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"scalpels" poems
Perhaps the earth is floating, I do not know. Perhaps the stars are little paper cutups made by some giant scissors, I do not know. Perhaps the moon is a frozen tear, I do not know. Perhaps God is only a deep voice heard by the deaf, I do not know. Perhaps I am no one. True, I have a body and I cannot escape from it. I would like to fly out of my head, but that is out of the question. It is written on the tablet of destiny that I am stuck here in this human form. That being the case I would like to call attention to my problem. There is an animal inside me, clutiching fast to my heart, a huge carb. The doctors of Boston have thrown up their hands. They have tried scalpels, needles, poison gasses adn the like. The crab remains. It is a great weight. I try to forget it, go about my business, cook the broccoli, open the shut books, brush my teeth and tie my shoes. I have tried prayer but as I pray the crab grips harder and the pain enlarges. I had a dream once, perhaps it was a dream, that the crab was my ignorance of God. But who am I to believe in dreams?
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14.1k
The Poet Of Ignorance
yesterday i saw dolphins i swam with dolphins their black knife jackknife dorsal-whatevers slicing the water, scalpels into flesh, disappearing, reappearing, disappearing, reappearing a herd of silent Lamborghini cracking jokes at my expense (looks plural to me) yesterday i saw dolphins i chatted with an old man who said they're laughing all the time, diving for ******* "Oh yeah, we get dolphins here," he might as well tell me Jesus lives there, too or some kind of black magic came through making these creatures appear his nonchalance is weird yesterday i swam with dolphins well, saw, not swam, viewed, not caressed but all i want to do is see them all i want to do is breathe with them all i want to do is float in the same sea with them my heart ripped to pieces in appreciation
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Apr 16, 2014
Apr 16, 2014 at 11:29 AM UTC
Untitled
#teamara As in the nub of the remains of crayola crayon that’s been used to color in so many smiling cartoon suns on a piece of paper- Her favorite color is yellow. And I don’t mean a wimpy *** pastel yellow or sometimes a pale yellow I mean her favorite color is bright *** yellow. Like Pikachu yellow. Like she’s almost nineteen but she’s still willing to play Gameboy Pokemon yellow. There’s something innocent yet corny kind of yellow about her. She’s beautiful like yellow jirasol petals She’s intricate as yellow thread woven in a Rasta Dom She’s yellow like gold and Africa She’s sweet like pineapples and delicate like daffodils I still don’t know why her favorite color is yellow Maybe it has to do with her fascination of Asian men… I mean! ...with the continent of Asia She thinks she’s more like pink Japanese cherry blossom trees in the summer But I know she’s truly yellow petals on Paolo Verde trees blowing in the wind spreading around Tucson A metaphor for her love She’s yellow like the color in the middle of my pride rainbow- She supports me She’s yellow like the big painted sun at the hospital with a big grin I wonder why nobody smiles at hospitals The place where life is easily given as taken Where we are reminded that our health is sometimes taken for granted Other than that great big yellow sun She is the only that radiates yellow and smiles In waiting rooms, she seems like she’s the calmest Even though she’s the only one going through surgery She’s so beautiful on the inside her body can’t even take it She doesn’t deserve scions or scalpels to even be considered touching her bronze skin I wish instead they would strip down the color yellow from my life And give it to her to make her smile so bright that even word “cancer” would cease to exist But still. Even through pain and hardships She still smiles. Not only is she yellow when she’s happy She tends to radiate yellow even when she’s gloomy When I’m upset, her aura has way of rubbing off on mine And I get insight to why her favorite color is yellow *** she’s the kind of yellow that represents strength She’s yellow like tall forts made from gold bars She’s yellow like flames that roll of her tongue when she spits fire She’s yellow like a crayola-crayon… except she can’t be broken From her, I’m learning That even when you’re hurting You can still shine bright like your favorite color.
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Dec 3, 2012
Dec 3, 2012 at 3:55 PM UTC
yellow.
