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Pax Oct 2014

In my darkest days, I held you beneath my warmth.
You indulged me with your feverish hunger.
You embraced me with your piercing emotions.
You were immune to my changeable disease.

I came to a realization that you were my muse,
the best rainbow I received……….

You told me that I was part of your soul.
To me you’re the fuel to my rusty engine,
The energy to my thirsty being,
And the light of my darkened soul.


© Pax
http://www.writerscafe.org/writing/willyampax/1031383/
David Ehrgott Jan 2016
rusty roses
once were blue
red or yellow
pink ones too
  
not delivered
to the one
young true lover
having fun
  
always meant to
spark a fire
for your eyes would
then alight
  
never got to
show my love
never had
my turtle dove
  
sorry that I
never sent
the rusty roses
meant for you
deanena tierney Jun 2010
It stands on a mildly sloping hill,
That is dotted with haphazard trees.
Overlooking a long dried-up creek,
That is now just compacted leaves.

To the right of it lays a few broken posts,
That, I'm sure, once, helped to contain,
Some cattle that surely supported the farm,
That used to be just down the lane.

To the left, there is just a hint of a path,
That must have been very well-trod.
And, farther off, a much- bustling city,
That, back then, would've looked quite odd.

Behind it, the ground hoards some rubble,
Of a farmhouse that fell long ago.
And, amazingly, this old rusty mailbox,
Holds a letter with no place to go.
I hateth th' song of th' grass outside;
and t'eir blades t'at swing about my feet
like fire. How unfeeling all of which are-
did t'ey really think I wouldst ever be tantalised
by t'eir sickly magic? Such a gross one-
demanding, rapacious, parasitic!
Even I am fed up with t'eir proposals,
and ideas t'at t'ey fervently throw
in th' hope t'at t'ey canst corrupt my dreams,
my feelings-ah, yes, my sincere feelings,
and secure, t'ough imaginary, dreams.
Oh, and my comfortable desire as well!
My rosy desire-which at times canst tiringly
petrify me-ah, unbelievable, is it not? Th' fact
t'at I am so satiatingly, and daringly, petrified
by my own desire-and reproved by th' one
whom I am astonished at, praise, and admire;
How pitiful I am! How horrific and tragic!
I hath knitted my sorry without caution,
I was too immersed in vivid glances
and disguises and mock admiration.
Perhaps it hath been my mistake!
Eyes t'at blindly saw,
ears t'at wrongly judged!
Lies t'at I forsook,
tensions t'at I undertook!
Oh, how credulous I am-to vice!
Mock me, detest me, strangle me!
Stop my sullen heart from breathing-
as I hath, I hath spurned my darling-
oh, I hath lost my love!
How sorrowful, tearful-and painful!
And how I hath lost my breath; for cannot I stop
my feet from swimming and tapping
in t'is fraudulent air, gothic and transient
With poems t'at no matter how mad,
but nearly as thoughtful and eloquent,
I shalt still remain doleful and sad,
for my love for him is indeedst thorough-
and imminent; No matter how absurd he fancies
I am, and how he looketh at me oftentimes
with twigs of governing dexterity;
but most of all, shame.
I hath no shape now.
I hath lost, and raked away,
my elaborate conscience;
I hath corrupted my conciseness,
I hath wounded my sanguinity,
originality, and thoughts even, of my poetic
soul-of my poetic bluntness and sometimes
rigid, creativity.
I am an utter failure.
I am a mad creature; I am maddened by love,
I am frightened by virtue, I despise and reject
truth. I hath no sibling in t'is world of humanity,
ah-yes, no more sibling, indeedst,
neither any more puzzles of fate
t'at I ought to host, and solve;
I deserve nothing but fading and fading away
and give up my soul, my human soul-
to being a slave to disgrace
and cordial nothingness.
I belongst not, to t'is whole human world;
T'is is not my region, for I canst, here-
smell everything sacrificed for one another
and rings of delightful and blessed laughter
which I loathe, with all th' sonnets and auguries
of my laconic heart. Oh, I am misery!
I am evil, evil misery!
I, myself, equal tragedy; I am a devil,
a feminine and laurel-like devil-
just like how I look,
but tormented I am inside,
as a cursed being by nature and God Almighty
for never I shalt be bound to any love;
and engaged to any hands
in my left years and in th' afterlife outright.
I shalt have never any marriage within me,
any marriage worthy of talks, parties,
neither anything my wan heart desires;
like sweets with no sweetness,
or dances with no music.
No human love should ever
be properly conducted by me,
I am incapable of embodying
a unity, I am destined to be with me.
To be with me only-ah, as sad as it is,
as vague as how it sounds, or it might be.
O, and how I should love, emptiness!
Any loss should thus be romantic to me:
Just how death already is;
my husband is death,
and my chamber is his grave.
I shalt, night and day, sing to th' leaves
on his tomb,
ah-as t'ey are alive to me!
Yes, my darling reader! To me, t'ey are living souls,
t'ey open t'eir mouths and sing to me
Whenever I approach 'em with my red
bucket of flowers; lilies t'ey eat, ah-
how romantic t'ey look, with tongues
slithering joyfully over th' baked loaves I proffer!
T'eir smell of rotting flesh my hug,
meanwhile t'eir deadness my kisses!
T'eir greyness, and paleness-my cherry,
and t'eir red-blood heath my berry!
So glad shalt I becometh, and shimmer shalt my hair-
and be quenched my buoyant hunger-
beneath th' sun, with my hands, t'at hath
been aborted for long, robbed of whose divine functions
Laid in such epic, and abundant rejections
Brought into life again, and its surreal breath
But t'is time realistic, t'ough which happiness
shalt be mortal, as I perfectly, and tidily knoweth
and as I flippeth my head around
And duly openeth my eyes, I shalt again
be sitting in th' same impeccable nowhereness,
nowhere about th' dead lake, with its white-furred
swans, ghost-like at t'is hour of night-
Wherein for th' rest of my years should I dwell,
with no ability and desired tranquility
t'at canst once more guarantee
my security to escape.
T'ere's no door-yes, no door, indeedst,
to flee from th' gruesome trees,
t'eir putrid breath solitary and reeks of tears,
whilst t'eir tangled leaves smell strongly
of vulgarity and hate.
I hate as well-th' foliage amongst 'em,
grotesque and fiendish art whose dreamy visages,
with sticking tails wiping and squeaking
about my eyes, t'ough as I glance through
thy heavens, Lord, gleam like watery roses
before t'eir petals swell, fall, and die.
Oh-so creepy and melancholy t'ese feelings are,
but granted to me I knoweth not how,
as to why allowed not I am,
to becomest a more agreeable mistress
to a human-a human t'at even in solitude
breathes th' same air, and feels all th' same
indolent as me, by th' tedious,
ye' cathartic, morn.
Ah, and shalt I miss my lover once more
And t'is time even more persistently t'an before,
For every single of his breath is my sonnet,
and every word he utters my play.
He is th' salvation, and mere justification
I should not for ever forget,
just like how I should cherish
every sound second; every brand-new day.
My heart is deeply rooted in him;
no matter how defunct-
and defected it may seem,
as well as how futile, as t'is selfish world
hath-with anger and jealousy, deemed.
How I feel envy towards t'ose lucky ones,
with lovers and ringlets about t'eir palms,
so jealous t'at I cringe towards my own fate,
and my inability to escape which.
How unfair t'is world is sometimes-to me!
Ah, but I shalt argue further not;
I shalt make t'is exhaustive story short-
I am like a nasty kid trapped in th' dark,
without knowing in which way I should linger,
'fore making my way out and surpass her.
She is a curse-indeedst, a curse to me,
t'ough at th' moment she is a cure-but to him,
but she is all to forever remain a bad dream,
which he should but better quit,
she shalt subdue my light,
and so cheat him out of his wit.
She is an angel to him at night,
but at noon he sees her not,
she is an elegant, but mischievous auroch
with ineffectual, ye' doll-like and plastic auras
She is deceit, she is litter, she is mockery;
She hath all but an indignant, ****** beauty
She does not even hath a life, nor
a journey of destiny
She hath not any trace of warmth, or grace,
and most of th' time, at night
It is her agelessness t'at plays,
she ages but she falsely tricks him-my love,
into her lusted, exasperating eagerness;
t'ough colourless is her soul, now,
from committing too much of yon sin
She still knoweth not of her unkindness,
and thinks t'at everything canst be bought
by beauty, and t'at neither love nor passion
canst afford her any real happiness.

