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Jai Karkhanis Feb 2017
The darkness overcame me,
Those shattered spectacles of fire were all around
As the curtains snapped to over the sun, you took what was mine.
The flames enveloped me, and yet I fought them.
For when I broke cover, the sun was shining,
Clear as it did in days of yore .
Your light had built me, and in that it failed
I fled into the darkness, for my fate led to death,
And to victory over your ambitions.
To fertility over desolation
To prosperity over the darkness that,
Unfolded upon us, like oil on canvas.
And yet I am afraid.
The living have traded for the dead.
The fire dwells over all that resist.
The light of the shadow is fading
Where art thou, o Evenstar, and why do you flee , before our end,
And though you may flee to bright lit shores
Where the maladies of death come to nought
It is we who watch thy girdle
The blood upon our swords and the splinters of our shields,
They hold back what thou fear
The halls of our fathers await.
We are destined to them
And as gentlemen though we fall to
This darkness that you hold
We shall not accept your order,.
And live and die as gentlemen.
For the hour is long gone for negotiation
The vultures gather for their treats
The unhallowed for their rank,
And yet I shall face thee to the death.
The leaving dare not come near us,
The dead dare not pass by
For as the flames of the elder days are stoked
We shall both meet our doom.
The dead watch our front
The living , betray us
But we of the mighty land shall stand
And fall for those that we hold
That mistress is arriving.
Gentlemen, I give you today's victory,
And tonight's mourning.
Raziel Dec 2024
A spark ignites, so small, so sly,
Born of a glance, a word gone awry.
It leaps to life, a sudden flame,
Feeding on fury, stoked by blame.

A roaring blaze, fierce and wild,
A tempest untamed, untender, unstyled.
It sears through thought, it burns through care,
Consuming reason in its glare.

For a moment, the world is ablaze,
Each breath, each pulse, a molten haze.
Tongues of wrath lick at the soul,
Devouring warmth, devouring whole.

And then—it fades, a cruel retreat,
Leaving silence sharp and bittersweet.
The ashes settle, the embers die,
Cold winds rush where heat did lie.

Empty now, a hollowed shell,
No comfort left, no tale to tell.
Anger spent, it leaves behind
A frigid void, an aching mind.

Oh, fleeting fire, so quick to start,
You scorch the soul, you break the heart.
Yet in your wake, a truth is told:
A flash of fury leaves only cold.
I'm burning inside
Ashwin Kumar Apr 26
You are a beautiful person
Really happy am I, to have you as my cousin
Sweet and caring by nature
Unquestionable, is your character
Stoked was I, to meet you last year
And of course Dr. Karthik and little Ninad
The three of you share a super cute bond
And Chikku is such a dear
He even came to Mumbai last December
Though it was a very short visit
With all of us, was he an instant hit
Of course, we don't speak a lot
But I find your presence a source of comfort
You are extremely innocent
Though naive, certainly are you not
Moreover, you are quite humble and unassuming
Which, in this cruel world, often means everything
I would love to meet you again in the near future
May you and family be blessed with all that you hold dear!
Poem dedicated to Pavithra, one of my sweetest cousins
Yazi Mar 2014
Don't ask me about faith or love or doing what's right because when I was 13 years old the trees told me
that no matter how stable your foundation is it will break someday.
To this day I tend to stay away from strong, tall trees and instead find shade under shaky, frail ones cowering on the side of the forest. I'm sorry for not loving you in a more prideful way. I don't have enough time to write out all of my regrets so instead I will love you with a quivering touch and an apologetic stomach.
My fear?
ASK ME ABOUT MY FEAR.
I KNOW OF ALL KINDS
THE TRIVIAL, THE NERVOUS AND THE INNOCENT
I KNOW OF THE SMALL FIRE BUILT INDIDE YOUR CHEST THAT IS STOKED NOT BY A GUST OF WIND BUT MY THE SOUND OF A FRIENDLY BOYS VOICE
ASK ME ABOUT MY FEAR AND I WILL GUIDE YOU TO AN OVERGROWN FIELD WHERE THE THIN GRASS IS A TAUNTING DEPICTION OF WHAT I WANT TO BE
LOOK AT THE INDENTS IN THE DIRT MADE FROM MY KNEES
LOOK AT THE LEAVES LYING ON THEIR BACKS AND I WILL SHOW YOU HOW TO REPENT LIKE THE WOOD THAT BEGS FOR MERCY IN A BURNING BUILDING
I WILL SHOW YOU ******* OFF WHATEVER STRENGTH YOU HAVE LEFT AND HOW TO BREATHE AS IF IT IS AN ACCIDENT
I WILL SHOW YOU HOW TO BE LOVED AS IF YOU ARE THE ONLY SURVIVOR OF A PLANE CRASH AND LEAVE YOU WONDERING HOW IT COULD HAVE TURNED OUT DIFFERENTLY. I WILL SHOW YOU HOW TO FIND SOMETHING YOU NEVER THOUGHT YOU LOST.
I will show you how your feet scream when they enter a hospital and how they sing when they walk out.
Here is my testament , here is what dropped out of the sky when I reached up with empty hands and bleeding courage
I threw my ears on a broken star with a strong arm and a weak heart just to listen to the commentary of whatever god everyone claims to exist
I will tell you about the day heaven seems to be soundproof
What could a 15 year old know about faith
What could I know about demons and angels and how they excite and disappoint you
How could I know about how a newborn baby disguised in a blanket clutching it's mothers arm, in what seems small forever
What could I know about 8 empty bottles of cheap wine and a child with too many bruises and a hole in his pocket that won't let him hold all that he wants to keep
This is not how you love someone, this is how you miss them
And how instead of listening to your head and heart you listen to his
This is how you run faster than the rivers to be held in his arms
This is a reminder that when they ask for nothing they become everything
This is how you start beginning,
And how to prepare to come to an end.
Keith W Fletcher Jun 2017
How dare you
Look down on them
Like they're made of sticks and stones
Words meant to create pain and fear
From which ...
...you never will atone

