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vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
Liam Wales Jul 2015
Don't push them
You're moulding them instead of letting them flow
You're stunning their movement, you're not letting them grow

I like being pushed
I am superior and better than my peers
They've taken over my body and they are the ones who steer

Is this wrong?
Is this right?
Is this my desired flight
The Devils are pitched on both shoulders
I can't take over until I've grown older
Akemi Oct 2013
Chapter 1

There was a woman. The cost to love her was your life. No other payment but a sending off, a revolver cocked to your temple’s side.
There was no spite in your death, just business.
Hell of a business to run.

I was protecting someone. Never been one to stick around, but this drag had carried for the past year. That gang-owned joint lay but two doors and a cold alley away. Popular place, maybe not the classiest but it had its patrons. Packed with your essentials: pool tables, dirt-licked walls and chairs, mean folk mixed in with the nice. Old fashioned joint with a history. You could almost feel it when you walked in. That small pressure when it’s about to rain? Felt like that had been building up for a decade there.
Some Madonna owned it. Names elude me, but she was just another front; as was the barkeep, the hired bouncers and those mean-eyed slingers that spoke loud in company, silent alone. Heh, almost like an old-fashioned saloon. Who the hell am I in this tale of cowboys and crooks?
I was holed up in that apartment block for the winter. Stiff drapes covering a stiff cold that seeped through the cracks anyway. Cold chills to wake to, and the whiskey don’t warm a **** thing. Maybe it was the ache of a past flame that led me to her. That old touch had languished and misted away in the night of some long dead memory, leaving an old kiss from a young lover on my shivering body. It grew faint with every year’s passing. I struggle to remember this keepsake.
Every night.
I was a no name protector protecting a no name ghost of a man. Yeah we knew each other. I’m no stranger to keep past talking terms . . . but, hell if I remember his name, how we got into this **** situation and why. Mind’s a little off. Been like that for years.

It was a stumble through the wrong door at the wrong time. Some spiteful voices in the back of the joint or the back of my mind telling me I’m headed for hell and ain’t coming back. See, every day is a crossroad, and I happened upon the worst one yet.
I remember that flaking paint; grime-covered white on a moulding door **** near off its hinges. That suited me, and I hated it. Maybe I grew sick of wandering the same way and turned my life on its spinning head. Spun me all the ways I couldn’t face. Saw a glimmer that fate had readied for me. Don’t think I’ve looked at anything with such eyes since; nor have they looked back at me.
The room was a cramped, dilapidated hellhole like every other room, but with her laying on that bed of hers . . . she was the only clean thing in the whole of this cursed city. Save, she wasn’t clean. No such thing exists; no such thing as clean since your adolescent innocence, and even that went up in flames. Hell, in a city like this I wouldn’t be surprised if the skeletons we kept so tightly locked in our closets outnumbered us ten to one.
Should have remembered that when I saw her, but my mind lay a blank canvas and I couldn’t help but fill it with all the details of this pretty bird. Even those that weren’t there.
No Name yanked me out quick. Never seen him so pale, ghosting further and further from a human being. He’d been running so long I don’t think he even knew what he was running from anymore. His past? Some cop chase from years back, ending with blood stains and shaky hands? A dead kid in the arms of a suicidal wife? Maybe he’s running from himself. Fear in the capacity we contain, and fear in the ways we unleash it around loved ones. I don’t blame him for running. If I was a worse man I’d run from him as well.
Now No Name has it all figured out, even if he won’t let on; and that bird in there ain’t part of the plan. Cash cash, first train out to some no name city for this no name man. In this together, he keeps repeating, like some broke down record player that only plays one song. Well I guess we share more similarities than I’d like to think so.

One night, about a month after settling in that old apartment, I hear raised voices. Not uncommon, but something about this still night woke some fear inside me. A fear I needed to meet with my eyes, a score to settle with myself. Sounded like some ******* outside was hoping to bring down the sky with volume alone. No type of gentleman, just a no ***** kid who doesn’t know the difference between command and screaming like a babe.
One gets you respect. Now, the other. . . .
I open those stiff drapes with stiffer fingers. Brush that layer of frozen breath and mist to find some mid-twenty good for nothing punk holding a struggling figure. The apartment ain’t exactly ground floor but even up here I can spot the difference between a gent and a sally. Some broad was in trouble.
Grab that six shooter, old man. The holster smooth from years of wear, small frays on the weathered jacket rubbing against goose-pricked skin. Comfort clothing that never really brings comfort. Not anymore. Guess I’m as bad as No Name. I’m just repeating routine.
Out the hall, no doors left in this apartment block. Stolen, broken, ain’t exactly your family fun lifestyle we’re living. No Name’s holed up in this fortress of upturned furniture and dresser-barred doorways. Lights flicker from between the cracks. The devil ain’t gonna bother with the door, I tell him. He doesn’t reply. Maybe he’s a religious man with one too many sins above his head.
There’s another yell and I feel my blood rise, hairs picking up static, a storm brewing inside that clenched stomach of mine. Take a tumble down the stairs in my haste. **** crooked balsa wood. Those stairs are gonna end me one day, I swear.
Ground floor. I slam that kitchen door and it cracks against the brick wall outside. ****. No Name’s gonna burst an artery. Call out for that ******* punk but he’s already eyeing me up. Only a few steps away and I can see the white in his eyes. No . . . those are his pupils. Wide, all cloud-like, he’s ******* dusted up. . . . Almost like looking into the past. Thrice-cursed ****. I’m in trouble.
This ain’t some lover’s quarrel, some twisted ****’s thought of a good way to end the night. This is a dusthead addict and I’m out of my league. His mid-snarl distorts and stretches past his cheeks and that devil grin sends an electric jolt from the wires of my brain to my heart.
This six shooter is as good as a pea gun against a Smiley.
He’s spouting some glossolalia drifts, layering it like an abominable duet. The coked-up boy in me yearns to understand again, but stiff joints and washed-out dreams have made me a cynic. Ain’t no beauty when you’re tearing things apart to see it. ******* Smiley’s on the edge and he’s ready to pounce right off. If that broad’s sobbing didn’t **** at those heart strings of mine I’d be running for my ******* life.
I lift that pea shooter and aim it straight at that devil smile.
He howls. Glass shatters from above. Some black monstrous thing comes speeding at me. I leap through that apartment doorway in time to see ******* Smiley consumed by it. All sharp, all solid that beast slams into Smiley, screaming loud enough to wake this dead city twice over. Smiley thrashes, he splays out to the ground, the beast’s seared flesh erupting in front of me. A piece slices past my cheek and I’m on the ground in tears. I hear No Name scream an incomprehensible curse above. I’m bawling now. Through my tears I spot that chunk of flesh. ******* balsa wood. Thrice-cursed balsa wood.
No Name had thrown a piano out that barricaded window of his. Tears of pure comedy, that’s what left my face. A Smiley taken out by No Name, I’ll never live this down. His mangled body lies under polished wood. Someone’s yearly worth gone in a second of frantic panic, reduced to twisted wires and cracked ivory. To see something so beautiful destroyed in seconds makes me wonder if the Smiley had gotten the better of us after all.
That broad’s in shock. Splinters covered every inch of ground save that around her; looked like a comet, trailing emptiness behind.  Should have noticed it then that something wasn’t right with that scene. Perfectly unscathed beauty sitting there with not a single scratch nor splinter on her, but I was too **** amazed I was alive. Knelt close to her and caught a whiff of some exotic scent on her skin. Some flower. Saw her face and it added another colour to that filling canvas of mine. This pretty bird from the joint. The one men died for. At least No Name had saved one life worth saving, funny it happened to be the one who could take yours in a night.
Names elude me, but the way I remember her . . . the way I remember her is Blossom, for when she came into my life she gave colours to my black and white memory, colours I didn’t know existed, and my black and white morals took a turn down some dawning grey-blurred alley.
So I’m a ******* gentleman and I walk Blossom home while No Name shifts furniture above us. Scrapes of hard wood against wood, filling that void in his once impenetrable bastion. I told you No Name’s got it all planned out already. Guess I’m just here for the ride.
Welcome to the paranormal neo-noir gangster world of Devil Smiles.
NRIKO Aug 2018
How wonderful it is, I say, to the retreating
yellow form of your feelings I mistook
For Infatuation, you’re a romance heckler
far and far away from
Accepting fruition within classrooms and
being labelled as an angel.
And it was within forbidden hell of
euphoria, I found
You nestled in the society’s psyche
neither content or calling
For help. Neither did you neglect the
pink spectacles of the society,
Even found yourself moulding and moulding
into a fungi green
That I could not recognize, within that
half-sanctum, half-oasis I found you
absentmindedly
Bathing in, you were already out of
its waters.
And I was no longer seeing you within
the dry desert or the sibilance
of my desires, but instead
in cement woodlands and
Within artificial communication and
Intimacy I gave willingly.
Now how does it feel, to have your
heart in one piece,
How does it feel to not use
whipped cream to fill in the
Cracked, salty sections of your
own ***** that,
Out of confusion, continues to
play its favorite song but
in all the wrong beats.
Somehow within cacophony I found
you, nestled, comfortable in
Bogus, fraudulent wings of a former
angel- who now weeps under our
Feet in theory- Somehow, somewhere,
I lost you within an epiphany
That reeked of bliss and pleasure-
Somehow, we end up losing
Twins of the heavens when all is well.
How wonderful.
How wonderful it is, I say, to your
lost, secretly-weeping figure
That I can’t tell whether transparent or
yellow your figure is.
But I keep speaking-
“Oh, how (falsely) wonderful it is-
To love the first angel I’ve set
my eyes upon-
“Oh, how (falsely) wonderful it is-
To lose an angel, no matter how
phoney, to a social heaven.”

