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Noandy Oct 2014
Here I stand on the intersection
Blocking every apparition
That appears before the collision
Of my unearthed passion

The debris it scattered
And the fragments it recollected
Did no good for our Russian Roulette
And my black dress that sweeped

Aiming blade to each direction
And shadow-chasing apparitions
Here I stand, on the intersection
With the devil’s spawn in front

The sinner angel on my left
The lost brothers of long-ago arts
And the mourning ladies behind in red
If I let my blade slip in front

Inferno is the runaway paradise prepared
Yet if I let my blade to my sides
Heaven hold no place for my stained black dress
And the mourning ladies in red

Have no colors that resembles mine
But that is just an extermination
That won’t even matter
For tragic is just a trapped magic
Tom Leveille Aug 2014
and here i am again
at the intersection
of pedestrian language
& old wives tales
swallowing gum
like 7 year memories
opening umbrellas inside
cause i can't seem get away
from all of this rain
i ******* with my left hand
cause i was told
back in highschool that
"it feels like someone else is doing it"
it gets me wondering
about the difference between
losing you and finding out
that some one else found you
or my sleep
or lack thereof
its starting to tear me apart
i keep having this dream
where you are in
an unfamiliar body of water
trying to wash my poetry
off of your hands
or the one where
something happens in my chest
every time you sit
on someone else's bed
i'm tired of feeling like something you've misplaced
but don't have the heart
to look for anymore
tired of you saying my name
like you're trying to bury it
i'm tired of wondering
if you can tell the difference
between the absence
of my voice & silence
the other day
i almost started sobbing
at work when a woman
asked me about
our equipment
i was explaining how
things come apart
and almost mentioned your name
it made me think
of how you used to say
things like "what would you do
if i showed up on your doorstep
one day?" now, i haunt
the windows in my house
i don't leave for weeks at a time
i sit on the porch like the dog
you didn't shoot behind the shed
the one that refuses to die
until you come home again
i told somebody once, that
you didn't even know
what my voicemail sounded like
i wonder if they thought
it was because you
are so important that i never
let it ring that many times
before picking up
or if you dont know
what it sounds like
because you've never called
you can't be the ****** weapon
and the search party
i'm tired of all the seats
to the ferris wheel in my chest
being empty
tired of your voice
being the one i look for
in abandoned places
that one sound i beg
to bounce back
down vacant hallways
i just seem to stand there
in all of that quiet
like someone looking for a mistake
on an eviction notice
so i guess the hardest part
isn't letting go
it's forgetting
you ever had a grip
in the first place
and since you've been gone
i wonder if when
you pushed yourself away from me
you used your left hand
so it felt like someone else did it
Jiawen 张 Oct 2017
He is an exponential function.
Small rate of change at the beginning,
But he grows fast when he reaches a certain age.
    
I am a function of a straight line.
A big constant ***** since the beginning,
But I also have a y-intercept way bigger than zero.
    
Let our age be the inputs,
And our maturity be the outputs.
At year zero,
We didn’t know each other.
We didn’t know we would cross each other one day.
      
We have been working so hard.
We have been living in different countries.
We were like two parallel lines,
Which would never meet each other.
    
But at year 20 for me,
And at year 30 for him,
We finally crossed each other,
And we were smart enough to find our intersection.
      
We are still growing into different directions,
Because that probably will be our only intersection.
But we only need that one intersection,
Because we are all independent now.
We don’t need other people to input data anymore.
#MathMajor
Nat Lipstadt Aug 2018
the angel amongst us

~for Alexander, master splasher~

flexibility is important when poetry writing in a warm tub and a long day ahead is scheduled; so willingly accept the autocorrect
for I am both an experienced poet and bath soaker and
believer in wondrous mystery and unexpected fumbles
that lead to to miracle touchdowns

~•~

the two mathematicians examine the angle, measure the degree of difference at intersection and bless it with an identity,
calling it by its name,
perhaps obtuse, perhaps right, perhaps both

two sets of eyes examine the angle,
study its ****** expression

the old man says:
see the angle on the clock formed by the big handle on the twelve and the little hand on the eight?

this is angle of eight o’clock:
time to stop the splashing and start the get-readying
for we have miles to go before the ocean can say hello!

little angel says angle no go
and slashes the water with both
hands to establish the firmness of his views
and change Einstein’s time from present to future

the angle depends on the perspective of the viewer

the old poet comprehends leaving a warm tub is a regretful thing

but he measures the degree of difference at this
intersection
of time and bath and blesses it with an identity

“time to go”

the angle of my angel is now 2 pointed arms, pointed straight up,
at the twelve o'clock,

as he stands up in fevered protest,
my arms sweep his little legs to
a point at eight o’clock,
angel, commenting on his swift flight
disputes the grandfathers physics

"no go now,
now go later^"

though the angle is unchanged
the perspective of time and space
(and traffic),
yet differs

one sees an angle,
the angel sees time
eternally folding in on itself


that is the angle amongst us
^Surprising as it may be to most non-scientists and even to some scientists, Albert Einstein concluded in his later years that the past, present, and future all exist simultaneously. In 1952, in his book Relativity, in discussing Minkowski's Space World interpretation of his theory of relativity, Einstein writes:

Since there exists in this four dimensional structure [space-time] no longer any sections which represent "now" objectively, the concepts of happening and becoming are indeed not completely suspended, but yet complicated. It appears therefore more natural to think of physical reality as a four dimensional existence, instead of, as hitherto, the evolution of a three dimensional existence.
Dr Peter Lim Sep 2015
INTERSECTION
Today--the intersection
between yesterday--temps perdu-
and the day that follows now
a midpoint
that's where
the waiting is
time that
dangles
hovers
splits
divides moments
clean-cut partitions
clock-wise precisions
which define
what was
this is and
that to be

until the day
that follows
the imagination
the expectation
that is now

reality is the here and now
staring right in your face-
this is the time
the place
NIL
Nat Lipstadt Dec 2015
~~
Dialogue and Oratory Between
SPT and Nat:

