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Michael Ryan Apr 2013
What's up?
Nothing much just a visualized image of a homicide.
Sometimes the mind wonders around thinking of someones death.
Imagining grey matter splatter across 4 walls, out of the 4 walls of your bedroom.
Your pet cat is fine and seems unmoved as it sits grooming.
Sometimes this event occurs because hopefully you've fallen onto hard times with ****.
Other times it's just the usual thing, wrong place wrong time.
It's kind of a game of cat and mouse; the only thing Jerry is that my dreams don't come out as a cartoon.
Sometimes the process of muscle and bone twinges leave a sweet rhythmatic tune.
But the one I like the best is when you pay for your own suicide, it's only worth a dime.
The insides pool and leave such provocative tinges.
Your new found beauty is the only thing that can make me cringe.
The day is dead.  Enh what's the point for this, not like I get any feed back.
Kristen Hain Jan 2015
LSD
The lower back arches
Muscles tangle in with the spine
And intertwining curvature sneaks between vertebras
Creating a vineyard of sweet spirits
That I could drink from the palms of your hands

As though the gentle and rough intentions
Had forever been engraved in a fate
That the universe hadn’t even planned for it
Otherwise the circumstances wouldn’t have been

And so foolish, I looked onward to the lit pavement
Walking between the crowd in hopes that
The grasping of my soul would stop from being tortured
In ways so tender that I wish I could expand in to the millions of atoms I am

Your skin felt like a warm liquid
That washed over your bones structure
Your eyes, those brown eyes
That looked at me with a shine that
I wasn’t sure if everyone else could see
And the light freckles and tinges of skin tone
Pixelated the platform of your body
And I, could look at you forever
Without even thinking twice about tomorrow
Mateuš Conrad Nov 2018
the ******* conversation is
worse than no conversation
at all...

point being?

why bother, if lacking all
intricacy?
i hate acronyms...

jess glynne: right here...
or...
hasselhoff you tonight
(hold you tight tonight)...

zoe saldana...
in green?
she's not white...
Latino?
she's not black...
mulatto?!

d'uh...
what's wrong with me...
green skinned and i'm like...
tinges of lesbian feminist
librarian?!

         Ogle...
now why i would prefer
to **** a green girlie
than an Oreo?

              like one girl suggested
to me...
you're of the race that
does not have a protruding
occipital bone...

so...
why do most African
and Asian do not possess
the protruding
nasal bone?
     huh?!

you know... flat at the top,
meaning excess cartilage
at the base?
you know: gorilla sniff?
this is a two way street!

but gamora...
i can ****** well see she's not white...
but...
let's be "racist"...
i'd prefer to **** her green
than in her mulatto origin...
what?!

electric six: she's white!
you know how tremendous
brown eyes look against
a backdrop of green skin?

just like ginger hair dressing
the window-shopping mannequins
of Celtic milk-skin...

the actress is mulatto...
but me, i'm just tired of mixing
chocolates...
i feel like...
green skin... piglet shy pink boy...
let's make an avocado flesh baby!
tinged by canary-green-grape
overtones!

she's so ******* fit green...
disguising her mulatto
cocktail...
and that added feminism
pink tinged hair?
      absolutely no Afro...
you could mistake her
for a Latino...
         but i already knew:
that ***** ain't white...
and even i do not originate
from the white people with
a colonial past...

     i could succumb to
the whole trans-ethnic experiment...
by the way...
as biracial relationships go...
if her papa was a whitey...
she's going to go for a whitey
and reproduce...
guess what happens to her children?
come out from the oven
as white as silk...
and the ones who follow the route
of dating the similar ethnicity
of their mothers?
no children...

             if we're going to be so
******* anti-racial...
let's embrace the already stated
disparities entrusted to making
a post biracial choices...
the days of the originality
of bi-racialism are over...
let's call upon
regressive genes,
that, generations later
are awoken...
                
                                 no... too early?
oh, right,
how could i forget?!

these new people require
the bilinguals to be polymaths...
or to be monolingual...
and if they're not?!
well...
             schizophrenics!
schizophrenics!
                schizophrenics!

­you do know that globalization
would have worked...
if and only if...
the general population spoke
their native tongue,
and a lingua franca
was established...
given that the globalists didn't
exactly focus on establishing
a consensus lingua franca...
one year it was english,
another year it was arabic,
another it was mandarin...

hello white boy: she's green!
i'd still prefer to ****
the green ***** than than the mulatto;
what?
i'm tired of chocolate!
of the caramel and the toffee,
and the copper skin debate!
she's green... i'll just think
of a hard-on via a glass of absinthe!

and we'll make sweet avocado
babies!
after all...
i am a shy pink of a pig's skin tinge...
i am sure i can make the green
shy away, into a hints
of canary...

monolingual biracial "peoples"...
as ever... too proud to learn
a second language,
while all the more eager
to label mono-racial people
with a bilingualism trait...
"schizophrenics"...
guess... that there are mongrels
either side...
but that some of us...
abstracted the mongrel stature...
but not like you'd notice.
Kush Feb 2016
I am a cold creature living in locales of ice
The sky is everlastingly dim-I see stars plummet and galaxies entice

Melancholy respites are my friend: I trek without a whisper or a sigh
Frigid winds flay my flesh from bone yet my ears listen to the music they belie

Living in darkness is all I know; my spirit regards shadows as a feast
All this carnage at my hand, all this consumption, and, even still, my hunger has not decreased

I stand upon an ivory peak and patiently scowl at the visitor as it reaches out to greet
My essence immediately withers and my cloaked body slumps down with defeat

I cry out in pain, in shock, and in eternal dismay
At this horribly strange sight, at this mass of my worst nightmares
A Sun free from any tinges of grey
The story of a lonely fiend, a bloodsucking monster of the night
Jaide Lynne May 2014
When we were young we used coloring books, full of black and white outlines just waiting for be made into something beautiful, waiting to be brought to life with colors.

When we were young the reaches of colors had no limits, we didn’t stick with what colors we are told were correct.

When we were young the princesses could be purple with green hair.

When we were young we didn’t know that the world is full of grey area, we didn’t realize that when you mix too many colors together all you get is a terrible shade of brown.

When we were young we let our imaginations run wild. We let our colors sparkle in the sun.

But, too many years with the sun beating down has faded our colors. Powerful beams slowly bleaching out the colors of joy, and sadness, rage and love. Until all that is left is white with little tinges of what used to be the worlds brightest hues turned grey.

We began to listen when we were told that the colors we had chosen were wrong. That a boy’s favorite color couldn’t be pink, that the trees and the grass had to be green, and the ocean was always blue.


The most pigmented personalities and the most vibrant people have become pastel, because it is easier to blend in with the crowd than stand out.

This world is not how it used to be, all of the color has been drained.

But, I think everyone has the potential to be filled with color. Everyone can be a light show at disney or fireworks on the fourth of july, everyone can be an easter egg, or a glow stick. Anyone can be a rainbow, they just have to let their colors be louder than the negativity of this messed up world.

So, spread your colors, blind everyone with your light, like that one teacher that doesn’t warn you before they turn on the lights. Play your music too loud, make sure that if they can’t see your colors they can hear them. Write, spill your heart out in words, stain the pages red with passion, or yellow with joy, or black when you are feeling hopeless.

Paint this world how you want,

Make the trees pink, and the grass blue,

And don’t color in the lines, because the most interesting pictures really never do.
Above the forest of the parakeets,
A parakeet of parakeets prevails,
A pip of life amid a mort of tails.

(The rudiments of tropics are around,
Aloe of ivory, pear of rusty rind.)
His lids are white because his eyes are blind.

He is not paradise of parakeets,
Of his gold ether, golden alguazil,
Except because he broods there and is still.

Panache upon panache, his tails deploy
Upward and outward, in green-vented forms,
His tip a drop of water full of storms.

But though the turbulent tinges undulate
As his pure intellect applies its laws,
He moves not on his coppery, keen claws.

He munches a dry shell while he exerts
His will, yet never ceases, perfect ****,
To flare, in the sun-pallor of his rock.
Terry Collett Mar 2012
Celia looked at her reflection
In the back of the spoon;
Her face was blown outward
As if captured on some balloon.
It almost made her laugh;
The memory of it;
How she and her sister Sassy
Would do that as kids,
Before the dark days,
Before her death in a bath.
That drowning, that sad death.
Sassy’s husband had beaten her
Black and blue and green
And she’d hide herself away
So as not to be seen.
But she’d seen her,
Seen the bruises
Like smudged tattoos,
The closed eyes,
The swollen lips,
The hardly able to talk words
Pushing through the mouth
To say: he says he loves me still.
Celia stared at her reflection,
The way her own mouth was distorted,
Her lips blown up, her eyes enlarged,
Out of proportion.
She almost laughed,
But something about Sassy’s sad death
Made her stifle any guffaw
That may have broken free
From her distorted reflected jaw.
There was the time she’d seen her
******* for bed when she stayed
Because Sassy’s husband (the weird freak)
Was off on business, some big deal,
Needing to be pulled off,
And she saw the black and blueness
With tinges of green
Along her naked flesh,
The buttocks welted
Where he had belted.
Sassy had said nothing,
Had not noticed Celia looking,
Had not thought it unusual
To be unclothed as such
Away from other’s peering eyes.
Now Sassy was dead;
Found in the bath;
Drugged out, wrists slit,
Having drowned recorded.
But he had driven her over the edge;
He had bullied and beaten
Like some spoilt cruel child
An unwanted toy.
Celia turned the spoon over
And put it down.
No more desire to laugh,
Just fond memories of Sassy
Before her death in the bath.
When you think that you have remained at Peace,
Here comes the War Cause.
Due to his Impedious Actions and Words
Has caused an Impenetrable Rising -
An ******* unworthy to be erected,
Which ought to be torn apart piece-by-piece.