Ah, my love, I am hung about
by t'is prolific suspense;
My heart feels repugnant in its wait;
uncertain about everything thou hath said
As thou wert gentle but mean to me;
despite my kindness, ye' mistaken shortcomings
as I stood by th' railings th' other day, next to thee.
Ah, thee, please hear my apologies!
Oh, thee, my life and my midday sun,
a song t'at I sing-in my bed and on my pillow,
last week, yesterday, today, and tomorrow.
I am, however, to him forever a childlike prodigy-
shalt never he believeth in my tales,
ah, his faith is not in me,
but I in him.
How despicable!
But foolishly I still love him,
even over t'is overly weighing injustice
on my heart-
ah, still I love him, I love him!
I love him too badly and madly,
I love him too keenly, but wholly passionately.
I love him with all my heart and body!
Oh, Kozarev, I love thee!
I love thee only!
For love hath no more weight, neither justice
within it, if it is given not by thee;
I was born and raised to be thine,
as how thou wert created
and painted and crafted-by God Almighty,
to be mine. As I sit here I canst savagely feel, oh,
how painfully I feel-yon emptiness,
t'is insoluble, inseparable solitude
filled not with thy air, glancing at
th' deafening thunder, rusty rainbows
With thee not by my side.
I fallest asleep, as dusk preaches
and announces its arrival,
But asleep into a burdened nightmare,
too many fears and screams heightened in it,
ah, I am about to fallest from smart rocks
into th' boiling tides of fire beneath my feet.
I wake into th' imprudent smile of th' moon,
and her coquettish hands and feet
t'at conquer th' night so cold.
She is about to scold me away again,
'fore I slap her cheeks and send her back
to sleep, weeping.
I return to my wooden bench, and weep
all over again, as without thee still I am,
barefooted and thinly clothed amongst
th' dull stars at a killing cold night.
Th' rainbow is still th' rainbow,
but it is now filled with horror,
for I am not with thee, Kozarev!
Oh, Kozarev, th' darling of my heart,
th' mere, mere darling of my silent heart,
even th' heavens art still less handsome
t'an thy images-growing and fading
and growing and fading about me
Like a defiant chain, thou art my naughty prince,
but th' most decorous one, indeed;
thou art th' gift t'at I'th so heartily prayed for
and supplicated for-over what I should regard
as th' longest months of my life.
O, Kozarev, thou art my boy,
and which boy in th' world
who does not want to
play hide-and-seek in th' garden-
like we didst, last Monday?
Thou art my poem,
and thus worth all th' stories
within which. Thou art genial,
cautious, and beneficent. Thou art
vital-o, vital to me, my love!
I still blush with madness at th' remembrance
of thy voice, and giggle with joy and tears
over yon picture of thee; I canst ever forget thee
not, and sure as I am, t'at never in my life
I shalt be able to love, nor care for another;
thou art mine, Kozarev, thou art mine!
Thou art mine only, my sweet!
And ah, Kozarev, thou knoweth, my darling,
t'at the rainbow is longer beautiful
tonight; and as haughtiness surfaces again
from th' cynical undergrowth beneath,
I am afraid t'at t'eir fairness and brightness
shalt fade-just like thy love, which was back then
so glad and tender, but gets warmer not;
as we greet every inevitable day
and tend to t'eir needs,
like those obedient clouds
to th' appalling rain, in th' sky.

Ah, but nowest look-look at thee! Thy innocence,
t'at was but so delicate and sweet-
like t'ose bare, ye' green-clustered bushes yonder,
is now in exile, yes, deep exile, my love!
I congratulate thee on which, yes, I do!
I honestly do! For thy joy and gladness
doth mean everything to me,
'ven t'ough it means th' rudest,
th' eeriest of life; t'at I shalt'th ever seen!
But should I do so? T'at is a question
I canst stop questioning myself not.
Should I? Should I let thee go
and t'us myself suffer here
from th' absence
of my own true love-
and any ot'er future miracles
in my life?
I think not!
Ah, and not t'at there'd be
any ot'er mirages in my love,
for all hath been, and shalt always be-
united in thee! O, in thee, only, Kozarev!
For I am certain I love thee,
and so hysterically love thee only,
even amongst th' floods-ah, yes,
t'ese ambiguous piles of flooding pains,
disgusting as blood, but demure,
and clear as my own heartbeat;
I love and want thee only,
as how I dreameth of,
and careth for thee every night,
t'ough just in my dream,
and in life yet not!
Ah, Kozarev, I am thy star,
just like thou art mine-already,
I am fated and bound to thee,
and thou to me.
Thou art not an illusion,
neither a picture of my imagination.
Thou art real, Kozarev,
thou art real-and forever
shalt be real to me;
thou art th' blood,
t'at floweth through my veins,
thou art th' man,
t'at conquereth my heart-and hands,
thou art everything,
thou art more t'an my poem
and my delicate sonnet,
thou art more t'an my life
or my ever dearest friend.

Probably 'tis all neither a poem,
nor a matter of daydreams;
perhaps still I needst to find him,
t'ough it may bringst me anot'er curse,
and throwest me away
and into anot'er gloom.
Ah, Kozarev, thou-who shalt never
be reading t'is poem, much less write one
Unlike thou wert to me back t'en;
Thou art still as comely as th' sun;
Thou art still th' man t'at I want.
Even whenst all my age is done;
and my future days shalt be gone.
Little ******* a rusty bike,
riding through the streets in light,
throwing papers for front doors,
greeting folk glad to the core ...
pedalling in a town in peace,
riding joyful with great ease.
A picture of joy
An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas
Jordan Rowan Dec 2015
Blind Willie Johnson strums six strings a day
He drinks with the woman who taught him to play
He spells out his secrets in the songs that he sings
And breathes his life onto six rusty strings
Blind Willie Johnson brings home the blues
Blind Willie Johnson will wail the blues to you

The brothel he grew up in is tearing down the walls
He's got so many memories of those smokey halls
His mama could be there or she could be dead
He's got no pictures, just anecdotes instead
Blind Willie Johnson said he don't know a thing
Except for the truth in the blues that he sings

Blind Willie Johnson ain't really blind at all
He's just got those gray eyes from years of alcohol
He stares into the smoke of a Friday night crowd
Who stare back at him as his stories ring out
Blind Willie Johnson doesn't cover up a thing
Listen to his pain in the blues that he sings

"Blind Willie Johnson" reads the graveyard stone
Under the blanket of the sky, Willie rests alone
Though his voice is lost underneath the ground
The world will never forget Blind Willie's sound
Blind Willie Johnson sang the way he felt
He never complained about the hand he was dealt
Joe Workman Aug 2014
The radio alarm is a bit too strong
for his afternoon hangover taste.
He goes downstairs, sets the coffee to brewing,
rubs his hands through the hair on his face.
As he sits and he smokes, he can't quite think of the joke
she once told him about wooden eyes.

