, wonderful and beautiful, it's true.
There is nobody else as amazing as you.
You brighten up the day with your smile
Don't hesitate to keep on shining
Because of this little miss,
Take some time to see
There is something special deep inside yourself
Nobody is quite like you
There is nobody else that smiles
The way you do

I want the spotlight upon you
Every time you're smiling
It lights up the night
like neon signs
It's brighter than starry skies
Just like the moonbeams
It ignites the soul
Every time I see you smiling
It brings the joy I've never felt before
Just smile, like you're getting photographed
There is nothing better than that
Smile, let the whole world shine
Love can be felt all around the world
Right after you smile, so smile.

Just like the sun that shines
the dark clouds away
That grin that perfectly fits your lips
Your beautifully lit up face
Through your eyes
All the darkness in me
Fades to light
You're the image of perfection
Inside of this mind
You're the only exception
So keep burning bright
Like city lights
Keep bringing happiness to all
that surrounds you
Because you're infectious
In all the best ways
And I pray, you'll always remain the same

I want the spotlight upon you
Every time you're smiling
It lights up the night
like neon signs
It's brighter than starry skies
Just like the moonbeams
It ignites the soul
Every time I see you smiling
It brings the joy I've never felt before
Just smile, like you're getting photographed
There is nothing better than that
Smile, let the whole world shine
Love can be felt all around the world
Right after you smile, so smile.

Hey honey,
Let your energy
guide your way
Hearts on your sleeve
inspiring me each and every day
When I'm around you
Feels like there is nothing I can't do
Don't need another pick me up...
Princess, I've got you.
You're turning me around
With your outlook on life
Always remaining optimistic
through the hardest times
through grace and positivity
You always manage to smile

I want the spotlight upon you
Every time you're smiling
It lights up the night
like neon signs
It's brighter than starry skies
Just like the moonbeams
It ignites the soul
Every time I see you smiling
It brings the joy I've never felt before
Just smile, like you're getting photographed
There is nothing better than that
Smile, let the whole world shine
Love can be felt all around the world
Right after you smile, so smile.

©2019 Written By Benji James
CG Abenis Feb 2012
You're the understudy,
waiting to be the star
who'd shine brightly
like the original main character.

You wait at the backstage,
Chanting the lines with her,
As she performs in the theater
Where she's being adored.

But one day, if you keep
on dreaming,
The spotlight would be yours,
Just keep on believing
The spotlight would be yours.
~
February 2024
HP Poet: Jamadhi Verse
Age: 39
Country: USA


Question 1: A warm welcome to the HP Spotlight, J Verse. Please tell us about your background?

Jamadhi Verse: "I was born and on and off raised in a small town in Northern New Jersey, about 25 minutes outside of New York City. My childhood was a constant, unstable state of motion. As a little girl I was always changing homes, schools, and states every year, dissolving possessions, driving back and forth across the country in all directions on the open, endless road. Always beginning new chapters that required the courage to say hello and the inevitability of saying goodbye. The only thing that remained familiar and everlasting was the acceptance and necessity to repeatedly let go of everything and everyone and have faith that there was nothing that could not be regained in some new form, in some new place. I studied at Pace University in Manhattan and Middlesex University in London, as an Anthropology major with a minor in Religious Studies. I have spent most of my adult life in Seattle, Washington and have lived very simply. I have never felt a pull toward a specific career or setting down permanent roots. I don’t wish to own a home or become a parent. I am inclined only to explore and learn as much as I can, to watch and marvel at unpredictability, and to write of my witnessing it. I am blessed to have had many adventures and I have a lot of interesting and strange stories."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Jamadhi Verse: "I have been writing poetry on and off since I was a child, but words did not become a flowing torrent for me until I was in my late 20s. The unaddressed and unspoken suddenly wanted outside of me. The silence and stoicism that my childhood strictly enforced could stand its firm stance no longer. The dam broke and the river roared and suddenly for the first time ever, my true self was speaking and I was learning about the woman that it turns out that I am.

I have been on HP for almost 8 years. Through this site I grew loud my own inner voice, discovered my strength, and broke away from my shyness. I learned I could allow myself to write without trepidation. HP has allowed me many close friendships and even a loving relationship with another poet here. This site has been a true gateway and an unexpected journey."



Question 3: What inspires you? (In other words, how does poetry happen for you).