- enriko. aug 5. 11:45pm
Vanished are the veils of light and shade,

Lifted the vapors of sorrow,

Sailed away the dawn of fleeting joy,

Gone the mirage of the senses.

Love, hate, health, disease, life and death

Departed, these false shadows on the screen
    of duality.

Waves of laughter, scyllas of sarcasm, whirlpools
    of melancholy,

Melting in the vast sea of bliss.

Bestilled is the storm of maya

By the magic wand of intuition deep.

The universe, a forgotten dream, lurks
   subconsciously,

Ready to invade my newly wakened memory divine.

I exist without the cosmic shadow,

But it could not live bereft of me;

As the sea exists without the waves,

But they breathe not without the sea.

Dreams, wakings, states of deep turiya sleep,

Present, past, future, no more for me,

But the ever-present, all-flowing, I, I everywhere.

Consciously enjoyable,

Beyond the imagination of all expectancy,

Is this, my samadhi state.

Planets, stars, stardust, earth,

Volcanic bursts of doomsday cataclysms,

Creation’s moulding furnace,

Glaciers of silent X-rays,

Burning floods of electrons,

Thoughts of all men, past, present, future,

Every blade of grass, myself and all,

Each particle of creation’s dust,

Anger, greed, good, bad, salvation, lust,

I swallowed up – transmuted them

Into one vast ocean of blood of my own one Being!

Smoldering joy, oft-puffed by unceasing meditation,

Which blinded my tearful eyes,

Burst into eternal flames of bliss,

And consumed my tears, my peace, my frame,
  my all.

Thou art I, I am Thou,

Knowing, Knower, Known, as One!

One tranquilled, unbroken thrill of eternal, living, ever-new peace!



Not an unconscious state
Or mental chloroform without wilful return,

Samadhi but extends my realm of consciousness

Beyond the limits of my mortal frame

To the boundaries of eternity,

Where I, the Cosmic Sea,

Watch the little ego floating in Me.

Not a sparrow, nor a grain of sand, falls

    without my sight

All space floats like an iceberg in my mental sea.

I am the Colossal Container of all things made!

By deeper, longer, continuous, thirsty,
  guru – given meditation,

This celestial samadhi is attained.

All the mobile murmurs of atoms are heard;

The dark earth, mountains, seas are molten liquid!

This flowing sea changes into vapors of nebulae!

Aum blows o’er the vapors; they open their veils,

Revealing a sea of shining electrons,

Till, at the last sound of the cosmic drum,

Grosser light vanishes into eternal rays

Of all-pervading Cosmic Joy.

From Joy we come,

For Joy we live,

In the sacred Joy we melt.

I, the ocean of mind, drink all creation’s waves.

The four veils of solid, liquid, vapor, light,

Lift aright.

Myself, in everything,

Enters the Great Myself.

Gone forever,

The fitful, flickering shadows of a mortal memory.

Spotless is my mental sky,

Below, ahead, and high above.

Eternity and I, one united ray.

I, a tiny bubble of laughter,

Have become the Sea of Mirth Itself.
Soma Mukherjee Jul 2011
Once I met a lady in a store who looked at my daughter and asked me
what was wrong with her why was she behaving this way
I saw my daughter and told her nothing, she is just dancing to her favourite song
and this is also one of the ways she plays

She looked confused so I explained and told her she is autistic
For which the lady congratulated me as she thought I said artistic

She may have not heard it properly but she was right wasn’t she?
Both the words had so much in common if only world could see


Autistic is artistic cos they look at the world very differently from us
They paint or write or sing what they feel and create a beautiful buzz
An autistic’s perception of world is so different so unique
And like any other artist they  prefer to let their work speak
Most autistics/artists are still looking for the medium
they want to express their feelings in, what makes them comfortable
Or maybe what they are doing right now is their art,
their stroke, their poetry,
whether or not we find that agreeable

Are we mature enough to understand their art?
Are we talented enough to polish their skills?



Don’t ruin it for them by moulding them into something they are not.
You will lose them for ever, for they won’t be the same without their art
Guide them through this life, make them as independent
as you would any other child but give them space and time
Don’t rush them into this life, for every child autistic or not,
is a caterpillar in cocoon, and will only emerge when nature chimes
You won’t get a butterfly by breaking the cocoon,
or else they will neither be a caterpillar nor a butterfly
Give them time, nourish them make them feel loved
and see how your beautiful butterfly flies

Do we have patience to give them that time?
Do we not know what broken dreams feel like? *


Guide them give them the proper tools to move and grow
How to overcome obstacles that you have to show
Don’t overload them with your expectations or pampering’s,
For every child autistic or not is like a seed,
and overloading will be very hampering
Always remember too much spoils and too little leaves impoverished
They need just the right amount of everything you can offer
and oh the places these kids go when they feel loved and cherished
Care for them, they are part of you, involve them in your life
and participate in theirs with all your Arden
And see how they bloom into the most beautiful flower in your garden

Have you learnt and polished your skills to be good gardener?
Have you taken training to be a good coach?

I have a child with autism and I have had my share of
taunts, staring, worthless advices and criticisms,
But I never let those rule my life; for it would have been insult
to all those angels I met in this journey of autism
This is a long journey and we will fall and fail, a lot, I know that
But I will learn, get up and make corrections
and move ahead and not worry about the stat
I will get up every time and help my daughter get up too,
I promise to my child and myself
We will keep moving whether life offers us
an empty or a well-stocked shelf

When I see my child I see
-A budding artist,
- A butterfly emerging from a cocoon,
-A beautiful sprouting seed.
*

Yes I will give her all that she needs and enjoy the process.
Eleete j Muir Jan 2012
Ouroboros nartoomid breath
The winds ****** incense
A current washing through us,
The ethereal voice
Morosely sussurant whilst thine
Eyes mirror the cerulean truth of
The morning dews eusophobic miasma;
The rainbows spectrum of colours
Mephitically clasping the soul
Dyeing tristfully the silk of
Kundalinis utopia
Moulding archaic monuments
With the azure clay of
Lustrations evanescent cacodaemon,
Peccantly flying like a flag-
Reveries dreamcatcher idyllically
Reflecting conjured shadows
In the welkin mist.