~
At the Intersection of
Perfection & Beauty,
By Blue Candlight


~~~


come let us by and by,
soon meet,
under blue moon candle lit sky,
at this worthy intersection of
beauty and perfection,

be together,
contained,
yet unconstrained

let us speak of what
we see and sense,
come to come
to know,
of what does not appear
in this world easy readily,
what lies between
two points,
sharing,
needy of,
crossing destination revelations

It's said of beauty,
once uncovered and
gazed upon whole,
be visible only at the
bottom of the bin of the
picked-threw,
it was here, where, perfection
once was lost
and may yet now be found,
where souls,
singled and singed,
seek to find of,
the perfection lost,
the untarnished beauty
within ones self

from the meadow can be seen
The Field Where Wonderment  Grows,
wild is the bounty of colored beauty
then
and only there,
can oan one,
locate, judge and
accept
what never departs
a self


at the road'meeting point,
at our time and place
appointed,
arrived but come
disappointed,
crossed and creased
by the journeys
travels and travails,
burnt blind,
eyes by life's headwinds,
singled and singed,
and the mind disbelieves, doubts,
the existence verily,
of the locale,
beauty & perfection
from Feb. 21, 2015

Spontaneously combusted; collaboration by, SPT /Nat Lipstadt
'Twas for the first kiss
Reconnecting steps
Together filling spaces
A hallmark of events
Crossing bridges burning touches
Lacing fingers enhanced
A finality
Of our final descent

our smiles
connected,
a pathway molecular
a synapse over distance
thru mindfulness,
two poets embrace
their eyes closed
while opening for the last of the
first times

It was then
she embraced his voice
For not reading his words
For the first of the last time
Tracing his lips
Embarking eternal

lastly the first
was the best,
the fluids tasted
for the first time
we're the most pleasant
scars upon lips
that never forgot nor ever
obtain the same
sense of greatness,
though not for wont,
though not for want,
for such is nature,
Tis the first
that is the most
lasting

Please come back
I'll miss you ever more
It was just like that
I turned to look
And you were gone
Leave but don't leave me
I'll be here when you tire
On bended knee
Like pillars of strength
Surmounted by you
Together we shall
Be the bridge
That together bond
What could never be gapped
You and I
By time and space
Please, I beg you
Look back

look back, an impossibility,
the ******* word lock that joins two poets
at the lips, the hips, at the places
light never sees,
defies atom splitting,
defines the fire pillars
leading us through the dessert

No leaving what is yourself
Physics denies as a first principle,
the circularity of spontaneous combustion
cannot be severed ever,
and he lover/loved her from the first
teasing message, and the last
first poem kiss,
that closed their
sensual space

For they were each others first
And last
To leave
With a kiss
What words could never express
Spontaneously combusted
Simon G Tehle Dec 2012
I became jealous of my friend;
He hung around the intersections
Just a bit too long.

He used to slump around
In the corners of my eyes
And I didn't notice him when he'd frown--
We didn't notice him--until he hung around
That intersection for longer than we'd care to think.

I became jealous
Because he vanished
Right to that street corner
When he thought
No one would care but the coroner,
Right to the asphalt that received him--
Soft,
As I hoped my own
Last moments
Would be.

When I saw him,
Mama said he was sleeping.
He looked like he was,
But the lights were dim;
His arm cradled his head
The way he used to sleep
On his desk, in class
And for all I knew,
He was.

They said he was driving
Like he was late for something,
Like had he not been driving
Exactly 65.32 miles per hour
He'd have been late,
And it was only afterwards
That he'd figured out that he was
Right on time.

And when he arrived, his car blossomed into
A beautiful metal flower, and when it fully bloomed
He was the fruit
Which fell.
And all I could do was recruit the strength
I'd left at home on accident by the drain
The same one that ****** him into that downward cyclone,
Confused him and made him believe he was alone--
Not to just think or to have a hunch,
But to really believe it
To the point where he needed to expunge
Himself.
No.
No, no, no.
Not like this.

And so, now, I sit at the intersection
Chucking rocks with my weepy hand
At my grayish concrete reflection
Trying to see if he'll come around again.
I'm still
And still kind of mad within
Because life's not fair,
I'm jealous because he found the answer
And left us all to figure it out
On shards of glass
Pieces of metal
and intersections,
Which too long
He hung about.
her Jan 2015
as i stand on this street corner and watch these two roads meet, i finally feel at peace
maybe it’s because it’s my feet at the intersection of two distinct paths,
merging at a point of vulnerability
maybe because it’s a reminder of you and me
and a blissful bond we once shared.
without a care in the world,
your arms wrapped around me to shelter me from the cold.
two souls kept warm by each other’s company.
two hearts dancing in the rain playfully, two minds with the same thing in mind; you want me to be yours and i want you to be mine.
i don’t know, maybe i’m crazy.
maybe time has finally outplayed me maybe i’ve stopped seeing beauty in the little things, maybe i’ve stopped appreciating the gift life brings.
maybe i’m in over my head, or
maybe i miss the familiar contours of your body between the chalk white sheets of my bed.
i don’t know,
maybe this is normal.
maybe i stopped being myself after you left, maybe this is all a test.
maybe i failed and i
couldn’t clean up the mess
maybe thats why the rain suddenly feels colder on my skin.
maybe thats why whenever i try to apologize i don’t know where to begin or
where to end all these that I’ve typed in my mind to tell you i just
can’t hit send
maybe i ****** up and i won’t admit it maybe I’m a coward.
seems like I’ve got all the time in the world, maybe i should do something about it i mean
every minute without you feels like an hour
maybe I’m a fool for distancing myself from you
maybe that why i couldn’t end with that i loved you because for some reason
i couldn’t accept that
maybe
just maybe you might of loved me too
Found on 8tracks and i do not own any of the poem. I DONT OWN ANYTHING HERE but if you know who it is by please comment
Quiet Apr 2014
I thought i saw you

but the guy on the sidewalk was severely confused
when i used your name

and i want you to see how I've changed
but I fear you'll dislike what I've become

everytime a line hits my skin I'm picturing

the lines by your mouth as you frown at me

tomorrownextweeksometimebeforeidie I'll see you

I can meet you at the intersection on my palm

in my head, on my heart, in my soul
You can meet me at the intersection

where I stepped into oncoming traffic

r.c.
Nickols Nov 2012
A bleak motive, turning in a black backwards motion.
Fluent in rushing, pursuant in the crushing.
Ebony wood, the serenity compared to the knife.
A stifling recollection, within the house of corrections.
Was it a natural selection, gazing within the angel's reflection?
Garbed in white, and in her conviction.

A change of direction, now...

The resurrection of our mutual affection,
Was it over protection, or was it just mental rejection?
The pain was only an imperfection, built within all our disconnection.
My sense of direction gone within your vertical selection,
left with words- sharp like a needle;
sticking an intravenous injections.

So, should I offer my protection? Moments, within sight of the point of intersection?

No, keep on...
Keep on spreading the **rejection infection.
Patrick Austin Oct 2018
A lifetime ago, I was younger like you,
before my dreams faded and life was still new.
I wish I knew then, all that I know now,
I wanted our life but didn’t know how.
I settled for less and tried the right things,
and cashed in my soul for all that it brings.
I’ve made my mistakes, like others before,
forgiveness more fleeting, ‘til you closed the door.
Waiting for answers, I went into shock,
you left me no choice but to turn back the clock.
I walk this new path while finding myself,
forgetting our past is best for my health.
As I move along, a decade removed,
my body more fit now to go with my mood.
I realize by now we could have had more,
alone I will see what life has in store.
I so miss the comfort of you every night,
kindness from others, brings love at first sight.
Each new encounter, just gives me a shove,
reminding myself not to fall back in love.
When, where and who will be the right one?
I’ve so much to give, just let it be done.
I may never take them, to become my wife,
but I need embraces to sustain my life.
Addiction exists with drugs and affection,
I’m itching for love at each intersection.
How long must I wait to rip out the sutures?
Pleasure Delayer, indefinite future.
This poem is about my feelings of transition from one place to another. I lost my career which pushed my wife to leave me. I have few answers but this poem can be applied to both difficult situations. I feel more than I should and still can't trust my emotions when entertaining relationships.
Jayanta Sep 2015
The nature around us
Provokes to think!

The geometry of nature
Creates coincidences and intersections!
Coincidences of creation- destruction and re-construction!
Intersection reveals the connectivity,
Connectivity between deconstruction and reconstruction!

Geometry portray the commonness and uniqueness,  
Commonness and uniqueness between
‘image and number’ and ‘shape and number’!

It leads all relation to number relation!
ephemeral Feb 2015
If the x-axis represented
the year we met, and
the y-axis represented
the year we stopped talking,
our point of intersection
would most likely be (14,15).
And sometimes, it seems so unfair.
Sometimes I wish
we were parallel lines, and
we never met in the first place.
Other times I wish
our lines coincided, and
we had an infinite number of solutions; an infinite amount of time
to know each other.
But our relationship is beautiful,
too, in it's own way.
We're two lines with
a plethora of things in common, and our lives got to cross
for just a small amount of time.
We got to find each other,
and then drift apart again.
But I'd rather have one point of intersection than none at all.
I'm not really sure if my graph makes very much sense but it's okay because I like the general gist of the poem. Please feel free to leave feedback in the comments below (-:
The song for this one is "into your arms" by the Maine.
Poti Mercado Oct 2015
Sa unang limang segundo, berde.
Sabi mo mahal mo. Sige, andar.
Sa susunod na dalawang segundo, dilaw.
Magmabagal ka muna.
Pagisipan mo kung tutuloy ka pa.
Sa huling segundo, pula.
Tigil na.
Wala na.
Maghintay ka nalang.
Magiging berde rin ulit yan.
Wag ka na mag-beating-the-red-light.
Pagbabayarin ka pa ng pulis at sasabihin sa'yong, "Nakita mo namang dilaw na yung ilaw, 'di ba? Ba't tumuloy ka pa?"
At ikaw naman 'tong nagbubulag bulagang sasabihing, "Akala ko po aabot pa ako."
Akala mo lang.
Akala mo kakayanin mo pa siyang habulin pero hindi na pala.
Akala mo maaabutan mo pa siya pero nakalayo na siya.
Akala mo.
Akala mo lang.
Pero mali ang iyong akala.
Sana.
Sana pala huminto ka na.
Sana pala hindi mo na hinabol.
Sana pala noong una palang, inalam mo na.
Sana inalam mo na, na di ka na niya mahal.
Kaya nung naging berde na yung ilaw, umandar na siya.
Pero nung umapak ka na sa gas upang habulin siya,
naging dilaw na yung ilaw.
Sana doon palang, tumigil ka na.
Sana doon palang, nagdahan-dahan ka na.
Pula na 'yung ilaw.
Tigil na.
'Wag mo nang pilitin pang habulin siya.
Pero ito ang sinasabi ko sa'yo,
Sa pagkakataong ito'y maging berde na muli,
Wag **** hintaying maging pula ulit ito.
