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Shadow Paradox Dec 2014
~
Ivory-teal ruffled his parochial feathers
His tongue dipped in languages
He wanted to learn the pronunciation of life
As he folded himself in Egyptian ink

He opened his mind against the dioramic surface of syllables
Painted in alloy; dripping from a papery canvas
He brushed his ivory creme feathers
in crimson and lavender hieroglyphics
Bleeding their pictorial valor inside a golden sepia lantern

"Go on, light the world with your suspense and mystery"

Ivory-teal twittered to himself
Wrapping the bijoux night around his little body
he disappeared into the stars
The teal birthmark on his forehead; glowing

He took the lantern in his gold beak
fluttering away into spirals of smoke
Toward Mythology mountain
Where a storm of butterflies
were winging their seasonal weather

Ivory-teal sometimes wished he could be a candle flame
Flickering in the darkest of moments
Letting the sunshine bleed through his beautiful feathers and soft skin

But his destiny was a bit different
He was folded in cultural prophetic proverbs and
sewed neatly in parabolic traditions
Where nationality is mixed into colorful pixels inside skin
Accents are curved in throats and lilted on the edge of tongues

Ivory-teal was carved in diamond flex dreams
In a temple of mythical patterns
Imprinted in mercury cocoons laminated with knowledge
The Angel Apostles printed him in their book of Dreamtales
Where he became a bilingual silhouette

He was birthed right here on this mountain
As he balanced himself on thoughts
He had learned to love himself to this point of his life
He wanted to be the change he wanted in the world
He gently lifted the little lantern

It rose up toward the sun and exploded into rainbow fireworks
The contexts that were inside split sideways
Tilting and pressing themselves into the air particles

If birds could smile then that would've been Ivory-teal
As he laughed quietly

"Now breathe in earthlings, breath in the wonders and knowledge of life"

He then spread his gorgeous ivory creme wings
tattooed with all the languages of the world and life itself
He twirled into the sunset and bled himself in a cloud

A mountaineer had been watching and wondered to himself
As he unknowingly breathed in the context from Ivory-teal's lantern

"If flying is a language I would love to learn and speak it with my wings"

But shouldn't he know that language already
For it is the language of freedom
Ivory-teal is one of many symbolic accents
Of that beautiful language
~
Nicole Tracii Mar 2019
[April is ****** Assault Awareness Month.]

“****** Assault Awareness Month” is *******.

For 30 days you’ll wear a teal ribbon and hold “We Believe Survivors” signs.

But
Should I thank you for 30 days of ally-ship?
No.
Did you believe me on March 31st?
No.
Will you believe me on May 1st?
No.

30 days.
You’ll scream
ALLY ALLY ALLY
Believe survivors
ALLY ALLY ALLY
Support Survivors
ALLY ALLY ALLY
Hold rapists accountable.
ALLY
Bull. ****.

Go ahead and pretend ****** assault only happens in April.
Throw out your teal ribbons on May 1st
because it’s not ****** Assault Awareness Month anymore.
You don’t have to care anymore.

But I do.
What my rapists did is something I live with
335 more days
than you’ll care about an issue.

You don’t realize the ribbons you pin your bags and shirts are
smaller
than the
bruises he left on my thighs
But
you don’t care what one survivors thinks of you
so long as the world knows that
for 30 days, you wore a teal ribbon

Your message of ally-ship
30 days a year
doesn’t erase
your hypocrisy the other
335 days.
ConnectHook Feb 2016
by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.


Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865
In its day, 'twas a best-seller and earned significant income for Whittier

https://youtu.be/vVOQ54YQ73A

BLM activists are so stupid that they defaced a statue of Whittier  unaware that he was an ardent abolitionist 🤣
Eridan Ampora Jul 2014
Sarah
You're smart  and funny  and kind of really loud
But that doesn't mean I don't want you to talk
And though I do things you don't want me to
You know it's true
I can always call you if I need to
And you know you have me to

Cause I'm pale, pale, pale for you
There's no combination that beats teal and violet
Pale, pale, pale for you
We're Moirails through and through
And you know that I will always be with you


lalala


Don't you know
I see the way you talk about your dad
I didn't know him at all I'm sorry
It's okay He's in a better please  and I'll stay
But please don't ever push me away
When everything crumble beneath your hands
I'll be there to be the one who understands

Cause I'm pale, pale, pale for you
There's no combination that beats teal and violet
Pale, pale, pale for you
We're Moirails through and through
And you know that I will always be with you

lala lala lalalalalala lala lalaaaooo

Sign your Kik name with YinYangs
I'll make cat faces too : 3
Put up with my HomeStuck shenanigans
And I'll be there there you
for you