Far easier to create hate
Than to truly educate

Yet in the dimming of the light
You will send
Another generation
To be lost in banal servitude
Long after you are gone
They will carry wounds
That can never mend

The war they fight ......
              .......was over
Long before
They ever came to be
Yet you deem to cloak them
In your unrelenting hate
Then leave them to
That same suffering
As they slip further into dust

To be blown into obscurity
By the ever changing winds of fate

How dare you look down on THEM
Like they're to be used as your slaves
How long WILL the war fires burn
On through the futures
Of generations ...still being
Stoked by those
Now long gone......and rotting in their graves.

No ones future should be used
To pay for someone elses past
Kid Lang Bouvard Apr 2013
Crimson paints the grey street
Others pass and look away
Another soul joins the fleet
To rendez-vous where the Rivers meet

More and more, more souls each day
Drift toward the mouth that never tires
Everyone must pass this way
Whether by accident, meditation, or decay

All to one, all à la pire
Marching to the saddest lyre
And keep stoked the ever-burning fire
Watch the smoke rise higher
And higher.
A rose that only knows sunlight
Can never understand rain;
A heart that's only known gladness
Can never understand pain.
Eyes that have never seen darkness
Cannot comprehend hope;
Passions that have never felt torment
Are fires that can not be stoked.
But wisdom that hearkens to anger
Will someday turn its cheek;
A bold king of cruelty
Will someday join the meek.
Though the good and the bad
Writhe in confliction
Inside us all
Is a whole conviction.
Two parts to a whole,
Two sides in the glass,
The push and the pull,
The future and past.
We stumble about
Our hearts divided in twain
Eking out answers
In our fight to remain.
We ask ourselves
Whatis wrong?
What is right?
Too scared of the dark
To embrace the light.
We cannot be happy
Without having been sad
We cannot have good
Without the bad.
Monk tinks tonight
fine glasses clink
convivial banter
bubble pop blink

in breathing rooms
bit woofed and stirred
the smoke mint sound
we dare exhale

Monk swings about
a bell do ding
the huey blues
bird bops on wings

hips juicy moves
rubby mounds wet ****
slow drum rolls blow
dance steady bump

Monk rocks the house
the clock do tick
me feets be tappin
gonna busta trick

key ******* bounce
mouths all agape
we gettin down
like crazy apes

Monk’s muzik rides
a sonorous beam
levitatin hipsters
to places unseen

gosh groovy tunes
a **** good gig
we all stoked up
Monk we do dig  

Monk played alright
some swingin tunes
Happy B Day Monk
you over the moon

Thelonious Monk
(October 10, 1917 - February 17, 1982)

Thelonious Monk
with John Coltrane
Trinkle ******


10/9/13
Suffern
jbm
James Fate Mar 2013
My head has been up in the grey-clouded sky
mining for silver linings
collecting bits as thin as paper and sending them
to my heart like little love letters
folding them up into pretty origami figures
boats, birds, and butterflies
hoping he can continue conveying that he loves her
even though he never comes down

My heart gilded herself with his glittering gifts
optimism peeled from the bones of black storms
and soon, empty, she found herself alone
Always
No sliver of truth or falsehood, however bright, would grow
so much as a touch, or even a closeness might
and in her furnace, lit and stoked, bellows blowing, spewing smoke
she melted down the cover of her shell

From fire it grew, was poured, still hot, and as it cooled
from pool to block it realized it was two
A set of twins, mirror image blades of purest silver lining
pressed together, face to face, a simple pair of scissors
taken in her hands as she rose to meet him there
in the tempest sky, evil winds on hollow heart and head
she cut his hair and with it, all, and everything fell away
quietly fading like music slipping softly into the soul
Samantha Nov 2013
Seven days spent lost in the rogue North
Octagonal windows framed a snowed in view.
In the kitchen, sun soaking in like honey,
The kids sat eating oranges.
Two cats humming and a sheepdog dozed
Under a thick maple table, flavoured as last nights fresh game
Lullabies deep as eyes were heavy
Fire stoked and a Mickey Mouse Christmas shining brightly,
playing cards, I  laughed that it was just November.
Two sets of ice blue eyes, no blood in between.
And six sets, shades of green-blue-brown,
Each the nicest pair you'd ever seen.
I fell in love with the eight,
Always their eyes first I'll admit.
And now my heart lay in
A long house, teepee on the dock.
The purest cold blue I'd ever know
To crash upon iced rock.
All the trees you would ever need,
A conglomerate of green;
Until the day I die, the holiest place I've been
eilish murrihy Feb 2012
My vision darkens, I rely on my other senses to carve painful images into my mind like nails on a blackboard.
      I  have been bitten and poisoned.
   Apparently, when bitten by a venomous creature time is of the essence .
      This didn't matter to me because time stopped and made an
                      exception to watch me go through hell.