Jamadhi Verse: "A thin, crescent moon hanging in the black sky. The reverberating sound of the waves. Longings that run so painfully deep they create a chasm in your being. Nostalgia that cuts deep with illusion. The magic of a moment dancing its circles around you. Everything comes to me, wanting to be put into Words."


Question 4: What does poetry mean to you?

Jamadhi Verse: "I found poetry as a means to finally use my voice. I grew up in traumatic circumstances as a child, learning very early on that the best way to stay strong was to be quiet and keep all opinions, needs, and desires to myself. I was inwardly a very intense world of observations and dreaming that was completely stifled and uncharted. I was so good at dismissing my own feelings that as I moved into adulthood I had to admit that I knew nothing of my own self. I never let anything inside me, out. Poetry was the unraveling confession. The voice that refused to stop speaking until my eyes and heart were finally wide open to who I am and my stance in life. It was my complete release into trust, gratitude, and acceptance through full honesty. Once I discovered I could closely connect to others through this medium and realized that poetry helps to inspire, heal, and even walk other’s through their most challenging points in life, it became my central meaning. Poetry is our inmost intimacy, grown ripe when given to the light. It feeds others through their famine and plants new seeds."


Question 5: Who are your favorite poets?

Jamadhi Verse: "Rainer Maria Rilke, Rumi, Pablo Neruda, Ann Sexton, T.S. Eliot. They are the light and shadow in everyone."


Question 6: What other interests do you have?

Jamadhi Verse: "Photography is as crucial a part of my life as my writing. I love to take walks deep in nature. I am a passionate music enthusiast and see as much live music as possible. My record is 76 concerts in a year. I love to travel and have visited 14 countries so far. I have a deep kinship with animals and enjoy birds and dogs best. I enjoy reading, puzzles, live theater, and museums. I am interested in all subjects that fall into the realm of mystery and the paranormal. I practice psychedelic exploration, meditation, sensory deprivation, and other forms of exploring our consciousness."


Carlo C. Gomez: “We wish to thank you for giving us this opportunity to get to know the person behind the poet, J Verse! We are honored to add you to this series!”

Jamadhi Verse: "Thank you with all my heart for allowing me to speak today and for your receptiveness to my words. I heal because you listen."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Jamadhi Verse a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #13 in March!

~
~
March 2024
HP Poet: Caroline Shank
Age: 77
Country: USA


Question 1: A warm welcome to the HP Spotlight, Caroline. Please tell us about your background?

Caroline Shank: "I am 77 and I live in Milwaukee, Wisconsin. When I worked for Barnes and Nobel for ten years, customers asked me frequently for suggestions. I believe 'The Alexandria Quartet' by Lawrence Durrell is a serious contender for best prose fiction which has been written. Also 'The English Patient' by Michael Ondaatje is such a teaching tool on how to write the greatest novel ever written. I digress."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Caroline Shank: "I have been writing poetry since the adolescent striving of the very lonely. I am not sure how long I have been posting to Hello Poetry. At least 3 years, or maybe 5?"


Question 3: What inspires you? (In other words, how does poetry happen for you).

Caroline Shank: "The unusual image will send me running for pen and paper. Usually what inspires the senses: a wind, an odor or perfume. I still remember my love affair with Chloe perfume. And! English Leather! Those were the days. Great sadness or anger will send me to my laptop but those poems do not usually survive."


Question 4: What does poetry mean to you?

Caroline Shank: "Poetry means that I have a place in a wonderful place. Once in awhile."


Question 5: Who are your favorite poets?

Caroline Shank: "My favorite poet's are: T. S. Eliot, Rainer Maria Rilke (the Stephen Mitchell translations), E. E. Cummings. I am a fan of Sara Teasdale's, her From the Sea is amazing. I save Shakespeare for the best nuggets ever. Anna Peters, her “I Am Not a Gentle Person” is a tour'd if ever. I love the poetry that is a much needed relief from The Civil War. Especially Lorena. I guess that's a song. Only one poem of Ezra Pound's, The Metro. It is a graduate course in image exploration."


Question 6: What other interests do you have?

Caroline Shank: "I used to be a huge consumer of books. I read all the time. I find that at my age I can't keep reading without finding something else to do."


Carlo C. Gomez: “We wish to thank you for giving us this opportunity to get to know the person behind the poet, Caroline! We are honored to add you to this series!”