Cause I'm pale, pale, pale for you
There's no combination that beats teal and violet
Pale, pale, pale for you
Pale, pale, pale for you
Cause I'm pale, pale, pale for you
There's no combination that beats teal and violet
Pale, pale, pale for you
We're Moirails through and through
And you know that I will always be with you

lalala lala lala la la la la la
For Sarah! My Moirail(Faded Friend in Latin!) Pale means I can't live without her! <><><><>
*** MY MOIRAIL SAW THIS!
Fixed some things and edited it to more of the song since I'm weird like that
Alex B Jun 2018
Someone stole my color
And threw it to the wind
Scattered like ashes
I don’t know if I’ll ever find it

Someone stole my color
From the face I know so well
I saw it in the cotton candy clouds
And the teal ocean swell

Someone stole my color
I guess that’s where it went
The world looks so much brighter
Like something heaven-sent

Someone stole my color
And that’s what no one knows
Depression isn’t black
It’s the color of a rose

It’s the light orange in a sunset
And the yellow of a peach
Light blue, my favorite color
So simply out of reach

Purple like my favorite eyeshadow
No, lavender, I’d guess you’d say
And my favorite music artist
Although he has passed away

Someone stole my color
Now everything’s too bright
I suppose sometimes darkness
Isn’t the opposite of light

Someone stole my color
So I’ll wear grey and black
As if in mourning
Until I get it back
Eridan Ampora Jul 2014
A High Classed girl
Your funny and loud
Your kind and gentle
But you can **** **** up
When you need to!
You're my Moirail
My other half
My Best Friend
I couldn't live without you
Teal and Violet
Go so well together
For Sarah, wwell  you all could'vve guessed it from me saying Moirail or Teal
E Bhrèagha Feb 2020
Teal like aluminum foil,

Bleeding gums, spitting blood


Red as lipstick stains

Left on paper cups of coffee,

Melting the way chocolates do


Cracked knuckles from

Too many seaside winters,

Rich cocoa skin like leather


Mouth filling with soap bubbles,

Teal like synesthesia.
SWB Nov 2011
If this field is the earth's teal scalp,
then it's itchy, taught, and dry
lacking volume, moisture, shine
and in some spots split wide-open.

Or could this be one of Nature's plain reasons
To shut down for a nap through cold seasons.
Telling us to go home with our parts and our combs
but we're welcome to stay if we're broken.
Martin Narrod May 2014
"I know your vexed great spirit, miles away, a gentler more playful you thrives on a journey of life. There among a ridge, the plateau where you dance, leaping, ripping yourself out of the air,escaping towards the light. Free from the weight which chastises and locks you up. Out of the medicine cabinet quaffing your deepest breaths, urging your hours shorter and shorter. You cascade like glass buttons scattered on the desert floor, let those wet cloths be forgotten, may your sorrow disappear amidst that great arenose simoom.  When the ghibli makes you stutter before the bright outlook you once displayed, do not forget to visit the flowers that bring you the most  peace of mind"------------------------------------------------------------­------------------------------ It's here. In the pile-ons, wrapping around your head like a cool, wet bandage, keeping out a headache, or the rancorous guilt of an ugly night. It sits on the top-layer of your forehead, beading off in fresh droplets of self-pity, uncomfortable and self-defeating restlessness and despair. I rub it with my hands, removed each new wave of desperation and soothing your hairline with a swath of my hand. I raise up, your cucumber colored walls, that bright pink bedspread, nothing different ever changes. The masonite paintings still there, that old familiar **** carpet, a thatch-work of menage-a-tois and fifth grade-style arts and crafts. The light bulb has been out for six years, third drawer right-side down is still stuck, a mystical blow dryer blocks it closed, and the door won't ever quite close- I take a shower with the world wide opened and you trailing a fastening steep. And so your fever rises, your feet soak in a tepid iron clad bed frame while your mind rattles against your skull. Thirty days have past, lifeless, echoing in this wicked upstairs chamber. The West Wing. Slatted blinds, the white dresser, the Chanel books, the pool party photos, the blue swim-meet t-shirts, the fake gold trophies and the true gold hairs on your head, my fingers dash across your forehead again meeting your brow with the cool folded washcloth, I reach for your back and you turn, slightly rolling; something routine, unsteadied, even wicked limps in a stress ball inside your bottom lip. It's just a quiver. Nothing different ever changes. It's the devil inside, and I am nowhere to go. Maybe midnight or maybe twilight. Every hour of morning is another hour of night I'm ever taking my sleep back into. I don't count the days, just mark them in the thoughts of worry that flurry through in brief thoughts. I am obsessed with care-taking now. Three hours have passed since I showered you out of your black party dress and sparkly Gucci slip-skirt, since I took bits of post-digested food from your hair, held your nose with a tissue and told you to blow it all out, again, another night of building a sick room and sauna. I never tire, I just make arrangements, I build a small room and I wait the weight out. Nothing different ever changes, and I don't expect the unexpected or dare to meet your smile again.-----------------------------------------------------------­------------------------------ Three months ago, thrifting on Valencia and 26th Street. Walking from Blue Bottle to the Bay then to the Breakers. I climb atop A Buena Vista with man Adam, you scale a mountain-sized hill with your teal green and cherry red Nikes. We make a photograph in front of white dogwood blossoms overlooking a steep Ravine to the East. A bird chirps, a homeless woman barks, and four children smoke cigarettes and joints in a treetop. Every ***** goes up and down, each footstep dithering amidst our biduous ascent. I buried you last Thursday beneath the dogwood, your cherry red and teal green gym shoes planted at your doggerel.
Gladys P May 2014
An upscale lounge well known,
For its ambiance and specialty cocktail,
Which includes live entertainment dancers,
On stage, in fine detail.