ELEETE J MUIR.
nivek Jul 2014
the moulding unseen centre of the Earth
fire and brimstone spells of witches
all not to be taken that serious swept
ignore under the carpet at your peril
Ellen Joyce Jun 2013
And she takes the book waiting on the shelf,
smelling of milk, toothpaste and goodnight kisses,
it's pages cracked, worn thin with birthday wishes,
wearing wrinkles wizened by the layers of fingerprints
that traced the silk of mama's voice on every word.

She turns to find him all tucked up in bed,
head cushioned by a mop of curly hair,
arms clutching tight a tattered teddy bear.
His sleepy eyes draw her to his side
and she leans in another once upon a time.

Her voice kisses the curve of every word,
calling to life a world she has to see,
moulding reality to what it ought to be;
a place with swings, slides and just five minutes more ,
sighs breathed to birth a need held deep inside.

A land where all the games are fair,
with candy houses but no cavities in sight,
where all evil is banished by the light.
The winds of time are soothed and still
listening to the clicks of a clock that never stops ticking.

Her child's eyes flutter to dance in dreams of his own
and the bedtime lies shatter behind her eyes.
It's not her son longing for a land where no one dies.
Children are borne of pixie dust and shooting stars
to a world of wonder built for each alone .

Once upon a time is a prayer whispered by mama's at night
to restrain the hurts and horrors of the earth
with the soul wrenching fear she's felt since she gave birth.
See she has to believe in forever and a day
for her love for her son is growing all the while.

She has to believe in love and life and laughter.
She has to hold close the hope of
happily
ever
after.
vircapio gale Jul 2012
exude the moment;
you are a transformative fulcrum

of intersubject's rent and awe:
anthropomythic ecolaw

the dream cascades into words,
birds fly little crisps of meaning
into morning light. last night's
snow leaves a crystalline spark
of you subdued, become a finer point
of tantric sight, gazing rose-blue pulsar
lashing through a cosmic garden,
delicious fruit of spacious letting be.
i'm grasping for that pleasure,
vermillion moan of lifestring vibrance,
but the wind carries on outside,
swirling pieces of the mind in
flux of upturned joy~
our heartbreeze summoned,
now whispersssoulsounds to come
and earthly darkness grips the future frost,
thaw, break and steam as it wills;
the churning ground sings to us
of bear-sleep and jackal-howl,
of seasons transpiring,
one lost sled of memories
leaves us empty, pressing crystal sky:
my aching ideality trounced in bliss-meanders
!stunning revelation! you! You! yOu!
bringing all to be a second time,
as it was.. in me.. now new,
sweet novelty of union,
this gathering of nervure self,
gliding insights, sudden soundsss.

like a node of forest-echo swirls
it dazzles: unseen colors for my inner eye;
ancient tones of fog ripple
off something you are,
creaking center easing of my sidling,
spirit drop and wavelet growth:
as if you were a branching greenery
of my own once lost other-self,
last gasping there as what i pictured 'you'~
swayingss.. sun-spikes speaking,
sky-gaze and soaking barky iris sssuck,
moulding into me the wisdom of our past leavings,
those raspy kites of sap-filled yearnings
shadow sunshower evening.
i would be a tree with you and
let you pierce our foundations
with roots of gaiasight slipping though
our primal urgings, concrete deference
under sun arch, spin of moon. let
ignorant insistence on fetishized divides~
slipping past my grounded darkness
still unknown, remain
my underself unleashed
my silent trunk-swilling soothed,
stable chaos-other, self regiven,
life renewed in leaf,
the touch of you imbued.

the whole vision lost
but for that glimmer~
it finds me writhing unknown spirals:
ringing wonderment in a seed,
or dormant sporocarpic lineage of life,
the vast hyphae-humming cups of death-born
nethergenesis of cycled hyle me.
a womb that never knew of pain
or being evertorn in dessicated spectre-sea.

the burning desert-storms helixify our rain,
a heaving hiss-like suncry
from that dark, sandy baobabic throat.
the earth consumes in shifts,
and blossoms toward the alterbliss of you, too,
an expanse of solar flare
its beautific reach engulfing terribly,
nepho-logos spanning all the air.

ssssunlit boughs of winds' remembrance
grow soft across this window,
then shift with forest breath,
their snowlace puffed before
an azure true expanse,
the burdened greens stirring a needlish depth
of metawinter, all-too-human
starfields constellate in hiding
far behind my starshine there a curtain blue,
whose prismatic humor lights more
than scenic treescape, frigid dust.
hair, nose, glass enframed by sapless wood
of window cut to square my void revision of the world.

the colors whirl into mindflow,
inter-material upsurge-undulate,
abyssal cauldron seething passions stilled by
comic symbols of a secular mystic;
dancing eddies convey my sense of sight
just thought, then lost into a wider dance
of tensions eased and drawn,
of geometric visions seemly here and gone,
inner, outer: conveyed by stroke of
spinal eidos, its rhythm set
before my time, its tone the vital,
draping earthverse
recited in my veins, the sinews of my
life in other lives,
the song of us expressive in my gaze~
one blink()a single point of beauty
fades into another haze,
lighted icedrift iridescing evanesce.
anthropos (religion, Gnosticism) Man. (From Ancient Greek) [cf. Anthropogenesis, (an thro po jen’ e sis) n. Study of the development and origin of man]

myth·os/'miTHos/ Noun: A myth or mythology. (in literature) A traditional or recurrent narrative theme or plot structure.

*derew(o)- Indo-European root meaning "tree" or "wood"

Tantra, "weave, loom, warp"; or "principle, system, doctrine", from the two root words tanoti "stretch, extend, expand", and trayati "liberation"

Sporocarp (in fungi, known as fruiting body or fruit body): a multicellular structure in certain algae, lichens, and fungi on which spore-producing structures are borne.

Hypha · (plural hyphae). (mycology) Any of the long, threadlike filaments that form the mycelium of a fungus. The hyphae are used for reproduction and nutrient gathering.

hyle, In philosophy, refers to matter or stuff [fr. Gk "ulh" (üleh, where the ü is as in German or "lune"]

baobab, A short tree with an enormously thick trunk and large edible fruit. Other common names include boab, boaboa, bottle tree, upside-down tree, and monkey bread tree.

ne·phol·o·gy. n. The branch of meteorology that deals with clouds. [Greek nephos, cloud; see nebh- in Indo-European roots + -logy.]