Caroline Shank: "Thank you, Carlo! I am very grateful for all the encouragement you have given me."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Caroline a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #14 in April!

~
Dhaye Margaux Oct 2014
So complicated
So difficult
There should be no mistake
There should be no fault

So disgusting
So stressful
I should always smile
I should look beautiful

Life should look perfect
Though it is like a mess
Under the bright spotlight
Everyone makes a guess

Look at me in the eye
I am a celebrity
Only beautiful things
You can see them from me

I smile and laugh
I never look dry
Under the bright spotlight
I should never cry
Under the limelight...
~
March 2023
HP Poet: Thomas W. Case
Age: 53
Country: USA

Question 1: We are very happy to have you participate, Thomas. So how long have you been writing poetry, and how long have you been a member of Hello Poetry?

Thomas W. Case: “I've been writing poetry since I was 16, and I've been a member of hello poetry for 3 years.”


Question 2: What inspires you? (In other words, how does poetry happen for you).

Thomas W. Case: “The things that inspire me to write are life: the good, the bad, the ugly. Emotion inspires me to write. Poems come to me in many different ways. Sometimes in pictures, sometimes a word will pop into my head and I will write around it. And sometimes a situation in my life will transpire and I will write to process it.”


Question 3: What does poetry mean to you?

Thomas W. Case: “Poetry is cathartic for me. It's a lifesaver, it gives me a unique perspective on the world, it helps me to make sense of life. Poetry is my highway through the madness.”


Question 4: Who are your favorite poets?

Thomas W. Case: “Charles Bukowski, Pablo Neruda, Dylan Thomas, and W.B. Yeats.”


Question 5: What other interests do you have?

Thomas W. Case: “Writing short stories, reading, and spending time with my kids.”


Mr. Timetable: “Thank you so much, Thomas! We really appreciate your willingness to be the first one to be spotlighted.”

Thomas W. Case: “Thank you, man. I look forward to seeing the post and how it turns out.”



And thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Thomas a little bit better.
– Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #2 in April!
~
Below are Thomas’ favorite poems of his and links to each one:

Lonesome Neon Nights: https://hellopoetry.com/poem/3699838/lonesome-neon-nights/

Stabbed by the Autumn Leaves: https://hellopoetry.com/poem/3727658/stabbed-by-the-autumn-leaves/

In Lieu of Flowers (a personal favorite of the Timetables, too): https://hellopoetry.com/poem/3910240/in-lieu-of-flowers/

And then the Night Comes: https://hellopoetry.com/poem/4404576/and-then-the-night-comes/

And I Will Rise: https://hellopoetry.com/poem/4680341/and-i-will-rise/

He also has a YouTube channel where he does poetry readings: https://www.youtube.com/@ThomasWCase
Ally Gottesman Feb 2018
When I was younger, I used to think I was going to be a Star.
Under a spotlight where everyone knew my name...
I was five.

Now, I want shadows and to be as far away as possible.
Hidden and far from consequence,
And even further from myself.
Where my name is not a name,
But just another word without any true meaning.

When I was younger, I used to think I was going to be a Star.
Now, I want to disappear.

I should have jumped overboard when I had the chance.
~
May 2024
HP Poet: Melancholy of Innocence
Age: 59
Country: India


Question 1: A warm welcome to the HP Spotlight, Melan. Please tell us about your background?

