(note~ This is a rather lengthy story about trauma and brokenness..)

I have a patch of skin on the back of my left hand, indiscernible to the
human eye as being any different than any other part of my skin.
It is my heart of hearts.

Five days a week I am not with my little ones.. there is a place I go.
A broken one awaits me there; Unknowingly. On 'day one' of my
non daddy-time, I go where the longing of my heart leads me.
When I am not with them.

There is a vertical shaft-- hidden in the tumbleweeds at the base of the
mountain's foothills that leads down beneath the surface. There are
rusted rebar steps in the shape of hoops, embedded into the hardened dirt
and rock of the shaft that gives me access to what lies down below.
With each ten steps, the shaft becomes noticeably darker. After thirty
steps, there becomes a pungent smell in the air that begins to cover my
skin, and a dank mist that enters my lungs and begins to coat the
inside of my skin. As I continue to descend down-- all becomes covered--
everything.. but the 4 inch square patch on my left hand.

There is a foul 'burning' in the permeating mist that wants to place a
film over my eyes and cause them to water, but as I descend I grow a
new pair of eyes over the top of my old ones, and though it is nearly
pitch black now and the pungency completely fills the air;
I can see.
Faintly, but I can see.

Directly at the bottom of the shaft is a room barely lit by what little
light has made it down the shaft through the mold and musty mist.
I get a strong sense that this room is the antechamber. Dirt and rock
line the walls as if they had been there since the ancient days. There is
also a black mold and an unavoidable saturation of the wall. There are
two doors in the wall, but I sense that both lead to the same room, so I
take the door on the right and slowly enter into a windowless and
nearly pitch black room-- old and partially torn up asbestos-tar tiled
floor-- filthy ***** with strewn about rags and used up things. The
pungent mist would be completely overwhelming had I not already
been fully permeated in it and received the new set of eyes in order to
be protected from its permeation and also to be able to see through the
darkness and wet, fine dust that floats throughout the air.

On the walls, there is a saturation to such a degree that it almost moves,
and there is a permeation of mold throughout. Mold on the walls, floor,
ceiling-- everything permeated in the mold.. and whatever it is that has
saturated everything. I have now entered so far into the room that all I
can see is shadows.  It has become that dark.
There is a sense of movement.
It is large-- behemoth even, methodically slow in it's self caught-up world.
It is perpetrator. Abuser-- And it only knows one thing--
destruction of anything of life for its own gain.  It cannot see me
because I am permeated in the foulness of its own perpetual emission--
The walls.. they are *** soaked. The air is filled with an ever-evaporating
mist of pungency. The only life form attached to it is mold, a fungus
which covers every square inch of floor, wall and ceiling.
I am not afraid, because I know that what I want is in the room also--
and I know that the only thing perpetrator can see is what hasn't been
permeated by the filth-- and so as I move.. remembering to place my
right hand over the back side of my left--
covering the only part of me that is not his.

Protected by the fact that I have become permeated in and with the
outcome of his abusing ways, I am hidden from all that he is,
as long as I keep that part of me covered.
I begin to move slowly around the room knowing that I cannot be seen,
but needing also to make not an ounce of sound. I am looking-- searching.
In the corner is a small discarded pile of ***** rags, and there my
eyes focus as I slowly move towards it. Perpetrator has begun to
shuffle off towards another smaller room that I have just begun to
become aware of. I head towards the small pile of rags.
I can feel him-- someone else in the room. The one I came for.

I move towards the rags on the floor there in the corner of the room
and I can see him-- just a part of his hand sticking out from underneath
the pile of rags; he is face down. All my focus is on him now, as I kneel
down next to him and sit alongside him-- pulling the rags off of his
head, revealing the side of his face. He is face down with eyes closed,
barely breathing-- barely a pulse.. only kept alive by the perpetrator to
serve his purpose. I am with him now and his brokenness takes over
me. I cannot touch him with any part of the permeated filth.

I reach out with the unaffected four inches of skin on the back side of my
hand, and touch it to his face. There's a slight movement, but he
remains face down. He's just a little boy, but because of the horrors
he was subjected to, I knew not to try to move him--
the trauma of just the slightest movement would **** him.
And if I were to look directly into his eyes, the light I had brought into
his broken, dark world, would have burned the back of his retinas and
ended what little pulse and breathing he had remaining. This is where I
want to be, even if the only thing that I can do just let him feel the
warmth and cleanness of my skin through the back of my hand against
his face.

I feel him quietly breathing it in.
He never opens his eyes-
face down still-- pain.
It takes all the energy he has;
just to survive.. to breathe.

And outside of the warmth of my hand, I know
that he may never again have the chance
to see the light of day--
he is broken, abandoned.

This is where I want to be.. but to be near the broken-one of my heart, I
have had to wear the 'full outcome' of perpetrator, and know full well
through what I have learned when young that I'm putting myself at risk--
of forever being banished to hell for what I have 'chosen to wear'.
I will stay with the broken one wherever that may be. This is where
my heart is most at home (the times I'm not with my little ones).
If heaven doesn't want to let me.. or the broken one in,
then I don't want to be there.
I will stay here with him, and if hell is his final resting place..
then it will be mine also--
perpetrator cannot see me here-- destructor will not see me there,
and I will sit with broken-one forever.

But for now I must return at the end of the five days-- climbing once
again back up the shaft and receiving the washing that happens once
daily life sees the four inch patch-- I am clean again in order to play
with and love my little ones.. holding them and protecting them from
the daylight-perpetrators as best as I can.. and as I love them and look into
them, I look into the broken one also. He is with me in my heart even
then. I will be with him again soon and also once again with my little ones.
    I am both.
They will grow up and become responsible loving adults with children
of their own. Broken one will always remain young and broken.
I will remain with him forever--come hell or high water.
He is me.. and every broken-one who has ever had to suffer alone.
It is with the broken ones that I will always want to be.

I live within the four square inches of my skin.

Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

............
Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

................
SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
...............
PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

.............
OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

you took me
to a lovely garden
long ago,
and told me i was beautiful

you kissed my hair
just as the sun rose
illuminating
the intensity of our lost love

every inch
every crevice of me
loved you
missed you.

you were my infinite stars
cast on the midnight terrain
you lit up the world
just for me

a sweet scent of lavender
permeated through the garden
you said
it was the thousands of lilacs
blooming for me

you kissed my hair
leaving behind
a sweet scent
to caress me

(b.d.s.)

**** me like the ocean would the moon, Dear Amaranthine.
Teach me as you would any abecedarian, slow with pace.
My pallid arms are spread, and feet are crossed.
Crucify me, like one of your French girls.

Your endless frame arched over mine
a vaulting testament to the heat
of your front against my back.
This scene should have been a chapel.

Through hazed musk I can taste the saline
as it tumbles from your dripping brunette tendrils
forming brooks and lagoons the color of flesh
in the glens and about the islands of my spine.

I wish I could write about you in me
while you dance a contemporary beat
ceaseless, indeterminate, untold are
your feats within and upon my person.

For a split moment, seconds shattered in two,
I am completely and totally permeated by you.
I whine for you to vacillate me, I am ******* begging
to be occupied, satiated, by a rhythm akin to the sway of trees.

Love me fast and kiss me slow, Dear Amaranthine.
My palms are red, and feet bloodied, too. I moan.
Call me your poetaster but don't come on my chest;
There's far too much weight there already, my dear.

every day i see your grinning face,
scowling back at you,
i push the inevitable away,
the extremist christian preacher,
trying to "save" the impressionably intellectual college crowd,
only doing it for the rise of drawing a riot,
on the concrete canvas,
illustrating muddy red abstractions of chaos,
bowing to overlording masters of extremity,
in hopes of burying **** faces,
in prismatic drippings of paint-slathered sand,
eating bland beatings of faint clippings,
yet you stand there,
emasculated in your chronic musings,
without one permeated prism,
embedded in your studded jacket,
is your acceptance of how you could be.

you ‘why’ her.
While she is thrilled & happily beside you,
Telling you when she’s up to something new.
Your pre-existing notion of setting a “ya” for her limits,
Persistent "no" to her wishes,
She grows up to know that,
if she got to do something new
She got to fight over the, 5 Ws & 1 H!
Ow! & you convince it’s out of distress not mistrust!
And by the Indian parenting manual,
questionnaire weighs heavier at a girl.
ultimately,
“This time”, “That day”,
" This place", “Those people”
Would impregnate her!
Sons of yours -
Son of nights! freely hatching eggs past curfew.
Not foreseeing the evenings his sister would come crying.
Parents when you talk on equality & empowerment,
Let broad mind not hit the very ceiling of your house
Let rest mindset that proclaims gender roles,
The differential idea you set on them,
From who uses broom to who chooses groom.
If misogyny is permeated in the roots of society
Cleansing and changing begins in the family,
Before there in your minds, first.

"Hey loverboy," she says. I don't respond.*



A rough draft excerpt from my story, Fictional Truth.



“Hey loverboy,” she says. I don’t respond. I enjoy ignoring her for a moment after I come out of a day dream.

“Hey. Jake. Snap out of it boy. Time to come back to earth,” she says with her usual tone of pleased annoyance. This time I leave the world inside my head and return to reality. Slowly turning my head to the right, I can see those deep blue eyes gazing up. I never get tired of her eyes.

“Come on, you said you’d help me here.”

“Sorry,” I say with a half grin and my best attempt at contrition. I look down to the papers in her lap. Right, math. I was helping her with calculus. She was really very good at math. We were in the same class, but she was two years younger than me after skipping two grades in elementary school.

“This one you just take the derivative of your function and plug in these two values.” I can remember these things effortlessly now, which was a huge accomplishment for someone who doesn't particularly like math.