logos, multivalent term fr. the Gk verb legein (soft g - modern greek lego ) "to say, speak" and also "to gather and lay down" ;  traditionally meaning "word, thought, principle, or speech"; also ratio (latin for reason), pre-linguistic language (phil.), the principle governing the cosmos, the source of this principle, or human reasoning about the cosmos. origin of  "(o)-logy." the active, material, rational principle of the cosmos; nous.  logos is marked by two main distinctions - the first dealing with human reason (the rationality in the human mind which seeks to attain universal understanding and harmony), the second with universal intelligence (the universal ruling force governing and revealing through the cosmos to humankind)

eidos, a term used by Plato for the abstract forms or ideas. fr. the Indo-European root *weid-, "see" is determinative of a substance; it is the key aspect expressed in the thing's definition as the essence or whatness of the thing. also (anthropology) the distinctive expression of the cognitive or intellectual character of a culture or a social group.
Day Dec 2011
some greedy little bitter man has put together a picture-perfect person and out of pure laziness and malignant attempts at control he pays off a psychopath to make it happen but we’re just a little body, flesh and bones come between them and their paychecks so why not make it easier? they made a factory out of our garden and nothing grows in factories it’s manufactured, easy as one two three four five six, we’re all sitting on an assembly line waiting for some alcoholic man to shout at some pimply-faced twenty-something “FASTER! FASTER!” so it begins! press of a button, we’re created, step one: your parents were given the baby books, kids! infants, they’re all the same anyways. they’re not individuals yet, they haven’t been encoded so relax, parents. want them turn out like you? sure, do what your parents did, worked out well, eh? been occupying this factory your whole life, then? well anyways, step two: they spend less time with you because you’ve been in this world for three years so it’s time you get out on your own…. step three: they gotta YELL and scream and children aren’t supposed to touch things or say things or scrape their knees because that’s more work for the adults, and they work all day, just like they were programmed for, good little machines 'cause they forgot what it’s like to be a baby or an animal or a plant or a God but also the resentment, a child wants to live but how ridiculous? there’s no life in industry… all about the money baby step four: you buy your education because it builds your character because money says power but when did meaningless power equal respect? I don't know but they force you into reading the same old instruction pamphlets left in the break room at the plant for the past century or so and five: your turn to work for fourty years in this polluted place because it’s hard to break free from twenty-three years of moulding into a cookie cutter you never did fit, that’s why it hurts so much when they try to push you through, your muffin-top is sliced right off and you’re contorted to fit the view of perfect sugary sweetness but just to make sure you're ready they coat you with vanilla icing to cover up your imperfections, perfect, now step six, and this one is the doozy, and because you’re **** broke: go back to mom and dad’s and grab those baby books and again and again and again the cycle repeats and repeats and repeats….
this is a rant if I ever did see one! not an easy read I'm sure so congrats if you got through this mess. complete stream of consciousness, this is raw and angry and though I love my home, my life and everyone in it, sometimes it's easier to write about the negative things. hey, if it makes you lighter! thanks for reading. :)
Nandini Jul 2014
Tell me then ,
why they're fated together? The pen and the ink ?

The ink lies meek
With the pen it doth speak.
soaked in spirits powerful
Moulding mundane to artful.
That's why they're fated together !

Silent fingers woven around
Through the pen's lips my poetry's bound
Mere words nothing but mute
Breathes life my ink absolute.
That's  why they're fated together !
The pen and the ink are bound by each other to tell stories for times endless!
Away, ye muses, all away!

Away with songs of finch and fay.

Away the jaundiced sight

That magnifies the firefly’s light

To bonfire bright;

That sets ablaze at once

My musing’s dimly burning lamps;

That ornaments with rhymes

The penury-stricken looks betimes;

That over-clothes the logic – lord

With fancy –swollen words.

Away, the partial love

That ‘boldens Nature to sit above

Her Maker!



This day I fasten eyelid doors,

With absence wax my ears,

With languorous peace congeal

My tongue, my touch, my tears *

That I within may pore

Upon the things behind, ahead,

In the darkness round me spread.

I lock Dame Nature out

With all her fickle rout.



Somewhere here,

In the darkness drear,

I myself with cheer

My course will steer

In the path

E’er sought by all:

Its magnet call

I hear.



Not hear, not here,

Apollo would his burning chariot steer;

Nor Diana dare to peep

Into the sacred silence deep.



Not here, not here,

Not far or near

Can mounts or rebel waves

E’er make me full of fear;

Nor evermore

Their dreadful grandeur to adore.



Not here, not here

The soft capricious wiles of flowers;

Nor swarming storm clouds’ sweeping terror,

Dishevelling the trees

And light-haired skies;

Nor doomsday’s thunderous roar,

Dismantling earth and stars-

The cosmic beauties all to mar –

Not Nature’s murderous mutiny,

Nor man’s exploding destiny

Can touch me here.



Not here, not here:

Through mind’s strong iron bars,

Not gods or goblins, men or nature,

Without my pass dare enter.



I look behind, ahead –

On naught but darkness tread.

In wrath I strike, and set the dark ablaze

With the immortal spark of thought,

By friction-process brought

Of concentration

And distraction.

The darkness burns

With a million tongues;

And now I spy

All past, all distant things, as nigh.



I smile serene

As I expose to gaze.

In wisdom’s brilliant blaze,

All charms of the Hidden Home Unseen:

The Home of Nature’s birth,

The planets’ moulding hearth,

The factory whence all forms or fairies start,

The bards, colossal minds, and hearts,

The gods and all,

And all, and all!



Away, away

With all the lightsome lays!

Oh, now will I portray

In humble way,

And try to lisp, if only in half truths,

Of wordless charms of Thee Unseen,

To whom Dame Nature owes her nature

   and her sheen.
Kittu Apr 2013
Doctor O doctor.
Can you treat me?
This aweful mind refuses to greet me!

I'v been having trouble controling my thoughts.
Outbursts of creativity and crazy wandering thoughts.

I have work to do and need to concentrate!
But these wandering thoughts have me on stalemate.
The thoughts go here and the mind goes there,
They do not seem to coincide anywhere.

Doctor O doctor can you help me?
Bring these thoughts into order,
and let this mind be.

It concentrates of war,
it concentrates on pain.
None of which have any prospect of gain.

It concentrates on hate,
and the ever growing weight,
Of the population that refuses to wait.

No tollerance or patience,
No thoughts on moulding this nation.
Just fights on rights,
And pointing fingers with might!

No one looks at their duties,
Or the subtle beauties.
Beauty of diversity, and the numerous entities.
That form our great nation.
All it need is unadulterated devotion.

I have work to do and need to concentrate!
But these wandering thoughts have me on stalemate.
The thoughts go here and the mind goes there,
They do not seem to coincide anywhere.

Doctor O doctor can you help me?
Bring these thoughts into order,
and let this mind be.
Sarthak Agarwal Apr 2017
What a poet loves the most,
more than anything else,
Is how she completes her poems.
Entwining words with one another
hoping a creation will arise,
rather imperfect at first,
but moulding it over and over,
even as time cries.

The poet forgets herself,
and the world around her for she falls in love with the poem,
giving it everything she has,
hoping it may represent her most perfect dreams.

But there are often some poems,
taking a lifetime to complete,
for the poet is never satisfied,
even when her creation is ‘a lion in a fight’,
or ‘as smart as Einstein’,
as high and mighty as the bean tree from jack and the beanstalk,
or like a peach tree soft and tender.

And finally when her time comes near,
and she looks up from the bed,
caresses the soft skin of her creation,
which still smells to her the way a new book smells.
A small smile all too visible,
“Go and give love to others,
how you have given me the same”
she said.

How could I,
I whispered to myself,
When you, MAA, were the one who gave love and life to the poem,
and were more than a perfect poet.
A poem dedicated to the national poetry writing month, and my mother.
Open to all sorts of constructive criticism.
Tamal Kundu Dec 2016
To the shy hamlet vivid are the hardships of last year,

how the brazen river had surged in—ravishing, moulding,

branding beyond repair. And yet, when the summer air hums

in the hush before rain, once again, on the crumbling fields

rancid memories give way to emerald reveries.
Elaenor Aisling Nov 2013
17
I was 17,
when we discussed workout routines in gym,
thin legs branching from ruby-red shorts,
skin pale and dappled in winter air.
I described my workout of 200's.
200 crunches, 200 sit-ups, etc. etc. etc.
"You make me feel fat,"
my model- built friend complained.