Melancholy of Innocence: "My name is Raj / Melan (as on HP). I am an Architect and Urban Planner with a MBA. I unsuccessfully pursued Doctorate (twice), but due to circumstances - could not complete it. I have worked with several International Non-Profit Development Organizations and Projects. While living in Amsterdam (Holland) for 4 years I was International Development Manager in-charge of ten-countries of the world – Oceania (Australia, New Zealand, Papua New Guinea), South-East Asia (Indonesia, Thailand, Philippines), Spain, Russia, Belgium, United Kingdom and Chile. And for separate projects I have lived for more than 6 months in Bangkok (Thailand) and Accra (Ghana). I have travelled to more than 40+ countries."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Melancholy of Innocence: "The first vivid memory of mine that I can call as a poem was when I was 8 years old. I had gone to my Mom’s office picnic tour for 2-days and there I had met someone of similar age of opposite gender. On coming back, whose name I wrote “three” times (one below the other in 3 different fonts) on the last page of my school notebook. I consider that as my first LOVE-poem. My first form of “identifiable” poetry was at the age of 13 years. It was about doing “morning household chores” and helping my Mom so that she can reach her office on time. After a very long break, it was only when my BELOVED inspired me to become member of Hello Poetry, I did so in 2016 and started writing serious poetry. I have 23 books (fiction, non-fiction, poetry) self-published on Amazon."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Melancholy of Innocence: "LOVE surely inspires me. Being in LOVE makes me feel - live and breathe in PEACE. Poetry happens to me when without knowledge amidst mundane incidences of life – like, while taking bath or wearing clothes, standing in front of a mirror, reading some story/poem/article/lyrics, watching an interviews/movies/songs, listening to music OR just by observing the way people behave, express themselves, their ****** expressions, their mannerisms, smiles/sorrows/laughter/giggles; the way they walk, turn and look around them, stand, sit that always reminds me of my BELOVED. I also always make it a point to peep out from my home balcony / window seeking a glimpse of sunrise/sunset, moon/stars, birds, clouds, feeling breeze on our skin, blooming flowers, bees, insects etc. and many more things…! Basically, I think I get inspired by something that touches me deep inside and reminds me of my BELOVED. I immediately experience the realization of “I being in deep true pure eternal LOVE” in our heart and soul. That’s how poetry happens to me."


Question 4: What does poetry mean to you?

Melancholy of Innocence: "Poetry is a true expression of how exactly I feel inside me at that very particular moment of time and I try to be as honest as possible in expressing it with words that communicates my true and pure feelings of LOVE to my BELOVED."


Question 5: Who are your favorite poets?

Melancholy of Innocence: "Rumi, Omar Khayyam, Ghalib, Tagore, Neruda, Pushkin, Kabeer, Jayadeva, all enlightened Sufi fakeers and many more contemporary lyricists."


Question 6: What other interests do you have?

Melancholy of Innocence: "I like to read. Now a days I read in digital format anything that catches my interest ) text books, non-fictions, literary-award-winning books, biographies. etc. I like to draw, paint, sketch, do photography, do exercise, play sports, watch movies, serials etc. I even have written full-feature movie-scripts. I try to download and listen to all songs of music my BELOVED likes and sometimes recommends me. I like to do simple household chores (sweep/swab the house, clean the toilets etc.), do mundane shopping errands, cleaning and arranging things around me, I love to sit and observe things – “Nature”; and especially common everyday people and wonder about their childhood years and their life’s journey. I like to introspect a lot and question my own thoughts – making sure I do not get convinced and/or imprisoned by anything (beliefs, rituals, superstitions, views, thoughts, religion, philosophy, “..isms” and “so-called” TRUTHS) that I may have come across - seen, read or heard. I am very uncomfortable and vary of building identities of I, me, my, mine, myself…"


Carlo C. Gomez: “Thank you so much for allowing us this opportunity to get to know the person behind the poet, Melan! We are honored to include you in this ongoing series!”



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Melan a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #16 in June!

~
eyndinmncnll Sep 2023
I'm a single lady, in the spotlight's glow,
Heart unattached, ready to let go,
I stand tall, I shine so bright,
In the middle of the stage, under the neon light.

No partner beside me, I own the stage,
Writing my story, turning the page,
With confidence and grace, I take the floor,
Single and fabulous, that's for sure.

I don't need a hand to hold,
I've got a fire that's burning bold,
Independent and strong, I stand alone,
In the center of the spotlight, I've grown.

I'll savor this moment, it won't last forever,
Single or not, I'll endeavor,
To live my life with passion and might,
In the middle of the spotlight's radiant light.

Single lady, fierce and free,
Dancing through life, just being me,
I'm the star of my own show tonight,
Single lady, in the spotlight's light.

So here I am, center stage, it's my time to shine,
Single and fabulous, embracing what's mine,
In the spotlight's embrace, I'll ignite,
Single lady, unstoppable, burning so bright.
Breanna Stockham Mar 2013
She lives a quiet life,
she tiptoes around,
she whispers when she speaks,
she hardly ever makes a sound.

Although her words are quiet,
her mind is very loud.
She has so much to say,
but no one listens for soft sounds.

She's an invisible girl,
who doesn't want to stand out,
she just wants to be heard,
without having to shout.

