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zebra Aug 2018
The new # 69 hoochi coochi smoochi
rubberized *** robot ****** sucker model 2.0
now available

*******
feelin lonely
tired of spats
credit cards charged up from dates that don't put out
don't like the same restaurants
not ***** to your taste
cant stand the in-laws
you wana live costal, they like Kansas
or
tired of internet dating
and no time for a quickie

when the one you love tells you they aren't in the mood

well bunky
its a brave new world
take a spin in our new model
robot 69, 2.0
they talk
they walk
warm all ova inside and out
scented oiled perfumed *** optional
and flavored
to include
chocolate crunch, vanilla, strawberry
and
phooey
replete with an array of assorted interchangeable
*****, *****'s and butts
extra sturdy for ware and tear
and those little irresistible spankies and whoopins
you just cant live without
plus any colors, or rainbow rubber chasse
gay straight or mix it up how eva
trans trans gender

buy out right
or rent ala cart
deluxe or standard
voice activated

advanced multi lingual
baby talk and hits the high notes
talks back software program
and
NO always means YES
plus
screams
cu cu cu cu cu cummmmming
cooes I love you
**** me now *****
shred me you ****** ******
and many others
in over 50 languages

Other optional features include

age play
ethnic fetish
banjee
blow jobs
tipping the velvet
**** to mouth
salad tossing
*******
spit roast
bare back
chicken head
death grip
*******
mammary *******
*******
Netflix and chill
*******
*******
brown bath
cream pie
*******
motor boating

and the shocker  
two in the pink and one in the stink
adult ***
mannley collins Jan 2016
Lies are lies
they deny you the truth.
Truth is truth
it denies you the lie.
when examined closely both are exactly the same.
They are interchangeable.
People that tell the "truth" to you are denying you lies.
How boring and dangerous and malevolent are people full of truth.
Choose your religious truth---
Christian truth.
Islamic truth.
Judaic truth.
Vedic Hindoo truth.
Buddist truth.
Capitalist truth.
Socialist truth.
Free market truth.
Managed market truth.
Monarchist truth.
Democratic truth.
Militarist truth.
Liberal truth.
Fascist truth.

People that tell lies to you are denying you truthfulness.
How boring and dangerous and malevolent are people full of lies.
Choose your lies.
Christian lies.
Islamic lies.
Judaic lies.
Vedic Hindoo lies.
Buddist lies.
Capitalist lies.
Socialist lies.
Free market lies.
Managed market lies.
Monarchist lies.
Democratic lies.
Militarist lies.
Liberal lies.
Fascist lies.
Truthfulness is neither truth nor lies.
It exists on its own.
Truthfulness is free of the Duality of Truth and Lies..
The individual Isness exists in the state of Separate and Merged with the Isness of the Universe.
Permanent Mindlessness is unconditional love--just ask any Dog or Cat.
The Mind separates us from the Isness of the Universe.
The Mind creates Duality which is governed by Conditional Love.
The individual Isness creates Unconditional Love(Consciousness) which is outside Duality.
Mind cannot create Unconditional Love.
The individual Isness cannot create Conditional Love.
If you have Mind/Conditioned Identity in your head you cannot love Unconditionally.
If you do not have Mind/Conditioned Identity then you can only love Unconditionally.
If you have Mind and Conditioned Identity  you cannot be Merged with the Isness of the Universe.
If you are Mindless and Conditioned Identityless you are merged with the Isness of the Universe.
Conditional Love says I love you on Condition I can hate you.
Unconditional Love says I will never stop loving you but I may dissapprove of your actions but I will never hate you because I cannot hate..
Conditional Love is selective--it only applies to Family and Friends and fellow GroupMind members.
Unconditional Love is not selective--it applies to every living being--human or otherwise.
Unconditional Love does not see people as Friends and Enemies.
Unconditional Love sees people as individual Isness incarnated in bodies.
Humans are deceived by the Mind into believing that the Conditioned Identity is their true Identity and deceived by the Mind into believing that they should leave the running of their brains and therefore their lives to the Mind.
The individual Isness is a small but equal individual independent,
nameless,formless,genderless,autonomous portion of the Isness of the Universe that people controlled by Mind are taught to call a Soul.
The Soul is just another Mind created Conditioned Identity.
The Atman is just another Mind created Conditioned Identity.
The individual  Isness is formed from a small but equal portion of the essence of the Isness of the Universe and incarnated in a Human Body of either Gender-_male or female of any skin colour.



www.beyondenlightenment.co.uk
Tommy Johnson Aug 2014
It had to come up at some point
And now we're leaving
For the garden
Intangible
Interchangeable
Infinity times eight

Operating on sleep mode
Missing out on everything
Tiring being yourself
But it isn't that big of a deal

It had to come up at some point
And now we're leaving
For the garden
Intangible
Interchangeable
Infinity time eight

They won't get it
I'm not so sure if
Then again
We all have our up's and down's
I mean
If you want
You can
If not
It's okay

It had to come up at some point
And now we're leaving
For the garden
Intangible
Interchangeable
Infinity time eight

Never, once
Occasionally
I'll blame myself
Then I see
That you see
Idiosyncratic neuroses
I feel, I hear
Once in a blue moon
And accept
The faults
And different points of view