I stared down at my shrinking thighs,
wondering how fat she would feel,
with hollow spaces beneath her skin,
numbed by the gnawing of metabolism on muscle.
If she could feel her labored breaths circulate
through drained limbs,
and saw the stars and sparks in the haze of exhaustion,
that perpetuated around me.
If she shivered
walking home in without a coat in December
simply because
Cold burned more calories than warm.  

At 17, I learned
Electric blankets were invented for asylum patients
so they wouldn't freeze when they were lain outside
to get fresh air.
I shivered under mine in a warm house--
strangled by three layers of hoodies,
a morbidly comical scene-- the skeletal inmate cowering
in masses of cotton
and still cold.

The skeleton in the mirror had no eyes,
Only its bloated stomach stared back at me.
Forget the thigh-gap,
the stomach was the only thing that mattered.
It should be as flat as the unleavened bread
I refused at communion:
I didn't know how many calories it had.

I was 17,
when the word "beauty" fell from my vocabulary.  
Lank, unwashed hair hung limp to hide the
Inflamed scratches on my face: feeble efforts to eradicate
the hatred, guilt, over two extra bites,
and what I had become.
Here I was, in all my gollum-like, two by four perfection:
except the stomach.
That ****** bloated *****
I wished I could tear it from my body,
Throw it aside to rot on the heap
of moulding high-school dreams
I kept in the corner of my room.

But it remained, day after day,
the stubborn thing stayed on,
even when filled with saltwater,
to force it to give up the last bit of its contents.
Three mugs, and several tablespoons later
it finally relinquished,
in the emergency room,
as my mother stood
holding my hair and crying.
I still thought she was over-reacting.

I looked up at the ER doctor,
middle aged and blonde,
her eyes were sympathetic, but annoyed,
As she asked me if I was trying to **** myself.
"No," I said. Not Yet I thought,
I heard my dry throat crack with the words,
"I have an eating disorder."
Thanks to rehab and prozac this is all behind me.
Ankit J Chheda Nov 2012
We looked down at ourselves,
The sky behind a cold fire,
Seemed to me like I was flying,
But the wave crashed into foam and reality
And I was reminded of my place here,
For the sky belonged to the cotton clouds and sinking sun,
The sand under my feet moulding itself to our presence,
The wind blowing away the world behind,
And in this moment on the white sand we lay,
This last forever I pray...
Ann Beaver Mar 2013
She painted the bathroom lavender
The only part of that left
Is the glorious mistake she made
On the moulding.

I am scarred
Where I was trying
To be beautiful.

It turns out
maybe that is more cherished
In the end.
irinia Apr 2014
look into the future
with a sharp blaze in your eyes
to cut clean the mourn of morning
trees are greying steadily
and our mothers have turned into fossils
but the hours still surrender
to enchantments of our heart
-quite an anesthesia-
the dying light improvises
time is the soundtrack of us
hand in hand
moulding in oblivion
some je ne sais quoi
unforgettable
an excuse of eternity

(yes, blind colts are born and love is a collocation)
Daniel James Feb 2011
She was fire, I was water
And we made sweet condensation
The day, the month we met.
She turned me into steam,
Pure steam, in April, no less.
I quenched her raging thirst (I won’t forget)
We drank each other’s smoke
And sparked up *** and cokes
I took her fizz for fire
She took my ironic dampness for jokes.

At first,
All was elemental
And if she burned the bread I called it toast
And if water weighed her down we just got soaked
I did not try to put her out
She did not try to make me burn.

We’re not so different, said the fire,
One day to the water
I could see this month ignite,
Make a bonfire of our lives
We could sit there like a house on fire
Extinguished and set alight at the same time
I flowed around the idea and warmed to it
So I moved in and every day
I put the fire out that she had made
And every night she blazed
The oases that my love had made.
Until one evening Fire said,
While water brushed his teeth,
“Turn off the tap”.
And water, being fairly fluid in his actions
Did in fact for five years turn off that tap
In front of her at least, but behind her back…
I let it run,
                  let it go
                                 let it flow
                                                  flow
                                                      
                                                       flow
                
                                                        flow

                                                             !!!!

And it was not until the 1000th time
That something clicked
And the millioneth drip overflowed the empty sink
And I responded to her claim:
“We’re not so same.” I said.
She, understandably, had not consumed the context
As we’d just been talking about a friend in massive debt
Because of negative equity.
But now the tap was on,
“I’ll brush the teeth in this relationship
Or I’ll be ******!” Water flowed.
The tap was gushing now, the mirror fogged -
The drains were leaking back up out the bog
“For one thing, fire’s not a thing –
Me? I’m hydrogen and oxygen too
But you? You’re no thing, no thing at all.”
“What?” She said.
I couldn’t understand
How she didn’t understand.
I flowed right on down… right on down to land –
I was seeking earth, not fire, earth!
I’d been seeking earth all my life
And not realized until tonight – that night – tonight.
“And for a second thing – Fire’s so loud!
Crackling! Always with the constant crackle
Always eating, heating or causing hassle
Everything’s a hazard or an all-consuming passion
If we just kept calm, it could all be fine
But your fiery fingers always dialing 999.

“Right.” She said. “I see where you’re going here –
You’re saying I’m like fire – FIRE?!”
I said, Jeez we’re 3 pages in already,
I was hoping that much was clear.”
“FIRE?” She bellowed.
“Fire?” She scorched.
“******, he wrote.” I said.
“What are you talking about?” She asked.
“Just a poem I’m writing – it was a funny line, trust me.”
“Says Mr. Water?” She says, looking over my shoulder,
“I wouldn’t say that.”
“You might,” I say. “Anyway, Mr Water, what do you mean?”
“I don’t know, you wrote it, perhaps you can tell me.”
“You meant, by what I wrote, that water’s not known for jokes,
It’s too clear and see through to cause a face poke”
“And that’s the best water-related joke that you know?”
“No. But you just remember who is writing the poem.” I say,
Expecting a laugh.
No laugh.

Then she apologized and very humbly gave me the floor.
After (storming off upstairs and slamming the door and) pointing out
That all water does is sit around
And weigh things down
Making clothes darker and heavier
Surrounding everything with its slowly moulding love
And rather than consuming it up
Firing it up
Sparking it up
Burning and blazing ‘n
Combusting it up!
Water sits.
On what it loves
Which is down
And weighs it down with love
Envelopping it from sides and above
Surrounding it from five sides
And leaving only one way out for its victim –
Down.

I thought around it while she fried herself in perspiration
And I could see how she was not wrong
And I could see how she was not right
For I could see that I clearly was water
And I could see all sides – “I can see.” I said,
And should have left it there, “everyside of what you say –
I can see everything but your true… bottom.

Now when fire alights on bottom,
No thought can put it out
So we rejoin the action
An unspecified –but quite long- time later.
And when the steam settles,
Not much has changed.
The conversation resumes, Ground-hog style,
Ground-hog style, a year later, in a different flat.
“At least I have some substance!”
And again comes the tide I cannot hold back –
“At least I am a thing, I can be happy, I can be,
I’m not just a process, just an action, with an appetite for trees.
I’m not afraid of silence either.”
“Afraid of it? You saturate it!
You smother everything in silence
That’s why you like the snow –
I like the kind of weather that makes
Strangers take off all their clothes.
I like the crackle of the campfire
I like the chatter of friendly teeth in need of heat
I am ambitious, I need the next thing to consume
And yes I like being high and aiming higher –
With you it’s always down down down.
Sitting down,
Calming down,
Going down…
And when she said those magic words
I took the heat that I had heard
And channeled it like she could never do
Being a process and not a thing like me.
Channels are made of things directing process
I took her heat and channeled it
And all because
Those magic words
Going down.
No one likes a love that is damp she said
And so I made her fire wet
And all the while, during, after
We lay and drank in pools of laughter
We were liquid fire flowing
Every night the bed an ocean
The weather inside, hmm… snowing
Warm snowballs of love
Snowflakes of love
Snowflakes of fire
“Higher” She scorched, “ take me higher!”
“No you go down –“ I heard it spoken
And just like that the spell was broken.