#teamara As in the nub of the remains of crayola crayon that’s been used to color in so many smiling cartoon suns on a piece of paper- Her favorite color is yellow. And I don’t mean a wimpy *** pastel yellow or sometimes a pale yellow I mean her favorite color is bright *** yellow. Like Pikachu yellow. Like she’s almost nineteen but she’s still willing to play Gameboy Pokemon yellow. There’s something innocent yet corny kind of yellow about her. She’s beautiful like yellow jirasol petals She’s intricate as yellow thread woven in a Rasta Dom She’s yellow like gold and Africa She’s sweet like pineapples and delicate like daffodils I still don’t know why her favorite color is yellow Maybe it has to do with her fascination of Asian men… I mean! ...with the continent of Asia She thinks she’s more like pink Japanese cherry blossom trees in the summer But I know she’s truly yellow petals on Paolo Verde trees blowing in the wind spreading around Tucson A metaphor for her love She’s yellow like the color in the middle of my pride rainbow- She supports me She’s yellow like the big painted sun at the hospital with a big grin I wonder why nobody smiles at hospitals The place where life is easily given as taken Where we are reminded that our health is sometimes taken for granted Other than that great big yellow sun She is the only that radiates yellow and smiles In waiting rooms, she seems like she’s the calmest Even though she’s the only one going through surgery She’s so beautiful on the inside her body can’t even take it She doesn’t deserve scions or scalpels to even be considered touching her bronze skin I wish instead they would strip down the color yellow from my life And give it to her to make her smile so bright that even word “cancer” would cease to exist But still. Even through pain and hardships She still smiles. Not only is she yellow when she’s happy She tends to radiate yellow even when she’s gloomy When I’m upset, her aura has way of rubbing off on mine And I get insight to why her favorite color is yellow *** she’s the kind of yellow that represents strength She’s yellow like tall forts made from gold bars She’s yellow like flames that roll of her tongue when she spits fire She’s yellow like a crayola-crayon… except she can’t be broken From her, I’m learning That even when you’re hurting You can still shine bright like your favorite color.
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43
We are a deeply entwined vine Growing ever more far apart, But still attached at the roots. He has rooted himself in myself, And has become a part of me. I dissected worms in high school, But I don't feel qualified To dissect our conjointment. He has asked me to hand him the scalpel, And I have become too accustomed To his requests to decline. We stare at each other, Both of us too timid to cut the ties, And go to bed side by side With scalpels in hand.
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Jun 25, 2014
Jun 25, 2014 at 1:51 PM UTC
Attachment
From a fifth storey bachelor’s window pondering shadows in the car park below, Johnny opens another can. I stuff another pipe. We talk about our trip to Brazil and how great it would’ve been had we gone; Johnny turns up the radio. I take the first drag. Old girlfriends swing by in our conversation, most of them giving us the finger, mind you; Johnny dabs at his tears. I pass him the pipe. Dusk-scalpels are slicing through the curtains now, they scrape over coffee table dust, through Irish coffee stains, cut open Johnny’s frown: The neighbours are at it again, arguing; he accuses her of seeing someone else, she tells him *correct, it’s your ****** sister.* Johnny taps out the pipe in the ashtray, says he has to do someone a favour; throws on his jacket, says take it easy. Johnny’s shadow tiptoes into evening, a car alarm screams and a gunshot cries. I convince myself this is Brazil.