It is the TINGE - that Nerve which makes
You do just that.
It is he, that made you Scream like a Cat -
Angered by the Mouse
To which transfers the same Range at his
Own Spouse.
It is he, that makes Hypocrisy victorious
And free.
It is he, that projects Visions and Sights
You could hardly see.


Because you could not see it all
For it still rests within your Heart.
No-one loves the Heat of Hatred
Or the Sourey Taste of Anger.
Worse, his or her Voice
Expressing uncontrollable Temper.
(Or Things either with big or little Difference.)


Yet still, it is the Reason. And that Tinge
Proves it so.
And as a Result the Latter begins to Dream.....
Deteriorate and worst let you feel low;
Deeper than Beelzebub's main Majestic;
Deeper than the Marianas itself.


The Tinge of Heart - so Strong to Hinder
And so Weak to be Awared.
Responses, Sympathy are the only Cures
Of these Tinges. And now its Reputation
Has been Saved from the Infamous Hinges.


Now that Tinges can have a Good Side -
Does Temper have.....?
Akta Agarwal Mar 2021
The trees smile with their sprout of tender leaves and blooming flowers,
Eternal nature with its transient expression,
Hails spring with joy!
Bewildering shades with so many tinges.
The land of beauty and greatness
Colour of happiness and peace makes people alive to enjoy the spirit.
A celebration of colour
And
An experience of harmony and delight.
Gulal of red, green, yellow and countless colour also explains the colourful meaning of life,
A day filled with laughter and gaiety,
A day to smear our dreams
With a splash of vibrant colours
The festival of colour brings a spring of unbounded fun and frolic!!
Colourful holi
Oh, this is why I hate love!
How I used to moon over it;
shape it and craft it and run after it
in my brambles,
how I used to indulge it in my *****
protect it from any uncivil desecration
cherish it for its wilfulness
relish it for its greed;
how I tainted my heart with its fake scent!
It just dawneth on me!
Oh how I fervently remembereth the scene; the very afternoon scene, before me:
I was heaving my dull steps against the sheepish grounds;
so peaceful in their breezy slumbers;
unlike the busy grass afield!
their dainty colours blackened by the whirring clouds from afar.
Hung cozily amongst the sky, whose childishness wasth adjourned by
the sleeping rain!
Oh but it was none yet coldeth but temperate;
when his moorish figure, blent into the naturalness of the afternoonth;
retreated into the lingering scene,
swiftly and lightly as the chirruping birdth aloft,
as if no anguish was within reach,
as wildly glistening as the mirth of the old den!
How my soul warmed towards the sight of him,
and on he went to relate his selfish story.
How I celebrated it - its giddy, gullible outset!
How I endorse its unknowing innocence!
How I adorned it with my passion!
His reclamation proceeded,
I was but astounded to hark to the rest;
into it he amorously poured the account of a bizarre creature;
namely a stranger;
invariably a woman!
How insolent!
He named her his love;
he waveth his moronic praise at hers;
at her charm, andth not mineth!
I was spurned, my heart was churned;
despite my stranded efforts to keep my pair of
relenting eyes
unblinking;
I steadied my legs, I was more than ready to
bounce and go
sway myself away from this gloomy tragedy
as before me the story undesired unfolded:
my love was repressed, my heart was
bludgeoned, heartily bludgeoned,
and I was silenced; could no longer feelth the tinges of blood
in my latent veins.
He hath slaughtered my peace!
My inner visions, hopes, and dreams!
I hath lost all of which!
I hath lost my shrieks; I could not voice my despair;
yet I could not utter my grief!
I was cursed and condemned;
my soul was appallingly dishonored;
my entirety is for lifelong anger,
desolation, ignominy and utmost desperation!
My crossness against the Creator arose,
like a wave of torment,
a surge of unbecomingth animosity,
as to no matter how I suppressed it unthinkingly,
all ended in vain:
My stern heart shan't ever melt to love again.
Oh my love, my love,
my princeth, my deviousth prince,
the only one I was so ardently fond of
how could thou deepen my misery?
How could thou ****** my sweetest virginal affection
in the midst of my isolation?
Like the sultry willows
whose memories unshaken, unbitten in the most
melodious, but pallid from the heath
in this musty, salubrious air
my blooming flowers hath died
I am brokeneth, I am torn!
I am writhing in my vainness,
my foolish longing, unmissed and unsung by the dandy branches aboveth
Dancing in my own blueness, weariness that is both livid
and unforgiving
scared by the heartless world
in the course of this barren winter.
Winter with no whiteness;
winter unholy and fulleth of diminutive, evil suffrage.
How ungodly!
I am raked into pieces;
and this is what remains.
This is my misery; oh how I could not riseth above the misery itself!
This is my solemn admonition,
this is my fate!
I have no right to love,
to embrace and to be embraced,
and from this day on I wanth but to dismiss my love;
onto my heart was bestowed not serene affection but intelligence;
and intellect is far better regarded than love!
How sully, narrow, and vicious love is!
How unimportant it is in the eyes of glory,
and the sea of fictitious admiration.
I quit the monstrousness of yon outer devastation;
I take hold of my pen,
and swim deeper into my whining words, again.
Ryan Clark Dec 2012
I lay still as if I were a breathing corps.
My heartbeat reminds me I still live.
My mind wanders aimlessly;
It drifts in and out of the borders of valid conception,
and withers to its content.

Am I alive,
or waking from a prolonged dream?
These thoughts contradict my understanding of this world.
They break the grips of my reality,
and plunge me into the unknown.

Although the notion tinges a world of fear.
My perspective shifts;
My consciousnesses fades away
and is vibrantly replaced
by a wave of blissful euphoria.

This is a strange existence.
Time is irregular;
It means nothing here.
Days seem like seconds;
minutes seem like weeks.

O' to what a mishap,
a folly happenstance,
a fringe to conventionality.
To who or what pleasure
do I owe?

Part of me wishes to leave this place.
Albeit a part wishes to remain.
I am in love with this realm,
yet I know there is somewhere else
that I must be.

So now I set sail
to find the world that I came from;
with a pleasant gift from the one I left.
                   I look upon an old existence,
                                             with new eyes.
This is my first attempt at a free form poem, so I would be interested in thoughts and/or some pointers. It's basically just random thoughts and how they shift my perspective on reality.
Mike Essig May 2015
The slightest brush
of melancholy
tinges the evening:

that time of day
when ghosts awaken

and memories stir;

that time of day
when thousands
of lives lived
lean into now.

Where are you,
bright eyed lover?

I need a
gentle boost
to lift me above
this roar of silence,

this emptiness
that fills the
twilight.

Come to me.

Sing me songs
until smiles return
and we will smile
together.
   ~mce
And speak in that private language...
Classy J Oct 2019
Yellowish blues, mixed with orange tinges too.
Bright morning, waking next to you.
Ooohhh!
Waking next to you!
Birds chirping, singing sweet melodies.
Rainbows curving, ending up shining on you.
Words can’t fully interpret how much you mean to me.
What is this glee?
What is happening to me?
It’s like every day is a new painting.
A new canvas displaying warmth.
Rising sun glistening, stretching over everything.
Trees reminiscing, creating paths through earth.
Green pastures, blanketing dirt.
The material of our death and birth.
A perfect cycle coming together.
Like sheets of music.
That expresses an appreciation of this treasure.
The treasure that is life.
The treasure of adventure.
A treasure so valuable it can’t be measured.
Ooohhh!
Enjoying this mood!
Enjoying this sunrise with you!
A sunrise filled with,
Yellowish blues, mixed with orange tinges too.
In this bright and vibrant morning, waking next to you.
Ooohhh!
Waking next to you!
DSD Mar 2014
Seeds of pure Brahma appear
In the dark nothingness.

In their infinitesimal
Yet infinite dimensions
They carry the code for all creation.

Some fade away.
Some persist.
Propelled through will,
An urgency to occupy and diffuse.

Annihilation or coalition are inevitable.

Some acquire magnificent tinges
Worthy of acknowledgement.
Others marred and maimed
Are left to wither in exile.

I meditate on the most promising one.
Feel its inarticulatable essence
As the intangible element
Vanquish the void.

