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Jacob Sanders Aug 2014
A dead end situation.
Stuck. Like brick to cement.
You'll do anything
for a hint of something.
It's been coming for ages;
tumbling towards you
like a train on a track,
the damsel in distress,
tied down, downwards bound,
stalking around.
But you can't see,
it changes invisibly,
always going too fast,
momentum gathering;
beach shells,
names that would only ever have meaning
to you or her.
It was never going to last
always going too fast.
Past having a spark,
endlessly trying to relight.
all energy left,
find something to keep it fuelled,
to get you through the night:
late night television,
social networking sites,
talking to the ones you don't have the guts to in real life.
Real people. Reality TV.
What does it mean?
A blurred vision in which to entertain your life.
Surround yourself with
false dreams,
false hope,
fake plastic love
moulded into the form
that you want to see,
you want it to be
want it all to stop.
Any direction.
mind spinning in circles,
turn it off.

It's all a dream.
to a new day, new life,
new home,
new car,
new wife.
Choose a diamond or pearl to cement these new found pleasures,
choose it all, self-absorbed in your own little world:
petty things,
the colour of paint on your bathroom wall.
Another abstract way to cover up what is the simple truth.
Conspiracy everywhere;
newspaper, post office,
your local chippy, chips wrapped in ‘The Independent’
not ‘The Sun’.
front page
back page,
a wave of infatuation with the lives of people no better than yourself,
your image,
in the looking glass
see straight through.
This house,
this car,
this life,
it isn't you.
The radio plays through that knock off surround sound system you bought in a drunken haze,
and the cranking of your Ford Fiesta's deteriorating exhaust reminds you of her
as it pulls up on your drive.
It’s never going to happen now,
Still going to love her anyhow.

They're flying round your stomach again -
another one of those black, rainy days.
This isn't what you want,
not just another phase.
You read through 'Wilde',
'William. Shakespeare';
Stolen tales
of life, love, loss,
loathing another man,
because he holds the pearl of your heart so dear.
They keep flying,
drumming, beating louder,
three words could change it all,
yet somehow it's your greatest fear.
A nice holiday to ease your mind;
Florida, Turkey,
Isle of Wight.
Another mask
to an already
covered over life.
Escape to your dreams,
anything that will get you there:
class a,
class b,
class c,
the class of '99,
the cream of the crop, you were just kids
and everyone’s heart
was just diddly dandy fine.
Move on, move out.
Find someone else,
grow old
in a nice little bungalow,
just the two of you,
lie in each others arms,
softly, quietly
fall to sleep.
Jacob Sanders Aug 2014
It turns out the show's only just started when the fat lady's sang -
'Tho mum had told me it'd be over when Mrs Jones came on -
So imagine my surprise when she burst into Kool & the Gang.

It was at this talent show; I'd come to see this smoking Orang-utan.
I'd seen the mediocre 'Mystico', the lacklustre 'Lassie' and a small man named Ron;
It turns out the show's only just started when the fat lady's sang.

The final act was to be signalled with a gong and a bang,
Then out came Mrs Jones, the size of the entire Yukon.
So imagine my surprise when she burst into Kool & the Gang.

I guess it was a perfect example of yin and yang,
And since it happened Mrs Jones is quite the local icon.
It turns out the show's only just started when the fat lady's sang.

It'd seemed like she'd be better suited at a competition eating pie, or meringue,
At her local diner with her 20% off coupon.
So imagine my surprise when she burst into Kool & the Gang.

The bass kicked in, she belted it out and the whole audience sprang
Into frenzy and boogied, like night had been and gone.
It turns out the show's only just started when the fat lady's sang
So imagine my surprise when she burst into Kool & the Gang.
A light-hearted alternative take on the colloquialism 'the show's not over 'till the fat lady's sang'.
Jacob Sanders Aug 2014
I told you not to worry, everything’s alright.
I’m here, watching raindrops trickle down the window pane,
Making mountains out of molehills, hidden only by the night.

Upon Primrose Hill, the city in sight,
I’d live this moment again, and again.
I told you not to worry, everything’s alright.

I fear sometimes that all you see is a glowing red light,
You’ll notice and whisper ‘don’t worry, fear is my domain’.
Making mountains out of molehills, hidden only by the night.

We’re two magpies that come together in flight.
Your incandescent heart is a match for my incandescent veins,
I told you not to worry. Everything’s alright.

My words sometimes stutter, a sort of stage fright
That sets in from my stomach through to my brain.
Making mountains out of molehills, hidden only by the night.

Under this blanket of stars, darling, sleep tight.
This feeling I hold shall not wane.
I told you not to worry, everything’s alright;
(We’re just) making mountains out of molehills, hidden only by the night.
Jacob Sanders Aug 2014
This is the last time I write about ships; the mighty seafarer, clasping in the deep. The last time the esoteric tides capriciously change their erratic minds, left torn between rousing up to fight and solemnly crawling into the shapeless night. I’ll haul, I’ll haul. Outward bound, I’ll haul away from the safety of the buoy, through a thousand spiralling knots, batten aground and set anchor upon the recondite bay. I’ll avast the journeys where the compass takes an unprompted turn, where celestial proves consort to nautical woes, awoke awash amidst the darkened shallows.

This is the last time I go back and fill vast depths, bearing right, then left, across the beating breadth.  This is the last ring of brash audacity resonating in chime with the gull’s hooded pride, the last of the salt and sway commandeering the longitude of each tumultuous ride. I’ll roll, I’ll roll. Hanging on behind, I’ll roll with the salted souls of Nelson and Hook as they furl and collide, hand over fist, drawing the curtains from their chariot’s majestic height. I’ll gybe and set back to sail, quarrel with the rushing sands, and grace every fractured notion that tooth and nail can siege the devil’s rest and forge currents capable of hustling both vessel and man.

This is the last of the gallant endeavours, set adrift from buccaneer’s voyage to a solitary pulse at the end of storm’s tether. This is the last stern embrace of Poseidon’s harrowing howls, the last of the rapturous applause mordant as it rises and swirls, the last time I wrestle away from his scaly hold. This is the last time I change tack and set course into the path of the sound, where finally, the tides settled

I’ll release control of the helm.
Jacob Sanders Aug 2014
There's a moment when everything accelerates
And there's no questioning, things just are.
Madly. Frantically. My mind gyrates;
Playing wildly, dancing upon each single star.
Blurred vision precipitates the tears
As I freeze, knowing in my heart of hearts
That each word falls upon belligerent ears,
And takes second place to your townhouse art.
What pain could Monet paint when floodwaters
Rise, and it becomes clear that the clearest
Understanding lies in the theatre's
Eyes? The curtains fall to the finale's dearest
Friend, and it's there I pretend that it's just a natural disaster,
That this is a craft I still find hard to master.

— The End —