Ang mga busina ng kotse sa iyong likod ang nagsasabi sayo, "Umandar ka na. Berde na ang ilaw. Ano pa ba ang ginagawa mo?"
Umapak ka sa gas, hindi para sa kanya.
Pero para sa sarili mo.
Brandon Edwards Jul 2014
As we kiss,
Our hips like waves of flesh crash together.
Into one another they collide like two craters pulled in by gravity.
Our bodies connect like two streets at an intersection,
Lines "X" and "Y".
Your body as if a black hole ***** me in.
I ****** moving deeper with every movement.
You moan,
Such an ear tingling sound.
It slips through clenched teeth, only after climbing up your throat.
A song like no other,
Made only when your body is pushed to its point of bliss.
As we kiss,
Your heart races as if running for Olympic gold.
Your mind becomes clouded by a satisfying fog.
The sensitivity of our bodies skyrocket.
Our body's are overheated by our sensual passion.
Our hands intertwining fully making us one entity.
As we kiss,
Ecstasy in it's most unsullied state is reached.
Nat Lipstadt Nov 2013
Road Trip: Thinking it's about time (find yourself within II)

This particular poem was born as a one line response to a message.  But in many other forms, half written, it exists still, un, unfinished, waiting for the next burst energy, the next holiday time, to reach a new finish line.

This is a different but similar to a poem posted on June 2nd, "Poetry Round (find your self within)"

Any error of omission is unintentional, but know that this took many hours, until fatigue won. If you never told or revealed to me your location, know that you will be called out, to and unto me, in another poem, called "your banner is my flag."


Fact about me:  You design me.
-------------------------------------------------------

th­inking it's about time for a road trip.

create an excuse
(reasons, I got a plenty)
to stop by,
to show you another side of me,
for a drink, a meal,
and some kind
of exchange, of
form and fluids,
manner to be determined.

to come to Minneapolis,
watch you create a heated sensuality,
verbally, from melted snowdrifts,
a hot time to be had
by all the poets
of the mini-apple,
I want to meet
and celebrate ann victory.

travel to Thiruvananthapuram,
tour the treasures
of gold and diamonds,
from whence come
the bejeweled poems,
that have earned visits from
thousands upon thousands,
pilgrims, devotees, followers,
to partake at that, his,
special temple.

Gomer, Gomer,  & MJJ,
I am in your Florida,
no, sorry, not in Ocala,
near to your homer,
and I feel you springer
ten times in the
November sun rays,
that have me locked
in a full Nelson,
your productivity,
endless,
a sea of orange sunburnt words,

Tennessee,
The Carolinas,
Georgia,
The South,

I rise with it,
now, again,
that I will need a slow
sunny all lazy summer long to
learn y'alls ways,
see the wolves,
in your forests,
helm the riverboats,
navigate the quaint tides
of Charleston,
the special places
where they heal, le ville,
where the ashes of
burnt children,
retuned to be whole.

learn y'alls ways,
walk in your boots,
of seeing poems
using your special
southern saber words.

missed the original
Thrilla-in-Manila,
but rest easy, assured,
that hotbed of creativity,
where I check the
PH of the mc waters
to comprehend its
wisdom and now, it's sadness,
will be an illustrious destination
on my itinerant itinerary,
stopping by Makati City,
after all,
it is writ in the good book,
this island,
the PhilippineS,
is the birthplace
of the letter S,
Samples: samson, sally,
and So many others?

in Nevada City,
which is of course in
krazy California,
wager philosophy, romance,
be available for
succinctly seeing
works in progress,
from which I
will imbibe,
so **** deeply,
may have to
stay awhile for...

while I am there,
will need to do
a search and
Hug Mission,
to find a special man,
his unkempt prose,
his mortal rhymes
disguise not his holy worth,
even to the grassy
cal-stratosphere,
to the mesosphere,
will I high fly,
to find his sweetest spot,
then and thereafter
going looking
further on to
Humboldt County.

in Leeds, in West Yorkshire,
(Hamphshirians, Northamptontonians,
patience please)
built foundries and factories
over the magical forest of Loidis,
near to the river Aire,
yet still hides a
magical sorceress of words,
casting spells over
men and beast.
no one has seen full
her half-turned away face,
but when she summons,
do I have a choix
other than obey?
even if I get lost,
my sorceress,
you know,
I am on way too.

to get there,
will fly I must,
to Heathrow hell,
will do it,
just for you,
faithful friend,
a man da gotta do, what
a man gotta do...for you,
but first a stop off at the
London School of Economics,
Hampstead as well,
for a tutorial about sonnets,
or sams in wells,
even if I come
in my bare feet.

even in New York Upstate,
a man da gotta do,
what he mulls over in his heart,
be not surprised at a knock upon
your door, to make comparative notes,
about each other's tattoos.

in the South African veld,
hid in the highland grasses,
crouches the poetesses and tigresses,
waiting to ambush you
with words that must be seen
to be heard, to be well understood.
perhaps I'll come at ester time,
under blue indigo skies over,
a golden landscape,
seizing all the gems
that can be seen
only at 3:00am

leeward,
north to Canada,
must I, transgress,
country of my momma's birth,
fly from Montreal to Toronto, Calgary
then over to Vancouver.
Canada,
a dangerous place for me,
cause there are beautiful
souls up there,
and maybe even a
warrant to
repossess mine,
they want their
poets back.

double down by ferry,
me to Seattle,
to see a man about river,
in the Pacific Northwest,
where I have happily
drowned so many times,
that The Lord is complaining,
am hogging all the baptismal waters,
but when reminded that
nothing lasts forever,
here tomorrow,
gone today, walk on,
I add my tears
to that river,
before hitting the road.

on that river,
gonna drive me a kayak,
down Daytonway,
on the Yamill River,
see a gyreene marine,
watching me do a beach landing,
in Willamette Wine Park.
he will teach me to salute,
I will teach him how to
shake hands,
and learn from him,
it's ok,
to stand down.

man o' man
there are a lots of poets,
in these here parts,
this grand
Pacific North West,
looking for one in particular,
who will be quite easy to spot,
as he is my very own
soul brother.

will be easy to find,
though we have never met,
he will be on his kayak,
I on mine,
tho when he paddles,
somehow he manages
to hold
never letting go
of, his lovely bride,
his best half's hands.

this will a problem,
for I must teach him how to
shake two handed souls,
while hugging and paddling,
even bailing,
with an old dented pail
simultaneous.
but you can teach old dogs
new tricks, even the ones,
that can't spell
rhymers.

have mercie on me Ohio,
like a mother has to her daughter,
done a three year sentence in Cleveland,
but no jail can hold an NYC boy,
but if requested, yes I will return
to set fire to the *
Cuyahoga,
again! he he he...
but do not s mock me!
(now you know why the FBI loves
my poetry, my biggest institutional fan).

souls in torment,
where you be,
where you hide,
matters not where
you physical reside,
for we have found
each other
in each other words.

You, who live in
your very own
personal hell,
I think we met there,
because
yours was
mine too,
tho not found
on any map.

maybe I will meet the
Empress Josephine Maria,
rowing on the canals of
the Netherlands,
no longer will she be
alone.

but then again, some
very special things,
like
the purest of love
are on no map,
they are everywhere.

while in India,
will seek the many musings of many lips
of aged rhyme men
and complicated charmers
so I may kiss them
with spiced humors
to pour and pour,
more and more,
upon this western soul,
mysteries of the east,
to Kashmir, Bangalore,
wherever I must,
even take a praDip in the Ganges,
I will go, find you,
un-hide you,
among the
teeming millions,
millions of
jokes and rhymes,
that make the
world spin brighter.

in Germany,
all the university students
speak English,
in Wiesbaden, they know
poetic beauty is not in the format,
some in Bamberg,
with a peculiar
Missouri accent,
which is nicht gut Englisch,
so study hard the real way,
speak the language
the new yorka way,
which will require
study abroad,
which is quite funny,
now that I think about it.

but in Mo.,
the native drums roll,
long and slow,
making words
I know
better, different,
in a way never saw before,
leaves me asking for,
mo', mo', please?

to get there, to Allemagne,
land of my forefathers,
a ship I will take,
from Southampton
across the Kiel Canal,
before I depart,
will have my hair cut,
my words reworked,
by her Ladyship,
whose keen eyes and
maternal instincts,
see the joy of life in every
Livvi little thing.

Watt am I going to do if
I need to find a Tecumseh,
taker of my naked poems,
and enlarger of them,
so truth by her,
all revealed,
we are all naked
at least,
twice a day?

In Nepal I will purr at the words
gleaned from the markets and
train stations where
voyages from Lalitpur to Katmandu,
start and end,
where there is a miracle almost
sixteen years young,
where they call their schools
future stars and little angels,
so why should poetic miracles not be
as common as its subtropical clime?

though I despise the
Dallas Cowboys,
not my  America's team,
nonetheless there is a young woman,
a true rose of Texas,
who waits and writes
so lovingly of her airman,
in Afghanistan, I have placed
their names first,
in my nighttime prayers,
hoping to be there,
schedule my visit,
to witness his safe return
and their
joyous reunification.

there are no Mayans in Maine,
but poets of similar name,
kould be, mae be,
Julia's in Jersey, new,
in Auckland,
there are poets
who don't know it,
and Down Under, too,
where getting high is easy,
getting high at
and on words
well marshaled ,
but **** sure I will be
peering and prring,
all the way.

Oregon,
don't be gone,
those wide eyes shut,
when I come by,
who knows when I
will pass this way again...
on my way to Phoenix,
where sunrayes bend to the
desires of dessert breezes.

Kentucky to Korea,
one long road to travel,
but middle son,
if you can do it,
so can I, and,
I will follow.

in a beautiful city,
unsurprisingly called
Belleville,
the leader of the band,
still leads us in belle 'noise'
and when he finishes
fall leafing us in song, he still,
rises up in the mid of dark,
prayerful haikus to write.

off to Rogers, Arkansas
to meet an Italian from Mexico
who specializes in skinny poems,
something one day I will be too.

maybe I will go to
places it snows,
there are so many,
but your photo,
and tattoo trail,
clues, will follow,
no matter how hard
you make it a mystery.

you, who live in just
the world,
don't even think,
that crazy dotted lines,
unstraight,
or huge plains,
are sufficient,
to hide your
moody dust trail
from me!

somewhere in the USA,
roses grow in ground
that needs the
watering of tears,
though this place
is hard to find,
ha, turn around,
that is me,
tapping you,
on the shoulder!

will find you,
as I am searching for
a lovely pair
of stockinged ankles,
each with a heart tattoo,
but I sure could use
a clue,
before this hobbit searches
all the shire,
derby hatted,
to find your
heart real, and the real you...

my mode of time travel?
why I am just
a dude on a rocket ship.

Wisconsin,
look for my ruby message
in the snow,
in the dust,
in the sand, the skies, the sea,
but will you answer me?

Pittsburgh,
patient, you've been,
you thought I forgot
all about you,
chimera  at the intersection
of three rivers,
all you need wonder,
upon which one
will my ship arrive
and why you still disbelieve
you are not a poetess!

ME oh my,
you too, a hidey hole got,
but, we are strange, we humans,
we would gladly bleed to please,
If we could but find
a combination of
new words that
would your heart gladden,
your eyes tear,
your lips wear,
a smile of pleasure
at our offerings poetic!
but still I know not,
the where!

Lagos,
where
I shall climb the tallest skyscraper,
