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"intersections" poems
Slowly unfold, as you fold into me. Two explosions that explode imploding our senses with sensory overload too intersections that intersect invisible connected through connectivity magnetized magnetically galvanized genetically when energized this pleasure is derived riveting her visibly I convulse as you implode Extinguishing our misery With pleasure beyond measure Thirst quenched physically satisfied, apparently.
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Mar 25, 2017
Mar 25, 2017 at 3:16 PM UTC
Implosion
The nature around us Provokes to think! The geometry of nature Creates coincidences and intersections! Coincidences of creation- destruction and re-construction! Intersection reveals the connectivity, Connectivity between deconstruction and reconstruction! Geometry portray the commonness and uniqueness, Commonness and uniqueness between ‘image and number’ and ‘shape and number’! It leads all relation to number relation!
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Sep 26, 2015
Sep 26, 2015 at 2:30 PM UTC
Nature- image-geometry and number
From brown eyes to green, the date began I extend my hand to invite a handshake We both exchange an “It’s nice to meet you” We are escorted to our table Chosen at random by our server, but perfectly selected For the spot offers a phenomenal view of the coniferous trees below And the majestic mountains of the North Shore Our eyes meet again From brown eyes to green We sit and start conversing You are stunningly dressed and I cannot take my eyes off you Your eyes are locked into mine You must be really into me just as I am into you Our server interrupts, we place our orders Your every move makes my heart flutter, From how you flip the pages of the menu To how you rest your elbow on the table with your hand on your chin, Smiling sweetly at me I’m having an amazing time You tell me you are too Dinner goes by in a flash, the sun has fully set We drive off through the winding road and into the city traffic I haven’t kissed you yet But I want to After umpteen intersections and two cities We arrive at your apartment I walk you to your door I turn to face you From brown eyes to green I lean in for the kiss A quick gentle one I wish you a good night But you want more... From brown eyes to green You lean in and kiss me with fervor and passion You ask me if I want to come in, but I’m hesitant to answer From green eyes to brown Your intense, desire-filled gaze pushes me to say yes Another episode to the evening begins..
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May 23, 2016
May 23, 2016 at 12:42 AM UTC
From Brown Eyes to Green
*She was costly Bordeaux   he was recycled biker leather, her classic affluent beauty   yearned for motorcycle thrills, she lifted him up a grade      he brought her down to street level,   they fused at steamy rush hours    under trafficked high ways,     pursuant to reckless merging                    reality's intersections accelerated                crashing expedited speed limits,        would never again drive   mid smoothly paved junctures              at the standard rate of normal*
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Jul 6, 2015
Jul 6, 2015 at 12:12 PM UTC
Bordeaux & Leather
Sometimes you are caught Between the intersections Of you and your reflection Wondering, about the reality So much happens between Exchanges with your reflection Mirroring what you want to see And what reality actually is Try to touch the portrayed image Segregate the inner reality And the outer façade for the world Mirror what you really are And your reflection will embrace you Given the clarity, that shatters The reflection of a reflection Thus blossoms the image from the heart Mirror will be glistening with pride
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Feb 21, 2015
Feb 21, 2015 at 10:46 AM UTC
Your Reflection
my polygamous relationship with you distances me from the monotony of monogamy and makes me feel lonelier than the loneliest mundane monogamist. my mere apologies for my misendeavors, the malnutritious morals of my miseducation propose metal mirrors and castaways controlled by cutting carvers, craving crazy letters and loyalty from lengthy lies and lonely lives. lethargy overtakes and vowels reign, raining drops like rainbows and rocks in rivers, rusting relationships, rusty railroads at intense intersections entwined in everything inside and nothing on the outside anymore except these muscles. we are back at the beginning. my mind marvels in the magic of the memories, the madness of the morbidity and the hesitations of your reaction. his, I take, is misunderstood as my misfortune, but it is not a miss, my fortune: it is a fox in feathers colorful like friendships 'fore their forfeited and feigned approval, forced for fear of polygamy tho' it promises the purest pleasure, the most personal independence and precious pearls of princes, princesses, powerful, plight-less poetry. peace surrenders, souls surprise themselves, surprise their cells, call for curious catastrophes to take place. colorful and calm they coincide with cooperation that can not contain the context of truth, of teases, of teasers and targets and tonal dualities and we endeavor, we endear you, we dare destroy the darkness of the devil in its disguised diamonds. words lie at my feet like pebbles of poetry and I promise personal demise, deterioration and ridiculous obsessions- there's madness to be had and fragments to be written and I play with silly alliteration instead! serious and serene you stare as if my sanity has slowly faded and I sternly helplessly smile shyly. I suppose you are sincerely offering me your blessing before parting, so stumbling slightly I surrender… if this is the prevailing promise of mere mortality, I'm graciously aware I was worthy of words.