The One now unfolds.
Accreting into thoughts
Before passing through
The sieve of judgement.

These thoughts sublime I crystallize.
Choosing at will to blemish them
With motley emotions
Or monolithic reason.

I,
The creator,
Awestruck by my own creation,
The most magnificent in the domain
Wherein I reign supreme,
Hesitate.

I hesitate to articulate.
Knowing full well that tongue
Will never be able to bear
The simple complexity
And the complex simplicity
Of thought.
B Woods Dec 2009
A pack of hyenas, we howl in a frenzy.
Set off by naught,
A twitter or flick and all is lost
To laughter in the night,
Engulfing us all.
Sides aching, my body keeps quaking
Free as a warbler, Screeching and Heaving
As the fire dies, I open my eyes
In a tent, we lay sprawled
Worship almighty Party Mix
Now ravenous lions, or kindergarten children
We claw and shove and dig into the loot
Faces full, stomachs pounding, eyes heavy,
Fingers sticky with snacky crumbs,
A sugary tantalizing coating.
Hounds we are, gluttonous fiends
Living for twenty dollars of sweetly goods
Bought from an otter.
All is forgotten as we sit down to feast
"Spare the jerky, we'll need it later!"
"You devil, its all gone!"
Oh well, no worries of food now
Sufficiently satiated we snuggle into sleeping sacks
Shadows play on the walls
Dancing as jubilantly as shadows may to the music we play
****** stories, crude jokes now met with sheepish sniggers
A fifth giggle is heard from our party of four
Unseen, yet someone is there
A screaming spirit, a lost loner,
A wily wizard, a carnivorous ******,
A balefully babbling banshee,
A sambaing Spanish sandman,
A dopaminergic, diamond-eyed dragon?!
Dare we ask what he be
As his wisdom calmed our carousing
We journeyed through eternity
Visions of it all so overwhelming
Our minds explode
Great kaleidoscopal mortars on a warm eve in july
Visions of dank alleyways, bums and drums
Pastoral sights with floral delights
Emaciated emigrants, there faces so slum
Whimsical unicorns cavort through clouds
Young boys in green turned pincushions by hot flashing iron
Jovial faces devour whole hams by candlelight
Hopeless faces cry and starve by moonlight
Weary we are as the rooster caw-caws for dawn
Wet with dew and naked we slip out
Crazed and dazed we walk in a haze
To witness diurnal beginnings
Pink tinges and orange singes
Streaming above the horize
Time now to sleep
In the crystalline shimmering meadow
Short morning naps
To ease madness since midnight
Dreams foggily drift in and out
Sun's rays fry the flesh
As we awaken to sickening reality
Had it all been psychedlic delusions
Surely it'd just been us four
At night! I am not a thought
Over the infamous sunlight;
But rather one with heightened breath,
A creature like all beings,
I hath life and sometimes death.

At night! What a solitary life
That I oft' bathe myself in blood;
It hath a romantic smell to touch
And fantasies on its very own,
Like the world around is torn
When I drink it, when I taste it.

At night! What a succulent sight
And dried livelihood, such might
Who may think of such grandeur
In the afternoon's bad odour?
The night presents to me a lovely light
To hunt and race towards the night.

At night! What a lovely lace
And fierce sigh to embrace;
Unlike those held stiffly in breath
I am at all in no fear of death,
And there, a thousand skies
Shall not watch my shaky lies?

At night! What a cold showdown
As I float in midair in town;
Every piece of flesh is tempting,
Now that my thirst is seeping
Through the dire brass of my lungs,
That I know not between us.

At night! What a sacred taste
Of one's opened flesh;
I am as violent as Desire itself,
And trembling as 'tis troubled night.
What if I cannot love, nor hear myself
That I can see the Light?

At night! What a bare heaven
Up there, that hath opened;
But again, 'tis committed to poor souls
And t'ose alive only, unlike me
I shall not breathe, nor be old;
Nor shall my stale beauty

At night! What a loneliness
A story, and yet a broken sadness
I shall wander to dusk and dust;
And pain myself with roaming lust
Shall I be the human, and again
I cannot flirt with the earth's rain.

At night! What a tasteless breath
The very end that feels like death;
When one ain't ill, and just no;
I cannot be here until tomorrow
I had love then, but 'tis now death
An apparition I hath not had

At night! What a wordless call
And yet I hath no longer words;
My lover, my human lover
Then, he died of my cold hunger
I hath been placed in my own hell;
And cannot fake such tears so well

At night! What a wondrous sight
Sitting in mercy by the rainbow;
Ah, my love, who was once in fright
Old as his human self by the window
And I, was not born to see the light
And he died, I could not know.

At night! What a clueless moon
And a rabid but endless tune;
And the cloud, but cannot speak
Although I wish to ask he sea
Within the reserved, but pretty week
To sail my lover back into me

At night! What a tireless roam
And I cannot stop even by my poem;
To devour such a long life
And hurt that may be tough,
Miseries that may be naive
Tears that may not be enough.

At night! What a severed sight
I hath, that I cannot fly right
Who saith I shall need such wings
That shall not read, nor sing?
I might just turn human by then;
Joining my love in death again.

At night! What a sturdy light
That awaits me behind the grass,
Satisfying me the whole night
And gone as more days pass
What is good, and what is rigid
Who shall come to me again, merry meet?

At night! What a buoyant step
And I may put again my cape;
I may not be late, but too sweetly
I hath to seek more life for me;
I may not die, but to die reverently;
For him, I shall dream for free

At night! What a childish touch
But there is no more time to watch,
I kneel down and sip hungrily
At the heartbeat dying down by me;
T'is time, 'tis of a village *****
Hastily split by her brown bench.

At night! What a cold April
And who knows what summer feels;
I might lay about to seek some idyll,
While the skies but a flamed torch
To read riddles of the far North,
And drink my heap, my Lord.

At night! What a sweet sick dream
To my lost love, my limb
I like to writ all in a poem,
And drink of love in my room
What is better than love, my life?
What is sweeter to kiss, my lips?

At night! What a shuddered rose
And a catchy, stunned prose
But I may not be a true lover;
A truth, that one always hides
After the setting sun, the thin nights
Who shall craft myself an ode?

At night! What a shimmered thought
That I had remembered about you,
About a song I knew was true
And we embraced, while seeing
The night was already looking;
And hark! The sour stars finally cheering.

At night! What a blundering smile
And hastened sweat of love,
A shyness that never leaves me
And my cheeks, my beauty;
I can rest here, and for a while
I think I can leave my everything.

At night! What a blushed cheek,
For love is so soft, so meek;
For my love is held in midair,
Given but treated so unfair,
I am gasping for some fresh air,
But shan't cry, nor care

At night! What a young heartbeat,
But again, 'tis not mine;
For human blood is always a cure,
Although cold, minuscule, and unsure
I hath no care what 'tis all about
My hunger is there, and frets too loud.

At night! What an insane bird,
And so shockingly treacherous;
O my love, should I vouch for thee still,
And be kind, whilst all stands still;
But again, 'tis as chilly for my poetry,
For there is no life for one like me.

At night! What a rigid flute,
That is flamboyantly blown still,
I may not be by the long route,
But I love you, and want you still,
The thought of humans make me sick;
But without such breath I am so weak;

At night! What a lifeless sun,
Celebrated by all inhumans;
I am nobody that one wants,
I neither lighten nor illuminate,
And I do not appear in one's dream,
I am a devil, and not as I seem;

At night! What a poet, and poetry;
A poetry wearing a black veil,
And is read out of the doors,
I hath written strongly across the moors,
I hath been invited by such discourse
And troubled itches, troubled sights.

At night! What a vast suburban,
On the outskirts of my last town;
And I have to move, yet, I do,
Although I am a recent and new,
And to be with the morn, too vague;
I am afraid I shall be too late.

At night! What an edgeless voyage
That has come of life, of age;
A stellar one as I go again
In search of new vinegar and friends,
And who says a vampire has much to make
Whilst 'tis all for their crude sake?

At night! What a holy night;
And sounds ring and sing about me,
Those of bloodied hearts none shall see,
And I coldly devour again before the dawn;
And be asleep in the afternoon,
To wake up to the solitary moon.

At night! What a clouded light;
And voices entrap me in unison,
Throwing about new destinations;
In which my rough food shall satisfy me
And intensify my rugged beauty,
As I have no halos under the sun.

At night! What a trembling sigh;
But to me all skies are not too high,
And heights shall ask me to play,
Basking my life in the glory of those days.
And who is the sun, to seep into me,
I am dead, just like I was meant to be.

At night! What a coloured weep,
Of everyone in their drowned sleep,
But who says a sleep is peaceful,
Alight in hell, and be healed painful;
And be astonished for days after,
Feeling like life in short is forever.

At night! What an adorned heart
Whose one can cheer from afar;
But to humans, love may be distant
So soon as there rises a new moment;
I, who cannot feel tinges of emotion
And its cursed, fatal passions.