calling out in Yoruba,
where is my Temitope?
where is mine,
worthy of thanksgiving
so I may carry my Popoola,
my pole of her of
written wealth?


Mombasa, Singapore,
Maryland, Rhode Island, Kentucky,
Huddersfield, Connecticut Joe, Ireland,
South Dakota,

where the merry elders
well ken somethings
about a moon and tattered clouds,
something about children and dogs,
and something about letting
tomorrow's wait.

Milwaukee, Atlanta,
chuck, in *PA.,
friend to all,
to all those scattered across these
United States of America.

can we dare not mention
"The Shaq" of Malaysia,
South Sudan, Pakistan,

of course not!

Suburbia,
beautiful, black San Diego, Detroit;

The BBB's -

British Columbia, Brazil, Breendonk, and
B'kara!
the goodness of *
Boston,
flipping out in Flipadelphia,

did you think I would forget ya?

those of you hiding among 64 stars,
the groves of L.A',
on the lanes,
the special land of I-sia-Bella,
fellow citizens of Neverland,
those of you 'at home,'
in the land of nightmares,
concrete boxes,
those who post without a doubt,
and in the box,
this who think your birth year
is an identifying mark, not,
you never fooled me,
will visit each and everyone.


even and especially,
the grays of crosstown
NYC,
the red writers of my hood,
the tylers too.

I am exhausted,
forgive me well,
if thy locale,
I did not explicate,
for the hour is very late.

yet thru subtle fissures
in the clouds,
look for a tired old man
on the wings of a
chariot drawn by angels,
bringing you a dictionary
full of new words,
a present for you,
but truly,
a present to himself
for from it,
your future poems
will come.

*but the sun has come up,
so now I sleep.
1.  What makes this poem special, if anything, is the trust and confidences we share with each other, that allowed me to perhaps catch just little bit something special of each of you, where I could.

2. Can anyone explain to me why the site labels this poem explicit?
I

Midwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire,
The brief sun flames the ice, on pond and ditches,
In windless cold that is the heart’s heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.
And glow more intense than blaze of branch, or brazier,
Stirs the dumb spirit: no wind, but pentecostal fire
In the dark time of the year. Between melting and freezing
The soul’s sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time’s covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?

              If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured
And is altered in fulfilment. There are other places
Which also are the world’s end, some at the sea jaws,
Or over a dark lake, in a desert or a city—
But this is the nearest, in place and time,
Now and in England.

              If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of the living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.

II

Ash on and old man’s sleeve
Is all the ash the burnt roses leave.
Dust in the air suspended
Marks the place where a story ended.
Dust inbreathed was a house—
The walls, the wainscot and the mouse,
The death of hope and despair,
       This is the death of air.

There are flood and drouth
Over the eyes and in the mouth,
Dead water and dead sand
Contending for the upper hand.
The parched eviscerate soil
Gapes at the vanity of toil,
Laughs without mirth.
       This is the death of earth.

Water and fire succeed
The town, the pasture and the ****.
Water and fire deride
The sacrifice that we denied.
Water and fire shall rot
The marred foundations we forgot,
Of sanctuary and choir.
       This is the death of water and fire.

In the uncertain hour before the morning
     Near the ending of interminable night
     At the recurrent end of the unending
After the dark dove with the flickering tongue
     Had passed below the horizon of his homing
     While the dead leaves still rattled on like tin
Over the asphalt where no other sound was
     Between three districts whence the smoke arose
     I met one walking, loitering and hurried
As if blown towards me like the metal leaves
     Before the urban dawn wind unresisting.
     And as I fixed upon the down-turned face
That pointed scrutiny with which we challenge
     The first-met stranger in the waning dusk
     I caught the sudden look of some dead master
Whom I had known, forgotten, half recalled
     Both one and many; in the brown baked features
     The eyes of a familiar compound ghost
Both intimate and unidentifiable.
     So I assumed a double part, and cried
     And heard another’s voice cry: ‘What! are you here?’
Although we were not. I was still the same,
     Knowing myself yet being someone other—
     And he a face still forming; yet the words sufficed
To compel the recognition they preceded.
     And so, compliant to the common wind,
     Too strange to each other for misunderstanding,
In concord at this intersection time
     Of meeting nowhere, no before and after,
     We trod the pavement in a dead patrol.
I said: ‘The wonder that I feel is easy,
     Yet ease is cause of wonder. Therefore speak:
     I may not comprehend, may not remember.’
And he: ‘I am not eager to rehearse
     My thoughts and theory which you have forgotten.
     These things have served their purpose: let them be.
So with your own, and pray they be forgiven
     By others, as I pray you to forgive
     Both bad and good. Last season’s fruit is eaten
And the fullfed beast shall kick the empty pail.
     For last year’s words belong to last year’s language
     And next year’s words await another voice.
But, as the passage now presents no hindrance
     To the spirit unappeased and peregrine
     Between two worlds become much like each other,
So I find words I never thought to speak
     In streets I never thought I should revisit
     When I left my body on a distant shore.
Since our concern was speech, and speech impelled us
     To purify the dialect of the tribe
     And urge the mind to aftersight and foresight,
Let me disclose the gifts reserved for age
     To set a crown upon your lifetime’s effort.
     First, the cold friction of expiring sense
Without enchantment, offering no promise
     But bitter tastelessness of shadow fruit
     As body and soul begin to fall asunder.
Second, the conscious impotence of rage
     At human folly, and the laceration
     Of laughter at what ceases to amuse.
And last, the rending pain of re-enactment
     Of all that you have done, and been; the shame
     Of motives late revealed, and the awareness
Of things ill done and done to others’ harm
     Which once you took for exercise of virtue.
     Then fools’ approval stings, and honour stains.
From wrong to wrong the exasperated spirit
     Proceeds, unless restored by that refining fire
     Where you must move in measure, like a dancer.’
The day was breaking. In the disfigured street
     He left me, with a kind of valediction,
     And faded on the blowing of the horn.

III

There are three conditions which often look alike
Yet differ completely, flourish in the same hedgerow:
Attachment to self and to things and to persons, detachment
From self and from things and from persons; and, growing between them, indifference
Which resembles the others as death resembles life,
Being between two lives—unflowering, between
The live and the dead nettle. This is the use of memory:
For liberation—not less of love but expanding
Of love beyond desire, and so liberation
From the future as well as the past. Thus, love of a country
Begins as attachment to our own field of action
And comes to find that action of little importance
Though never indifferent. History may be servitude,
History may be freedom. See, now they vanish,
The faces and places, with the self which, as it could, loved them,
To become renewed, transfigured, in another pattern.

Sin is Behovely, but
All shall be well, and
All manner of thing shall be well.
If I think, again, of this place,
And of people, not wholly commendable,
Of no immediate kin or kindness,
But of some peculiar genius,
All touched by a common genius,
United in the strife which divided them;
If I think of a king at nightfall,
Of three men, and more, on the scaffold
And a few who died forgotten
In other places, here and abroad,
And of one who died blind and quiet
Why should we celebrate
These dead men more than the dying?
It is not to ring the bell backward
Nor is it an incantation
To summon the spectre of a Rose.
We cannot revive old factions
We cannot restore old policies
Or follow an antique drum.
These men, and those who opposed them
And those whom they opposed
Accept the constitution of silence
And are folded in a single party.
Whatever we inherit from the fortunate
We have taken from the defeated
What they had to leave us—a symbol:
A symbol perfected in death.
And all shall be well and
All manner of thing shall be well
By the purification of the motive
In the ground of our beseeching.

IV

The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
     Lies in the choice of pyre of pyre—
     To be redeemed from fire by fire.

Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
     We only live, only suspire
     Consumed by either fire or fire.

V

What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea’s throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter’s afternoon, in a secluded chapel
History is now and England.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always—
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flame are in-folded
Into the crowned knot of fire
And the fire and the rose are one.
Dona Mayoora Apr 2014
I see two people
so in love with each other
schmoozing numinous dialect,
only a purest of heart can fathom.

I see a kiss I hear it too,
I see eyes pinnacles
lips singing
and heart sinking in love.

Now, do not tell me
I’m seeing
a teaching of Venn diagram
on the display board,
and my explanation for
A intersection B is ludicrous!

Please do not tell me
I’m wrong.

It must be poetry
I'm seeing,
and I'm in love with it
more than anything else.

/*Orginal poem published in Mayalayam, translated by poet. */
Set A                             Set B
       _____________        ______________
     /                           \    /                             \
    /                             \  /                                \
   /                               \/                                  \
  /                                /\                                   \
|                              / A\                                  |
|                             |  n |                                  |
|                             |  B |                                 |
  \                             \  /                                  /
   \                             \/                                  /
    \                            /\                                /
     \ ____________/  \_______________/
Jeff Barbanell Jun 2013
I took a stroll down my childhood lane
These neural pathways took me back
Multilingual versions of the narrative
Warned me of imminent attack
I made it work for me my people
Bedeviled on behalf of all my greater good
I took my time in stride with sidewalks cracked
And broke my swag along a scattered beach
Came down with that viral capacity to fluctuate
According to what gut feeling feeds heart pumping
Where we intersect that jazz bebopper inhabiting art
Draw outside the lines come together in stark contrast
To the words we negotiate with each other in exchange
For favors better left unpaid yet enacted cross-purpose
To our intended lizard goal to wrap our prey entangled
Tongued in the mail entreated globally galactic guardian

I’d simply settle inside ambitious repose armed by you
Draped across our gossamer webs wet commingled faces
Paul Glottaman Nov 2010
There is a huge portion of
his leg missing.
He has a cane these days,
