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Shofi Ahmed Jan 2020
(0)
Fly perfectly straight and high, and show the fly
out of the fly-bottle on your way.
Rise to victory, far above the blue sky,
and reap the reward: the opening of paradise!

The road ahead is clear and open this way,
with things small and big growing and disappearing up this way.
You will see sunrises and sunsets waxing and waning,
with mention of the moon and stars in the dark.
Be mindful as you sway, it's got to be laser-sharp.
There is no hard shoulder on this highway,
miss it by an inch and risk losing everything forever!

There is hope, there is light up high
pick up your paintbrush, just like the sun does
goodness knows how it sneaks in, right in the black
canvas of the night, painting the first light
lo, it shows up in heaven, the candle of the daylight.

As long as there is a man and a woman,
never give up, our canary bird can fly
rosy or not, the nest in every morn nets a sunrise!

(1)
A woman indeed plucks up the courage
she never had to look up to the stars
be it for the guide or the light in the night.
Fathima herself was the full Moon every night
is thanks to her Godsent innate light.

With it, she can bask in the full spread of the pi
on top of its short decimals mounting high
constantly as if countless stars in the sky.

The time and space under the sun
and that under Fathima's light
are far apart from each other
yet they coexist side by side.

As she points out,
"A circle is masculine
while pi is feminine."

Pi forms the circle with fine prints,
decimal dots continue to spring,
sprawling trillions of new digits,
the bandwagon is still increasing.
Connecting the dots is an untouched dream.

The full moon pi picture is veiled,
unseen at large, yet in short, 3.145 it can live!

(2)
Fathima flies her lock of hair
in the lurking air of the transcended pi
the primitive feminine does that,
no wonder she is God's secret feminine opus!
An immeasurable black hole lies in between
the short and transcended pi, running like a river,
dancing anew on every riverbank
in the many curls of Fathima's jet black hair.

She lent out a hair to the planet earth
and crossed over like a silhouette
without spilling out the colour
of the transcended end of the pi.
The earth takes it in the core in her heart
as if it would keepsake it forever.

Weaving the pi in Fathima embeds two hairs ties one
perfect circle at the back and one at the front of the universe.
Inside each hair the earth is finest fluid in the core
none is as deep as high as proportionate a perfect flow.
No time is as revealing no music is as sweet in this orb
no force is as mighty nor as prevailing a true giant
causing gravity and the heat at the earth's core.
Matter and spirit mix free in the play both wax lyrical
thanks to the pure resonance of 'Qun Be' the word of God!

(3)
The way to the earth's core is exposed to none other
save the Angel of Death the lucky one.

See both sides of the one lofty sky swathed in countless stars  
but the day and night render through still remains an unseen one  
Terra is shalet zeroed in Fathima is heaven on earth!  
Up in the sky-high bank turning the starry bowl upside down
Fathima took no star nor a pearl diving deep down the Arab water,
the brightest luminary came after Muhammad (PBUH),
in veil from the Night of Measures and into the flipside in the night
she's gone without lifting the veil but left her penetrating mark.

Few could find the shortcut contemplating on a blank canvas
the Moon looks down into the abyss down the sea eyes on far
for a mirror in the bottom on the as above so below matter
since Godsent Fathima touched on the all-inclusive primitive water.
The sun gets caught up in the very water dew she raised in the sky
the ancient fold of time still unfurls with the sun-kissed flowers
for the new hands yet the fingerprint on the sun remains only her!

Azrael heads to Fathima around the year 632 after death
touches down in Medina on his usual thin earth he steps.  
But this time a little mundane dust couldn't be thicker
he keeps descending deep down to the earth's centre
following from Medina but the angel locates her
inside the perfect circle a closed geometric figure.

(4)
Fathima is the female headline her secret is not all known
when she used to visit the Prophet Muhammad (PBUH)
he would stand up for her hold her hand and kiss it
and seat her on his seat, she would do the same to the prophet
when he would visit her like they did know each other
in and outside the spheres of heaven and earth!

She is the embodiment of the infinite feminine variations
the first spiritual woman created following God's word Qun.
Her is the mother tongue of the ever diversified feminine lingua
no one woman on her own can rhyme with her alone
she has no peer her rhetoric is unique like none other.
The galactic run from planet to planet up on the starry ladder
climbing high up the mountain heaven yet streams out like oval
off their rock bottom stone until that unleashes the final run
in perfect circle delving into the rhythm of the loop at the centre
made of Fathima's hair charged by 'Qun' God's uncreated word.  

Prophet David can sing on the bank of the river
and can see the fish are jumping to him out of the water.
The masculine is open form, eye on everywhere,
but not her the woman is in juxtaposition her
all-inclusive schema supplanting the details rest only on her.
She is the unseen world within the world at best imagine her!
Guess, through this inwardly open door who might disappear?
It's nature before the scientist on ultimate discovery of the matter!  

Aligning with her down the rainbow up high the land absorbs
the grooming sky looking on the running rivers within her.
Her words spread through like the smart cloud that flies far
over the lands and valleys but not even the wind none other
gets a sniff of the potion and melody it caries until that rain down
without a hurdle without a visual she moves on at the target
such a soul needs no after death lift from the angel of death.

Before Azrael Fathima loses an arc of the circle then and there
so not the earth but giant Azrael can take the pressure!
Marked by a fluid discharge since then she is cooling this fire
In Shaa Allah God willing when she ajars it, it will be elixir!  

(5)
Draw a straight line, but it won't be perfect
it keeps bending, fly straight touching the sky
the flight path won't look like a straight line
it would be like the crest of a crescent moon
like curve touched the sky, like climbing up
atop the pyramid is not going high straight on
it goes up from the widespread seked slopes.

Moves in golden ration 1.618 not the full two
and gets the designing formula flawlessly full
micro to macro all levels all the way to the true north!    

Fathima being the original feminine eyeing at her
she can tap in the knowhow of naturally feminine nature.
And discovers the immanent pattern - the world
is pre-designed and measured is never a coincidence.
The creatures' creativity, scientist's science
is to follow, discover working formulas like phi and pi.

Play along it works until an unknown hour strikes
comes with accurate knowledge dead on time
numerically correct never miss taking a life away
as if it was calculated beforehand before the birth.
A newborn is born for a limited time
already set but no one knows when it goes up  
is a deadlock clock but it isn't so shrouded
in the blueprint of the creatures' grand design
there the clock ticks safe and sounds it never dies!  

(6)
Fathima hailing from the other side of the pool
eyes on the ever live pre-design side of the creation!
Then its corporeal face was only a water drop,
the primitive one looks see-through it has dead zero
knowledge of its lively other side of the pool.
She comes closer and perfectly mirrors both sides
that shines through on her reflected face on the water.
An absolute new image that livens up the dead part
Bang - Big Bang! The corporeal world gets the spark
explodes out from the very first drop of the water!

Fathima's appearance was miraculously instrumental
God reveals nature the finite and infinite, 0 and 1,
future in the present and the death and life in play!
Nature follows suit it just saw the perfect role model
banged out but only to its corporeal set
it aspires to be with its infinite reality yet!

Fathima leaves the door open constructing a perfect circle,
hardly straight, took the mixed bag of countless variations
she zooms into the abyss irrational portion of the first matter,
the primitive water drop and aces the circle with her hair
that nothing can equate throughout the corporeal world.
Done the math discovering the zero starting point at the bottom.
The ocean of digit numbers, the DNA of all things material
banged out of it, still, the zero is numberless irrational!

(7)
All things, within oneself and in a set constantly vibrate,
strive to align with the enduring reality of itself.
The atom vibrates to reach out to its immortal portion
that doesn't die and is in the know of its lower base.
The planets are in a defined circular orbit, accurately measured
just the apex on top of their dynamic pyramid the pyramidon
is tucked away; they too have an irrational portion in the circle.

With the finest spin, they zoom in the spacious universe,
in part and like the sun outside the constellations round they go
never miss a target line yet to re-discover Fathima's perfect circle
the origin of their digital essences' breakthrough
the door to their transcended destination de jour.
Lo the matter turns the last stone pulsing across the cosmos
the mortal horizontal spread, the spirit returns home.

The earth has a line in its swansong it has a place in paradise
it's not here to stay for good neither to perish forever!

Matters form and break without losing the rope,
it's not to paint the shades of the eternal blue
but to ace an irrational portion in the circle
at the heart of the earth, as above, so below.  
The deep the high the perfect circle
up and down the centre of gravitation for all!

At even and at odd the vibration within the matter is fluid
somewhere is parched there the arch matter must make a splash.
Far away on that dark beach, the full-fledged sea of the matters
outpours its billowy potion with the Moon on the frontline
from deep within the physical world's most glowed up firefly!

(8)
The seven seas swell up smoothly into the moonlight-dip
oh, the waterless Moon at the core is still fasting.
Led by time the sweet swan punting along the waves
streams down the watery inner circle of the planets.
Until stuck in the Moon no water in the last waterfront
but paradise is on the other side of the pool!  

The sun dips away into the night
while the eve baths in the shades of pink and gold,
the dazzling hues soon turn to taupe.
Drawing down painting the picture in full colour
only to find the time is up on the halfway,
yet to print a colour copy of the night!
The other unseen half is passed down to the Moon
tiptoeing in slow motion in the depths of the night
barely keeping the head afloat in a fathomless ocean
of shades of black hails from where knows no one.  

The sun enkindles the moon half-lit keeping itself away
amid shadows as if comparing the shades now it knows
a Mehrem a veiled female is ahead not to look on or
compared to that the sun has no light or true are both.

Wrapped in the eternal night beneath its black mole
once the moon on the front approaching most close
directly down to the centre of the earth eyes on
over that inlaid string hairy black perfect circle
never did it turn back the same gaze is still on
orbiting around the earth in synchronous rotation.

(9)
The never-ending night is becoming a night indeed
it's coming to an end so soon in our time.
In Shaa Allah I will see it with my eyes before I die
in the Night of Measures in an odd night in Ramadan
Fathima from the transcendental end of irrational heart
will turn on top of the curve opening for the first time
a 9-degree angle in the circle at the centre of the earth.

Instantly the leading force, time will get the first sniff
of the other world, so peaceful heart-melting serene.
Rapturous time feeling an ounce of the enduring peace
for the first time cutting all the corners with ease
will be propelled into its yet uncharted golden mean.
Scurrying to the peaceful abode time will be on its wings
across the globe, people will be stunned seeing
how first the times pass from then on incredibly quick!

Fathima, the first spiritual woman on duty, will start
pulling her hair back off the circle at the centre
Juxtaposed in between the worlds of here and hereafter.
She will take back every inch of it, the heavenly bodies
will feel the pinch of her every little subtle pull
that too is a boon helping them perfect their circle.

(10)
Soon she opens it just 9-degree wide at first
the Moon will see a glimpse of the first drop of water.
Without it, it's living perched without the water of life
that's destined to rain down soon and the Moon
back into its original pond shall revive!
Mapping the pi's whole infinitesimals playground
finally, Fathima will turn the circle upside down
on the dot the stunned sun shall rise in the western sky!

By now under Fathima's hair's shaded closed circle
it must have sailed far over the blue sky in the other world.
Billowing with the breeze over the sea of uncharted water
and stacking to the brim with all that it could discover
humbly stood like a cloud in that corner of the sky.

The time is finally ticking fast to rain down with love
paradise's welcoming schema rendering in waterpaint drops
on the Moon over the sea of matters, that's most glowed up firefly
ah, finally can break the fast sipping in a drop of elixir!
It's their heavenly adopted, Miʿrāj performed, primitive water.
The Moon with the seven seas will leave off the corporeal shell
gliding gracefully with this stately water nymph as if it never dies
and will make a splash plopping into the pond of paradise!  

For the matter ultimately is water and its extent is sound
Fathima will fetch it the water of life and take it to the next life!
Oh, the matter shall do both die and revive with Israfil's sound
the cloud will fly out of the dead water on the ground,
like the earth with chorus songs of the rain revives.
When that a melodious nymph in the water makes waves
see paradise is here the Moon over the sea can't take off its eyes.

(11)
Hang on though they all set ready on their horizontal span  
to pull in such a fluid yet colourful descending like a rainbow swan.
First chaste Fathima will evaporate her hair's perfume away
that's yet lingering in the water warming it up to its premium
no crowd then can see where this heady, fragrant cloud will fly!
There are the momentum and delights where that will alight.

Israfil might then blow his trumpet swooning the world away
the secret will remain a secret exception is said in the Qur'an.
A strange sound will silence the chorus of the innate digits
collapsing the floating cosmos bubbling on their music.  
The corporeal circle will collapse as if there is no base no pi
the melody of the first word Qun means Be will still be loud
supercalifragilisticexpialidocious so how can we all expire?

Israfil too will play his reviving trumpet pure mellifluous
and In Shaa Allah numerically perfect Fathima will rise
amidst the resonant Qun as like she did in the beginning
when except prophet Muhammad (PBUH) there was nothing!
Now the earth once zeroed in beneath her hair will follow her
the stunned terra will discover Fathima took her hair away
only to shift the constellation up onto the upper world!

The old songs of the planets the chorus of the digits will revive
from the zero bases in the core the digital panache that dance
planet upon the planet as if they are always at the perfect hertz.