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Feb 3, 2011
Feb 3, 2011 at 7:59 PM UTC
This is Brazil
*So many spiderwebs each with individual suction cups ******* blood and injecting poison.... a collapse lung.... withered and black.... festering in the hot sun kissing silver scalpels and *********** yellow pus into crunchy white tarp.... capsules that release toxins into a parched mouth spiderwebs.... make love to my arm*
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Jan 3, 2016
Jan 3, 2016 at 3:03 PM UTC
Spiderwebs
Consciousness, mindfulness, philosophical enlightenment - Live for the **** of it. Camus was right to breathe in spite of the tide of crushing emptiness. The boulder gets heavy, the bones grow weary, the mountain is steep and we are steeped in irony. For life can be deadly and death's rows of gravestones mark homes for freed slaves, their crossed arms hiding scars left by the teeth of nihilistic grief beatings and surgery scalpels set to carve by frequent false alarms. Sisyphus took but one break, to hear the chains rattled from the gates, hellish obsidian, vermilion flames licking lumps of silica grains mixed with ash and a black tar splash. And Orpheus sighed on the lyre and brought tears to the eyes of the most vile, while Sisyphus paused - not long, but a lifetime for those still free to subside to dust, from blood and guts, when their time arrives. The trials of life, the striving rites and lavish gifts of light to defy the black and empty dusk still fail. Eurydice grows pale as Orpheus turns to see her cheeks losing every trace of peach hue, eyes emptying, lungs leaking their last gale. Struggling again, Sisyphus is sent tumbling down the face of the great mountain, grabbing gravel and sand and gashing gaps in his hard leather hands. Bleeding ash, not blood, hot red mud dripping from the thick lacerations, mixing with the sickening avalanche of wasted effort and waylaid plans. Repeating the climb up the steep peak, bones creaking like a clock's gears, rattling off the seconds, minutes, hours, years until the watch stops its panicked hands. Until then we will toil unswayed as we wear stones to clay, carving winding paths in spirals up the mountain's waist. No calm for those with breath, no rest for beating hearts. We must live in spite of life, and then sink silent to the earth.
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Oct 28, 2013
Oct 28, 2013 at 5:33 AM UTC
Myth of Sisyphus
Consciousness, mindfulness, philosophical enlightenment - Live for the **** of it. Camus was right to breathe in spite of the tide of crushing emptiness. The boulder gets heavy, the bones grow weary, the mountain is steep and we are steeped in irony. For life can be deadly and death's rows of gravestones mark homes for freed slaves, their crossed arms hiding scars left by the teeth of nihilistic grief beatings and surgery scalpels set to carve by frequent false alarms. Sisyphus took but one break, to hear the chains rattled from the gates, hellish obsidian, vermilion flames licking lumps of silica grains mixed with ash and a black tar splash. And Orpheus sighed on the lyre and brought tears to the eyes of the most vile, while Sisyphus paused - not long, but a lifetime for those still free to subside to dust, from blood and guts, when their time arrives. The trials of life, the striving rites and lavish gifts of light to defy the black and empty dusk still fail. Eurydice grows pale as Orpheus turns to see her cheeks losing every trace of peach hue, eyes emptying, lungs leaking their last gale. Struggling again, Sisyphus is sent tumbling down the face of the great mountain, grabbing gravel and sand and gashing gaps in his hard leather hands. Bleeding ash, not blood, hot red mud dripping from the thick lacerations, mixing with the sickening avalanche of wasted effort and waylaid plans. Repeating the climb up the steep peak, bones creaking like a clock's gears, rattling off the seconds, minutes, hours, years until the watch stops its panicked hands. Until then we will toil unswayed as we wear stones to clay, carving winding paths in spirals up the mountain's waist. No calm for those with breath, no rest for beating hearts. We must live in spite of life, and then sink silent to the earth.