though he didn't used to.
He hobbled up the streets
of the Catonsville intersection,
even beat me and my car to Towson
once.
He did this during the triple
blizzard. During the crippling
heat wave. During the frost
covered fall mornings now.
Always his sign reads
“God bless you.”
Always he smiles a genuine
smile, all the way to his eyes,
when even the most limited
amount of change drops into
his ***** palm.

His skin shines with the dirt,
beyond age or race he is filthy.
The skin around his wound has
begun to turn green.
I've asked him, for me, to see
a doctor. Told him I'd wait with
my car if he wanted to take
the home boy express.
He can't afford to be off the streets.
For him, if for no one else,
time is money.
No matter how small.

I worry for him.
But only for an hour a day.
And only because guilt is easier
to manage than shame.
I have heard all the arguments.
All the cynical stabs and jabs,
and I confess that I have agreed.
But for an hour a day
I still worry for him.

I'm glad someone gave him a cane.
His leg looks bad.
Worse than ever.
Ardent Bowel Dec 2012
Love is a ***** soup going stale but steaming like it's brand new;
And I'm Oliver twist walking up to the *** with a rusty spoon full of desire and hope asking for more but getting none.

Love is a Doctor gathering dead bodies and shackling them up in chains;
And I'm a green freak with Frankenstein bolts ****** through my head walking around with only a mumble to muster trying to love people who just want to run away.

Love is a white paper rolled so finely, full of sedatives and drugs;
And I'm sitting by a fire reaching in for a log to smoke.

Love is puzzle made by Einstein and Sam Loyd;
And I'm a child with eyes made of glass and hands made of thorns crying to my mother because that puzzle is a *****.

Love is Navy Seal training on a beach covered in cold water spilling blood for a chance;
And I'm a ***-smoking hippie who holds up signs and tells soldiers they’re monsters as I take a puff of death.

Love is a ten-syllable word compacted into one;
And I'm a hooked on phonics children’s thesaurus struggling to find a comparison that I can actually pronounce.

Love is a white egg timer sitting on the fridge set to all nines;
And I'm a busy housewife waiting to cook dinner at the sound of its bell.

Love is a robber with a 45 in his belt;
And I'm an eager dad trying to protect his family with a wooden stick.

Love is hot coffee from a luxury beverage shop;
And I'm a plastic party cup melting away.

Love is a doctor with a PHD in heart surgery;
And I'm a sick child waiting with his mother with no healthcare ******* on a free doctor’s-office lollypop.

Love is a huge pink eraser;
And I'm a graphite pencil struggling to write while me and the eraser fight.

Love is a pickup truck speeding through town drunk;
And I'm a lost puppy running through the same intersection looking for my owner.

Love is meant for fish;
And I'm a bird.
© ardent bowel
http://ardentbowel.wordpress.com
Larry Potter Jul 2013
I was hungry enough to eat the **** end of a skunk.  I felt like gobbling the whole mound of concrete that is half an hour closer from becoming a part of my room.  Make that a quarter. I guess my tummy has had enough grumbling, like a seething network of volcanoes ready to devour Hawaii.  I am sure as exhausted as a zombie after a “battle of life and death” handling a plethora of carpentry tools which I have managed to rummage from our dismal basement.  I’m quite serious with the phrase “battle of life and death”.  I get to have this Obsessive Compulsive Syndrome which gulps a huge amount of my rhythm compelling me to put things in place especially in my chamber.  At times, a weltered pen could instigate an emotional havoc.  Or perhaps an inappropriate collaboration of curtain hues and mattresses would be ample to spin the color wheel concept out of my brain.  But now, my walls have done it.  Well, it was just a microscopic sight of a divine crevice, but how in the world could that escape my eyes?  Without a second thought, I approved an avid proposal from my subconscious – a full concrete room renovation.  And that’s how it brings me here, smothering the last square inch of the genius blueprint with this porridge of lime and clay, the hell with chemistry!  I have found out that my room has achieved the piquancy of a sizzling summer noon, thanks to the mist of dust and the precipitating drops of sweat that come tingling down my overheating body.  Ah! At least my system tells me that I’m not a promising patient of ****** dysfunction.  When the last patch has been perfectly planed in place, I drew my last ounce of pure strength and plunged into my most formidable bed, congratulating myself for a job well done. Alas! A thirty-minute nap and I’m ready for a superb coffee and doughnut delight.

I woke up from a cat’s screech. I peeped through the window. The nap breaker was a Cheshire, one with a dimmer fur, the stripes of gray suppressing the darker color.  Its tail enjoyed dancing around its rear, connoting either fear or excitement. It sure has a distinctive mischievous grin.  The feline was on the verge of climbing up the roof by jumping from a gutter about five feet away.  It seemed to have slipped but has managed to bring its **** next to the roof tiles. It stared at me with intent, giving me the macabre look from its glaring eyes.  It’s as if I’m being watched, stalked and examined in a way I couldn’t see, bringing me that feeling of guilt, of remorse.  Urgh! That’s why I hate cats.  Though I’m planning to keep one, I’ll reconsider it.  But what pains me more is to discover that my alarm was not able to do the job and so I slept three hours more than planned.  I looked down and saw the city lights flashing one by one, the beams glowing like a barrier of radiance diffusing into the gloom of the night. I guess this was the price I have to pay. I traded my snack with a peaceful hibernation, turning the coffee into a glass of iced tea and the doughnut into a great dinner with me, myself and I.

I have learned to cook since I was ten.  My mother believed that culinary prowess could be inherited from generation to generation.  And so, she put her trust on me and I haven’t failed her ever since.  This gourmet brilliance proves to be very useful at times of solitude when you got bored of ordering other’s recipes and decided to make your own buffet.  I remembered her telling me that all food would taste good if there is the chef’s heart flavored in it.  Cooking is an art, combining the loops and the whoops of seasonings and spices to the medley of meat and herbs.  Tonight, I decided that my dinner would equal breakfast, satisfying the grudge that I got from skipping my  diabetic snack attack.  A beef stew and a side of paella made my stomach die in joy, appeased at last that my gears are energized for my routinely nocturnal bookworming activity.

I normally hide under my sheets at nine but tonight, I shall break the rules. Don’t get me wrong, I’ll fix the rules next time. Just this time to spare for I have gained interest on this book entitled “100 Years of Solitude”, talking about how one could live happily even alone, just by creating the world you have ever dreamed of. Gabriel García Márquez is dumping the “no man is an island” concept which anyway sounds inspiring to me.  Finally, I jumped into bed thanking Him for letting me outrun another day living alone in a comfortable apartment, free from all sorts of vexation.  I wished for a better life at school, which gives me an imagery of dull monochromatic memories.  I am not that famous but I can be someday.

A heavy beam of sunlight pierced through my window, refracting on the ***** white floor and creeping up to the mahogany table just right at the corner.  It intercepted with the glass pyramid and created a beautiful prism that glittered all around my room.  It was a really majestic scenery, one that I luckily happen to see every morning, a good optic background, I guess. Two hours before class time – that’s where my pattern starts.  Take a bath, eat, brush teeth, groom, check the doors and power, then I’m off to go. Everybody follows a certain kind of pattern, that’s for sure. Whether you wear different types of clothes everyday or use competing brands of toothpaste, clothes are clothes and toothpastes are toothpastes.  As humanity finds more and more complexities in life, they become wired to doing the things and involving the events which they think would give happiness to them and simplify their equation of life.

As a proof, there’s Mrs. Lanny Honeycut from the house next door. She usually sprinkles her daisies every ten in the morning, wearing that friendly neighborhood smile. On their patio, you could never miss a day seeing her husband, Mr. Blake Honeycut reading the daily papers with a round of tea, jam and bread spread on his table.  On the busy intersection stands traffic enforcer, Red Mayer, waving his arms to and fro while wearing that aura of valor, never seem to get tired of doing the same thing over and over again. Thousands go out for work and go back to sleep everyday and that's the status quo we're talking about. Even inside the academic arena, you can still hold on to that thought; I mean the size of the population doing the same pattern at the same time – my schoolmates, enemies and… friends? Well, I’m not quite sure with the last one, but it’s this: they all make a fun of me.  They say I’m a dork, a nerd, a geek, a freak, and etc.  I wonder if they mean everything that they say or say everything that they mean.  Either way you put it, I’m not buying it. I am not what they say I am.  I just like being alone and that’s where I do best.

And as always, the school is crowded with busy people rushing through the corridors. Others are beating the deadlines while some are happy they could breathe for another break. But no matter how busy everybody could be, there is always a time spent for “information dissemination” or chitchats. But only this time, the topic discussed is the same.  I could hear it on the entire campus, everywhere in the perimeter. Another student in the university is missing leaving no trace of existence.  It’s been going on like this for over two months now and the university council has taken their best courses of action to unknot this mystery while campaigns have been running on TV’s and vigils were spent. Not that I don’t care but it seems that this is also happening to other places, I mean, this is not the only school where maniacs could exist and become professional serial rapists in the making. By the way, this is already the 12th case on the record. Weren’t people overreacting to the issue? Isn’t the case overrated? Did they reject the possibility that these people ran away because they got pregnant, messed up or something like that? Soon, the university area was covered with security troops roaming around like a swarm of bees, buzzing and sometimes boozing all the time.

I guess that’s what happens when you hang out too much with friends who are just jesters plotting your own jeopardy. I don’t think it would be good at all to be bothered with things like that because sometimes, it’s also useful not to have any use at all.  Like the king being admired by his kingdom amidst his sloth and compromises.  But that doesn’t mean I’m not friendly anymore. Actually, if it happens that I got company, I would magnanimously offer a treat at my place.  But the thing is, who would likely do that? I’d cross my fingers on it.