At night! What a demure feel
That one may just fall ill,
For neither I nor they have shared passion;
My life is too full of temptations.
And who should soar into the night -
All love to praise the faint daylight.

At night! What a sanguine wish
That one may just cold kiss,
They wish they couldst do in person
With no reason, no concoction;
But what is a wish not so bright
That we canst only witness in daylight?

At night! What a passioned chest
That should be put to rest,
Hath it undergone too many tests,
Between the East and West,
And the fatality of our hunger,
That feels eternal, and lives forever?

At night! What a loving heat
That I feel all in a single beat;
That I am not cold in cold any more,
That I can see now, unlike before;
To attain such quietness, and peace -
To dream and be alight in midnight bliss.

At night! What a loving heart
That I crave for from miles apart;
And I just know that I love you,
And your eyes, being too human
I knew they would be true,
But could I still see you then?

At night! What a new love;
That was born from the hunt
That none wishes for, nor wants
But I was there, waiting for thee
Behind the furry fir tree
That one hath died, and another
Is born, to bind me forever

At night! What forbidden love;
For 'tis a human again, and madly
I have fallen in love too badly;
In my flights, my giddy travels
I may have fallen too naively
That I cannot stay behind the wheels.

At night! What a love in profusion
Dead then, but not in union
Ah, but 'tis all a story
Not in life, for I do love to tell
That I shall not feel deep, nor sorry
For love hath always been a hell

At night! What a love blooming
For one cannot stop cheering
In silence, like me, hearing
For another love to come, clearing;
That I can turn human, and to heaven
To a faith I should hasten

At night! What a love searing
All hate, all curses, all bearings
And I, a vampire, shall sing my song;
That I hath waited for love too long
But in my eternal life, o dear
Perhaps thou canst ne'er be here

At night! What a love tempting
And I cannot stop laughing
Until I am full of disgraced tears;
And not of untold fears
For fears are not mine, and not hours
We have no death, nor blurred hours

At night! What a love promise
For us to be wise, and kiss
I hath longed to have wedding bliss;
But again, I am not the first
For vampires 'tis all the worst;
I hath only my rhymes, my words!

At night! What a love story
That I canst only feel within me
And to swallow such gurgling tearsl
Wouldst be crowded, be weird
I hath no life to entertain me
Nor a lover to hear my poetry

At night! What a love tale
That I canst only relish in hell;
Perhaps, I am not like one my own,
In exhaust and fumes, I am alone
Under the stars and moon that know
I shall face every day, and tomorrow

At night! What a love kiss
That I dream of, like a butterfly
But all is indeed a tired lie;
In all eternity, hath I been cursed
And in all worlds, hath I hurt
For whose I hath no more words

At night! What a love wish
That I cannot blame mine, nor his
To all wise, that are not wise;
To all whiteness that is a lie
For love hath but been a thief to me
And a harm to my living sanity

At night! What a love charm
That I hath discarded from my arms;
For I cannot feel, nor see you
In growing anything anew,
I hath seen but too few
I cannot have you in my arms.

At night! What a love war
That I hath removed from my tales;
I hath shut myself off of the door
And be the one no-one tells,
Who shall choose not to be alight;
To love with softness and bright?

At night! What a love heart
And a soreness cast away
I hath not seen the night, nor day
And stayed stiff again, today;
I cannot play in the afternoon,
Nor face the loving, dancing moon.

At night! What a love joy
That I hath not to tease,
Nor to pleasantly annoy;
I hath turned to dust, and dust is me
Pale as the armour of my beauty,
Eternal to life, and I can be
Not to love, not to be free.
Jenny Gordon Apr 2017
April...my early sonnets...leaning on the windowsill as the streets were mad rivers, Mum in bed just behind me--ya, I've long been the nightowl, though how many times I'd hang out with her when I did.



(sonnet #MMMMMMCCLXVIII)


Ah, silver gloaming whose soft light is thence
More yellow than wee baby leaves' detail
Of green chartreuse as rain now waltzes, pale
Yet with that subtler voice in tow, lawns hence
Thick carpets laid out 'gainst grey racks a sense
Of pink like fragile mists haunts to avail,
These naked boughs in lingerie black's scale
Just tinges, April clothed ere nightfall, whence?
O me!  The blacktop sports thin puddles fer
A touch of wet, and Friday's hallowed to
Some, good cuz dunno why, as we talk.  Were
It taxes or the missiles elsewhere, who
Shall--what?  I listen, laugh, want Andrew, poor
As saying is, and recall Mum:  all we knew.

14Apr17c
Taking for granted so much, scares me...like the fun we had over dinner and after tonight, me and my brothers...
Sally A Bayan Aug 2017
Colors, have ways of making us soar,
or fall.......they make us buoy...
they, too, can divide and isolate...
long ago,  a magazine
was colored and identified for a reason.....
also,
a kind of blue-sy music, upon which i groove,
...was named for the same reason...
.............a magazine..... a music genre,
became instruments...and parts of
dark and golden moments.......recalled
and enjoyed, every now and then...they're
painted.......registered in people's minds....

life is a magazine of stories, of  poetry...
life is a jukebox...filled with soundtracks
life is an album...a collection of smiles
...of colorful images and emotions
reddish brown at first...turning yellow brown,
with tinges of taupe.......mottled through the years,
turning...into fading shades  of sepia...

i refuse my late summer moments on earth
............to be done in Grisaille,
painted, only in tones of grey and dark green...
...it is written...one day, life would be hued with
subdued colors...the blues, silvers and grays,
...........will be cold as winter...

but, until then,
i'd rather be consumed with liveliness
i would adorn my days with peach and lilac
blossoms, hang fuschia pink pennants
on my wall....to brighten my disposition,
i'd practice...play the guitar once again,
i'll wear my ruffled, dappled-purple skirt,
and yellow converse sneakers when i walk on
the pavement....under blue skies that enhance
greens, and gold...colors that breathe existence
transforming weariness to courage...

wherever...whenever, however possible,
i speak, whisper to  God words of gratitude,
and endless thanksgiving...i  pray for strength.    
and acceptance........prepare myself...when,
.....i, too...would face my own moments,
...............of fading sepia.

Sally

Copyright August 6, 2017
Rosalia Rosario A. Bayan
***Sepia is a dye, deep brown in colour, like the colour of very old photographs.

***Grisaille-- is a technique in which a painting is rendered solely in tones of gray, sepia, or dark green.
  *
***Sepia--a magazine for African-Americans which existed from 1947 to 1983.

***In the late 1940s and early 1950s, R & B (rhythm and blues) music was called race music or sepia music.
almat011 Jul 2019
Hipper juicy, mega **** sweet candy

Oh God, so ****. Hipper juicy, mega sweet candy. Delightfully beautiful. I am uncontrollably drawn to you ultra powerfully. When you walk in front of me, this is a mega juicy and beautiful and very sexually exciting, seductive dance of **** buns. You are the most **** ****** dope of my mind and heart. I want you with all my heart, every night all night long flight. Your kiss is a powerful energetic, this is my strongest addiction.
*** with you is the embrace of true love. You're just super ****, too beautiful. Every second, when I see you, I think to myself: wow, just woooooooooooooooow, ooooooh yeaaaaaah, so hot well, just auch, toooooo much ****.
I can upload a lot of your photos into the computer and watch all day long for a slide show, and watch with great pleasure and just admire. All the compliments from all the universes just for you. I am in love with you over super ultra turbo mega, supa dupa powerfully. You are my ultra powerful *** attraction, your only passion, a powerful obsession with you.
When you are close to me, I’m supposed to be delighted, it’s like a multi powerful ******* vibratory pulsating sensation in my soul, when I touch you and embrace tenderly, kissing it is just indescribable pleasure, all this is mixed with true love, joy and true happiness. Time stands still as everything except you is not important, you are the only value of my eternity and eternity with you - this is heaven on earth. You awaken in me a hard ****** hunger because you are very appetizing, charming delicacy, chic dessert.
Luxurious, **** chocolate color of your soft skin , hypper juicy and sweet, hipper juicy candy . Than blacker the skin, the sweeter and juicier. Unbearably **** and beautiful. Mega ***** sweet dream is like an ****** jazz melody, a prelude to hot ***. I give you my ***** universal size, infinite amount of likes.
Than more I look at you, than more I'm falling in love you and get *****. On such as you can with great pleasure to look for ages, day and night for days on flight. You have powerful *** magnetism. The movements of your luxurious body is aesthetic erotica. The more I look at you, the more I fall in love. The blacker the skin, the hotter and hotter and torrid it is, the heat of passion emanates from it. You are synonymous with torrid *** and delightfully beautiful passion of romance. When your sweet skin is in sweat, it plays with the bright tinges of the eloquent colors of aesthetics with the highest form of seducing a very powerful temptation gently falling in love with yourself. I am quite clearly aware of how beautiful you are to the extent that beautifully illuminates the day and how it beautify
the night. Only you awaken in me a powerful unquenchable hunger for ***. My libido seems to be grilled like barbecue meat.
You are my sweet dear masterpiece of the universe juicy candy I will love so strongly others will just be jealous. It is difficult to believe in your existence that there can be such a beautiful girl. Gentle sensual chocolate is a supremely royal shade of luxury. Everything that is connected with a beautiful sweet, sweet and touching is associated with you. You are a beautiful girl to tears. You are too sweet like a sugar and so sweet and cute. I have powerfull love and *** addiction to you is even more than anything else.
Your love is the most invaluable and most valuable phenomenon in the universe.
Author: Musin Almat Zhumabekovich
seasons are in a annual transitional mode
bright shades of summer now fast disappear
making way for autumns colors to explode