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56
. The menace emerges from the shadows, a barked order, but unintelligible. Then the soft steel kiss slicing through flesh into entrails. A fist connects with a crunching face, legs buckle with pain and blood-loss. And the Darkness of Death takes me, like a comfort blanket of soft wool. My Temple violated and de-sanctified, the blade withdraws with a whisper. Darkness cuddles and welcomes me with a smile. The morphine haze keeps me inert and motionless, but makes my mind giggle. It wanders aimless through psychedelic chapters … This place is sterile, white, drab. My eyes move slowly left. There is something in a doorway. The door. … my head flies to a Poets Banquet, where I am the bones thrown to the dogs. And the wood grain in the door moves, a cascading chocolate fountain, over and over again, flowing, melting like molten lava. They taught me to write, then cut off my hands. Obscurity is purity; fame is pain. So I penned a letter to the dead. My eyeballs are all that move, floating in mid-air, but still connected and transmitting drug induced images. I remember the assassin, the blade, the darkness, the sirens, but no pain. Images but no feeling. They move right to a cold bedside table, and then I think I cried. Somebody Knows me. No chocolates, no flowers. Somebody Knows me. No fruit. No magazines. Just … a pen and a pad. Somebody Knows me. I did cry, someone remembers me. And each teardrop contained a thousand images, a thousand stories, a thousand poems. Inspiration. Illusion. Insight. And the Darkness of Sleep takes me like a comfort blanket of soft wool. The morphine haze retreats further into my mind and I dream … of ambulances and white walls of green gowns and bright lights of scalpels and scissors and surgery of needles and nurses and nightmares … I dream of Poetry in colour. I see worlds in the sky and words painted on clouds. A kaleidoscope of teardrops dripping images into my mind. A fountain of mist cascading, seeping into a memory sponge. And I feel; somebody who Knows me gently wipe away the tears. © Pagan Paul (04/06/17)
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Jun 4, 2017
Jun 4, 2017 at 7:14 PM UTC
Letter To The Dead
. The menace emerges from the shadows, a barked order, but unintelligible. Then the soft steel kiss slicing through flesh into entrails. A fist connects with a crunching face, legs buckle with pain and blood-loss. And the Darkness of Death takes me, like a comfort blanket of soft wool. My Temple violated and de-sanctified, the blade withdraws with a whisper. Darkness cuddles and welcomes me with a smile. The morphine haze keeps me inert and motionless, but makes my mind giggle. It wanders aimless through psychedelic chapters … This place is sterile, white, drab. My eyes move slowly left. There is something in a doorway. The door. … my head flies to a Poets Banquet, where I am the bones thrown to the dogs. And the wood grain in the door moves, a cascading chocolate fountain, over and over again, flowing, melting like molten lava. They taught me to write, then cut off my hands. Obscurity is purity; fame is pain. So I penned a letter to the dead. My eyeballs are all that move, floating in mid-air, but still connected and transmitting drug induced images. I remember the assassin, the blade, the darkness, the sirens, but no pain. Images but no feeling. They move right to a cold bedside table, and then I think I cried. Somebody Knows me. No chocolates, no flowers. Somebody Knows me. No fruit. No magazines. Just … a pen and a pad. Somebody Knows me. I did cry, someone remembers me. And each teardrop contained a thousand images, a thousand stories, a thousand poems. Inspiration. Illusion. Insight. And the Darkness of Sleep takes me like a comfort blanket of soft wool. The morphine haze retreats further into my mind and I dream … of ambulances and white walls of green gowns and bright lights of scalpels and scissors and surgery of needles and nurses and nightmares … I dream of Poetry in colour. I see worlds in the sky and words painted on clouds. A kaleidoscope of teardrops dripping images into my mind. A fountain of mist cascading, seeping into a memory sponge. And I feel; somebody who Knows me gently wipe away the tears. © Pagan Paul (04/06/17)
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72
Your words cut like scalpels Through hair skull and scalp Culling the cunning thoughts My Foolish heart has bought But your blade is truth No anesthetic Can dull, numb or soothe Unsympathetic It removes the lie Like a tumor Until my life's A rumor
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Sep 12, 2014
Sep 12, 2014 at 12:28 AM UTC
Truth
Raw flesh drenched in alcohol Burning numbing till paralyzed, keeps me still                          Power you have over my being, keeps me fearing              Your presence destroys me, shatters me Feeling naked, inadequate when my eyes see My reflection's negation in you Cannot hide anything when you expose all of me Wounded animal beaten without avail Knowing, proprietor of my pain                You don't understand my whimper, wail? My blood being diluted by the sweat of your laborious efforts Precociously tactful, inhumanly strangling my will Ever-becoming antithesis to facades, fears, farces in me Facing scalpels and clamps to my insecurities, my tactics, my pride Leaving me open not caring if I'll die from exposure                     Caring only that you're exposing the real me I-nvoluntarily l-acerated, o-n the v-erge of e-nding u-ndone Somberly Always Unsettling Leaving me bare
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Feb 4, 2013
Feb 4, 2013 at 10:50 AM UTC
Somberly Always Unsettling Leaving (Me Bare)
Poets, like doctors, know the anatomy of suffering... tearing the paper with rusty carving knives... We see scarlet scratches and eggplant colored bruises on every square inch of foolscap... we open scars with words... stainless steel scalpels which we never sanitize... We perform open heart surgery with blunt instruments... We cauterize the wounds with coals of Fire... We are civil war sawbones, removing the gangrenous leg to save the body... Carrying out our task with whiskey bottle anaesthesia. So have a care... The Doctor Is In. SoulSurvivor (C) 5/30/2016
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May 30, 2016
May 30, 2016 at 11:43 PM UTC
Sawbones
Like sad deflated sacs Scars webbing keloid Across the flattened chest Where ******* were saved From slashing scalpels Not to become medical waste But reminders That a life that must go on Compromised By the toll of life. And now I have lost you You being my lust To kiss and caress The body I desired (But mainly your **** And now I am left with a person I despise For your beautiful ******* Made me forget Your empty soul.