Wishes do come true even for a loner like me.  I think I have a fan. No, that would be too sublime. She’s hot and she’s hotter when you’ll know she’s so cool. Quite a paradox, but that’s just reality.  We came to know each other on our lab class. Her name’s Athena, fitting for her twisted logic and good humor. It makes me burn a lot of calories when I talk to her more than a 5-mile marathon could squirt. We were lab partners and we get along well. I just couldn’t figure out where she got the courage to befriend me. I do regard myself as unwelcoming species, but I might work on it when someone tries to knock the door. We juxtapose ideas. Yes, that’s what makes our conversations spin like a merry-go-round. But we enjoy it nevertheless, evident by the crescent smile we both generate out of the craziest topics in store. Once, she interrogated my way of settling wars with enemies. Well, I told her it was my habit of treating them to my house and giving them souvenirs to show how sorry I could be. She snickered and her eyes glowed like the Andromeda and her face shun the whole universe. Oh, I can do this all day long, if only I got hold of time and space.

Today, she asked me if it would be okay if she’ll stay at my place till nine when her dad could be home and she would be able to call her and ask to pick her up. She reasoned out that otherwise, the night would be scary because she’ll be alone in their house, no company, no security. I was puzzled how the thought of being alone could scare her. It is like freedom from any constraints, no ties, and no limits. But I couldn’t blame her. She’s too fragile, too vulnerable to handle it with herself.  With the speed of the light, I accepted the favor.  Well, that goes even without saying.

It was past six thirty when we arrived at my immaculate apartment. It’s great to be an“ OC” sometimes, I said to myself.  I thought of a winner dinner, one that would make her visit worth reminiscing. I preferred Italian.  I cooked her lasagna and drenched the dinner with sherry. We talked a lot until we run out of resorts. I guess she planned it, or I planned it, synergy perhaps.

The clock ticked nine and there’s no sight of her father’s getaway car. But there’s no sign of worry in her countenance either. I surmise it didn’t reach her inkling yet to phone her dad.  She was busy dissecting my kitchen and living room with her very playful eyes. That doesn’t trouble me though. That’s just as instinctive as any other first time guest could get. She grappled her attention on my antique collection of prehistoric movies, like the Scarlet Letter, The count of Monte Cristo and the likes. She happened to love them too. Well, that makes her more beautiful to me, other than the satin white dress she wears. Suddenly, she got the impulse of going to my room. She said there’s nothing more exciting to see than a gentleman’s bedroom. I startled from the request, but before I could say anything, she leaped straight to my chamber with the gestures of an imp. It’s weird to be in this kind of circumstance because I don’t often invite a lot of visitants to my room. I ain’t no hotel crew, bowing down and waving his hand to the chamber’s destination and leading the VIPs to their cabins. Yet this time, it’s the other way around: it’s my cabin.

But now it’s too late to stop her. She molested the **** and I giggled for some reason. Finally, the door opened a crack and a bend of light escaped from inside. She stepped in, and I followed. She was filled with awe not because my room is all made of gold nor did it resemble a royalty’s den. It was the exaggerated neatness and order that greeted her. In some unknown vortex of my deepest imagining, it made me feel like I’ve been through this instance before. The flashback is not so vivid as it appears, but something tells me this isn’t the first time. Deja vu could be working on it, I infer,although I don’t really believe in those forms of conceptualizations. Perhaps it’s the sherry’s spell infiltrating my mental prognosis. But something, I guess, isn’t really right.

I caught her opening a red box that was hidden behind my cabinet. I tried to steal it away from her but she fought back and it came tossing down the floor. Numerous items spilled from the case. A purple head band with the glittering initials ANNE, a ruby embedded bracelet, and a Nokia handy phone exposed the secrecy. This isn’t going to go along well and fine, I guess. A strong surge of desire came from my core. It tried to envelop my entirety and control me like a lifeless puppet. I felt the tip of the pyramid glass in my hand and I succumbed to lose my consciousness.

Morning came and it felt better than ever. It was a ***** Saturday. There she lies beautifully on the deck, like an immortal bud of red rose trapped in golden amber. The cellophane fits her well, and there’s no doubt she’ll be complaining anymore. I already prepared a cozy place for her deep sleep: A 5x2 feet wall engravement which I was busy molding last night. It wasn’t easy making her go to bed but still it ended up smooth and sound. I helped her get up and fitted her in place.I turned on the radio as I reached for my dear carpentry tools. The news was still nailed on it. But this time, the missing case struck for the 13th turn. Ahh, the hell with society! They never really get a way to deal with it.

I was busy patching the last mound of concrete that is half an hour closer from becoming a part of my room. Make that a quarter. I guess there’s no end to this divine crevice issue. It must be following a pattern too. But I can handle it, thanks to this vicarious personality. I wonder if I could get the chance to invite another visitor in my place. But if I do, I would certainly offer the best treatment they could ever have.
Axl Rose Aug 2014
A day like this
I'd definitely miss
How we both laughed at the same jokes
Over and over until someone chokes
Some days I had to pretend
Those I have still to mend
But this is yet temporary
We all search for a journey
You might not be here today
But I know we'll cross to that intersection someday
So I'll see you
And when we do
I won't tell you I missed you
Cause everyday, I always do
Sean Jan 2012
I stroke your skin like a leaf
and hold it up to the light,
allowing fingertips

           to go slow from root to tip.
           to sew the lining where two unlike materials meet.
           to code this friction into tactile intuition...

And yet--

                                                      I am afraid.

With this and all acts of temptress divination.

                                                I, I...am afraid.

I want to read our intersection.

I want
            to see               in your life-line.
                        myself.


First, I will find the highways of your pulse-

watch as they
                           give way to country roads.

Dissecting life-ways into bi-ways

where I can go slow from

root                         to                             tip.

                                rise
Feel the land
                                                       and fall.

from grass
to hallowed knoll-

Throw me dirt and blow out your windows.
                           
Take me slow
                                        down the side roads.

Next, I consult
the creases of your open fist.

Gone are the fine blue lines
                                                         -the tomographic
Heat, and its rhizomatic
                                              beat.

Instead, you hold me in this underpass

[the clamminess and opposite-land of passion and speed]
                                          where
                             [shadows cling and relationships keep].

You hold my hand.

To leave, and blast!
                                                 - to stay, I will need a map.

Hide me here long enough to find beauty
in the fine etched lines
that paint the walls in broad swoops of graffiti:
those cryptic tag-lines that advertise your witty, poetic celebrity.

from finger to wrist

                   arc
             the      to the thumb

the pulse that could run
on and on.

[our] distant reflection
                            -a mirage in the rising sun.
where

the earth line cuts off the air line

to fuse the heart-              and the head
                                                            ­                    -line.
Daniel Ruiz Mar 2019
1:00 am,
The sky as cloudy as it has been the whole week,
all i can see are streetlights
and cars driving up and down the street,
I've been drinking since 7 or 8,
i already can feel me forgetting,
the things i did,
and said,
I'm already ignoring open doors
inside my head,
new ways i can do stuff,
or not to do them.

2:00 am,
already forgetting who i am,
i lost my friends walking back to my place,
my place that,
it's 2 hours away by car,
i give up not even starting,
and walk to my friends dorm.
on my way back,
i notice two things,
two unusual things,
the letters bad luck everywhere,
and no sound.

I don't remember much after that,
just me standing in the intersection,
where the streets light in every direction
miraculously were all red.

And the cloudy night sky,
beginning to rain,
washing up bad thoughts,
helping me sleep better at night.

Zoning out in the intersection doesn't sound
as bad as it does.
Shaina Oct 2014
Colder weather
sheds light on the clear separation
between the intimate and the lonely

The intersection
the danger zone
is where you will find me

Flirting the line
between brainwashed and breaking hearts
trying on intimacy
for expectations sake

Calculated steps:
Grounded

Failing to fall while pleading to fly
All the right steps in the wrong direction,
cowardly enough to hold someone
just close enough
to not feel
so alone
Reece Mar 2013
California highway buzzes and the searing sun shines on the beach towel as I stroke Walt Whitman's beard
Transcendent and alive, but dead, still dead as my brother and his brothers, the 19th Century posse
We know the world better than them but are less learned, as the schools are a failure
and the business is us, but not the same as the industrial business of yesteryear
We are here to consume, consume and as we're dying of consumption , we consume more.

Alcohol, cars, phones and laptops, tablets, tablets, pills and more pills, condoms, liquor, ***** and brews, women, men, more women, more men, razors, lasers, heaters, coolers, snacks, rucksacks, ex lax and nick-knacks. They sell us dreams and nightmares, movies and bomb scares, they sell us news by the hour and power as they exert their own power. They give us gifts and incentives, draw us in so they they can stick us with a pin or a bracelet, and we too can sell to our friends on group hangs or as we stand still listening to our favourite bands. Billboards scream for our attention, or the buses stop at the intersection, and we're supposed to open our little phone and buy whatever is advertised. Why? Y?

They call us the Y generation too, why? Perhaps we ask the question  too much, perhaps we haven't asked enough. Perhaps the X generation simply ponder why we are so consumed with the technology they feed us. Why? Why must they question us, when we are the next great generation, we do laugh at that too. The internet is the new religion, bow down before Google and drink from the pixelated chalice, my child. Any question one could need answering is answered by the internet. The Bible is irrelevant in our society, burn it and download a bible app on the latest smartphone, the Qur'an too, hell, try the Tanakh, the Smriti and the Pāli Canon, for we are enlightened ******* It. And we want more.

somenonamesarcasticasshole@yahoo.com
RE:PARTY TONIGHT!!!!!

Hey yo mane some warehouse downtown has this dubstep DJ from like ******* Iraq or some ****. *** down, gonna be hella ******* there
xo

What music do you like?
All of it
Films?
All of them
TV
I don't own one but I watched every episode of The Wire on Netflix
...
I am a pansexual being riding the ever changing dunes of the Sahara, like so many great poets before me.

Digital immigrants and immigrants of empathy too
How serious do you believe us to be?
I am not using sarcasm as a form of wit for I have no wit.