   Voices of familiar faces whisper into my lingering ear.
              " **** out the poison ya stupid ***** !"
                 " Do it you sad **** ! don't let him do this,Christ what the **** is wrong with you? "

                        
        I froze....

    I remember thinking this vicious venom swallowing me down
        into the cracks of the floorboards was all that depicted us and how happy i was with you.
                 How that terrified me.  
I just wanted to stop, just stop now.
I longed to give in to you and just let me my pale blue eyes roll back into the forever of darkness  in a broken mind.

When I realized what I was thinking , I couldn't let you do this .
I felt like I left to ******* **** stoked bed and I was only there to be laughed at.
I attacked my open wounds with my soft lips,
The forgotten taste of you tainted my flesh.
I ****** and spat your sedative venom out for full long cold year.
My jaws were in so pain.
Finally, I emerged from the cracks of the floorboards but it wasn't a full rehabilitation .
You remain in my lips and within my colorful veins.
A taste I will never forget.
Your venom is my only addiction.
Britney Lyn Nov 2017
I don't like being called "good girl" anymore.
Not because I don't like the way you say it, or why you're saying it. No.
I don't like being called "good girl" because of a man.
I met him at a party, my friend ditched me.
I was watching everyone around me relax and have fun, but I was so tense.
He must have picked up on my weakness, like a predator to prey.
He handed me a drink and kept me company, he said I looked nervous.
He told me to relax and to take a hit off his joint.
I didn't want to be there anymore, but I tried to take his advice.
We sat on the floor near the double doors and he told me I still looked nervous.
He said I had no reason to be that he'd never let anything happen to me.
I just laughed because he only just met me.
Next thing I remember I wasn't feeling too good, my head was dizzy...no cloudy, and the floor was the ceiling.
I remember his eyes on me, so hungry.
I remember his hands on me, whereas mine were incapable of moving.
He couldn't meet my eyes and I couldnt remember where we were or how we got there, but it wasn't by the double doors anymore.
I remember noises, the dim lighting around us, I tried to focus on anything and everything else.
I was screaming, but I don't actually know if the noise came out.
I remember the hot tears that slid down my face as he slid over my body.
I was a toy, I couldn't do anything, I was a puppet to his whim.
He stoked my face occasionally and said I was a good girl, that I didn't need to be nervous, that I was a good girl, to just take it.
I remember wailing, his hand covering my mouth, my lips bruising, my body throbbing.
I haven't seen myself the same since, there wasn't anyone I felt safe with, not a hand that didn't feel like his.
I get sick at the thought of him, at the thought of that act he forced me to commit.
I didn't know his name but I knew his face because it haunts my dreams.
I scare easy now, I want to hide but sleep can't even save me.
I didn't want to be a good girl, I never wanted to be a good girl.
So please...please.
Don't call me one.
I don't think I'll ever be able to read this poem again, it's too much for me.
Crystal Peterson Jan 2017
To be inspired to create-
And per chance to inspire others-
Is either a grueling task
Where one must whip their own mind into motion
Like a stubborn mule
Or else it strikes as lightning
That can only be cast by the gods
And when it strikes it is exhilarating,
All-consuming and the epitome of creation;
Inspiration that is spontaneous,
An unfaithful geyser of sudden epiphany,
Often produces the shortest yet strongest results,
The being blessed by it cast into a conscious sleep
Where all thought and movement are otherworldly;
These works of divine intervention are
The cornerstones of human art so rare and lucky to have
As there is moderation in art as there is moderation in
All things, including moderation and inspiration:
On the other plate of the scales of Lady Justice
Is inspiration that has been dredged up from the ground;
It is liquid gold, crude; it does not shine
And it requires energy to obtain the very power we seek,
The subject work is clawed at until it is laid bare
Then robed and disrobed over and over again
Until the creator finds a fitting garment
And in this process the creator discovers a loving hate
Over the object which they have put such effort into,
That is still not nearly as fine as the works of sudden art,
Yet it is the Apple of their Eye nonetheless….
Once obtained, forced inspiration can be
More inspiring than that of the spontaneous inspirations;
A creator who has endeavored to struggle with inspiration
Is someone who can lead by example-
Where not everyone will be favored by the gods
And be given sudden wisdom and thought-
Anyone can ponder for hours on end
Until the train strikes them and the coal engines'
Fire is stoked to peak capacity by tedious effort;
Those who drive hard have opened minds and
Are more motivated than those who already have
A single goal to achieve: After divine inspiration
Has been carried out, what more is there for the
Creator to do if the gods do not
Favor them again?
In such ways do inspiration flow,
Quick and strong as lightning, here then gone,
Or steady as a slow stream, a lasting current
Which results in a slowly built and driven creation:
For those who are blessed with instant inspiration
Congratulations! Enjoy it while it lasts!
And for those who work beyond countless hours-
Congratulations to you, as well, for your dedication
And willpower so inspirational.
A mirroring of Shakespeare's Hamlet's "To Be or Not To Be" soliloquy.
quinn ja Feb 2012
Idling in the wind,
Sour ash falling slow on my blank back,
Shadows of fears leak,
Bitterly down our temples cheek,
Don’t be stoked alive, barrels of fire
the wood is fake.
The smoke will only make you sick,
turn out your insides and eat them in bits
The only way down is a broken sad stack of books,
shivering and alone,
and everyone that loved you are now up and gone
Sit with pace when your feet are dancing in the clouds
Because you laugh inside but i laugh outlaid
You may tether and tally, count up the knots
But when you step to look down,
all that loved is lost.
I hold in my belly,
a catalog of seeds
And when i die forever
those seeds are me
They dance in the river, sleep in the trees,
eat sour cherries and practice hearts breaking free
love what you love and hold with might
True hearts beat on forever
Rip Lazybones Mar 2012
When I was in the third grade, I spent a lot of time camping at a campground in Redhouse and a lot of time by myself. One Summer day, I was playing in a creek when I spotted a frog. I had a very active imagination as a child, so I decided to play with the frog. The first game that came to mind was the game of catch. Excitedly, I scoured the surrounding area for something to toss to my new friend. After a few minutes of searching, I found a hand sized rock. With the rock in my hand, I exclaimed, “Get ready, here it comes!” Then, I underhand threw the rock to the frog. I eagerly waited for a few minutes for the frog to throw the rock back to me, but the rock was motionless. With much haste, I slid down the creek banks and picked up the rock. There in front of me was the smashed remains of my amphibious friend. For the first time in my life, I was faced with death. Tears began to roll down my face because I realized it was my fault that he was dead. I was now alone again and I had nobody in which to discuss this event. That frog was the first and last thing I ever killed
Ever since that day, I've had an eye on the man in the black robe that's waiting patiently in the back row. I know it's not normal for someone my age to think about death, but it helps me enjoy my life. At any given moment I could combust, stop breathing, or get smashed by a rock, so every moment that isn't spent in death's cold arms is an absolute blessing. I regret that it took the life of another living being to teach me this lesson, but I will not let that frog's death be in vain. I have to make up for the life I wasted, and if my flame for life starts to die, I visualize lifting up that rock and my soul is instantly stoked. If death is going to catch me, he is going to dance around the trail of fire I leave behind because I don't only believe in death, I believe in life.
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
I cry a trail of tears
from the Coast of Ivory,
land of Mandigo and Ashanti,
where ships swollen with betrayal
sailed and sailed and sailed
over pious canons and civil creeds,
feeding colored limbs to circling sharks
when they could row no more.