upon the tree branches mellow tones appear
russets deep browns and liquid amber tones  
bright shades of summer now fast disappear

a time for recess where growth postpones
the waste of warmer days drifting around
russets deep browns and liquid amber tones

in the mornings lingering mists abound
gone are summer's brilliant azure tinges
the waste of warmer days drifting around

as months roll by winter's white impinges
a change of shade sits upon the land
gone are summer's brilliant azure tinges

the cycle of color patterns are never bland
a change of shade sits upon the land
seasons are in an annual transitional mode  
making way for autumn's hues to explode
A midnight black with clouds is in the sky;
I seem to feel, upon my limbs, the weight
Of its vast brooding shadow. All in vain
Turns the tired eye in search of form; no star
Pierces the pitchy veil; no ruddy blaze,
From dwellings lighted by the cheerful hearth,
Tinges the flowering summits of the grass.
No sound of life is heard, no village hum,
Nor measured ***** of footstep in the path,
Nor rush of wing, while, on the breast of Earth,
I lie and listen to her mighty voice:
A voice of many tones--sent up from streams
That wander through the gloom, from woods unseen,
Swayed by the sweeping of the tides of air,
From rocky chasms where darkness dwells all day,
And hollows of the great invisible hills,
And sands that edge the ocean, stretching far
Into the night--a melancholy sound!

  O Earth! dost thou too sorrow for the past
Like man thy offspring? Do I hear thee mourn
Thy childhood's unreturning hours, thy springs
Gone with their genial airs and melodies,
The gentle generations of thy flowers,
And thy majestic groves of olden time,
Perished with all their dwellers? Dost thou wail
For that fair age of which the poets tell,
Ere the rude winds grew keen with frost, or fire
Fell with the rains, or spouted from the hills,
To blast thy greenness, while the ****** night
Was guiltless and salubrious as the day?
Or haply dost thou grieve for those that die--
For living things that trod thy paths awhile,
The love of thee and heaven--and now they sleep
Mixed with the shapeless dust on which thy herds
Trample and graze? I too must grieve with thee,
O'er loved ones lost. Their graves are far away
Upon thy mountains; yet, while I recline
Alone, in darkness, on thy naked soil,
The mighty nourisher and burial-place
Of man, I feel that I embrace their dust.

  Ha! how the murmur deepens! I perceive
And tremble at its dreadful import. Earth
Uplifts a general cry for guilt and wrong,
And heaven is listening. The forgotten graves
Of the heart-broken utter forth their plaint.
The dust of her who loved and was betrayed,
And him who died neglected in his age;
The sepulchres of those who for mankind
Laboured, and earned the recompense of scorn;
Ashes of martyrs for the truth, and bones
Of those who, in the strife for liberty,
Were beaten down, their corses given to dogs,
Their names to infamy, all find a voice.
The nook in which the captive, overtoiled,
Lay down to rest at last, and that which holds
Childhood's sweet blossoms, crushed by cruel hands,
Send up a plaintive sound. From battle-fields,
Where heroes madly drave and dashed their hosts
Against each other, rises up a noise,
As if the armed multitudes of dead
Stirred in their heavy slumber. Mournful tones
Come from the green abysses of the sea--
story of the crimes the guilty sought
To hide beneath its waves. The glens, the groves,
Paths in the thicket, pools of running brook,
And banks and depths of lake, and streets and lanes
Of cities, now that living sounds are hushed,
Murmur of guilty force and treachery.

  Here, where I rest, the vales of Italy
Are round me, populous from early time,
And field of the tremendous warfare waged
'Twixt good and evil. Who, alas, shall dare
Interpret to man's ear the mingled voice
That comes from her old dungeons yawning now
To the black air, her amphitheatres,
Where the dew gathers on the mouldering stones,
And fanes of banished gods, and open tombs,
And roofless palaces, and streets and hearths
Of cities dug from their volcanic graves?
I hear a sound of many languages,
The utterance of nations now no more,
Driven out by mightier, as the days of heaven
Chase one another from the sky. The blood
Of freemen shed by freemen, till strange lords
Came in the hour of weakness, and made fast
The yoke that yet is worn, cries out to Heaven.

  What then shall cleanse thy *****, gentle Earth
From all its painful memories of guilt?
The whelming flood, or the renewing fire,
Or the slow change of time? that so, at last,
The horrid tale of perjury and strife,
****** and spoil, which men call history,
May seem a fable, like the inventions told
By poets of the gods of Greece. O thou,
Who sittest far beyond the Atlantic deep,
Among the sources of thy glorious streams,
My native Land of Groves! a newer page
In the great record of the world is thine;
Shall it be fairer? Fear, and friendly hope,
And envy, watch the issue, while the lines,
By which thou shalt be judged, are written down.
mEb Nov 2010
Odium above all odiums, I have militancy of you now
For I own isochronism; A vigor grim dispute; not now
Your slaying too vile
Uncouth by demands
Which was the admonition I had previously
Whod've known I'd command
Garble after garble, I'm Dexterrized where I stand
Dun and gnaw your way out, go on
The un-zoetic soon will spawn
Out with gyp of hints that dwindle
Furbishing these tinges; out the window of innuendos
Spells of chieftain splendor
Bespeaking of loyal grandeur
Now the eye clearly sees without fear
At dusk!
The ancient kingdom of Assur?
A flight in time and space from afar?
Was that ingenious creativity of flair?
Still bids indubitable eternal mystery!
Are clothes on man an anecdote of utter hypocrisy?
Is sarcastic humor a precursor of hidden sinister?
The animals hereof show their ******,
Undertone tinges of impeccant simplicity
Stirring poignant Achilles' heel character
As an infant suckling the breast of saccharine nature;

Lo! And behold…
Sage mortals envisage a grotesque quest for a promising stage,
Regnant and dignified?
The new-age psyches’ beatify and feebly beg
"Reform, in fact, is, rather softly, on the win”
The lighthouse flashing against the sleet-blurred fig twig
As every sacred notion becomes an unwavering origin certain,
With no remorse that mankind can now ascertain
The bewildering incarnation of science in religion!
Like a single lily among lilies in a dark dungeon
Great spirits now encounter violent opposition
“Un-awakened Children silently screaming with pessimism”
Hiding within the smooth sacred mask of personality
Yet the fear of “the unknown” silently plays a drowsier symphony
Calling back the violent rays to illuminate a peaceable destiny
Were illusionary realities conform to the whims of a veiled deity,
This goddess!
A mystifying inferno doing its own radiance faster
What a fuss!
So light-footed as love yet so heavy-footed as war
As if to justify the whirling gloom of despair
Like the bleakness of the morning cuckooing rooster
Or the dog which barks at his own image in a pond;
“What startling veneration”
Mortals without remorse still aspire to find
The misplaced diamonds and daffs upon the beamish ground.



Muhumuza  Kenneth Ezra.
Spriha Kant Apr 2021
On the muted music of the zephyr, the viridescent folks' dance and the fluffs veiled in white, sallow, and orange tinges glide in the mid-air. In this pristine swathe shield by a mysterious guard against intruders, there's no gravity to land from jovial vibrations.