“See, this is why I keep you around,” she says, those rosy lips that I so adored pulled into a little smirk. She reaches up and kisses me. She always seems to find an excuse to kiss me. “You can go back to daydreaming now.” Indeed I do, retreating back to the dreamscape inside my head. This time I think back to when I met Clara.


I had just arrived on campus, a bright eyed college freshman. There I was, lost in a sea of beautiful women. Small private schools had never been kind to me in that regard. Everything on campus was a wonder. Nobody from my high school had come here and I was very much alone but I didn't mind, I had outgrown most of my high school friends long ago. It was long past time for me to expand my horizons.

I found myself standing in front of a massive glass building. I wasn't past checking my reflection in the glass windows. Had to make sure my hair still looked as good as it did when I arrived. Who knew when I might run in to? Opening the doors I caught a waft of the bookstore smell, unlike anything I expected. At home the bookstores were small, with dusty leather covers that begged to be handled and old people that smelled like coffee. This was completely different. The odor of panicked freshman and newly bound textbooks permeated the air. I decided right then I wouldn't be spending much time there.

There was a long line extending towards the back of the building. Not knowing better, I assumed it was the line I was supposed to be in and slowly made my way to the rear. This would take forever. I pulled out my phone and started on another game of Angry Birds. I had been killing evil pigs for almost five minutes when I began to feel like I was being watched. Sure enough I glanced up to see a large pair of deep blue eyes looking at me.

“You know, some psychologists say that technology is making us less social,” said the girl looking up at me. I couldn't respond. She had straight black hair pulled behind her in a long ponytail. She had a small, perfectly formed nose with what seemed like a sea of freckles on it. Even more freckles danced on her cheeks. She was several inches shorter than me, maybe 5’9” and had on tight jean shorts and a black tank top that exposed only the most tantalizing amount of cleavage.

“So I’m just starting to feel a little uncomfortable with you ******* me with your eyes like that,” she said with the smirk on her face that I would soon come to know.

“Sorry,” I said, a tiny grin tugging at the corner of my mouth, “You surprised me a bit.”

“I’m Clara. This is the point in conversation where you tell me your name.” I liked her already. She had confidence and wit that was both abrasive and attractive.

“I’m Jake, pleased to meet you.” ****, I was smooth, like a wagon over rocks. “Are you a freshman too?”

“Yep. Just got here. I don’t think this line is moving.” I really liked the way little dimples appeared at the corners of her mouth even when she frowned slightly.

“It really doesn't seem to be. At least I have pleasant company,” I said. Oh man I was so smooth! I was really proud of myself right there. Flirting was hard with pretty girls, they seemed to throw me off balance.

“Well, that was the least offensive flirting I've heard all day,” she replied. Good gosh this girl was straightforward. “It’s a good thing you’re cute or I might not have accepted that.” Cute. Okay, I could work with cute. “So you’re in psychology 1000?” she asked.

“Nope, I took that during high school.” I replied. Why would she ask that?

“Well, you’re standing in the psychology book pickup line.” She said with a slightly puzzled look on her face. I definitely was not in psychology.

“Oh, Psychology! I, uh, I thought you said, uh, philanthropy. Nope, I’m definitely in the right line." Okay, that was a lie and I was at least 100% sure philanthropy was not a class. But hey, I was under pressure. She looked at me like I was slightly on drugs but moved on without hesitation.

We talked about various meaningless things while the line crept closer to the back of the store. The stunningly blue shade of her eyes made it very difficult to focus on conversation. When we got to the pickup window, she paid for her book and stepped to the side, watching me. I decided to bow out of buying a several hundred dollar book just to avoid looking like an idiot. I comforted myself with the fact that she might think it was funny.

“Soooo. I’m not really in philanthropy. Or psychology. I just didn't want to stop talking to you just yet.” I said with a sheepish grin. Luckily for me, she laughed.

“Alright then Mr. Jake, what books do you really need? Maybe we can go stand in line again.” I listed off several books that I needed for classes.

“Calculus. I need that one as well. Come on silly.” She turned her back and started walking. I followed right on her heels, a goofy grin plastered all over my face.

That was my first interaction with Clara. We spent the next two hours gathering all of our books, and at the end I carried her rather large pile back to her dorm room. I was promptly rewarded with her phone number and some cookies that her mom had packed.


“Hey. What about this one?” Clara’s voice comes from beside me. I lean over to look at the paper again.

“This time just take the anti-derivative of cosine and solve for x.”

“Oh right. That's the last one.”

“What do you want to do now?” I ask.

“How about we go to your room and see if we can make your roommate uncomfortable enough to leave?” She says with a mischievous grin, bringing those deep blue eyes nearer to mine. She always seems to find an excuse to kiss me.

Zigzag Universe says: "I am the space of Devananda" Way of God "and meditation. We know how a great inherited noun “de meditatio” has reflected on the ideas that are reconciled. My numen comes from the Greek Peltast mercenaries, creating survival in the contemplation of standing on those who are not in the fords of the breath of blood. We focus the mind so that the sheep that graze in the meadows fall upon us when we reconcile ourselves to somehow standing, waiting for them lectured here in Archangelos and in placebos of the bread-making gifts of the grasses. Obviously, stability allows us to get colossally on our feet and meditate where we have to sow hopes of meditation and work them with the pleasure of experience, which transports us on spirituality on the lips that are pronounced by the horses that graze, filling their bellies with the idiomatic hopes that transport us to the intellect and the conclusive horse. On the other hand, in contemplation there is more spiritual than intellectual character since it carries an experience and not a conclusion. Philo of Alexandria; Philo Judaeus, being a Hellenized Jew, is our mentor and philosopher star, born in the year 20 BC. He is contemporary to the era of our Mashiach, maker of everything and the neo-universe of Vernarth "Duoverso". The new universe of Vernarth being apologetic, Jewish and also Hellenistic therefore makes of our creator and all the theological creative thinking of all his creation. Divine providence and grace are and will be your superiors to have universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of the royalty of Christian meditation manifested. Those of us who bear his goodness transformed into passion, we are the ones who create his theocratic rise, doing sovereign service, courage, joy and caution of human ethical satisfaction. We surround ourselves with our philosopher Philo for the diaspora, for the benefit and virtuosity of laws that emanate from the One-dimensional Beams of Kafersuseh in Ein Karem. The stoicism of democracies weakens the ungovernable powers of self-wisdom, they decay before those who ignore who they are and will be, under the symbolization of the supposed Jewish leadership of offering their children to the sacrificial altar ambivalently. The warmth of the afternoons in Tsambika increases the macro radius of our zigzag, binding the biblical pages with Platonic Greek philosophy and anti-material stoicism, with goods re-delegated to the natural good where it comes from. Our writings are the inspiration of the demiurge of the embodiment of a bakery recipe in the idea of the lowing of Zeus's stomach, with the solid dissatisfied discourse of not creating more bakery hectares for Stoics and demiurges. Although the thought of Philo permeated the fathers of the ecclesiastical epic, as in its origins in Alexandria, they will be Ambrose of Milan and Augustine of Hippo, with weak influence on the Jewish tradition, particularly in the rabbinic tradition that was born in one or two centuries after his death. Part of this is due to his use of the Septuagint (the Bible translated into Greek) instead of the Hebrew Bible and his allegorical interpretation of the Torah. His work also gives references to religious movements that have disappeared today, such as the Alexandrian therapists. Zig Zag was and will be moved away between time and space, in a world adjusted to the senses that are propelled within the contextual totality, the world and the biosphere framed in the phenomena of the Zigzag Universe, being born on a stellar night when it touched our life the earth, being able to see how the cordial matters of the cosmos caressed its cosmology, making of it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the bing bang, emerging from the other side of the car, observing us and seeing ourselves in the Horcondising face anti-material. We are science that models the energy and matter system in causes of the ancestors, with whom their life and ours sneakily crashed. Gravity made us great paternity in Vernarth, being in the Dodecanese, being a cosmos in the curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the oaks of the Horcondising of Vernarth and also the time-space that has not been troubled by the origin or the inflammation of the stars that move irregularly in zigzag , for the fractality of its component, which is clearly Aramaic blue light, in circuits of cumulus movements skimming the air, attracting the attention of the entire order of the sleeping universe and making the duplication of the universe itself appear before them; in Duoverso  that is the universe awakened and young of thanks "

Duoverso says: “My distribution of nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are the percentage of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a specific frozen present. My final station is to place the Zigzag Universe on the re-expanding medieval chrestomathy, in qualities of Sub Mythology, already settling here in Archangelos. The implosion of my gravity has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, like an irregularity that resembles the measurements of everything quantifiable, being science or not, acquiring from the hexagonality, the primogeniture of the passage that from Jerusalem goes to Bethlehem, where the Davidian prism, in whose Original is attributed a fractal of the two-dimensional shape of a line of the Mediterranean fractal coast, resembling the gems of the crown of King David to that of the Messiah, seeming to be similes, but of irregular geometric formats. To build gems in landscape spines, basically subdividing themselves into equal conical funnels and then being randomly displaced towards their central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to Bethlehem and then to the Church of the shepherds in its fractured hexagonal base, simulating to be snow falling on the top of the roofs, wherein the Kafersuseh manger, the Mashiach was born and died in the abstraction of the Beams One-dimensional in foreign eyes, eroding those who are mortals and do not see you with divine eyes in self-likeness of our hysteria of the failed plan to increase the size in the unknown geometry of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in natural infinity. Here the new privileged world for self-similarity in the mental and cosmogonic functions of Vertnarth was envisioned, at intervals in each space of gloomy clouds, bringing accelerated bombs of messaging from Gethsemane among mutated olive trees towards other humans. My correlation is an infinite fractal with the reversible observable time and with the pattern belonging to mobile echoes of a space, which is occupied by Vernarth as multi-study and integers between fractional integers”