Indeed that is yet to come, the arts of the fine layers
opening from the irrational pi, the finest one is to flower
when Fathima will unloop her circled hair at the centre
piercing the very immanent irrational cut
that no creation can fathom only the loving creator Allah
will turn odd to even in between the here and hereafter
then the ocean stuck in deep salt shall turn to enduring potion!
The As-Sirat shall turn to be the bridge to paradise
the body shall revive with the enduring soul forever
and with ah Fathima couple shall enter paradise In Shaa Allah
with the rhapsody 'all praise is for Allah' Alhamdulillah!
MonkeyZazu Sep 2014
Sorrow filled heart
permeates throughout
a broken soul.  

The body reflects
inwardly out
all the pain felt.

Solace sought
but not found
furthering their agony.  

Too sad to live
too broken to move
they lie there
numb.

Struggling
barely getting by
yet somehow
finds the strength
to carry on.
i dreamed a rattlesnake was loose in the closet i heard it rattling i was afraid to open the door



a man suffering a toothache goes to see his dentist the dentist administers laughing gas when the man comes to his numb tongue swooshes around his mouth he asks how long was i under the dentist answers hours i needed to pull them all out



he imagines when he grows old there will be a pencil grown into one hand and a paintbrush grown into the other they will look like extra fingers grown out from the palms extensions of his personal evolution little children will be horrified when they see mommy mommy look at that man’s hands!



what if we are each presented with a complete picture of a puzzle from the very start then as our lives proceed the pieces begin showing up out of context sometimes recognizable other times a mystery some people are smarter more intuitive than others and are able to piece together the bigger picture some people never figure it out



i wasn’t thinking i didn’t know to think nobody taught me to think maybe my teachers tried but i didn’t get it i wasn’t thinking i was running reacting doing whatever i needed to survive when you’re trying to survive you move fast by instinct you don’t think you just act



many children are relieved when their parents die then they no longer need to explain prove themselves live up to their parent’s expectations yet all children need parents to approve foster mentor teach love



she was missing especially when her children needed her most she was busy lunching with girlfriends dinner dates beauty shop manicure masseuse appointments shopping seamstress fittings constant telephone gossiping criticizing she was too busy to notice she was missing more than anything she wanted to party show off her beauty to be the adored one the hostess with the mostest



i dreamed i was condemned to die by guillotine the executioner wore black and wielded an axe just in case the device failed in the dream the guillotine sliced shallow then the executioner went to work but he kept chopping unsuccessfully severing my head this went on for a long time



1954 Max Schwartzpilgrim sits at table in coffee shop on 5th floor of Maller’s Building elevated train loudly passes as he glances out window it is typical gloomy gray Chicago day he worries how he will find the money to pay off all his mounting debts he is over his head in debit thinks about taking out a hefty life insurance policy then cleverly killing himself but he cherishes his lovely wife Jenny his young children and social life sitting across table Ernie Cohen cracks crass joke Max laughs politely yet is in no mood to encourage his fingers work nervously mutely drumming on Formica table then stubbing out cigarette in glass ashtray lighting another with gold Dunhill lighter bitter tastes of coffee and cigarettes turns his stomach sour he raises his hand calling over Millie the waitress he flirtatiously smiles orders bowl of matzo ball soup with extra matzo ball Ernie says you can’t have enough big ***** for this world Max thinks about his son Odysseus



when Odysseus is very young Dad occasionally brings him to Schwartzpilgrim’s Jewelers Store on Saturday mornings Dad shows off his firstborn son like a prize possession lifting Odysseus in the air Dad takes him to golf range golf is not an interest for Odysseus Dad pushes him to learn proper swing Odysseus fumbles golf club and ***** he loves going anyway because he appreciates spending time with Dad once Dad and Odysseus take shower together Dad is so life-size muscular hairy Odysseus is so little Dad reaches touches Odysseus’s ******* feeling lone ******* Dad says we’ll correct that make it right Odysseus does not understand what Dad is talking about at finish Dad turns up cold water and shields Odysseus with his body he watches Dad dressing in mornings Dad is persnickety to last details of French cuff links silk handkerchief in breast pocket even Dad’s fingernails toenails are manicured buffed shiny clear



Odysseus’s left ******* does not descend into his ******* the adults in extended family routinely want to inspect the abnormality Mom shows them sometimes Dad grows agitated and leaves room it is embarrassing for Odysseus Daddy Lou’s brother Uncle Maury wants to check it out too often like he thinks he is a doctor Uncle Maury is an optometrist the pediatrician theorizes the tangled ******* is possibly the result of a hormone fertility drug Mom took to get pregnant the doctor injects Odysseus with a hormone shot then prescribes several medications to induce the ****** to drop nothing works eventually an inguinal hernia is diagnosed around the age of 9 Odysseus is operated on for a hernia and the ******* surgically moved down into his ******* the doctor says ******* is dead warning of propensity to cancer later in life his left ball is smaller than his right but it is more sensitive and needy he does not understand what the doctor means by “dead” Odysseus fears he will be made fun of he is self-conscious in locker room he does not comprehend for the rest of his life he will carry a diminutive *****



spokin alloud by readar in caulkknee axescent ello we’re Biggie an Smally tha 2 testicles whoooh liv in tha ******* of this felloh Odys Biggie is the soyze of a elthy chicken aegg and Smally is the size of a modest Bing cheery



one breast ****** points northeast the other smaller breast ****** points southwest she is frightened to reveal them to any man frightened to be exposed in woman’s locker room she is the most beautiful girl/woman he will ever know



Bayli Moutray is French/Irish 5’8” lean elongated with bowed legs knobby knees runner’s calves slim hips boy’s shoulders sleepy blue eyes light brown hair a barely discernable freckled birthmark on back of neck and small unequal ******* with puffy ******* pointing in different directions Laura an ex-girlfriend of Odysseus’s describes Bayli’s appearance as “a gangly bird screeching to be fed” Laura can be mean Odysseus thinks Bayli is the coolest girl in the world he is genuinely in love with her they have been sleeping together for nearly a year it is March 11 1974 Bayli’s birthday she turns 22 today Bayli is away with her family in Southeast Asia Odysseus understands what a great opportunity this is for her to learn about another culture he knows Bayli plans to meet up again with him in late summer or autumn in Chicago Dad wants Odysseus to follow in his footsteps and become a successful jewelry salesman he offers Odysseus a well-paying job driving leased Camaro across the Midwest servicing Dad’s established costume jewelry accounts Odysseus reasons it is a chance to squirrel away some cash until Bayli returns it is lonely on the road and awkward adjustment to be back in Chicago Odysseus made other plans after graduating from Hartford Art School he is going to be an important painter after numerous months and many Midwestern cities he begins to feel depressed he questions how Bayli can stay away for so long when he needs her so bad the Moutray’s send Mom and Dad a gift of elegant pewter candleholders made in Indonesia Mom accustomed to silver and gold excludes pewter to be put on display she instructs Teresa to place the candleholders away in a cabinet Mom also neglects to write a thank you note which is quite out of character for Mom Bayli’s father is a Navy Captain in the Pacific he is summoned to Norfolk Naval Station in Virginia the Moutray’s flight has a stopover in Chicago Bayli writes her parents want to meet Odysseus and his family Odysseus asks Dad to arrange his traveling itinerary around the Moutray’s visit Dad schedules Odysseus to service the Detroit and Michigan territory against Odysseus’s pleas Odysseus is living with his sister Penelope on Briar Street it is the only address Bayli’s parents know Odysseus has no way to reach them when the Moutray’s arrive at the door Penelope does not know what to tell them Mom and Dad are not interested in meeting Bayli’s parents it is not the first sign of dissatisfaction or disinterest Mom and Dad convey regarding Bayli Odysseus does not understand why his parents do not like her is it because Bayli is not Jewish is that the sole reason Mom and Dad do not approve of her Odysseus believes he needs his parent’s support he knows he is not like them and will likely never adopt their standards yet he values their consent they are his parents and he honors Mom and Dad let’s take a step back for a moment to get a different perspective a more serious matter is Odysseus’s financial dependency on his parents does a commitment to Bayli threaten the sheltered world his parent’s provide him is it merely money binding him to them why else is he so powerless to his parent’s control outwardly he appears a wild child yet inwardly he is somewhat timid is he cowardly is he unsure of Bayli’s strength and sustainability is that why he let’s Bayli go whatever the reason Dad’s and Mom’s pressure and influence are strong enough to sway his judgment he goes along with their authority losing Bayli is the greatest mistake of Odysseus’s life



he dreams Bayli and he are at a Bob Dylan concert they are hidden in the back of the theater in a dark hall they can hear the band playing Dylan’s voice singing and the echoes of the mesmerized audience Odysseus is ******* Bayli’s body against a wall she is quietly moaning his hand is inside her jeans feeling her wetness rubbing fingers between her legs after the show they hang around an empty lot filled with broken bottles loose bricks they run into Dylan all 3 are laughing and dancing down the sidewalk Dylan is incredibly playful and engaging he says he needs to run an errand not wanting to leave his company Odysseus and Bayli follow along they arrive at an old hospital building it is dark and dingy inside there is a large room filled with medical beds and water tanks housing unspeakably disfigured people swarming intravenous tubes attach the patients to oxygen equipment feed bags and monitoring machines Dylan moves between each victim like a compassionate ambassador Odysseus is freaking out the infirmary is too horrible to imagine he shields his eyes wanders away losing Bayli searching running frantically for a way out he wakes shivering and sweating the pillow is wet sheets twisted he gets up from the bed stares out window into the dark night he wonders where he lost Bayli



these winds of change let them come sailor home from sea hunter home from hill he who can create the worst terror is the greatest warrior
O, for that warning voice, which he, who saw
The Apocalypse, heard cry in Heaven aloud,
Then when the Dragon, put to second rout,
Came furious down to be revenged on men,
Woe to the inhabitants on earth! that now,
While time was, our first parents had been warned
The coming of their secret foe, and ’scaped,
Haply so ’scaped his mortal snare:  For now
Satan, now first inflamed with rage, came down,
The tempter ere the accuser of mankind,
To wreak on innocent frail Man his loss
Of that first battle, and his flight to Hell:
Yet, not rejoicing in his speed, though bold
Far off and fearless, nor with cause to boast,
Begins his dire attempt; which nigh the birth
Now rolling boils in his tumultuous breast,
And like a devilish engine back recoils
Upon himself; horrour and doubt distract
His troubled thoughts, and from the bottom stir
The Hell within him; for within him Hell
He brings, and round about him, nor from Hell
One step, no more than from himself, can fly
By change of place:  Now conscience wakes despair,
That slumbered; wakes the bitter memory
Of what he was, what is, and what must be
Worse; of worse deeds worse sufferings must ensue.
Sometimes towards Eden, which now in his view
Lay pleasant, his grieved look he fixes sad;
Sometimes towards Heaven, and the full-blazing sun,
Which now sat high in his meridian tower:
Then, much revolving, thus in sighs began.
O thou, that, with surpassing glory crowned,
Lookest from thy sole dominion like the God
Of this new world; at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add thy name,
Of Sun! to tell thee how I hate thy beams,
That bring to my remembrance from what state
I fell, how glorious once above thy sphere;
Till pride and worse ambition threw me down
Warring in Heaven against Heaven’s matchless King:
Ah, wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none; nor was his service hard.
What could be less than to afford him praise,
The easiest recompence, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I sdeined subjection, and thought one step higher
Would set me highest, and in a moment quit
The debt immense of endless gratitude,
So burdensome still paying, still to owe,
Forgetful what from him I still received,
And understood not that a grateful mind
By owing owes not, but still pays, at once
Indebted and discharged; what burden then
O, had his powerful destiny ordained
Me some inferiour Angel, I had stood
Then happy; no unbounded hope had raised
Ambition!  Yet why not some other Power
As great might have aspired, and me, though mean,
Drawn to his part; but other Powers as great
Fell not, but stand unshaken, from within
Or from without, to all temptations armed.
Hadst thou the same free will and power to stand?
Thou hadst: whom hast thou then or what to accuse,
But Heaven’s free love dealt equally to all?
Be then his love accursed, since love or hate,
To me alike, it deals eternal woe.
Nay, cursed be thou; since against his thy will
Chose freely what it now so justly rues.
Me miserable! which way shall I fly
Infinite wrath, and infinite despair?
Which way I fly is Hell; myself am Hell;
And, in the lowest deep, a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heaven.
O, then, at last relent:  Is there no place
Left for repentance, none for pardon left?
None left but by submission; and that word
Disdain forbids me, and my dread of shame
Among the Spirits beneath, whom I seduced
With other promises and other vaunts
Than to submit, boasting I could subdue
The Omnipotent.  Ay me! they little know
How dearly I abide that boast so vain,
Under what torments inwardly I groan,
While they adore me on the throne of Hell.
With diadem and scepter high advanced,
The lower still I fall, only supreme
In misery:  Such joy ambition finds.
But say I could repent, and could obtain,
By act of grace, my former state; how soon
Would highth recall high thoughts, how soon unsay
What feigned submission swore?  Ease would recant
Vows made in pain, as violent and void.
For never can true reconcilement grow,
Where wounds of deadly hate have pierced so deep:
Which would but lead me to a worse relapse
And heavier fall:  so should I purchase dear
Short intermission bought with double smart.
This knows my Punisher; therefore as far
From granting he, as I from begging, peace;
All hope excluded thus, behold, in stead
Mankind created, and for him this world.
So farewell, hope; and with hope farewell, fear;
Farewell, remorse! all good to me is lost;
Evil, be thou my good; by thee at least
Divided empire with Heaven’s King I hold,
By thee, and more than half perhaps will reign;
As Man ere long, and this new world, shall know.
Thus while he spake, each passion dimmed his face
Thrice changed with pale, ire, envy, and despair;
Which marred his borrowed visage, and betrayed
Him counterfeit, if any eye beheld.
For heavenly minds from such distempers foul
Are ever clear.  Whereof he soon aware,
Each perturbation smoothed with outward calm,
Artificer of fraud; and was the first
That practised falsehood under saintly show,
Deep malice to conceal, couched with revenge:
Yet not enough had practised to deceive
Uriel once warned; whose eye pursued him down
The way he went, and on the Assyrian mount
Saw him disfigured, more than could befall
Spirit of happy sort; his gestures fierce
He marked and mad demeanour, then alone,
As he supposed, all unobserved, unseen.
So on he fares, and to the border comes
Of Eden, where delicious Paradise,
Now nearer, crowns with her enclosure green,
As with a rural mound, the champaign head
Of a steep wilderness, whose hairy sides
Access denied; and overhead upgrew
Insuperable height of loftiest shade,
Cedar, and pine, and fir, and branching palm,
A sylvan scene, and, as the ranks ascend,
Shade above shade, a woody theatre
Of stateliest view. Yet higher than their tops
The verdurous wall of Paradise upsprung;                        