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May 15, 2013
May 15, 2013 at 9:02 AM UTC
****** Mastectomy
All estuaries flow eastbound, and the subterranean rail tracks keep forcing against the estuaries’ grain and dust foundations perpendicularly to them. How can a sane proposition -- a quantification of syntax execution (those squirming cuticles through bonds of regression)— an excessive reflection, reflexive inspection, Prove its sanity through continued suggestion? Deductive insurrections stirred in memory, A rumble, causing sediments to crumble, Wineglasses balanced atop countertops tumble. Spilling contents upon the grained wooden, elitists' floors. "Anesthetic, onsetting tuberculosis in breath patterns, Gavels ringing on rigged tolling tongs in caverns, Dark tolerances to Copernican astronomy in shadows, And the handle grinds as boxcar wheels' flints and steels catch and spark in addled locks," I mumbled from a half-nap. It was surgery, the smooth procedures on the moving trains, The gains and plectrums scraped against the brains' spider veins, To reorganize the sane, to bridge the broken definitions changed, To prevent arguments' bone structure from fractures and sprains. "Use gavels against the scalpels, sculpt with their judgment," a corona dream's habitant corrugated. He pounded the gavel's end against the knife to chisel at the pituitary gland pulsing in his subject, And her arms flailed like a horse's legs in heat-induced convulsion. I thought it was done. The Canson Merue train screamed in the night under earth to Yellowknife to meet Canadian soil as the Heavy Breather pounded his gavel.
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Oct 9, 2014
Oct 9, 2014 at 5:06 PM UTC
The Continued Suggestion (Subterrain)
All estuaries flow eastbound, and the subterranean rail tracks keep forcing against the estuaries’ grain and dust foundations perpendicularly to them. How can a sane proposition -- a quantification of syntax execution (those squirming cuticles through bonds of regression)— an excessive reflection, reflexive inspection, Prove its sanity through continued suggestion? Deductive insurrections stirred in memory, A rumble, causing sediments to crumble, Wineglasses balanced atop countertops tumble. Spilling contents upon the grained wooden, elitists' floors. "Anesthetic, onsetting tuberculosis in breath patterns, Gavels ringing on rigged tolling tongs in caverns, Dark tolerances to Copernican astronomy in shadows, And the handle grinds as boxcar wheels' flints and steels catch and spark in addled locks," I mumbled from a half-nap. It was surgery, the smooth procedures on the moving trains, The gains and plectrums scraped against the brains' spider veins, To reorganize the sane, to bridge the broken definitions changed, To prevent arguments' bone structure from fractures and sprains. "Use gavels against the scalpels, sculpt with their judgment," a corona dream's habitant corrugated. He pounded the gavel's end against the knife to chisel at the pituitary gland pulsing in his subject, And her arms flailed like a horse's legs in heat-induced convulsion. I thought it was done. The Canson Merue train screamed in the night under earth to Yellowknife to meet Canadian soil as the Heavy Breather pounded his gavel.