The coffee is ready, his hands are unsteady
as he pours his first cup of cure.
He tries to be happy he woke up today,
but whether being awake's good, he's not sure.
Outside it's raining, but he's gallantly straining
to keep his head and his spirits held high.

As soft as the flower bending out in its shower,
fiercer than hornets defending their hives,
the memories of sharing her secrets and sheets
run him through like sharp rusty knives.
He decides that his cup isn't quite strong enough,
takes the ***** from the shelf, gives a sigh.

He goes to the porch to put words to the torch
he still carries and knows whiskey just fuels.
Thunder puts a voice to his hammering heart.
Through ink, his knotted mind unspools,
writing of butterflies and of how his love lies
cocooned under unreachable skies.

From teardrops to streams to winter moonbeams
to a peach, firm and sweet, in the spring,
he writes of pilgrims and language and soft dew-damp grass
and how he sees her in everything.
He rambles and grieves, and he just can't believe
how much he has bottled inside.

He writes how the leaves, when they whisper in the breeze,
bring to mind her warm breath in his mouth,
how when walking through woods he loves the birdsong
when they fly back in the summer from the south
because she would sing too and he always knew
he wanted that sound in his ears when he died.

He writes even the streetlights, fluorescent and bright,
make him miss the diamond chips in her eyes,
how the fountain in the park plays watersongs in the dark
when he goes to make wishes on pennies
and while he's there he gets hoping
there will be some spare wishes
but so far there haven't been any.

He writes that the cold makes him think of the old
hotel where they spent most of a week,
lazing and gazing quite lovingly,
and how he brushed an eyelash off her cheek.
The crickets and frogs and all of the dogs
sound as mournful as he feels each night.

He writes about chocolate and fun in arcades,
he writes about stairwells and butchers' blades,
and closed-casket funerals, and Christmas parades,
then sad flightless birds and tiny brigades
of ants taking crumbs from the toast he had made,
and political goons with their soulless tirades,
old-timey duels and terrible grades,
strangers on  buses, harp music, maids,
the weird afterimages when all the light fades,
the pleasure of dinnertime serenades,
sidewalk chalk, wine, and hand grenades.

He writes of how much fun it would be to fly,
and saltwater taffy and ferryboat rides,

sitting on couches, scratched CD's,
pets gone too soon and overdraft fees,

the beach, the lake, the mountains, the fog,
David Bowie's funny, ill-smelling bog,

jewelry, perfume, sushi, and swans,
the smell of the pavement when the rain's come and gone,

and shots and opera, and Oprah and ***,
and tiny bikinis with yellow dots,

stained glass lamps, and gum and stamps,
her dancing shoes on wheelchair ramps,
that overstrange feeling of déjà vu,
filet mignon and cordon bleu,

bad haircuts at county fairs,
honey and clover, stockmarket shares,
the comfort of nestling in overstuffed chairs,
and her poking fun at the clothes that he wears,
and giraffes and hippos and polar bears,
cumbersome car consoles, monsters' lairs,
singing in public and ignoring the stares,
botching it badly while making éclairs,
misspelled tattoos, socks not in pairs,
people who take something that isn't theirs,
the future of man, and man's future cares,

why people so frequently lie
and bury themselves so deep in the mire
of monetary profits when money won't buy
a single next second because time's not for hire,
and that he sees her in everything.

Then unexpectedly, unbidden from where it was hidden
comes the punchline to the joke she had told him.
He laughs -- it's too much and his heart finally tears
as a blackness rolls in to enfold him.
The last thing he hears is birdsong in his ears --
the sound brings hope and is sweet as he dies.
Poetic T Feb 2015
Rusty you hide your
Self silently in the woods,
Watching the passing of
Time as nature touches
Upon your body work.

You are from a forgotten
Age of style, now an echo
Of past glories, as your
Tires flat and degraded
Your going no where fast.

A gem in the rough, gold
Worthy of rust, you feel
As this was your graveyard,
But eyes have seen your
Potential, seen beyond the
Surface, beyond your rust.

You will soon ride the road
Once more, you feel the
Air once again flowing over,
The road beneath you, speed
A rush as before, even though
the trailer is coming you can
Smell the tarmac of the road.
Sam Oliver Apr 2010
In the end,
Mars is just a rock.
A rock covered in sand,
Made of worn,
Rusty,
Iron.

That said,
It can't control me.
Only I can,
And that's a point of pride.

I sting as much as I will,
I pinch as much as I will,
And I'll sleep in your sandals
As much as I will.

Thankfully,
I often choose to be benevolent.
Only I can choose my morals,
And that's a point of pride.

I may be passionate,
I may be persistent,
Obsessive,
Loyal,
And manipulative all in one.

But I am that and more.
If Mars is meant to restrict me,
It has failed miserably.
Can the same be said
Of it's rusty sand?
Purcy Flaherty Feb 2018
'Twas all so beautiful a sight,
A long summers night; The sacred stars were burning bright about our mother moon.

The wind filled the sails above the waves, that sped us through the sailors tales, and brought us to a deep lagoon.

We cast our nets out far and wide, then watched them sink below the tide, which rattled out a tune for me and you.

We hauled aboard the silver fish, to fill our bellies and our fists, then set off home with seagulls squawking tunes.

The wooden boat now tied about the quay,
its tattered sail and rusty cleat,
gently tug and tug the rope upon the swell.

come to sea!
A little well used boat tied about a key
Özcan Sh Jun 2018
I feel something in my heart,
It goes deeper and deeper
They hammer my heart with rusty nails
I always pull the nails out

I won’t let the rusty nails rust my heart
Because that little damaged heart wants to Protect you from the rust.
Don Bouchard Dec 2011
Halfway between Malta and Saco,
Highway 2 stops a minute
To look back...

Beside the road
A little shrine waits
The traveler:
A stone, naturally shaped
To form a sleeping buffalo,
But etched with lines to emphasize
The dozing buff's back and sides
And drowsing head.

Nearby, a 1920s entrepreneur
Saw money to be made...
Set up a happenstance hotel
Beside the hot and sulf'rus spring,
And "Sleeping Buffalo" was born
To "heal" and to amuse
Odd tourists in their wandering.

Not much has changed...
The old buff sleeps,
But now inside a little pen
To keep the tourist vandals
Safely from his way.

The old resort is open still...
Same rusty pipes and yellowed walls
And rusty water
Warm enough to stain
Unlucky bathing suits.
(The smell's enough to force
The bather to the bath as medicine....)

On my way to other places
I have stopped along the road
To meditate beside the old stone bull...

