They still exist;
Both literally and metaphorically.
Little girls *** trafficked,
Boys slave in sweat shops,
Buissnessman works a 60 hour week.
Everyone's got their own chains.
Some we put on freely,
Some are ****** upon us,
like maturity on an orphaned child
--Some are cut into our wrists.
With every lie,
With every curse,
With every slander,
Pain built up creates inside
these fine little links;
Alone they are weak, but together
UNBREAKABLE
27 million slaves in the world
But that's just an estimate.
When we look inwards
We see so. many. more.

Friends, in the Introductory portion we have seen how Herodotus
gave birth to the subject of 'History'. Now I conclude this true story
by quoting a poem by the English poet Edgar O' Shaughnessy, which
is very appropriate for my Story! Please take your time to read, there is no hurry! Thanks, -Raj Nandy.

        HISTORIANS  AFTER  HERODOTUS
Herodotus became the trail blazer with his narration
of History,
Inspiring several Greek and Roman chroniclers as  
we subsequently get to see!
There was Thucydides, Livy, Sallust, Xenophon, and
Polybius,
Not forgetting chroniclers like Julius Caesar, Tacitus,
and the oft quoted Plutarch!
The Roman scholar Cicero had called Herodotus the
‘Father of History’;
But later the Greek historian Plutarch criticized him
for his many hearsay inaccuracies!
Even though Herodotus had cautioned his readers in
his Historical narrations, -
About those hearsay accounts and doubtful portions!
Greek historian Thucydides, who was a junior and a
contemporary of Herodotus,
For his accurate historical rendering of ‘The
Peloponnesian War’ between Athens and Sparta, -
Was praised by later scholars very much!

CYCLIC AND LINEAR PATTERNS OF HISTORY:
Herodotus believed in Nemesis and a repetitive
pattern of History.
While Thucydides with his strict investigation drew
a line between myth and reality!
Thucydides viewed history as a political struggle
based on the nature of man;
And felt that since human nature does not change
often, -
The past events would reoccur once again !
The Greeks believed in this cyclic notion of History,
Also developed a prose style to narrate their stories!
Unlike the Greeks, Roman History did not begin in an
oral Homeric tradition,
But they had a ready-made Greek model for their
historical narrations!
Roman historiography began after the Second Punic
War against Hannibal of Carthage,
When Quintus Flavius Pictor wrote Rome’s History
in Greek, instead of Latin!     (around 200BC)
Cato the Elder, was the first to write in Latin Rome’s
History,
While the Roman Livy born in Padua in 59 BC, was
praised for introducing a ‘milky richness’ of style  
for narrating these true stories !
From Julius Caesar’s accounts we learn about the
Gallic Wars and events of those ancient days;
But he Romans had used History for propaganda
and self-praise !
Also to make the conquered world to look up to them
with wonder and admiration;
For the Romans were creating History with their
conquests in a steady progression!

CYCLIC VIEW OF TIME AND HISTORY
Perhaps the cyclic view of Time has influenced the
cyclic concept of History to a great extent,
Since this cyclic view was held by many of those
Ancients !
Ancient doctrine of 'eternal return' like the seasons
of Summer, Autumn, Winter and Spring, existed
in old Egypt, and the Hindu religion;
Also with the Greek Pythagoreans and Stoic
conceptions;
As well as in the Mayans and the Aztec Civilizations!
In the East, cyclic theory of History as succession of
dynastic rule developed in China,
While the Vedic Hindus developed their theory of
Cycles of Yugas!    (epoch or era)
Writing of Indian History had commenced with
the Colonial British initially,
Who had criticized India for its lack of a sense of
History and Historiography!
The ancient Hindus were more concerned with
religious philosophy, and the essence of existence,
Rather than getting absorbed with historical details!
The Hindus divide cosmic time into cyclic eras of
Satya, Tretra, Dwapara, and Kali Yugas;
With each era covering many thousands of our
human eras!
These Yugas or Cyclic segments of time is said to
repeat itself in a cyclic motion, -
Which had perhaps mystified their early views
of a clear Historical perception.
However, later Indian historians have corrected
the earlier British interpretations, -
By dividing Indian History into Ancient, Medieval
and Modern Periods,
Replacing the earlier Hindu, Muslim, and British
Periods as Colonial segregation!
And also by correcting the British Aryan Invasion
Theory as Aryan Migration;
Based on more accurate historical research and
better perception!

CHRISTIAN AND LATER VIEWS OF HISTORY:
St. Augustine during the 4th century AD, systematized
the Christian view of History, -
As a struggle between the City of God and the City
of Man, where the City of God gains victory, -
Establishing peace and prosperity!
The Christian view is therefore Linear with a
positive beginning and an end;
A providential view from the Creation of Adam
till the Day of Last Judgment!

THE RENAISSANCE: (14TH - 17TH CENTURIES):
During this period the theological view gradually
begun to fade, giving rise to the Cyclic concept of
History,
As illustrated by the decline and fall of the mighty
Roman Empire, immortalized by Edward Gibbons
in his narrated story!
This cyclic view was also maintained by Oswald
Spengler, Nikolai Danilevsky, and Paul Kennedy,
during the 19th and the 20th Centuries.

AGE OF ENLIGHTENMENT : THE 18TH CENTURY
This period advocated the use of reason to obtain
objective truth, when human beings made all the
difference freed from superstition and bigotry;
Which led to favoring a Linear and a progressive
view of History.
Voltaire symbolizing the spirit of this age had
supported human wit and education, -
Since only enlightened people could give History
a positive direction !
For Karl Marx Feudalism was followed by Capitalism,
and Capitalism by Communism.
History of existing Society as the History of Class
Struggle - was Karl Marx’s new concept!
For social material forces drove History, and this
‘historical materialism’ as a revolutionary view, -
many later Scholars did accept!

SOME MODERN CONCEPTS ABOUT HISTORY
Now I share the views of three of our renowned
Historians; the German Oswald Spengler, the
British Arnold Toynbee, and the American
Carroll Quigley,
To provide you with three different concepts
of History.
Oswald Spengler (1880-1936):
Spengler’s reputation rests on his work titled
‘Decline of the West’, considered as a major
contribution to social theory;
Where he rejects the ‘Linear’ view in favor of
definite, observable, and unrelated cycles of
History!
Rejecting the Eurocentric view of History and its
Linear division into ‘Ancient-Medieval-Modern’
Eras,
Spengler recognizes eight ‘high cultures’ which
evolve as organism, following the cycles of
growth, development, and decline;
And his views astonished the Western mind!
These high cultures were the Babylonian,
Egyptian, Chinese, Indian, Mexican ( Mayan&
Aztec), Classical (Greece& Rome), Arabian,
and Western or Euro-American!
Cultures have a life span of about a thousand
years each,
So the Western Civilization too shall decline one
day, - Spengler did teach!

Arnold Toynbee (1889-1975):
Toynbee’s 12 volumes on ‘A Study of History’
covers a wider spectrum of 23 Civilizations,
Where he rejects Spengler’s cynical theory of
growth and decline of Western Nations!
“Civilization is a movement and not a condition,
a voyage not a harbor”, Arnold said;
Like human beings Civilizations were free to chart
their own course with the capacity to ‘consciously’
choose its destiny, he had felt!
Arnold moves on to formulate his Theory of
‘Challenge and Response’, since by responding to
such challenges Civilizations could move on !
These challenges could be social or environmental
he had said;
The Greeks responded to their growing population
by taking to the seas and maritime trade,
And also prospered as their overseas colonies had
begun to spread!
Toynbee’s Civilization start to decay when they lose
their moral fiber,
He perhaps over emphasized the religious and
cultural aspects, ignoring those economic factors!
But his views were certainly more popular than
the cynical Spengler!

Carroll Quigley (1910-1977):
Quigley’s scientific trained mind could not accept
either of the above views,
So he created a synthesis of Spengler and Toynbee,
while paying History its dues!
Quigley laid down seven stages for the evolution
of Civilization;
Commencing with Mixture, Gestation, Expansion,
Conflict, Universal Empire, Decay, and Invasion!
His Civilizations are neither groups nor individuals,
But each is a system which share some common
traits.
In Quigley’s model each system come into being
adapted to their environment;
But since environment always changes, Quigley
states with some relish, -
Systems which cannot adapt themselves, must
necessarily perish!

WE ARE ALL LIVING PARTICIPANTS IN THE
  LONG UNFOLDING HUMAN STORY!
“Know Thy Self” said Socrates, and the Delphic
Oracle had pronounced that he was wisest of
the Greeks!
To know ourselves truly we must know about
our past,
For this evolutionary process shall continue as
long as the Human species last!
Today we remain as a living monument to the
past,
We continue to make History as long as humans
on this planet shall last!
Our planet earth is around 4.5 billion years old;
While the first ****-erectus emerged around
two million years hence - we are told!
By walking ***** the two hands became free to
develop,
With flexible fingers and the rotating thumb;
Which was crucial for shaping the destiny of
the Human species on earth!
Our Civilization proper dates back to about
five thousand BC,
Thus an emerging pattern we can easily see!
With the development of human consciousness
we have learned to delve inwards, -
To discovered within a vast macro world!
Now, I would love to conclude this narration by
quoting from the English poet Arthur William
Edgar O’Shaughnessy’s book ‘Music and
Moonlight’;       (1874)
Do try to follow the philosophical content relevant
to the Cyclic History of Mankind!