Stoicism and rejection of education, employment and training.
We surly are the neatest generation, how can we make a mess if we are not awake most days?
Save for the endless party that is life, as we throw used glow sticks at women we desire
and ***** over car windows before getting blown on the lawn

lol dat wuz cray last nite
xo

Die young poets we have no desire for your kind, pacify us with Kerouac and Ginsberg so that we may emulate intelligence and impair the senses, for we care not about the real world either
Our world is the only one that exists, yours will soon crumble
We have trained for the end with extensive views of zombie flicks in coffee houses

@SomeFacelessJerk Follow for follow

Hey OP, you are a ******.
Why yes, yes I am. Does that bother you.
No, OP. You see I too am a ******.

Do away with your hurtful words they have no meaning today
White man died and lost control of his precious dictionary
We are here to save language by replacing all vowels with X's and O's
We are here to consume and in turn consummate this marriage,
the marriage of ignorance and bliss.
I feel as if I lost control of this particular piece and in turn lost control of myself
The snow is falling and I decided to freeze myself to death
The snow as I learned is a fantastic insulator and so I only served to warm my spirits

Addendum
I am not a poet

Footnotes on The Addendum
All people are poets but only a few are talented enough to shine like [insert simile here] and cause the world to [insert hyperbole here].

Addendum to the Footnotes of the Addendum
xo

Additional Notes
Apathy is the overriding factor in our lives, or at least that's how it seems to me. The trust fund kiddies in their beach houses are bored because Mommy and Daddy have no attention to spare them. The kids without parents in the projects are bored too, bored of the death and poverty, they're bored of the trust fund kiddies playing gangster, buying ******* from Mad Jack the Black Mack on Smack on the corner of 3rd and 15th. I am bored by the words I write, you are bored by the words you read, and we are all bored of the capitalist agenda that serves only to perpetuate boredom amongst us and bleed our pockets so that we have no choice but **** each other for their amusement as they place obscene bets on which child will 'win'.

*******, I have More Notes
Take this work for the post-post-post modern-proto-futurist-pre-apocalypse ******* that is. I have attempted to put no substance into this piece, apart from grams upon grams of ******* I brought from some guy some place, some time ago. It doesn't really matter, and we all stopped caring.
i turned the gear to the way i know the most
but you, in the passenger seat, reached for the gear
and turned it to the way
you want
me to go.

yet, i kept driving, stared ahead, went with it.
another intersection came in to view.
you asked me where
I want to go
i turned the gear with confidence

but you turned the gear to the way you want
me to go.

i kept my mouth shut, stared ahead, went with it, kept driving.

another intersection.
you stared at me as if asking
and with shaking hands, i turned the gear where
I need
to be.

but you shook your head and turned the gear to the way
you want
me to be.

i stared ahead, thinking
im the driver under the passenger's control.

another intersection.
i didn't need to look at you to know
i turned the gear to the way
you want
me to go.

as I turned to all your ways, i felt pure melancholy
this is not my road.
this is your way, not mine.

another intersection.
with a brave heart, I turned the gear to the way i want to go; to the way i need to be.

but
you fought for the gear,
and for the first time, i fought back
and eventually

we crashed.

and you blamed me,
looked at me with disappointed eyes.

and soon enough
i started to do the same
i blamed myself for
going for my dreams;
for making my own decisions.

-F.T. 03/04/17
Dear mom.

"I am a king under your control."
(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.
Nat Lipstadt Jan 2014
Mystique

- a framework of doctrines, ideas, beliefs, or the like, constructed around a person or object, endowing the person or object with enhanced value or profound meaning: "the mystique of Poe."

- an aura of mystery or mystical power surrounding a particular occupation or pursuit: "the mystique of nuclear science."

the mystique of Poe,
the mystique of nuclear science,

don't you see the irony extraordinaire,
the perfect intersection of
human and science?

atoms of a poet.

what, who better to
radiate
the profound complex meaning of
mystique

smile while
commencing the
delving, inhaling,
comprehending,
subsuming the
aura of human cells
odors of the atomizer
flavors mellifluous
chain reacting

the set theory of all my senses,
at the ultimate overlapping
of the primordial intersection
of the nucleus.

I am the living scientific proof,
the written poem,
the
realization of mystique,
the enhanced value
of the human you.
Written to Copeland's Variations on a Shaker Melody

For she who knows where the inspiration came from...
svdgrl Nov 2015
"It's not for anxiety," they said, tightlipped but concerned,
they don't understand that I can't pay attention if my heart beats louder than my words,
The sound of my thoughts coming at me like trains and bike and buses,
honking at me to say something articulate,
is much louder than their confused voices explaining that the blue pill is to stop the jitters,
but I've got other issues.
They don't see that there is a tea kettle bubbling in my stomach that shoots hunger through its long nose,
in shrill whistles that pierce my insides.
It's all I can hear when the TV is on and I haven't eaten.
But that little chemical spreads inside me like a blanket of silence, quells the screaming children
and the little girl constantly tugging at my heartstrings,
making indiscernible chords that only
echo as the sound of jealousy, fear and self loathing.
She tucks her self in and keeps her hands to herself for a few hours.
As the blue devils shovel more coal in the bed warmers,
the sound of metal clanging is muted by their powers.
Chipping away at the noise makers, the inhabitants of my tortured soul-
I love the empty I feel on adderall.
Smoke Scribe Feb 2015
crazy idea, silly notion,
then again,
come back, circle around,
why not, you ask yourself

now prior to posting hereon,
every word with extra care reviewed

sharing, checking in
with my beloveds,
here, those gone/disappeared

telling myself
telling anyone,
talking to you
letting you know
my grace, your grace,
one and the same,
my face, your face,
my child, my son

know you're
checking in,
checking out,
the comings,
the goings,
knowing full and well,
I see you,
my face, your face
everywhere and everyday

our conversation never ending,
look for me here,
at the intersection
of memory and what's up,
you see my messages,
responding in a thousand
different ways,
our dialogue unending,
formally organized
Face to Facebook,
your face, my Facebook
my child, my son
Julian Jun 2018
The ******* of embezzled glory staunchly defend their counterfeit stature by defalcating the public trust of industrious societies governed internally by compunction and sabotaged externally by the tempests of acerbic fate met with inclement aleatory convergence. To supply a society with ingenuity without being complaisant or officious with unctuous pleas to the overlords we must fashion a new vogue that taps the bustle of giants and aggrandizes the margins to oversee their own creative destinies with scaffolded arrangements of titanic promise and justifiable fluidity to conquer the blinkered dogmatism of a dissolute chastity to inveterate apocryphal tenets of factitious but unmerited perspectives. Democracy crumbles when the convenience of sensationalism supplants the resolve of those that fossick hidden wealth and promulgate validity instead of undergirding pomp with precarious prevarications of duplicitous omission guarded gingerly by the gatekeepers of a ****** sanity that whitewashes the discussion with invented hobgoblins and purblind catharsis. To defeat simplicity and enshrine byzantine elegance as the paragon for voguish commentary rather than abide by a bowdlerized decorum for appeasing simpletons with divisive balkanization through identity politics we can overcome the impediments to human progress that are engineered to persist because of the inertia of the listless and the stubbornness of doctrinaire politicization and invent vivacity and festivity anew. We need to divorce ourselves from pedestrian quibbles of hero-worship that endanger the vitality of the common discourse because of fastidious pedantic disempowerment that ravages us with debased dreams by underscoring nuisances and tolerable nightmares that emasculate the virulence of the liberated individual and subvert his ambitions to contend with a picaresque world of limitless promise and self-motivated internal wealth.
      The bane of modernity is how chary the world becomes because of fractured histories intersecting with controversial destinies and the antidote to that poisonous self-defeating self-censorship is the audacity of brazen challenges to expurgation through assiduous resourcefulness and delicate diplomacy in wrangling controversies with outspoken courage rather than whispered resentment. Temerity waged in inclement circumstance is justified and curiosity stoked by lambent flames of fulgurant individualism should be fortified to the extent necessary to conquer the feckless spoilsports of unctuous puritanism and institutional obedience. The quacksalvers that blather about inconsequence strand the imagination in a desiccated desert that is ostracized from the palettes of the artistic whim to wield efflorescence rather than squander life in pursuit of perfunctory lucre or tenuous solidarity around banal idealism promised by social justice warriors that forget the biggest war being waged on humanity is on the ingenuity of the common discourse and the liberty to opine about real issues rather than saccharine conventions of emasculation through linguistic imprisonment and epicurean slavery to fashimites who relish the buzzword but never the enlightened audience that scoffs at feeble attempts at cultural commentary like Childish Gambino’s “This is America” music video. This particular artifact is a demonstration of how childishly fickle the plebeian mentality really is, stitching together a bricolage of violence to engineer controversy and serenading it with the most banal music imaginable and exhorting people to herald it as a high artform while inundating the world with unimaginative comic book movies and Star Wars rip-offs because of the lucrative business of formulaic replication. “This is America” should be regarded as a parody of itself because of how hackneyed its design is and how cacophonous it sounds and mocks its audience with lowbrow tactics of adding tinsel to trash and marketing it as the glory of tatterdemalions rather than the refinement of true cinematic achievements that have been relegated because Warhol’s Campbells-Soup-consumerism trumps true belletrist in the public view.