Hyperdisis: “Finite is the curvature, between the time that walks between the jungle of the Duo Universe as an alternative of energy Zigzag and Duoverse, which triggers our observable world what a great eye is, which ignores and knows extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by my form of Hyperdisis escorting him. I go in arduous colors in gradient for its limits of positions of verbality, and solutions of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the fears of reaction and recreation of multiform plasma saviors of Christian cosmic. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of the error of the current universe, losing itself, in the second thousandths of figures that separate us from the Universe, but all being more than time ... !, we are left at the expense of the wick of all electro-matter "

The sub-mythology having already been constituted, Hestia appears, having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was two meters from him she looked monumentally giant, but with a versatile countenance, therefore she was already appreciated in the last steps, with the domestic figure of a Goddess who emanated light-years from the chimneys of her habitable galaxies. The critical immanence that would happen would be the perfectible plan for the Zig Zag Universe and the Hyperdisis, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great proscenium ratio in the vicinity of Tsambika, between the Mind / Meditation for a constant mechanism of Wisdom / Meditant, according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backward advancing between the rapid lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units millions of years of lightly compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in its Prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, "Prytaneum", paved by the light of the clarity of faith of the owners of the hamlets that were founded when they arrived in Tsambika, in search of Vas Auric, cheering with the omphalos stone, which marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. to be swallowed by her father, and then expelled from himself, regurgitated in candle flames, of love in a blessed house full of immunity, giving the Duoverse another geometric category with angles never contained, sliding vibratory between distances that deduct minutes from Hestian space, for the purpose of approaching its finiteness, and inaugurating the sub- finite, which will never be a source of termination in a puzzling end of equationally physical unfinished time. This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)

Saint John the Apostle says: "Not even death recognizes the dimension of the universe when it detaches itself from the capsule of the body ..., less from the Duouniverse ..., making at night what is day and what is a day at night"

Vernarth says: “I am being reborn, the variety of times between myself and myself, are you. In my new creation and Duo-universality, with rules that angle my thoughts where my muscles did not reach. Today we are plagued by invasive objects of new creation, and in particular, I feel them bustling with the wrinkling of the strings of the balalaikas that I had in Moscow, with flat thoughts and now with flat atonements that I do not know, but my courage climbs where they fear me. be poor of feared value. Rather greater fear on a larger scale and related limits where infinite dramatic areas fade away almost make me an atheist in atheism. The ribs of time, gropingly, are oversized, in the ribs of the five-fold dimension of the Duoverse that imagines my curved, over-curved world, not knowing how to reach the line that allows me to know it head-on and full, on the coast of light that If now I see the Mashiach in Gethsemane, in the Olives Bern, walking straight ahead towards me, with another starting point going back, but I being in the creation that for God the light of himself towards the stars that are reconverted into stars, in all addresses calling each other. "

awakening with the gradual rise
of the subdued heather hued sun
a palpable spectral silence permeated the air

the anticipation of celebration intercepted
by an enveloping phantom black malaise
hiding in obscure shadows

the terror of the twin towers final doom
elucidated quivers of melancholic nuances
rippling through the greying vicinity

my birthday september 11th a tuesday
my night to sing at abravanel hall
with the utah symphony

unable to serenade death
our voices remained indubitably silenced
in hushed wistful reverence

ensuing 9/11s channel somber sentiments
cloaked with annihilation while
dark visions occupy smudged iphone screens

this anniversary i will dissipate despair
transmuting dark despondency
splashing all with lucent petals of delight

i’ll live this day with passionate intensity
and those subsequent with equal ardor
ferociously painting back the light

i will raise my voice with effervescence
and sing in wild abandon
for my precious brothers that were lost

demonstrating devotion through a refusal
to be silenced by fear bestowing honor
with a conspicuous message that love wins

©2016janetaylor

This one time,

12. or 13, when me
And a bunch of other kids
From a different neighborhood
Played. Outside. From about sunup
To 9:00 at night. I dimly remember
(This light-bulb memory is the barest bit of energy
In an ancient filament of thought:)

It was a nightmare come to life.
There was this one kid across the River
(Rock Island)
They found him naked and dead,
In a discarded pile of coal.
His life brutally taken from him.
But that was the only time
I'd ever heard of something so horrible. Happening.
It was as commonplace as school shootings.
Which is to say, it didn’t happen in the
World that was ‘As Far As I Knew’.
Outside, everywhere, as far as I knew;
Was just where you went. No matter what.
It’s just what we did. And we did a LOT.

We played. On a job application, I would have
Written that. “Player”. As in: “Hey, I’m a kid.
I mess around. I’m unhygienic and smelly and
My hair is long and arms sunburned and sweaty
And tired and about as happy as any kid
Could be in 1975.

This one time,
I go in this dumpster and grab a
Sandwich the Mgr. of the 7-11 mistakenly threw out
It smelled. Badly. I pretended to take a gigantic
Bite out of it. My buddies weren’t ROTFL.
That stupid phrase was pre-born.
They laughed so hard they fell off their bikes.
Probably painfully so.
I worshiped this praise. Ate it like
Seinfeld eats applause.
They were rolling
On hot Iowa summer pavement, laughing fit to split.
On top of that dumpster, that day, in that single moment,
I was the King of Whatever

The manager heard some kind of ruckus.
The sandwich was in my hand, a cheesy spoiled grenade.
Which I promptly threw at him. ‘Cause he was the Adult
And I obviously wasn't Victor Mature.
He waddled back inside and called the Cops.
Not amazingly,
They were literally right around the corner.
My buddies took off like scalded dogs
I got on my homemade trail bike, laughing so
Hard I pedaled into a sticker-tree.

I didn't know what "irony" was back then.
Back then, I was so inherently goofy, that funny
Hilarious crap was somehow attracted to me.
Ironically, when I tried being funny on purpose...
Fill in the blank. There's a lesson in there somewhere.
I'm pretty sure.

We met at that French word I still can't spell.
Ron Day View.
Cackling like
Loony loons. We laughed out little butts off.

And we rode bikes EVERYWHERE.
Through the trails. There were bike
Trails trailing everywhere, short-cuts from point
Hay to Tree. And oh yeah, I climbed trees.
Constantly. And ate apples and plums from
That mean lady’s yard. She stood in her
Kitchen and glared through cat-eyed glasses,
Daring us. Daring me.
GO AHEAD. PICK JUST ONE SINGLE PLUM.
THEN I'LL CALL YOUR MOTHER!
(Interestingly, we didn't hang out with the
plums which didn't fall too far from Mrs. Tree)

Ate whatever was edible. Wild clover.
Yeah. Grass. And
Crab-apples that held the promise of
Painful bowel movements squirting out of
Your ****. Not ‘***’ because cussing wasn’t
All that big of a deal. You heard it in R movies.
But it hadn’t permeated the marrow of
Our entire culture. Not yet. It wasn’t all over
TV after, say, 8:45.

Nothing about ***. Absolutely Nuttin' Honey.
'Cause I'd be making stuff up in 1975,
When I was 12. Kissing was just...
You know.

We messed around, got into and out of trouble.
We laughed. The future hung over us like
Those mean-sounding thunderclouds,
Miles away, but moving from the North-East,
Because severe weather in Iowa always came
In the same direction.

It’s what we did. It’s just about
All we did as kids. Man, we were crazy, and had
Crazy fun.

We built bikes out of spare parts. They were low-
Slung and cool. Mine was always breaking.
I did a lot of stupid things, and somehow,
Somehow I got away with doing a lot of
Stupid things.

I believe in God. Now.
Way back then, I was Catholic. I don’t
Know if that sufficiently explains it
Or not. We ate fishsticks on Fridays during
Lent. We went to church sometimes
On Wednesday nights, the Guitar Mass,
And on Sundays. The Mass felt like it
Lasted 93 minutes, like our services do
Now. But it seemed to go on forever.
It as about 45 minutes, and we would always
“Leave Early” which meant, we’d take
Our Communion, solemnly, eyes
Downcast and humble, but I would slow,
Then stop, lost in the visage:
I looked up at the Man on the Cross and
Wondered when the Priest would ever
Get around to explaining why He
Died for my sins.
Someone would wake me from my
Reverie, and whisper, “Please move ahead.”
Shamefaced, I would say, truthfully,
“I’m sorry, Ma’am.” Because, in 1975,
When I was 12, I really was.
Sorry.

Then an hour
Later I was dressed in
Salvation Army rags (today)
And I would jump in the creek with my
Jean-shorts and off-color shirt on.
Sometimes, the bikes weren’t in the picture.
So we hiked. Never ‘walked’ but “hiked” which
Was moving with a greater purpose.
Great distances. The distances weren’t the great
Part. I forget what the great part was, because
This was when I was a kid. When I was 12.

The things you did
As a kid
You store them in a secret kid-locker
In your heart
And your heart, it grows, along with the rest of
You, like a quarter pounded into the meat of
A young tree. The tree envelops the quarter,
Taking it in to itself, swallowing time
That you only try to clumsily relive
(Like I’m trying right now)

It used to be cold, icy, and snowy in Iowa.
I know this; I was out in it most of the time.
Does anyone sled anymore? Toboggan?
Round-saucer spinning uncontrollably at
About 12 mph? Metal sleds with runners
And power steering? Down crazy-steep
Barreling down frozen white hills, crashing
Into copses of thin pliable young trees.
You only see this kind of stuff on Youtube
In somebody’s ‘All-time Epic Fail List
The failure is epic, alright. We’ve moved on.
And not necessarily to a bigger, brighter future.

Ice! I skated on long-bladed racer skates.
I could stop on a dollar’s worth of
Dimes.