Which to our general sire gave prospect large
Into his nether empire neighbouring round.
And higher than that wall a circling row
Of goodliest trees, loaden with fairest fruit,
Blossoms and fruits at once of golden hue,
Appeared, with gay enamelled colours mixed:
On which the sun more glad impressed his beams
Than in fair evening cloud, or humid bow,
When God hath showered the earth; so lovely seemed
That landskip:  And of pure now purer air
Meets his approach, and to the heart inspires
Vernal delight and joy, able to drive
All sadness but despair:  Now gentle gales,
Fanning their odoriferous wings, dispense
Native perfumes, and whisper whence they stole
Those balmy spoils.  As when to them who fail
Beyond the Cape of Hope, and now are past
Mozambick, off at sea north-east winds blow
Sabean odours from the spicy shore
Of Araby the blest; with such delay
Well pleased they slack their course, and many a league
Cheered with the grateful smell old Ocean smiles:
So entertained those odorous sweets the Fiend,
Who came their bane; though with them better pleased
Than Asmodeus with the fishy fume
That drove him, though enamoured, from the spouse
Of Tobit’s son, and with a vengeance sent
From Media post to Egypt, there fast bound.
Now to the ascent of that steep savage hill
Satan had journeyed on, pensive and slow;
But further way found none, so thick entwined,
As one continued brake, the undergrowth
Of shrubs and tangling bushes had perplexed
All path of man or beast that passed that way.
One gate there only was, and that looked east
On the other side: which when the arch-felon saw,
Due entrance he disdained; and, in contempt,
At one flight bound high over-leaped all bound
Of hill or highest wall, and sheer within
Lights on his feet.  As when a prowling wolf,
Whom hunger drives to seek new haunt for prey,
Watching where shepherds pen their flocks at eve
In hurdled cotes amid the field secure,
Leaps o’er the fence with ease into the fold:
Or as a thief, bent to unhoard the cash
Of some rich burgher, whose substantial doors,
Cross-barred and bolted fast, fear no assault,
In at the window climbs, or o’er the tiles:
So clomb this first grand thief into God’s fold;
So since into his church lewd hirelings climb.
Thence up he flew, and on the tree of life,
The middle tree and highest there that grew,
Sat like a cormorant; yet not true life
Thereby regained, but sat devising death
To them who lived; nor on the virtue thought
Of that life-giving plant, but only used
For prospect, what well used had been the pledge
Of immortality.  So little knows
Any, but God alone, to value right
The good before him, but perverts best things
To worst abuse, or to their meanest use.
Beneath him with new wonder now he views,
To all delight of human sense exposed,
In narrow room, Nature’s whole wealth, yea more,
A Heaven on Earth:  For blissful Paradise
Of God the garden was, by him in the east
Of Eden planted; Eden stretched her line
From Auran eastward to the royal towers
Of great Seleucia, built by Grecian kings,
Of where the sons of Eden long before
Dwelt in Telassar:  In this pleasant soil
His far more pleasant garden God ordained;
Out of the fertile ground he caused to grow
All trees of noblest kind for sight, smell, taste;
And all amid them stood the tree of life,
High eminent, blooming ambrosial fruit
Of vegetable gold; and next to life,
Our death, the tree of knowledge, grew fast by,
Knowledge of good bought dear by knowing ill.
Southward through Eden went a river large,
Nor changed his course, but through the shaggy hill
Passed underneath ingulfed; for God had thrown
That mountain as his garden-mould high raised
Upon the rapid current, which, through veins
Of porous earth with kindly thirst up-drawn,
Rose a fresh fountain, and with many a rill
Watered the garden; thence united fell
Down the steep glade, and met the nether flood,
Which from his darksome passage now appears,
And now, divided into four main streams,
Runs diverse, wandering many a famous realm
And country, whereof here needs no account;
But rather to tell how, if Art could tell,
How from that sapphire fount the crisped brooks,
Rolling on orient pearl and sands of gold,
With mazy errour under pendant shades
Ran nectar, visiting each plant, and fed
Flowers worthy of Paradise, which not nice Art
In beds and curious knots, but Nature boon
Poured forth profuse on hill, and dale, and plain,
Both where the morning sun first warmly smote
The open field, and where the unpierced shade
Imbrowned the noontide bowers:  Thus was this place
A happy rural seat of various view;
Groves whose rich trees wept odorous gums and balm,
Others whose fruit, burnished with golden rind,
Hung amiable, Hesperian fables true,
If true, here only, and of delicious taste:
Betwixt them lawns, or level downs, and flocks
Grazing the tender herb, were interposed,
Or palmy hillock; or the flowery lap
Of some irriguous valley spread her store,
Flowers of all hue, and without thorn the rose:
Another side, umbrageous grots and caves
Of cool recess, o’er which the mantling vine
Lays forth her purple grape, and gently creeps
Luxuriant; mean while murmuring waters fall
Down the ***** hills, dispersed, or in a lake,
That to the fringed bank with myrtle crowned
Her crystal mirrour holds, unite their streams.
The birds their quire apply; airs, vernal airs,
Breathing the smell of field and grove, attune
The trembling leaves, while universal Pan,
Knit with the Graces and the Hours in dance,
Led on the eternal Spring.  Not that fair field
Of Enna, where Proserpine gathering flowers,
Herself a fairer flower by gloomy Dis
Was gathered, which cost Ceres all that pain
To seek her through the world; nor that sweet grove
Of Daphne by Orontes, and the inspired
Castalian spring, might with this Paradise
Of Eden strive; nor that Nyseian isle
Girt with the river Triton, where old Cham,
Whom Gentiles Ammon call and Libyan Jove,
Hid Amalthea, and her florid son
Young Bacchus, from his stepdame Rhea’s eye;
Nor where Abassin kings their issue guard,
Mount Amara, though this by some supposed
True Paradise under the Ethiop line
By Nilus’ head, enclosed with shining rock,
A whole day’s journey high, but wide remote
From this Assyrian garden, where the Fiend
Saw, undelighted, all delight, all kind
Of living creatures, new to sight, and strange
Two of far nobler shape, ***** and tall,
Godlike *****, with native honour clad
In naked majesty seemed lords of all:
And worthy seemed; for in their looks divine
The image of their glorious Maker shone,
Truth, wisdom, sanctitude severe and pure,
(Severe, but in true filial freedom placed,)
Whence true authority in men; though both
Not equal, as their *** not equal seemed;
For contemplation he and valour formed;
For softness she and sweet attractive grace;
He for God only, she for God in him:
His fair large front and eye sublime declared
Absolute rule; and hyacinthine locks
Round from his parted forelock manly hung
Clustering, but not beneath his shoulders broad:
She, as a veil, down to the slender waist
Her unadorned golden tresses wore
Dishevelled, but in wanton ringlets waved
As the vine curls her tendrils, which implied
Subjection, but required with gentle sway,
And by her yielded, by him best received,
Yielded with coy submission, modest pride,
And sweet, reluctant, amorous delay.
Nor those mysterious parts were then concealed;
Then was not guilty shame, dishonest shame
Of nature’s works, honour dishonourable,
Sin-bred, how have ye troubled all mankind
With shows instead, mere shows of seeming pure,
And banished from man’s life his happiest life,
Simplicity and spotless innocence!
So passed they naked on, nor shunned the sight
Of God or Angel; for they thought no ill:
So hand in hand they passed, the loveliest pair,
That ever since in love’s embraces met;
Adam the goodliest man of men since born
His sons, the fairest of her daughters Eve.
Under a tuft of shade that on a green
Stood whispering soft, by a fresh fountain side
They sat them down; and, after no more toil
Of their sweet gardening labour than sufficed
To recommend cool Zephyr, and made ease
More easy, wholesome thirst and appetite
More grateful, to their supper-fruits they fell,
Nectarine fruits which the compliant boughs
Yielded them, side-long as they sat recline
On the soft downy bank damasked with flowers:
The savoury pulp they chew, and in the rind,
Still as they thirsted, scoop the brimming stream;
Nor gentle purpose, nor endearing smiles
Wanted, nor youthful dalliance, as beseems
Fair couple, linked in happy nuptial league,
Alone as they.  About them frisking played
All beasts of the earth, since wild, and of all chase
In wood or wilderness, forest or den;
Sporting the lion ramped, and in his paw
Dandled the kid; bears, tigers, ounces, pards,
Gambolled before them; the unwieldy elephant,
To make them mirth, used all his might, and wreathed
His?kithetmroboscis; close the serpent sly,
Insinuating, wove with Gordian twine
His braided train, and of his fatal guile
Gave proof unheeded; others on the grass
Couched, and now filled with pasture gazing sat,
Or bedward ruminating; for the sun,
Declined, was hasting now with prone career
To the ocean isles, and in the ascending scale
Of Heaven the stars that usher evening rose:
When Satan still in gaze, as first he stood,
Scarce thus at length failed speech recovered sad.
O Hell! what do mine eyes with grief behold!
Into our room of bliss thus high advanced
Creatures of other mould, earth-born perhaps,
Not Spirits, yet to heavenly Spirits bright
Little inferiour; whom my thoughts pursue
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Aaron LaLux Feb 2018
Man,

Man has certainly caused too much hurt already,
abused every position of power,
in every possible way,
turned outrageously courageous women into inwardly awkward cowards,

how awkward,
that Man would attack,
the very Ones,
that birthed Him,

how many wars have woman started,
how many drilling expeditions have been led by females,
but then again I guess it’s fitting that Men do the drilling,
wanting to enter into Mother Earth the Devil’s in the details,

see Men always seem to want to enter everything,
like a Hermit Crab into a seashell,
and I’m a Man so I share the guilt,
which is maybe why I don’t feel well,

see I am so ashamed,
and sometimes I’m embarrassed I even have a *****,
I regret so much Collective Man’s past aggressions,
like a past life regression I still have visions of my bad decisions,

and I’m tired of making bad decisions,

heck I’m tired of making any decisions,
I’m tired of leading expeditions,
I’m tired of going to a beautiful place like a lake,
and when I go there all I do is start fishing,

why do I have this impulse,
to catch beautiful things,
to bait them then hook them then take them,
why do I find the meaning of life to involve killing?

No problems will be solved if they involve,
taking the life of a living being that’s not willing…

What’s wrong with me,
are all Men predators,
do all men want to conquer mountains,
hook fish and eat steak cooked ****** rare?

This blood lust is just fckt I few us with disgust,
all this forward progress thinking seems backwards,
I mean even this otherwise beautiful blank space here,
can’t be left alone without me wanting to add ink black words,

well blah blah blah,
and hardy ha ha ha,
it’s so sad I’ve gone mad but I’m still glad,
because the home team’s still winning rah rah rah,

got all the trophies,
got all the glory,
got all the medals,
got all the power,

all the Women have been laid,
all the Beasts have been slayed,
all the Money’s been made,
all the Players have been paid,

I’m the King Don Juan Gansta Baller Man,
KDJGBM for short,
I got girls at every club,
and players on every court,

got gold chains,
and money wads wrapped in rubber bands,
got a flashy car complete with leather trim,
it’s fitting when the skin of a cow wraps around the ride that I’m in,

given that we’ve killed the Holy Cow to get the cream,
because we don’t hold anything sacred anymore,
well nothing except for the All Mighty Dollar,
made all this money but don’t know what we made it all for,

I guess we made more money to make more war,
treated our fellow Men as enemies and our fellow Women as ******,
I guess absolute power does corrupt absolutely,
and at the end of the day really what was it all for,

because once we’ve neglected every Woman in our life,
and treated wrong every Woman that ever treated us right,
and we’re all alone at home dying in our own body with no one by our bedside,
who will we run to to nurse us back to health and hold us tight,

that’s right,
likely a woman,
so when will we realize,
we can accept them without having to understand them,

Women,
are meant to be accepted not understood,
Men,
have done enough bad already it’s time for some good,

I know I for one am ready to surrender,
let the Women have control,
because I no longer trust myself,
to keep dear everything we hold,

so I open up,
I surrender,
I let the Feminine in,
and I let Love conquer,

because,

it’s time for some healing,
and that’s not going to come from the Masculine,
the only way we’ll collectively heal our humanity,
is with the Most High power of The Divine Feminine,

it is finally time let the lead be taken by Women,

Man has certainly caused too much hurt already,
abused every position of power,
in every possible way,
turned outrageously courageous women into inwardly awkward cowards,

how awkward,
that Man would attack,
the very Ones,
that birthed Him,

how many wars have woman started,
how many drilling expeditions have been led by females,
but then again I guess it’s fitting that Men do the drilling,
wanting to enter into Mother Earth the Devil’s in the details…

∆ Aaron LA Lux ∆

The New Book Is FREE Here: https://www.scribd.com/document/367036005/The-Sydney-Sessions-12-Steps
charles hamilton Apr 2013
Hopelessness is the worst feeling of all

Hope must be the very scaffolding upon which we build ourselves

Because the moment hope dissipates the moment it begins to wear and give way

We collapse within forgetting any light that ever previously illuminated the circumstance

When you demolish a building, you don't have to destroy every piece but merely compromise its infrastructure

The same goes for destroying a person, or even a group of people. You don't have to destroy them as a whole but simply destroy their hope and watch as they collapse inwardly
An old man from behind the pew genuflect's to a strained audience

“Gentlemen, what are the four pillars?”