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20
i. a girl once told me that sad people close their eyes so they do not see the world anymore, and that i should count sheep when i cannot fall asleep and that her favourite flowers were azaleas. she also told me that she keeps scabs on her knees, and on sundays she comes to me with bleeding wrists. another girl paints artifice out of artlessness and human flesh. she has scalpels for arms and a tempest on her thighs and she lives in the mirror and when i blow ii. on her i understand, through air condensation and self- anathema, that i am the girl that she de-fleshed maliciously herself, slit out of the cardboard and painted out in artifice and artlessness and i am the girl that once told another girl to ******* cut her arm off and i meant it so she would not hurt herself again because i am the kind of the girl with scabs on the bone of her halo, because i believe halos are made of nothing but cartilage and helium bones, and a heart as transparent as a vampire and its split opened like a monarch butterfly, ******* off azaleas or malarias or other pathogens giving infants cancerous proclivities and my eyes are swollen in mauve from divestiture because i know too well those sheep won't jump over the fence anymore because they have been ****** raw in the *** by inhumane prospensity and i understand that sad people close their eyes because it reminds them of death. iii. death is a scientist that theorises the duality of elusive particles in artificial marrows and mediocre decolourised melancholia in discordance, it is the finger forced into our tiny vein and it is nothing but a dream within a dream but i could care less and this poem is not about death, it is about how i like ugly girls and how i'm just sorry that i do not taste as corrosive as the bleach in her mouth. iv. when people are dying, they almost sound poetic. v. i am the girl humanised by ribbons of flesh and bile and atrocity, and i am the girl who understands that a 'broken heart' is nothing but a metaphor for utter disappointment. i am the sleep that dreams long for, hope for, phlebotomise for and i am bitter. vi. i am bitter because i will not believe in sundays unless one day, fortuitously, the sun osscilates, in the most serene of all mannerisms, down the earth and kills us all. i am bitter because semantics does not authenticate the abiding human apathy towards death and all the flowers in her hair. i am bitter because people only read my poetry because they think it is about them. i am bitter because of other horrible reasons that words can simply not express. vii. ugly girls are always prettier because god loves ugly girls, because he ***** them harder than the rest, and because they know how to make others feel ugly.
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Nov 1, 2010
Nov 1, 2010 at 6:40 AM UTC
i like ugly girls
i. a girl once told me that sad people close their eyes so they do not see the world anymore, and that i should count sheep when i cannot fall asleep and that her favourite flowers were azaleas. she also told me that she keeps scabs on her knees, and on sundays she comes to me with bleeding wrists. another girl paints artifice out of artlessness and human flesh. she has scalpels for arms and a tempest on her thighs and she lives in the mirror and when i blow ii. on her i understand, through air condensation and self- anathema, that i am the girl that she de-fleshed maliciously herself, slit out of the cardboard and painted out in artifice and artlessness and i am the girl that once told another girl to ******* cut her arm off and i meant it so she would not hurt herself again because i am the kind of the girl with scabs on the bone of her halo, because i believe halos are made of nothing but cartilage and helium bones, and a heart as transparent as a vampire and its split opened like a monarch butterfly, ******* off azaleas or malarias or other pathogens giving infants cancerous proclivities and my eyes are swollen in mauve from divestiture because i know too well those sheep won't jump over the fence anymore because they have been ****** raw in the *** by inhumane prospensity and i understand that sad people close their eyes because it reminds them of death. iii. death is a scientist that theorises the duality of elusive particles in artificial marrows and mediocre decolourised melancholia in discordance, it is the finger forced into our tiny vein and it is nothing but a dream within a dream but i could care less and this poem is not about death, it is about how i like ugly girls and how i'm just sorry that i do not taste as corrosive as the bleach in her mouth. iv. when people are dying, they almost sound poetic. v. i am the girl humanised by ribbons of flesh and bile and atrocity, and i am the girl who understands that a 'broken heart' is nothing but a metaphor for utter disappointment. i am the sleep that dreams long for, hope for, phlebotomise for and i am bitter. vi. i am bitter because i will not believe in sundays unless one day, fortuitously, the sun osscilates, in the most serene of all mannerisms, down the earth and kills us all. i am bitter because semantics does not authenticate the abiding human apathy towards death and all the flowers in her hair. i am bitter because people only read my poetry because they think it is about them. i am bitter because of other horrible reasons that words can simply not express. vii. ugly girls are always prettier because god loves ugly girls, because he ***** them harder than the rest, and because they know how to make others feel ugly.