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Jan 11, 2014
Jan 11, 2014 at 2:01 PM UTC
forgive me for my madeup words
my polygamous relationship with you distances me from the monotony of monogamy and makes me feel lonelier than the loneliest mundane monogamist. my mere apologies for my misendeavors, the malnutritious morals of my miseducation propose metal mirrors and castaways controlled by cutting carvers, craving crazy letters and loyalty from lengthy lies and lonely lives. lethargy overtakes and vowels reign, raining drops like rainbows and rocks in rivers, rusting relationships, rusty railroads at intense intersections entwined in everything inside and nothing on the outside anymore except these muscles. we are back at the beginning. my mind marvels in the magic of the memories, the madness of the morbidity and the hesitations of your reaction. his, I take, is misunderstood as my misfortune, but it is not a miss, my fortune: it is a fox in feathers colorful like friendships 'fore their forfeited and feigned approval, forced for fear of polygamy tho' it promises the purest pleasure, the most personal independence and precious pearls of princes, princesses, powerful, plight-less poetry. peace surrenders, souls surprise themselves, surprise their cells, call for curious catastrophes to take place. colorful and calm they coincide with cooperation that can not contain the context of truth, of teases, of teasers and targets and tonal dualities and we endeavor, we endear you, we dare destroy the darkness of the devil in its disguised diamonds. words lie at my feet like pebbles of poetry and I promise personal demise, deterioration and ridiculous obsessions- there's madness to be had and fragments to be written and I play with silly alliteration instead! serious and serene you stare as if my sanity has slowly faded and I sternly helplessly smile shyly. I suppose you are sincerely offering me your blessing before parting, so stumbling slightly I surrender… if this is the prevailing promise of mere mortality, I'm graciously aware I was worthy of words.
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8
All sorrow is perpendicular occurring at right angles of tragedy encircling the grief-stricken with straight edges only once intersecting across infinite planes— Don't dare draw the lines between points or shade the region with limits or curves because the trajectories of bullets are plotted on branes intolerant of slightest triangulation Woe unto the seekers of sine waves sobbing thinking of filling every trough believing surely by now we've offered enough to sate these bloodthirsty Euclidean demons Cresting won't ever arrive in this course filled to the brim with asymptotes, cold corollaries but never spilling over under our sacred pledge of allegiance to the 2nd Parallel Postulate No intersections can be admitted with thoughts & prayers extending outward barely co-planar serious public policy proposals axiomatic insistence on the Nirvana Theorem or nothing A set of all points remains, mutually exclusive motionless and always incongruent clueless about their own particular geometries awaiting radical Pythagorean salvation Some paradigm we’ve built here though! Two hundred years of living polygonal hand to elliptical mouth without tangential reflection on the unproven flatness of humanspace.