I cry a trail of tears
through the haunted hills of Mississippi,
land of Choctaw and Cherokee,
where wagons loaded with betrayal
on tireless wheels,
rolled and rolled and rolled
over signed statutes and sealed deals,
crushing colored spirits
'til they could fight no more.

I cry a trail of tears
to the parched walls of Auschwitz,
crypt of Sephardi and Ashkenazi,
where ovens stoked with betrayal
burned and burned and burned
through hair and flesh and bone,
scorching a million souls
'til they could scream no more.

This p-o-g-r-o-m trail of tears...

I cry.

~ P
(#trailoftears)
2008
From "Graffiti De La Soul" at
http://stores.lulu.com/store.php?fAcctID=2015434
Jonny Angel Aug 2014
It was in a sweat lodge once,
you and me sat
deep in the middle
of the ancient forest.
Surrounded by pine trees
& lying in the *****
of our Earth Mother,
we received our sacred names
from the medicine man.
Yes it was true.
Together on a personal journey
& seeking knowledge,
we rode the good Red Road
into bliss.

You became
Miss Hummingbird
& me Mister Bee
& we saw the way
inside the burning fire.
Our desire was escalated
as more water smothered,
stoked the coals
into swirling
hot-visions.

The primal-perspiration
streamed over
our loinclothed bodies,
wanton,
our breathing
became erratic.
And with them lifted,
you gladly received my nectar
from behind in copious amounts
screaming.
I filled your sweet sweet cup,
all the way up to the brim.