While a  glamorous female stood in front of the bar,
With a deep sea blue martini, in her right hand,
In an ice cold oversized snifter, dipped in sugar upon the rim,
Where she leisurely stands.

With a pink orchid,
And blue twisted glow stick, placed inside her drink,
Taking rhythmical steps,
Side by side, in sync.

Dressed in a strapless dress, slightly above her knee,
Nicely fitted, in shades of purple, green and teal,
Displaying a genuine soft look,
With such great appeal.

When a young man walked in,
And gazed into her seductive dark brown eyes,
Reaching out his hand,
Asking her to dance, as he passed by.

She was absolutely stunning,
With fair complexion, short black hair, a beautiful silhouette,
And a radiant smile, reliving her early days,
An unbelievable night, quite difficult to forget.

She appeared divine,
Upon the dance floor, mainly surrounded by youth,
Dancing salsa throughout the night,
And mixed melodies, near the DJ booth.
Rose Niamh Sep 2015
What splendour exceeds that of the ocean?
Could its grace by any at all be denied?
Far from city life fraught with commotion
the sea softly lulls with each passing tide

For where waves are boundless, with teal painted crests
naught but seabirds will break my reverie
On a draughty ship, catching winds from the west,
by this time tomorrow ‘tis there that I’ll be
Gerudo Jun 2013
Blue is the color of the dragon-winged girl,
The color of the girl whose life was lost.
Blue is the color of the deity girl,
The color of the one who wouldn't pay the cost.

Teal is the color of the water-loving girl,
The girl who lead into a new world.
Teal is the color of the frightened-eyed girl,
The girl who into a new life was hurled.

Grey is the color of the logical girl,
The color of the girl who teaches demons how to love.
Grey is the color of the snake-tongued girl,
The color of the boy who thought he was above.

Green is the color of the story-telling girl,
The color of her brother who would fight and **** to own.
Green is the color of the blind and mute child,
The color of those who may have yet to be known.

Orange is the color of the reckless girl,
The color of the girl filled by desire,
Orange is the color of the samurai man,
The color of the man filled with fire.

Red is the color of the five-fold girl,
The color of the demon at the core.
Red is the color of the half-vampire,
The color of the one who wanted more.

Purple is the color of the plaid-skirted girl,
The color of the feral demon child.
Purple is the color of the girl who lived in the sky,
The color of the eyes that watch the wild.

White is the color of the once-afraid man,
The color of the child who never got to have a say.
White is the color of the defender in the skies,
The color of the one who took her own life away.

Black is the color of the white-pawed cat,
The color of the girl who shows one their mind.
Black is the color of the silhouetted man,
The color of the world they left behind.
Jacob Sanders Aug 2014
A dead end situation.
Stuck. Like brick to cement.
You'll do anything
for a hint of something.
It's been coming for ages;
building,
tumbling towards you
like a train on a track,
the damsel in distress,
tied down, downwards bound,
stalking around.
But you can't see,
it changes invisibly,
always going too fast,
momentum gathering;
letters,
beach shells,
names that would only ever have meaning
to you or her.
It was never going to last
always going too fast.
 
Past having a spark,
endlessly trying to relight.
Exhaust
all energy left,
find something to keep it fuelled,
to get you through the night:
caffeine,
narcotics,
late night television,
social networking sites,
talking to the ones you don't have the guts to in real life.
Real people. Reality TV.
What does it mean?
A blurred vision in which to entertain your life.
Surround yourself with
false dreams,
false hope,
fake plastic love
moulded into the form
that you want to see,
you want it to be
want it all to stop.
Go.
Any direction.
Forwards,
backwards,
mind spinning in circles,
turn it off.
Stop.

It's all a dream.
Awake,
to a new day, new life,
new home,
new car,
new wife.
Choose a diamond or pearl to cement these new found pleasures,
choose it all, self-absorbed in your own little world:
petty things,
the colour of paint on your bathroom wall.
Cream.
Chestnut.
Teal.
Another abstract way to cover up what is the simple truth.
Conspiracy everywhere;
newspaper, post office,
your local chippy, chips wrapped in ‘The Independent’
not ‘The Sun’.
Gossip,
front page
back page,
a wave of infatuation with the lives of people no better than yourself,
your image,
in the looking glass
see straight through.
This house,
this car,
this life,
it isn't you.
The radio plays through that knock off surround sound system you bought in a drunken haze,
and the cranking of your Ford Fiesta's deteriorating exhaust reminds you of her
as it pulls up on your drive.
It’s never going to happen now,
Still going to love her anyhow.