And this one time
I
Fell right on my knee hard enough to
Grind a hole in my jeans. It looked like a ******
Meteor crater. A pretty girl named Tina
Felt sorry for me and sat right next to me
She wore pink pom-poms and I fell in
Puppy with her for about three hours.
Then she smiled and hugged me and
I was more frozen than the ice outside
And she left, her Mom picking her up
And eying me balefully as I stood
Pink-faced and flushed and utterly
Confused about the randomness of
What had just happened to me.
Girls from my town all knew
More about myself than myself knew
About me. They had me PEGGED, brothers
And sisters. But not this girl. She was from
The next town over.
That was a good day, if I’m remembering
It correctly. If. I’m pretty sure I am.
Or, I’m pretty sure it doesn’t matter.

We played a game called ‘Blackman’
Like a tag game in Gym, where
One kid is “IT” and a mass of skaters
Goes from one end of the ice pond
To the other, and the people you capture
(I couldn’t catch an old man in front-wheel
Drive figure skates and I got so frustrated
I gave up to jeers and yells and found the
Trees were good listeners to kids
Who couldn’t skate as coordinated as
They wanted to.

So ten minutes later
I would go into the Warming House, and
Listen to am radio. All the Hits! KSTT! Davenport,
Iowa. On ******* Blvd., which was really
River Drive, because the Hostess Plant stood
Sentinel on top of the hill, pushing out
Sponge-cake filling and HoHos and Cupcakes
And those awful coconut snowballs, and
This one time, in high school, I shoved one
Inside my mouth and tried to swallow it
And about choked to death.

I walked to Mark Twain Elementary School
And ran home for lunch, and was usually
Late because I was easily distracted
And when the school day ended,
I walked or ran home, hurrying, because
Captain Ernie and Bugs Bunny Cartoons were on,
And then Gilligan’s Island from about 4:00 to
5:30, when the news would come on,
And then Dinner,
And I couldn’t stand to sit still
To save my life. I have ADD. I
Know this now. I didn’t know it
(Nobody knew what it was)
I knew something was wrong with me
Or not-right. It was just the way
The World Turned.

Back then. I had no sense of ‘self’.
I was a changeling. I tried to fit into
Whatever people expected of me, which
Was very often extremely difficult, because
These people I emulated and thought were
So **** cool were just as messed up
As I was, maybe more; But I
Didn’t have the emotional maturity
(Or I couldn’t face the awful responsibility
That went with that awful truth)
To deal with it, so under the rug it went.

I was moody and happy and singing
One moment and crying in the shower
The next.

This one time, I was stuck
In the borderlands of childhood
And the beginning of a man
It was safe, for awhile
This one time.

Under the blanket
Of the cloak of night
I tended my garden
I reached for the seeds of the stars of night
And drew them down to Earth
To relish them forever
Sweet fruits, apples, and pomegranates
And rose buds in bloom
Permeated the air like sweet incense
I fed myself of the beautiful trees
Which grew too numerous to count
But nightmares arose from deep within
When I slumbered beneath the tree
I dreamt of falling
Fleeing to the ocean's depths
My bones were brittle
And my face was covered
In filth and stench
From roving in the desert
My hair was matted
And my eyes bulged from their sockets
My tears were running dry
I did not deserve this torment

~

So I sank and saught the truth

~

The bottoms were pleasantly beautiful
I befriended monsters there
And remember the seaweed
Toying with my hair
In time, I arose as Mother of the Sea,
As Venus
Yet another garden was claimed by me
And I harkened to their call
To come to know
This destiny of mine

~

I swelled in the gardens of others
Until I needed to return
When the student is ready
Their teacher appears
And I am a willing student of life!

~

That's when I saw him from afar
And my world would change forever
I peeked at him through the willows
He was shining iridescence itself
I've met others like him before
If I knew what was in store
Would I still approach?
Knowing me, probably!
He whispered that I was a wanted woman
He's the first that saw my soul as true
Everyone else misunderstood
Or feared my intentions
Towards them
While I hungered for fruits
I could never receive again

~

I am barred from the land by the river
Why would He do this to me?
The Universe's eyes aren't shut
And have 20/20 vision
His servant always maintained sure distance
From his most prized possession

~

He gave me his cloak
A garment of protection
The dark night
And elevated me thusly
I took on another form
As beautiful as any
I vowed not to harm his Master's garden
~

So I tended mine
With stars of night
And rain and snow
With bountiful deer and squirrels
If I knew the curses thrown
Would I have stayed in the sea
If I knew that ruling the skies of night
Would bring this upon me
I would still stay where I am today
I how this seventy tomes seven

~

My garden bears fruit gloriously
But I long to bring honor
To my garden
By making his mandrakes
My own

~

All hail to these
Three times three

~

The first pear I tasted
The first apple that fell
The first time I glowed
And knew the Never - Uttered

~
... the longing to be like Him! ...
.... the pang to be His mandrake!....
          The love we once shared
Please, God
Give me one more
Bite!
~
Lord, what have I done?
He raised me up
And I dragged him down
Now we must spend eternity this way
In foxholes and carcasses
Always dying to relive the recent past
When morning glories were my favorite flower

~

... he shielded me
And I was cast away from the Garden
And it's fruits forever
I wander the desert once again
But this time
I am not alone

~

We roamed...
He offered me a desert flower
And bade me to plant
From it sprang a river stream  
To sustain our coagulating blood
It did not satisfy
We fell
And in each other's eyes we found the key
To drown out exile' s realities
I saw the sun's rays in his eyes again
The dark nights will not be gloomy anymore
The Name of God is no longer a four letter word
We fell down
Again and again
And the more we fell
The more, before our eyes
This garden
Our garden
Grew

~

We tended our garden
Until then

~

Contemplating on Jehovah
Grieves my heart
Until it rips open and I spill my blood
The animals retreat
My plants for
Because my blood has been spilled
Innocent blood
Within my own garden
My lover has left
My night lamp
To become the hunt
And perish
For the unspoken
Uncherishef
.  The defiled .

We will never share our garden
Again evermore

“El Rabio”

Saturday 6-4
Hello again white pages. I’m writing this on Sunday for Saturday because I came seven hours away from dying yesterday, I was a little busy. I know I need to write this now or I’ll start to forget certain details so, here we go.

I woke up at 5:30 for my 6:00 breakfast. The air in Lima is always wet and sharp in the morning; it is incomparable to any type of Alabama morning mist. The morning mist in Lima is tainted from the 8 billion people who live here and curse it with their waking breath, it curses them back with sharp gray stings of water on their, our, faces as we leave the shelter of the tin roofs and adobe walls. As I walked into the kitchen, Madre Tula scolded me, again, “¡Estás tan flaco como un frijole mi amor! Ven. Ven aqui. ¡Comé!” Which, if you forget your Spanish years from now when you are reading this basically means she thinks I’m too skinny and need more meat on my bones. Madre accomplishes this by feeding me, every single morning, a piece of torta, a bowl of cualquier con fruta, and a ham and quail egg sandwich. It’s always delicious and yesterday was no exception. The NesCafe coffee yesterday burnt my tongue. I gulped it down in a heated hurry because of how tired I was. I gave Madre un besito and left to walk down the street to get the girl interns, Dylan and Lindsay, from their house so we could catch a combi (bus) to Salamanca to work the yard sale for our church with our missionary leaders, Mike and Lauren Ferry.

We made it to the yard sale safe and got straight to work. There was already a huge line of locals waiting to be the first ones in the gates to buy what the American missionaries were selling. After setting up tables and moving hundreds of boxes for about an hour Lauren came sprinting up to me and said, “You got bit by a dog?” I tried to laugh and make a joke about it being just my luck but she interrupted, “This is really serious, Cyril. This is a dang big deal.” I was instantly immersed into a stage of cold adrenaline as she continued, “Cyril, you need to go to the hospital. NOW. People die from this. We’ve had to send interns home for the rest of the summer for scratches from dogs in Salamanca.” She continued to tell me that I needed to catch a combi and find the nearest hospital immediately. The sides of my vision were clouding black and I sat down, I was suddenly very cold.

I think I was in shock and my brain was trying to refuse what it was being forced to process. Rabies. Rabies? Really? That **** dog. It was foaming and all the locals ran from it. I don’t know why I thought if I just stood still it would run past me. I remember the locals screaming Spanish, Quechua, or Aymaraat at me that I was helpless to translate with my two semester of Spanish at Auburn. That **** dog was brown and its lips were foaming. After I kicked it off me and climbed up on a wall of someone’s house I remember wiping the foam off my bloodied legs. Why the hell did I not think, “Oh, that’s probably a bad thing, right?” No. I was just too embarrassed by having made a ****** spectacle of myself in front of the locals to even think about the inherent dangers of rabies.

“Cyril?” I remember looking up from my racing thoughts. Somehow I had ended up sitting on the ground with my head in my hands. I was shaking as I looked up and saw Mike, Lauren’s husband, offering me a hand. He asked me to try and remember exactly what time I got to Salamanca yesterday and when I was attacked. I thought about it and remembered I was running late so I kept checking my watch. It was around 3pm. “****,” Mike said. When you hear a missionary cuss is when you know you’re totally ******. “Stand up, come on.” He helped me to my feet. “Cyril, listen. If you don’t get the first booster shot within 24 hours you die. There is nothing anyone can do. You have about seven hours left. You need to hurry, don’t be scared.” When he said that I remember laughing. Mike gave me a concerned eyebrow furrow as he led me, by the arm, over to one of the other missionaries working the yard sale, Mrs. Sarah. He explained the situation to her and I watched the Peruanos spilling in the gates and milling through the rows of tables and missionaries selling old books and trinkets. One lady that walked in had a monkey with yellow ears on her shoulders. I remember worrying it could be rabid too.