“We are the music makers,
And we are the dreamers of dreams,
Wandering by lone sea-brakers,
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams;
Yet we are the movers and shakers
Of the world for ever, it seems.

With wonderful deathless ditties,
We build up the world’s great cities,
And out of a fabulous story
We fashion an empire’s glory.
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And there with a new song’s measure
Can trample an empire down.

We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And overthrew them with prophesying
To the old of the new world’s worth;
For Each Age Is a Dream That’s Dying,
Or One That Is Coming To Birth.”

Thanks my readers and poet friends,
Sincerely hope you will now appreciate
History better, and love its contents!
**ALL COPYRIGHTS ARE WITH THE AUTHOR
RAJ NANDY OF NEW DELHI

You say its anger turned inwards
I’d agree
But the words are caught in my throat
Like the sobbing yells for help
My jaw is locked down like a cage
For introspective hell

Anger turned inwards
Yeah that sounds about right
Hatred or loathing might
Be more true
So I’ve got anger turned inwards
But I still have so much left
For you

I guess it’s in your job description
Measure my mentality
Pump me up with prescriptions
I’m like Charlie ******* Bartlett
I’m your favorite emotional harlot
Give me five minutes
I’ll make you feel connected
I’ll show you my false trust
And I’ll make you regret it

It feels mechanic
Programmed medicating
When I’m still half asleep
Not conscious enough
To pay attention
To my not so subconscious questions
Asking
Who are you
To tell me
That I need to be fixed

I hold so much resentment
For the time that you spend
Surrounding me
With all the facets of help
That I don’t need
Anger turned inwards
Staining every breath
Heavy panting
Straining with this weight on my chest
Anger turned out
Guilt and blame
Overwhelming shame
Because you taught me to never give up
But there’s nothing I want more
Then to slip up
Trip up
Get so high I’ll never come down
Get so high
To get six feet underground

But then again
I got “better”
I disappeared for three months
And I can’t even remember
Why it was so hard
To stand back up
On my own

Compromise
I’ll comfort your mind
But first
I’ve got to confront my lies
See,
I wanted this
Don’t you ever think otherwise
Of course its for attention
But does that make me not ill?
All I wanted was affection
But here I am
Popping pills

Conflicted
With the concept of sickness
I’ve been so desperate for
Identity
Just to feel ******* special
So insecure and lonely
that to get it I felt
I had to purge out my mortality
Make my self unwell
I lived a lie
Until it was true
I wanted this sickness
Until it was all I knew

O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt

There is beneath us the progenitor and we call it “Mother”. Above us is the progenitor and we call it “Net” for it takes us and tosses us into the known and the unknown.

Our home star is not as bright as yours. We prefer your temperate lands when we visit, where the vegetation is lush and green. Those of us who remain inhabit your deserts and open spaces.

We are your brothers and sisters. Our development has been to grow in awareness and the development of our power. You have the potential to develop as we have, but your instincts are of a social group who need dominant members. You develop your material reality and your physical world. Your anchor is fixed and you grip the familiar and reject the unknown. There is a comfortable point where you feel the fullness, that is the anchor. In order to maintain this as a static point you develop belief systems to support it. This is your weakness, you are innocent children.

We grew and developed along another pathway, our anchor is not  rigid. We use Net for our anchor and so are able to change our perceptual reality. We move in ways that you do not understand and in any direction. We draw the fibers of Net around us and jump and fly. You see us only from your anchor point so that you see us change shape, appear and disappear.

Our voices and languages are barely accessible to you. You hear deep sounds and high pitched chirruping and whistling. Very few among you have remnants of language incorporating any of these. Those remaining are as clicks and whistles. We prefer direct communication.

We are masters of illusion. Our survival has depended on it and it is our instinct.
Our power developed so that when we pull around us the fibers of Net we create a shield and throw an illusion before those who depend on vision. It is one of our protections and also our hunting technique. We are hidden from your material probes and instruments of increased sight in this way.

Although we have been close neighbours for aeons, you have hardly seen us, except for the Few. Your interpretations have created problems for you. Your reliance on the anchor is so great that some among you do go to great lengths to maintain it. There are those among you who will silence the Few rather than lose the fixed anchor.

You are infants only, a seeding coming to fruition, and you play with dangerous toys. Your anchor is geocentric. You are in danger as is any youngster who plays with fire. If we showed you ourselves openly your rulers would not be gentle in their curiosity. We have technology and use material tools but we have had less to restrict us. We held back your development as much as we were able to enable you to develop power of the mind and independent thought.

Your grasp of Net is strong but you are rigid and anchored. You have learned to stand up and hold on. Now is the time to let go and walk, let go and run, let go and fly.

Around what you name “body” and believe to be “All” is more that you do not perceive with your restricted vision sense. You are aware of this. If you will learn acceptance and filter less from your senses, you will find the beauty of the universe of energy around you and available. A small perceptual shift would show you how you appear to those of us outside your narrow sphere.

Your body has filaments, which when translated to sight, appear as small moving threads which shine with rainbows. They move and ripple inside an energy body of light. This is your true body. It has abilities and senses that are dormant as you do not access them. They are accessible but as your anchor renders you blind to this you do not use them without intense effort or instinctively in extremity. The filaments are drawn together and pass through the anchor. Depending upon your ability to select filaments of the Net, your habitual plane and reality is selected and determined.
Those among you with abilities in your energy senses you ostracise and even ******. You succumb to misinformation to treat them as fools or freaks. This may be instinctive but it is a control mechanism to perpetuate the anchor and maintain the hive of your artificial society. So due to this, you have even less sense of true reality as it could be to you, by breeding out and suppressing your gifts. We have attempted to rectify this with limited effect in successive seedings.

You may notice that our words to you have reference to sight. Your terminology is geared to vision. You rely on visual information  so much that you have neglected physical senses of taste and smell, hearing, touch and proximity. Compared with our perceptions you are as blind as a mole is compared to to your visual abilities.

Your construction of reality is so anchored that your dangerous inclination to gather around you artifacts gives to you a sense of permanence. You are anchoring yourselves in time, yet to you it is dead because your senses are dead. There is an opportunity for your predators to use this to enforce your perception of, and control you within, your anchor's limitations. In this way, producing written or pictorial and symbolic records in permanent form is beneficial only so far as understanding continues to exist of the conditions under which these records were left. By changing current understanding and language to suit their purposes, your enforcers are able to manipulate your branch of humanity on a large scale.

You seal yourselves into the rejuvenation plane of the Mother progenitor where you feed and breed. It is so pleasurable to you to stay within this cocoon of reality that you fail to open your cast and therefore fail to fly into the spaces of Net outside where your true inheritance lies. The end result of this is greed and unrest. Your greed is paramount to you as you seek ever more pleasurable gratification. You enslave one another, buy and sell time and forget what you are. You are allowing the destruction of your home world. Without the home world you will have no place of rejuvenation, and worse neither will the myriads of others who share this progenitor.

There is a song from each mother progenitor within Net. It is a combined song and made up of the host progenitor together with silent voices of each and every life form. Together from each home world, the inhabitants send out a pulse. This is not a song from one species of a world but rather it is a song from all species, in fact every particle of every organism that lives.

To our developed senses the song of a world is brighter than the star it orbits. They are filaments of Net. The varied forms of life all send out their unique song. Many of us interact, harmonise, visit, commune and combine. You feel isolation only because you fail to harmonise and join your own song.

In your past and present we have felt the song of your world. Those of us belonging are part of that song. It is the song of being from the many. It does not end at the perimeters which you imagine. You have a problem in that, for the majority, you do not join your voices to the song. Mainly it is in dreaming, in childhood and in old age that we hear you.

We attempted to observe and commune and found many of you receptive to us. We have taught to you methods of development and given you gifts and tools. You have kept and preserved some of this knowledge only for a select few. Fears and distrust among others has caused destruction of a great proportion of the gifts that we have given to you. We found many lines of breeding where potential for development was possible. Your greed and your predator class destroyed many of them due to the competitive desire to have power over others.

In past seedings upon your progenitor and in the oldest times of your present incarnation, we have been known well and respected. Acknowledged for our seniority and loved as cousins. You did call us gods to distinguish our abilities. Then what did you do? Your control mechanisms changed the meanings of your language, whole languages were lost in wars over territory. You developed power structures and religions. Powerful rulers accumulated and isolated your shared knowledge.