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Aug 4, 2016
Aug 4, 2016 at 4:41 AM UTC
2 Geometric
tattoo ourselves in electric ink memorializing calendars, diaries of observantional digits, black on white, no gray, birthdays, anniversaries, dates of passing, starting lines, occasional achievements, departure dates, even glaring failures, sundial mundane records of diurnal habitude…even defining self by, bye, byte marks upon flesh, upon our calendar *not my first trip-tracking, he ruefully rues, wry smiling, many voyages of indeterminate measuring length, leaving litter of arrays of hopeful estimations & destinations, each unequal, any or all possibilities, each day notated, without critique or commentary, the numbers are the gaols (jails) of goals, target, indeterminate determination, terrific, horrific, introspections, inverse images resolve, resolute* a year ago, +/- a few days,, new travelogue commenced, notated but not annotated, just  numerical truths, (sans comments for the divine nature of numbers don’t lie) and today my calculator app informs, that I am now 19.4 % lesser, but that clarifies less than expected naturally this provokes a natty, spirited, self-inquiry, lessened, lessor, for better or for worse? have the physical alterations accompanying this reduction mean exactly what, if, it should be, a greater lesser? here is the hard part. your have always been a mirror~poet, laughing, bemoaning the unvarnished, unshaven AM sightings of a human perpetual dissatisfied, the external never denying the interior “less~than,” a J Peterman catalogue of weathered ****** expressions, counter-parted by multiple Venn diagram intersections, of experiential labeled bits & pieces of emotional empirical less than good, not even close to perfect, so now that I am *gaunt, spare, lean, grayed, narrower, again ruefully rue, the even more visible truth reflection eye~hidden:* I, am the sum of the weight of my history, my deeds, my disbeliefs, murderous deeds, weak choices and that hasn’t changed nary an ounce, no matter many times examined, indeed I am forever a lesser man, there, internal infernal too…
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Apr 9, 2023
Apr 9, 2023 at 2:12 PM UTC
19.4% lesser
tattoo ourselves in electric ink memorializing calendars, diaries of observantional digits, black on white, no gray, birthdays, anniversaries, dates of passing, starting lines, occasional achievements, departure dates, even glaring failures, sundial mundane records of diurnal habitude…even defining self by, bye, byte marks upon flesh, upon our calendar *not my first trip-tracking, he ruefully rues, wry smiling, many voyages of indeterminate measuring length, leaving litter of arrays of hopeful estimations & destinations, each unequal, any or all possibilities, each day notated, without critique or commentary, the numbers are the gaols (jails) of goals, target, indeterminate determination, terrific, horrific, introspections, inverse images resolve, resolute* a year ago, +/- a few days,, new travelogue commenced, notated but not annotated, just  numerical truths, (sans comments for the divine nature of numbers don’t lie) and today my calculator app informs, that I am now 19.4 % lesser, but that clarifies less than expected naturally this provokes a natty, spirited, self-inquiry, lessened, lessor, for better or for worse? have the physical alterations accompanying this reduction mean exactly what, if, it should be, a greater lesser? here is the hard part. your have always been a mirror~poet, laughing, bemoaning the unvarnished, unshaven AM sightings of a human perpetual dissatisfied, the external never denying the interior “less~than,” a J Peterman catalogue of weathered ****** expressions, counter-parted by multiple Venn diagram intersections, of experiential labeled bits & pieces of emotional empirical less than good, not even close to perfect, so now that I am *gaunt, spare, lean, grayed, narrower, again ruefully rue, the even more visible truth reflection eye~hidden:* I, am the sum of the weight of my history, my deeds, my disbeliefs, murderous deeds, weak choices and that hasn’t changed nary an ounce, no matter many times examined, indeed I am forever a lesser man, there, internal infernal too…
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43
Lawrence Hall [email protected] https://hellopoetry.com/lawrence-hall/ poeticdrivel.blogspot.com                              The Geometry of Intersectionality 1. Crossroads Intersections aren’t crossroads, you know Where you can choose to stop a while and talk With a man walking some other way in life And learn something over a borrowed cigarette 2. Intersections At intersections you never meet anyone It’s all about obedience to lights and signs And painted arrows in the road that seem To point everywhere except where you want to go 3. Stop-for-awhile signs There are stop signs in life. You have to stop But then you go – a stop sign isn’t forever
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Nov 9, 2020
Nov 9, 2020 at 8:50 AM UTC
The Geometry of Intersectionality