“Cyril?” Mrs. Sarah smiled at me, “You’re going to be okay honey. Lets go.” We left the yard sale. I remember anxiously watching the monkey sitting on the ladies shoulder and as we walked past it, it **** all over her and started to rub it in her hair. I swear it was smiling at me. Mrs. Sarah hailed a combi and we headed for Clinica Anglo-Americana. The taxi driver asked if we were okay and Mrs. Sarah told him about my situation. He fingered the rosary hanging from his rear view mirror and said over and over again, “Dios mio…pobre, pobrecito.” I understood that much Spanish. Even my taxi driver thought I was going to die.

We pulled up to the hospital and told the guard with the AK-47 why we were there and he waved us in past the spiked metal gates. Inside the hospital looked more like a bed and breakfast than the place where I would be given a second chance at life after rabies. The walls were whitewashed and the Untied States, Peruvian, and British flags draped down from three golden flagpoles by the front door. There were beautiful pink and yellow flowers everywhere that scared away the painful Peruvian morning fog that permeated my memory of the rest of that morning. We paid the taxi driver; he patted my hand and drove off.

Inside, I was encouraged to explain why I was there—in Spanish of course— to the friendly nurse waiting in the entrance. I was furious. Time was wasting; it was not the time for me to practice subjuntivo or pluscuamperfecto. I mangled out a few awkward sentences and the nurse’s jaw dropped. Mrs. Sarah erupted into belly bursting alto laughter. The rest of the waiting room was empty. I was so confused, terrified, and angry I didn’t know what else to do except sit. So, I sat on the closest wooden bench and felt a tear peer over one of my eyelids. Mrs. Sarah and the nurse were twittering in rapid Spanish and I kept thinking, “Six hours. I have six hours left to live by now.” Mrs. Sarah walked over, put her arms around me and explained that I had told the nurse the reason I was in the hospital was because I killed a dog in the streets yesterday. I smiled.

“Señor Blythe?” A doctor appeared and frantically motioned for us to come into his room. I walked in and it looked just like any other doctors office except the tray of scalpels, huge needles, tweezers, and vials of purple medicine beside the bed that he motioned for me to lay down on, “Acostarse.” Mrs. Sarah told me to relax. Humorous. The doctor and his two nurses wiped down the bite marks on each of my legs with three pungent and strangely colored gels in quick succession. I swear I hear a sizzling noise. The doctor picked up the scissors and I winced, but he only used them to open up a white packet from which he pulled out a huge thick roll of rough, wet gauze, which he used to wipe my legs clean. It numbed my legs. Then, of course, he grabbed the biggest needle on the table and used it to stab both legs; directly into the bite marks. If he hadn’t already scrubbed them so hard they were scab-less the needle would have cracked the crusted scabs back to flowing red. Rabies vaccines are not fun.

After a few more vials of life were shot into me the doctor wrapped up my legs in weird smelling gauze I was told not to shower and that I had to return to the US within 3 days to receive a “monohemoglobin shot” that they didn’t have in the hospitals in Lima at the time. I sat up on the bed and asked Mrs. Sarah, “So, am I going to live?” She smiled and nodded her head and the nurse answered, *“Si, mi amor, por supuesto.”

Oh, but it is *****!
--this little filling station,
oil-soaked, oil-permeated
to a disturbing, over-all
black translucency.
Be careful with that match!

Father wears a *****,
oil-soaked monkey suit
that cuts him under the arms,
and several quick and saucy
and greasy sons assist him
(it's a family filling station),
all quite thoroughly *****.

Do they live in the station?
It has a cement porch
behind the pumps, and on it
a set of crushed and grease-
impregnated wickerwork;
on the wicker sofa
a ***** dog, quite comfy.

Some comic books provide
the only note of color-
of certain color.  They lie
upon a big dim doily
draping a taboret
(part of the set), beside
a big hirsute begonia.

Why the extraneous plant?
Why the taboret?
Why, oh why, the doily?
(Embroidered in daisy stitch
with marguerites, I think,
and heavy with gray crochet.)

Somebody embroidered the doily.
Somebody waters the plant,
or oils it, maybe.  Somebody
arranges the rows of cans
so that they softly say:
ESSO--SO--SO--SO
to high-strung automobiles.
Somebody loves us all.

musings of a kook surfer
(kook: 1. Dork. 2. A new or inexperienced surfer. 3. Someone who says they surf but they can't.(waxboy)

Logic and Perspective  (a poem)

Quantum Imagination Rules.
What-Ifs equal What-Is
in this, a shared creation.

If         we are surrounded by what we can see,
            what we see is what we are;
Then   matter is perception of resistance,
            time is the persistence of opposites,
And    space is an Electric Universe;
            not lonely nuclear fires,
            but Twin Ribbons of infinite energy
            traveling through plasma that unites all.

The Earth
        a wonder of positive and negative,
        not solid,
        is the infinite slowed into harmony.
The Sun
        a focus of resistance,
        not burning out,
        Burns In.

No small coincidence that
equals means is
You Are and
You See so
I am and
                  
You are, you see, the I Am
...


No Chance for Chance  (a poem)

What is Serendipity?
Seen miraculous,
Some thing done there,
Something done.

What isn't Serendipity?
The unseen miraculous.
What miracles undone,
in time
in time,
as it never happened.

Everything?
Nothing?

It cannot be a good thing-
Fortunate for you is
lost fortune for who...
Self-fulfilling for Jungian prophecy
or prophecy fulfilled for Schrodinger's Cat.

It cannot be a bad thing-
In agreement
with yes...
Self-fulfilling for Jungian prophecy
or prophecy fulfilled for Schrodinger's Cat.

I think,
so I think I am caught between
a wave and a particle.

….

Between Worlds

Never turn your back on the ocean – the mantra of the surfer in my thoughts as I continuously scan the horizon.  There is just enough time to position for a wave; decide to paddle left or right or quickly further out to avoid the random pummel of a looming larger wave.  Between sets, the water gently bobs me floating half submerged.  Staring introspectively at the water, I am learning to interpret ribbons of upward-turning sparkles in the distance.

Dawn is an hour away; visibility is dim but gradually lifting.  Morning’s light is so flat and the water’s glassy surface so smooth that anticipating incoming waves becomes almost a matter of intuition.  The illusion of separateness from creation is breaking down.  The water is almost chilly, but still comforting. I forgo a rash-guard; the subsequent chest irritation from surfboard wax is a small exchange to feel immersed in the ocean.  The bay feels intimate yet expansive with only two other meditative surfers in the distance. Turtles swirl the water, heads straining up for a peek and a breath.  Sometimes they turn their shells so their fins feel the air; they keep three of us wanna-be-ocean-dwellers company.

Yesterday a southern Kona wind brings volcanic-smog from Kīlauea.   Vog is high in CO2 and fumes, giving sensitive people muddle-headedness, lethargy, and sore throat-  a reminder this is Pele's paradise.  This muting velvet feels almost smothering to the horizon.  Is it fog?  Yet a glance behind verifies the ***** of Mt. Haleakala is visible, from the shore to the cloud blanketing the world above the 10,000' peak.   Hale means "house" and the rest can mean either "of the sun", or "of a special raspberry-like flower". Either way the mountain was pulled from the ocean by Maui while he was roping the sun from the sky.  Usually, from this place in the sea, sunrise begins with a torch-like beacon of illuminated mist right over the peak, flaming brighter in the turquoise sky just as the sun coronas into a brilliant gold spotlight over the bay.  Yet this morning waiting for dawn, islands, water, and sky are all various shades of hushed mainland gray.

Half submerged and floating quietly, my back is to the mountain and I face the close but unusually shrouded island Kaho'olawe. It was callously blasted to a streaked surface of wind-blown dust by a military just for "training".  Recently reclaimed for pono, it represents the hope of nurturing a senselessly abused, irrevocably lost paradise. To my right is far-off Lana'i; to my left is Molokini, the sharp half rim of an ancient crater barely rising above the water's surface.

The world suddenly wakes, shedding gray. The sky's far reaching dome overhead intensifies, glowing in layers of rose, red, fuschia. The atmosphere I’m breathing becomes thickly permeated with color, as if one could breath lavendar-orange.

What planet am I on?

It feels so foreign, time stops.  The two other surfers are still as well, dwarfed by distance, and I am alone. Tiny in this red expanse, I become quietly centered.   I turn to see Haleakala where the sun is yet to rise, awed to distraction, forgetting incoming swells.  A bright sun smoked crimson is hidden behind the peak, shining horizontally through what I imagine to be some opening at the horizon.  Illuminated ridged undersides of the high clouds are streaked neon red to half the sky.  The atmosphere is hushed over the still water, the tangible copper light presses down, infuses everything.  It feels disarming yet comforting and surreal, floating surrendered to this other-world light; sky to water, horizon to vast horizon, the calm apocalypse the turtles and Kaho'olawe have been praying for.