And it was there,
connected in the darkness,
we became lost
in a harvest moon dream
& we kissed
forever.
i loved you, right

a love unreturned,

unrequited

but alas, still

stoked by little miners with

hearts of brass their

iron faces grimacing at the task,

little beads of lots of sweat

dripping down their

taut frowns.

so what i meant to say is that

i love you, right,

and it’s a love that still

burns, bright, enough

to bring the boys home but

let’s be honest

it wouldn’t best the sun, but

****, it’s a terrible light,

it throws everything into a soft relief

where pretty, soft voiced sheep say

pretty, soft voiced things like

‘it’s okay to feel this way’

‘i want you to be happy’

‘she sounds amazing’

and other things that normal people

tell me mean that either

i don’t love you

or i’m moving on.

they don’t understand though,

i mean,

i love you, right,

though all that sheep **** makes it

sound as if

i’m waving you off,

smashing the celebratory champagne on your bow,

waving you off into the distance with a lacy hanky,

joyful tears cascading down my powdered cheekbones,

i’m greedy

maybe even,

needy,

a disgusting word and

even if i make pacts with myself

to the order of

‘he can do so much better’

‘i am damaged goods’

and other associated half truths

i’d be a liar if i said that

i would kick you out of bed

or even rebuke the slightest of

advances, no i’d take my chances

and i cannot bear it, really

i’d touch you and whatever wholeness

whatever someone else would

parse as clean or pure or holy

wouldn’t disintegrate, no

wouldn’t tarnish, no

would most probably just implode

under the combined pressure

of emotionally-mentally-******-in-the-head-doe

(where the **** do you think the miners got all that coal)

so, yes… wait. no?

i love you, right

but just ignore it

enjoy the lights

please remember them

tell your friends and

cherish them until

they are taken by

death, drink, dementia

but i’m sure your mum,

teacher,

or television

long ago informed you that

bright lights are detrimental to vision

so think of your future and

forget now

if you’re tempted by how i look at you

remember how

sunburn seems innocuous

until you see your skin

and sunscreen pretty useless

‘til you learn the sun will win

and the best way to avoid

dainty melanoma

is

to

go

inside

and

lock

your

door

and act like you don’t know her.
Robert Andrews Mar 2017
I woke up to a summer morning in the Calabogie peaks
Sharing conversation with myself
I stirred the wood stove and I stoked it's fire
while my coffee brewed
I finally know that I'm content
since I found my way to you

And the city lights have nothin'
that I want or need
nothin' that means anything to me
And my coffee seems so much better
than the cities ugly streets
and I have no doubt this cup of joe
is better company

Calabogie You'll never feel alone
among the ancient bent and weathered
backs of stone
and at the feet of every peak
and valley that you find
veins of liquid silver wind and weave
and the midnight stars are a permanent
audience to the moon
Your troubles will be lifted far away
You can listen to the evening loon
lament
the end of every day
and I guess I've known since I arrived
I'm going to have to stay

Calabogie, I've fallen hard for her
Deeper than I thought
for the broken peaks and endless trees
and the way the waters talk
And I'd like to say I'll be back again
but I don't think that I can leave
the comfort and seclusion
of the Calabogie peaks.

Roosty
Prabhu Iyer Mar 2015
I am the river bleeding rivulets at its mouth,
I am time, many branched.

I was a woman who came of heart, love, hope:
I was thrown out of my hearth.

Alone in this harsh winter, the broken woman works the coal in the shanty town. She is all toil and fate. She is, is but a footnote in our capital culture. She has no wealth and she has lost all.

No education worth a job. No salary worth a home. Age is not on her friendly side. So she goes abandoned by the river, discarded jewel.

She went home, back home to where her father came from. There they called her a foreigner, and said she did not belong. She was western in the east, and an oriental in the west. She did not belong.

She was sent here to these rugged mountains by a twist of fate.  No one told her story. She was forgotten like a grave in the hills. Her wails are the whirlwinds that rise hooding mysteries up the slopes.

Un-clapped cymbal, wind chime, song bowl and ney, unsung songs that compete for attention. Time, many branched.

She won. Brave woman, she won. She fought her fate and said 'I will'. The fire in her eyes stoked people's hearts. They welcomed her home and called her 'Khedi'. She's a guide to adventurers who want to be lost.

I chose this timeline. I jumped in and ran my dinghy down this gorge and emerged into a world of sparkling light.
Next up in the 'Hermit' series: a river narrative, pondering on the possible outcomes of a faux-tragic story, and the ultimate victory of volition and will

.
Tate Morgan Jun 2014
The post parade complete at last
the bugle finally played
My heart pounded as it sounded
just get us home safe I prayed
That night was like many others
as I sat behind the stud
Skies overcast, let loose at last
each horse seemed to swim in mud

__________
We turned to face the starting gate
I chirped to set him alight
All could tell as we knew too well
this was a hell of a night
Fire stoked in each the beasts nostrils
I could feel each burning breath
I knew too well, the hounds of hell
could take us both to our death

__________
We followed the gate to the stretch
the wings closed to let us fly
I tucked him in, hoping he'd win
and nothing would go awry
On back my neck breathed the Demon
front-ender that I most feared
The Devils Spell I knew too well
one the gamblers all revered

___________
Death rode the back of my helmet
his hot breath searing my neck
I’d rather he, be behind me
than in front and cause a wreck
The quarter pole bunched up tightly
the front end had closed ground
Tighter it got, man he was hot
he wanted to run me down