They're flying round your stomach again -
another one of those black, rainy days.
This isn't what you want,
not just another phase.
You read through 'Wilde',
'Wordsworth',
'William. Shakespeare';
Stolen tales
of life, love, loss,
lust,
loathing another man,
because he holds the pearl of your heart so dear.
They keep flying,
drumming, beating louder,
louder,
three words could change it all,
yet somehow it's your greatest fear.
Get-away.
A nice holiday to ease your mind;
Florida, Turkey,
Isle of Wight.
Another mask
to an already
covered over life.
Escape to your dreams,
anything that will get you there:
class a,
class b,
class c,
the class of '99,
the cream of the crop, you were just kids
and everyone’s heart
was just diddly dandy fine.
Move on, move out.
Wave
goodbye.
Find someone else,
grow old
in a nice little bungalow,
just the two of you,
lie in each others arms,
softly, quietly
fall to sleep.
Rowan Sep 2018
If I knew, maybe I’d say something,
Why I miss my cats more than my parents
Why I miss the teal walls of my room and the full sized bed
more than I miss my family.
Why I miss the green trees and ravine behind my house,
all I hear is a withering beeping outside my five story window.

This room is so small
and I have to bear it with another
and although she and I get along,
Alone is weighted with wondering when she’ll be back.

Home is more an empty house than a room full of family.
Home is less talk and more birdsong in the background.
Home is…

Not these tight corners and partying bellowing music down in room 809,
not the concrete walls painted white, or the lofted beds I can’t sit up straight.

Getting away from my family was easy,
and my friends hard.
Leaving was easy.
And wishing hard.

I feel, less independent,
there’s only so many places to walk.
No car to escape, nor a room either.

The closest I get is headphones and online friends.
And yet they are so far away.
college livin' isn't really for me as a naturally intense introvert
Is it just a hue
Or
Is the mountain actually blue

The sea and the lake too
Is imbued by the sky’s blue

I love the colour too
Yes it has to be teal and aqua blue

Yellow is so bright and right
Inspired by the sunlight

Red speaks of passion and rage
Sure, I am no sage

Colours bright, dark or light
In every hue, have a place of their own
Got to love them all
Inspired by a photo of a mountain in blue hues :)
Skaidrum Apr 2016
...
I like to convince myself that she's a walking solar system.
                                              (One)
­                                                          (It will never be enough;)        
She has the sunken cheek bones of Mercury;
~filthy shadows, caked in crimes~
they forge her face,
oh so well,
and engrave her smile in
stone; the sun
laughs sourly,
and then,
he spits on her.
                              (Two)
                   ­                    (Because sorrow is a sweet thing.)
         She reminds me of Venus the most.
         Her hair is the murmur of violet,
         her beauty, it lingers,
         ~like cigarettes beyond the boundary~
         the cosmos, the constellations, and the milky way.
         She is my dragon princess,
         draped in stars and wounds.
         She bleeds
         the somber color of night.
         She is royal, yet alas
         "The queen didn't come
         without a crumbling castle.

                                                                ­  (Three)
                                            (So take it in, don't hold your breath)
                                                      ­   Beneath the arc of her spine;
                                                         Is where Earth plays
                                                         poker with her bones.
                                                         It's such a shame,
                                                         that her ace is her 'unkempt heart,'
                                                         and she lost it to a pitiful bet,
                                                         with a certain ghost I once knew.
               (Four)
                               (The bottom's all I've found.)
            Her fingers gouge through time's fabric, and her hands
            remind me of Mars;
            Powerful and ******,
            Oblivious to what she's created;
            I'm afraid
            the phantom
            she wishes so dearly to see,
            is only getting hungrier.
(Five)
               (Diamond wings were meant to be torn)
Jupiter is the core of her anxiety,
and she basks in it every day,
never by choice, never by desire.
Muscles and skin of iron and goldenrod,
they carve out our very own Aphrodite,
which is you,
it's always been you.
A rabid angel,
a calamity of chaos,
frothing with  blackened fear.
                                                        ­       (Six)
                              (Spill every flower from your garden of thoughts)
                                             Subtle depression lurks between the
                                             the crooked sea of her ribcage,
                                             it's Saturn smoking rings,
                                             brewin' up the cinders.
                                             ~I reminiscence in the white lace~
                                             of the cobwebs that hold her
                                             heart together.
                                             I've plucked them,
                                             those strings play a mournful
                                             sonata, with her name written all over it.
        (Seven)
                          (Promises bend at every funeral we attend)
              In the graces of her palms we found Uranus,
              like teal teeth
              and whimsical witchcraft,
              I watched her thread magic into this world.
              Her hopes shift-shape into 'nocturnal fairies',
              and 'grim reapers' with broken music boxes.
              She is naïve, but that is
              a trait she needs to survive
              in our world of
              metallic dreams and navy nightmares.
                                                    ­(Eight)
                                       (Rejection is a survivable heartache)
                                                   ­  And so what if her heart reminded me
                                                      of Neptune the most?
                                                      The royal vastness
                                                      of­ blue and ivory;
                                                      ~rip­tides on the walls of her soul~
                                                      I want her to know that ambitions
                                                      l­eave more scars and
                                                      tear more crystal flesh;
                                                      tha­n her polished wishes ever will.  
      (Nine)
                       (Have you ever seen blood and water in love?)
And her lungs,
they remind me of the honesty of Pluto.
So small, and docile,
like an elliptical smile of grey fire.
Would you lay with me a while,
count your unconditional lovers;
like our burnt stars in mason jars?
Struggle is the birth
of the void and the 'rapture'
~Your king and poet will wait for you,
in the radiant abyss of our ink-hearts~
I will guide you to his open arms,
              a hug awaits my dragon princess.