You reduced your development by selective education in the Way. Territorial disputes and greed over resources divided you. You ceased to listen to the Mother. Instead of harmonious living which you had managed in agreement with each other already, you were divided by hormonal impulses, insecurity, violence and greed. The natural openness of the female within it's central domain became enclosed, imprisoned and the natural desire of the male to outwardly discover and interact was turned inwards until it became a sedentary desire for dominance within the female domain. You lost the harmonics of the song. Your religions underestimate the power of borrowed tools. Your ruling classes made deals that they didn't understand, with predators they didn't recognise, in order to save themselves.

We stood on ground over ground and were called Immortals. We gave you wisdom and were called Kings. We moved and played among you and were called Jinn. We moved among the small folk and were called Faerie. We appeared in light and were called Angels. We wandered in places where you too did once wander and were called Ghosts and Demons. Those who spoke to us and attempted to impart to your hive our knowledge, you raised as prophets or slandered and ridiculed. You stole their words to make them your own words of power, changing them to your own ends or you murdered the messengers because you feared the changes that increased understanding brings.

You incorporated the experiences of your murdered victims into a celebration of your own power structures, twisted and out of synchronisation with the song. There are some among you who are in communion with the Great Spirit of life. We seek to heal your song, your complete home world song for the benefit of the myriad sentient beings who rejuvenate here, including yourselves. We seek to set you free to wander the threads of Net. It is within your reach but not in the ways that you  are taught.

Your world is about to change and you must change with it as you are a small part of it. Holding the threads into your own anchor point will break them. You have reached inertia, entropy. The movement has to come, it is inevitable. Imagine one of your large machines of cogs and wheels and bars. Your insistence upon a rigid anchor is like a bar within the machine that doesn't move. A point of inertia in a moving system will be removed. This has happened over and over among your kind and our kind in many places and worlds. You do not remember when worlds underwent cataclysm, forgetful of trauma you have followed a similar path.

We travel along pathways of energy, both upon worlds and in the Net. Moving bodies follow these paths. We follow comets and small bodies able to move freely within Net. Net permeates your mother progenitor.

Survivors mapped the movements of Net after the slate was wiped clean and you were reseeded. There is a secret that your rulers are aware of and you are not. The secret is that there are no rulers within Net. You all have the freedom and capability to access true harmony of the song. You allow a faction, to call themselves an elite class. You fear this as a hidden power, a predator. It's aim is to amass Time: a power based on material wealth. They take this power easily as they have taken and twisted truth and history. The gifts are shared among you equally and these few know this. Resources are plentiful and yet you succumb to their restrictions. A predator cannot survive without it's prey. We are not your predators although we move among you. Your predator is within and feeds upon your fear.

You are not in the tribes now, you have no shaman, no guide to take you in and out of the gate and this role cannot be allocated to parasitic Blind Time Hoarders. These whip up your passions and lead you into war and destruction to further their material wealth. It leads you away from the song, as these think to enhance their own survival which it may do but never can as they understand it. They seek to steal your dreams and make them their own, they are helpless without you. They care nothing for the song because they are aware of successive seedings.

Net is a dream reality, changing, immeasurable, boundless, filled with infinite possibilities and you are creators. Blind time hoarders drive you by combining the minds and dreams and belief systems of many to focus onto what they themselves desire, in order to bring it to fruition. They employ dream stealers to prevent your development. They believe that their own song can exist independently and they guide you only to anchor yourselves into your own prison.

All is a dream, all is ephemeral, changing, dynamic. There is no death after death, no damnation on any particular plane. Reality is how you construct your song. Your rulers create inertia for you the many and profit for themselves using you as the tools of your own entrapment. There is no death and no damnation, they are constructs of your reality made by material anchor points and you are controlled by fear of the inevitable. It is a statecraft to use belief systems to control perceptions of reality in order to fix the anchor point to a rigid point of convenience. In this way you are farmed, you are a crop in each seeding. Who seeds you? You seed yourselves. Sentient beings are all naturally regenerated by the mechanisms of Net when conditions exist that are compatible, world after world, in each growth cycle of every celestial body. In the regeneration, holding to your rigid anchor point, you seed into your prison after each cataclysm, each breaking of the inertia.

If you would be open to the mechanisms of the place you inhabit with it's creative forces, it's sentience and it's dynamics you will learn to fly the progenitor Net's pathways and return home for rejuvenation to your progenitor Mother of the tribes.

Dogs take new friends abruptly and by smell,
Cats' meetings are neat, tactual, caressive.
Monkeys exchange their fleas before they speak.
Snakes, no doubt, coil by coil reach mutual knowledge.

We then, at first encounter, should be silent;
Not court the cortex but the epidermis;
Not work from inside out but outside in;
Discover each other's flesh, its scent and texture;
Familiarize the sinews and the nerve-ends,
The hands, the hair - before the inept lips open.

Instead of which we are resonant, explicit.
Our words like windows intercept our meaning.
Our four eyes fence and flinch and awkwardly
Wince into shadow, slide oblique to ambush.
Hands stir, retract. The pulse is insulated.
Blood is turned inwards, lonely; skin unhappy ...
While always under all, but interrupted,
Antennae stretch ... waver ... and almost ... touch.

I just feel so limited
It's 11 pm and I want to go for a drive
But my parents just won't take me
I want to go for a drive at 11pm
In my france france france sweatshirt, hair loose and all
and I want to stick my head out of the window
And I want to feel the cold air pass me by and go through my bones
And I want my hair to fly in the **** wind
and I want to listen to mainstream music and some feel good music
And I want the sky to be pitch black, with stars
And I want to pass trees and solely trees and smell the leaves and the pine cones
and I want to see the city from down below, as the street lights light up the town in golden arrays
And pass a restaurant with some music
Maybe even some random people loitering in a corner of a smoke shop with purple lights and cigarette smoke crowding everywhere
And I want to just look at them
And think about them
And what they did to get there
And I want to see a couple holding their hands and walking down the street
Even though its 11 pm
And I hope they're just happy
And I want to hold my dads big warm hand while I do all of these things
Because I got shotgun
And I want my brother to sit quietly in the back, and my dad to hum some Indian song
While I do all of these things
And I want to go to an aquarium and stare at jellyfish
Lavender jellyfish
and bright electric blue jellyfish
And pink and orange jellyfish
And I want to smell the AIR
And I want more of me to grow than the part in my brain that controls calculus and SAT
I want to grow physically and mentally and spiritually
There's a whole world out there
A whole WORLD!
And I'm in my room
My mother is in the kitchen thinking I'm doing SAT, and my dad is working and stressing over his job, and my brother is in his room writing his first interactive program
and I'm in my room, knowing i'm supposed to be doing SAT, but all I can think about is
how there's a whole messy majestic gigantic WORLD out there
And I am sitting here doing calculus and SAT
And it seems like its all for nothing
For only myself
And I know I'm not necessarily supposed to be this altruistic human being
I'm supposed to want things for myself
I'm supposed to be selfish in how I study and where I put my time but thats just not enough for me
I want to spend all day planting poppies and sunflowers
And in the night I just want to stare into infinity at the sky
And I want to cut my hair shoulder length, dye the bottom blue, get another piercing, decorate my hands with  henna, and walk around in vintage crop tops and flowy pants and matte black michael kors sandals
And I want to stop watching TV and going on facebook and having superficial banter and disgusting small talk
And I want to do yoga for the right reasons
Because yoga is the journey of the self, through the self, to the self, and I don’t want to do it solely because I want nice arms or a bendy back or a nice **** I mean even though its okay to want those things but I just want more
I want everything to be just raw and I want people to expose themselves and I want to expose myself and I want
my parents to just LISTEN to what I want
And recognize the fact that this is the third night in the row that their daughter has outwardly displayed to them that
there's chaos in her mind because she just can't handle
doing and being absolutely nothing
anymore
And I want to read about human rights and global warming and how
when a chef is cooking for a ton of people, he uses utensils to remind himself what to do next
and I want to read about forensics and how mass spectrography and chromatography help detect if someone is poisoned or not
And I really don't want to do SAT
Not because its hard or boring, or even because it seems useless but because
it just seems so *******
useless and irrelevant
And I want to stop living the life I want to live on a **** website
Because its opened my mind so much but I want to SEE sunflowers instead of
looking at pictures of them and I want to SEE
elephants and kittens instead of just
looking at them and I want to
feel a connection with a human being rather than just imagining what it would be like and I don't mean romantic relationships, no
But I just want to stop being so ignorant
And I want to know everything
And really all I want to go is forget that
I have to study tomorrow
I just want to go on a car ride
And stick my head out of the window, like a dog
Because I am happy, like a dog
Just why am I LIMITING myself?
For what???
I want to talk to people
I want them to teach me something
Because people are nature Tamille
Some people are delicate flowers
Some people are raging thunderstorms
Some people are disarrayed forests
Some will leave me breathless, some will knock me down
And some will be gardens and some will be SUNSETS and
I want them all to teach me something
And I want to speak my mind and look HIM whoever he may be
In the eye and and I want to stop being so small
And I may be insignificant but I'm an infinity
Because all galaxies are infinite
I read that there are as many atoms in a single molecule of DNA as there are stars in a typical galaxy
each of us are our own UNIVERSE
And thats why we burn too brightly sometimes and thats why we
collide sometimes and thats why we
collapse inwards sometimes and thats why we explode sometimes and start anew
And I want my soul to project outwards
I want whatever of me that is trapped in my bones to just
spill out
And I want someone to feel all the love and happiness I have in me from
across the room
And I want to stop being so closed up and insecure and timid
I think you're a towering mountain Tamille
Or thunder
I wouldn't say you're lightning
But I'd say my mom is a delicate flower and my dad is a powerful river and my brother is a colorful sky and I want to be
a forest
I just want to stick my head out of a car window, like a happy dog
Because I am happy
I don't want to be young and scared even though I know its okay to be scared
But I want to stop swallowing my words and stop being so paralyzed
Because I can do whatever I want
I must set fire to my old self
I must start anew.
Why am I so scared for WHAT
For what
Okay so what do I do now
I think saying all that was a good start
Here's whats not going to happen
I'm not going to wake up late tomorrow
or not too late
And I'll go for a walk
To the pecks
And I'll play with the chickens
And I'll read with the chickens
I'm just burning right now
And now it seems silly to sleep
Tamille, when I come to LA for winter break
We will go out on drives at 11pm, even 2 am
For the sake of living
And we will walk alongside the beach at preposterous hours of the day
Simply for the sake of living
And we won't be phonies
Because thats silly
And we must try not to be phonies
Just for the sake of living
But of course I can't just be this spontaneous extemporaneous person online
I need to be like that Offline
more than anything because I just
need to talk to people more
And I need to see the jellyfish and I watch them with their tentacles floating upwards and downwards and just there in what is to them, an abyss
Maybe we're like
jellyfish in an abyss
Like how humans just watch jellyfish in containers
Maybe we're the jellyfish
I need to be a good memory to people
Because we remember more than we think we do
So I must try my best to be a positive remembrance
I can teach  someone something
I can teach a random stranger something
I can teach my mom something
I can teach my 85 year old neighbor something
I can teach you something
It feels wrong to say all that and then go to bed
So I think I'll just walk outside and stare into infinity once more
And then ask my dad if we can go on a car ride one more time
And then I'll come back in my room and read about global warming
Or maybe I'll read about global warming outside
Because a child educated only at school, is an uneducated child
And I hope you read all this because out of everyone I chose you to tell it to you
And i hope your response isn't just "go do all that then"
I hope you read all the many messages
And now I will log off of facebook
I hope you also wake up in the morning and make it a great day
Not "hope you have a good day"
But rather
Make it a great day