The boys stand and return:

“Patience, honour, discipline, excellence."

An emergence in civil (dis)obedience, i mean ...

In unity ... this time read it with flourish

"Patience, honour, discipline, excellence."

The old man at the pew smiles inwardly

“Excellent!” says the proto-Mr. Burns

Lets fill some big shoes Mr. Anderson

Now one more time but mean it!

“Travesty, horror, decadence, excrement’

Time, time, time … we’re late for a very important date

Gather ye rosebuds while ye may

Orson Welles or was it HG?

Why does the writer use these words?

Because he’s in a hurry.

No. Ding! Thank you for playing anyway.

And the phone rings…

Mr. Anderson, it’s for you.

It’s god!

Cause we are food for worms, lads.
Written while watching Dead Poets Society
Avantika Singhal Nov 2014
The Royal lady's eyes behold.
The scene that is about to unfold.
The procession just outside Hawa Mahal.

She looks from one of he 953 windows.
The red and pink sand stone of the Mahal,
She feels from her toes.

She is Rajput by heart.
And inwardly thanks Maharaja Sawai Pratap Singh for this intricate piece of Art.

Constructed in 1799.
From it's windown,
The breeze flows;fresh and beingh.

Out there there are all kinds of people
Old. Young. Fancy. Simple.
They radiate happiness.
Mounted on elephants or barefoot,feeling blessed.

She smiles to herself.
And closes the Jharokha and feels excited as now,
To her friends,she has a story to tell.
Heritage poem.
Check out Hawa Mahal. It's a monument of Jaipur,India.
Paul Butters Feb 2021
I inwardly weep to see
We experience existence but once
And not for very long.
But what can we do?
Only our Best
While we Can.

Paul Butters

© PB 17\2\2021.
Written between two little siestas on a February afternoon.
Beneath the surface of our daily lives, we are always asking the question, “Who am I, really, and where is my true home?” The answer to this question is so utterly obvious, so beautiful, so ordinary, and yet so profound, that like the nose on our face, we have a hard time seeing it. Because of our own self-imposed limitations, the answer to this mystery can only be revealed little by little, as if a great veil were being lifted inch by inch, until the truth is completely exposed. Yet, we are destined to receive this knowledge.

Today-all around us: the electro-magnetic field is active and alive, whether we feel it or not. Imagine all the electromagnetic-digital devices surrounding us! Take a moment to think about their direct or indirect effect on our bodies. Global warming is by far the most serious manifestation of the “collision”—and Mother Nature is making the evidence ever more obvious. Our bodies are like little vessels of light reflecting our bright birth right. However these vessels constantly need nourishing and care. These are amazing times for us all but we must take care of our bodies inwardly and outwardly, else we are left at the mercies of the “spiraling” energies circumventing the universe. Both scientists and spiritualists have verily presented groundbreaking evidence about what is happening beyond what can be felt, seen or sensed by human sensory perception. At times-you may feel odd sensations or more anxiety than usual. Breathe in slowly and deeply. Take your time amidst the “rollercoaster of the city’s rush hours”. Remember to connect to the “higher frequencies” of a positive lifestyle in healthy ways. Exercise, Pray, Meditate, if you can- use flower essences everyday such as: Silversword, Shooting Star, Morning Glory, Sagebrush, Snap Dragon, Cosmos, White Magnolia. Growing a flower garden has its rich rewards too.
Nature’s healing effects are unquestionable, for within nature we come face to face with the Divine infinite source of All creation-as it was, as it is and as it will ever be.

Yogi Paramahansa Yogananda once quoted:

Harmony with nature will bring you a happiness known to few city dwellers. In the company of other truth seekers it will be easier for you to meditate and think of God.

There is a magic about periodically moving out of the “city’s confinements” to the richness of and around nature: forest walks, boat rides, mountain trekking and much more. The main essence is in feeling a refreshed aura around and within you-an indication that the city and all its toil on you have been left behind. We have to try to get rid of the notion of time. When we have an intense contact of unconditional love with nature or another human being, like a spark, then we can truly understand that there is no time and that everything is eternal.

Other simple ways of raising energy levels include: silence in isolation and more “interaction” within you inner spirit-your Higher-self. There are always two forces warring against each other within us and we can bring these forces to a balance during silent personal introspection.  In order to relate properly with and to your inner being, one must follow the “truth of imagination.” From the word-imagination, we find the word-image, which is the manifestation of our physical form and body identity.

As William Arthur Ward said:

If you can imagine it, you can create it. If you can dream it, you can become it.

More than ever before on our planet, there is now great need for interpersonal sharing and the acknowledgment that ups and downs are a vital part of our everyday life. This process is internal as well as external. The “key” is a flowing pattern that is beneficial to all concerned. Take good care of yourself, your relationships, and your health. Exercising both mind, body, and spirit can bring you the agility to incorporate balance, whether you are alone or with a partner. Life can seem like a seesaw existence, but you can still have a wonderful time if you maintain a playful attitude.

The “image” we carry of our self within our mind and heart carries the power to bridge our highest ideals into our everyday practical life. On the other hand, attachment to a poor image of self condemnation and suffering carries the potential to destroy our right to joy and abundance. Which do we choose? Practicing the laws of “visualization” is not unlike the practice of prayer or meditation, where the seeker opens oneself to channels of higher guidance and inspiration. Ideally, we are given the opportunity to walk through the gardens and forests of the earth with astute concentration and attunement, opening our opportunity to the light of healing and service, each and every day.

Whatever your tradition or practice, however you offer your skills to the world, trace your roots and find the center of stillness and peace within. Only from this grace-filled place can we restore the health and well being of ourselves and our planet. Become one who engages the full power of the mind, heart, and spirit in the interest of alleviating suffering and making our present world a true “Garden of Eden”

Remember to build the world around you in a practical manner. Is your spiritual, mental, emotional, and physical universe anchored in truth and wisdom? Follow the “call of the wild” and listen to your inner voice within that guides you to fulfill your higher destiny. Take time to make weighty decisions. Realize the implications of your acts for the future. Stop wasting your strength by criticizing others. Recall the ancient adage “Judge not, lest you be judged”.

Reinforce your positive, upbeat, and inherently good nature so that the dark elements of this world cannot break down your resolve and dedication. For those who have suffered emotional pain from all sorts of physical or spiritual abuse, If you are to walk the path of consciousness, enlightment and empowerment, you must go beyond your “old wounds” and accept this golden opportunity to metamorphose into a new “body of light” – one that rejoices with the understanding that all aspects of life are sacred and it is in the weaving of the dark and light within ourselves that we find our true wholeness. We heal ourselves and others by first contacting the inner nourishment or the "water fountain of life" within us which sustains our ability to create beautiful things in the world as well as to act from the depth of our hearts.

Imagine opening your arms to upward spirals of your divine existence like a beautiful chalice and ask that all love pour into the vessel of your heart. This love is abundant and rich, offering the fertile elixir of passion and creativity. These are exciting time and we must accept the challenges offered to humanity at this time; in it all: Unconditional Love, Peace and Unity is the answer. Change all bad habits-those that leave you with tingling bits of guilt. Cleanse your body and home and adore the “temple of beauty” that is your embodiment: your real reason for being!

The mystery of the universe is within and without us. Love the world...Love yourself...Love the change. Anticipate illuminating insights from places deep within you. Let the inner truth of your radiance come shining through. Most importantly, focus your attention and thoughts and blossom like the beautiful morning-glory. The yearning for our lost perfection, the urge to do and be that which is the noblest, the most beautiful of which we are capable, is the creative impulse of every high achievement. We strive for perfection here on mother Earth because we long to be restored to our true oneness with Almighty God.



Muhumuza Kenneth Ezra.
Classy J Nov 2016
**** had me torn, **** had me scorned; I'm one of the few people who knows how it feels to have on a crown of thorns. Scars on my hands, scars on my feet, had so many plans but they all are now obsolete. Beaten outwardly and inwardly, never had the liberty to be anything more, just a lamb in a world full of carnivores. I am not a God; I am just a man that constantly gets beaten by a rod. The rod of guilt, the rod of shame, I'm starting to wilt, and I got no one left to blame. Faking smiles while dealing with depression, dead on the inside, and barren outside by all the oppression. Just a frame for the bigger picture, maybe instead of focusing on fame, I should've focused on the scriptures. No I don't want to hear your lecture, not here to be a fisher of men, my structure is fine enough dear sir.

Now in conjunction let’s us say amen, let’s us stop with the pretend, this is our time to amend our past mayhem. Bruises on my skin, bruises on my bones, trying not to tailspin, trying to control my hormones. You don't need Sherlock Holmes to figure this **** out, there is no need to doubt, that it is not fun being treated like an expired trout. Can't you see these scars? Oh yeah that's right you to busy looking at the stars! Scars opened up by unlocking the wrong doors, scars piling up from all the years of being treated like a *****. Scars won by wars, scars from running through the fire, scars from peer pressure, and scars from all the held back tears.

So many scars, feels like I’m not even human, yeah I swear I'm an alien from mars. 'Hey, people have it worse than you', well that may be true, it's all relative until it happens to you! Do you know what I've been through? Do you know what it's like being in an environment of lions, when you're a caribou? That's right you have no clue, the worst thing some of yawl ever faced has been the flu. Where-as there is me, who no one takes the time of day to hear or see. Where-as there is me, the one everyone tried to treat because they thought I was a disease. Where-as there is me, and only me, nothing more than one of those 'natives' or in this case 'Cree'. Can't you see my scars? Were you not listening to these bars? Do I have to drop down on all fours for some exposure? Cause when you need help I am one of the first ones to be your boulder.

They say pain won't last, they say that I can get over it in other ways other than constantly getting smashed. Some say that the forecast will clear, that there is nothing to truly fear except for fear. Some scars don't heal, some leave you with Ptsd and if something sets you off you can relive that pain wheel. I wear my scars like they a badge, not prepared to throw it in the trash. My scars make me who I am, it's just another thing in my program. My scars help me relate with others with the same scars, it helps me realize that I'm not the only one dealing with these scars.
Twinkle Jul 2014
Will you love me if I said
I have AHDH
(attention deficit hyperactivity disorder)
That I will jump before you speak
Will be impatient to get my way
I can love u and hate you at the same time
I will nod, but not understand.
Will you love me truly, even then?
Cause your love will make all the difference.


Will you love me if I said
I have BPD
(Borderline Personality Disorder)
That I will be so drawn to you
That I'll throw myself at you
That more often than ever
I will question you if you me love too
Then I'll doubt you if you do
I'll accuse you of using me
Then I'll offer myself to be used
I will shunt between 2 shades
There is no grey for me
Will you love me truly, even then?
Cause your love will make all the difference.

Will you love me if I said
I have Bipolar (Disorder)
That my mood swings like a pendulum
That I will drive you mad
Or make you sad
Or I'll laugh till I drop
That you will never understand
Who I am today
Dealing with my situation
Will depress you.
I can literally **** your life out too.
Will you love me truly, even then?
Cause your love will make all the difference.

Will you love me if I said
I have NPD
(Narcissistic Personality Disorder)
That I will always think of me
That my dreams and aspirations will be so big
I wont have time for empathy
That I left my childhood behind
So don't bug me with sensitivity
I am afraid of your committment
Cause no one can hold me still
Will you love me truly, even then?
Cause your love will make all the difference.

Will you love me if I said
I am terminally ill
That my pain is unbearable
My hope has dimmed out too
And I can see no end to my misery
But even though my life's a thread
I really want to have a full life again
I want to be able to trade my pain
If someone would only be game.
But I know it is not possible
Hence I ask for what is
Will you love me truly, even then?
Cause your love will make all the difference.


You see this world's bursting with people who ache!
You and I have the difference to make.

It is so easy to empathize
With someone who pain is visible in daylight
But spare a thought for those who ache inwardly
Trapped in a battle with their minds eccentricity!