It had to come up at some point
And now we're leaving
For the garden
Intangible
Interchangeable
Infinity times eight
Mateuš Conrad Nov 2015
sample precursor: there are three binding directions of a chemical group (e.g. CH3) to the benzene ring - the ortho-, the meta- and the para-... but i'll ask a different question: what is copernican north what is copernican east a copernican west or a copernican west without a "flat-earth" / how else to read / navigate a 2D map going from point (a) via vector (c) to point (b) along the short-cut of the hypotenuse - which, isn't a short-cut, but the logical conclusion of walking neither the middle path nor the right path, but the logical path? we're no astronauts... we didn't see the proof... we can only entertain the "idea" of a 3D object we live on, but we're still strapped to a "flat earth" in order to navigate... endless stories of how GPS tech. fooled people off the edge of a cliff... "flat earth" is no reverse psychology ploy... i'm no ******* astronaut... i never stood left right or center on the moon to have the foggiest sense of admiration for that awe-balancing moment that leaves so many deluded in it being otherwise: first come first served, last come: what's there's to serve that last man if not merely the drudge-report of a commute? besides... trans- and cis-, why are people borrowing from chemistry and attaching gender to what is exlusive to chemical compounds? look at them... pop chemistry... cis-trans isomerism... fine, let these people have that... my new n.e.w.s. (north, east, west, south): orthography, something clearly missing in the anglophone world (no diacritical markers, i and j do not count)... ergo? orthography = east... paranormal = west... since the west is obsessed with either aliens or hush-hush military projects... now... both north and south are meta- coordinates... on the basis, on the basis of what? two words really work well to establish a foundation: from ars poetica? metaphor (borrowed from a change of mind - meta- and -phren - mind, a change of mind, all mental illnesses are changes of the mind, alternatives to alleviate the stranglehold of the commune of the greater picture known as society)... but... there's also metaphysics... which is in the interest of philosophy... how else not to explain the obvious, how else to treat both the reader / audience as the well informed genius(es) but mistreat them as would be grander genius(es) if the socratic endeavour of "pretense ignorance" was not to be established? it's a hard juggle... east is already well established in orthography, west in paranomal... literally: metaphor - a change of mind, literally metaphysics - a change of groundwork physicality of things... a rock remains a rock in either "heaven" or in "hell"... metaphysically there seems to be a direct translation... this is why i'm terrible at crosswords, this whole puzzle structure of either working from a direct definition to the word itself, some random geographical posists, some historical posits, some outdated out-of-vogue words related to specified period idiosyncracy, a tinge of the therausus... my current crossword is an interchange: meta-phor, meta-physics, meta-phot, meta-physics and on and on it goes: even with the isolated prefix of meta-, if i return to the words: as they are... would: denoting a change of thinking (state of mind) or... denoting a change of physics, i'm met with metaphysics, i.e.: a branch of philosophy that deals with the first principles... sounds like a priori physics, yet all i can fathom if i wrestle this word to its casual use: isn't it a posteriori physics?! the what comes after physics? i should think that most people understand metaphysics on an a posteriori basis rather than an a priori basis... hence the question: what happens when we die? last time i checked: death happens last... birth happens first... any question-worthiness (according to heidegger) should begin at: the beginning rather than begin at the end, in the same way that all questions should be sought in a medium of predating the dates of events, rather than with a spirit of hindsight, hindsight belongs to the "what if" of history in that dynamism of expressed time... on the canvas of an infinitely expanding space: we seem to be riddled by a very cul de sac concept / expression of time: our quill - given that ****** didn't learn from napoleon when it came to russia... perhaps finding out what copernicus found out: "we" figured: get me off this ******* celestial carousel where i can't even feel the dizzy immediate of a ferris wheel! again: i'm terrible at crosswords, sudoku? no problem... but words: if not gushing out of me, waiting like a lizard predator for a linear narrative spew? count me out... i don't play with words, i use words... i'm a wordsmith, hence the ethnic origin denote: słowianin: slav - i don't know where these west-saxon punks derived their etymology from: słowo = word... *****-liquor juice teens thought it was: oh fo' sho' smart... still: metaphor, metaphysics... metaphor... metaphysics... disgruntled with the immediate compound readied for pop use... meta-physics... the vector is the prefix... why do philosophers push metaphysics so much, but in turn rely on the crutch of metaphor? to change their mind, if metaphysics is an abstract theory with no basis in reality, then the schizoid / metaphorical mind is an abstract in an abstracted theory of the mind - which has "no" knowledge of reality, or rather: "reality" excludes such a mind from ever absorbing an expression in it... a schizophrenic can't explain the reality of a person who can solve crossword puzzles... just as someone who solves crossword puzzles with a fear of alzheimer's: who treats the fatty tissue that's the brain as a muscle... given that the cells of alzheimer's disease are killer proteins... proteins as the antithesis of white blood-cells that feed of fat tissue... after all: what else could the brain be if not fat and water? slow burner... first the sugars, then the more complex carbohydrates, then the fat: last? the proteins... the process of starvation... you want up? you want down? again: metaphysics / metaphor... ta meta ta phusika... the things after the physics... so what's with the inverted: prior things? hence people associated a life after death... hence how philosophers have to escape into the poetic realm to quickly change their minds on the definition... a change of mind is much easier than a change of what physicality entails... most spew metaphors but keep on course... after all: given the genesis of the metaphor, a metaphor is just a tool, a humble stop-off pause... born from humble poetics: it's only a literary tool, it's not some grand pillar of morality associated metaphysics, which nonetheless dictates: first principles come last and last principles come first... here's my crossword puzzle: metaphor, metaphysics, meta-alpha, meta-beta, metaphor and the meta-alpha, metaphysics and the meta-beta... etc. etc., i will not solve this crossword puzzle, even though it doesn't look like a crossword puzzle... it's a narrative crossword puzzle, i'm just looking for the sort of fixed point people associate with prime words: red, left, blue, right, up, fox, dog... words of readied vocabulary, readied vocabulary dissociated from puzzled vocabulary... i want to established a fixed permanence of the dissociated close proximity grounded in the meta- prefix of the words meta-phor and, meta-physics... i'm starting to find this impossible, given how the words have dissociated themselves from the grounding in the meta- prefix... phor alias phren (mind) and the whole gush of isolated metaphysics of beginnings: meta a priori vs. meta a posteriori - and of course: meta a- apriori... hell if i can't solve crossword puzzles: since i already have a crossword puzzle in my head... what am i to do? try writing pop?! a dog does what his master orders, a jester tells a joke his king would find amusing... i'll just treat this enclave of an audience as a bunch of people subscribed to ulterior forms of voyeurism (dissociated from pain / pleasure gratification, esp. that of a ****** nature).