___________
The hooves pitched limestone in our eyes
we closed on the second turn
At my wheels, nipping on my heels
the Demon began to burn
He wanted out that was certain
but the field had closed us in
I couldn't see, neither could he
how either of us might win

____________
The Demon wasn't used to this
he had never been held back
He would burn wheels, kick up his heels
as he ran off down the track
I could hear his labored breathing
as his driver choked him down
The last turn steered, then we all cleared
it was time to go to town

__________
The field rolled out of the end turn
as the Red Sea opened wide
My stud snatched his bit, in a fit
we were off for a wild ride
Just in front of the Demon Seed
I felt we'd surely collide
I turned to see, he was on me
as he rolled up alongside

__________
But the fire had gone out in him
he had spit the bit the beast
He'd choked upon humility
or so it had seemed, at least
We had cleared the rest of the pack
stared down the Demon of Sin
To slip and slide on life’s rough ride
and come out the end to win

__________
The Demon never won again
retired of a broken heart
I think all knew, as I did too
he would draw an Amish cart
But that’s just how one grows in life
all made at times to feel small
The best aren't mean, though they are seen
to get up, each time they fall

Tate
Original with picture of Scarlet Message and I racing in Illinois
http://www.writerscafe.org/writing/aristate/1022208/
What makes the character of a man is the same thing that makes a horse want to win. Pride in oneself. And the ability to accept defeat. It is not as important that a man win as it is that he accept his performance and try his best. Of course anyone who lacks humility will be humbled by rocky shores of life. With or without his permission. This a poem to honor my fathers life. For he was one who always got back up when he fell. A fitting testament to the creed he learned from his own father and then passed down to me.
Third Eye Candy Apr 2013
In the half wind, the full sail stoked the waves of our damage parlor
bouncing the ball of fire so high into the void
the faint of it's whisper belies the clarity of it's 'absolute amnesia...
you gloat over the swollen suns.... you eat pepperoni pizza  !
you have your way around the circle that you square with your habits.
you chasten sunrise.... " How Dare You bring the yellow to my tumult and swagger elastic or'e the tundra
of my everlasting lack of Faith ! "
how dare you is all the daring
i dare for you
and i'm there
for you,
JJ Hutton Jul 2010
all eyes,
all on me,
all eyes,
hanging
all over me.

milk the silence.

fingertips trace the
splintered podium.

clear my throat,
once,
twice.

"We shoulduh' seen this coming."

great opener.

"Our end was scored
by symphonies of sitcoms,
reality television, coffeehouse blenders,
and fanatical braking.

Our pride in resilience was the
spark that lit the powder keg.

Foreigners couldn't stop us,
for we stopped letting 'em in years ago.

Time couldn't stop us,
for our bodies are made of plastic,

and words don't dent us,
for our emotions are backed by
the most stubborn of metals.

We broke love when we were still young.
All us boys were aiming for quick fixes,
and all you girls were aiming for margarita mixes.
Ladies decided they wanted to nest around the
smoking age,
and if they were attractive enough,
us boys bit.

We all got divorced.

We all got into politics.

Some of us died for a country,
but none of us are sure why.

Some of us ran from debt,
some recorded folk songs on laptops,
some sexed their way out,
some drank themselves to death.

We shoulduh' seen this coming.

But we didn't, so that makes you and I, the idiots.

The smart ones had foresight,
and departed us early.

Now we idiots look to the murderous sky,
and wait."


all eyes,
all on me,
all eyes,
hanging
all over me.

milk the silence.

i raise my arms up,
as though the crowd is crucifying me.

they want to finish their burgers.
they want to stroke each other's egos.
they want to pass the blame on some
distant land,
and stick boots up ***** and wave a few flags.

"So civilization doesn't get to rust,
it goes out in a flash and is carried away as dust.

Mankind annihilates itself in a fit of boredom.

Get stoked for the funeral pyre."


all eyes,
all on the ground.
all skin,
all plastic skin did melt.
all forgotten dreams,
all torn from hidden seams.
all the thin, the fat, the republican, the democrat,
all the white, the black, the chinese,
the arabs, the jews, the druggies,
the christians, the monkeys, mtv stars,
toilet seats, pamphlets,
all the newsreels, dvds,
collector's editions, suvs,
all fuse together,
all in one immaculate heat.

no one even got a chance to applaud.
Copyright 2010 by Joshua J. Hutton
Andrew Crawford Aug 2024
Like a lonely rose
froze to stone,
heart hardened to marble
below a coat of snow;
barbed bones grow
labored and slow
but red petals
still radiate, aglow-
posed not quite open,
although not quite closed.

Warmer wind blows,
rain drops
clapping, lachrymose;
spring-lit spirit sprints
towards summer solstice, awoke;
green leaves,
emerald embers stoked,
emitting dandelion smoke.

Trophy bouquet meadows
of romanceless nosegay
and posy mosaic laying apropos;
seeds evoked and thrown
from my own torso.