I rippled, reflecting the ceiling for a while
In a silence even I could not contain
She processed the surroundings, the curtains, the rain
And burned them back to ash again.
An hour passed.
I was betting that she
Would internally combust
Before I drowned myself
To death in silence
Another hour passed
Slowly.
Ever so
Slowly. Not fast,
But slowly.

Then luckily,
12hrs passed in no time at all for me
In fact, I only awoke because my ears were burning me.
“Have you been asleep all this time?” they sizzled.
“Sorry,” I said, before I’d even had a chance
To remember the argument
And with that rather C-list magic word,
The matter was moderated, thirst quenched, problem passed.

Water sat there boiling.
Fire fumed there drenched.

“I’m not sure I can do this much longer.”
Said water to fire.
“I feel I am spreading myself too thinly on you.”

“You are.” Said fire.

“I don’t like being spread thin.
I see less of the world reflected
In my shrinking puddle.

“Light up my life again!” She burned.
“I can not.”
“Will not.”

“Will not is cannot.”

“Cannot is not will not.”


“Cannot is not will not does not make sense.”



“Does.”
“Does not.”
“Agree to differ?”
“No.”
“Yes.”
“No.”
“Yes.”
“No.”

“Stalemate.”

“What?”

­…

“You’re
  
         draining away from me.”



    
                                 smoke.”
                               in
“You’re going up


And with that, one morning, they both woke up.


Alone…
Max Hale Feb 2010
Since we met in this life we’ve been so together
The trees and the sky will tell you, just ask them
Since, frankly and completely as one
Searching our souls, discovering each other and ourselves
Loving, living and learning with no effort at all
Moulding our life to divine goals, elements exploring
Each day we grow, smoothing our rituals and tasks
Simple, small, understated and beautiful
Yet enormous, devastating and wonderful
I’ve never been clearer in mind nor more ordered
Serious or intended, structured yet mesmerised and dreamy
Child-like pleasures our little hearts

Honestly, knowing you has given an exclusive season of patience
A crown of peace with measures of muted resonance
My emotion and behaviour  jangle with excitement
Gaining speed and velocity as our developing love fertilises everything we do
If any part of me was withheld or absent it was without cognisance or most importantly intent
I was always here totally,  loving you with an undivided heart
Building our future and having the truest most delightful life
Such destiny within two earthly beings, such kismet
But no..earth is not  from where we sprung
No logic or contract by human standards but from cosmos and celestial forces
Stardust, moonbeams, sunlight and energy

Our future is viridian, cobalt, alizarin, ultramarine, carmine...
Colours drawn from a bow of happiness with arrows of true love
Thudding into our hearts every single moment
Rainbows of kindly sparkly crystals reflecting each tiny emotion
Willow tree flexibility, cool streams of pure clear water whisper in our ears
Look to your soul and to the memories of our short time together
Begin to believe that life is so very good ,so treasured like us
Darling Jan my complete lover
The wife I’ve always had, true soul provider, custodian of my heart
Clearer in the transformation from Jan and Max to a ‘whole’ inseparable
By anyone or anything for all time and eternity..
Even better knowing that as always
Now even more.....I’m all yours
andrew juma Dec 2015
the sun burns red in the west
The  lovers meet in secret
Following their hearts
in the cropping darkness

It is big and brave
For the passionate lover
He would hand it to her love tonight
Hoping that she would cherish it

Even  when he will be away
She gives him hers
Tells him "be strong and intact
Return safe my love
I will be waiting for you"

The heart,
That little body part
habouring all issues
Makes all decisions

The heart,
it strengthens the soldier
in the battle front
Singing to him songs of courage
Reminding him of his sweet love at home

Love from the heart is true  and  passionate
Its different from lust
and  is bound to last

The battle is love
Even though the war is different
He kills for love
she is the only thing in mind

She  gets broken a few times
taunted  by sociopaths
Telling her  'they will never come back"
She has waited for times and times

But the heart stands all the tests
Most of the times

The heart that
lordship of mind and body
Guides everyody

Decisions of the heart
You can trust

He thinks with the mind for tact
but nomatter what
He follows  his heart;
even though he is bruised and hurt

The mind fills him with doubt
but the heart tells him  to fight
Reminds him of heroes
and sweet love-making
Turns him to a matador

the eyes give him sight
but the heart fills him with insight
Hugging him tight
it neutralises his fright
He marches right

Into enemy territory
She is barely making through
They think she should remarry
News of fallen soldiers  devastates her heart

Man's strength is from within the heart
Courage is not from spears
Not arrows and swords...
That small body part!

Emperors and conquerors
Lovers and soldiers listen
Fathers and Mothers
They listen to the heart

He creates  devastation
Wrecking the enemy camp
As his battalion joins in
His heart moulding him
Into a hero

That small body part
Endures all in patience
As she waits
Saying its never late

...a  time of jubilation
Victory cries are heard
Those back are few
But they removed the enemy
By conviction of their hearts

He is a legend
The man after everyone's hearts
She is joyous
As she runs into his embrace

The heart
That small body part
Endured it all

A soldier's heart...
Listen to the heart.It speaks in that small voice within.
ghost queen Oct 2020
Night was falling, a full bright silver moon was rising, and Seraphine’s hunger had become unbearable. She needed to feed, had to have young fresh female blood, to stay alive and young.

Science had caught up with the reason vampires needed to feed on the youngest, preferably baby’s blood. In 1866 a Frenchman named Paul Bert had conjoined rat’s circulatory systems in a process called parabiosis, and thus the Prize of Experimental Physiology from the French Academy of Science.

In 2012, Cambridge University’s Julia Ruckh found old mice cojoined to young mice physically and mentally rejuvenated, becoming younger, smarter, and more energetic. Subsequent research discovered proteins in the plasma caused the rejuvenation. News outlets had proclaimed, “fountain of youth discovered in ordinary plasma.”

Seraphine needed the youngest, which has the highest concentration of rejuvenation proteins and hormones;  the purest, which is virus-free, and female, which has the highest levels of estrogen and progesterone.

Ideally, a baby girl’s blood would be best, but in today’s modern society, killed babies drew attention. The next best and the pragmatic thing was a 15-year-old runaway girl. L’ Association Assistance et Recherche de Personnes Disparues (ARPD), estimates 1000s of Parisienne girls, ages 10 to 18, runaway each year due to ****** and or physical abuse, ending up on the street, and having survival *** in 48 hours or less for food and or protection. And few if anybody cared. They disappeared, never to be found, presumed dead from a ****** overdose, or stabbed in a fight for food, money, or drugs.

Since runaways had high levels of disease due to survival ***, ****, and ****** addiction, Seraphine focused her attention on young troubled Arab girls living in the Habitation à Loyer Modéré (HLM) or projects of the 93rd, the department number of Seine-Saint-Denis, the poorest, predominantly Maghreb Islamic Arab banlieues of Paris.

Seraphine would undo her ponytail, letting her raven black hair cascade down around her shoulders, so she could fly around and into the projects at night landing on rooftops, listening for arguments, yelling, or shouting of eahira (*****), waqha (****), or haram (forbidden). When she heard those words, she knew a father was forcing old-world customs and religion on his born and raised in France daughter. The daughter, going to secular French public school, knew neither Arabic nor Islam, rebelled, wanting to live a secular, feminist rather than a submissive religious life.