If your courage be so strong
That pain not withstanding you choose to bond
Live that life that gives glory
Share that love, that speaks a story

Love ceaselessly, love like it truly is!
Love above humans no one can
Cause loving like HIM,
Needs a supreme hand!
It's so easy to feel love and empathy for those in physical pain and terminally ill people .  But the pain of those broken at heart , broken in their minds goes unnoticed.
Bell McCabe Jan 2014
I panicked.

My brain attacked today.

It attacked my lungs,

Stupid sharp whistling sounds.

I looked out of control.

But I felt aware,

that I wasn’t breathing,

that I was attacking myself again.

It attacked my heart,

terrifying skipping stones in my chest.

Whipped one by one,

Muffled blows in my breast.

I panicked.

I looked out of control but I was aware,

of the guilt,

of what will drag along with me.

I can’t be freed from fault,

It’s not the way.

Because I panic;

is why I don’t relate,

is how I cleanse.

Fright being necessary,

like a dream

where you muscle tone fails you,

I was paralyzed.

My knuckles hit the laminate –

again, again, again.

But I don’t move.

Feeling my bicep twitch,

Feeling my throat raw,

My mouth wide open,

But I don’t make a sound.

Because I panic.

The power inside,

will never translate,

to the outside.

People may see flickers,

of insanity in my eyes.

They may see me tighten up.

They may seem me strain and ease.

But I will never translate.

Until it snaps,

Until I no longer attack myself.

Until I no longer panic.

Until I bellow,

Until I howl,

Until I wail,

Until I swing and connect.

Until it attacks outwardly,

Instead of inwardly.
Panic attacks are typically experienced by everyone at least once in their lifetime. They can last several minutes and can be very frightening. If you are experiencing panic attacks more often I urge you to reach out to a close friend or family member. You can seek free counselling in your community or speak to a trusted healthcare professional. For more information: http://www.anxietybc.com/resources/panic.php
I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."--
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."--
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away--
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"--here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a ***** flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?--It cannot be--
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth **** much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less--
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd ***** did melt
In blood from stinging whip;--with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?--
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?--
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?--
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests--the untired
And pannier'd mules for ducats and old lies--
Quick cat's-paws on the generous stray-away,--
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?--
Yet so they did--and every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

**.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done--succeed the verse or fail--
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To **** Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back."--"Good bye!" said she:--
And as he went she chanted merrily.

XXVII.
So the two brothers and their ******'d man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.--They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness--is ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's ****,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

***.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest--
Not long--for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.--In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,--the murderous spite
Of pride and avarice,--the dark pine roof
In the forest,--and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"--dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd us--happy days, or else to die;
"But there is crime--a brother's ****** knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.--"What feverous hectic flame
"Burns in thee, child?--What good can thee betide,
"That thou should'st smile again?"--The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her *****, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her vei
Austin Heath Jun 2014
I want to get hit by a BMW.
I want to get hit by a Mercedes.
I want to get run over by a Porsche.
Something big.
I want to get smeared against the pavement
by a Cadillac Escalade.
I want to get hit by one of those big *******
who drag gasoline across the continent,
but I want the driver to be a manic psychopath.
I want him to stalk me on the sidewalk
and then run me over slowly.
He's not any coward, not like those bald patriarchal
Corvette drivers in polo shirts tucked into khakis.
No, he's a great fat man, a hairy beast with
a crooked stare that slows the pulse on impact.
I want the police to cringe or get scared interrogating him,
and haul his truck somewhere to be inspected.
I want the price of gas in nearby areas to go up
by at least fifteen cents for two weeks.
I want to get hit by a BMW.
I want to roll over the windshield,
and drag under the bottom for about ten yards.
I want to separate at the middle and leave organs on his
left side view mirror and hanging on his hood ornament.
I want to seep blood deep into his car,
and when he turns on his heat,
he'll smell my blood full blast in his face
burning.
I want to wreck the car inside and out.
I want to get hit by a car with a McCain sticker on the bumper.
I don't want to get hit by some middle class Ford or Honda,
or someone's ****-level Chevy or beat up jalopy.
I want to get hit by a BMW.
I want the driver to make his tires scream like banshees,
and leave four long streaks of rotten burned rubber on the asphalt.
I want him to step out in business attire, and gasp, inwardly.
I want to flip off the sky, because my aim is bad,
and call him a coward for hitting the brakes.
I want him to think,
"What did I do?
Is he Okay?
What am I going to do?
What if I lose my license?
How will I get to work?
How will I pay for this.
Does my insurance cover
vehicular manslaughter?
I'm not alone right?
I'll get through this.
I'll survive.
I'll just be another statistic.
That's all."
Mateuš Conrad Feb 2016
you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.
Catherine Paige Aug 2011
when you hear my words
when you decipher their intention
i wonder what tools you use
i wonder what you will make of me

i hope your eyes see through the same lens
i hope your soul breeds like mine
that my intentions would scare you
that my intentions, in that way, hurt me

worried that my expression are never really mine
worried that once outwardly deciphered they become inwardly lost
though our language is the same our definitions never are
though my hopes remain the same your intentions never change
Written on August 15, 2011
Nina Messina Oct 2013
Outwardly I am a titanium barrier, inwardly, a net of strings hold me together within confining my true self to my mind. The metaphoric needle posed between thumb and forefinger, sewing patch after patch across my ruined skin, holding in the things that threaten to burst. The thread is my self value, thin and dissolving.
Watching in the shattering mirror, who I am, as tears and blood slip past trembling fingers.  Reaching upwards towards light, but I drown in the darkness. I am swallowed by hopeless misery.
Floundering and toiling in the shadows of my own faith and nearly forgotten beliefs.
Sorrow floods me, consuming in a cold fire that doesn’t burn, but freezes to the core.
Refracting shards of light that escape like a song. They fall like a melody from my lips.
While the heat of the world swirls around me in shades of blue and black. I am bruised and ask "why do I hate myself?"
I never have an answer. Only the memories of a life so beyond dysfunctional that I have to resort to story writing to make believe a happy ending, never truly believing in it.

What were these whispered words that squirmed and infiltrated my mind, what are those lost secrets and memories left to fade away. Tormented, still I remain silent. Suffering quietly. Wondering if I'll go down without a fight, or would I take my own life. It is the loss of my humanity. I transcend in definition, no longer resembling who I was.  Silver tears, dripping from the eyes of the moon, as if such a cold distant satellite mourns for and with me.

Fear remains, as it always does, clutching my heart in an iron grasp. Despite the freedom of a new life, my knees are buckling, I’m poised to run, as if there were a place to escape to. Walls arise on all sides. I am locked in a box, where I hide away from the world, and I become, cold and distant as the moon. Fighting myself endlessly.
Hide everything I am from the world, and put it out of sight of myself, I don't dare to confront it.
I ask myself again. "Why do I hate?" I know a vague answer to it this time. I have allowed the evil and cruelty of a despondent life before this one to shape me, even after my resurrection, despite my belief and faith. I had let it consume me.
My heart, a thousand splinters of ice, would once break, even if it was looked at, or touched, cracked and shatter repeatedly. I only watch, making no attempt to heal myself. Content with viewing my own nails clashing with soft flesh that gives way to pain and agony. Slicing into cold abysmal depths, bleeding a metaphoric spectrum of ****** colors into my veins that then spill down the drain of my heart.

I wonder if there is any capacity within me, for the remnants of a shimmering soul to return to hope?   I'd abandoned love and hope for so long, had they dissipated completely. Do I dare to uncover such a startling miserable revelation?
My voice catches in my chest, as I sing halfheartedly for my freedom. To be released from my anguish. My voice not carrying past my lips, stolen by the wind of despair circulating around me.
I had changed, believed myself worthless and ugly. Melancholy, a kaleidoscope of emotions contrasting with one another. Dripping together to create the painting of my life. Magnificent, yet lonely and sad. Like forlorn splatter-paint tears down the side of eroding walls.

I was told once that I was shiny on the outside, and dull on the inside. Gilded. I want to change that. I cannot hide the scars I have been dealt, nor can I conceal the ones I've inflicted to my own body. I remember each slice to the skin with shame. That I had knowingly marred perfect flesh.
"What value could I possibly have if I'm constantly looked down upon?"  I pose questions like this to myself.
Everything they say makes me feel worthless, like I'm not supposed to be here.
Maybe I'm not, I wasn’t supposed to live was I?
“Worthless. Freak. Stupid.”
Do these words define me?
Are they who I am?
I am a shadow, As I sink into the depths of my own insignificance I stare speculatively, emptily up at the opalescent translucence far above me. I’ve always been worthless,  but now I am nameless. I’ve never been to solid in my own emotions, right now I don’t know what to feel anymore. Where and what is joy? What happened to the light?
I dissolve into toxicity and an almost chemical stasis of depression, seeping into my heart with the thickness of sick black tar, dragging me farther than I’ve ever been beneath the surface.

I become nothing, for that is what I presume I always was, nothing. Only a mirage burning holes into the fabric of lonely hearts longing, a haunting memory left to torment into seclusion and sorrow.
An empty shell of what once was a girl with dreams, is all that remains to decay in the dark. While the shudder of sobs dies down into a tempest of self loathing.
An incandescent nightmare, flares out like the petals of a blossoming flower, they unfurl and cover the dystopia of eloquently disfigured words that curl and uncoil, only to surround the wounds of me that pour from a inky black liquid that has replaced the blood in my veins.
The push and pull of the sorrow and hope mixing into the discordant symphony of life. The sound that is the melody of me.
Hal Loyd Denton Oct 2012
See where love is divined

Fly a kite on Cape Hatterious as you move among shadows in the wood follow the deer it’s a perfect guide to the gentle heart you
Posses with brightest red blanket throw it out ward let it flow gently down on a grassy field it too lights the way to valentine
Encounters or stand on the platform of a subway let the silver cars flash by like a slide show at high speed as you look at the windows
Envision your heart’s desire seated within speeding into the dark tunnel the inky black where you pull out memories that are white as
Orchids and have a delicate nature that draws from you tender lingering thoughts that can bring mist to your eyes from sadness
Touched evoked by a flashing scene that you remember that was cherished now it holds a pang regrets like a great cluster of fruit
In those by gone times what acute lines they drew they characterized their true meaning others didn’t care to take the time to know
Those in that way but you found it all satisfying when eyes engage others with a piercing lens that looks up and out of the heart loves
Joy bells ring and you are given to singing carefree paths you stroll down with a certain someone the sun breaks forth with special
Ray’s two hearts beat so powerfully intoxication occurs time and space is lost you unknowingly have taken a divergent course that is
Simply grand funny how another’s touch the holding of a hand can effect earths reality and usher you in to a place of wonder if it could
Be outwardly recorded I guess it would sound like distant gentle thunder sight is afforded lovers that others never find or notice the
Natural world holds sweet refrains that spill from shaded glens or shadows that walk side by side in the brightest sun light oh to fix
Your compass only to these climes at least at this special honoring of those who love and are loved these are just shared thoughts for
You to feel and experience on Valentine’s Day this is a little of what I see in your lives that are so richly blessed I’m not forgetting those
Who have lost loves to me it is outwardly sad but inwardly I know love never dies just close your eyes and inwardly a glowing will
Occur whoever is missed is available through love’s undeniable portal it happened it doesn’t have to defy logic it was it always is if you
Ever told someone you loved them you if you were truthful you always will their might be impregnable material in this natural world
But love burns and penetrates other worlds its felt only as soft as a wisp of wind but if you hold it pursue it at its end there you will
Find your special valentine living their hearts and minds touching you examining you in finest detail and they aren’t limited as you by
Earth bound restraints breathe deeply a romantic breeze seeks only your heart lips and eyes and in the best sense it is mind blowing.
R Mar 2013
"It gets better"
Constant mutterings of the same old saying
"I offer my condolences"
These unsympathetic sympathies are driving me insane

What's that you say? You've walked in my shoes?
You've shared the same experiences as I?
You know exactly what I'm going through?
Ha. That's a lie.

Are you at a standstill in your life right now,
with nowhere to turn, nowhere to go?
Have you lost all faith in humanity?
Are you inwardly dying, do you know?

No.
See, you really don't know what it's like to be me
You couldn't possibly have walked in my shoes
if I'm wearing them on my own two feet

And let me tell you something.
My feet...
Stink.

Don't ask me why,
because frankly I don't know
But I was dealt some ****** shoes
a long, long time ago

They felt too tight,
it wasn't right
Although, what's the use
if the shoes are loose?

Running fast, fast, fast
as fast as I could
Without getting anywhere
it's a pain in the ***

And the scent of these shoes...
God, it was terrible.
Nothing could hide the stench of loneliness and *****
A fragrance so unbearable

But anyway, enough about my stinky feet
It was really just a bad analogy
Though I hope you weren't just about to eat
If so, I give you my deepest apology
Let's change the subject, shall we?

I am a victim.

I may not have been abused,
but take a look at the scars on my wrists
I may not have been bullied,
but then again, we ourselves are our own worst critics

Just because I have not been battered or bruised
by another human being
Just because I have not been shattered to pieces
by someone other than myself...
That does not make me any less broken.

I am a victim of my own thoughts.
I am a victim of depression.
I am a victim of self-harm.
I AM A VICTIM OF LIFE ITSELF.