                                                     ­                   He wears the stars for clothes,
                                                      li­ke an outlaw,
among the banks of the universe.
               Where disease can't reach him, or she,
                                          Cancer can't harm you anymore,

                                                       ­          "Not anymore, Belle."
...
Sincerely, Capricorn.
© Copywrite Skaidrum
Traumeria Mar 2018
I just met you,
And we clicked instantly.
We've had our conversation, our silence
And we've also had our struggles,
Happiest moments.

We talked for a long time
Trying to know each other,
Yet not as deep as the blue
-ish Pacific ocean.

We only had the view of the
Waves of under our own sun,
But all the undiscovered corals
Remain hidden in their own bed,
Teal reflection of the
Sea.

At night,
Resting hour.
We sleep under the same stars
Knowing that at least one of us has a clear view of the satellites
Hovering
Breathless in space.
Various constellations can be determined.
Even a clear outline of the crescent moon,
Without storm clouds interfering our own worlds.

I don't know if
You're more than just a friend
Or in a completely different category as a partner in the long run.

You don't share your thoughts
Like I'm starting a conversation with myself
Only.

I'm all for
Saying the first word
Heading to the second stage,
Yet I value my friendships
As another has their heart
Ready for yours.

I'm not a fighter.
I don't want to waste my efforts if I lose.
I might drag myself down
Deeper than Lucifer's hell
Deeper than the core of the Earth
While trying to climb the highest mountain
Barefoot

It's exhausting

I want
I need
A balanced effort
From my sole partner
If they want me
To love them like I did

Since day 1.
Mimi Nov 2011
I’m knitting something new,
it feels good.
The new ball of yarn unraveling like time
but I’ve still got plenty left.
There’s potential in this dark teal wool
and satisfaction when I decide
the way I want to weave it.
I make mistakes, I change them
to become part of the pattern.
The stitches are like a song in my head,
I sing them, I tap them out with my foot
and whistle along to the tune I’ve made up.
I thought it might be a hat when I saw the skein
but now I know it will be an
infinity scarf.
My six inches of beaded rib is a metaphor for my worries.
Working my hands intricately help me forget them.
I have time.
Yes, I am a nerd.
Paul Williams Feb 2010
stitched Teal fabric
snugly hugs the hills and valleys
of fat and muscle
encasing the frail ivory timber within
I have liquid in my lungs.
I know this because I can hear it, feel it.
I smell zucchini and cheese and all I want to do it kiss her
And tell her that the teal shirt she wore when we met
Still shows up in my dreams.

Every single day I ache
To call some place up there,
And order an orchid for your door.

I am reminded in my limp and my shrug
That I love you.
I am reminded in the fact that I would be willing to suffer nightmares every single night of my life
If only you slept next to me.

You smell like the woman I want to marry,
And your strong shoulders feel like the ones I want to see every morning
When you sit up on the bed.

I'm willing to go the distance.
Slumming.
Slumming around downtown.
Slumming around downtown St. Paul.

A broke high school student.
A broke student with perpetual down time.
A broken down senior student letting go of time.

Slumming.
Slumming down to Raspberry.
Slumming down to Raspberry Island.

Walking across the Mississippi River.
The bridge had been raided.

Marching.
Marching down teal and raspberry stairs.
Icycle nose hairs.
Seeing my breath as my chest shivers.
I found my heart trapped under the solid river.

Teenagers ******* about freshmen that got the bridge raided,
Teenagers ******* about artists they've always hated
and artists ******* about things they've created.

Underagers slowly letting out smoke.
Underagers letting out what keeps their lungs beating.
Underagers slowly letting out steam, cheating.
Me.
letting out smoke that came from the ice.
Smoke of below zero temperature, freezing my insides.