.you know like in latin you had the interchangeable tongue twisters æ and œ? well... english resurrected one more... au... oh stralia... auntie; ******* hell i've been speaking this since aged ate and i still can't get my tongue into that phonetic plughole... or what's that onomatopoeia for: it really hurts? awe... nah... aw... aw... well no cute kitten about to say aww.

well it began with the usual... i wish i didn’t...
sitting in the autumnal garden
drinking coffee and eating a nicotine croissant,
watching the fog recede into nothing
while the earth showed its naked cleavage
after what seems like centuries of arcane dryness
befitting a story of an egyptian idol...
then the panic set in...
what to cook?! what to cook?!
my mother is away visiting her parents in poland,
who celebrate the feast of all saints with the usual
tackle formidable in poland:
forget the paris fashion week, forget the london fashion week...
forget the next gucci advert...
all the action happens in poland’s annual all saints’ fashion week...
through the cemetery (ahem) cat walks
(more like death on rollerblades donning a tutu
and looking fatter than size 0 models)...
because that’s when the fur coats are worn,
the make-up is heavier and everyone comes
to discuss the materialistic jealousy of a small town...
it is a small town after all...
death knocks with all the nine cat’s lives just to prove
the point...
anyway, so i’m the head chef, and in panic
i search for a recipe... i’ve only got pork on the ready
in the recognisable frozen state...
but i also have shrimps... tiger prawns...
so i look through the usual suspects... thai green curry...
ah ****! no coconut milk!
what’s it going to be? prawn korma curry
(better mild than hot i say, with all this maple syrup
and honey colours about... talk about decay),
active ingredients? chilli powder (1/2 tsp), cinnamon
(1/2 tsp), turmeric (1/2 tsp) and ground almonds (2 tbsp),
there ready... looking suntanned my gorgeous twirls of seabed manure...
enough to spare my father making himself sandwiches (i always
disguised my “dyslexia” by associations... sandy witches...
the t broke the barriers and the floods entered)...
with toasted nannies / au pairs... relatives of some sort...
then onto writing my father’s invoices:
project plaistow hospital and some housing development near
the city airport... beckton we call it... backwards and forwards
stink crowned with drinkers regurgitating on the pave...
now that is a *******... recycling centre or horse manure?
then to tesco... for the nightcap...
oddly enough tesco has become a friend of mine once more,
i divorced the turkish shop, they added 10 pence to the polish beers,
now i’m on the sedative medication of this bottle bavaria beer
and whiskey... 1 quid for the former... 10 quid for the latter -
i’ve sold my soul! never mind...
then to the beacon that’s home... it’s night... it’s spooky...
it’s essex: that non-touristy place in england people with passports
never dare to visit, shambles.
well one thing came out true... none of the above though:
you ever consider the theory of the aeroplane syndrome in writers?
you know, like with rock stars you get the full package,
you get the aeroplane and the retrieved delay of the engine mushroom,
but with poetry (which is competing with music,
philosophers just wait in that queue for the cheese, wink, whine and wrinkle)
you only get the sound... that delayed mushroom...
you see the poet but never hear him...
it’s a typical delusion i’d call parallel or even adjacent to narcissism,
you walk down the street and the closest you come
to someone recognising you is a stranger uttering out: ‘hey richard!’
‘name’s matt mate.’
‘oh... sorry.’
it’s this aeroplane syndrome theory... it’s perfectly acceptable...
you have the image but don’t have the delayed sound...
you have the delayed sound... but you only get a photograph...
you have the english national health service mental health unit crisis...
and then you have people shunning intellectualism
trying to cure people by burning / not reading philosophical books;
the day ends with drinking and reading
an article about keith richard’s antics in the sunday times’ supplement
and the thought: well i gave her a stabbing chance
at feminism... she thought the active ingredient in anti-contraception
pills was placebo... she phoned and gave birth to me...
i said abort... you’re no post-teen mum at university, you won’t be...
******* was great but i’m not that much of a match from a cosmopolitan magazine quiz
(as duly taken on my way from st. pestersburg to moscow to see
metallica play), plus there are no roofing jobs in scotland...
the scots have mountains already... there’s no point building
scratched sky skylines with mountain ranges nearby...
so even though i went to a catholic school...
i did my first redemptive act by reading about gnostic heretics...
and not getting confirmed being the second...
i would have not taken first communion... but playing the xylophone
at the nativity play was too much fun...
plus it is the only salvador dali bit of the story...
after that you have st. sebastian...
plus you see where this is going... the greeks translated
the tetragrammaton into the gospels
of st. matthew, luke, mark and john...
and the romans were duped into the legality of
things... first name, second name, confirmation name...
surname.
Akemi Jan 2019
The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.
“Self-destruction is simply a more honest form of living. To know the totality of your artifice and frailty in the face of suffering. And then to have it broken.”
Charlie Chirico Mar 2013
Everything became interchangeable.
Words of wisdom,
which weren't welcoming,
were washed willingly.
Only now knowing
that the definition of a "wash"
is a sensitivity.
An appropriate metaphor
would have been a description
of an undertow; hands over feet,
because a cartwheel is superfluous  
underwater.

It's interchangeable.
The fact that the
white whale can
signify the tepid tactic
of the once sought
suitable soul.

It's tangible.
The decisiveness of another party.
A warm body to lay beside.
Another to lift the veil.
To speak love and hate
with full confidence.
Understanding that love and hate
is reachable.
Aloof to the fact that
you are
the love and hate.

It's manageable.
Although, *******
teeth has become customary,
the prospect of "******* face"
still lingers.
It's only until the lack of movement
with fingers...
It's the lack of *******.
But, it's manageable?

It's interchangeable.
It's knowing that what was
sought after was temporary,
that a sealed kiss will
eventually lead to an
opened envelope.

Then after time has taken its course,
you will be inside of another,
and another will be inside of her,
but the difference isn't the physicality.

It's the emotion that kills you.
Petal pie Mar 2014
I'm creating a Lego alter-ego
Called Scarlet.
Her skin is flawless
Her face a fixed fierce determined smile
Her drawn on ******* will never sag
And she never has a hair out of place.

She has a pet monkey by her side
Poached from my brothers 1989 pirate set
After she duelled with Pegleg Pete
And made him walk the plastic plank.

She has lego lovers in high places
Batman has given her the code to his 6860 set batcave
And the white Knight from castle set 70404
Has lent her his trusty steed
And he drank from her cup.