There will always be a great division In this life full of intersections The separation of the rich from the poor The distinction from shoes to coiffure The discrimination of races The characteristics of faces The gender inequalities The life one lives spiritually One's position in society One's awards, medals or trophies But what truly separates us all? The crucial thing that determines one's fall? The cause of life's great division Is having sight but no vision The ability to see real beauty Makes men truly wealthy Using time to make great memories Learning from all the tragedies Choosing to be happy at all moments And to live a life full of contentment There are the ones who have eyes but cannot see The ones who can visualize the unseen The ones who look beyond the horizon The ones who appreciate all four seasons The ability to see the same color in different hues Is something that can never be sufficed There are the ones who know the value And there are the ones who know the price
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May 21, 2015
May 21, 2015 at 1:02 PM UTC
Great Division
i always seem to be sitting in the middle of intersections like a traffic light that hasn't hung itself yet, always seem to be waiting in the middle of the ghost town of where our love was first built. there's a hospital down the road where the waiting room chairs are much more morbid than the hospital beds and every electric heart rate line sitting on the screen of the heart monitors flatten, make long beeping sounds like an alarm clock, like a wake up call; they make long beeps like the ringing i hear inside of the phone when i call the owner of the voice mail i've seem to have made a home out of. they took every place we kissed and turned it into a church that closes on Sundays and holds a choir full of people that lost their voice in their own war. i've been in the line for the confessional for about two years now because every time i go up to say how badly i want you to feel it back, i let the girl wearing your t-shirt cut in front of me. the sidewalks only seem to crack when they remember how it felt when you walked on them, when you gave the ground its purpose. one of these nights the traffic lights will come to their senses, drop into the intersection and crumble right next to me because it's not like they have anything to stop or at least slow down because this is a ghost town, & nothing is coming back.
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Oct 21, 2014
Oct 21, 2014 at 7:04 PM UTC
evanescent
This town is famous for pretty faces, broken legs, and misplaced names-- A sentence penned, An Oxford comma dangling off the edge of pages, setting off appositive phrases, lighting fuses--accidental-- phasing out of view and staging tactical retreats The winds of February mark off intersections Dow & Broadway Midnight laughs echo off stratos then fall back-- snowstorms at midday. Caught in the rain on Sunday evening this place don't stay awake so late. Except, perhaps, for pretty faces, misplaced names, or broken legs-- But forget the Oxford comma retreating, drenched, off of the page.
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Mar 4, 2013
Mar 4, 2013 at 3:42 PM UTC
Faces, Legs, and Names
The Prism Through Which We See Clearly ~ light saws our untrue selves with acute angles, piercing our holistic pretenses, daily disambiguation features, our sheltering disguises into our essence refractive elements this is not a cute rainbow poem - run from here it is a dissection of our true nature why belabor, why elaborate? through the prism you color-coded self, tracted, a mapping of your intersections, what each color speaks, needs not an explication, your hidden humanity comes to my eyes, in full revelation at last I see you clearly the lost and black withered limbs, the stirring, leaping, enflamed flaring, never ceasing, breathing elements that mark your singularity did you know your eyes are constant singers? through prism, each note heard distinctly, as it rises uplifted, your song, mine for observation and weeping exhalations, your song, the production number of thy own composition, through prism, our interior visual disinterred and released, here I must cease, for what seen, grievous weeping deepens, from the glory and the pain my blurred wetness overwhelms the clarifying crystal useless when tear coated through the prism, before the full length mirror, my own, unowned, never could be owned, 'mirror mirror on the wall,' warped weave of tissues, mine, the song sounds, mine, from lungs disgorged myself, diagnosed and displayed of what I see, spitting speech ceases and desists, the only thought permitted, repeated, where is my shelter now? 5/13/17 6:49am
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May 13, 2017
May 13, 2017 at 7:02 AM UTC
The Prism Through Which We See Clearly