Mindless.
Mindlessly walking.
Mindlessly walking through endless skyways.

Mindless.
Mindlessly talking.
Mindlessly talking about things I don't remember.
Until we've arrived at We-Be-Smokin'.

Huddling.
Huddling in a group.
Admiring the art that claimed the spot before we did.

Scuttling.
Feet scuttling.
Feet scuttling in place to outrun the cold.

Reminiscing of months before when I was sitting alone in Starbucks with my
venti white chocolate mocha listening to crazy George yell at his imaginary
wife. Not being bothered. Not being cold.
Marshal Gebbie May 2012
Turquoise in the morning light
The treetops are alive
With the myriad of birdsong
As the swirling mists arrive
And the shaft of brilliant sunshine
Penetrates the greenish gloom
To illuminate the craggy ridge
In a honeyed, golden bloom.

The rabbits head for burrows
Retreating from the night,
A flock of teal, in unison,
Explosively take flight,
There’s a freshness in the morning air
A tingle to the skin
And the twinkle in the blue eyes
Lets a secret smile begin.

Autumn in the country glade
The russets and the gold,
The song of early crickets
In the leafy knoll takes hold,
There’s a brilliance in the crispness
In the piles of windblown leaves
And the healthy crunch of underfoot
Invokes a sense of ease.

The peacefulness is calming
The solace in the sound
Of the distant song of blackbird
In the tall oaks that surround
And the velvet feel of morning
Thrills the mind to warmly hum
To the glory of occasion
In the warmth of Autumn sun.

Marshalg
Beneath the reds and golds of Autumn leafage.
14 May 2012


© 2012 Marshal Gebbie
Joan Karcher Jul 2012
emerald, olive, viridian
oh how you perplex me
forest, jade, chartreuse
why do you tease me so
cyan, verdigris, moss
such excitement arises
to be a word
to be a meaning
is there such a thing,
to have a feeling
to see a vision,
phthalo, pine, teal
are you the same
mint, myrtle, laurel
you make me envious
to be blooming, to be healthy
to be young, to be clumsy
are you callow, how about credulous?
but such a conservationist
unquestioning, so trustful,
tenderfoot and common
the tree, the lawn, the willow
though ecological and crude
a sage in all but name
apple, spinach, pea
aren't you scrumptious,
lime, kelly, bice
are you nature, how about luck
you're pungently rotten
though with such dark beauty and hope,
love and lust ensues
you're the jolliness of balance
and the creative intelligence;
of evil, and decay of money and safety,
will you resurrect me, are you immortality?
such jealousy arises
high goals and honor
so so allusive
healing and vitality
you're calming though fast
lush spring stability,
abundant generosity,
vert vegetation; witchcraft
an aphrodisiac I hear,
are you youth or fading youth?
sunrise and life, growth and fertility
sacred ideology,
eroticized though shameful
so romantic and humble
I see the third ray
or is the the fifth ray, the third eye
are you truth, are you vision
it's becoming a science,
so much compassion
the fourth chakra, the heart,
the centre of us all
a higher consciousness
such a harmonious aura
a hunter, a nurse, a solider, an outdoorsman
villains and superstition
misfortune and prosperity
with toxicity, sickness and death,
recycle and reuse
oh so powerful
you exude auspiciousness
just a holiday
mystical fairies and spirits
though also devilish,
cancer in the stars
a renewal of paradise,
biliously tranquil
are you refreshingly soothing,
peacefully restful,
a naive novice,
very understanding,
is there truly a term for you?
what do you really convey,
countless representations
a definition of name,
or do you signify the feeling, the specimen
the aspect?
though some have no locution for you

here I am,
stepping around the issue
you are you, in any word
yet with a different meaning
Every word in this poem describes or is described by one thematic morpheme
PrttyBrd Jul 2014
Lavender rainbows in teal green skies
Where all clouds are lined silver
Glittered lakes in powder pink
Feed pastel unicorns with pearlesque horns
Twisted in iridescent beauty
In a land of pretty pegasi
Dreams become reality become dreams
7-7-14
For Aliah and her love of all things unicorny
st64 Jan 2014
He will not light long enough
for the interpreter to gather
the tatters of his speech.
But the longer we listen
the calmer he becomes.

He shows me the place where his daughter
has rubbed with a coin, violaceous streaks
raising a skeletal pattern on his chest.
He thinks he's been hit by the wind.
He's worried it will become pneumonia.

In Cambodia, he'd be given
a special tea, a prescriptive sacrifice,
the right chants to say. But I
know nothing of Chi, of Karma,
and ask him to lift the back of his shirt,
so I may listen to his breathing.

Holding the stethoscope's bell I'm stunned
by the whirl of icons and script
tattooed across his back, their teal green color
the outline of a map which looks
like Cambodia, perhaps his village, a lake,
then a scroll of letters in a watery signature.