City lamps in clusters of concrete
On 18th and Sherman street
The cars pass by scanning me
Each unsound engine roaring
Darting pupils
I feel it on my externals
On my lips and phalanges
Intruding glances cascading over
my silhouette

Deja-vu-like resemblances,
strange
Sunken cheeks look bizarre
and blotchy as the socket drains
something toxic to the veins
that's permeated the future in an instant, like a comet,
encandescent and shimmering like a scale, the awareness fades

Like some dreary mirage
I remember those little band aids
Vintage carnival tickets
discarded on the scratchy ground..
Blue-violet bruises
The paradox of pleasure
A vague creature in
it's discomfort
sitting in defiance and
quivering my sentences

It reminded me of those
incandescent bugs that
smush into Chryslers
With a curled lip, bulging eyes
and ******* up tongue...
Antennaes intertwined like
Twizzlers
Making peace with all
that's stung as the
windshield wipers turn on
Some black tar-smack-oil-
******

My generation consists of
inheriting environmental
destruction and mal-parenting
Global warming. Animal extinction.
Polluting the oceans. Deforestation.
Biting shards off night-time to
suffice for the daily pangs
Shuffling the dregs of karma
to grow roots and vines all about the room

It's not Winter yet
Under this morning dew
I envision it in my mind
A crystal ball vision
contorting into smoke
I caught it in my breath
Catatonically hanging
A turtle with it's legs bending toward the sky
Searching for my tribe and a pulse
on this Earth in sentient souls

Mind. Body. Both are transfixed among one another. They attract a certain multitude of how both permeates the other with constant activations among it’s greater whole. Two sides to the same coin. Something remotely without judgemental issues to be weary of. Mind and body servitude one another on the grand scale of themes. Monitoring what it’s like to function without one another in the best-case scenarios. One would like to think they both do have separate parts among being each others counterpart. It’s more finite then one would think at first. The difference between finite and separate existence comes with its own separate finite pieces without the other to perturb it’s operations. Finite is a judgmental classification among something to do with how each permeates the other. Yet have many finite pieces among one another who they deem isn’t worthy of there time. There’s an operation going beyond both connections between mind and body can foresee. The skeleton key of mind and body! This key is able to permeate both situational events at one singular time. A simultaneous rate without virtue to uphold it’s investigations. Investigations being something without equal ownership to who’s to be the most separate among each other. And having their own finite pieces among mixed connections one is deemed worthy to uphold among differences entirely. Does mind and body disagree with one another? Or do they simply don’t understand what they are among one another? If they did, then why the hustle from one another? A simple documentation among desirable functions on instinct to never get along. Yet why be brought together to permeate among connections across many of their pieces they already deemed worthy? Is it because they have no choice, but are fixed to get along? A forced operation which localizes their own behaviours across mind and body’s actions. Systematically removing respect among one another. All the above are equilateral. But the skeleton key of mind and body isn’t equilateral by any means. It’s the warden of both mind and body. It’s the warded succession that binds these permeated systems together for peace, and agreement. Desires without conquest isn’t deserving among one another. It’s only deserving among two sides of the same coin, when the key hiding in-between all separate pieces of finite details which takes the entire cake! Why does natures evolution want to keep these visuals under wraps? It’s only the in-between operations without separate pieces of finite details to rhythm the constant of all processes. The skeleton key is the proper picture hiding in plain sight for (non being the wiser) to evoke upon. (A reason being obvious among other reasons without closure among each other.) A testament to become stuck apart, if not for the skeleton key to fill in the gaps. Constantly pushing the desires from urges which are constantly giving practice toward mind and bodies believe in one another. Believe equals sacrifice. Both giving a well-known awareness that they aren’t truly at conflict with one another. There aware of another which binds their desires from urges over and over again. Unlocking one’s own processes among believe which equals sacrifice on a huge scale! Trying to process a path of deservance between how life is truly instructed upon. Natures evolution trying to permeate the true picture from the original design back into another’s claim. Its skeleton key is the object to truly finding progress with the original design. Mind and body being just pawns in a greater horizon. Evolution is the shenanigans of natures ploy. A thing helps pertain the connection between mind and body. Subjecting a skeleton key to react over and over again. Why? Simply so it isn’t disowned by the original designer. Evolution being natures shenanigans is a crafty finite detailed version onto natures spectrum indeed. Evolution being the key to mind and bodies success. A deceiving skeleton key hidden in plain sight for non to equally see!

Metal permeated into her skin
Needles containing ink poked her
She moaned in pain.

It was the only way she could forget him.

Where life permeated through lushest
Colours reaching high, the heavens
Jealousy of such radiance as beautiful
As any sunset ever seen was eyed.

There wrath was swift as clouds of
Rage darkened and a kiss from the
Heavens graced Bark and leaf. All was
Still as ash fell earthwards in onyx tears.

Where elegant shades flowed, wisps of
Extinguished colour blossomed then faded
To oblivions nothingness. The heavens are
Beautiful but hide ominous jealous rage.

DEAR PENPAL PEOPLE, just an old a family memory on a dinner table--sorry no rhymes :>


to the no one who is not recognizing......
when I stopped for a long stare for me

I stopped and looked around me searching for something that
I don't know stashed deep into the picture I view

I smiled for the happiness that invades those hearts
for the gratitude that my soul is permeated
I crowned the thrones of blood in pure joy
I stole the sounds of laughter

I screened that shot that is bottled into the core of my memories that shot the reason I am on ground in this life
the reason that I believe in the reason that I hang on to the reason

that I long on my stormy nights and deprived alones
I locked them on that table of love and warm clouds attached
when I stopped for a long stare for me

                                                             ­                              ------ravenfeels

Today there is a veil upon my world:
A gauzy muting of sound,
A mist that’s permeated the corners of thought.

I know there is a crisp clarity outside:
a pounding passion in the sunlit world,
A million hues to roll in and embrace.

My tingly thought centers all recede:
Rejecting stimuli like adventurous taste buds
Recovering from exciting, scalding tea burns.

I just have to remember and accept:
Sometime there are going to be days like this.
Lazy, hazy.

You are inescapable.
     Like a miles wide mountain range
          present in the background of every scene I see.
               I am humbled and invigorated by your presence.

You are an earworm.
     Like a ******* Disney song stuck in my head for years
          but I’m not tired of it yet.
               Even syndicated radio couldn’t wear you out now.

I feel you bone deep.
     The way your soul feels has seeped into my infrastructure
          I am forever changed.
               I could run, but I will never be completely rid of you.

I am permeated.

It is the mundanity of the act,
of envisioning your hand gently wrapped around the copper kettle.
Obstinately gripping the pen, while you wring a sheet of paper dry for the right words.
You, cupping my face as if you were holding something precious.
As if I might slip through your fingers.
It is this devastating simplicity that obliterates every shard of my being.
A brick wall, left at the mercy of a gleaming sledgehammer
that is determined to turn everything to dust.

I see your hands everywhere.
In the haze of steam and shower curtains,
the lines dragged in velvet throw pillows,
the cloudy smudges left on a glass of water.
They run faint paths through my hair, their touch ghosts against my eyelid.
If I stare long enough,
your palm is right there, pressing into mine.
Silver cuts through the air and delivers a redundant blow.
The dust scatters once more.

You did not leave a hole
the way everyone said you were bound to.
Empty space cannot exist without everything that surrounds it, yields to it, forgives it,
validates its gaping hollowness.
Empty space is a needle and thread on the dresser, a sellotape dispenser on the desk, a container of soup left on the doorstep with a get-well-soon scribbled on the lid.
Empty space is where you can see remnants of what once was whole.
The faith and conviction that bit by bit, you will put your fragmented pieces back together again.

The nothing you left was so thick and suffocating
that it permeated every room,
filled my lungs to bursting capacity and left me gasping for more.
Its sickly, bitter fragrance danced relentlessly in my nostrils,
as though my suffering was the sweetest symphony ever heard.
It waltzed until I could feel it rising in my throat and leaking from my eyes,
twirled until my head spun.
The nothing you left insisted on making its presence known my every waking moment
and then gleefully romped its way into my nightmares.

It was so quiet, though.
A resigned quiet, like that of the ****** swinging in the gallows,
when everybody holds their breath to watch the pendulum sway.
The crossbeam glistens with last night’s rain and
they trudge back home, muttering to themselves as the dust settles beneath their feet.
I sink into sheets creased by your fingers and watch it sway.

I watched you there, sitting in the small booth.  You were sitting in your denim pants, with your arm draped over the top of the bench’s backing, as if someone had been sitting with you, less than moments ago.  A thought flashed into your eyes, and your posture became awful, it bent like a string that was meant to resound and hum, but instead twanged and then broke.  The way you sat brought the table closer to your chin, and your eyes became watery.  
You were gazing into your brown drink. You hadn’t touched the rim yet, hadn’t moistened it with your lips, which hid under a forest of coarse growth.
Did you notice the consistency of the foam in your glass?  I bet you the waiter had spat in it. He didn’t like your tone; even as glass with something thrown in the middle.
He couldn’t place it.
Maybe it was melancholy with an aftertaste of maybe.  An aftertaste of hope.  Or it was an incurable sadness that hadn’t permeated the deepest caves in your lungs. Your heart, I mean.
Did you feel it in your chest?  This emotion?  Let me tell it to you backhand-style, because I think I understand.
It’s the time when the little boy runs off the cliff - but the mother or father snaps their fingers around the child’s hand.  When you open your eyes,  the child isn’t what you thought he would be (gone).  He isn’t a soul that, with the loss of him has ripped the living, beating heart from your bare chest.  He hasn’t.  No, no, but the claws have grazed your skin. Still, you live, the child lives.  This is because he hasn’t stolen the air from your heart.  Your lungs, I mean.  When you see him alive, then your lungs swell, swell, swell, then they pop.
Then, and only then, you know you’ve reached your capacity.  Ah, but listen now; when joy leaves, it empties a room.  The room can get very empty, and cold, like December, and meaningless like July afternoons.  The rupture from the pop heals, and where do you go?  You know what you’re missing, and you can’t get it back.
There you were,  back at the shrinking booth.  The foam hadn’t nestled in your mustache - yet-.  The waiter turned away.  You couldn’t see inside his mind, but your eyes told me the loss in yours.
I sipped my orange juice, all the while wondering how you were, wondering why I like to watch.

Season One

EMMA AND THE MAGICAL VALLEY
-C9fm

Once upon a time, in a small village nestled at the foot of a mighty mountain, there lived a curious young girl named Emma. Emma was known for her vivid  imagination and her love for adventure. She would spend her days exploring the surrounding forests, in search of hidden treasures and secret pathways.