The Prism Through Which We See Clearly ~ light saws our untrue selves with acute angles, piercing our holistic pretenses, daily disambiguation features, our sheltering disguises into our essence refractive elements this is not a cute rainbow poem - run from here it is a dissection of our true nature why belabor, why elaborate? through the prism you color-coded self, tracted, a mapping of your intersections, what each color speaks, needs not an explication, your hidden humanity comes to my eyes, in full revelation at last I see you clearly the lost and black withered limbs, the stirring, leaping, enflamed flaring, never ceasing, breathing elements that mark your singularity did you know your eyes are constant singers? through prism, each note heard distinctly, as it rises uplifted, your song, mine for observation and weeping exhalations, your song, the production number of thy own composition, through prism, our interior visual disinterred and released, here I must cease, for what seen, grievous weeping deepens, from the glory and the pain my blurred wetness overwhelms the clarifying crystal useless when tear coated through the prism, before the full length mirror, my own, unowned, never could be owned, 'mirror mirror on the wall,' warped weave of tissues, mine, the song sounds, mine, from lungs disgorged myself, diagnosed and displayed of what I see, spitting speech ceases and desists, the only thought permitted, repeated, where is my shelter now? 5/13/17 6:49am
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37
She's in parties & knees-up She's half-seas over & in the king's cup She's in missionary She's in backwards She's on backseats & dashboards She's in fast lanes & intersections She's in full throttle & Hail Marys She's in obituaries & cemeteries
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Jun 21, 2020
Jun 21, 2020 at 8:38 AM UTC
She's in Parties
We used to sit in your parent's basement with your two dogs on their little beds in the corner by the old desktop computer, wooden hand-me-down grandmother cabinetry, lace doilies underneath all the candles on the coffee table. I made you turn out the lights. We would sit there and pretend that we could find something better to do than kiss between commercials or talk about all the things we used to dream about in high school, how I got mine and how yours were like the back bumper of a car that got left out in the rain too long-- a little rusty. Your kissing was a little rusty, but I let it go because you didn't make fun of me ordering a double grilled cheese on our first date. You also didn't judge when I got drips on my dress from my ice cream cone. I can still remember the way you'd yell at me for stopping too far out at intersections, laughing how I was gonna get us killed one day, but I think you just really loved to hear me sing over you. I think you really loved me, and here I was playing teeter totter on curbs in little jean shorts with a guy who gave me a slice of leftover pizza. Here I was, burning down your own ambitions because they didn't seem as glittery as my own, because you didn't quite match all the sketches, all the plans I had on my map. Because if we were to draw straws I always thought you would come up a little short. I think you really loved me and I left you like a penny in between that couch we used to sit on.
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Jan 11, 2016
Jan 11, 2016 at 11:04 AM UTC
The Things I Shouldn't Have Done
Hot boys express emotion in the resonance and width of their exhausts in pipe dreams of measurement in the rev and roar of super heated motors mixing spark and sensibility in the sudden screech and stretch of rubber marking asphalt and bitch-u-men out there in the middle ground where the road humps. Hot boys light up the night with high beams cruise the darkest alleyways of masculinity challenging old men at intersections - in their soft leather seats and euro-neat boxes of air-conditioned luxury and debt - to pole position and the chequered flag of fortune. Hot boys in cars that throb with bass notes and bootilicious chick lyrics - sung by black boys wicked in the zone always bragging ’bout their bone and how they make the ***** moan - snarl abuse at walking women fragile objects on the pavement shelves shaped colour lost in time that pass beyond their touch and reach. Hot boys are tiny traces of an oil rich mixture trailing blue smoke in their wake foot to the floor high stakes, top geared no brakes as they snake round the hills and the hairpin bends as they wrap tight trees at the crash, crush end and the hot boys cool in the night.
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Jul 30, 2014
Jul 30, 2014 at 12:46 PM UTC
Hot Boys
Granite Dominoes The soft earth yields, I watched from above Little by little it opens, inviting Rectangular spaces of mudded thoughts, sifted by ***** piled of fear Granite dominoes stand in lined support, dates moistened by dew…counting Carved in regrets once felt, loves never shared Voices from the trees cackle, laughter it seems brings the sun Good riddance on fawning meadows breathes and the sky turns to red Applause echoes valley’d intersections where traffic lights sing as cars stop for a quick breather, waiting on the green and I see it all Life goes on even if in minus, faux tears fill tissues, a scented kind all the while checking their watches hoping for a quick release Oak and imitation gold are lowered, polished indignity Carnations are tossed, dying as they fly No one remains…remains except the quickly forgotten…
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Feb 24, 2014
Feb 24, 2014 at 7:09 AM UTC
Granite Dominoes
before we make love i will take a magic marker to your skin and draw the streets (intersections of veins on the insides of your wrists) I will connect the freckle constellations read your mountainsvalleys with my fingers like braille I will drink from the freshwater streams of your cinema paradiso tears bathe in the salt sea of your skin— a baptism. before you break me like bread.