I understand, a little,
Now that I am growing old,
Tobacco offerings left
Beside the sleeping stone.
Though not a Pagan,
I can feel the distant Ways
Before our Western ways
Made tourists of us all.
A little place to stop on your northern Montana travels....
"Don't drink the water."http://www.roadsideamerica.com/tip/10443
mark john junor Aug 2014
brokenhearted
but still you took
this rusty nail you call a heart
and slammed into my head

you said you would be a friend to my darkness
you said you would break bread with my rage
so heart beating faster
sweat breaking on brow
still your silent
still your liars book remains unburnt
still your liars house has life
while the twin razors of your eyes stare at me out
of my history
and out of my pain sweet pain
now when you finally did speak
you poured gasoline on my heads fire
and then you ran laughin

it wont be enough to watch a pack
of wild dogs pick your bones clean
their fur matted with your stain
it wont be enough to burn your house to the ground
i'm gonna break its bones in my teeth
i'm gonna eat your world whole
can you feel my teeth on your mind
i'm eating you alive from the inside of your skull

brokenhearted this rusty nail you call
a heart is covered in my innocent blood
your filthy lies dance laughing in my eye
my ***** burn to see your house destroyed
to see your filthy book burn

this rusty nail you call a heart
i'm gonna drive it like a jackhammer into your love
like gods eyes on the hand on the wicked
i'm gonna eat your world whole
break its bones with my teeth
with my darkness
with my rage
("gods teeth" is a curse from the elizabethan era)
Timothy Miller Jun 2014
In a station,
Beneath the rain,
Here I wait,
For the nine o'clock train.
Some say it goes far,
Down the old way.
To a better place,
You'll hear others say.
But I dance alone,
On the rusty train tracks.
I hear the train whistle,
Sigh, and relax.
In a station,
Beneath the rain,
I did not miss,
The nine o'clock train.
Ardent Bowel Dec 2012
Love is a ***** soup going stale but steaming like it's brand new;
And I'm Oliver twist walking up to the *** with a rusty spoon full of desire and hope asking for more but getting none.

Love is a Doctor gathering dead bodies and shackling them up in chains;
And I'm a green freak with Frankenstein bolts ****** through my head walking around with only a mumble to muster trying to love people who just want to run away.

Love is a white paper rolled so finely, full of sedatives and drugs;
And I'm sitting by a fire reaching in for a log to smoke.

Love is puzzle made by Einstein and Sam Loyd;
And I'm a child with eyes made of glass and hands made of thorns crying to my mother because that puzzle is a *****.

Love is Navy Seal training on a beach covered in cold water spilling blood for a chance;
And I'm a ***-smoking hippie who holds up signs and tells soldiers they’re monsters as I take a puff of death.

Love is a ten-syllable word compacted into one;
And I'm a hooked on phonics children’s thesaurus struggling to find a comparison that I can actually pronounce.

Love is a white egg timer sitting on the fridge set to all nines;
And I'm a busy housewife waiting to cook dinner at the sound of its bell.

Love is a robber with a 45 in his belt;
And I'm an eager dad trying to protect his family with a wooden stick.

Love is hot coffee from a luxury beverage shop;
And I'm a plastic party cup melting away.

Love is a doctor with a PHD in heart surgery;
And I'm a sick child waiting with his mother with no healthcare ******* on a free doctor’s-office lollypop.

Love is a huge pink eraser;
And I'm a graphite pencil struggling to write while me and the eraser fight.

Love is a pickup truck speeding through town drunk;
And I'm a lost puppy running through the same intersection looking for my owner.

Love is meant for fish;
And I'm a bird.
© ardent bowel
http://ardentbowel.wordpress.com
Ah, doth swayeth the grass around the heavily-watered grounds, and even lilies are even busy in their pondering thoughts. Dim poetry is lighting up my insides, but still-canst not I, proceed on to my poetic writings, for I am committed to my dear dissertation-shamefully! Cannot even I enjoy watery sweets in front of my decent romantic candlelight-o, how destructible this serious nexus is!

Ah, and the temperatures' slender fits are but a new sensation to this melancholy surroundings. How my souls desire to be liberated-from this arduous work, and be staggered into the bifurcating melodies of the winds. O, but again-these final words are somehow required, how blatantly ungenerous! What a fine doomed environment the greenery out there hath duly changed into. White-dark stretches of tremor loom over every bald bush's horizon. O-what a dreadful, dreadful pic of sovereign menace! Not at all lyrical; much less gorgeous! Even the ultimate touches of serendipity have been broomed out of their localised regions. Broomed forcibly; that their weight and multitudes of collars whitened-and their innocent stomachs pulled systematically out. Ah, how dire-dire-dire; how perseveringly unbearable! A dawn at dusk, then-is a normal occurence and thus needeth t' be solitarily accepted. No more grains of sensitivity are left bare. Not even one-oh, no more! A tumultous slumber hinders everything, with a sense of original perplexity t'at haunts, and harms any of it t'at dares to pass by. O, what a disgrace t'at is secretly housed by t'is febrile nature! And o, t'is what happeneth when poets are left onto t'eir unstable hills of talents, with such a wild lagoon of inspirations about! Roam, roam as we doth-along the parked cars, all unread-and dolefully left untouched, like a moonlit baby straightening his face on top of the earth's liar *****. Ah, I knoweth t'is misery. A misery t'at is not only textual, but also virginal; but what I comprehendeth not is the unfairness of the preceding remark itself-if all miseries were crudely virginal, then wouldst it be unworthy of perceiving some others as personal? O, how t'is new confusion puzzles me, and vexes me all too badly! Beads of sweat are beginning to form on my humorous palms, with lines unabashed-and pictorial aggressions too unforgiving too resist. Ah, quiver doth I-as I am, now! O, thee-oh, mindful joyfulness and delight, descend once more onto me-and maketh my work once again thine-ah, and thy only, own vengeful blossom! And breathe onto my minds thy very own terrific seizure; maketh all the luring bright days no more an impediment and a cure; to every lavish thought clear-but hungrily unsure! Ah, as I knoweth it wouldst work-for thy seizure on my hand is gentle, ratifying, and safely classical. How I loveth thy little grasps-and shall always do! Like a moonlight, which had been carried along the stars' compulsive backs-until it truly screamed, while the bountiful morning retreated, and mounted its back. Mounted its back so that it could not see. Invasive are the stars-as thou knoweth, adorned with elaborations t'at humanity, and even the sincerest of gravities shall turn out. Ah, so 'tis how the moon's poor sailing soul is-like a chirping bird-trembled along the snowy night, but knocked back onto abysmal conclusions, soon as sunshine startled him and brought him back anew, to the pale hordes of mischievous, shadowy roses. Ah, all these routines are similar-but unsure, like thoughts circling-within a paper so impure. And when tragic love is bound, like the one I am having with 'im; everything shall crawl-and seem dearer than they seem; for nothing canst bind a heart which falls in love, until it darkeneth the rosiness of its own cheeks, and destroys its own kiss. Like how he hath impaired my heart; but I shall be a stone once more; abysses of my deliciously destroyed sapphire shall revive within the glades of my hand; and my massive tremors shall ever be concluded. O, love, o notion that I may not hate; bestow on my thy aberrant power-and free my tormented soul-o, my poor tormented soul, from the possible eternal slumber without tasting such a joy of thine once more! I am now trapped within a triangle I hated; I am no more of my precious self-my sublimity hath gone; hath attempted at disentangling himself so piercingly from me. I am no more terrific; I smell not like my own virginity-and much less, an ideal lady-t'at everyone shall so hysterically shout at, and pray for, ah, I hath been disinherited by the world.