She is fearless and has an interchangeable
Wipe clean wardrobe
She can be whatever she wants
She is **** yet robust
When placed on a high shelf
She may gather dust
But she is always ready
For fun and adventure
And she will never age or rust.
Karijinbba Jul 2018
I have been shy with you
because in secret I SIN
THINKING OF YOU
until I melt in your arms
like a candle all night
shy I will be
Unrequieted I've become
LOVE OF MY LIFE!
in secret I remained loving you
all of my life since we met
when I've been all alone
mad passionate love
I made to you
all the night long
but mostly
I  missed you that much more
when I wasn't all alone
and that was my misfortune  
in secret I learned how to
be loving to you
after you left me p/r
just like Rhett
left Scarlett
I wasn't greedy in this life time
I've seen what
jealousy and greed
can do to lost souls
hating me for the absence
of what they had in excess
ignorance and superstition
many a time they did hurt me
unprovoqued
some bid to take my life
and I did weep
I did CRY for your love
for many other reasons
too painful to mention
my lover of life you
I MISSED YOU SO
knowing me was loving me
had you given me a chance
it got harder not to miss you
as each desolate year flew by
cruel Mr time added penance
to my treacherous path
another queen
took your heart
reading into my soul's
inscripted scarler "A"
my heart resigned in a void
when despair plunged  
your daggar on me
many times I promised myself  
to show you love if you ever
returned
I planed to blindfold me  
or meet you in the dark
that you may see my secret
stars sparkling in full array
to earn your love back
I planed to blindfold you too
  to break the
nefarious silence and gap
so you could feel how identical
from every angle we were
interchangeable twin flames
what a rare occurance
that is
the sun light of God
in you face did blind me
the look in your grassy eyes
burned me up
blew me or re-arranged me
froze numb me
only you had that power on me!
you too the light of God
in my face you could see
all sumissive to you
the years now passed
its Winter love
my old lovers, silence, grief martirdum & regret
refused to leave me alone
how I hated them!
and then some
the bad with the well intentioned ones I also refused
my inner core loved only you

please thaw me slowly now
don't dig your knifes in me
can't you see
I've put everything to sleep
who can live in your love without you
in every life time you left me
for another woman
and
each time I took my life
in jealousy I drowned
in silence I died
WHO AM I?
  the woman who loves you
the MOST
in this whole wide world
THAT'S WHO
Karijin! Jump in my pool
now all my lovers have
finally given up and left me
if you still wish to see me cry
USE honey HUG me
kiss me with your Rhett kiss
spirit breath of life
and if you can't
look at your STAR
in your bed
remember my
constellation is Aries
Gods love bid we should
have married
once upon a time
to change the world.
no more class rich could
marry  poor
You changed my life, love
you Rocked my world
I love you forevermore
LOVE OF MY LIFE.
don't dig knifes to see me cry for my diamond or my wedding ring try k uphoney to catch my honey bee. Sorry I stung you I died in pain love of my life
I loved you with a love which had no beginning no end omnipresent you remained my twin shy mam
Travis Green Aug 2018
An immense circle of thoughts was clouding
my brain in this room of reconfigured dimensions,
the spinning ceiling fan whirling into a windmill,
the ******* floors breaking into a wave of sharpened
metaphors, the expressionless curtains filled with fear
and crashing scenery, a dark hollow surface converging
in a rhythm of insane beats, imprisoned noted drumming,
disentangled sentences, shattering subjects, compressed
conjunctions and compounds accelerating into an eternity
of uncolored existences, as I stare at the isolated sky,
swollen stars diverging in a broken pattern of faded worlds,
the breathless moon sunken in a domain of interchangeable
languages, meaningless mazes, chopped consonants,
crumbling dreams, everything shifting in a sea of diminishing
whirlpools, while I drifted into a realm of uncaged thoughts,
a crushing cycle of unbalanced worlds, dizzy and senseless
paragraphs bleeding into timeless realities.  My eyes are
plummeting and shackled in drumbeating rhetoric, lost logos,
swallowed pathos, enveloped ethos, rainless cheeks, cloaked chests,
handcuffed arms, square root hips disassembling into deferred
depictions, distilled dreams, shadowed feet hardly more than a
poetic sound, a sore scrawled letter stretched in ragged angles,
stinging, helpless horizons.  I gazed at the shattered glass on
the kitchen floor, how its cracking vibration rumbled inside
my veins, how its impossible syllables blazed my soul,
the burning air around my inner being suffocating in Saturn,
vanishing in Venus, exploding on Earth, every ****** debris
splitting in horrid labyrinths, a screaming depth hidden in
disguise.  I glanced around at the broken wall where
my drunken dad fists where imprinted, the mangled wood
hanging in drugged vowels, the rotten symmetry disappearing
in chalky chambers, roughly lined hues declining without a trace,
as I reflected on the series of events that transpired, the way I
could hear the slamming door raging inside my vessel,
enflamed flaming verbs hovering in high rhymes,
hardened adjectives, destroyed derivatives, disintegrating
equations, the way his bladed feet dragged across the floor,
every reverberating step drowning the sunken space between us,
unwritten surroundings trapped in the atmosphere, confined in a
cloud of inconsolable galaxies, the raging fire stained ***** bottle
wedged between his grubby hands, as I could smell the reeking
breath sifting out of his mouth onto my monotonous flesh,
the same ruthless flow traveling in stuttering nouns, drowning
my heart in Neptune, while I listened to his blazing bloodshot
words, You are nothing without me!  You are worthless!  
You are just a filthy *****!  I wish you would die!  The rising
diction clenched every part of my frame, the way I could breathe
in the asphalt in his tasteless lips, a dying aroma that made me feel
like I was a featureless street seeping into underground dungeons, undone, a destroyed beauty shotgunned.
RJ Days Oct 2018
Each sorrow is the child of a happiness
you thought would never end;
Every happiness is a sadness
I may not survive—
a brilliant October day
lying back in dock hammock suspended
quoting bits of Rilke and starlight anthems
the shadows cast by buildings and frogs
ink drawings made on August nights
by our beautiful chain-smoking artistette
admiring a giant spider friend who’d
spun her majestic web and vanished
while we were swimming
backdrop of bay and boys and cherries
creaky boardwalks under bare feet
and stickiest pine and sand darkness
photos over wing clouds below
creepy call to prayer from ancient Mosque
at twilight punctuating strange dreams
perfect reconciliation on hotel balcony
McDonald’s after soaring from Black Sea
to Bosporus Straight, edge of Asia
visible on the horizon and all of life
a nightmare from which I can’t get woke
terrorized by ***** donor bonesaws
homophobic maternal afternoon rejection
peace that passeth no understanding
when you’re a ******* genius or just
a few points lower sorry never enough
compassion leaking through pores
drawn out by steam more darkness
Eucalyptus perfumed
another flaccid experience on a stranger’s
bed recalling Hippocrates on the drive
away after more bad ***
shots of sauces and grilled roasted
poached lentils bespoke chickens finery
malodorous wafts limestone smoothed
by centuries of acidity oily tourist touches
but they’re in Mexico Australia India
we’re back at home twins calling
each day an error of time rounded off
the incorrigible quark refusing
to cooperate with Einstein choosing its
own entangled path and lighting fools
what beautiful skyline
what amazing celebrity capture
what nostalgic group assemblage
what **** cute puppy who’s no more pup
what swanky tailored look
what smiles what smiles what seriousness
the soft and supple features curves lines
practiced looks and wayward hairs
a simple flourishing according to the lens
so much that skin conceals and eyes
beer garden sidewalk orations
wedding after party for April fools
we were who dance grabbing rings
swinging wildly discussing the vulgarities
of gastronomy and digestion
tumbling into diners midnight offices
brick lined streets magical talks
demonstrations and ideas unbounded
carving pumpkins into likable politicians
we think are statesmen and wailing
when she loses winning a trophy case
buckling under weight of moral victory
the thought of skyscrapers lit
shining under heaven unsubtle insinuation
we’re better than all this nonsense
and stronger having raised this glass
and steel by our own hands, our parents
rather now maybe that’s confusion
erecting higher stairwells to escape
encroaching seas and bums below
all memory all happy every laugh
each rumination on the hours
kisses cocktails cuddles laughter
that perfect vest completed outfit
those thrift store jeans that shirt
that secondhand one speed bike
those lunches with the priest
those brunches with the students
those happy hours with the coworkers
those dinners with the beard
all interchangeable parts in show
theater of recollection one subway car
one taxi ride one bus to NY or DC
one flight to Seattle or Vegas
or some Floridian seascape, mansion
each cog or bit like paper currency
imbued with no value but buying
the totality of lived experience
from which to draw upon in sad elsewhere
—but they cut deep, well meaning though
whenever was now isn’t and can is blind
to what day will ever be when I can say
in truth now sadness isn’t.
How memories, even of happy times, can feel smothering when recalled from within the Bell Jar.
Briana4545 Oct 2013
If you want to impress me,
You have to surprise me.
You have to do
That last thing that I would ever expect you to do
And then keep doing that
Everyday.
You have to go against the norm.
You have to catch me off guard
And make me question everything I ever thought
To be true.
Yes, I might hate you for it,
But rest assured that I will be enthralled.
Hate and love are interchangeable,
Right?
g Jul 2017
now
i'm not speaking for everyone
just the ones
who are like me