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Nov 2, 2011
Nov 2, 2011 at 4:21 PM UTC
relief map
*Sacramental Elixir & Illuminated Blues, Experimental Flauntings Of Her Midsummer Hues, Radioactive Eyes & Her Fairytale Lies, Seductive Abuses Across The New Divide, Vivid Intersections In Her Phenomenal Rage, Shatterproof Reflections Splattered Upstage, Midnight Passions Of Her Perplexed Lust, Starlight Rains Glittering Hybrid Dusts, Transitional Paradigms & Engineered Moans, Theatrical Concoctions In Her Symphonic Tones, Flirtatious Illuminations Under The Darkest Light, Stained Animations Igniting Kryptonite, Palisades Of Her Collated Reflections, Cascades Emitting Her Sedated Projections, Contraband Infatuation Resonating Magnetic Love, Raving Constellations Provocating Atomic Dove, Divine Catharsis Of Her Cupid Amour Eternity, Valentine Bliss Mystifying Her Restrained Insanity, Charismatic Futility & ****** Binge, Cinematic Tranquility Emanating From Her Bulletproof Sins, Neon Subways & Fragile Foreplays, Sensual Arrays Of Her Red-Light Decays. - 03:53AM -*
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Mar 23, 2017
Mar 23, 2017 at 6:30 PM UTC
Elixir
Patterns of neglect reside at intersections with doubts and the relics of disrespect. Wounded victims hide behind barricades of anxiety and mistrust. Gaps for sorrows coincide with thoughts trembling like piano notes. The ugly side of paradise immortal, immoral eluded the glimmer of an impassive sun. Oases defined by the purity of light shimmer somewhere outside the mind.
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Sep 20, 2014
Sep 20, 2014 at 5:31 AM UTC
Glimpses of Gold
A bad, worming feeling in your belly because you've had nothing to eat today, and you hopped in your car, giddy as a bird, and rolled over there. There being the magic store; the store with it's keychains of glory, bottles of distilled religion, and a whole lot of prayer that your debit card sings. Tomorrow means work and the evil dollar that drags Jamaican children across intersections as they scream at the Americans in taxis. It seems we all need a break. We all need a chance to forget and say we're not culpable for anything. This is the magic that'll save you from your whiny conscience.
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Sep 4, 2012
Sep 4, 2012 at 11:55 PM UTC
The American.
The subtle cross between intersections, a life of blurriness, through crossed t’s and neatly dotted i’s I removed from the phrase Poetic Form, (trying to spell it without crossing myself back into it). From lesbianism to manhood, to cross what being a man means, I wonder if my own identity is written in pen and everyone wants it typed and edited, Yet I’ve taken the plastic keys off my computer board and made them into magnets last week, Setting myself up with stolen magnets stolen blocks, Putting them in order on my own fridge, Scrambling them back because there is no order, They only told you there was so that way you’d sing a song, But I know now that I can write words, there’s no need for a pre-prescribed song when I’ve written my own, In my own words. When I look back and have pages of songs nobody else asked for or decided to write, When I’m in class and I pocket my songs into stories and my stories under my low grades, Under my teachers’ requests for MLA format, I think of that caterpillar I played with in my room when I was six, And how i thought about how people only wrote about butterflies And how the caterpillars felt about that, So when I asked my mother to ask her friend, an author, If she’d write me into a novel, Would she ignore me because I was a caterpillar, Only choosing to open her mouth and write when my story became beautiful and socially acceptable, When it grew out from the pubescent disliking of itself and stained the sinks of society, Out of a hot *** of queer and quarantine, Till the broth of the fluidity of my own being was was down the rabbit hole Till all that was left was whitewashed spaghetti? If these songs were anything I could write down again and again, In pen, ignoring the requests to write neater, To type faster, If I put all my work into an envelope I already broke, Shove it into a mailbox decorated with things people disagree with, My pages bleeding ink few people can touch without being soaked, When they ask me what to file me under I don’t say “minority fiction” anymore I say file me under “road signs” At the intersections. File me under that caterpillar, In the wheat field, Next to hydrangeas on the dinner table A Sunflower in the spring The harvested Brown Rice, So when you make me into a meal I didn’t ask for, I can be at least eaten by the vegans.