© Spriha Kant
Andrea May 2016
once upon a time, you were every story in my head. you were fantasies woven during day and prose written at 3AM. i saw so much poetry in you, in everything you did. that was a sure sign that i felt something for you, that my love ran deeper than plain infatuation and crushing.

i wrote about how your smile could light up the darkest of days; my sunshine, my flashlight. i wrote about how beautiful i thought the callouses on your hands were, i wrote about how your flaws were never imperfections to me. i wrote about the lyrics you remind me of. i wrote your name in cursive on the back of my hand along with words of promise and endearment. i scribbled you through the margins of my notebook with poetry and song.

but oh, it wasn’t all just fairy dust and wanderlust.

my pen bled ugly words, rage and heartbreak and jealousy. prose after prose of how you’d leave me in the rain, how you always made me feel like i was either too much or not enough. they were angry taps to the keyboard. pens tearing in to paper. the horrors of them made e.e cummings turn in his grave, the curses of young love would have made shakespeare proud.

you knew about that. you knew about how i meticulously wove words together for you, words that would have made other people fall in love. and not once did you appreciate them; you threw aside my gifts of poetry and prose like they weren’t about you. like they didn’t mean a thing.

if you read them, you would’ve seen how much i adored you. if you read them, you would’ve recognized a love so unprecedented, unrivaled, untouchable. but you didn’t. you never got past the first stanza, the first paragraph, the first three words before giving me a half-hearted thanks and changing the topic.

and so i started to write about you less. my words began to lose it’s substance, my phrases got shorter, my metaphors making less sense. and you didn’t notice. you never noticed how you slowly faded from the thing the one thing that mattered more to me than anything in the whole world.

you faded, then you were gone completely.

i no longer write about you. wait, no, that’s a lie: i no longer want to write about you. i hope this is the last time i do, the last set of words i’d dare to pull together for you. you don’t deserve to know how i feel about you, you don’t deserve my poems or my words anymore. god knows my words are all i have, and i can’t love you if you don’t learn to love them. i’m sorry; call it selfish, or unfair. but these words, these words, my words. how can i write about you if you don’t– if you never– valued the best gift i had to offer?

you’re now just some left-over papers that i keep under my bed, one day to open and read with tinges of nostalgia, but never to re-write again.
I have read a sonnet of tragedy
I have read about melancholy too
I know what that means if you have that love
Appreciate if he be God above
tragedy-melancholy be the same
a sonnet of drama disappointment
full of autumnal rustling leaves actions
the finest tinges down in the abyss
the sonnet of my tender love my bliss
I address this only to my darling
sweetheart, honey, how can I call you now?
regard this sonnet as my purest vow

you know that this sonnet is meant for you
my precious truest vow for you, darling



© SYLVIA FRANCES CHAN
Friday, 5th December 2014
A Sonnet for My Truest Loce
Chapter XXVI
Messiah of Judah IV part
Miracle  V - Gethsemane / Aramaic Phylogeny

They come out of Bethlehem, all on the Giant Camels. Of the seven spaces in the column, the last one that was occupied was the seventh where King David was going. Of the five spaces that remained, the Cherubim were going they were playing with Raeder and Petrobus; they would shine with their adventures flying towards the heights of the majestic Sun. The cherubs tinkled with the tinges of angelic Abrahamic beings, involved in the adoration and praise of the Caravan. Cherubs are mentioned for the first time on the route back to Jerusalem, with the great participation of bumblebees, bees and wasps, all flying alongside the Cherubs, Raeder and Petrobus and Alikanto. They would all stay up to seven hundred meters before reaching the eight gates and returning to the garden of Gethsemane. They were surrounded by dance in the Aramaic phylogeny. The bumblebees were embedded in the hills laden with echoes outside of man…., Putting themselves to the east of the Garden of Eden in rows of Cherubim, with a burning sword that was stirring everywhere, to guard the path of the tree of life. Ezekiel describes “four living beings” as the same beings as the cherubim, each had four faces that were like man, lion, ox and eagle - and each had four wings. Regarding the appearance of the cherubim: "there was in them the likeness of a man" These cherubs used two of their wings to fly and the other two to cover their bodies.

Beneath their wings, the cherubs seemed to have the shape, or likeness, of a man's hand that resembled the Aramaic phylogeny, which linked the organic environmental pollinations of the Lepidoptera, which were carrying the fertilizing spheres to reach the scrawny angiosperms. The Christic language was inaugurating on the fringe of the frolicking land, which awaited the inauguration of the Linguistic Phylogeny, to attend to the edicts for the perenniality of language, which relates Gethsemane to the olive presses, the cherubs flapping their wings to reach the father - Abba. With the flashes of the Apocalypse the Cherubs danced happily, magnifying the presence of the Apostle in the Hexagonal Birthright with the holiness and power of God. This is one of their main responsibilities throughout the scrawny abbey of members mobilizing to meet one of the twelve apostles with propaedeutic assonance attached to the twelve giga camels, in addition to singing praises to Iahvé, they also served as a visible reminder of the majesty and glory of the Messiah.

The Apostle says by parasychological regression: “A fascinating walking route in Jerusalem begins at the top of the Mount of Olives and curiously leads us to the route that will be taken after the evangelical legs of the camelids that will take them to the Holy Sepulcher, continuing through the Damascus Gate ..., here the camelids were restless! Very close you could see the topography on the top of the Mount, between the route of the feet of Bethany and Jerusalem, the Garden of Gethsemane appeared to us full of Cherubim ..., Joshua's prayers in Aramaic are felt sneaking into the camels' snores as they felt the prayers before his arrest in the Orchard. "

In here, at that moment, it happens that the bumblebees arrested the apostle, taking him to a specific sector of the garden, where sacred water and humid wind continue to flow, having olive trees growing in the garden of the embossment with huge risers, to be bordered by the oil pipeline in olives to grace the Lord on the laurels in Daphnomancy, as a holistic form of divination by which they are intended to make predictions using the leaves and branches of the laurel, chewing the leaves beforehand and then igniting them towards the crackling of the sacred fire of Aramaic Gethsemane that lit the Joshua's sacred paths and feet, and the Cherubim also carried on their four wings, with four laurels on each laureate wing. Thickened with palm energy, they walked towards the main entrance of the alzamara. They arrive in the surroundings of Gethsemane, surrounded by the Daphnomancy of the laurels that the Cherubs, the bumblebees and others carried on their wings that would be in charge of inseminating the pollinating particles in the angiosperms, thus they would rescue the smallest words and their verbal serial in the words that were transferred from the Kafarsuseh stable in Betehelem, so as not to misplace the Aramaic word, being thus redistributed to Gethsemane, by the Lepidoptera and bumblebees, wasps and bees.

This inter-organic phenomenon would make re-couple the verbalized accents of Joshua in mature and unborn age, in such a way as to preserve the Aramaic dialect, to re-clone the same groupings and intentions as the environmental phylogeny of the dialect, in cultural ritual that would write it. with the insects and the Cherubs, to re-enchant all the pluralities that would be arranged in the Garden, to energize the oil pipelines for the salvific and appearing of the image of Saint John the Apostle, King David, Vernarth, Etréstles, Eurydice and the remaining that compose them beyond the seventh camelids until reaching the last one; the Fifth Cherub who will be the scribe present with Peter and the two sons of Zebedee; only one with the close in great courage San John.

His Holiness Joshua said: “Abba…, Father, all things are possible for you; take this cup away from me; but not what I want, but what you. Then Joshua came and found them sleeping; and he said to Peter, Simon, are you sleeping? Have not you been able to watch one hour? Watch and pray, lest you enter into temptation; the spirit indeed is willing, but the flesh is weak. Again he went and prayed, saying the same words. When he returned, he found them sleeping again, because their eyes were heavy with sleep; and they did not know what to answer him. He came the third time, and said to them: Sleep now, and rest. Enough, the hour has come; behold; the Son of Man is delivered into the hands of sinners. Get up, come on; behold, the one who gives me is approaching. ". From a few lively little, henchmen lights were seen to the greater discontent ..., they were the executioners, attached to the hostile broken leaf of the laurel that fell on his back" On fire and cracking in all their offspring "

The anticipated visions were fertilized by the Cherubim, who advanced events in the chronological life of the apostle, which was related to his life as an apostle and evangelist of the new succession after returning from exile. It was coming close and entering by a path, it was a path where the lines of oil pipelines were that crossed the subsoil of Gethsemane.
Fifth Cherub Septuagint: “As a scribe of the Hexagonal Birthright, I refer to two hundred years before the birth of Jesus, where he developed a Greek translation of the Hebrew Scriptures that became widely accepted as a legitimate (even inspired) translation. Tradition relates how King Ptolemy II of Egypt established a vast library in Alexandria. However, it was not complete, and I wanted to have a copy of the Hebrew Scriptures in it. Ptolemy sent representatives to Jerusalem and invited the Jewish elders to prepare a New Greek translation of the text. Seventy-two elders, six from each of the 12 tribes of Israel, came to Egypt to fulfill the request. And like your Santiago you will write with me the allegory that will shine more in Alexandria. They were driven to the lonely island of Pharos, where at the end of 72 days, their work was completed. King Ptolemy was pleased with the result and placed it in his library. When the task was completed, the translators compared them all and each was found to be miraculously identical to the others. The result later became known as the Septuagint (from the Greek word for 70) and was especially popular with Greek-speaking Jews during the following centuries. Hebrew was displaced and Aramaic prevailed, which is the New Testament language that will influence the eclectic Aramaic language that was also promoted to heaven with Joshua to communicate with all the preaching of his Father, in the sacred phylogeny with the Lepidoptera and her entourage. "I am sitting on the last camel, and I know I will be the first.