I ask the interpreter what it means.
It's a spell, asking his ancestors
to protect him from evil spirits—
she is tracing the lines with her fingers—
and those who meet him for kindness.

The old man waves his arms and a staccato
of dipthongs and nasals fills the room.
He believes these words will lead his spirit
back to Cambodia after he dies.
I see, I say, and rest my hand on his shoulder.

He takes full deep breaths and I listen,
touching down with the stethoscope
from his back to his front. He watches me
with anticipation—as if awaiting a verdict.

His lungs are clear. You'll be fine,
I tell him. It's not your time to die.
His shoulders relax and he folds his hands
above his head as if in blessing.

Ar-kon, he says. All better now.




                                                        by Peter Pereira



.
Peter Pereira (b. 1959)


Peter Pereira is a physician, a poet, and the founder of Floating Bridge Press. His work has appeared in numerous publications, including Poetry, the Virginia Quarterly Review, and several anthologies, including Best American Poetry and To Come to Light: Perspectives on Chronic Illness in Modern Literature. He has received the “Discovery”/The Nation and Hayden Carruth prizes, and has been a finalist for a Lambda Literary Award.

His poems are marked by their wit, humane observations, and range of both form and subject. In his chapbook, The Lost Twin (2000), and two full-length collections, Saying the World (2003) and What’s Written on the Body (2007), he seamlessly traverses his favorite themes, which include his work as a primary care provider at an urban clinic in Seattle, domestic life, suffering and the human condition, and the slippage of language.
He is as comfortable with free-verse narratives as he is with anagrams, and Gregory Orr calls him “a master of many modes, all of them yielding either wisdom or delight.” Edward Byrne has praised his formal innovations, “inventive use of language,” and “unexpected” juxtapositions. Pereira’s investigations have a prevailing undercurrent of celebration in the tradition of Walt Whitman, and even his deepest explorations of suffering are likely to be suffused with humour or hope.

http://www.poetryfoundation.org/bio/peter-pereira
Crystal Freda Apr 2022
Wild splashes of beaming

Azure brushing back and forth

Tottering briskly on granite rocks

Enlightening excitement to our eyes

Radiance of teal drops sprinkle salt

Follicles misting up the atmosphere

Activating a rushing rippling of waves

Lashing playfully with each other

Looping to a sensational surprise
Written in March 2019
Mad Jones Mar 2014
A girl stands by the water, her long, tawny hair swaying with the wind. Her eyes mimic the color of the waves as they crash down onto the shore. Her mind is racing, but her face shows no sign of her mental strain...
     A boy sits on the sand, running a hand through his shaggy, amber hair. His eyes mimic the color of the sand as his tears soak through each grain. His mind is racing, but his face shows no sign of his mental strain...
     The girl turns around. And then...she sees him...
     The boy looks up. And then...he sees her...


m.k.*j
I really like the color teal, so I made an extremely short story that makes me think of that color.
Taylor St Onge May 2016
After my mother died, my room was filled with roses.  When the flowers died, my room was filled with their sweet, rotten stench for weeks on end; it sunk into my pores and into my DNA and years later, I still smell like dead roses.
                                                 My sister confuses this smell with dead lilies.

A bouquet of red roses was placed atop my mother’s coffin as it lowered six
feet down into the earth.  After the roses died, I wonder if my mother could
smell them like I did?  I wonder if she still smells them, or, more likely, how long it took for the roses to disintegrate into dust like her?  

We don’t talk about the body after death because we don’t like to be reminded of how vulnerable we really are. In high school, a boy asked me to prom using roses and lilies that were all different shades of reds and oranges and yellows like fire.  Lilies like funerals and tombstones and formaldehyde.

I don’t think he meant to remind me of death.  I don’t think his intention was to place me in a casket similar to my mother’s with its pink padded walls.  I don’t think he realized that’s where I went when I saw his basement covered in bouquets of hellfire.  I think he meant the roses to be romantic,

but I looked at them and saw my mother’s putrefying face, saw her intestines eaten away by savage bacteria and bugs, saw her eyelids drying out and peeling back like black and dead and withered lily petals.  Embalming does not prevent decomposition, only prolongs it.  I have embalmed my mother's
memory in the shape of a teal notebook.  I cannot tell if it has
                                                                       begun to decay or not.
wrote this for my adv poetry.  it started out as an experimental villanelle, but hellopoetry messed with my formatting :/
RIKKI Jan 2013
The inside edge of a cattle skull,
left in the middle of the desert
for as long as it took the wind
to blow soft dust through it until
it was white bone
with pulsing shadows.

The underside of a mallard’s wing – stretching
out for flight across an emerald
algae green manmade pond
behind a leaning trailer, where
a man with cancer and a beer
lives.