a dragonfly settles slow on languid-fingertips..
can they smell my heart melting?
there’s a super-cracking inside this geyser
soon to crack some more


1.
I hold a tree inside my palm
you can’t actually tell where its roots really grow
veins don’t fade easily.. just the eye won’t see it

blackest bull-dogue waits behind the silverfish-caravan
who the heck knows why it waits in saliva’d-chains
but it lurks there, in silent-rancour

one eye flicks inwards and gets inverted
licks at all the flies inside
there’s a buzzing to be *felt from miles away

touch-tone insignia keeps calling and calling
screaming off its ugly provided-head
demanding eye-scales which cannot fall

black-stockinged nuns profess utter-diligence to duty
hide their want within the deep-wells of darker-veils
while rosaries are fever-fingered with reverence

keep swinging that twig under my scissored-wishes
you may just miss once
and catch my whirring 'copter-feet


2.
man, if you jump high enough and not fade.. away
you may never have to feel that wicked-thud of landing
one click onto the nebulae and you’re truly home

at the young boy’s feet, they lie
a host of little beings.. not breathing
that jokers cannot understand

as sang in epic-tunes of yore
better to burn out than rust
stay forever young..


reach out with seeker-arms in pin-striped shirt
yes, push mercy down upon its sweet-cheek
and sense the reek of discontent in neat patterns.. waiting to fall
no use looking at poverty crying for a way out as blood runs down its head
tell yourself it’s only paint.. meant for a well-researched lesson on another day


pick up your chair, poet.. and ruuuuuuuuuuuuuuuuuuunnnn!!
while feathers fall onto the heads of sinners who sack the fading light


and mind you don’t trip on your way out
your head..




aches





S T – 4 nov 13

If you could open up every man in the world
You'd find that they've been popping pills their entire lives
Yet no one ever thought of an intervention
These pills are capsules of clear salty water
That drown their hearts, killing off every emotion
They are not allowed to wet their cheeks
Because according to the myth, male tears shrink penises

Men do not cry; they bleed inwards
Their blood is stained with all their fears and pains
But they do not feel anything
They are men, and men don't feel
Men don't hurt; men only exist
But how do they breathe with all that water in their lungs?
When they exhale, their breath carries little drops of water out
They are round, soft, and pleading for help
"Let us out! We can't breathe! It's too dark in here,"
For the heart is the light of the human soul
Drown it and everything shuts down

Crying is not just tears streaming down your face
Crying is establishing a connection with yourself
It is an acceptance of pain
And acceptance is the first step to move forward
When you cry, your barren eyes are washed and cleaned
Drying out the well inside your chest
Letting your heart breathe
Letting your body rest
Letting your soul shine

Men are oceans of salt and pain
When the only thing they need to be is human

The Aces check their sleeves,
Hearts rippling across the breeze.
The Queen arises
Slowly,
Torn dress ripped at the knees.

The Jack saw his fill
And quickly took his leave.
Stood trembling in a doorway,
Mind struggling to believe...

The King was an alcoholic,
It was widely known to be so,
Each eve he would sit solemn,
Wine in hand and sword on show,
Clapping to the Jokers' japes
As he danced and sang
About love and fate.
But how was the King to know?
Not two rooms away
His wife had lain,
With a smile and a *****.
Creating a cuckold and a fool...

The Jack had had enough
And promptly marched
To the throne room.
Armed with only knowledge,
Unleashes inevitable typhoon.

The winds will rise,
This house shall succumb,
Imploding inwards
Till the house is done.
And all that remains
Among ash and decay,
Broken hearts and broken spades,
Is the Jokers last laugh.
A mockingbirds call as daylight fades.

Little speckled bird,
quirky nerd, owl eyes-
gleaming behind the glasses,
often you zoom inwards
and land in that never never land
beyond the reach of most,
yet I am in love with your
ingeniousness that defies words.
bit strange it may sound
but I am one who explores
the hidden spaces beyond
my desired comfort zones.
they warn me saying a nerd
is a killjoy, nothing else
Swimming against the tide
I hear your excited chirps inside
making me restless with anticipation,
my intellectual slant
received your approval,
many times,I am hopeful
growing my beard long
I'll wait here, till you return
completing your mission.

She turns off the lights,
lights a scented candle- lavender, her favorite.
She lays her tired body
and surrenders to the needs of her inner self.
She knows she's empowered.
She knows herself.
She knows what she wants.

Her petals wet with her desires.
She reaches inwards as deep as the night.

Her body quivers while she lets out soft moans
until she can take it no more; but she knows what she wants.
She never stopped reaching for the glory of self love.

Her moans grow louder.
Her state of mind in disarray.

An earthquake.
A huge internal earthquake.

Non-destructive.
Recuperative.

Pulse.  Pulse.  Pul­se.

She knows what she wants.
She breathes in deep and smiles.

The city sounds of ordered chaos, the constant wave of people crossing back and forth like a human tide. Strangers cut in and out of their tiny groups and barely miss colliding. Honks and bleats hasten the crowds pace as they race to cross the road. Some people stare at their phones, others watch the road but no one looks directly at another human being. Somewhere, near here and in-between there just off to the side a stranger sits mumbling, barely coherent.

“Watch me.”

The age lines run so deep into his skin that they might as well be built in. White stubble paints a drawn slightly sunburnt face. Deep dark blue eyes scan the city life for some unknown relief.
A red line catches his eyes, followed by a childlike voice singing playfully. “Watch me mommy.”

Tiny matchbox cars race around a shallow hole. The little cars cross dips and dirt ramps increasing the young boy’s excitement, as he mimics his favorite show. They crash into a partially exposed root. “Brrckkkeeech bccccch.”A fake explosion sounds. Dusk begins to fall as the cars settle into their makeshift cereal box garage. Smiling and dusty the boy crosses the small road, then the tiny parking lot, and comes home.

Long ***** white hair falls messily across the man’s worn face. All but a few awkwardly placed teeth are gone. Some are yellow while others are darker and rotting. His breath reeks. The emaciated figure feels the cramps of hunger pains. A brown speckled haze clouds his vision, followed by a slight coldness and dizziness creeping over his body.

“Watch me.”