Emotions
forwards flown
to almost certain vertigo
then swiftly sunk in undertow
from only breeze's uneven strokes;

No thing hallowed,
corpse bloated, decomposed;
worms hunger and burrow,
tomorrow sowing unknown woes-
soul harrowed as if I chose.
Side notes-
A nosegay or posy is a small flower bouquet, introduced in the Middle Ages as a means to counteract the strong odours of everyday life and for protection against disease, but when interest in the language of flowers peaked during the Victorian era flowers and herbs in nosegays were chosen not just for their scent but for their symbolism as well, as a way to communicate the feelings of the person who wore it or of the person who gave it as a gift. Here it has a double meaning.
Harrow means acutely distressing... or a cultivating tool set with spikes, teeth, or disks and used primarily for breaking up and smoothing the soil... here it also has a double meaning
Karishma Rao Jul 2012
On a night like this
with murmer of prayer,
the nightbird stoked in me a tremor
so slight in degree i didn't dare
open an eye to the dream
unfolding before me under
blackness ever so unkind.
Jenny Gordon Dec 2018
Is it pure coincidence my brother had called for my birthday four nights earlier, and instructed me regarding how to know whether a man loves me?  



(sonnet #MMMMMMMDXXXVII)


I thought of sipping wine, and, to avail
O, nibbling choc'late after hours for sense,
Until YOUR text confirmed the dream which thence
YOUR lies had stoked:  was false.  Now in the hale
Eye of a Winter's dawn where snow to scale
Is piled so whitely 'round, I think fr'intents
Of how but thieves and scoundrels rouse pretense
To mock me e'er anon, and whither's bail?!
We sip the lighter Barry's tea in tour
And talk of sourdough since he makes bread to
Feed all of us cuz my late schedule, poor
As saying, is far too busy.  And I do
Not watch those whitish tendrils waft as twere
Upon my rosy lea, now.  Ah, what's new?

28Nov18a
...Telling me that, "if a man loves you, he'll come visit you by three month's time; if not, he's false."
We are as stoked as the camp fire
drinking and dancing falling around
throwing our clothes off
our pants to the ground

Then into the sea we go
for some mischief with me
me Jim Stella and Fay
Alex Julie and Dave

Another beach swingers party
oh what fun
with only one rule
not up the ***

It's a right old knees up
if you know what I mean
if you want join us
make sure that you're keen

By Christos Andreas Kourtis aka NeonSolaris
Lappel du vide Feb 2014
i remember when my mama took me up the mountain,
she told me,
"now, you are ready."
and pine and oak softly fluttered their leaves at my arrival.
there were yellow flowers,
growing wildly,
strangling the delicate blue blossoms,
made of flimsy roots and spindly bosoms.

i was the youngest in a tribe of
golden skinned people;
dreadlocks, tattoos,
moon cycles on the sides of their eyes,
and hair like cattails whispering in the dark.

with my stomach churning,
i entered the tall, dimly lit tepee.
the medicine man sat churning the ashes
in an empty fire-pit,
and women stood around me scattering
flower petals like
soft skin
all over the red-dirt earth.

his eyes twinkled,
and told me things that he would only let the
dusk unfold.
i took my seat on a white sheep-skin,
settling myself.

as the night grew older,
the fire grew larger,
shapes elongated on the fair skin of the stretched
tepee,
the flames dancing wildly,
smoke drifting up into the
starry dark.

the fire keeper stoked the raging
yellow and orange tongues,
and the medicine man sat with a bandanna on,
his waterfall nose moving,
and his leather brown skin creaking,
as he told us stories of the sacred medicine.

and we sat,
somebody started singing.
my mothers warm frame was close to mine,
and my step-father next to her,
shoulders touching in the close proximity,
intimate, smoky air.

they beat the deer-skin drum,
badum badum *** badum badum ***
in native languages like
roaring rivers,
they sang songs to the medicine,
for the opening of the heart;
their swift and strong voices
rising like smoke and flame.

when the drum was passed to me,
i didn't know any songs,
wasn't aware that i had to know any.
i started to hit the drum with the padded
stick, and
closed my eyes,
feeling the sticky sweat of my perspiring forehead
drip down upon my licked lips,
tasting of wood and dirt.
i sang something lilting
sounds coming from the deepest
crevices of my throat,
being gently pulled from the grasp of my ribs.

the medicine man put pine on the fire,
it sizzled and breath was filled with
sweet and sharp.

when the air was right, and
the night was thick with song,
he uncovered baskets of small,
green and ridged fruit-like shapes.
"buttons,"

the medicine was taking her form, and was cradled
as a native man took it around the circle,
along with oranges.
i'd find out soon why.

i took two, small and light in my fingers.
i closed my eyes and took the first bite.

my mouth was struck, eroding teeth
and erupting tongue
my face contorted from the bitter juices the small fruit
held within its delicate skin,
my stomach churned and i swallowed it down
biting into the orange, skin and all
begging for a shock of zest to take
down the intense flesh of the medicine.

i looked around,
some people were on their third, fourth.
the beat of the drums was constant,
along with the quiet,
restful crackle of the sighing fire.

the second bite was less of a surprise,
and i finished my first one.

it was only at the third bite of the second button
that my stomach refused to go any more without
heaving,
the astringent juices of the
small fruit working its magic on my stomach.