Ah, shall I be a matter to your tasty thoughts, my love? For to thee I might hath been tentative, and not at all compulsory; I hath been disowned even, by my own poetry; my varied fate hath ignored and strayed me about. Ah, love, which danger shall I hate-and avoid? But should I, should I diverge from t'is homogeneous edge I so dreamily preached about? And canst thou but lecture me once more-on the distinctness between love and hate-in the foregoing-and the sometimes illusory truth of our inimical future? And for the love of this foreignness didst I revert to my first dreaded poetry-for the sake of t'is first sweetly-honeyed world. For the time being, it is perhaps unrighteous to think of thee; thou who firstly wert so sweet; thou who wert but too persuasive-and too magnanimous for every maiden's heart to bear. Thou who shone on me like an eternal fire-ah, sweet, but doth thou remember not-t'at thou art thyself immortal? Thou art but a disaster to any living creature-who has flesh and breath; for they diverge from life when time comes, and be defiled like a rusty old parish over one fretful stormy night. Ah, and here I present another confusion; should I reject my own faith therefrom? Ah, like the reader hath perhaps recognised, I am not an interactive poet; for I am egotistic and self-isolating. Ah, yet-I demand, sometimes, their possibly harshest criticism; to be fit into my undeniable authenticity and my other private authorial conventions. I admireth myself in my writing as much as I resolutely admireth thee; but shall we come, ever, into terms? Ah, thee, whose eyes are too crucial for my consciousness to look at. Ah, and yet-thou hath caused me simply far-too-adequate mounds of distress; their power tower over me, standing as a cold barrier between me and my own immaculate reality of discourse. Too much distress is, as the reader canst see, in my verse right now-and none is sufficiently consoling-all are unsweet, like a taste of scalding water and a tree of curses. Yes, that thou ought to believe just yet-t'at trees are bound to curses. Yester' I sheltered myself, under some bits of splitting clouds-and t'eir due mourning sways of rain, beneath a solid tree. With leaves giggling and roots unbecoming underneath-ah, t'eir shrieks were too selfish; ah, all terrible, and contained no positive merit at all-t'at they all became too vague and failed at t'eir venerable task of disorganising, and at the same time-stunning me. Ah, but t'eir yelling and gasping and choking were simply too ferociously disoriented, what a shame! Their art was too brutal, odd, and too thoroughly equanimious-and wouldst I have stood not t'ere for the entire three minutes or so-had such perks of abrupt thoughts of thee streamed onto my mind, and lightened up all the burdening whirls of mockery about me in just one second. O, so-but again, the sound melodies of rain were of a radical comfort to my ears-and t'at was the actual moment, when I realised t'at I truly loved him-and until today, the real horror in my heart saith t'at it is still him t'at I purely love-and shall always do. Though I may be no more of a pretty glimpse at the heart of his mirror, 'tis still his imagery I keepeth running into; and his vital reality. Ah, how with light steps I ran to him yester' morning; and caught him about his vigorous steps! All seemed ethereal, but the truthful width of the sun was still t'ere-and so was the lake's sparkling water; so benevolently encompassing us as we walked together onto our separated realms. And passing the cars, as we did, all t'at I absorbed and felt so neatly within my heart was the intuitive course; and the unavoidable beauty of falling in love. Ah, miracles, miracles, shalt thou ever cease to exist? Ah, bring but my Immortal back to me-as if I am still like I was back then, and of hating him before I am not guilty; make him mine now-even for just one night; make him hold my hands, and I shall free him from all his present melancholy and insipid trepidations. Ah, miracles; I doth love my Immortal more t'an I am permitted to do; and so if thou doth not-please doth trouble me once more; and grant, grant him to me-and clarify t'is tale of unbreathed love prettily, like never before.

As I have related above I may not be sufficient; I may not be fair-from a dark world doth I come, full not of royalty-but ambiguity, severed esteem, and gales-and gales, of unholy confidentiality. And 'tis He only, in His divine throne-t'at is worthy of every phrased gratitude, and thankful laughter; so t'is piece is just-though not artificial, a genuine reflection of what I feelest inside, about my yet unblessed love, and my doubtful pious feelings right now-and about which I am rather confused. Still, I am to be generous, and not to be by any chance, too brimming or hopeful; but I shall not be bashful about confessing t'is proposition of love-t'at I should hath realised from a good long time ago. Ah, I was but too arrogant within my pride-and even in my confessions of humility; I was too charmed by myself to revert to my extraordinary feelings. Ah, but again-thou art immortal, my love; so I should be afraid not-of ceasing to love thee; and as every brand-new day breathes life into its wheels-and is stirred to the living-once more, I know t'at the swells of nature; including all the crystallised shapes of th' universe-and the' faithful gardens of heaven, as well as all the aurochs, angels, and divinity above-and the skies' and oceans' satirical-but precious nymphs, are watching us, and shall forgive and purify us; I know t'at this is the sake of eternity we are fighting for. And for the first time in my life-I shall like to confess this bravely, selfishly, and publicly; so that wherever thou art-and I shall be, thou wilt know-and in the utmost certainty thou canst but shyly obtain, know with thy most honest sincerity; t'at I hath always loved thee, and shall forever love thee like this, Immortal.
Kayla Ranee May 2014
Tie me down,
Like an anchor at the bottom of the sea.
Heavy and rusty,
Yearning for love as far as the eye can see.
You try to support yourself,
As an anchor does to a boat.
Deep inside your tough as steel,
But on the outside you can no longer feel.
My words our bound,
With a tight knotted rope that conceals.
Drowned by water,
Shades of shimmering blues.
Cast it down,
All the way to the bottom,
Sink my love like you always do.
Ivan Brooks Sr Jan 2018
Before all of this, even after all of this, I will forever be a patriot.
Before the poet in me matured and I started talking like a parrot,
The dogs of war barked and I climbed exile's fence on my own
And there I have dwelled, with nothing tangible to bring me down.

I have been on this fence so long and I will remain there forever!
Especially since the premature child is still in the incubator.
From this vantage point, I have learned never to trust any politician
I've always looked at them with mistrust, disdain, and suspicion,

Before all of this  and before I ran and climbed the exile fence,
I was once mercilessly flogged, dragged and made to dance
By drugged up and coerced child soldiers with a rubber cable
They tied and spread me like a dog on the market table
I watched as innocent people were killed with a rusty knife
There, I vowed to become a fence dweller for the rest of my life!

I've been a patriot all my life but I have done it from here..safer.
From here I have seen blood spilled, hearts broken, hopes dashed,
progresses stalled, mullions embezzled, promises broken, lies told
people changed, games played, party surfed, interests prioritized.
And from this vantage point, I have learned never ever to trust any politician
I have always been right...though I have looked on with disdain, suspicion,
and operated with caution but through it all, I have remained a true patriot and a fence dweller.