Seraphine had found this month’s mark. She focused her superhuman hearing and sight on a tenth-floor open balcony window of the building across the street.

She could see an older man dressed in the traditional white dishdasha tunic, and taqiyah skull cap worn to evening prayers, yelling and throwing his hands in the air. Further in the flat, Seraphine could see a girl, crying. The man yelled waqha, waqha, then slapped her, and she fell to the floor. An old woman pulled the man back, as the girl got up and ran out the door.

Seraphine knew how this would play out and where the girl was headed. Four blocks away was the Lycée Général et Technologique, which housed a 24-hour crisis center for teens facing physical and or ****** abuse, pregnancy, homosexuality, ****** addiction, or homelessness.

As foreseen, the girl burst out the front doors of the HLM, running, crying down the street. Seraphine leaped from the 13-floor building into the air, silently following the girl like a bird of prey. The girl walked down Rue Bonnevide to Rue Guy Moquet, taking a shortcut through a wooded park.

Seraphine flew down to the ground, landing without a sound, and followed the girl from a distance. She could smell her youth, see her round hips and long shiny hair. When the girl had walked deep into the dark and silent park, Seraphine sprang forward like a puma, tackling the girl to the ground, and slitting her throat before she could scream.

Seraphine savored the ****, drinking the squirting blood from the carotid artery, relishing the warm fresh blood. The girl, in shock, blinked rapidly, trying to process what had just happened to her. She tried to speak but gurgled only blood, tears of fear started streaming down her cheeks. She knew she was dying, was afraid of dying, and wished her father was here to protect her, and make it all go away.

The blood slowed to a trickle. The girl had bled out and her body died. Seraphine continued to drink, ******* harder to get the remaining blood. The girl’s body convulsed then stilled as her brained slowly and finally died.

Seraphine had fed and would be satiated till another full moon.  She got up and licked her lips of residual blood. Her clothes were drenched in sweat and blood. She looked at the girl’s dead body, admiring her clear complexion, and big brown doe eyes, but felt no remorse for the ****.

She picked up the girl’s body in her arms, jumped into the night sky, and flew 65 kilometers northeast of Paris to La Foret De Compiegne in la department d’Oise, a secluded and rural part of northern France. Dead center in the forest lies Saint-Jean-aux-Bois, a small, and forgotten farming village of septuagenarian and octogenarian.

Seraphine flew to a farm a kilometer outside of the village. As she neared the farm, she could smell the putrid stench of pig ****. She started her descent, dropping the girl’s body, which hit the ground with a thud, in the barnyard, as she gently touched down.

The farm was dark, the only light was that of the full moon. She heard a rustling coming from the farmhouse. She saw an old man walking her way, holding a dim flamed oil lamp. He did not look at her, only at the ground, afraid of what would happen if he looked her in the eyes.

Seraphine grabbed the girl’s body by the hair and dragged it to the main pigpen, and threw the body over the fence and into the pit of sleeping pigs. The body hit a pig, startling it out of its sleep, squealing, waking up the other pigs, and realizing they had been fed fresh meat. The pigs sheared the flesh off the bones, then chewed and ground the bones. Within a couple of hours, there would be no trace of the young girl’s body. She was just another disappeared runaway.

Seraphine turned her attention back to the farmer, pulled out a brick of Euros from her coat, and threw it at his feet. He didn’t dare pick it up. He was too afraid of her. He knew what she was. And she knew, he knew what she was.

He’d seen the countless girl’s bodies come through like chicken carcasses at a processing plant over the decades. He knew he would die of old age soon, and only hoped God would forgive him for helping a monster.

Seraphine turned around, jumping into the sky, and disappeared. He was trembling and relieved that she was gone. He won’t see her for another full moon. He painfully bent over and picked up the brick of Euros. His hands were shaking.

******

Seraphine got out of the shower and wrapped her hair in a towel. She looked in the mirror and admired herself, the flawless white skin, the blood red lips, the pear shaped figure, but most of all her firm perky *******. She was brushing her teeth, when the doorbell rang. She rinsed out her mouth and wrapped a towel around her, walked to the door and opened it. It was Damien. She mischievously and alluringly smiled. He grinned back, knowing why she’d called. “I was so glad you were still up when I called,” she said poutingly.

She took his hand and led him to her bedroom. It was softly lit, a low yellowish light, not unlike that of a candle’s. The walls were decorated in red damask wallpaper with gold crown, base, and chair moulding. It was very elegant, very French. The bed was a large four posted red ruffled canopy, covered with a red duvet and pillows.

She got to the foot of the bed, turned around, unwrapped herself, sat on the bed, and shuffled herself to the headboard. She looked at him and spread her legs, showing, offering herself to him. Damien took off his clothes and crawled to her, over her, and leaned down to kiss her. She rose up to meet his kiss, wrapping her arm around his neck, then dragging him down in her.

She kissed him hard, ******* his tongue into her mouth, biting his lower lip. She stopped. He looked at her, a questioning look on his face. Then she pushed him down towards her *****. She had a trimmed and sculpted bush, just enough not to hide her full lips.

He started kissing around her bush, her tummy, and inner thighs. He could feel her squirming, as he circled around, edging closer to her *******. He kissed her lips, sliding his tongue up and down, then penetrating her.

She was wet, and tasted fresh, like sweet spring water. How amazing he thought to himself. I’ve never tasted a woman like this before. He went deeper with his tongue, pulling back the lips with his hands. She pushed his head hard into her. He licked her splayed ******, as she moaned in pleasure and approval. He moved his tongue up till he got to her ****, and lightly rubbed it then stopped, kissing her tummy. She relaxed and sighed.

He kissed his way down to her ****, kissing it softly then circling it with his tongue. She arched her back as he vigorously rubbed her **** with the tipe of his tongue. She moaned, then yelled stop, stop, in breathy gasps, then fell back into the pills. She took his head in her hands, and pulled him up to her mouth, and gave him deep, passionate baiser amoureux.

She took his hard **** in her hand and guided him towards her *****. She slid his **** up and down her *****, lubing up the head of the **** with her wetness. Then she let go, and he penetrated her slowly, as she gasped then moaned. He felt her wetness and heat as he slid deeper into her.

He started to pump rhythmically back and forth, slowlying picking up speed, as she moaned and groaned as he bottomed out his **** into her. He was going to *** and started to moan, when she yelled, “choke me, choke me.”

Taken back, he slowed. She looked up at him quizzically. “Choke me,” she said sternly. “You're a big boy. Choke me,” she repeated with a bit of irritation in her voice. He placed his hands around her neck and lightly pressed and started pumping. He got back into the rhythm and was back on track, getting close to *******. “Harder,” she said, “hard like you mean it.” It turned him on, and he clamped down harder as he pumped harder, animalistically.

He knew she was getting close to orgasming as she moaned and writhed under him. “Oui, oui, oui,” she screamed, and in a blink of an eye, she’d flip him on his back. Her hands on his chest, holding him down, as she rode him hard. She screamed, “ah, ah, ah,” then collapsed on his chest. His ****, still hard, inside her. She slowly rolled over, taking him with her, till he was on top, then rocked her hips, wanting him to continue, to finish.

He started to moan. She hooked her wrist around his neck and pulled him to her mouth, kissing him hard and deep as he came. He convulsed collapsing  on top of her. His **** still inside her, as she wrapped her arms around and rocked him back and forth, kissing the top of his head as if comforting a child.