Cardboard swords clash in a titanic battle of good versus evil.  Until the young victor jumps upon his sawhorse stead. A yowl of pain sounds as his tiny sac is smashed. The pain jolts upwards and inwards causing temporary paralysis. Thin legs scrape the wooden brace dragging chips of paint down with him as he falls off his fake saddle. The victor is defeated by pain. A few seconds later the internal pain passes and he is up and at it again, running straight for a large tree. At the last second he swerves barely avoiding a painful collision. In his mind a red cape swooshes behind him as he flies off to save metropolis.

The summer heat draws pit stains on the old man ***** orange tee. The neckline is stretched and has an almost circular pattern of moisture. Barely able to move, his sick stench draws the attention of flies. Bugs buzz by almost as frequently as strangers walking by.

“Watch me.”

Tears fall from the tiny child eyes, as he stumbles in pain. A deep **** runs red with lines of falling blood. His mother picks him up and carries him to the neighbor’s car. She whispers soft word of reassurance. The tears eventually stop.

The man clenches his chest. Pain permeates his being. His breath is lost. He stumbles falling harshly against the cold grey cement sidewalk. Tears fall. He reaches for strangers pleading weakly for their assistance. A foot smashes against his left side, causing more pain to flame up; while forcing him to edge of the sidewalk. The crowd keeps moving.
A stranger snarls “get out of the way you ***.”

“Watch me.” The old man whispers as he recalls his mother’s warmth. Soft kisses planted on his forehead. Sitting in the dark living room safely snuggled next to his mother as a scary storm rages violently against a small house.

“Watch me.” He cries. His voice, obscured by the city, fades and is forgotten.

Do not glance at the answers of your classmates.
I do not mean this in a strictly literal sense.
Do not glance at the answers of your classmates.
This is a reflection of Ego, the morality of a copier:
Seeking the easy way out; without personal gain.
Self-defeating in the truest sense of the term.

Those who concern themselves with the affairs of others
shall forever condemn themselves to a sort of cognitive hell.
Do not concern thyself with the lives of others;
you have thy own path to walk.

Those who seek overtly to alter the affairs of others
usually presume or at least condescend
and in the process of doing so
allow themselves to go astray.

Do not glance at the tests on your classmates desk;
what is worse: to know you are wrong, or to deny to yourself your ignorance?
Do not look unto others for answers for your problems
for they cannot know what battles you fight each day.

Look inwards for deeper understanding
for it is thy prism that is responsible for thy spectrum
which in turn is responsible for your perceptible reality.

The truest of teachers do not claim to be so,
the truest of scholars do not simply attend formal classes
the trust of sages claim not their wisdom,
the truest of wisdom seems paradoxical.

Look not unto thy peers for the standards to which to hold thyself.

If this seems to be selfish or self serving,
I wish to remind
Illusion is begun with "I"
and "I" is a temporary vessel.

Thy body knows thy path;
It is thy vessel; it has a compass.

Follow your passions while you still can.
Begin thy Magnum Opus.
Nothing else matters.

She’s the type of scary that isn’t in horror movies or Halloween decorations, not the kind that makes you scream or want to run away but the silent sort that paralyzes you and makes you wish you had never, not just lived, but existed at all after witnessing that type of darkness. The kind that instills mind shattering dread in your soul and the desire to simply crumble inwards totally destroyed in a pile of dust so you may never feel again because nothing will ever fix what you saw and felt. The kind of scary that makes you properly comprehend the word’s meaning. I would be wrong, however, if I were to tell you she is the worst kind of scary because the word “worst” means it’s the furthest on the scale and this terror is not on the same scale as any other sort of scary. This broke the scale. This is beyond. This is its own kind of scary. On its own level, in its own dimension, under its own category,
this


....is true scary....

Please comment I'd love to hear any thoughts! This is a description of a free verse poem describing one of the characters I created.