it's not masochism
neither is it psychotic
but the pain we love
and the love we pain

for pain brings us
to new levels of understanding (the self, others)
to greater heights of seeing (the self, others)
to lower grounds with (the self, others)

p a i n
the dreaded four lettered word
l o v e
another dread in another day

the immeasurable love
that brings us
immeasurable pain
and yet we throw ourselves in

for what more can pain/love do
except to make you feel
                                          ...pain?
4:44AM thoughts.
Clarissa Wright Oct 2014
Words confuse me
What’s more correct; Presume or assume
I like to think that I’m clever
Or Witty

But I find myself looking at dictionaries
or thesauruses
More often than I like to admit

What words are interchangeable?
Trust and betrayal are interlocked in my mind
When I look at you, I wonder what I’d find
If I looked up Love in the dictionary
Surely you can’t be the closest I’ll get
To a father figure

Love and Hate
Pain and Joy
I find I can't tell the difference

Am I witty?
Am I clever?
Tell me, what’s more fitting; Uncle or Monster?
Words confuse me,
But you terrify me.
this one is kinda personal, sorry
Unto Him I am glued
my King of Prussia.
oxytocin- dopamine dilated
his pupils inside his blue green
as I entered Him, eons ago,
and never came out
He left but returned to my abode
for me or his Tequila.
I wanted to fall down crying beg him to take me with him to his heaven
Saving me from the hellish existence
But pain was greater then tears to convince HIM.
~~
Into his song YESTERDAY I merged 
and with one voice we often sing it
from that time on and on.
I became his song his moon and stars.
Although our fame sleeps
as beauty rested in a glass coffin;
with one leap across the gap
chaos that one butcher
with medical ignorant lies
opened up and three
 of us got evaporated.

With one song each in heart
we bridged that chasm.
In his art we thrive yet for long.

To Him to his heart of gold
I slowly walk to, his ancient bride.
Into our holy temple of forever,
straight to his heart and open arms
United in one single thought.
Our own Taj Majal
to reign we did plan to build.

Into mine eye pupils, grasping
all of his substance in
his light projecting all was received
My intergalactic time traveler.
Interchangeable we are.

In me he finds more than wisdom
he finds truth a true artist.
Our true love bittersweet.