Ellipsis  Prophet  Elijah: “They were on Mount Carmel, when I summoned the faithful of Baal, Ashera and others. I summoned them to seal a new covenant on the slopes that pointed to the barking in Jezrael, from which a long and cursed drought was lamenting. At the moment all the congregants were absorbed by the imprecation he made before Ahab, inquiring the abandoned Baal and killing the 450 pagan prophets, they called Baal in several days and nights and did not answer, Elijah mocked him saying: “Call him with all his strength. Maybe he fell asleep and needs someone to wake him up. “The people gathered on the mountain, and then Elias told them: “You have to make up your mind. If Jehovah is the true God, follow him. But if Baal is the true god, follow him. Let's do a test: the 450 prophets of Baal must prepare an offering and call their god. I'm also going to prepare an offering and call on Jehovah. The god who responds by sending fire is the true God. “The people accepted. Elijah put his offering on an altar and poured a lot of water on it. Then he prayed, "O Jehovah, let the people see that you are the true God." Immediately Jehovah sent fire from heaven to burn the offering. The people shouted, "Jehovah is the true God!" Now Elijah said, "Don't let any prophet of Baal escape." That day, they killed the 450 prophets of Baal. Then a little cloud appeared over the sea, and Elijah said to Ahab, “Here comes a storm. Prepare your car and go home”. The sky was filled with black clouds, the wind blew and it began to rain very hard. The drought is finally over. Ahab left in his car as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems over?

The ground shakes and the initiations of the aramic roots appear, after the intervention of the fifth Cherubim and the prophet Elijah on Mount Carmel, the Phylogeny is testament to the links that flow between the subterfuges of the re-dogmatized civilizations by obviating languages and pagan dogmas. In this genealogy, there were the bumblebees, bees, wasps and Lepidoptera dispersing all this storm and rain before they all reached the arenas of Gethsemane, with the perfect annexation between the idiomatic form and the species communicated with the living expressions where so many times the Joshua's feet circled the Gethsemane tapestry. Without doubt here these species will establish the DNA, and its molecules for the successful genetic derivation for an evolutionary environmental testament in the establishment of pollination in the orchard.

Phylogenic dogma: The coincidences in morphological and embryological themes will be located in the garden, with a great genetic relationship and evolutionary similarity. To the garden, to eternalize the concatenations of both topographic niches, in such a way as to root the Aramaic in every organic element and not, to provide the great prevalence of an eternal pacifying and luminous discourse in creation that does not pass away, but rather is It reactivates with these procedures in a new phase that will be inaugurated by the Apostle and Vernarth, reestablishing the premature hegemony of the garden, as a link between birth and resurrection.   From the ratio Nazareth - Bethelem / Kafarsesuh - Getsemani. Of these diversifications, the key will appear with the trees and their adaptation to the environment and the new Methodist dogmatics, to adapt it to the material and immaterial elements as a habitat of paradise in Judah, with adequate species and aware of their own self-preservation and self-evolution.    At the Service of Joshua, preserving the Aramaic dialect as the axis.

Vernarth says: “In Greek mythology, Ilithia-Eileithyi, is our Hellenic goddess of births and midwives. In the cave of Amnisos-Crete it was related to the annual birth of the divine child, and its cult is connected with Enesidaon  the - shaker of the earth, who was the chthonic aspect of the god Poseidon. My divine child has similar "Behold the Fifth Miracle" coincidences both in a cave or stable. Ilithia is seen with the torch carrying light for the children to come to the world of the Messiah. Now we will shake the orchard, from its nascent oleaginous ducts in which we will have the salvific light that will flow from the hyposa secretion of the candelabra with the olive oil before a new messianic verdict, where we will populate the cave of the earth as a great similar light which will accompany the Shemesh-Sol philosophy, bearing witness to the Messiah and reconciling us with his instructions as it was in Jezrael and now in the orchard.

Under  edit
Chapter XXVII    Messiah of Judah IV part Miracle  V - Gethsemane / Aramaic Phylogeny
seasons are in an annual transitional mode
bright shades of summer now fast disappear
making way for autumn hues to explode

upon the tree branches mellow tones appear
russets deep browns and liquid amber tones
bright shades of summer now fast disappear

a time of recess where growth postpones
the waste of warmer days drifting around
russets deep browns and liquid amber tones

in the mornings lingering mists abound
gone are summer's brilliant blue tinges
the waste of warmer days drifting around

as months roll by winter's white impinges
a change in shade sits upon the land
gone are summer's brilliant blue tinges

the cycle of color patterns are never bland
a change of shade sits upon the land
seasons are in an annual transitional mode
making way for autumn hues to explode
Mateuš Conrad Mar 2021
one might, invariably, drink red wine infused
with garlic to ward off evil spirits -
or as some claim...
50ml of the stuff at daily intervals
is part of a plan for slimming...
  me? i just don't mind the taste...
        like i wouldn't mind a kiss from an onion
or... slobbering into an ash-tray
sort of a girl mouth in one of those sticky floor
nightclubs circa the early 2000s we go into
for underage drinking...
being boys i do wonder what sort of *******
escapades we were supposed to unearth...
it's not like we were Pan-Am stewardesses
readying ourselves for some glitz,
some Ritz... some... thespian shadow-thieving
on the pristine screen...
garlic infused red wine...
it's not so bad... even though it's not mine
since, after all: the best ***** on the planet
is not your own - blah blah, blah...
but lucky for the 500 quid front suspension
trek marlin 5 arrived today and...
tomorrow i go catch the wind...
it feels like being six-teen again...
not that walking marathon distances is
a problem: Pots to herr belly...
from 104, kg, to circa 107, kg...
and that's still more than half...
of what mass-loss ought to "feel" like...
although... it doesn't feel like anything
when the "subjective" numbers come
across the "objective" numbers
but unlike walking...
where time and distance and the dimension
of movement are most pronounced...
a bicycle is unlike a horse
but is like a dog...
somehow...
   a bicycle is most certainly not a car
and a car is most certainly not a horse...
but a bicycle is... not...
it's... unlike a horse...
but like a dog...
that it's not a dog is pretty obvious...
but i'm conjuring up...
concepts like muzzle...
leash... WD40 oil for the chain...
and... enough air in the tires...
since we're not talking a road bicycle and
nothing has to be slender jimmy either...
it's a pristine orange...
the colour does matter, somehow...

when i liked jazz i stopped digressing
into classical...
when i stopped digressing into jazz
i allowed myself for
classical music to become complimentary
to things - complicated...
not that jazz wasn't...
but what it wasn't was that it wasn't
scripted and all that
"spontaneity" revels in exhausting itself
somehow: becomes predictable...

a jazz "us" vs. a classical "we": vs.
nothing so much clearly even remotely aligned
to that...
it was a Friday night and i was this close | |
to gauging my eyes out
after having watched a director's cut of a movie...
it beat the standard bearer...
whichever it was... Ben-Hur or Spartacus...
nearing to 4 hours of...
by the end of it: almost gauging my eyes out...
hardly Pavlov or drooling...
of making me an infantilised *******
sputnik moon-key...

a sense of: culture is dying...
what's predominately being "served"
is cancel is cancel is cancel is...
well... to overcome some variation
of nihilism ascribed to morals...
we found the modern woman in the 1950s
and 60s...
the supposed, modern man...
we'll find in the 2050s and the 2060s...
if we're lucky...
when a somewhat status quo returns...
otherwise: what's on offer is still
a dynamic of "arrogance" / agitation...

my insomniac libido...
my insomnia's insomnia...
why i wouldn't doge a cocktail of
alcohol... 250mg of naproxen...
and something resembling para-cet-a-mole
to switch-off...
i switch off:
i don't fall asleep... always...

complete with a thorough hard-on
i can exactly fathom by diluting it over
a mortal conversation with the opposite ***...
because there's this illusion
and it's stupendous...
etymological relaxation in order?
evidently history is placed within
a self-erasure composite glue...
work around this architecture...

my first... bicycle route...
the tires are pumped up
it took me close to 7 hours to walk
to st. paul's cathedral and back...

then one of those:
write everything via an anagram...
anagram: soul - losu -
                 los - which implies... fate...
losu? implies a possessive article of fate:
i.e. fate itself...
fate's whim...
              i had a dream yesterday...
i'm adamant the person i spoke
with dealt in the term... RESURRECTION...

i think i was talking to a zombie in a dream,
whoever i was talking to...
like the hues of Baltic amber...
an allotment of greens and blues...
tinges of orange mingling with yellows
and ripe reds...
nothing purpose filled like
purple followed: for the clarity of
dignifying mourning...
or an eternal clue for blue...

i was drinking medication!
i was duped!
two variations of grammar to decipher...
what it was i was drinking...

but i'll need to speak something
older than colt hing-leash...
i.e.
  garlic infused red wine
red wine infused with /
                                  by garlic...
it's a slimming elixir... apparently...

here goes! dive!

             knoblauchinfundiert rotwein...
rotwein infundiert mit /
                         durch knoblauch...
if i were drinking my own pīß...
                                         not enough: pish!
                                       pysh...
passer... by...    zilch on a leash...
it's a mix-up between py-š and py-ś...
     no... it's not even remotely related
to                                         π-σζ
ask a greek, though...
whether                           σζ can be coupled
like ae or oe...
                             given... SH... &...
                                            μαμ ση...
even the complexity of the mandarin skeletons
doesn't allow them to conjure up
more sounds behind the letters
that are already: a priori...
left... available...