With these words Hector passed through the gates, and his brother
Alexandrus with him, both eager for the fray. As when heaven sends a
breeze to sailors who have long looked for one in vain, and have
laboured at their oars till they are faint with toil, even so
welcome was the sight of these two heroes to the Trojans.
  Thereon Alexandrus killed Menesthius the son of Areithous; he
lived in Ame, and was son of Areithous the Mace-man, and of
Phylomedusa. Hector threw a spear at Eioneus and struck him dead
with a wound in the neck under the bronze rim of his helmet.
Glaucus, moreover, son of Hippolochus, captain of the Lycians, in hard
hand-to-hand fight smote Iphinous son of Dexius on the shoulder, as he
was springing on to his chariot behind his fleet mares; so he fell
to earth from the car, and there was no life left in him.
  When, therefore, Minerva saw these men making havoc of the
Argives, she darted down to Ilius from the summits of Olympus, and
Apollo, who was looking on from Pergamus, went out to meet her; for he
wanted the Trojans to be victorious. The pair met by the oak tree, and
King Apollo son of Jove was first to speak. “What would you have
said he, “daughter of great Jove, that your proud spirit has sent
you hither from Olympus? Have you no pity upon the Trojans, and
would you incline the scales of victory in favour of the Danaans?
Let me persuade you—for it will be better thus—stay the combat for
to-day, but let them renew the fight hereafter till they compass the
doom of Ilius, since you goddesses have made up your minds to
destroy the city.”
  And Minerva answered, “So be it, Far-Darter; it was in this mind
that I came down from Olympus to the Trojans and Achaeans. Tell me,
then, how do you propose to end this present fighting?”
  Apollo, son of Jove, replied, “Let us incite great Hector to
challenge some one of the Danaans in single combat; on this the
Achaeans will be shamed into finding a man who will fight him.”
  Minerva assented, and Helenus son of Priam divined the counsel of
the gods; he therefore went up to Hector and said, “Hector son of
Priam, peer of gods in counsel, I am your brother, let me then
persuade you. Bid the other Trojans and Achaeans all of them take
their seats, and challenge the best man among the Achaeans to meet you
in single combat. I have heard the voice of the ever-living gods,
and the hour of your doom is not yet come.”
  Hector was glad when he heard this saying, and went in among the
Trojans, grasping his spear by the middle to hold them back, and
they all sat down. Agamemnon also bade the Achaeans be seated. But
Minerva and Apollo, in the likeness of vultures, perched on father
Jove’s high oak tree, proud of their men; and the ranks sat close
ranged together, bristling with shield and helmet and spear. As when
the rising west wind furs the face of the sea and the waters grow dark
beneath it, so sat the companies of Trojans and Achaeans upon the
plain. And Hector spoke thus:-
  “Hear me, Trojans and Achaeans, that I may speak even as I am
minded; Jove on his high throne has brought our oaths and covenants to
nothing, and foreshadows ill for both of us, till you either take
the towers of Troy, or are yourselves vanquished at your ships. The
princes of the Achaeans are here present in the midst of you; let him,
then, that will fight me stand forward as your champion against
Hector. Thus I say, and may Jove be witness between us. If your
champion slay me, let him strip me of my armour and take it to your
ships, but let him send my body home that the Trojans and their
wives may give me my dues of fire when I am dead. In like manner, if
Apollo vouchsafe me glory and I slay your champion, I will strip him
of his armour and take it to the city of Ilius, where I will hang it
in the temple of Apollo, but I will give up his body, that the
Achaeans may bury him at their ships, and the build him a mound by the
wide waters of the Hellespont. Then will one say hereafter as he sails
his ship over the sea, ‘This is the monument of one who died long
since a champion who was slain by mighty Hector.’ Thus will one say,
and my fame shall not be lost.”
  Thus did he speak, but they all held their peace, ashamed to decline
the challenge, yet fearing to accept it, till at last Menelaus rose
and rebuked them, for he was angry. “Alas,” he cried, “vain braggarts,
women forsooth not men, double-dyed indeed will be the stain upon us
if no man of the Danaans will now face Hector. May you be turned every
man of you into earth and water as you sit spiritless and inglorious
in your places. I will myself go out against this man, but the
upshot of the fight will be from on high in the hands of the
immortal gods.”
  With these words he put on his armour; and then, O Menelaus, your
life would have come to an end at the hands of hands of Hector, for he
was far better the man, had not the princes of the Achaeans sprung
upon you and checked you. King Agamemnon caught him by the right
hand and said, “Menelaus, you are mad; a truce to this folly. Be
patient in spite of passion, do not think of fighting a man so much
stronger than yourself as Hector son of Priam, who is feared by many
another as well as you. Even Achilles, who is far more doughty than
you are, shrank from meeting him in battle. Sit down your own
people, and the Achaeans will send some other champion to fight
Hector; fearless and fond of battle though he be, I ween his knees
will bend gladly under him if he comes out alive from the
hurly-burly of this fight.”
  With these words of reasonable counsel he persuaded his brother,
whereon his squires gladly stripped the armour from off his shoulders.
Then Nestor rose and spoke, “Of a truth,” said he, “the Achaean land
is fallen upon evil times. The old knight Peleus, counsellor and
orator among the Myrmidons, loved when I was in his house to
question me concerning the race and lineage of all the Argives. How
would it not grieve him could he hear of them as now quailing before
Hector? Many a time would he lift his hands in prayer that his soul
might leave his body and go down within the house of Hades. Would,
by father Jove, Minerva, and Apollo, that I were still young and
strong as when the Pylians and Arcadians were gathered in fight by the
rapid river Celadon under the walls of Pheia, and round about the
waters of the river Iardanus. The godlike hero Ereuthalion stood
forward as their champion, with the armour of King Areithous upon
his shoulders—Areithous whom men and women had surnamed ‘the
Mace-man,’ because he fought neither with bow nor spear, but broke the
battalions of the foe with his iron mace. Lycurgus killed him, not
in fair fight, but by entrapping him in a narrow way where his mace
served him in no stead; for Lycurgus was too quick for him and speared
him through the middle, so he fell to earth on his back. Lycurgus then
spoiled him of the armour which Mars had given him, and bore it in
battle thenceforward; but when he grew old and stayed at home, he gave
it to his faithful squire Ereuthalion, who in this same armour
challenged the foremost men among us. The others quaked and quailed,
but my high spirit bade me fight him though none other would
venture; I was the youngest man of them all; but when I fought him
Minerva vouchsafed me victory. He was the biggest and strongest man
that ever I killed, and covered much ground as he lay sprawling upon
the earth. Would that I were still young and strong as I then was, for
the son of Priam would then soon find one who would face him. But you,
foremost among the whole host though you be, have none of you any
stomach for fighting Hector.”
  Thus did the old man rebuke them, and forthwith nine men started
to their feet. Foremost of all uprose King Agamemnon, and after him
brave Diomed the son of Tydeus. Next were the two Ajaxes, men
clothed in valour as with a garment, and then Idomeneus, and
Meriones his brother in arms. After these Eurypylus son of Euaemon,
Thoas the son of Andraemon, and Ulysses also rose. Then Nestor
knight of Gerene again spoke, saying: “Cast lots among you to see
who shall be chosen. If he come alive out of this fight he will have
done good service alike to his own soul and to the Achaeans.”
  Thus he spoke, and when each of them had marked his lot, and had
thrown it into the helmet of Agamemnon son of Atreus, the people
lifted their hands in prayer, and thus would one of them say as he
looked into the vault of heaven, “Father Jove, grant that the lot fall
on Ajax, or on the son of Tydeus, or upon the king of rich Mycene
himself.”
  As they were speaking, Nestor knight of Gerene shook the helmet, and
from it there fell the very lot which they wanted—the lot of Ajax.
The herald bore it about and showed it to all the chieftains of the
Achaeans, going from left to right; but they none of of them owned it.
When, however, in due course he reached the man who had written upon
it and had put it into the helmet, brave Ajax held out his hand, and
the herald gave him the lot. When Ajax saw him mark he knew it and was
glad; he threw it to the ground and said, “My friends, the lot is
mine, and I rejoice, for I shall vanquish Hector. I will put on my
armour; meanwhile, pray to King Jove in silence among yourselves
that the Trojans may not hear you—or aloud if you will, for we fear
no man. None shall overcome me, neither by force nor cunning, for I
was born and bred in Salamis, and can hold my own in all things.”
  With this they fell praying to King Jove the son of Saturn, and thus
would one of them say as he looked into the vault of heaven, “Father
Jove that rulest from Ida, most glorious in power, vouchsafe victory
to Ajax, and let him win great glory: but if you wish well to Hector
also and would protect him, grant to each of them equal fame and
prowess.
  Thus they prayed, and Ajax armed himself in his suit of gleaming
bronze. When he was in full array he sprang forward as monstrous
Mars when he takes part among men whom Jove has set fighting with
one another—even so did huge Ajax, bulwark of the Achaeans, spring
forward with a grim smile on his face as he brandished his long
spear and strode onward. The Argives were elated as they beheld him,
but the Trojans trembled in every limb, and the heart even of Hector
beat quickly, but he could not now retreat and withdraw into the ranks
behind him, for he had been the challenger. Ajax came up bearing his
shield in front of him like a wall—a shield of bronze with seven
folds of oxhide—the work of Tychius, who lived in Hyle and was by far
the best worker in leather. He had made it with the hides of seven
full-fed bulls, and over these he had set an eighth layer of bronze.
Holding this shield before him, Ajax son of Telamon came close up to
Hector, and menaced him saying, “Hector, you shall now learn, man to
man, what kind of champions the Danaans have among them even besides
lion-hearted Achilles cleaver of the ranks of men. He now abides at
the ships in anger with Agamemnon shepherd of his people, but there
are many of us who are well able to face you; therefore begin the
fight.”
  And Hector answered, “Noble Ajax, son of Telamon, captain of the
host, treat me not as though I were some puny boy or woman that cannot
fight. I have been long used to the blood and butcheries of battle.
I am quick to turn my leathern shield either to right or left, for
this I deem the main thing in battle. I can charge among the
chariots and horsemen, and in hand to hand fighting can delight the
heart of Mars; howbeit I would not take such a man as you are off
his guard—but I will smite you openly if I can.”
  He poised his spear as he spoke, and hurled it from him. It struck
the sevenfold shield in its outermost layer—the eighth, which was
of bronze—and went through six of the layers but in the seventh
hide it stayed. Then Ajax threw in his turn, and struck the round
shield of the son of Priam. The terrible spear went through his
gleaming shield, and pressed onward through his cuirass of cunning
workmanship; it pierced the shirt against his side, but he swerved and
thus saved his life. They then each of them drew out the spear from
his shield, and fell on one another like savage lions or wild boars of
great strength and endurance: the son of Priam struck the middle of
Ajax’s shield, but the bronze did not break, and the point of his dart
was turned. Ajax then sprang forward and pierced the shield of Hector;
the spear went through it and staggered him as he was springing
forward to attack; it gashed his neck and the blood came pouring
from the wound, but even so Hector did not cease fighting; he gave
ground, and with his brawny hand seized a stone, rugged and huge, that
was lying upon the plain; with this he struck the shield of Ajax on
the boss that was in its middle, so that the bronze rang again. But
Ajax in turn caught up a far larger stone, swung it aloft, and
hurled it with prodigious force. This millstone of a rock broke
Hector’s shield inwards and threw him down on his back with the shield
crushing him under it, but Apollo raised him at once. Thereon they
would have hacked at one another in close combat with their swords,
had not heralds, messengers of gods and men, come forward, one from
the Trojans and the other from the Achaeans—Talthybius and Idaeus
both of them honourable men; these parted them with their staves,
and the good herald Idaeus said, “My sons, fight no longer, you are
both of you valiant, and both are dear to Jove; we know this; but
night is now falling, and the behests of night may not be well
gainsaid.”
  Ajax son of Telamon answered, “Idaeus, bid Hector say so, for it was
he that challenged our princes. Let him speak first and I will
accept his saying.”
  Then Hector said, “Ajax, heaven has vouchsafed you stature and
strength, and judgement; and in wielding the spear you excel all
others of the Achaeans. Let us for this day cease fighting;
hereafter we will fight anew till heaven decide between us, and give
victory to one or to the other; night is now falling, and the
behests of night may not be well gainsaid. Gladden, then, the hearts
of the Achaeans at your ships, and more especially those of your own
followers and clansmen, while I, in the great city of King Priam,
bring comfort to the Trojans and their women, who vie with one another
in their prayers on my behalf. Let us, moreover, exchange presents
that it may be said among the Achaeans and Trojans, ‘They fought
with might and main, but were reconciled and parted in friendship.’
  On this he gave Ajax a silver-studded sword with its sheath and
leathern baldric, and in return Ajax gave him a girdle dyed with
purple. Thus they parted, the one going to the host of the Achaeans,
and the other to that of the Trojans, who rejoiced when they saw their
hero come to them safe and unharmed from the strong hands of mighty
Ajax. They led him, therefore, to the city as one that had been
saved beyond their hopes. On the other side the Achaeans brought
Ajax elated with victory to Agamemnon.
  When they reached the quarters of the son of Atreus, Agamemnon
sacrificed for them a five-year-old bull in honour of Jove the son
of Saturn. They flayed the carcass, made it ready, and divided it into
joints; these they cut carefully up into smaller pieces, putting
them on the spits, roasting them sufficiently, and then drawing them
off. When they had done all this and had prepared the feast, they
ate it, and every man had his full and equal share, so that all were
satisfied, and King Agamemnon gave Ajax some slices cut lengthways
down the ****, as a mark of special honour. As soon as they had had
enough to cat and drink, old Nestor whose counsel was ever truest
began to speak; with all sincerity and goodwill, therefore, he
addressed them thus:-
  “Son of Atreus, and other chieftains, inasmuch as many of the
Achaeans are now dead, whose blood Mars has shed by the banks of the
Scamander, and their souls have gone down to the house of Hades, it
will be well when morning comes that we should cease fighting; we will
then wheel our dead together with oxen and mules and burn them not far
from t

although i was
taught to grow
out, i told my-
self to grow in,
like the women
who create this
space around
them, for the
men in their lives.

i shrunk my-
self skinny, i
made myself
thin, because
i didn't want
the rotund
lifestyle all the
men in this
family has.

instead of late-
night drinking
and going out
for dinner every
night, i stayed in
and threw my
dinner in the bin.

i made myself
a living dead
person, all bones
with a suit of
human flesh.
i went days with-
out eating a thing.
i didn't eat until
they took me to
the hospital and
forced fed me there.

they are trying
to teach me the
art of growing
out, instead of
in, because it's
not normal for
the boys to do
what the girls
do - growing
inwards in-
stead of out.