"It gets better"
Oh come on!
This is no video game
This is no movie
This is real, this is life!
And trust me, it sure ain't 'groovy'

There are no Prince Charmings
No happily ever afters
This reality is quite alarming
It's not a time for laughter

These heartaches don't just go away
The misery and hurt is here to stay
I'm sick and tired of spending nights crying
and all these constant thoughts of dying

You say that everything will be okay
yet I can't look past the pain of today
Tomorrow never seems to shine a brighter light
so why even bother to continue the fight?

It won't get better.*

See, those are the words I should have said
And I know very well that honesty is the best policy
but hey, do you really think that I'm the only one being dishonest here?

Then again, I don't know you and you don't know me
And maybe you have the courage to tell the truth
but if someone were to tell me that "it gets better"
I'd put on my best poker face and say
"Thank you."
Kyle Kulseth Feb 2015
An animal shriek
in the snowiest silence
is swallowed by eyes deep and brown,
                        not like mine.
Which're shallow and icy and
                                clouded with Sundays
                                shrugged off of shoulders
from peak down to plain.

These mornings are silent,
constructed from cinder blocks;
skeletal, rusting--yet inwardly
                                     wailing.
Why in the world can't I set those shouts free
when the achiest Mondays release
all their caltrops
               and I stagger through work weeks
on sore, shredded feet?

It's because of the way
      that your shrieks echo off
      of my wrought iron eyelids
      when frost fills your veins.

It's because of the way
      that I melt every Thursday
      and wash down the side
      of the night in cold sheets.

I can't shout out loud
and I can't melt the quiet
that screams from the mountains
to snow on the prairie below.
Kenshō Jul 2014
Wind whispering ancient lullabies;
Hypnotizing its children, it smiles inwardly.
At rest, yet acting everything at once.
This is true effort, true power.
Hold the knowledge that the river
Carries the leaf effortlessly
Reaching its destination just on time.
Smile inwardly like the mother that holds you.
Comfort.
Incipit Prohemium Secundi Libri.

Out of these blake wawes for to sayle,
O wind, O wind, the weder ginneth clere;
For in this see the boot hath swich travayle,
Of my conning, that unnethe I it stere:
This see clepe I the tempestous matere  
Of desespeyr that Troilus was inne:
But now of hope the calendes biginne.
O lady myn, that called art Cleo,
Thou be my speed fro this forth, and my muse,
To ryme wel this book, til I have do;  
Me nedeth here noon other art to use.
For-why to every lovere I me excuse,
That of no sentement I this endyte,
But out of Latin in my tonge it wryte.

Wherfore I nil have neither thank ne blame  
Of al this werk, but prey yow mekely,
Disblameth me if any word be lame,
For as myn auctor seyde, so seye I.
Eek though I speke of love unfelingly,
No wondre is, for it no-thing of newe is;  
A blind man can nat Iuggen wel in hewis.

Ye knowe eek, that in forme of speche is chaunge
With-inne a thousand yeer, and wordes tho
That hadden prys, now wonder nyce and straunge
Us thinketh hem; and yet they spake hem so,  
And spedde as wel in love as men now do;
Eek for to winne love in sondry ages,
In sondry londes, sondry ben usages.

And for-thy if it happe in any wyse,
That here be any lovere in this place  
That herkneth, as the storie wol devyse,
How Troilus com to his lady grace,
And thenketh, so nolde I nat love purchace,
Or wondreth on his speche or his doinge,
I noot; but it is me no wonderinge;  

For every wight which that to Rome went,
Halt nat o path, or alwey o manere;
Eek in som lond were al the gamen shent,
If that they ferde in love as men don here,
As thus, in open doing or in chere,  
In visitinge, in forme, or seyde hire sawes;
For-thy men seyn, ech contree hath his lawes.

Eek scarsly been ther in this place three
That han in love seid lyk and doon in al;
For to thy purpos this may lyken thee,  
And thee right nought, yet al is seyd or shal;
Eek som men grave in tree, som in stoon wal,
As it bitit; but sin I have begonne,
Myn auctor shal I folwen, if I conne.

Exclipit prohemium Secundi Libri.

Incipit Liber Secundus.

In May, that moder is of monthes glade,  
That fresshe floures, blewe, and whyte, and rede,
Ben quike agayn, that winter dede made,
And ful of bawme is fleting every mede;
Whan Phebus doth his brighte bemes sprede
Right in the whyte Bole, it so bitidde  
As I shal singe, on Mayes day the thridde,

That Pandarus, for al his wyse speche,
Felt eek his part of loves shottes kene,
That, coude he never so wel of loving preche,
It made his hewe a-day ful ofte grene;  
So shoop it, that hym fil that day a tene
In love, for which in wo to bedde he wente,
And made, er it was day, ful many a wente.

The swalwe Proigne, with a sorwful lay,
Whan morwe com, gan make hir waymentinge,  
Why she forshapen was; and ever lay
Pandare a-bedde, half in a slomeringe,
Til she so neigh him made hir chiteringe
How Tereus gan forth hir suster take,
That with the noyse of hir he gan a-wake;  

And gan to calle, and dresse him up to ryse,
Remembringe him his erand was to done
From Troilus, and eek his greet empryse;
And caste and knew in good plyt was the mone
To doon viage, and took his wey ful sone  
Un-to his neces paleys ther bi-syde;
Now Ianus, god of entree, thou him gyde!

Whan he was come un-to his neces place,
'Wher is my lady?' to hir folk seyde he;
And they him tolde; and he forth in gan pace,  
And fond, two othere ladyes sete and she,
With-inne a paved parlour; and they three
Herden a mayden reden hem the geste
Of the Sege of Thebes, whyl hem leste.

Quod Pandarus, 'Ma dame, god yow see,  
With al your book and al the companye!'
'Ey, uncle myn, welcome y-wis,' quod she,
And up she roos, and by the hond in hye
She took him faste, and seyde, 'This night thrye,
To goode mote it turne, of yow I mette!'  
And with that word she doun on bench him sette.

'Ye, nece, ye shal fare wel the bet,
If god wole, al this yeer,' quod Pandarus;
'But I am sory that I have yow let
To herknen of your book ye preysen thus;  
For goddes love, what seith it? tel it us.
Is it of love? O, som good ye me lere!'
'Uncle,' quod she, 'your maistresse is not here!'

With that they gonnen laughe, and tho she seyde,
'This romaunce is of Thebes, that we rede;  
And we han herd how that king Laius deyde
Thurgh Edippus his sone, and al that dede;
And here we stenten at these lettres rede,
How the bisshop, as the book can telle,
Amphiorax, fil thurgh the ground to helle.'  

Quod Pandarus, 'Al this knowe I my-selve,
And al the assege of Thebes and the care;
For her-of been ther maked bokes twelve: --
But lat be this, and tel me how ye fare;
Do wey your barbe, and shew your face bare;  
Do wey your book, rys up, and lat us daunce,
And lat us don to May som observaunce.'

'A! God forbede!' quod she. 'Be ye mad?
Is that a widewes lyf, so god you save?
By god, ye maken me right sore a-drad,  
Ye ben so wilde, it semeth as ye rave!
It sete me wel bet ay in a cave
To bidde, and rede on holy seyntes lyves;
Lat maydens gon to daunce, and yonge wyves.'

'As ever thryve I,' quod this Pandarus,  
'Yet coude I telle a thing to doon you pleye.'
'Now, uncle dere,' quod she, 'tel it us
For goddes love; is than the assege aweye?
I am of Grekes so ferd that I deye.'
'Nay, nay,' quod he, 'as ever mote I thryve!  
It is a thing wel bet than swiche fyve.'

'Ye, holy god,' quod she, 'what thing is that?
What! Bet than swiche fyve? Ey, nay, y-wis!
For al this world ne can I reden what
It sholde been; som Iape, I trowe, is this;  
And but your-selven telle us what it is,
My wit is for to arede it al to lene;
As help me god, I noot nat what ye meene.'

'And I your borow, ne never shal, for me,
This thing be told to yow, as mote I thryve!'  
'And why so, uncle myn? Why so?' quod she.
'By god,' quod he, 'that wole I telle as blyve;
For prouder womman were ther noon on-lyve,
And ye it wiste, in al the toun of Troye;
I iape nought, as ever have I Ioye!'  

Tho gan she wondren more than biforn
A thousand fold, and doun hir eyen caste;
For never, sith the tyme that she was born,
To knowe thing desired she so faste;
And with a syk she seyde him at the laste,  
'Now, uncle myn, I nil yow nought displese,
Nor axen more, that may do yow disese.'

So after this, with many wordes glade,
And freendly tales, and with mery chere,
Of this and that they pleyde, and gunnen wade  
In many an unkouth glad and deep matere,
As freendes doon, whan they ben met y-fere;
Til she gan axen him how Ector ferde,
That was the tounes wal and Grekes yerde.

'Ful wel, I thanke it god,' quod Pandarus,  
'Save in his arm he hath a litel wounde;
And eek his fresshe brother Troilus,
The wyse worthy Ector the secounde,
In whom that ever vertu list abounde,
As alle trouthe and alle gentillesse,  
Wysdom, honour, fredom, and worthinesse.'

'In good feith, eem,' quod she, 'that lyketh me;
They faren wel, god save hem bothe two!
For trewely I holde it greet deyntee
A kinges sone in armes wel to do,  
And been of good condiciouns ther-to;
For greet power and moral vertu here
Is selde y-seye in o persone y-fere.'

'In good feith, that is sooth,' quod Pandarus;
'But, by my trouthe, the king hath sones tweye,  
That is to mene, Ector and Troilus,
That certainly, though that I sholde deye,
They been as voyde of vyces, dar I seye,
As any men that liveth under the sonne,
Hir might is wyde y-knowe, and what they conne.  

'Of Ector nedeth it nought for to telle:
In al this world ther nis a bettre knight
Than he, that is of worthinesse welle;
And he wel more vertu hath than might.
This knoweth many a wys and worthy wight.  
The same prys of Troilus I seye,
God help me so, I knowe not swiche tweye.'

'By god,' quod she, 'of Ector that is sooth;
Of Troilus the same thing trowe I;
For, dredelees, men tellen that he dooth  
In armes day by day so worthily,
And bereth him here at hoom so gentilly
To every wight, that al the prys hath he
Of hem that me were levest preysed be.'

'Ye sey right sooth, y-wis,' quod Pandarus;  
'For yesterday, who-so hadde with him been,
He might have wondred up-on Troilus;
For never yet so thikke a swarm of been
Ne fleigh, as Grekes fro him gonne fleen;
And thorugh the feld, in everi wightes ere,  
Ther nas no cry but "Troilus is there!"

'Now here, now there, he hunted hem so faste,
Ther nas but Grekes blood; and Troilus,
Now hem he hurte, and hem alle doun he caste;
Ay where he wente, it was arayed thus:  
He was hir deeth, and sheld and lyf for us;
That as that day ther dorste noon with-stonde,
Whyl that he held his blody swerd in honde.

'Therto he is the freendlieste man
Of grete estat, that ever I saw my lyve;  
And wher him list, best felawshipe can
To suche as him thinketh able for to thryve.'
And with that word tho Pandarus, as blyve,
He took his leve, and seyde, 'I wol go henne.'
'Nay, blame have I, myn uncle,' quod she thenne.  

'What eyleth yow to be thus wery sone,
And namelich of wommen? Wol ye so?
Nay, sitteth down; by god, I have to done
With yow, to speke of wisdom er ye go.'
And every wight that was a-boute hem tho,  
That herde that, gan fer a-wey to stonde,
Whyl they two hadde al that hem liste in honde.

Whan that hir tale al brought was to an ende,
Of hire estat and of hir governaunce,
Quod Pandarus, 'Now is it tyme I wende;  
But yet, I seye, aryseth, lat us daunce,
And cast your widwes habit to mischaunce:
What list yow thus your-self to disfigure,
Sith yow is tid thus fair an aventure?'

'A! Wel bithought! For love of god,' quod she,  
'Shal I not witen what ye mene of this?'
'No, this thing axeth layser,' tho quod he,
'And eek me wolde muche greve, y-wis,
If I it tolde, and ye it **** amis.
Yet were it bet my tonge for to stille  
Than seye a sooth that were ayeins your wille.

'For, nece, by the goddesse Minerve,
And Iuppiter, that maketh the thonder ringe,
And by the blisful Venus that I serve,
Ye been the womman in this world livinge,  
With-oute paramours, to my wittinge,
That I best love, and lothest am to greve,
And that ye witen wel your-self, I leve.'

'Y-wis, myn uncle,' quod she, 'grant mercy;
Your freendship have I founden ever yit;  
I am to no man holden trewely,
So muche as yow, and have so litel quit;
And, with the grace of god, emforth my wit,
As in my gilt I shal you never offende;
And if I have er this, I wol amende.  

'But, for the love of god, I yow beseche,
As ye ben he that I love most and triste,
Lat be to me your fremde manere speche,
And sey to me, your nece, what yow liste:'
And with that word hir uncle anoon hir kiste,  
And seyde, 'Gladly, leve nece dere,
Tak it for good that I shal seye yow here.'

With that she gan hir eiyen doun to caste,
And Pandarus to coghe gan a lyte,
And seyde, 'Nece, alwey, lo! To the laste,  
How-so it be that som men hem delyte
With subtil art hir tales for to endyte,
Yet for al that, in hir entencioun
Hir tale is al for som conclusioun.