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Feb 26, 2018
Feb 26, 2018 at 1:44 AM UTC
To The Cute Girl At The Writing Workshop
The subtle cross between intersections, a life of blurriness, through crossed t’s and neatly dotted i’s I removed from the phrase Poetic Form, (trying to spell it without crossing myself back into it). From lesbianism to manhood, to cross what being a man means, I wonder if my own identity is written in pen and everyone wants it typed and edited, Yet I’ve taken the plastic keys off my computer board and made them into magnets last week, Setting myself up with stolen magnets stolen blocks, Putting them in order on my own fridge, Scrambling them back because there is no order, They only told you there was so that way you’d sing a song, But I know now that I can write words, there’s no need for a pre-prescribed song when I’ve written my own, In my own words. When I look back and have pages of songs nobody else asked for or decided to write, When I’m in class and I pocket my songs into stories and my stories under my low grades, Under my teachers’ requests for MLA format, I think of that caterpillar I played with in my room when I was six, And how i thought about how people only wrote about butterflies And how the caterpillars felt about that, So when I asked my mother to ask her friend, an author, If she’d write me into a novel, Would she ignore me because I was a caterpillar, Only choosing to open her mouth and write when my story became beautiful and socially acceptable, When it grew out from the pubescent disliking of itself and stained the sinks of society, Out of a hot *** of queer and quarantine, Till the broth of the fluidity of my own being was was down the rabbit hole Till all that was left was whitewashed spaghetti? If these songs were anything I could write down again and again, In pen, ignoring the requests to write neater, To type faster, If I put all my work into an envelope I already broke, Shove it into a mailbox decorated with things people disagree with, My pages bleeding ink few people can touch without being soaked, When they ask me what to file me under I don’t say “minority fiction” anymore I say file me under “road signs” At the intersections. File me under that caterpillar, In the wheat field, Next to hydrangeas on the dinner table A Sunflower in the spring The harvested Brown Rice, So when you make me into a meal I didn’t ask for, I can be at least eaten by the vegans.
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42
I once knew a girl, back when my posture was good, we wore matching shirts, jeans and shoes. She kept her hair long, to hide jealous shoulders. All the loud voices didn't have a thing to say. They didn't resonate, hammering on doors, denting ear drums, enunciating mispronunciations. I played football in times square, passing glances and stairs, had rock climbing races to higher elevations. My badly tuned feet couldn't run, ankle bones off key. There's a saltwater film frosting my eyelashes, clinging to my tongue, holding down my yells to the quiet machines that toss boiled eggs in the air. Up to their knees in the dark left behind by streetlights, they rolled up their pants for wading. They lingered in docking terminals, standing still, becoming dust collectors. Somehow we're all just wanderers, citing passages we herd in front of us like mountain goats. Ambling across empty intersections, walking in handstand through cul de sacs, picking up litter from busy streets. Books for readers wear little letters, use big words with four syllables. They showed me how to fence with trains, ride red wagons down hills, win marmalade coated cricket matches. I never judged the typos to be out of place (I accepted the bits they forgot to erase)
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Jul 13, 2013
Jul 13, 2013 at 3:47 AM UTC
I Read the Instructions
In her previous life, my mother must have been an architect. She brought to each family occasion her vision, her love of precision, her stability - ensuring the family structure was sustainable and capable of longer-term development - and we still bear her signature style. In her previous life, I’m sure my mother was a portrait painter - able to take a fresh canvas, such as mine and my sisters’, and add layer upon layer of colour, of texture, to portray what she saw we would become – each proudly bearing her inscription. In her previous life, I expect my mother was a pioneer – not of paths yet travelled, but of more frequented avenues, boldly exploring the details and intersections between friends and neighbours helping us rediscover what we had in common - each fresh bond bearing her seal. In this life, my mother was an endurance athlete, a gifted healer, a 5-star chef, a respected teacher, a talented mediator, a wise counsellor, an innovative financier, a diligent archivist, and our chief story-teller. In this life, she was my mother.
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Jun 19, 2022
Jun 19, 2022 at 3:02 PM UTC
My mother must have been [after Cynthia Miller's 'Dropka']