Sometimes the loudest people,
aren't saying much at all.
Empty words and promises,
just leave their mouths and fall.

But whispered words fly high,
and catch peoples attention,
they're intriguing, so amazing,
but only when they listen.

So look outside the spotlight,
because often the real star,
isn't anyone on stage,
but the mind behind it all.
Martyn Thompson Aug 2011
i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di
I wrote this in about 2004 - loads of literary influences in this poem. It speaks for itself really. Having read through it, I think I ought to revise / review and re-write some of it, but this is the original.... yay!!
Shofi Ahmed Oct 2018
It’s on everyone's eyeline
the flying clouds spill the treasure sea
raining down on this perfectly placed mural.

The Queen of Sheba tiptoes on this way
King Solomon keeps an ear on the ground
only to find seas of silent blooms already
musing dipping in the sun kissed dews
on gently tilted roses that won’t drop down
not from this picture perfect navel-high!

Velvety rose up from the ground
forever green earth is hanging low
in the dew on the rose that won’t fall.
Blossoming, eying on a acute high
evermore hopeful to scale high aspiring
to the faraway awaiting heaven’s pool.
There the spotlight won’t move  
to the north or south nor up or down until
Queen Fathima the Queen of Heaven steps on
spot on on the ‘as above so below’ *****.

There the newly resurrected earth will be primed
its minted atom’s vibration will hit out of the park
for the first time rising atop the navel high.
Perfectly wrap atom’s circle finally turns on,
the stepping stone one that has no pi decimal hole.  
Pure scientia on the door of paradise shall hang on
lo the numerically perfect Queen Fathima to step on!

God willing she will work in beauty
the most sought after perfect works of art,
the lost masterpiece not in translation
but in the pi decimal hole in earthly deep
lo the gleaning sleeping beauty peeps
trailing the role model Queen.

Fathima the first woman entering paradise  
walks the walk perfect straight numerically precise.
Like she knew back from the earth
the murals ahead hanging on the paradise wall
mathematically exact!
Mirrors of imaginations anew wonders on heaven’s way
in the murals at the golden section on the navel high.

She zoom passes the ever spinning atom's perfect span
cemented tangent at the entrance of paradise.  
Yet leaves no foot print like she never did
on sublunary earth, new ponder in the old classic eyes,
oh pi still irrational, wonder in measured navel high!
While writing this poem I had a feeling that the navel stands in the golden ratio section. Then after penning the poem when I checked I found this thesis: The Math Behind the Beauty argues that "Leonardo da Vinci's drawings of the human body emphasised its proportion. The ratio of the following distances is the Golden Ratio: (foot to navel) : (navel to head)".
Aaron Gill Jun 2012
The night starts off with a bang
She enters the room
And the spotlight starts to change.
It hits her as she walks through the door
An aisle splits down the center of the dance floor.
She starts to walk towards the stage
And then the music slowly plays.

The lights go up and the music plays
She dances around this tiny place.
The spotlight fades and she quickly turns
He’s never seen someone with such grace.
He grabs a mic and starts to pace.
His lips open up and he starts to sing
A song about a forgotten place.

Tonight we gather in this dance hall
Everyone is looking for a way to let their feelings out.
It takes two to tango and I think I’m ready
To sweep you off your feet.
We’ll count the steps as one, two, three
And act out a story between swaying bodies.
A small twist here and pirouette there
Is all it takes to make this kids heart start to race.
So let’s start this off with a twist
and end it with a dip
As we start to move you’ll feel the rhythm
Start to move you as it takes control of your hips.

They dance the night away
And he continues to sing.
All this dancing has all
But burned a ring into the floor.
They keep moving circles
Counting out the steps
As one, two, three.
That final move will be one
That will forever remain in history.
He lifts her to the sky
And then she starts to see
In his arms is where
This dancer was meant to be.
cgembry Apr 2016
I love villains in fiction
The ones that captivate you
From the moment they strut onto the scene
Who drives the plot better than the hero
The type of villain that can turn the story on its head
And shamelessly hurl it into chaos

Villains who are smarter deadlier yet somehow
More charming than the main character
Making you feel guilty for loving them
Their electricity surges through you  
Their presence echoes long after the story has left them
Searing your memory and leaving you begging for their return
Do you have a favorite villain?

— The End —