        Cultural watersheds punctuate our history with salient achievements in experimentation, but the formulaic profiteering of buzzword sensationalism and yellow journalism and the ostentatious glorification of promiscuous boasting and fancy cars tantalize the mice to continue playing slot machines rather than penning a novel or doing something promethean. The world scoffs at Trump but ignores the bigger institutional caveats that endanger us much more than a pragmatic albeit unconventional pontificator who is complicit in constructing a false narrative to enslave mindless people to fret about eminence rather than delight themselves in the consequential nuances of established refinement that used to serenade the world with flourish and spectacle. The world kowtows to the crusade against flavor-of-the-week enemies of the liberal-conservative syncretism because it has been conditioned to believe that synthesis is the only logical solution for the polarized worldviews of churlish people that become parvenus not on their merits but on their marketable pitfalls and their public foibles. Peccadillos are more important to people than virtues and this makes society morally bankrupt if we loiter around Astroturf causes that have been infiltrated by corporatism and venal debauchery and acquiesce as disempowered gossip hounds that hunt in packs to find jest in aberration rather than achievement in self-created narratives that defy the stupid purblind boorishness of the mainstream media and its haughty liberalism or the persnickety condemnation of priggish conservative moralities that had an expiration date 50 years ago. Who the **** cares about transgender-touting-gender-fluidity quidnuncs and the snooty obsession with lurid personal endeavors of reputable people that made minor ****** transgressions in a world policed by wide-eyed feminazis that seek to ransack men of their vital virulence to spotlight their unjustifiable oppression. Women are oppressed but the carnal nature of their calumniation and their vindictive powers of persuasion are deployed with such vehement vigilance and such distaste for the majority that the world relegates itself to quibbles of celebrities rather than substantive issues. There is a systemic feminization of society occurring that seeks to demarcate despotic uxorious pleasantries as an incarceration of vocal dissent against supercilious women and their tamed men that slavishly grovel in repudiation of anything prickly.  Men historically have oppressed women but the solution to this quandary isn’t a reverse discrimination where the minority concern is spotlighted as a majoritarian issue that overshadows the disproportionate nature of our society where nominal accreditation is afforded in a non-meritocratic way to absolve people of their carnality and demote the vigorous defense of human liberty as secondary to compromise solutions that appease more people than they offend but simultaneously result in suboptimal conditions that reward arbitrarily coachable people while jettisoning anyone witty enough to be capable of insubordination of a hedonistic epicurean world obsessed with appearance and ravaged by the decadence of formulaic profiteering at the expense of originality and true promethean art that is herculean enough to defy hackneyed tropes and siphon the best elements from a piecemeal world variegated with complexity but stifled by fomented hatred.
The solutions to these problems is to create a watchdog group of artistic critics who become eminent and ubiquitously heard enough to offer creative consultation to the artistic endeavors that we consume and the music that is curated for fastidious ears that crave euphonic originality rather than the banality of easily dovetailed bass-heavy cookie-cutter garbage and the gaudy tactics of talentless rappers whose swagger derives from  the intersection of opportunism and the divestiture of an industry that rewards gloated supercilious epicureanism and meretricious marketability. Am I the only one jaded by second-rate superhero movies that infest the cinemas that borrow from Michael Bay while thrusting pulse-pounding but narratively bankrupt movies down the throats of consumers that might prize the cinematic originality of the heyday of filmmaking? Is it always high art to invent controversy that is witless or half-witted just because it will create buzz? Shouldn’t we condemn the laziness of society in acquiescing to the penury of the modern cultural narrative which belabors the dead horses of racism and sexism ad nauseum? Shouldn’t we fight the war of against inequity through legislation rather than hibernating about scandalous eminence and testy malfeasance?
          Liberty should be championed above all else and we are turning our backs on the future unless we muster the resolve to diminish the sway of the common narrative and aim our spotlight at consequential endeavors rather than the tropes of prosaic and pedestrian bastardization of art and culture. We need to fight artistic laziness which has ravaged our culture and castigate the tactics of wannabee celebrities that use lurid tactics to attract an audience by bedizening themselves with Pyrrhic ostentations and rampant fakery to create more melodrama in a world that needs to be less histrionic. YouTube celebrities swarm us as they get high on ******* and lean-- at our expense-- and vandalize property and convincing nine-year-old’s like Lil Tay to flex her money like it is infinitely renewable in a finite world where all our attention is wasted on artless artifice of less talented people that know how to engineer a ruckus by strutting themselves beyond all decency and selling out to a corporatist nightmare of enslaved convenience. We need to be more vocal about the dissolution of artistic merit and the formulaic repetition of successful formulas that jade us and make us yawn about another retread of a previously successful idea that is milked to the point of cruelty.                                                         ­                       
       Let’s change the narrative and focus on creating true art rather than reacting to the meretricious tinsel of the vogue consensus which is so impotent in its ability to rivet audiences because it has become so notoriously lazy. Fight laziness in art, dismiss your news feeds, be resourceful, seek true happiness rather than find yourself hoodwinked and duped by the idea that Trump is the most important issue or getting caught in thought loops and brooding about sexism and inequality. Let us strive to be egalitarian but within limits that would also appease hominists rather than just the hypertrophy of the leftist narrative that seeks to cage us with the doublespeak of complaisant conformity.  Reject the unctuous charlatans that pretend priggishness when their banausic purpose is barbaric but beguiling to be a lullaby for laggards. We need to fight for the future of civilization rather than hobnob with convenience and loiter around decrying false perpetrators rather than systemic injustices that could otherwise be rectified if enough people fought for it. We can invent a future that is a great festivity serenaded by cultivated artistic refinement and forget about the trifles that divide us. United in ambition and fueled by ingenuity we can defeat artistic laziness and be resourceful with how we decide what is newsworthy. Spurred by the argosy of proactive motivation we can change the world in a substantial way by deciphering the subtext that governs the world. The subtext is everything!
SIX street ends come together here.
They feed people and wagons into the center.
In and out all day horses with thoughts of nose-bags,
Men with shovels, women with baskets and baby buggies.
Six ends of streets and no sleep for them all day.
The people and wagons come and go, out and in.
Triangles of banks and drug stores watch.
The policemen whistle, the trolley cars bump:
Wheels, wheels, feet, feet, all day.
  
In the false dawn when the chickens blink
And the east shakes a lazy baby toe at to-morrow,
And the east fixes a pink half-eye this way,
In the time when only one milk wagon crosses
These three streets, these six street ends,
It is the sleep time and they rest.
The triangle banks and drug stores rest.
The policeman is gone, his star and gun sleep.
The owl car blutters along in a sleep-walk.
Melanie Oct 2013
Bombers & bloggers
Tragedy is triumphant 
Traffic gathers in a tweaked intersection divide
Wreaking of those fuming with exhaustion  
Speed, cause you prefer the highway

Political in place of partial
The news carries dismay
Where is such trouble in this world you say?

Posing proposing, regulating;
Marijuana laws are changing
Complaining of taxing & weighing

Football, do you recalls, & puppy dogs,
Amber alerts & nostalgia where it hurts
Once again the news contright  
Cut short cause it draaaags
Ruthless the truth is;
Everywhere you go, there the news is
You can't lose it, tied around your neck the noose is

Bed bugs It has;
Talking of spread shoots, ***** mags
This celebrity, the new 'fad', & that old hag

Throw up on the rag;

Forget it
Lior Gavra Nov 2017
The impatient soul awaits.
As crowds push towards the train.
He rushes to pass, can’t be late.
He looked at others, the insane.

He squeezed against and did shove.
They looked at him, silent grunts.
His angry mood, bared no love.
He was used to his way and wants.

One more push and catapults.
Into the air and did not fall.
He laughs at them, at their faults.
As he flies pass human walls.

Surprised, he got no attention.
He roared at them, till the last door.
His super power, that strengthened.
No longer waiting, he could soar.

Everyone looked to the left.
Train now expected delays.
Some tears were dropped as they wept.
A red end to someone’s day.

He flew back in that direction.
A sudden feeling, temptation.
There caught in the intersection.
His body, the impatient.
we lay together, 6:00am, body warmth touch-sharing,
as the June morning summer chill coming off its night nadir coolness
surrenders very reluctantly,
full length pajamas, blankets and coverlets in use,
keeping cold out while bodies touching generate heat -
a big difference

through these layers of cotton controversy, my right arm,
my cunning, falls awkwardly upon her, advising I am woken
and aware she is as well, hear her earbuds emplaced, make shushed
whispering noises re the future of artificial intelligence
and other such mental knottings

my awkward angled arm rests on her landscaped outline of shape,
coming to rest where legs meet at the top of an upside down V spot,
which makes no request, but accepts my bequest of steady
stroking of her ****** as an unnecessary
but atheist-acceptable to her
morning prayer ritual, kept at the intersection of the
physical and physics theorems

funny how some prayers,
where recitation comes thoughtlessly and routine,
uttered without any contemplation are yet
deep comforting for their inherency,
so I pray a stroking repetitive on her body,
well hid neath a summer coverlet,
wordlessly chanted, wordlessly accepted, silence connoting approving permission

I comfort her,
above and through a floral coverlet for her floral coverlet,
till the sun rises enough to truly warm up our plot,
my praying reaches the end of its rope,
where quality and quantity achieve unanimity resolution
no longer needed,
but am appreciated, besides my arm is cramping,
not designed for the rising, unleveled angle of her breathing bodice

my comfort is her extra comforter,
an offering of coffee my reward,
for my daily work has begun,
and I have many more poems stillborn
that require coaxing stroking
to become
witnesses to living
D Awanis Sep 2018
My mind is a busy street
its twinkling lights and noisy horns won't shut
whilst the walls are made out of skyscrapers,
only when the rain is pouring it began to quiet

My mind is a busy street
indefinite amount of strangers are crossing every now and then
leaving their footprints on every intersection,
little did they know it cost me bleeding wounds
Gabrielle F Feb 2010
your hand twists around
the milksoft steel of that long
slender stem
a vinyl blossom shelters
your head from godspit
your features are betrayed
by the watery spears

i know it is you
by the skin, white and pressed artfully against
the bones
the irises-
like a clever bouquet of
knives, glinting in
shattered city twilight

oh come here, draw blood
come here
apparition
trick of the
dampened light

kiss my wet face
with your wet mouth

let your lips slip across
my forehead.

if you come

i won’t say one more
word.

— The End —