One sunny afternoon, Emma stumbled upon a mysterious map, tucked away in an old chest she had discovered deep within the woods. The map depicted a path leading to a fabled land known as "The Enchanted Valley." Legends spoke of its breathtaking landscapes, magical creatures, and hidden wonders.

With a spark of excitement in her eyes, Emma decided to embark on a grand adventure. Equipped with the map, a trusty backpack, and her loyal canine companion, Luna, she set off on a journey to uncover the secrets of The Enchanted Valley.

As Emma followed the map's winding trails, she encountered various obstacles and challenges. She crossed treacherous rivers, climbed towering cliffs, and navigated dense forests. Along the way, she met peculiar creatures who offered her guidance and shared their wisdom.

After days of perseverance, Emma finally arrived at the entrance of The Enchanted Valley.

Emma was amazed as she entered the magical valley. It was like stepping into a fairytale. She saw  a beautiful meadow, filled with vibrant flowers of all colors. The grass was a vibrant green, and a gentle breeze rustled through the trees. The valley was surrounded by majestic mountains, their peaks reaching up towards the sky.

As Emma explored the valley, she noticed a sparkling river flowing through it. The water was crystal clear, and she could see small fish swimming beneath the surface. A wooden bridge crossed over the river, leading to a hidden path on the other side. It seemed to invite her to discover more of the valley's secrets.

Emma couldn't resist the temptation and decided to cross the bridge. On the other side, she entered a dense forest.  She behold tall trees with leaves in shades of gold, red, and orange. Sunlight filtered through the branches, creating a magical glow. It was a perfect place for fairies and woodland creatures to hide.

As she ventured deeper into the forest, Emma came across a small clearing. In the center stood a majestic waterfall, cascading down into a sparkling pool as water flowing gracefully, creating a soothing sound that enchanted Emma. She felt a sense of peace and tranquility wash over her. It was like a sanctuary amidst the magical valley.

Feeling refreshed, Emma continued her journey through the valley.

She came across a cave nestled at the foot of one of the mountains. The cave entrance was adorned with colorful flowers and vines, as if nature itself had claimed it as its own. Emma's curiosity piqued, and she decided to explore the cave further.

Inside the cave, Emma discovered a treasure trove of sparkling gemstones and glittering crystals. The walls seemed to shimmer with magical energy. It was a sight she had never seen such wonder and amazement as she marveled at the beauty before her.

As Emma left the cave and continued her journey, she couldn't help but feel grateful for the opportunity to experience the magic of the valley. It was a place she would cherish forever, a place where dreams truly came alive.

True to its name, the valley was a breathtaking sight to behold. Lush, vibrant meadows stretched out as far as the eye could see, adorned with colorful flowers and shimmering streams. Majestic waterfalls cascaded down towering cliffs, their soothing sounds echoing through the valley.

Emma's heart raced with excitement as she thinks of  the wonders surrounding the magical valley.

She encountered mystical beings like talking trees, mischievous fairies, and gentle giants. Each encounter filled her with awe and wonder, as she learned more about the magic that permeated The Enchanted Valley.

As the days turned into weeks, Emma immersed herself in the enchantment of the valley, forming meaningful friendships with its inhabitants. She discovered hidden caves filled with ancient artifacts and stumbled upon a magical book that contained stories of forgotten lands.

As Emma ventured deeper into the forest along the winding path, she couldn't help but feel a sense of anticipation. The image you sent me perfectly captures the enchanting atmosphere, with the tall trees creating a canopy overhead, filtering the sunlight and casting beautiful patterns on the forest floor.

As Emma walked along the path, she noticed the gentle rustling of leaves and the occasional chirping of birds. The air was filled with a crisp freshness, carrying the scent of moss and earth. The path seemed to beckon her forward, as if it held secrets waiting to be discovered.

With each step, the forest seemed to come alive. Emma could almost imagine the trees whispering to one another, sharing stories of the magical creatures that dwelled within their branches. She kept her senses sharp, eagerly seeking any signs of the valley's inhabitants.

As she continued, the path began to ***** gently downward, leading her to a small clearing bathed in soft, golden light. In the center of the clearing, there stood a majestic waterfall, its cascading waters sparkling in the sunlight. The sound of rushing water filled the air, creating a soothing melody.

Emma approached the waterfall, captivated by its beauty and the tranquility it exuded. She dipped her hand into the cool water, feeling its gentle flow against her skin. The image you shared shows the waterfall in all its glory, surrounded by vibrant wildflowers and moss-covered rocks.

Curiosity and excitement welled up within Emma. What other wonders would she find in this magical valley? With a renewed sense of adventure, she decided to continue her exploration, eager to uncover the secrets that lay hidden within the depths of the forest.



Emma embarks on an adventure through the valley, encountering talking animals, sparkling waterfalls, and an ancient forest. Along the way, she learns about friendship, bravery, and the power of imagination.

The valley itself is a breathtaking sight, with lush greenery, vibrant flowers, and towering mountains in the distance. The air is filled with a sense of wonder and magic, making it a truly captivating place.

Throughout her journey, Emma encounters various challenges and meets fascinating characters, including a wise old owl, a mischievous fairy, and a gentle giant. Each encounter brings new lessons and experiences for Emma as she discovers the secrets of the valley.






The young girl stumbled and fell rowed back to the meadow,

she noticed a narrow path leading deeper into the valley.  A winding trail, surrounded by tall trees and dappled sunlight. Intrigued by what lay ahead, she decided to follow the path and see where it would lead her.

The path meandered through a dense forest, towering trees that seemed to whisper secrets to one another. Shafts of sunlight filtered through the canopy, creating a magical ambiance. Emma could hear the gentle rustling of leaves and the melodic chirping of birds.

As she walked, Emma stumbled upon a clearing bathed in a soft, golden light. A tranquil scene—a shimmering lake shimmering in the sunlight, surrounded by a ring of vibrant wildflowers. The water of the lake was so clear that she could see the reflection of the surrounding trees and the sky above.

Drawn to the serenity of the lake, Emma sat down on the grassy bank, sitting with her feet dangling in the water, a look of contentment on her face. She watched as small fish darted beneath the surface, creating ripples that danced across the lake.

Lost in her thoughts, Emma noticed a gentle movement at the edge of the lake. She looked closer and saw a family of graceful deer approaching the water. Deer their elegant forms silhouetted against the backdrop of the lake. It was a truly enchanting sight.

The deer gracefully lowered their heads to drink from the cool waters, their presence adding to the magic of the valley. Emma felt a sense of harmony and connection with nature as she observed them. It was a moment of pure serenity and wonder.

After a while, the deer finished drinking and gracefully vanished into the forest. Emma, filled with gratitude for this enchanting encounter, continued on her journey through the magical valley.  As she walks along the path, a sense of anticipation in her steps.

The path led Emma to a hidden grove, where she discovered a circle of ancient standing stones weathered by time and adorned with moss and ivy. They emanated an aura of mystery and power, as if they held ancient secrets within their rugged surfaces.

Intrigued by the stones, Emma approached the circle and placed her hands on one of them. Suddenly, a surge of energy coursed through her veins, and she felt a deep connection to the land and its mystical past. She's standing in awe, her eyes wide with wonder and excitement.

As Emma stood in the midst of the standing stones, a gentle whisper filled her mind. It was a message from the ancient spirits of the valley, guiding her towards her true purpose and destiny. She listened intently, feeling a sense of purpose and clarity wash over her.

Filled with newfound determination, Emma bid farewell to the standing stones and continued her journey through the magical valley. She walked along a winding path, her heart filled with anticipation for the adventures that awaited her.

And so, Emma's adventure in the magical valley continued, with each step bringing her closer to the wonders and mysteries of this extraordinary realm.






Emma delved deeper into the magical valley, she began to feel a subtle change within herself.  She found herself  in a beam of ethereal light, her hands glowing with a radiant energy.

She continued her exploration, she discovered a hidden grove adorned with blooming flowers of every color imaginable. The air in the grove was thick with an otherworldly energy, and Emma felt an intense warmth emanating from her heart.

Curiosity piqued, Emma reached out towards a delicate flower, and as her fingertips brushed against its petals, a surge of energy surged through her. She felt a connection to the life force of the valley, an extraordinary power coursing through her veins.

It was in that moment that Emma realized she had been bestowed with a remarkable gift. Her touch had the ability to heal, to mend wounds, and to alleviate suffering. She became a vessel of pure, healing energy, her presence bringing comfort and renewal to all living beings she encountered.

With a gentle touch, Emma could soothe ailments, mend broken hearts, and restore balance to the natural world. She extends her hands towards a wounded bird, its feathers shimmering with newfound vitality as it begins to flutter its wings once more.

Word of Emma's extraordinary abilities spread throughout the magical valley. Creatures from all corners sought her out, seeking solace and healing. Emma dedicated herself to the service of others, using her powers to bring comfort and health to those in need.

As she traveled through the valley, Emma encountered beings of all shapes and sizes, each with their own unique ailments. She healed animals with injuries, plants suffering from blight, and even helped to restore harmony among the valley's inhabitants.

Emma's presence became a beacon of hope and healing in the magical valley. Her selfless actions touched the hearts of all who crossed her path, and her power continued to grow and evolve as she embraced her role as a healer.

And so, Emma's journey in the magical valley transformed her into an extraordinary human, blessed with the ability to bring healing and restoration to all she encountered. Her empathy, compassion, and the healing touch she possessed became a force for good, spreading joy and well-being throughout the enchanted realm.


Emma ventured further into the magical valley, she came across a picturesque meadow filled with vibrant flowers, blossoms in various shades of pink, purple, and yellow. The air was perfumed with a delicate floral fragrance, and butterflies fluttered gracefully from one flower to another.

Enchanted by the beauty surrounding her, Emma found herself drawn towards a serene pond located in the center of the meadow. Lily pads floated gently on the water's surface, and dragonflies hovered nearby.