Before Him I Joyfully crumble kneeling
As he embraces my swollen
teary eyes and merging me
Into to his heart and arms
I surrender grace, charm
and complete trust.
There!
In confining solitude
In the darkest of mine nights
My brightest sunny days
it's him I hear, love and seek.
I understand, worship
and adore him forever more
He's my true love! Luna tell Him!
That I love him the most.
~~~~~~
Mr. And Mrs Andrew
And Karijinbba.
All rights reserved
https://youtu.be/6JlGL88HG8c
jeffrey robin Sep 2015
.



We are in reality

All interchangeable

//

Love



Everyone loves everyone !

//

but no

//

Deluded into thinking

In

I LOVE YOU

terms

We give up everything

And wind up with nothing

Which we convert into morbid poetry

And the praise from

Equally ignorant

Confused
Enslaved  mentalities
Nat Lipstadt Oct 2013
for Angelique, who found it (at) last,
and who, loved it best
--------------------------------------------


first, I read,
thus educated,
became addicted to
the musicality of word~notes,
enamored with
the artistry of
singing language,
the power to
lift, imagine,
evoke, touch
your skin,
so far away, yet
mine thru smoke,
scribed, now
mine to stroke.

explore, uncover,
the secret interiors of
what was placed
inside of
each of us,
at inception,
without exception.

the keys,
the word picks to
unlock the freedom
to be fearful,
yet courageous.

we, start, all of us,
at the same
starting line,
we, all feel
we, all believe in
the primacy,
the rightness of
I.

but then, one must
began to
observe others.
crossed over the boundary
of mine own
preemptive prepositions,
superseded the need to be
superman,
saw different truths
in the eyes
of others.

listened to the soul songs
of the R&B; breezes of
scented strange,
coming to open
ears, nostrils,
eager to learn how
wind chimes sound in
Nepal, Berlin and the Florida Keys.

standing up, stopped lying,
both up and down,
committed to be
uncommitted to the unjust
accursed ego,
rejected the sophistry of
solipsism.

then changed directions.

went back inside
to relish the passion of
pleasure of both
affection and hatred,
receptors on wavelengths
that varied, in sine,
in in side in in the
co of mr. me.

that the only way out,
to responsively accept,
that to close
the distances within,
to realize real synapses
of words,
there was only
the pathway of
the existence of
outward bound.

kindness, warmth
and generosity,
or
cruelty, inhumanity,
utmost selfishness.

needed to choose.

made my-choices.

thus provisioned and endowed,
voyaged to a place
where there was
no cover, no excuses,
only mirrors that exposed
what lay neath every artifice
conjured up by man to
mislead, deceive, and obfuscate.

There, this place,
where I was
neither the smartest,
bravest, saddest, or wisest,
I sat down and said,
said out loud
words directed to
give yourself away,
myself and anyone
who cared to listen:

”my tongue and my eyes are
one and the same,
my fingertips and my voice,
interchangeable,
my combination of words,
special even if not original,
they are as original to me
as the first prior writer and
the next,
who will create them
anew one more tme,
after he, like me,
leaned to
write them effortlessly,
and to
give yourself away...”


with out fear,
I selected a single word,
a solitary glance,
saw the poetry of an
open window's enchantment,
a head lifted momentarily
from a pillow,
then struggled mightily,  
wept for days with no
verbiage to effect,
make visions entrancing,
no skills,
butterfly net
to capture
the magic of
your loving
my signs.

disgusted by mine,
mine mediocrity,
with the greatest
of effort,
mine,
yet, yielded no results

except scraps of phrases,
that I retrieved
from crumpled sheets
that decorated the
wasteland of my first efforts.

took those phrases,
ran them over my tongue,
over and over again,
intrigued by
their lily lilt,
their unity,
the sensuous pleasure they gave.

how one word
coupled a tune,
the notes of this
new contiguous,
contagious alphabet
rang truer than most,
and moreover,
led me to another that
somehow phrased forward,
sallied forth in rhyme,
like those wind chimes,
now making perfect sense
with the one that followed,
from varied places
so distanced, but now one,
and a couplet was born.

of what did I write?
of what I knew.

no complexity,
nor trickery employed,

no matter that plain words
are my ordinary tools,
with them I scribed
the small,
the little,
what I saw.

grabbed the middle,
held onto the
gravity of the center.

simplicity my golden rule.
write they say,
about what you know best.

rely on and in the
diurnal motions,
the arc of
daily commotions,
in which
do we not all excel?

this poem flew
off my fingers,
twenty, thirty,
maybe sixty minutes,
in the skies above
these United States
of mine,
on American Airlines.

one of my
chiefest blessings
that luck threw onto
my punched ticket,
being born here.

was it effortless?

If you sat beside me,
what would u have seen?

flying fingers urgent unbidden,
neither struggling nor stopping
for the chimes were mine,
once I heard the first verse.
but first ringing was give
unto me by a reimer,
asking how,
I write so effortlessly?

the question innocuous sorta and
sorta knot,
a challenge to
my poetic essence.

I looked inward,
to look outward,
started where
all poems start,
in the quiet places
where you and
I think and thought.

unsure of the answer,
began to begin,
sing and sin,
my fingers,
simple secretaries,
transcribing lyrics
that those
selfsame wind chimes
tuned me up,
turned me on
simple thoughts,
simpler truths
herein recorded and
sworn before you,
most writ on this day that
the Americas have chosen
to recall another kind of
explorer, Columbus.

explore, explore
and then again
explore s'mores.
no matter if it is
covered ground,
covered it once more,
till you see that land
differently, colored so
no one has ever seen
them quite your way.

be an ocean pacific,
that cannot be pacified.

relish the chance,
relieve yourself
of that urge to burst,
put on paper,
gift to me and to
everyone else,
so someday,
we can say
together,
we saw *together,

through one
single set of eyes
upon a ship of
foolish words,
a real child born
in a mind!

new places re-discovered,
yet now storied stored,
living in our
Siamese chests,
to forever keep.

PostScript:

"With or without you,
I can't live,
And you give yourself away,
And you give yourself away....
Only to be with you,
But I still haven't found
what I'm looking for..."
U2.
Notes:
October 14th, 2013,
Taking the Northern route,
between the bear and the empired state,
between and over states where
coal is mined, automobiles built.

if you deem these words poetry swells,
I smile, for they are simple product of
waves of looking, seeing out, out,
an oval airplane window
what lay below,
preparing it
for storage
upon your
eyes.
Kirsty Oct 2016
oh, you are the seasons;
shifting beauty
in a single
scene.
you are a heartbeat
whose rhythm holds
the north sea
in pulsing hands.
you move in clock ticks and
wave crash,
and everything else.
let me move through your in-betweens.

oh, you contain star fields
my love,
with such delicate
incandescence.
bury me in your
baby glow and
trembling voice
while we kiss to
the midnight saxophone song -
I hear no music
only muffled silence
on record players.
we are old movies with no words.

and oh, you are the leaves
of autumn, dear.
so breathtaking yet
slight.
let me make my bed
in your arms
full of flowers and little birds