tangled up in the affair of the "gods": or: not, god...
a mother seeks a supposition of a son...
we tells her...
while at the altar of words...
i began this session with red wine infused
with garlic... i'll end it with some
mulled wine...
the cat's my winged sphinx...
the cat's my winged sphinx...

for the toils beckon me remote...
i harvest a lineage that has to come to an end...
mother dear why you will not be grand...
while i won't be the fathering kind...
like it might not excused
for that thespian reality of....
gearing up to: froth forth at a pronto...
my red wine infused with garlic...

i knew i had to lend an ear to
the deutsche-zunge like
like Wend...
nieme-ludzie.... niemdy-lud...
although their black-forest gateau was
to... die for...
older than english...
this modern leash of...
this isn't the 21st century... is it...
this isn't the century of the culimation
of expectations... is, it?
if it is... where was "ground zero":
this... "Golgotha" of the supposedly
requested hour?
by what hour... are hours worth a count...
that sort of hour-ing, yes?

by the demands of what "suffices":
that i didn't speak with a god...
that i did encounter a chanced audience
with... the ******* choir... yes...
how does that sound...
having smoked marihuana
and having to "somehow" usher in...
something so antithesis of cosmopolitan...
sensible: i came across the god's choir...
but not god himself...
i cowered and started rummaging
occupying a space
before the great altar...
the great altar, so be it...
amen...              i hid under the tablature in
a white cloth...
an F a TH a PH but not a P- (prefix lady
added to the "complexity" of a response...

i met the choir, before i was allowed to
meet the deity...
last time i heard... from kabbalistic sources:
upon meeting the deity the sure
and impeding quest for death:
a clear sky... but a streak of cloud
making a quill be resembled, symbolic...
detailing a quasi-barricade...
between reality, reels, real and the races...

for an audience:
but such details are supposed to be...
confided without a public scrutiny...
then again... given my timing...
timing: not having to father children...
no ambitions of such: deeds... therein imploding...
red wine infused with garlic
for starters... mulled wine to finish it off
with an amnesia of sorts...
Rea Jan 2021
I think back to our first moments together.
Sneaking eyes under flower crowns and balloons.
Looking across crowds of people for you subconsciously,
noticing you noticing me noticing you.
To look back on that time tinges everything with a vintage haze,
like viewing the history before something monumental.
Each person holding their breath and each step bringing us closer
to everything.
I want to go back to the first time I asked myself "what if it's us?";
the first time I truly saw you for everything that you could grow to mean to me.
"I'll be cleaning up bottles with you on New Year's Day"

"I guess that's any relationship, you start with nothing and maybe end with everything"
JA Doetsch Aug 2016
I'm overcome with sadness

It's not the biting sadness
  The choked sobs
that are brought about
by the jolt of a sudden death
or the fresh sting of
a broken relationship

It's not the aching sadness
  The somber introspection
of missed opportunities,
of wasted days
of long lost loves

It's not the oppressive sadness
that depression brings,
wrapping around your head
in suffocating silence
that leaves you numb to the world
that makes you believe that happiness was
only a fairy tale

Rather...

It's the warm sadness
as the tinges of autumn begin to show
and you realize that the summer
was never meant to last forever

It's a familiar sadness as you realize
that everyone changes
and the person you once were
no longer exists, for better or worse

It's the sadness that nostalgia
tows along with fond memories
of summer vacations
of drunken antics
of foolish lust
of fading friendships

The sadness that tells you that
"Things will never be this way again"

But also reminds you that they were never supposed to be

   and that's perfectly alright
Been almost a year, figured I'd dust off the keyboard and see what's kicking around in my head.  I'm happy to say this one came out pretty easily.
Frank Corbett Dec 2012
The singing of guitars sends flickering sparks from the ground,
like fireflies, dancing with the tinges of sound,
a beautiful limitless sky unfolded before us,
It could be torn down for them, if they wanted.
Introspection brings silence on public transportation,
because of independent movie scenes that break the outcasts' form,
and so they wear their pea-coats and knit caps,
and paint the picture that they're unique,
when the individuality of an individual cannot be measured through appearance alone,
it is a life-spanning process,
in the choices we make,
and the promises we break,
and the pills that we take,
that erase our memories and turn us into marble statues,
beautiful husks with nothing really inside.
We say that we're profound,
and advanced,
so we take to the ground
without another glance
and shake this rock to its core,
just to find the meaning,
of suburban children,
who spend their lives dreaming,
to prevent rhyme or reason,
cannot be the case,
as across any seasons,
winds will whip your face,
and hold their sting,
as if to say,
“you are the sum of percentages,
dividing the minutes in a day.”,
standing on this precipice,
can we dare to try,
to make real these internal lists,
and bring them in contact with eyes?
The critic a pauper,
The sinner be free,
realization of our appetites,
limitless.
Subrata Ray Sep 2014
Arpita ,-The Only one .

There is one ,
Only one Arpita ,
With ten thousands synonyms ,
And two Nature’s amplitude ,
To cover sense of love ,and that of feeling ,

The widened unconquered ,
Ripples beyond the horizon ,
And the frictionless revere ,
Mingles with the waited time ,
Lo ! the colossal silence chambers the rime .

Hers is the eternal Divine in love ,
And she tinges the hearts ,
With the magic fragrance of frenzy ,
She impels ,she awakens the slumbering soul ,
There is only one Arpita , that arises and rolls !
Iris Liu Nov 2012
knocks on your door
hey, have you eaten
silence answers me
empty of feeling
i stand for a moment
maybe a moment too long
strike a match of conversations
eye contact too strong
he wandered down the hall
looks like he’s waiting too
my hips on the wall
smirk as if he knew
what was on my mind
look deep inside and would not find
for my thoughts were shallow
temporary tinges, restraint on the hinges
a shuffled playlist on down low
can you hear me now?
play, silence, music, rhyme, empty
Deep blue, deep blue - morning by the ocean -
The same ocean as my ancestors,
And their ancestors,
And their ancestors -
The same ocean as the dinosaurs -
And so I can't help smiling,
Feeling a part of a long long long lineage of ocean dwellers and dreamers -
Folks who fell in love with the romantic tinges of Ocean's Eternity -
Wrapped up neatly in coming/going tides,
In and out, in and out
Without ever stopping
Because eternity stops for no one -
And so I smile, knowing that my body will one day join
The millions of my ancestors and their ancestors
Deep deep deep in that blue rushing infinity called "sea" -
And freedom crashes upon skin
Washing away dirt and cleansing the mind for a new day -
Part of the old day -
Day of the same eternity -
And there I smile -
In the deep blue,
Because there's always more beyond the horizon -
Another land, another shore -
And I always yearn for more
Because the sky is my witness
And the ocean is my woman
And the three of us melt together into the circus of Life
Where we each pretend to be separate for a little while -
But in the deep blue silence of night,
We secretly whisper our memory of unity
Under the safe-hold haven of moonlight and stars,
Keeping warm under the blanket of infinite space -
And I smile knowing I'm never alone,
Even when the tide leaves me
To rejoin that deep deep Blue.
Mateuš Conrad Sep 2016
i'll be the one fattening the nationalists like
they're worthy to inherit the swine skidding
kinds of talk of the famous winged Hussar toppling
mountain in stone as in grain of sand: avalanche -
and akin to a crows' kraken bellowing: gluttonous kra!
und tod! schatten överskuggar död:
and what yearn be dripped in acknowledged European -
loftier thought than done, kindred of what's called
the civilised / colonial world - toward the auburn horizontal -
and in due bereaving: left undone, and unduly asked for:
to be grasped as worshipped, quasi Lutheran,
mingling Calvinist and Catholic... but never the love affair
of Henry VIII. so much of modern English
history is bound to Las Vegas, and so much to the Hajj toward
Jerusalem no one cares about... then so few to mind
the invasion of the Polish-Lithuanian
Commonwealth by the Swedes... because this is England,
and Cockney speaks, usurper of the royal tongue, due to pride,
due to the elephant man, due to jack the ripper and
harry the stinker... and the joyous rhapsody coming
from the lonely mile in Irish slang; or said: Mamelukes -
because the Mongols were at one point defeated -
and thus grieved the Baghdad skull with tinges of Hamlet -
oh the grand  library, what was left of it, could remain
enshrined in Texan avoidance - not to be:
Chilcot Coke - Cooled Coca and later Koala - Bruise and White -
thugs' select - later respect'ah - bony g and later bonbon
and much later bony m - and much much
later Alfonso Jalfrezi - alias gaga: and all the culinary sagas,
the Forsytes of Malta... or the Forsytes of Málaga?
i'm sure that question is all about:
                   wherever the peppercorn blows
        and wherever the sneeze deposits a hunch
toward an itchy cartilage - from an itch and a scratch:
                            a butterfly! well, isn't this
the most beautiful of all possible worlds...
sorta makes you want to get up in the morning
and say good-morning to someone.
Diána Bósa Oct 2016
Trying to fathom
the science of colours, the
beautiful swarm of
shades and tinges: the abyss
and the heaven in your eyes.

— The End —