The inner curve of “Class of 1972”
carved into the cement
outside a tiny school where
an old man walks by
for the thousandth time,
wondering
Emma Amme Jan 2015
i. I am elastic bands stretched just far enough
to stop springing back
but never far enough to break.

I am the camel with one too many straws
on my seemingly strong back.

Sometimes i am the straws.

ii. The elongated faces of my parents
weighed down by my lack of prevalence
the empty fridge door
the failing grades hidden.

I answer to their expectations
and i wonder what will happen
when they aren't the ones i need to please.

I am the promises of expansion
And the clinging to the known

I am silently imploding.

iii. I am the college acceptance letters that got lost in the mail
The 33% acceptance rate, the school that only looks at talent.
I am the lack of talent.
I am the hopefulness that i just can't see it.

I am the accepted to every school you don't want to go to
The i don't know why you still don't have a letter
Maybe we should just commit to another school...

The white girl with 2 white middle class parents
you don't need money, you're already privileged

I know i am, but sometimes it doesn't feel that way.

iv. I am your secret girlfriends toothbrush
placed in your closet.
I am finding it and wondering
when you bought me a new teal toothbrush.

The stammering explanations
The realization that the toothbrush wasn't for me.
That it had already scrubbed your saliva off her tongue.

The teal toothbrush goes flying, hurtling at your head.
I don't like the color teal anyways.

I am leaving you for myself.
Kelle Feb 2012
I called them our divorce beds
Every night after we cuddled and couldn't
longer stand the claustophobic cover of our sheets
we found ourselves in seperate beds

divorce beds.

You slept on sheets covered in pink owls.
I slept on teal sheets covered in stars.
We were a twin bedroom dream.

Taking full advantage of a single dorm room
Our nights consisted of heavy whispers
Trains that fled our lungs and vocal chords
in search of the next station

Before sleep hit our barren chests
We'd lay awake and listen to our breaths
Sometimes mine turned into snores.
You hated that

Snores reminded you of your father
Something about expanded vocal chords
creating a symphony at night
scared you

Your father never married
Mine found safetey in a women
in a polka dotted dress
Who could transform his symphony of snores
Into an orchestra of love

Your father was bound by his only son
His nights spent in distress
Echoed a chorus of tears

Until he met Melinda
He called her beautiful
Words that hadn't left his lips since his son emerged into the world
A women full of desires and hopes
too large to fit underneath fitted sheets

You told me about her.
The way your father described the outline of her lips
parallel to the lines of stars that filled the sky
Her freckles constellations of undiscovered stars
Some nights our divorce beds
Felt too close for comfort, and
you would disspear in the morning
Claiming there was monsters in the walls
and that my snores were your fathers

You loved your father
A man who kept his word
Even when his life wedged tradegy into his veins
and his heart wanted to collapse into the inside of his chest
Your love for that man
could never be compared to anything

My father
Foud his life strewn apart into carefully
strung pieces of literature.
Words lulling women into the secrept compartments of his home
With authors no one had even heard of
Except himself.

The only advice my father only said was
“Two wrongs don't make a right”
But it is so hard
When you are throwing rocks at my glass house of confidence
I would shout

Shattered by your slurrs
Skipped rocks don't even miss
the walls that were carefully sculpted
into beautiful stained glass

My father was an artist
I told you about how his conductor
was a women with lips blood red
and kisses so sweet they could make his canvas bleed

You laughed
The differences between our fathers
Two men who believed in two different things
Two men who were in a constant search
for something other than the normal routine

As you laughed underneath your **** pink owl sheets
You told me to hurry up and fall asleep
You felt better listening to my breathing pattern lullabyes

Sometimes when those lullabyes turn heavy
and my chest rattles beneath my teal starred sheets

Please don't leave.
Don't flee.
There is too much hope living under our
divorce beds.
An unfinished work for a poetry class.
Bryce Aug 2018
It is early.

and the world hangs silent, but the birds chirping their chime,

An angelic choir of vibratos
And tenor beaks
humming sweet
to the early tangerine crest of sun
slivers a powerful bar of light over the peaks
to a newly brilliant horizon.

Sweeping the dredges of darkness away
as the stars fade
like coal dust
back again, packed into their cupboard of night
one by one,
lanterns snuffed and sent
into the vibrating blue
as if the whole sky should erupt into fire
azure, hallowed morning pyre

Encircled by the gradient hues
of coral pink and castille yellow
Mediterranean teal
A symphonic
cacophonic
**** of birth

Good Day, Sweet mother earth.

Squeezed through the valleys
canals
allies
every nook and forlorn cranny
kissed with her blissful photonic army
And the infantile creatures cry with glee.
The dewdrops clutch the blades
the tender palasade
of petals
remembering their darkened escapades
slipping tender rain
to feed the dirt,
the lonely detritus
elixirs of the lovely night.

And the world bursts into a veritable
kaleidoscope of life
With a trillion pairs of eyes
accessing the mother dream

— The End —