“Maybe we should break up Again.” She said as she twirled her hair through her fingers on her left hand.
The hand that soothed his soul just days ago with a stroke so light it healed wounds wherever it landed.

The silent healer
The passive sponge
The fearful voice of reason
The quiet power that she is will come undone
Soon she will realize her strength and her longing to be let out
Soon she will rise up out of the darkness and shout out her desires
Right now though
It feels good to be locked up and silently fuming with greatness
Bubbling fermenting rumbling simmering with a power that is intensely introverted
Spiraling inwards as she asks herself why should I? how can I? where do I go after it all ends? am i good enough? am i enough? am i the one?
take a good look at yourself in the mirror darling and repeat after me...

Who else can but me?

Fiddly bits and
Mismatched shapes;
Come into my house,
Shut off the drapes.

I'll piece them together
This one and that.
But you don't believe in board games
So it's bound to fall flat.

So let us start from the beginning,
The corners and the bottoms;
Work inwards.
But do not be surprised
If you are not that missing piece,
But just a part of another's
Puzzle.

SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.
Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: rajnandy21@yahoo.in

It never ends, fragments of visions collapsing upon themselves painfully. Her swollen eyes opening, and bursting with orange fire. Then closing just as fast. In between those agonizing seconds she sees everything. Thousands of years cycling over and over. Visions of visions within visions.


Cassandra saw her city razed to the ground. The wall which once stood firm against the onslaught of enemies crumbling with the ravages of time. She closed her eyes. When she opened them again she saw her own grief. Her cousin had fallen in battle. She closed her eyes again, and scratched at her itchy eyelids.



Ten weeks passed without a blink, not even a fraction of an opening. She was disciplined, but the longer she fought the more her eyelids would burn. One blink to ease the agony and she was forced to see her father’s skin. A purple mass of dead flesh bubbling swelling, exploding, and rotting, with maggots squirming in out and around till flies formed and flew away. Another corpse left out in a burning city. One among many denied a peaceful death. Buildings crumbled to dust, the bodies became one with the earth. Cassandra cried without opening her eyes. Her father stroked her long soft curls, whispering reassurances. “It’s all right my child.”


Another three or four weeks passed. She had become blinder than Tiresias the blind prophet. Unable to recall if that was a story she had heard, or would hear in the future.  She sobbed spilling each and every sorrow she could. Every tragedy yet to come. Her father smiled gently placing a warm cloth upon her brow. “Shush my child these nightmares will fade soon enough.”


The young girl opened her eyes again. This time a years’ worth of history unfolded. She saw soldiers gathering arms. Battlements born of the Bronze Age burning with righteous rage. Steel blades clanging against bronze shields in preparation for war. Boats fully loaded departed.


She closed her eyes once more. It would be another two months before she opened them. In the meantime she pleaded with her father to leave the city. Day in and day out begging, sobbing, and screaming until she was sent away.


It was becoming harder and harder to keep her eyes closed. There was a burning force aching to escape. She managed five more weeks until she could bare the pain no longer. As her new sisters bathed her pale dry skin with the sweetest scented oils the young girl recited all that she saw and felt.


The first footfalls of the first soldier’s feet to touch the beach. The feel of the sand as it swirled in, out and around the soldier’s sandals. The general howling commands. The green eyes hungry for battle. The faces contorted in controlled rage. All that intensity burning under the once civilized façade. She closed her eyes again.


Cassandra sat silently in exhaustion, as the sisters slowly brushed the knots out of her long brown hair. They brought her a blindfold, which allowed only a small comfort. This time she only managed to resist for two weeks. The vision came upon her with such force that she cried out and collapsed.


Now the city was burning. Citizen screamed as they ran in terror. Brave men rushed forwards to be impaled on the spears of other brave men. Arrows swallowed the moonlight picking at the earth and scavenging for some bare flesh to devour. Blood ran like red rainwater. Streets streamed thin crimson pools diluted by warm summer showers. The stench oh, the stench, it made Cassandra ***** up chunks of soggy bread and half-digested beef mixed with red wine and stomach acid, while she tried to force her eyes to close.


Finally, she closed her eyes again. The sisters tried to sooth her sorrows, to no avail. Within a years’ time the young girl lost the ability to close her eyes. Cassandra eyeballs slowly burnt out until there was nothing left but charcoaled eye sockets. By the next year she could no longer speak. Cassandra became paralyzed by the futility of her existence.


In her mind the war had come and gone. The sieges were no longer an issue. She no longer felt the urge to cry for the dead. What was, will be, and what will be cannot be undone. What cannot be undone has already happened. Apollo had cursed her. Her beauty had enraptured him, her wit had charmed him, but her will had enraged him.


She was only thirteen with brown eyes and long hair of rare quality, soul so powerful that almost anyone who met her could feel its energy. She shamed the gods with her purity, and unwillingly ensnared their affection.


At first Apollo came with strong arms and tender words. Wooing to the point of painful pleasure. Her eyes could not handle such radiance. His skin burned as his chariot burned. Hair golden flames, skin solar yellow, eye orange as the sun. Each kiss burnt like the worse fever, taking her against her will, savaging her sanity. As if, as if being a god gave him the right to take such liberties.


Apollo viewed her early rejections with whimsy, believing them to be some cute token of her modesty. A god can afford to wait, after all eternity was on his side. After the first hundred no’s his affection gave way to anger. Until his desire could not bear rejection any longer.


At last he cried out to Cassandra. “I will have you or else.”


With a firm but fiery hand he swept her up.  Forcing his mouth against hers. Parting her pursed lip with his powerful tongue.  He shoved his tongue into her mouth, until tears streamed down her cheeks. She could not resist with words, because her mouth was occupied, so she took the only action she knew available to her.


She bit down as hard she could. Lava spewed from Apollo’s lips, roughly singing the inside of her mouth. Without realizing what was happening she swallowed. Her skin began to glow, tiny childlike limbs lengthened and tightened. From her eyes radiated the most powerful light ever seen by man or god. For a moment Apollo cowered beneath the awe of her power, stumbling backwards to the ground dumbfounded.


Regaining his composure he slapped her aside. Scowling in rage “How dare you. You. You worthless *****.”


Her lips parted now of her own volition. Her voice raged with a deep and powerful resonance. “How dare you, you whimpering fool.” The power still flowing inwards filled her with confidence. “I see you for what you are. A tool, a man made invention.” The radiance of her skin was slowly fading. “I see too much now.” She cried out in an ******* fury. A smile crossed her lips. “I see what will become of you and your ilk.”


With strength previously unimagined the young girl thrusted her small hands out throttling Apollo’s throat. He trembled in fear. “You cannot hope to contain the power of me. I am generations incarnated. Passing power from one age to the next. I will not be enslaved.” Her skin began to blink, her voice loss much of its force. “I am Cassandra, and you a merely a passing phase. I will tell the world of all I have seen.”


The last bit of godly energy faded from her skin. Cassandra collapsed. “I still see it all, and you will never touch me again.”


Apollo brushed bits of earth off his person. “See all you want, I care not.” He lunged for her. A flash of thin white light flung him back.

Confused, Apollo rose. Glaring he screamed “You may see all now. It is a gift my blood has given you, but soon it will become a curse. For no mortal wishes to believe that the fates have already written their story. They will ignore you, and in doing so you will find that this power you have gained will be for naught. Thus will be your curse to see all, with no power to stop it.”


Cassandra’s eyes opened wide, seconds split into eternity. She felt the passing of all those around her. She felts time’s stench and rot all around her. Her skin would wrinkle to a certain degree but she would be eternal. She saw cities rise and fall. Some to rise again others to be forgotten. She saw herself seeing each of these visions again and again. She lived her immortal life over and over, events unchanged be anything she said.


The only real comfort was that she saw Apollo wither away. As the old gods fell to ruins weakened by the rationality of new gods, then the rationality of structured reason. Then came the rise of something new and better. Reason with abstraction, abstraction with order, a cycle of energy which emboldened and empowered man. She chuckled.
“Go away little godling.”
And like the little thing he was, Apollo ran.
Her father shushed her, wiping the tears from her face.
The sisters bathed her; singing songs of love and adoration.
Troy fell under the onslaught.
Apollo came and went again.


Cassandra’s eyes opened wide closed and open wide once more, seconds split into eternity. She felt the passing of all those around her. She felts time’s stench and rot all around her. Her skin would wrinkle to a certain degree but she would be eternal. She saw cities rise and fall. Some to rise again others to be forgotten. She saw herself seeing each of these visions again and again. She lived her immortal life over and over, events unchanged be anything she said.