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74
what is a telescope -a tyrannosaurus skeleton -a reluctant birthright what are ***** -a state line -an obsolete receipt what is a wave -grandmother says: she will never forget as long as she lives -a forest trail in thick fog what is sea sick -he ran over a dog -wettest March of the century what is an hour -no smoking allowed -the fuming face of a buffalo what is sunburn -inedible black toast -I think she slanders me what is wine -overnight contact lens solution -a humble canal what is a mirror (child | beluga) ~(ham):o + ¥ineapple what is travel -a last minute thing -warmth within a windshield what is revision -a slow explode -milk in coffee what is antacid/calcium supplement -a bottle cap -handy clutter what is a fist -something to try eating when in circles -flour, 1-to-20 eggs, some ennui, expiration dates what is a sigh -a fresh seismograph sheet -sound mechanical in early morning what is skin -a shoelace -child labor what is a workshop -scalpels, piñata bats -a lunar module what is that shiny dead thing in the green eyed river -New Year’s Eve ball drop -otherworldly return to beginning
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Dec 13, 2012
Dec 13, 2012 at 8:33 PM UTC
Surrealist Waltz in Echo Chamber, Op. 301
The foggy harbor buries itself into the bricks, misty fingers make their way into thick brain threads, causing invisible skyscrapers to erupt from natural terrain. Lackadaisical loneliness producing nothing but infertile hands; You are wasting the precious prayer of earths' life in your lungs, while saltwater slips into the crevice of your sorrowful joy. The masks begins to bleed and life carves itself into your skin. Nothing can be done to stop this carpenter of time, for even if mortal scalpels disguise, the knowledge of dying will coat your soul.
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Nov 21, 2011
Nov 21, 2011 at 5:55 PM UTC
C. (The Mortal Complaint)
Slowly changing the scalpels blade while peering down at your neck A number four stainless steel handle is now gripped in my claw Racing thoughts of how it will feel now rush through my mind Circling around high in the sky, I’m looking hard and hard I inspect. I hungered for this day and it seemed I waited for it O’ so long It will surely be different, and I bet it’s only a one of a kind So clean the cut, it has to be, no mistakes will they ever see I saw it done many times now, my mentor taught me well Regurgitated one last time he then nudged me out the nest It’s now my first time and believe me, he always puts me to the test. With my hand held up high I swoop down like an eagle on the attack When calling hours come I’ll prove to you I’ll get an A for my grade You only get one chance, I can’t afford to fail, and I’m not staying back. Friends now gather around and the mourners they all weep As you laid there in your music box… I heard someone say… That she looks, peacefully asleep (SirCARSr. 1-28-13)
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Jan 28, 2013
Jan 28, 2013 at 8:51 AM UTC
Where Eagles’ Dare to Fly
Oh, sweet calico You flittered and you fluttered Before the cruel men Pinned your wings, and held you Under Examining, every colour And stripe, on your surface Comparing, every pattern You made To a control they deemed Ordinary Their tongues were as rough As their calloused hands Yet their minds were like sharp knives Or scalpels Dissecting your Entirety Three green dots You were marked with, before they placed you Into a four by four Box And promptly Forgotten about
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May 14, 2013
May 14, 2013 at 10:24 PM UTC
calico
creating invisible lines across my scalp grinding dead fingernails down to the living skin slowing peeling the cells trying to reach my brain performing surgery my bed the operating table pulling and yanking blindly putting nerves back in their places feeling with sore fingers struggling to find the bad spot the chunk of my mind containing you aiming and seeking to yank from my thoughts the fragment that makes my blood boil and forces me to text you when my ten scalpels tire and i finally fatigue no molecule, particle, or flaw can i find you have infected my brain down to the core and every atom in between but still the capacity of my conscious surgery can find no defect sensing sanity return i put back every nerve and neutron and use my ten tired needles to stitch back my scalp hiding my work beneath many blood hairs deeming myself rational sound and levelheaded i use electricity to connect my disorganize mind to yours ten tired tools helping me along and when I'm done when the message has left ...i question my health and the process begins again
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Mar 27, 2010
Mar 27, 2010 at 1:08 PM UTC
Surgery Between Texts
This ******* heart beats thrice per second Pumping in and pumping out the black tar from my lungs. If the body is a temple, Then I have abandoned mine No one now kneels in this void. Baptized in whiskey, Circumcised with a machete. It’s no coincidence that, I was born on the full moon In the midst of a hurricane. Learning how to eat with no spoon But this is who I am. We each have a cross to bare Mine’s just covered in scalpels Sharpened bread knives, That draw wrinkles on my face.