He rolled over, crashing into the bed with exhausting and fatigue. He looked over at her. She was staring up at the ceiling. He saw the reddish purple strangulation marks he’d left on her neck, and slipped into a deep sleep.
drowned the Earth suddenly.

  underneath honest light,
                                  all
   submerged. this cataract of feeling —
waters pursue beginnings. cradling them
to unknown ends, washed by the shore.
        gluttonously the night swallowed
all — parliament of birds warble no longer.
             midnight, the   Moon
claws the supple skin of organized stone
  displaced
               where all the edges bloom
forth torrid froth of dappled light which kills no less than a brief life of matchflame. tenuous spar of wind on
the unserious twilight; bulge of death
in the stream — a body haul, rafting
  in compost; stench of all topple like
resins held loose in vats. rat **** becomes
           as inviting as moulding bread;
tantric music for no instrument, hoarse
cries unbeheld —

            until the flesh no longer flounders
pressed against sleep-shaped youngness
hewn lissome in the hours of no succor,

       modeling silence in the thrill of
this enthusiastic space,
           hands scouring muddied
  obscure, atremble,
      shadowless hours fill stomachs with
the plump word of rescue yet none
  of these fingers unwished the
ingenuity of dull gods — this twilight
  nor twinight could ever grive
in forethought, striking bells to signal birds
         to arrive again so we could feast
in  silver  fish, with bare hands scaled to callouses,
    
      looking at it twice-over, this battered yolk
of whiteness, with deeds of the viridian
   now atrill in new fragile woodworks

       lurching and
         ameliorating as we all
    stutter and sing
       haunts dabbing open
  lips of small wounds that
   wish to shut quietly,   almost
every threat of gray     or pummel of
   wind startles the flyblown ornate,
  
   hurrying us back to cornerless homes
where all photographs washed away,
    very few hang
               swayed by verdure
  of the gradual throne of sea
        curving perpetually the several stars
we have ignored for a while,
     where everything quite begins
    again to enthrall with a melodic
  leitmotif of the most tender of
       instances loose
            in mouths
                 and in endless recall
                  
                                               breathless—
For Tacloban, the derelict of Typhoon Yolanda.

2 years ago, typhoon Haiyan pummeled and ravished the Philippines, leaving Tacloban in complete disarray.
The Black Raven Oct 2014
Doors of skeletons
and closeted fears,
framed insecurities
warn down for years.
Beds of monsters,
talons in the dark,
creeping closer
making its mark.
Sluggish bodies and
pots gone stale,
moulding diseases,
where strong bodies fail.
Salivating hounds and
sharpening teeth,
kettle of fluids that
drink underneath.
Clusters of death
and moans of life,
try to escape but
Instead twist the knife.
We deserve the world we live in.
.
We've worked too hard to destroy it
To stop now.
.
.
We deserve the wars being fought.
.
We've built too high our borders
To tear them down now.
.
.
We deserve injustice and discrimination.
.
We've made too much an effort to build social barriers
To get rid of them now.
.
.
We deserve bad governments.
.
We've enabled them too much and given them too much freedom
To start complaining now.
.
.
We deserve all types of pollution.
.
We've taken nature for granted for too long
To take care of her now.
.
.
We deserve illnesses.
.
We've lived on excess for too long
To start worrying now.
.
.
We deserve the reality we live in.
.
We've been moulding it for generations
To break free from it now.
.
.
We deserve what we have.
.
We've put all our energy on it.
.
.
But who's to say we don't deserve
.
The chance to change as well
.
The opportunity to wake up
.
The drive to find unity
.
The knowledge to see the errors in our ways
.
.
Who's to say we don't deserve.
.
The chance to live.
.
.
Sabila Siddiqui Sep 2018
Unfortunately you are not for everyone. Not everyone will like you. Not everyone will love you regardless of what you do and how nice of a person you are. Not everyone will vibe with your energy and not everyone will understand and support you.

Even though it is a bitter pill to swallow at times don't let it make a turmoil of your emotion and deplete your energy. Because your time and energy is so much more precious than exhausting yourself by shapeshifting to pander to the whims of others, moulding yourself to fit in every where and hence retaining no shape to call your own.

Choose not to sacrifice your uniqueness to succumb buttering up their bread. To Be selective with your energy by politely waving them goodbye to stand by your values and lifestyles that most deeply resonate with you. Choose to take social risks regardless of the awkward glances and haughty whispers. Choose to not care of what others think to the point it stifles your ability to take risks and disrupt your social satisfaction.

For there is nothing more liberating than to not waste your life allowing the faultfinders to dictate your actions. To seek to align your actions with your heart. To stand up for something, to do and believe what brings  content regardless of it being disliked. It is beautifully candor being your authentic self.
izzy w Dec 2011
Emily wants to be a Prince when she grows up.
Emily knows that wind comes from trees waving their branches
when they dance to sunsongs, stirring the air up,
and when Emily looks at the beach she knows
that seals are just narwhals without horns
and narwhals are just unicorns that forgot to get on the Ark
when God drowned the world in His tears
(so He gave them tails instead of hooves
and let them swim in all His misery forever).

Emily parts her hair on the side
so she can be a Prince when she grows up.
She parts her hair on the side and wears leggings
and a little green hat and runs bare-chested
through the forest catching fairies

and on clear nights Emily can see her moonshadow
and they dance together, four and forty feet tall.

Prince Emily has a cardboard castle.
It used to be a house but Emily took some crayons
and drew herself crown moulding and flower boxes
because she wants to be a Prince when she grows up
and she took that box and brought it
under the electric fence
and past the cow field to the
(rapidly disappearing
on account of those
mysterious trucks
that drive by at night)
forest and to her
very favourite
spot

by the stream.

Maybe she’s there right now,
looking at the water and wishing it would ever
even in the summer grow warm enough to swim.
Maybe she’s there right now,
with her chest bare and her hair blonde
and her eyes huge and blue
and her face messy with berry juice
because there’s no-one to tell her
to wipe her chin
and no-one to tell her
to grow her hair long
like the other girls.

So Prince Emily parts her hair on the side
and talks to Peter Pan and Robin Hood
and her own shadow
and sometimes
God.
Faded gilding, rubbed through to cracking, flaking wood.
A glamour of ages, sliding, flies to the breeze.

The little bird perches on a once-fine moulding;
Head tilted, one bright eye turned towards the mantle
where a half-blind mercurised mirror barely reflects
an army of creeping vines, consuming naked angels
and the God of this house.

Our hero’s velvets are ruined, dripping and eaten through.
Where riches have lived, decay succeeds.
Nature’s velvets; opulent mosses and emerald lichens
are devouring damask
and smoothing over marbled hardness.

The bird listens for footsteps.
The lady would scatter crumbs on the windowsill
and he would flutter, unafraid,
to peck at her sweet feast.

Once, she drew him.
Fine-lining passerine delicacy,
her pencils fetched him,
and bestowed him an artist’s nobility.
He turned, this way and that,
flashing gold-touched wings,
miming a duchess snapping open a fan.

She’s gone now,
and so have the crumbs.
The bird senses no sugar on the sill,
nor the faintest reminiscence
of lavender perfume, glittering as star bursts
at the hollow of her throat.

He sings regardless,
a mournful beauty
longing to return to a glorious, lustful age,
where light refracted in cut crystal,
danced upon frescoes
and illuminated the ugly –
- to render them enchanting.

He swoops to dance on the mantle,
answered by the mirror
and sits a while, preening.

The gentlemen and ladies are gone forever.
Ejected from history to echo as ghosts of fancy and excess,
undeserving of remembrance or pity.

The bird will never forget.
And knots up secrets
kept tightly in his breast,
committed to his tiny, fierce heart.
The Goldfinch is my favourite bird - both owing to its numerous appearances in Renaissance art and as the silent protagonist in Donna Tartt's book bearing its name.

— The End —