The only one real comfort was that she saw Apollo wither away. As the old gods fell to ruins weakened by the rationality of new gods, then the rationality of structured reason. Then came the rise of something new and better. Reason with abstraction, abstraction with order, a cycle of energy which emboldened and empowered man. She chuckled.
“Go away little godling.”
And like the little thing he was, Apollo ran.
Her father shushed her, wiping the tears from her face.
The sisters bathed her; singing songs of love and adoration.
Troy fell under the onslaught.
Apollo came and went again.

We have no prairies
To slice a big sun at evening--
Everywhere the eye concedes to
Encrouching horizon,

Is wooed into the cyclops' eye
Of a tarn. Our unfenced country
Is bog that keeps crusting
Between the sights of the sun.

They've taken the skeleton
Of the Great Irish Elk
Out of the peat, set it up
An astounding crate full of air.

Butter sunk under
More than a hundred years
Was recovered salty and white.
The ground itself is kind, black butter

Melting and opening underfoot,
Missing its last definition
By millions of years.
They'll never dig coal here,

Only the waterlogged trunks
Of great firs, soft as pulp.
Our pioneers keep striking
Inwards and downwards,

Every layer they strip
Seems camped on before.
The bogholes might be Atlantic seepage.
The wet centre is bottomless.

The Key To Success
A leaf has many veins connected by the midrib, similar to the Corolla in flowers connected by the sepal,

A stem has many leaves, connected through it, even the roots in this design- fibrous or tap are in their own way special,

Many stalks form a branch, many branches form a tree but all connect at the base, the trunk,

This happens in every tree, but to rebirth has to separate some chunk,

The message being conveyed by nature is unity is the key to success in this world where every person is a different type of petal,

Land Of The Ganga
In this Garth,  trees are never watered by a soul, but the river Ganges herself,

The trees even after sinking inwards into the ground, continue to bloom in themselves,

Filled with myriad species of undreamt trees and the rarest of all florets in the daintiest of bowers

The most prodigious banyan tree with about three hundred aerial roots is the main

attracter

A tree that stores water is one of the hundred phenomena in the Botanical Garden in the land of the Ganga itself

I was never a sinking ship, just the remains
of an ocean liner, settling on the sea’s lips.
At least, that’s what I think.
I am not a tragedy, no,
but so many of my pages are empty and, my god, I need
you to know that if I am a book,
I am half-complete (not half-unfinished––I'm learning, you see?),
but it’s the back half,
and a few scattered paragraphs before that.
Now and then I write in my own history,
just for others to read and believe
there’s something more to me
than a leather bound cover over cheap poetry.
That’s all I am, really.

I’m just trying to keep my head above the water.
I keep my secrets close, and my happiness bottled
––for the nights when I need something stronger
than spirits that burn on the way down,
something that can keep these ghosts
from crawling back out my mouth
to tumble from my lips at last.

Listen, I'm really not hard to figure out.

It’s broken glass,
it’s the smash of a car crash,
it’s the smell of smoke and ash,
it’s a statue of a girl learning to laugh,
and to know, and how to venture
into you. I count the number of times I've been sure,
on my knuckles instead of my fingertips,
because it wasn't the touch, it was the fist
that first said: I am better than this
(fires will die but they fight harder than all else).
Besides, my fingers are not for counting out.
I think they're for you,
to weave yours through,
and to feel on your skin
when I spell out I love you,
because my fingers do not flinch
as easily as my mouth does cringe
and strangle truths in anger.

If you feel I am pulling into myself,
remember I'm likely collapsing inwards,
and know this:
broken homes beget broken bones,
but more often they spit
broken boys and girls from their lips.
My body is new,
no longer mould and mildew,
but steel, mortar, and brick,
and stone
and stick.

I am almost always cold.
My wrists look too thin for the weight of my world.

I carry on, but I am not strong.
**** knows how long those days have been gone.

To the person who will somehow fall for me:
I am not a tragedy,
but a mess of a story.
I write dumb rhymes to feel like I'm growing.
I speak as a cynic, but at heart I'm all dreams.
Sometimes I take a minute to listen and, slowly,
I think I'm becoming someone worth being.

I seem bare as a clinic and empty as glossy magazines,
but it's all a set and some props, one day I'll end scene.
I'm not ready yet, but on One Day, I'll be.

I swear, I'm almost there.
My world is readying,
like winter prepared
to yield to spring.

Diagnosis: Anorexia Nervosa
Status: Recovered.

So my point in writing... am I doing this for myself? Maybe... or to inspire others? Maybe...
Or to simply just show and say, that I am through this. Through what? Through all that growth that you encounter when you truly engage yourself in recovery.
This does not mean I will not grow further, learn more. Develop and engage. It doesn’t mean I have been able to shut the door once and for all on my mental health struggles (I was trying to be as politically correct towards myself using that term).
It means, I trust, I believe, and not naively, that I have done the hard work.
I have stepped outside of the mirror.
I no longer believe I can only live half way, a half life, between sickness and wellness.
It means, I know, I will never, get sick again.
Many may laugh, or shake their heads at that. And yet, what I am writing here is filled with so much faith and trust, that I can be sure of myself. Even if no one else in the world believes it, I do. And I know it, because I have made a choice.
There were some backwards and forwards, to relapses and re-growths, but each and every fall, I chose to learn. I chose to take to therapy. I chose.
I choose life.  And so that means, the commitment to life, to myself, that I will always take the route that leads to more life, or to more hope...

And so getting well. What happened there? Well, after years of self abuse, of anger turned inwards, after trying to destroy myself in every single way possible... I wondered, inquisitively, what would happen if I used all I had learnt in hospital, all the positive energy directed at me, the words my therapist would say to me... I wondered, what if?
That if, turned out to be the most amazing curiosity. It is why I am safe, well, “recovered.” I don’t use the term recovered lightly. I recognise that my whole life will mean being mindful, it will mean self awareness, it will mean vulnerability. But what I am certain of, is that each year that passes, I grow and gain strength in ways I never realised I could.
I use “recovered” because I don’t believe I am “in recovery.” I have done the recovery. I have done the putting food in my mouth, consulting a nutritionist, the ridiculous amount of weight gain that allowed me to be healthy. I am done with the depression, the endless anxiety, the self harm.
I say “recovered” because as Marya Hornbacher writes: “I mean flat-out eat-normally stay-healthy get-comfortable-with-your-body-and-actually-like-it recovery.”
Few believe it exists. In fact, I was told my numerous doctors I would never recover. I would always be chronic. Sick. In need of hospital.
It exists. I know that. Because it exists for me.
Recovering has meant finding a voice, and using it. It means putting food in my mouth, it means seeing friends, engaging in life, seeking out healthy ways of coping when I feel overwhelmed, scared, anxious...

I live.

© Sia Jane

some people have given up,they see Nigeria as hopeless,They feel it can not get better.they come with history records,recent happenings and even present situations.People are frustrated and tired  so out of the frustration comes so much cursing and bitter words.
Believe me when I say I know the feeling of disappointment,the hurt that one feels when hopes are raised only to be dashed.But when I withdraw from the so much noise and look a little deeper.I see good...so much good in  Nigeria.I am being really honest now.I know someone can see this good but if you can not, I wish I could borrow you my eyes, just so you see what I see and of course return my precious eyes back.
  Right from the time of Adam and to this very day,We humans tend to feel comfortable pushing blames.We refuse owning up to our wrongs or inefficiency.
  While complaining of a cut in your leg there is someone with no legs,he would gladly take your legs with the cut , Be thankful and treat the cut.When the complain is not healing the cut,why don't you use the time to find some first aid.
  
  Why curse when you can bless
  why speak death when you Can speak Life
  why worry when you can pray
  We can change our thinking
  We can look inwards at what we can do
  We can individually make a positive   difference

I'm not saying become voiceless,I'm saying  let your voice carry positive    value and be backed up with positive actions.
Can anything good come from Nigeria?      
Yes!I'm a good example

My hair stands on end
and I tip over, spilling
into the sky and down
into the dirt.
The stage explodes inwards
in colorful bursts,
black and white bears
strumming and growling
in a cymbal crash
a thunder clap
a tap-dancing
madhouse jamboree.
The threatening noise
reverberateraterating
through the hills
and climbs up inside
until I fly out of my body
straight up into the heavens
with a sigh,
a soul release.

liminality;
barely there
ask if it matters
care if you dare
believe in impossibility

mind framing liminal spaces
places of liminal mind-frames
filaments between contexts
capturing subtleties as moths

liminally reaching inwards
map of a shady threshold
twilight netherworld border
between now & everywhen
cusp of crisp discovery
intangible as of late
  
liminal during daylight;
stars, fireflies, lanterns
night itself being liminal
colors need brightness
shadow for textures  

whispering worlds
peripheral vision
vibes and feltsense
inner underworlds
embracing hell
reversing it