or the old books
you've never read.
we will make love until
heaven fizzles out;
beginning again every day
in seasons.
For my love
John MacAyeal Sep 2012
The rock slept
Genghis Khan clamped fingers
Over the edge of a land mass
And peeled freedom away from the East

The rock slept
The mob beheaded a woman who aided the American Revolution
Americans denied it later
But every town called Marietta is named after her

The rock slept
A vegetarian who didn’t drink and smoke
Commandeered information technology and chemical engineering
To commit the biggest ******-robbery
In the history of daylight and star-shine

The rock slept
The vegetarian cowered from justice
Committed suicide like the milksop/milquetoast he was

The rock slept
A fourteen-year-old boy clamped his fingers
Around it
Aimed it at High Strength Lexan riot shields
Protecting flesh, blood, and bone minimally paid
Protecting shields of numbers, theories, interchangeable office holders

Until he realized the futility of it
Dropped the rock
Turned south (or maybe north)
And walked away

The rock slept
Snoring unheard through the next spurt of tyranny
Lawrence Hall Nov 2018
A Trochee Christmas and its Several Interchangeable Anapests
                    Brought to You in Some Desperation
                   By Your Local Chamber of Commerce
                        (Second Trailer Past the Stoplight)

Christmas in the Park
Christmas on the Main
Christmas on the Lake
Christmas on the Strand
Christmas on the Square
Christmas on the Farm
Christmas on the Beach
Christmas on the Mall
Christmas in the Mall
Christmas on the Block
Christmas on the Coast
Christmas on the Gulf
Christmas on the Hill
Christmas in the Keys
Christmas on the Quay
Christmas on the Quad
Christmas on the Range
Christmas on the Ranch
Christmas in the Vale
And this year, Christmas at the 'Gras!

But no Christmas without anapests, ‘kay?
Mateuš Conrad May 2016
.you should really see the two comments left, and the 700+ views to begin with.

mind you, i did write an ode to the gods
(yes, that infantile pleasure,
not associated with cosmopolitan new york
atheists)...
how the roman plagiarißm of the the greek
pantheon happened too soon,
how the semite god ate up ba'al
and beelzebub "too quickly"
   turning them into fallen angels...
      like how he infiltrated the roman empire
due to their close-up plagiarißm so early...
father Zeus, father Odin remained...
as did their phonetic encoding...
as did the glagolitic script turned cyrillic...
sorry... where was the african phonetic
encoding? beside the hieroglyphs?
  what's swahili for:
red earth, gave birth to me?
   nyekundu dunia, alitoa kuzaliwa kwa mimi!
see... that's african speech:
but what are the letters behind it?
last time i checked... there aren't any!
and i came from africa?
maybe the anglo-deutsche did...
i didn't... i source my origins
in india... after all... indo-european
is my higher category, the mongols...
i don't care if the germanic people "think"
they originated in africa, i've come from india...
people who minded phonetic encoding,
had an alphabet,
              i'm still stuck with germanic
people with african stereotypes not being
able to swim...
   heavy bones they say...
    **** that and the whole i.q. "conundrum"...
i still watch t.v.,
       after all, after prometheus
brought down the flame from olympus...
some demigod had to bring down /
steal the rod of zeus / electricity...
and turn the t.v. into the modern fireplace...
the b.b.c. had this 2nd season running,
killing eve...
             sandra oh and jodie comer...
there's this instance in season two,
when jodie comer, villanelle...
  is interrogated by aaron peel...
                and "kind" aaron is asking villanelle
all this philosophical quips...
anselm's ontological argument...
    occam's razor (i wish)...
            he has so many books on his
bookshelf...
   yeah... books you look at like comic
book strips, books you don't actually read...
books you look at...
            and what does villanelle do in the end?
she brushes aaron's nose with one of
these books "he's read"... what is it?
ha ha!   a dictionary of philosophy...
a... dictionary...
basically short-script...
                     cheat...
         you really want a dictionary
definition of philosophy? a philosophy dictionary
definition, a sound-bite?
you know... last time i checked...
i read bertnard russell,
kierkegaard, kant, heidegger...
not for a dictionary definition...
or regurgitating rubrics akin to
a university lecturer...
        i hate regurgitation...
                i read for myself,
  in the end, hoping, my narrative could
find expansive ground for work-arounds...
i don't like playing the happy
harpsicord dancing monkey...
    to give "proofs"...
              i don't like people,
akin to villanelle, when questioned
on a university entrance critique...
               like i might "know my ****",
or not "know my ****"...
                                       pretty boring...
i am starting to resound in the conviction...
there's no point in knowing other people,
there's only one person worth knowing,
yourself...
       mind you, i'm still waiting for the alternative
phonetic encoding system to come
from africa, as an alternative counter
to the egyptian hieroglyphs...
i'm not seeing it...

   tender skin: the moon does see...
     zabuni ngozi: ya mwezi haina tazama...

eh, chinese script is all syllables and no
letters...
        glagolitic - Ⰿ
        rune - ᛗ
        roman - M
        greek - μ
        hebrai - מ
        devanagari - म
        arabic - م
        hieroglyph - owl
        mandarin - 冊
        hiragana - ま(a) み(i) む(u) め(e) も(o)

didn't i mention this already,
interchangeable, between a letter and
a syllable... given the hiragana example...
depending on what vowel
you attach to the base sound (consonant),
the vowel modifies the base (consonant)...
five ******* variations of the consonant / syllable...

           ergo? no atomic reality in these languages...
syllable understanding...
the mendeleev table...
                He: helium...
             Xn: xenon...
                          Na: sodium... etc.,

            depends...
   after all... a base letter (consonant) in hiragana
looks like the following schematic:
i.e. no one really knows what M looks like,
like mmm-humming...
without an added vowel...

                                     ま(a)
                                      |
                   め(e) ----- "x" ----- む(u)      
                                   /    \
                                 /        \
                          み(i)          も(o)
                                                            
.Nietzsche was wrong about dialectics, he suggested that the non practice of dialectics, even the anti presupposes a polite society, he invoked that comparative tenet of a society in saying: a polite society does not engage in dialectics (finding the truth of opinions).

which is akin to the slander against Voltaire,
that not engaging in dialectics
one has a chance to have an opinion about almost
everything, there's no chance these days
to have a polite society as there is no chance
to establish a Utopia... the way dialectics is
avoided like some surreal horror movie
is to have many opinions, to not engage in
dialectics is to be opinionated, hence Nietzsche's
style of utilising aphorisms and as many