'And sithen thende is every tales strengthe,  
And this matere is so bihovely,
What sholde I peynte or drawen it on lengthe
To yow, that been my freend so feithfully?'
And with that word he gan right inwardly
Biholden hir, and loken on hir face,  
And seyde, 'On suche a mirour goode grace!'

Than thoughte he thus: 'If I my tale endyte
Ought hard, or make a proces any whyle,
She shal no savour han ther-in but lyte,
And trowe I wolde hir in my wil bigyle.  
For tendre wittes wenen al be wyle
Ther-as they can nat pleynly understonde;
For-thy hir wit to serven wol I fonde --'

And loked on hir in a besy wyse,
And she was war that he byheld hir so,  
And seyde, 'Lord! So faste ye me avyse!
Sey ye me never er now? What sey ye, no?'
'Yes, yes,' quod he, 'and bet wole er I go;
But, by my trouthe, I thoughte now if ye
Be fortunat, for now men shal it see.  

'For to every wight som goodly aventure
Som tyme is shape, if he it can receyven;
And if that he wol take of it no cure,
Whan that it commeth, but wilfully it weyven,
Lo, neither cas nor fortune him deceyven,  
But right his verray slouthe and wrecchednesse;
And swich a wight is for to blame, I gesse.

'Good aventure, O bele nece, have ye
Ful lightly founden, and ye conne it take;
And, for the love of god, and eek of me,  
Cacche it anoon, lest aventure slake.
What sholde I lenger proces of it make?
Yif me your hond, for in this world is noon,
If that yow list, a wight so wel begoon.

'And sith I speke of good entencioun,  
As I to yow have told wel here-biforn,
And love as wel your honour and renoun
As creature in al this world y-born;
By alle the othes that I have yow sworn,
And ye be wrooth therfore, or wene I lye,  
Ne shal I never seen yow eft with ye.

'Beth nought agast, ne quaketh nat; wher-to?
Ne chaungeth nat for fere so your hewe;
For hardely the werste of this is do;
And though my tale as now be to yow newe,  
Yet trist alwey, ye shal me finde trewe;
And were it thing that me thoughte unsittinge,
To yow nolde I no swiche tales bringe.'

'Now, my good eem, for goddes love, I preye,'
Quod she, 'com of, and tel me what it is;  
For bothe I am agast what ye wol seye,
And eek me longeth it to wite, y-wis.
For whether it be wel or be amis,
Say on, lat me not in this fere dwelle:'
'So wol I doon; now herkneth, I shal telle:  

'Now, nece myn, the kinges dere sone,
The goode, wyse, worthy, fresshe, and free,
Which alwey for to do wel is his wone,
The noble Troilus, so loveth thee,
That, bot ye helpe, it wol his bane be.  
Lo, here is al, what sholde I more seye?
Doth what yow list, to make him live or deye.

'But if ye lete him deye, I wol sterve;
Have her my trouthe, nece, I nil not lyen;
Al sholde I with this knyf my throte kerve --'  
With that the teres braste out of his yen,
And seyde, 'If that ye doon us bothe dyen,
Thus giltelees, than have ye fisshed faire;
What mende ye, though that we bothe apeyre?

'Allas! He which that is my lord so dere,  
That trewe man, that noble gentil knight,
That nought desireth but your freendly chere,
I see him deye, ther he goth up-right,
And hasteth him, with al his fulle might,
For to be slayn, if fortune wol assente;  
Allas! That god yow swich a beautee sente!

'If it be so that ye so cruel be,
That of his deeth yow liste nought to recche,
That is so trewe and worthy, as ye see,
No more than of a Iapere or a wrecche,  
If ye be swich, your beautee may not strecche
To make amendes of so cruel a dede;
Avysement is good bifore the nede.

'Wo worth the faire gemme vertulees!
Wo worth that herbe also that dooth no bote!  
Wo worth that beautee that is routhelees!
Wo worth that wight that tret ech under fote!
And ye, that been of beautee crop and rote,
If therwith-al in you ther be no routhe,
Than is it harm ye liven, by my trouthe!  

'And also thenk wel that this is no gaude;
For me were lever, thou and I and he
Were hanged, than I sholde been his baude,
As heyghe, as men mighte on us alle y-see:
I am thyn eem, the shame were to me,  
As wel as thee, if that I sholde assente,
Thorugh myn abet, that he thyn honour shente.

'Now understond, for I yow nought requere,
To binde yow to him thorugh no beheste,
But only that ye make him bettre chere  
Than ye han doon er this, and more feste,
So that his lyf be saved, at the leste;
This al and som, and playnly our entente;
God help me so, I never other mente.

'Lo, this request is not but skile, y-wis,  
Ne doute of reson, pardee, is ther noon.
I sette the worste that ye dredden this,
Men wolden wondren seen him come or goon:
Ther-ayeins answere I thus a-noon,
That every wight, but he be fool of kinde,  
Wol deme it love of freendship in his minde.

'What? Who wol deme, though he see a man
To temple go, that he the images eteth?
Thenk eek how wel and wy
[Dedicated to Austin Osman Spare]

Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !

Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !

I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !

Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?

Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"**** and SET be TWINS."
A fico for repentance !

Ay ! O Son of my mother
That snarled and clawed in her womb
As now we rave in our rapture,
I know thee, I love thee, brother !
Incestuous males that consumes
The light and the life that we capture.

Starve thou the soul of the world,
Brother, as I the body !
Shall we not glut our lust
On these wretches whom Fate hath hurled
To a hell of jesus and shoddy,
Dung and ethics and dust ?

Thou as I art Fate.
Coe then, conquer and kiss me !
Come ! what hinders? Believe me :
This is the thought we await.
The mark is fair ; can you miss me ?

See, how subtly I writhe !
Strange runes and unknown sigils
I trace in the trance that thrills us.
Death ! how lithe, how blithe
Are these male incestuous vigils !
Ah ! this is the spasm that kills us !

Wherefore I solemnly affirm
This twofold Oneness at the term.
Asar on Asi did beget
Horus twin brother unto Set.
Now Set and Horus kiss, to call
The Soul of the Unnatural
Forth from the dusk ; then nature slain
Lets the Beyond be born again.

This weird is of the tongue of Khem,
The Conjuration used of them.
Whoso shall speak it, let him die,
His bowels rotting inwardly,
Save he uncover and caress
The God that lighteth his liesse.
Sa Sa Ra May 2013
I do love
But it ain't quite
like the Discovery Channel!!!

I want so much more than
the collective desire of Park Avenues

I believe like,

With exactly no doubt
like zero are the hours
which can never count
upon the seamlessness
of my perceptions

I do but I don't
I am and therefor not

I talk in mirrored tongues
I observe in uncanny detail

Micro and macro all a flow
overly ever rushing torrents
moving galaxies about

Pouring in
more rushes out

You can picture it
over the mighty edges of
and rushing to, fro and about
every swirling an obstacle stout

Though such knows not
one another in such ways
inseparable upon one journey

As She manifests from her he, Self
He's giving for he gets the She of,

An ever persuasive passionate,

Play... .. .

Greater than the dreams

We know of love yet
Shy to conceive

They, their passion
.........
  .....
   ...
    "
    '
We inwardly receive

Those torrential lovers
pourings do spillover
and on and over
and rush upwards
ah ever more easily!!!

Vast sensualities
******* rhythms
of this a, Our universe
in micro exotic intoxicating
allure, irresistibly entwining
the smallest tastes and teases
of songbirds loving symphonies

As butterfly and a bee in the ever
sweet scents of psychedelic sighting
wavings in ever inviting ever ripening
ever flows of heavens manna sweets, but
sours the way short where some say sinners
ought never see or be, though such is silliness see,

For such shy glimpses of what is less than momentary
which is not countable, when our greatnesses will carry on
beyond our redemptions of what only we shall see clearly so
simply, one day twas the dark night of a soul, here blasphemed
about the sacredness of all ever evident being so close found fondly,

Sweetly, though lost in those ever aching wishes of our journeying together

Would death be ****** abandonment at all a freaky thing unconceived
dark night of the great light conceived viewed in our ever grace and beauty
but she lets you feel her he's and all the glory, all the glory an unrealized being
in all our collectiveness has not yet seen but in the depths of where it's consider dark
for simple decisions we all have and must have made to function here, there

and at all,
at once...

No time, no space, no EMC squared's
yet in Newtonian fashion the soul spirit remains
carries on in infinite motion and motions of our choosings
and for better and worse we do all about the same for we
were never thrilled about all the separation we discovered
in reluctance and or in blessed joys of great companies
of loving hearts, eyes, ears, arms with tender loving
caring hands of nurture enough twas enough for
you are still here now and those who have not
have forgiven all other misguidance eagerly
when it is easily found tis only our own
choice to be and set free freely

And I can want any petty desire too
and put myself up for adoption to,

The petting zoo
and you...

For hell yeah I want to be here
all the way and with you
my wayfarers

I Do...

do do dee da da
oo la la and ma mama

childs all of such grace
we oft just call gods

And greater love seen
dispensed philosophically
by self proclaimed atheism's

Denialism can rather be the truth
of atheism, self pitying so deeply
resenting the here now for some
overly wishful thinkings and
of mournful emotionalism's
about the 'it just ain't fairs'

Beware they will take you
to their wheres, wearing
their wares of self hate
while glossfully
painting in
glitterings
of fools
gold

Feign not thou
we are co conspirators
already decidedly agreed
agreeably dancing on the sharp
end of one pointed pin, hand holding

But remember if we were ever shaken
off of binding bonds ever closefully as
the chasms of divergences really are

We still ever dance ever lightly on
the everly fine poignancy of pin

And the illusion of being
garden casted for some
shamefully blameful
denials of the snakes
sly fashion to even
ones need of feed

And or wither from
the long and short
of journey with
the ever's of

here now...

Paradise
Perfectly

Paradoxically

In our
every
way

So I am
in great hunger
greater thirst firstly

For the one great illusion
desert stricken for not seeing
the forest of paradise for every
tree and every grace of all possibility

Without such would come from impossibility*

Once Again...
"Get In My Belly!!! I'm Having a Fat ******* Moment!

Is it normal to be this hungry all of the time? ***! I swear I could have just eaten and not even two hours later I'm famished. I don't remember it being like this before. Like right now all I want is some bread, spaghetti meat sauce and and some orange sherbet then top it all off with a nice big bottle of Iceland Pure alkaline water. Ooh, ooh or some curry lentil soup with some grilled chicken and sauteed mushrooms. Or, or some watermelon, grapes and strawberries with cream cheese and cane sugar dip and sauteed lamb. My goodness "I am hungry"!!! Feed me Seymore!!!"

http://en.wikipedia.org/wiki/Fat_Bastard_(character)
In Yucatan, the Maya sonneteers
Of the Caribbean amphitheatre,
In spite of hawk and falcon, green toucan
And jay, still to the night-bird made their plea,
As if raspberry tanagers in palms,
High up in orange air, were barbarous.
But Crispin was too destitute to find
In any commonplace the sought-for aid.
He was a man made vivid by the sea,
A man come out of luminous traversing,
Much trumpeted, made desperately clear,
Fresh from discoveries of tidal skies,
To whom oracular rockings gave no rest.
Into a savage color he went on.

How greatly had he grown in his demesne,
This auditor of insects! He that saw
The stride of vanishing autumn in a park
By way of decorous melancholy; he
That wrote his couplet yearly to the spring,
As dissertation of profound delight,
Stopping, on voyage, in a land of snakes,
Found his vicissitudes had much enlarged
His apprehension, made him intricate
In moody rucks, and difficult and strange
In all desires, his destitution's mark.
He was in this as other freemen are,
Sonorous nutshells rattling inwardly.
His violence was for aggrandizement
And not for stupor, such as music makes
For sleepers halfway waking. He perceived
That coolness for his heat came suddenly,
And only, in the fables that he scrawled
With his own quill, in its indigenous dew,
Of an aesthetic tough, diverse, untamed,
Incredible to prudes, the mint of dirt,
Green barbarism turning paradigm.
Crispin foresaw a curious promenade
Or, nobler, sensed an elemental fate,
And elemental potencies and pangs,
And beautiful barenesses as yet unseen,
Making the most of savagery of palms,
Of moonlight on the thick, cadaverous bloom
That yuccas breed, and of the panther's tread.
The fabulous and its intrinsic verse
Came like two spirits parlaying, adorned
In radiance from the Atlantic coign,
For Crispin and his quill to catechize.
But they came parlaying of such an earth,
So thick with sides and jagged lops of green,
So intertwined with serpent-kin encoiled
Among the purple tufts, the scarlet crowns,
Scenting the jungle in their refuges,
So streaked with yellow, blue and green and red
In beak and bud and fruity gobbet-skins,
That earth was like a jostling festival
Of seeds grown fat, too juicily opulent,
Expanding in the gold's maternal warmth.
So much for that. The affectionate emigrant found
A new reality in parrot-squawks.
Yet let that trifle pass. Now, as this odd
Discoverer walked through the harbor streets
Inspecting the cabildo, the facade
Of the cathedral, making notes, he heard
A rumbling, west of Mexico, it seemed,
Approaching like a gasconade of drums.
The white cabildo darkened, the facade,
As sullen as the sky, was swallowed up
In swift, successive shadows, dolefully.
The rumbling broadened as it fell. The wind,
Tempestuous clarion, with heavy cry,
Came bluntly thundering, more terrible
Than the revenge of music on bassoons.
Gesticulating lightning, mystical,
Made pallid flitter. Crispin, here, took flight.
An annotator has his scruples, too.
He knelt in the cathedral with the rest,
This connoisseur of elemental fate,
Aware of exquisite thought. The storm was one
Of many proclamations of the kind,
Proclaiming something harsher than he learned
From hearing signboards whimper in cold nights
Or seeing the midsummer artifice
Of heat upon his pane. This was the span
Of force, the quintessential fact, the note
Of Vulcan, that a valet seeks to own,
The thing that makes him envious in phrase.