i closed my eyes and embraced what was around me;
slowly swaying in the deep voices of my
family,
mi familia,
'ohana,
and the heartbeat of the
mountain drums.

soon, i felt weary.
my mother rested her hand like falling rain on my shoulder,
and i lay in the warm arms of her
shawls,
twisting around me like snakes.

a traditional rollie was passed around,
made of corn husk and hand grown tobacco.
my eyes grew slow and drooping,
and i fell into the waiting arms of sleep
while listening to the music of
tobacco and wood smoke, hushed voices,
wilting night,
dancing fire, and alive laughter.

my sleep was deep and dreamless,
my body carried to other places by the medicine,
leaving my mind behind.

i woke to rough feet on the red dirt,
and my mother and father intertwined like red roses,
sleeping below the tepee's watch,
my mothers white skirt fanning out like
soft sheets in the summer
walls.

there were goodmorning smiles,
light spreading from one set of a skin to another,
as my family embraced me,
told me they were proud and grateful to me
for sitting with them.

a bowl of chocolate was passed around, along with a crate
of juicy, pink, dawn touched strawberries.
i dipped them in the dark, sweet and rich paste
and one after another,
felt myself expand into the universe even more.
only when my mother awoke,
to sprinkling flowers,
and lifted sky,
she told me that the chocolate held the medicine too.

i made my way across swaying, long grass,
and sat in the sun, sipping tea with a sliced lemon,
making art with twists and curls of my pencils and pens,
listening to the experiences of last night,
the enlightenment,
the sense of overwhelming love,
that was not quite drowning.

i basked in everything,
let the heat soak into my flesh,
the lilting laugh.
somebody handed me a guitar,
and i sang with my chocolate tinted lips,
and let my voice float within and around the mountain,
filling the tepee and the empty fire pit
once more,
with the sweet and bitter tastes of
the medicine
*peyote.
i wrote this when i started remembering the night my mother took me for a peyote ceremony tepee meeting at a very young age. it was so beautiful, and an experience i will never forget. not until now, i noticed i had no poetry from it, so i decided to try and recreate the mind-blowing feelings of that night.
this will be part one of many other poems about the sacred medicines i have taken with my family and friends.
more info on peyote:
Peyote is a cactus that gets its hallucinatory power from mescaline. Like most hallucinogens, mescaline binds to serotonin receptors in the brain, producing heightened sensations and kaleidoscopic visions.

Native groups in Mexico have used peyote in ceremonies for thousands of years, and other mescaline-producing cacti have long been used by South American tribes for their rituals. Peyote has been the subject of many a court battle because of its role in religious practice; currently, Arizona, Colorado, New Mexico, Nevada and Oregon allow some peyote possession, but only if linked to religious ceremonies, according to Arizona's Peyote Way Church of God.
William A Poppen Nov 2012
Dishes clang against the sink
Loud reverberations of ceramic against metal

Anger defies the covenant to fight less
Sealed with tears and kisses

Slippery is this stone of hurt
Lumped in her throat

There is no easy atonement
to distract and soothe

Her rant finds no audience
Memories fade of what stoked this fire
Poetic T Apr 2014
She feels my lips softly kiss upon
her skin, like butterflies soft and
gentle, she feels my breath like there
wings flowing all over her body.

My hands hard, but gentle upon
her, as she feels me envelope her,
I pull her close are skin touches
for a moment a connection that cant be
undone .

Kisses rise up her throat like a
beast I  have bitten her, but it
excites her as she knows no harm
will I do. Are lips mould to each other,
passion fires up stoked by the intensity
of this long kiss.

Breath becomes rapid, hearts beat
felt through each other, nearly as
one. I slip down your throat butterfly
kisses land and take off.

I undress you with my eyes, then with
my gentle touch, as like a petal they fall
to the floor crushed under foot.

I see the beauty which fulfils my
eyes, I climb up you, caressing
with finger tips and butterfly kisses
cascade over your body, as you arch
to the touch.

I embrace your bosoms hands *****,
fingers search every part of your silk
skin, as I lick the tips of your *******
I do gently bite as I **** them between
my lips.

My fingers skim across your chest,
downward to your ***. As I feel you
my fingers caress I feel in your movements
you want me and no one else.

My tongue teases your inner thigh, I
tease you as I look up and see ecstasy
in your eyes. I am buried in your ***, you
taste pure as my tongue finds the spot
that sends electric love though your spine.

I place my self into you, in motion we move
as one, to that place we need to be sweat droplets
of love, deep inside I feel you as we reach ******
and are eyes never leave each others gaze as two
are now one....
Wanderer Jul 2013
You sit across from me with your knees in knots. The best place for you to be. At arms length. Where you are safe from the soft trembling of my hands, the nervous pounding of an unsure heart against the bruised cage that holds it captive. Between the pages of you and me the ink has always blurred but  I have opened my mouth and let loose words, imagines that I wish I had kept to myself. Promises that only stoked this erratic flame. Cannot say for certain in the dark if you were laughing or crying but in the harsh light of day you were neither. You were gone.

I never can hold on.

— The End —