.✍️©️✍️IvanBrooksPoetry.✍️©️✍️
''Fence dweller'' was a phrase I coined in justification of my neutrality and abstinence from politics in my homeland, Liberia.This piece encapsulates a fringe of the story of the ****** civil war, carnage and horrible things that we saw and had to endure as a people and nation.
Aeerdna Mar 2017
Trapped in a time loop
where all that happens is you
coming to me, kissing my feelings with your smile,
then crashing me
and leaving me there
with my naked hopes
hiding in the deepest grounds of my heart
again and again.

I am the prisoner of my own deathly wishes,
of the same repeating illusions,
and your voice in my head
is singing the same song on repeat
like a broken cassette
stuck in this old, rusty radio that is my mind.

I am trapped in a time loop
and all I do
is getting lost
somewhere on the paths of your soul
where my dreams get born
just so they can go to die.
Angelina Mar 2016
One, two, three... pop
Pimples, all gone
Brush, brush, brush... swift
Any more imperfections to hide? Nope, all clear

Now tell me mirror, is it pureness that you see?
For this is not me, nor what I intend to be
Watching me grow from dauntless to wanting to appear so dear
Oh how I wish I could polish the years of society's willingness to rule me so utterly
Its' footsteps stomping its' way down my back, still, I persevere...

Tell me mirror, does it hurt?
Does it hurt witnessing me go all the way from oh so untethered to oh no, petrified of every little flaw?
Does it hurt viewing my eyes water as I double-check just to make sure?
To make sure no living soul feels intimidated by natural flaw?
If so, does it tare you little by little inside?

Forced to look me in the eye, whilst the words 'not good enough' appear on my forehead
Does it **** you more more inside as you grow old, glass getting rusty, not being able to tell me how beautiful in fact I am?
cresun Dec 2014
similarly, only the minds of extreme curiosity
would want to explore the abandoned rusty and insane heart
In a place by the lake stood a tall willow tree
It's roots stretching down far beyond where I could see
At first glance I admire its elegant beauty
But there's more than meets the eye, I learned fool-heartedly
Its melancholy dance in the cool summer breeze
Mesmerizes my senses and is enough to please
Then the reflection in the lake made it all too clear
The willow is my love but there's no need to fear
Behind her dark eyes is a cloudy sky
A girl living in fear who's dying to cry
I can see you hiding behind that brave face
Exhausted from a journey you thought was going no place
The tears I see fall are like rain from the sky
Or the branches of the willow that keep this place dry
The leaves that drape down are protecting you so
Concealing the emotions that you don't want to show
The path you traveled is something you thought you'd never surpass
Like walking down a road of rusty nails and broken glass
Like a broken heart, your feet have been torn
Yet you go on beaten and continue to mourn
But the road you walk knows another poor soul
I've been down it too, and I've paid my toll
And the secrets you kept hidden from plain sight
Are now exposed to me in the mystic moonlight
And when you weep like the willow, please know this to be true
I'll love you forever, even when the skies ahead aren't blue

-AJT
James LR Jul 2018
Spilt upon the breathing tide
The shadows of our former pride
Stained with gilded, rusty gore

Songs upon the breeze still scream
From barren bog and skylit sea
Once were sung but nevermore

Clouds cry crimson in the lake
The moons and stars the sky forsakes
As darkness falls on ****** shores
Jim Davis Jun 2019
Scrounging local garage sales... near ten years past... I had found a flat, welded iron, rusty seahorse... 3 feet high... with a good seahorse shape and poise... edges welded and cut... after the haggle... twenty-five dollars..... perfectly added to my estate... covered rust in gold sheen... mounted upon a tree... to greet all comers... with a seahorse kiss!    
     Seller said it was made by the same artist... of the turtle lady statue... to be found in Corpus Christi!  Asked if I had seen it... my reply... No, but I liked the seahorse piece! He expounded... the artist... only had one leg... but was a surfer... well known for this trait... in Corpus Christi!  
     After I had mounted the seahorse... upon it's tree...I did an internet search... looking for anything about the one-legged surfer artist of Corpus Christi!  Found... nothing!  
     End of May, 2019... visiting my sister, Donna... we were wandering Corpus Christi!  She guided us to the surf museum... not knowing the story... of the one-legged surfer artist... creator of my mounted seahorse!  
     Girl at the front desk... Kyla... real nice and friendly... told her about the seahorse and questioned her... she didn’t know... she never heard of a surfer with one leg or the turtle lady statue!  Looking at us just a bit strangely... one legged surfer???
      Donna and I... started our stroll through the small museum!  Along the right side... stood a long row of surfboards... I’ve never surfed... but I was imagining trying it with just one leg!  
      Anyhow... I didn’t really stop to read or look in any detail at any of the exhibits until I reached the back... there was a glass case... which had a piece of simple letter paper...  8.5x11... taped to the front of the glass cabinet!  I started in reading the last paragraph...

     “Welch, 53, and his wife, Chelsea Louise, 23, died September 15, 2001, when their car plunged off the edge of South Padre Island’s Queen Isabella Causeway, which partially collapsed after a string of barges crashed into the bridge’s support pilings!

     Thought to myself... Wow... Who is this guy???  I jumped up to the middle paragraph...

     “Welch lost one of his lower legs in an auto accident in the 1970s, but he kept surfing with a prosthesis.  He wore a peg-like prosthesis at first, then got one with a foot.  He won the prosthesis division of the United States Surfing Championships on South Padre Island in 1998.”

     In the glass case was a welded metal sculpture of a beach scene... with waves, palm trees, and all!  The piece did have some resemblance in style to my seahorse sculpture!  Also, there was a picture on top of the case... of Harpoon Barry... striking a muscular, no shirt pose... in his tattoo shop... his torso covered in tattoos!  
    
     “It is said... he was on the verge of suicide after losing his leg. In one interview with the San Antonio Express News in 1992 he said;  "I may not make it to heaven, but you can be sure I made no deals with the devil to get where I'm at now, "  Looking down at his false leg stretched out in front of him, Welch said quietly: "It is a real empty feeling when you put one of these on for the first time, especially if you are an adult on your own. And your mama'a not there and your daddy's not there, and the people in the hospital tell you, 'This is the best it's going to get.  I made my first leg myself, out of Hi-C cans. I couldn't wait for my leg to get finished. I wanted to walk. I guess I got the idea from the Tin Woodsman in 'The Wizard of Oz.' That leg actually worked pretty well!”

     I had found my one-legged surfer artist!  I walked towards Donna... who was already half-way leaving the museum...  I hollered to her... she just had to come see this ... “I think I found the one-legged surfer!”  She had recently had partial knee replacement... and was hobbling!  She said if I was fooling her... she better not walk back all that way for nothing!! She came back to the glass case... we read through the letter in it’s entirety!  
     Then we went... and told Kyla at the front desk... she again looked at us again a bit strange... but then reluctantly left her post to go with us to take a look... she was then astounded!  Said she never knew about the one-legged surfer... although she had worked at the museum for several years!  Said there were also a couple metal sculptures... at the front of the museum... she thought were also done... by Harpoon Barry!  We took pictures of those also!  

In the letter we also read...

     “Welch had numerous tattoos and body piercings.  He wore a tiny 14 carrot gold harpoon through one ******.  That is how he got his nick name according to a friend, Scott Gangel.”  

     "I am a unique, self-made sensation!” he said matter-of-factly... in the interview with the Express News!  
    