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May 29, 2013
May 29, 2013 at 10:45 AM UTC
Whiskey Wednesdays
take rain from sky take the way tall men straighten your stance take the students of dance see the little ballerina stretch her toes see her mother warm with the floodlight take your plea to the judiciary take your eye to the statue of David smear on the dust of Somalia rub raw the frost of Croatia refresh your aim in the heights of Angola but do not stop only at this breathe every impediment trust every promise of clemency stumble if you will fall under cease-fire take it all take the watchmaker bent over time with fine tools clasp each second take the sculptor who chisels and scalpels for the grandiose later in your armchair fold creases in your newspaper with care be with every nourishment be with the cloth of your nakedness make sail for your harbour of origin remember the milk of your mother warm or cold or sweet if it is so appease hunger with the ambidextrous mouth of a soldier fed with death in his jungle be the bystander, be the bi-partisan, the ******* the timeless, the dancer be it all breathe each increment do it now measure the infinite the possible MChallis © 2015
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Jan 6, 2015
Jan 6, 2015 at 8:02 PM UTC
Take It All
My tongue A sweet silvery dagger's blade The cool flat of it slipping over you like some archaic inhuman magic Sometimes, however, it slips The keening edge moves into the flesh of your soul Like so many scalpels into mastectomy patients And you bleed in ways I never meant you to I understand that the ache falls deep That it's hard to forgive those who slash you But hear me out Because my arms are the deftest needles That mend the human heart From the inside out They can do anything you need But only you decide If there will be A scar
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Jul 7, 2015
Jul 7, 2015 at 10:50 AM UTC
Dagger
Translucent, red traffic light Belongs so comfortably No one made a fuss over its colour Just an instinct for the shade The perfect pigment No hustle, no alarm Being the man who ponders this Am I not allowed the breeze or the brevity? Are we blessed to fidget the cigarette? Cursed to be tense I imagine a mellow, white man Prancing on a set of traffic lights Naturally pristine and silky He plays in an explorative band Rock and roll on scalpels So smooth, that breathing Not a single itch I’m going to achieve such a feat One day I’ll be a queen *****
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Nov 25, 2018
Nov 25, 2018 at 8:04 PM UTC
New Contact, 52nd St.
they do not speak   mouths sutured shut   their words, thoughts, appear on their skin   like some curious cuneiform, deciphered not by those who wield the scurrilous scalpels   that maimed them   they do not speak   though their screams appear as a rapacious rash of cocky consonants, their whispers as smooth vowels on their exposed hides       they do not speak but hear the flapping of butterflies’ wings the blinking of a dead dogs’ eyes and the sound stars made upon colossal collapse they do not speak but emit eerie odors in fecund olfactory code   “lesser beasts” read with feral snouts and see on the breached breaths the silenced try to conceal     they do not speak   though they see the mocking mouths of their captors and their words that fly through the air   slicing through these mutes, as if they were never there
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Jan 13, 2015
Jan 13, 2015 at 11:17 PM UTC
those without words
We buy bags and shoes for money that could feed us for weeks We use Botox and scalpels to fix our imperfections We never leave the house or the room without checking our reflection or taking a selfie We make sure there’s never a hair out of place or a flaw to be seen We are the lost generation Our appearances are nothing but shells But that’s fine No one ever sees the empty insides We are the lost generation We are empty inside But we don’t care All we have ever wanted All we have ever craved is to be beautiful corpses
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Jun 28, 2014
Jun 28, 2014 at 6:03 AM UTC
Beautiful Corpses