And while the torrent on the roof still droned
He felt the Andean breath. His mind was free
And more than free, elate, intent, profound
And studious of a self possessing him,
That was not in him in the crusty town
From which he sailed. Beyond him, westward, lay
The mountainous ridges, purple balustrades,
In which the thunder, lapsing in its clap,
Let down gigantic quavers of its voice,
For Crispin to vociferate again.
In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
The question regarding the question relies on what the question really is.

If the question implied is a question directed outwardly, then it may be misinterpreted as a question to oneself internally.

Otherwise, a question explicitly directed inwardly is critical to deciphering the question that one will address outwardly.  

If an indirect question is questioned through the user, then the question itself becomes a metaphysical question to choose from.

In the event a question is said through alternate means, consider the quantitative/qualitative state of the question at the time being; as it may be resolved by asking the question in a subconscious level indeed.  

Superficial means tends to seek fundamental questions to the reality of the state one naturally possesses.  

In the case where the unconscious decides the opportune event to question the conscious reality, one must interpret the means in examination of the intrapersonal mentality.  

If the question is imposed through correlative thought and subliminal expression, then the question itself is related to a parallel conscious state intertwined with the unconscious state of mind of progression.

If the question is relative in combination to the solutions mentioned above becoming apparent, then one has means to ask the question without questioning the question itself in disparate.

Otherwise, the question continues to perplex the question through the continuation of irrelevant questions that one will have thought; creating a treacherous belief so concurrent one could not have fought.

Therefore, is the reality of the question portrayed to the reality you live in or the reality of others? As this poem was conclusive to subtly evoke thought in the questions we construct.

By: Michael M. De La Fuente
The thought of the question was introduced to me whilst reading Carl Jung's book, Man and his Symbols.
JLB Feb 2012
You'll never believe this
but,
I drank from God's flask the other day.

Yeah,
Convinced that it was half full
Of conscientiousness.
Of hope, or passion, or honesty,
or somethingworthgivingashitabout.
For it had once appeared to many,
A beautiful and grand canteen,
Forged of liquid silver.

And as I allowed the contents to inwardly surge,
I realized that it had plunged into the same carnal vessel
From whence it came,
And the lining of my body had been holding the ancient linings of other bodies,
Reincarnate.

Romantic,
If that's the way you wanna slice it.

But
There is a recipe for such rapture,
And it's been written on pages much less holy than the Bible--
On the coffee stained clipboards of chemists
And the meticulous manuscripts of mathematicians.
It's made out of the same **** that everything else is made of:
Out of the same force that makes you float when you sit in the dead sea,
Out of your body's sweat after a hard day's work,
Out of the blood in your veins.

Salt.
All of it, everything, everyone,
Salt.

Dissolved, crystallized, harvested, ingested,
Redissolved, recrystallized, and the cycle repeated.
I thought                                         you'd left us, long ago
desolate on a swing
                       rocking stale, dry grass and still air
                      
                      crossing
never quite                  the hurdle

                                                               ­                                                    lost

unaware
sweating youth in this humidity

I thought we'd never make it past the
rusty red and brown of weathered fences

                            like
              felt                        moun
   They                                  
                                                     tains

                                                               ­   Made of dirt
                                                                ­                       (guilt)
and an endless turmoiling scent, still fresh



I thought you'd forlorned us                  
h     e     a     v    y       r  a  i  n   and warm bodies
standing next to oxidized hoops
                                                          one adjacent to the other
The haze of the heat hard, but not impossible
to withstand                swaying like the gust of wind, swaying  
                                            the blazing sun and my open palms swaying




Why was it here                                         that it felt like you left us
                                                              ­                                              stumped,  
unaware,­
consuming  with no  
                                              idea of the Greater



2.


                                                W­ H A T was it about inner cities
And skin that would tan
Or resist the sun
   that made you  mutter murky words  


judgement
                   that made me hike a

                                  K
                       A
            E
P
that for so long made feel like a (lost) traveler
unable to come find my way   D O W N.

Still on a mountain top
Never quite crossing the hurdle.
That’s how you wanted me
A
     B
          A
                N
                     D  O N E D.

3.

But my tongue made sounds
copper pots and plastic measuring cups
became the pious  accompaniment
of a song sung inwardly
until it manifested
Words on lips
                            Lips willing to kiss the purple clouds made out of strange fruit and a high border walls over my hand and back

4. A Swimsuit and a pool that could cool
me
small children see the cicatrixes
      But I walk towards the water; I have long abandoned shame.
Hal Loyd Denton Feb 2013
Earthen Valentine


See where love is divined

Fly a kite on Cape Hatterious as you move among shadows in the wood follow the deer it’s a perfect guide to the gentle heart you
Posses with brightest red blanket throw it out ward let it flow gently down on a grassy field it too lights the way to valentine
Encounters or stand on the platform of a subway let the silver cars flash by like a slide show at high speed as you look at the windows
Envision your heart’s desire seated within speeding into the dark tunnel the inky black where you pull out memories that are white as
Orchids and have a delicate nature that draws from you tender lingering thoughts that can bring mist to your eyes from sadness
Touched evoked by a flashing scene that you remember that was cherished now it holds a pang regrets like a great cluster of fruit
In those by gone times what acute lines they drew they characterized their true meaning others didn’t care to take the time to know
Those in that way but you found it all satisfying when eyes engage others with a piercing lens that looks up and out of the heart loves
Joy bells ring and you are given to singing carefree paths you stroll down with a certain someone the sun breaks forth with special
Ray’s two hearts beat so powerfully intoxication occurs time and space is lost you unknowingly have taken a divergent course that is
Simply grand funny how another’s touch the holding of a hand can effect earths reality and usher you in to a place of wonder if it could
Be outwardly recorded I guess it would sound like distant gentle thunder sight is afforded lovers that others never find or notice the
Natural world holds sweet refrains that spill from shaded glens or shadows that walk side by side in the brightest sun light oh to fix
Your compass only to these climes at least at this special honoring of those who love and are loved these are just shared thoughts for
You to feel and experience on Valentine’s Day this is a little of what I see in your lives that are so richly blessed I’m not forgetting those
Who have lost loves to me it is outwardly sad but inwardly I know love never dies just close your eyes and inwardly a glowing will
Occur whoever is missed is available through love’s undeniable portal it happened it doesn’t have to defy logic it was it always is if you
Ever told someone you loved them you if you were truthful you always will their might be impregnable material in this natural world
But love burns and penetrates other worlds its felt only as soft as a wisp of wind but if you hold it pursue it at its end there you will
Find your special valentine living their hearts and minds touching you examining you in finest detail and they aren’t limited as you by
Earth bound restraints breathe deeply a romantic breeze seeks only your heart lips and eyes and in the best sense it is mind blowing.
Hal Loyd Denton Jan 2012
Earthen Valentine

Fly a kite on Cape Hatterious as you move among shadows in the wood follow the deer it’s a perfect guide to the gentle heart you
Posses with brightest red blanket throw it out ward let it flow gently down on a grassy field it too lights the way to valentine
Encounters or stand on the platform of a subway let the silver cars flash by like a slide show at high speed as you look at the windows
Envision your heart’s desire seated within speeding into the dark tunnel the inky black where you pull out memories that are white as
Orchids and have a delicate nature that draws from you tender lingering thoughts that can bring mist to your eyes from sadness
Touched evoked by a flashing scene that you remember that was cherished now it holds a pang regrets like a great cluster of fruit
In those by gone times what acute lines they drew they characterized their true meaning others didn’t care to take the time to know
Those in that way but you found it all satisfying when eyes engage others with a piercing lens that looks up and out of the heart loves
Joy bells ring and you are given to singing carefree paths you stroll down with a certain someone the sun breaks forth with special
Ray’s two hearts beat so powerfully intoxication occurs time and space is lost you unknowingly have taken a divergent course that is
Simply grand funny how another’s touch the holding of a hand can effect earths reality and usher you in to a place of wonder if it could
Be outwardly recorded I guess it would sound like distant gentle thunder sight is afforded lovers that others never find or notice the
Natural world holds sweet refrains that spill from shaded glens or shadows that walk side by side in the brightest sun light oh to fix
Your compass only to these climes at least at this special honoring of those who love and are loved these are just shared thoughts for
You to feel and experience on Valentine’s Day this is a little of what I see in your lives that are so richly blessed I’m not forgetting those
Who have lost loves to me it is outwardly sad but inwardly I know love never dies just close your eyes and inwardly a glowing will
Occur whoever is missed is available through love’s undeniable portal it happened it doesn’t have to defy logic it was it always is if you
Ever told someone you loved them you if you were truthful you always will their might be impregnable material in this natural world
But love burns and penetrates other worlds its felt only as soft as a wisp of wind but if you hold it pursue it at its end there you will
Find your special valentine living their hearts and minds touching you examining you in finest detail and they aren’t limited as you by
Earth bound restraints breathe deeply a romantic breeze seeks only your heart lips and eyes and in the best sense it is mind blowing.
Thinking of You Sep 2015
Doubt
So easy to say.
So hard to get past.
I've always had a little bit of it reflected inwardly because I've never been able to attain the appearance I wanted. I've never been quite thin enough. My hair has never been quite long enough. My skin never quite clear enough. And because of this its caused me to doubt other areas. If I can't get in peak physical shape, what makes me think I can become financially independent?  Get a good job?  Start my own business? If I can't control something as simple as a complexion, hair follicle or calorie, how do I think I can take on the outside world?

It's the doubt that eats you.
It's the doubt that tucks you into your grave with the could haves because you cancelled yourself out.
You're problem is not in your thighs or uneven eyebrows. Your problem is you think they're your problem.

Stop taking yourself out.
You are worthy.
You are so. worth. loving.
Nigel Morgan Sep 2012
It is morningtime in the hour that the day’s light shows its hem in the East. It is that time when dream and memory are replaced by invention and desire. Desire to invent, to feel the words form on the page: messages from the heart, an imagined landscape, a different time freshly peopled.
 
The mind’s eye, as though a flying sprite, enters the privacy of home, alights on a child’s pillow, marvels at the untroubled face, the easy limbs still resting in half-sleep before rising. In an adjoining room his parents, aware of night’s echo, stretch and touch, delighting in the comfort of those known places where love and desire visit, made precious through stroke and caress. Her dear head fast into the pillow, his right arm resting lightly across her body, his left folded into her back. He inhales her as though a most delicate incense slowly burning on the mantle shelf, on the altar of this gathered home; beside his glasses, her simple jewellery, the once jasmined vase, cards ascribed with the love of friends and family, endearments, a child’s gay picture, a photograph of a cottage in silhouette against sea and distant mountains, and five stones from different shores, each a talisman, a gateway to a memoried story.
 
Still this still time, this fragile cushioning of quiet before the necessity of movement, the need of thought to plan the must of the day, the have to in this hour or that, the when and then, the care to this and there. Another day beckons in a sharp noise from the street, a car starts, a door slams, away in the vallied distance the hoot of a train.
 
It is warm for a late December day, but against the possibility of damp and cold he takes the necessary gloves and scarf, though wears a lighter coat. He will walk purposefully, though unbreakfasted, through the grey streets, past houses where the lit opaque windows of bathrooms shine, onto the heath land and then into the woods of oak and birch and alder. The trees therein are pilloried hands stretching their gaunt fingers to the whitening sky, still in the still air, almost silent but for the change of the air’s resonance, that particular quality in a wooded space where sounds’ reflections have a confused trajectory: a bird rising at your footfall, its wingbeats echoing a cascade of almost touched finger strokes on a wooden drum.
 
Here in this dank wood the mind is restless; it moves ungraciously between what the senses tell of the now and the interventions of imagination and memory. Her fatigue at the dinner table, the dull green of unberried holly, the description of a woodshed its contents delightfully named, and that short paragraph about the similarity between books and trees (he makes a mental note to learn this: to keep this warm thought close in times of stress). This is why we read he thinks: to gather to ourselves a temporary safety, the consolation of another’s voice, an antidote to loneliness. She is waking he thinks. He can ‘see’ inwardly her movement as she shakes off sleep, raises her eyebrows before opening her eyes, sitting on the bed now (eyes still closed), she stretches her right hand for the juice he brought silently to her bedside, that little action of love borne up two flights of stairs, every footfall carefully tiptoed, to place very slowly, silently next the clock, her bedtime book, a pile of his letters, a scribbled address on a notebook’s torn out page. She will never be so tenderly beautiful as in that moment he so rarely sees but knows and thus imagines. This image reverberates over his moving body and he stops to calm himself, to enjoy for a few seconds this almost-presence of her in an imagined touch of skin to skin, his fingers stroking her naked back as she gathers herself to move.

— The End —