     It's been 18 years since eight people died when South Padre Island's Queen Isabella Memorial Causeway collapsed... sending 11 people into the water below... four days after the 9/11 attacks!  A string of tow barges had struck the supporting pilings!  A section of the roadway had collapsed...
     I promised Kyla... I would donate my seahorse piece to the museum upon my death!  I only hope my death... is as grand as Harpoon Barry’s plunge into the Gulf of Mexico with his young wife!  Wonder what they were doing during the plunge... what was Barry doing... yelling Yippee Ki Yay... or Surf’s up... Dude!!!... maybe???  
    
Surfed waves on one leg
Young wife... crazy life... grand death
Harpooned by Barry

©  2019 Jim Davis
I doubt I could ever match his life!  !  Though...  someday... I might get a tattoo... or two... or a harpoon piercing... perhaps in a ******! Also... still looking for the turtle lady statue!
Nat Lipstadt Aug 2018
disclaimer: unedited rambling and overly long and frankly, Scarlet, don't give a **** anymore...

Thus spake and quested
another, younger poet to me,
a far better one than I,
but obligations thus provided,
are serious business,
to those who understand
poetic responsibilities, and
under his own Rules of Order,
an answer,
though long in coming, AR,
must be provided.

Well well well
all is not well,
the faucets offers choices....
chrome hot
chrome cold

there is no such thing as
lukewarm truth in
clear waters that
run run,
yet never
run stilled,
birthed at turned-on conception,
to drain death removal,
another daily poetic miracle,
unappreciated by most,
overly consumed by their
own passage on this Earth

peddler wayfarer,
passing through with truth
poem pots and rattling pans
(nowadays, mostly panned),
a historic factoid,
and not what Amazon delivers...
truth is a genetically modified
bitcoin currency, misunderstood,
prone to sometimes useful,
but never ever, to stick or stain,
for I got excuses and who gives a ****,
yesterday is forgotten instantly

The coldest truths,
the confirmation of same
by mirrored image text sent,
(immediacy a necessity,
for though poor, it is 'real')
the twitter that methodically
A-lists your major crimes
B-lists your petty,
hope-you-didn't miss my
exposé of latest misdemeanors

the hot truths,
only whispered,
merely mint hinted
in a hot cuppa,
the heat itself
a cover up,
for what you do not
wish me to plainly speak
or plainly sell,
is accursed truths,
won't sell, even if free

Can't write about moon and June,
alabaster is a fine word,
but white suits me fine,
don't know the diff
tween dragon flys and lullabies

The way I write is
just the way I think, believe,
from my eyes to paper
there is no misdirection,
just silent labor conception

Poor poor real truth
is out of favor these days,
because there is nothing
no one won't cease or hesitate
to expose himself,
flaunt the anguish,
copy other's jive,
but that is real,
but it is not truth

Had a bad day,
You need to know about it
Right away!

Though I meander and excuse,
there is one state of truth,
I need yet to annotate

Too oft when tapped turned on,
it is rusty water and rusted truths
expelled and this, my stuff, my days,
not in vogue, or a top seller

I love the color rust,
overused in my poems,
but compulsion is not a
conditional, but a must

This then is the form
they spill in these,
my final days here

You might think that rust implies
lack of use,
a non-caring
for his voice,
his well practiced instrument

Au contrarie, amigo!

My rust is from overuse,
my eyes don't see
what the popular want nor
could I provide it
even if
it was demanded,
which it is not....

Rusted but unvarnished,
undisguised by fancy words
or silent cries, what you read
is what you get
until I find
a more "authentic" voice,
one that satisfies the world
not just me...he sneers....

Feel for me in the summer breeze,
from whence my best stuff
has always been plucked
sent on its way, to you,
in self-same wind,
to kiss your cheeks,
slap you alert

I used to write
on both feet
upstanding,
then Hillel was asked for
the whole truth
while standing
on just one leg

His reply:
"Love they neighbor as you love thyself"

So I switched
and now compose,
in quiet ignorance,
a wrong footed poet,
left only with his what's left,
and to put his left foot truths
first, forward and foremost,
is what he got, and
what I got, you'll get....

But a cautionary note,
drinking riposte rustys,
bad for the body,
but kindly
for your mental
wealth,
if your have the
only other element
most needed,
in your pocket posses,

courage
Rambling, unedited, and yet fresh so off to the presses..and at 4:21am,
I frankly, Scarlet, don't give a **** anymore...
Brandon Webb Jul 2013
1.
He lights another mortar
and the dog runs after it
barking and trying to bite it
he grabs it's back leg as the sky lights up
since he had barely thought to look over
and the words around here don't reach his mind
his ears defective as they are.
He says something with his hands
something foreign to me
but six people watching laugh
and so do I.


2.
His wife sits with her sons
her stomach wide with their third
another boy
she's gotten so used to talking with her hands
that her voice is rusty
and her vocabulary limited
but she's here as much as the rest
sitting and laughing and having a good time.


3.
The owner of the house sits off the side in the nicest lawn chair here
a cup in her hand
we've quit counting how many drinks she's had
but she only drinks a couple days a year
and nobody is giving her any problems
and she seems to be able to be her normal self.
She had been questioning me earlier today
seeing if I was really a good guy
testing whether she'd have to sit at the table with a shotgun
every time I spent any time with her niece.


4.
Her husband is launching his own collection of mortars off
with his brother
while her brother-in-law hands the teens the novelties
I launch off a dozen flowers
and a few spinny things.
She occasionally breaks her fingers away from mine
to launch off a flower, smokebomb or firecracker
and occasionally runs over to poke-chop her uncle
who keeps talking to the fireworks.
She always comes back and we'll wander by her mom and stepdad
(the latter always throws in some sort of comment
so we act careful around him)
and over to her cousins
or toward her aunt and roommate.
Occasionally we'll have to get something from the house
and we sneak three kisses
but we mostly just stay in each others arms
keeping each other warm in the almost warm 4th of July night
our hands both entwined
one of our heads always on the others shoulder
and in all the craziness
all the family drama
everything is perfect and she's smiling so hard her cheeks keep hurting
and she keeps telling me how little sleep she's gonna get
and I tell her I ain't gonna be able to sleep at all
aa Jan 2015
i've forgotten
the painful, unexpected blow
of the harsh truth
that you're fading out
of someone's life
like an old rusty bicycle
that's full of memories
from your childhood,
left alone, forgotten
in the attic
when you got a new one.

your life is evolving without me
you're gaining
a lot of expensive vehicles
by losing
a lonely broken bicycle.

i guess my world stopped
when you left,
and your world started
the second i am gone.
i miss you, i wish i could tell you that
Tobias Engkvist Sep 2012
The next to empty train
Roars through the mist of dawn
As it passes the lakes and elves
The dark and mystic pines
-forests that once told of horrors
To keep the ones like me
From crossing the line-

This box, this crate
A testament of the modern man
To whom which it serves
It is somewhat of a time traveller
When it breezes the land
That years have made its own

And yet there are scenes from my window
That I know are proofs
Of exceptions to the rule that reads,
“time will take its toll”

All the brooks and oaks
And even more so
Every bolder and stone
Convinces my heart and soul
That I need not be marred and scorned
Broken and torn
By the thistles and thorns
And all the bourdons that the lions
Of this glass world
Convict me to *****