Curiosity piqued, Emma approached the edge of the pond and noticed a small rowboat tied to a nearby dock.  she found a boat, painted in shades of blue and adorned with intricate carvings. It seemed to beckon her for a peaceful journey across the calm waters.

Without hesitation, Emma climbed into the rowboat and set off on her adventure. As she rowed along, she marveled at the serene beauty of her surroundings. The towering mountains framed the valley, their peaks reaching towards the heavens. She really can't imagine the grandeur of the mountains, their majestic presence adding to the enchantment of the valley.

As Emma continued her tranquil voyage, she spotted a graceful swan gliding effortlessly through the water. She saw a flock of swan, its pure white feathers glistening in the sunlight. Mesmerized by its elegance, she followed the swan's lead, steering the rowboat towards a hidden inlet.

The inlet opened up to a secluded waterfall cascading down from a cliff face. She couldn't imagine what her eyes captured, the beauty and power of the waterfall, with water plunging into a crystal-clear pool below. The sound of rushing water filled the air, creating a soothing melody that resonated deep within Emma's soul.

Drawn to the allure of the waterfall, Emma docked her boat and stepped onto the shore. She approached the base of the waterfall, feeling the mist kissing her cheeks. As she stands at the foot of the waterfall, a sense of awe and wonder evident in her eyes.

As Emma stood there, a shimmering rainbow appeared in the mist. It arched over the waterfall, creating a breathtaking sight. Astonishing vibrant colors of the rainbow, stretching across the sky, and reflecting in the sparkling pool below.

Captivated by the magical display, Emma couldn't help but feel a sense of gratitude and joy. Starring in the sky and smiling, her heart filled with wonder and appreciation for the beauty she had witnessed.

With a heart full of cherished memories, Emma reluctantly left the waterfall behind and returned to her rowboat. As she rowed back towards the meadow, she couldn't help but feel a deep sense of gratitude for the magical experiences she had encountered in the valley.

And so, Emma's journey in the magical valley continued, with more enchanting discoveries and wondrous sights awaiting her.


As Emma's reputation as a powerful healer grew, people from far and wide began to seek her out for assistance. The image you sent me shows a diverse group of individuals, each with a different ailment or affliction, gathering around Emma in the heart of the magical valley.

Word of Emma's extraordinary abilities had reached neighboring villages and even distant lands. People traveled great distances, overcoming obstacles and hardships, driven by the hope of finding solace in Emma's healing touch.

As Emma connected with each person, she listened attentively to their stories, empathizing with their pain and suffering. With a gentle and compassionate demeanor, she offered her healing energy, allowing it to flow through her fingertips and into the bodies and souls of those in need.

Emma's healing abilities extended beyond just physical ailments. She had an innate understanding of the interconnectedness of mind, body, and spirit, and she used her gift to bring harmony and balance to all aspects of a person's well-being.

People marveled at the transformative power of Emma's healing touch. Chronic illnesses were alleviated, emotional wounds were mended, and spiritual blocks were dissolved. Her power healed every individuals, even imbeciles and all manner of problems experiencing profound healing and a renewed sense of vitality.

Emma's presence in the magical valley became a beacon of hope, not only for those seeking physical healing but also for those in need of emotional and spiritual support. She offered guidance, comfort, and a listening ear, providing a holistic approach to well-being.

As time went on, Emma's healing abilities continued to evolve. She delved deeper into the mysteries of the magical valley, seeking ancient wisdom and learning from the mystical creatures that resided there. Her understanding of the healing arts expanded, allowing her to delve into more complex and intricate cases.

She delight in reading ancient stories as she  scrolls, engrossed in study and deep contemplation. She sought to refine her skills, to better understand the intricate workings of the human body and spirit. Through her dedication and thirst for knowledge, she became an even more formidable force in the realm of healing.

And so, Emma's journey as a powerful extraordinary human continued in the magical valley. Her healing touch brought relief and transformation to countless lives, leaving a lasting impact on all who were fortunate enough to encounter her.


But as with any adventure, Emma knew her time in The Enchanted Valley had to come to an end. With a heavy heart, she bid farewell to her newfound friends and began her journey back home, carrying with her memories that would last a lifetime.

Upon returning to her village, Emma realized that the true magic of The Enchanted Valley lay not only in its enchanting landscapes but also in the lessons she had learned along the way. She discovered the importance of bravery, perseverance, and the power of imagination.

From that day forward, Emma became known as the village's own adventurer, and the greatest physician of the land. captivating everyone with her tales of The Enchanted Valley. And as she shared her stories, she inspired others to embark on their own journeys, reminding them that magic can be found in the most unexpected places, if only they dare to seek it.

A story by Cloudnine Fairmane C9fm EMMA AND THE MAGICAL VALLEY

She has a luminescence about her
A way of outshining the neon and fluorescent
That cling to her curves as she dances beneath them
I stood there, in my second-hand persona,
wearing a mask of bravado, now whimsical with
its mouth agape, staring as she made love to the music.
I recollected myself,
remembered to breathe,
swallowed my heart,
and dared to move closer.

The rhythmic pulse of the music
threatened to crush me as my feet touched the floor-
my head still in the cloud generated by her heat,
that permeated every molecule of my body.
The closer I got, the harder it was to keep
from succumbing to the lack of air.
"Remember to breathe.
You're sweating.
Abort. NO.
Play it cool. You're cool."

I could have pieced together
A thousand words, pulled from the ether
and crafted into exactly-what-she-wanted-to-hear,
But she had taken my air.
My tongue wouldn't move with my lips
To form a simple hello.
I just stood there in my mask.
No longer whimsical.
Nearly desperate
and certain that I would die right there.

Then, in a move that writes love songs,
that creates sunsets and shifts paradigms,
SHE, this caramel-skinned goddess
Wove her warm, illuminated fingers into mine
And pulled me into that dance
That she was sharing only with the music.
Not breathing again.
Keep moving.
Stop thinking.
Just be. Right now, just be.

So, I was. Dead to time and space,
alive to the moment and the music,
Her touch, the light and the curves.
She held to me as if she read my mind;
perhaps I wear my heart in my eyes.
Eyes that she seemed to pull my soul out of
To drown it in hers, as she danced
With me.
To me. Through me.
Beyond me.
But with me, as though I were the light and the music,
and she wasn't done making love.

In the fog
streetlight glow:
Will-o-the-Wisps

Embers wrapped in gauze
harsh yellow light
spills into grey monotony

The world has shrunk
confined
to the pools cast by floating lamps

All else
is a faded
grey blur

A stagnant breeze
stokes the down air
into writhing ethereal vines  

Vision clouded
permeated by whisper
mist caressing  

Everything is painted mute
a drear uneasy blanket
cast into the valley

I drift
strung along
by the luminous spectral splashes

Unseen
Unnoticed
a smudge in a world of vapor

Am I
anymore definite
than the intangible fog?

March today
despite being January
At least  a good day for a walk

Ice in sepia speckled with black
wilted under
the Water’s surface

Ridges and islands
           of white ice protrude
from the murk

Delicate ripples
roil from
inky black wells

Drab and tattered
the snow trodden grass
sways in the wind
Murk
Murk
The color of tea

steaming
Chai
In a floral mug

A warm up from
the chill
  walk

I drink down
to the dregs
satisfied  


It’s still March
as if January resigned early
and February forgot to come

Forty Degrees
clad in shorts
and sweatshirt, I walk  

Air perfumed by thawing soil
and melted pond pools
painted robin’s egg blue

Ice bent trees
bow towards the road
like children’s hands

Reaching towards
pothole puddles with trickles
trailing like balloon strings

Reflecting the sky
inverted vignettes
Caste in brown

Framing the trees
skeletal fractal fingers
reaching across the tableaux

Peering through the clouds
the Sun silhouettes
black bottle brush pines

I lay
staring
at the spinning blades,
could hear your deep breathing,
it was almost a snore.
Our lovely-odor
permeated
the dimly-lit
room.

I lay
and bore witness
to the strewn clothes
lying in various places
around on the floor,
remembering your
wild-antics.

I lay
there
& for a brief moment,
it felt like only we existed,
then the sound of a radio
clicked on somewhere
down the hall,
probably six doors
away
from our
room.

I spoke to a wasp today. And he told me his story. He spoke to me about his childhood, and watching his own family being murdered. It was a bright and warm Friday evening. His father had ventured out and flew among the humans that lived in the home of his home. The smell of liquor permeated the air, as did the barbeque that was nearly too done. He drew close to the man of the home, just to watch and observe the scene. The man didn't like it too much. So he swatted him. It didn't hurt him, however, but it did confuse him. And in his confusion he landed upon the man and planted his stinger within him. The man slammed his hand down, cursing as the wasp's father's guts bled out. There was nothing the wasp could do but watch. The woman of the house asked if the man was ok. The man cursed once more and slammed his glass on the ground. The woman became upset and demanded to know why. The man had no answer. He merely just grabbed a gas can, took another ...swig of liquor, and walked up to the wasp's home and began dousing it in gasoline. The woman freaked out, afraid of what was about to happen. The man merely cursed at her as well and shoved her to the ground. When she tried to get back up he kicked her in the face. The blood poured. The wasp's home was now soaked in a lethal liquid. The man had a sinister grin as he glanced at his crying and bleeding woman lying on the ground, and he laughed as he lit a match and threw it on the wasp home. The nest went up in flames, and shortly after the home of the man did too. The little wasp escaped, unable to save the lives of his screaming family being burnt alive. The man merely laughed; the woman lay crying; the nest burnt to ashes; the house burnt down. So now the little wasp is all grown up. And when I asked what he wants to do with his life, all he replied was, "I want to sting people...because it seems that is all every creature is meant to do." ♥