Since there is a side
To the manic and indecisive puzzle that is I
A side of realism and cynicism
Thus I am well aware of my mortality
And the scarcity of the time that is mine

My existence is an indirect unwritten vow
To never bend my back and bow
To never fall in line
And receive my share of coals
To fuel this machine down the rusty tracks
In a race against nature or God
A race to prove one or the other
Or even both wrong
A race we’ve already lost
Josef Wilhelm Oct 2012
These hands.
These rough and eager hands.
They've hurt enough.
They've done enough.
Its about time to cut them off.
These hands.
These old and rusty hands.
Have compiled a list of duties.
And helped thousands of people.
Those eyes.
Those cold and dusty eyes.
They see right through me
and reveal this empty person.
How honest can you be?
I don't really know,
And I don't truly care.
But there is something
you should know.
Its that I don't feel
or give a ****.
Beware.
Eyal Lavi Aug 2017
NOTE:  this is the 1st poem I wrote and posted on HePo. I've managed to finish the first 2 parts and have been struggling with the 3rd; however much of last night was spent refining this initial section so I figured I'd post it in the hopes of receiving some constructive feedback. Thanks.
                                              -E.Lavi

                    ***

Dripdripdripdrip drip as it slips all it’s secrets, secrets slipped from the lip of the rusty metal moldy faucet, water whispers water whimpers water wishes of a time long gone; dripping water ever swirling round the beaten bolted sink; bolted to a wooden floor, chipped and nicked and cracked but grips, it grips the sink and won’t let go.

Secrets swirling round the sink into the void and through the pipes beneath the wooden boards of floor which would let loose their life-long grip of one worn weathered tired tethered reddish tinted rusty sink if only it - the wood! - if it could leave the floor it; the wood would stand and stretch and scratch and then would walk right out the door; wooden boards held hostage by a layered web of iron nails nailed years ago.

Creaking boards tell tales to pipes which snake throughout the secret house; Drip they drip they speak they slip through lips of sinks the secrets silent lip they drip and slip andio they rip and drip andrip they drip they dripdrip they ripipip i i…

Hush the whisper of the wind through broken windows rattles timber breaks the slumber of the man whose face is etched and leathered ever marked by hands of time; time played games the game of life the old man thought and thinks he still can stand and stretch and scratch then walk straight through the door and out the house, like secrets lost in rusty pipes he thinks he’ll walk into the dark and be whisked off on wings of wind which carries whispers rattles windows speaks in drips through rusty lips of bolted sinks gripped by the floors forever more and so the man will sit he sits and thinks and thinks he drips and drips drips dripdripipip i i i...

End Part 1
1st poem any thoughts?
cheryl love Jun 2013
Like a magpie, Rusty the lonely old clown
His hidden talents disguised
His act as sharp as a brand new razor
With the blade pointing down.
He sits in his *****, dismal room
Hiding the doom and he gloom
He paints a fresh red smile
His heart beating to a depressing drum
That quickens every once in a while.
He is certain that there is danger to come
His teeth shine like daggers
And they bite into the cake he is holding
The fruit in the jam rotten like the blood in his veins.
A thief bound by his own greed
Filthy like the rats in his own drain/
The more he wants, and the more he needs/
Collecting and gathering just as a magpie does
Sharp, desperate, the old clown.
Sam Feb 2017
Here.
Have this.
It's a key.
But not just any key.
Maybe it's a little rusty, a little old, a little worn.
But it's yours.
And maybe sometimes if you hold it, it jabs into your hand,
But it's yours.
And maybe one day you'll lose that little key,
and you won't know where it went.
But don't worry.
This key is yours.
This key will always be yours.
Because this key, this small, old, rusty key,
is the key to my heart.
Mitchell Jul 2011
So this is what it has come to
So this is what is built
After all these hours working away
After all these hours of no play
We are the bleeding masses of habitual monotony
We are the unsatisfied smiling spinning labatomies
Drifting towards a sea which resembles nothing of home
Drifting towards a graveyard filled with unmet ancestors bones
Us together hands with our palms apart with a sun black with no light
Us together standing back to back for our eyes hang from the blight
Great hordes of dripping wet soldiers from wars unknown
Great generals swing their wands as the dead rise from the foam
My story is unfinished and the man which holds the pen is absent
My story is an eclipse of ignorance caked in an ash that is heaven sent
Lost forlorn faking contention that could be read by the youngest angel
Lost in time born in time awaiting a release blessed by a soft rusty bugle
And now as the wind moves dead leaves among the standing trees
And now as I see that time stands still for no man not even me
I sit as I watch the rippling waves clap as my comrades venture off
I sit as I hear the silence of my breathe drift onto a rocking splintered dock
Viseract May 2016
We all fall apart
At the slightest disturbance
Invocation Apr 2014
Still running, never ceasing, she screams silently.
the breath escapes as a wisp.
Remembering the past command:
Take the demon carefully,
his sting is heavily laden with sweet
addiction.

*** soaks through the front of her gown
and the bloodied fabrics drain rusty shades
into the tepid moon water
she spilled before.

Break her chains
she will not thank you
she will despise her freedom and lay waste to paradise
with her filthy torn wings.

Let her know of her once-natural beauty
she will hiss in derision
that she is not still stunning as the rose.

BLEED, child.
You of all creatures were fantastic in visage
You have put to waste the precious fragility of your frame
Your yellowing teeth speak volumes
your mouth should stay sealed.

We have no use for ingrate angels
that roll in the muck
cheaply selling ******* and chemical highs.
**FIRST DRAFT**
SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist ... in the slow twist ... of the wind.
  
If the north wind comes they run to the south.
If the west wind comes they run to the east.
  By this sign
  all smokes
  know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: "I know you."
  
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from-
You and I and our heads of smoke.
  
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
  
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
  
Smoke of a city sunset skyline,
Smoke of a country dusk horizon-
  They cross on the sky and count our years.
  
Smoke of a brick-red dust
  Winds on a spiral
  Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
  
Stammer at the slang of this-
Let us understand half of it.
  In the rolling mills and sheet mills,
  In the harr and boom of the blast fires,
  The smoke changes its shadow
  And men change their shadow;
  A ******, a ***, a bohunk changes.
  
  A bar of steel-it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left-smoke and the blood of a man
And the finished steel, chilled and blue.
  
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
  Smoke and the blood of a man.
Pittsburg, Youngstown, Gary-they make their steel with men.
  
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
  
  The birdmen drone
  in the blue; it is steel
  a motor sings and zooms.
  
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
  
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up-
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
  
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
  Smoke nights now.
  To-morrow something else.
  
Luck moons come and go:
Five men swim in a *** of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the ******* plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers-they shadow-dance in laughing tombs.
They are always there and they never answer.
  
One of them said: "I like my job, the company is good to me, America is a wonderful country."
One: "Jesus, my bones ache; the company is a liar; this is a free country, like hell."
One: "I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves."
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
  
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
  
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
  
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the ****.
Forever the **** gets washed in fire and wind.
The anthem learned by the steel is:
  Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
  
Fire and wind wash at the ****.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors-
Oh, the sleeping **** from the mountains, the ****-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
  
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
  
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks-flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
  "Since you know all
  and I know nothing,
  tell me what I dreamed last night."
  
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
  
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
  
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
  
The wind never bothers ... a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.

— The End —