maxims as possible, without useful applicability;
it's like that metaphor for a venomous bite,
the carousel of the many many thoughts,
likewise, no truth are established, since many
truths are proposed - hence the paradoxical
venture into nothing, simply walking in circles
on plateau nihil, it's polite, well of course it's
politeness! politeness by having many opinions
readied for a quick change of subject or
the simple act of shame and shutting up.
all this? with regards to a woman writing about
her abortion: we, the great reverse-amphibians,
so she's writing about it... 4 weeks in she's ready
to erase the dot... they tell her to come back 12
weeks later (sadists... why not remove the dot
rather than wait for the geometry to construct itself?),
again... why not remove the dot and the abstract?
she mentions a dot... remove the ******* dot!
the tadpole outside the gooey yoke is fastened
to maturing in the fresh water stream or lake,
i can hardly be a human being inside the ******
if my **** and bladder muscles are not matured,
i'm an abstract in that sense, tadpoles ahoy!
now see how living in a "polite" society i can't
engage in dialectics but have to reverse the process
of discussion and engage in picturesque comparatives
using toads? it's called applying anaesthetics - well,
an anaesthetic, or a placebo - in polite society people
get over-excited, unconditionally so, over-stimulated,
unconditionally so, with having to muster having
many opinions, politics can become a circus de facto,
de facto as in: detached from rural England.
so if we'll never attack the status quo with dialectics,
will be constantly multi-opinionated, changing the
subject all the time, and when challenging, we'll
only feed an anaesthetic, an anaesthetic that will become
a confession booth in a catholic church:
a quasi-solipsism, the listener and the other person
talking, mono-dialectics, so well entrenched these days
that there's even a good reason for practising
psychiatry rather than a catholic confession in church,
psychiatry is, after all, a secular version of the catholic
practice - more intimidating though, since you're
facing each other, rather than sitting at parallel positions,
shrouded in secrecy of the wooden mosaic wall of
the booth... i'm just wondering if this attempt to feel
the naked soul does not intimidate the clothed body
more to later undress itself in ***.
An entrenchment of truths

That hold forth a funeral table

For gracious hospitality

Of gentle nostalgia

In indulgence of murderous affection

Which manifest adequate

Yet uncomprehending grieving

Ambiguities of advocacy

In their extreams of moralizing warnings

In fleeting appearances who tell bold lies

In the mosaics of enclosed palaces

Presenting bouquet upon bouquet

Of black flowers on this weighted table

Truths that have been deprived of their vein stone

Truths owned to identity of embodiment

Surreal and interchangeable

That resonate in timely dissorder

Like the noise of migrating birds

Flying to the edge of the world
There are sleeping dreams and waking dreams;
What seems is not always as it seems.

I looked out of my window in the sweet new morning,
And there I saw three barges of manifold adorning
Went sailing toward the East:
The first had sails like fire,
The next like glittering wire,
But sackcloth were the sails of the least;
And all the crews made music, and two had spread a feast.

The first choir breathed in flutes,
And fingered soft guitars;
The second won from lutes
Harmonious chords and jars,
With drums for stormy bars:
But the third was all of harpers and scarlet trumpeters;
Notes of triumph, then
An alarm again,
As for onset, as for victory, rallies, stirs,
Peace at last and glory to the vanquishers.

The first barge showed for figurehead a Love with wings;
The second showed for figurehead a Worm with stings;
The third, a Lily tangled to a Rose which clings.
The first bore for freight gold and spice and down;
The second bore a sword, a sceptre, and a crown;
The third, a heap of earth gone to dust and brown.
Winged Love meseemed like Folly in the face;
Stinged Worm meseemed loathly in his place;
Lily and Rose were flowers of grace.

Merry went the revel of the fire-sailed crew,
Singing, feasting, dancing to and fro:
Pleasures ever changing, ever graceful, ever new;
Sighs, but scarce of woe;
All the sighing
Wooed such sweet replying;
All the sighing, sweet and low,
Used to come and go
For more pleasure, merely so.
Yet at intervals some one grew tired
Of everything desired,
And sank, I knew not whither, in sorry plight,
Out of sight.

The second crew seemed ever
Wider-visioned, graver,
More distinct of purpose, more sustained of will;
With heads ***** and proud,
And voices sometimes loud;
With endless tacking, counter-tacking,
All things grasping, all things lacking,
It would seem;
Ever shifting helm, or sail, or shroud,
Drifting on as in a dream.
Hoarding to their utmost bent,
Feasting to their fill,
Yet gnawed by discontent,
Envy, hatred, malice, on their road they went.
Their freight was not a treasure,
Their music not a pleasure;
The sword flashed, cleaving through their bands,
Sceptre and crown changed hands.

The third crew as they went
Seemed mostly different;
They toiled in rowing, for to them the wind was contrary,
As all the world might see.
They labored at the oar,
While on their heads they bore
The fiery stress of sunshine more and more.
They labored at the oar hand-sore,
Till rain went splashing,
And spray went dashing,
Down on them, and up on them, more and more.
Their sails were patched and rent,
Their masts were bent,
In peril of their lives they worked and went.
For them no feast was spread,
No soft luxurious bed
Scented and white,
No crown or sceptre hung in sight;
In weariness and painfulness,
In thirst and sore distress,
They rowed and steered from left to right
With all their might.
Their trumpeters and harpers round about
Incessantly played out,
And sometimes they made answer with a shout;
But oftener they groaned or wept,
And seldom paused to eat, and seldom slept.
I wept for pity watching them, but more
I wept heart-sore
Once and again to see
Some weary man plunge overboard, and swim
To Love or Worm ship floating buoyantly:
And there all welcomed him.

The ships steered each apart and seemed to scorn each other,
Yet all the crews were interchangeable;
Now one man, now another,
--Like bloodless spectres some, some flushed by health,--
Changed openly, or changed by stealth,
Scaling a slippery side, and scaled it well.
The most left Love ship, hauling wealth
Up Worm ship's side;
While some few hollow-eyed
Left either for the sack-sailed boat;
But this, though not remote,
Was worst to mount, and whoso left it once
Scarce ever came again,
But seemed to loathe his erst companions,
And wish and work them bane.

Then I knew (I know not how) there lurked quicksands full of dread,
Rocks and reefs and whirlpools in the water-bed,
Whence a waterspout
Instantaneously leaped out,
Roaring as it reared its head.

Soon I spied a something dim,
Many-handed, grim,
That went flitting to and fro the first and second ship;
It puffed their sails full out
With puffs of smoky breath
From a smouldering lip,
And cleared the waterspout
Which reeled roaring round about
Threatening death.
With a ***** hand it steered,
And a horn appeared
On its sneering head upreared
Haughty and high
Against the blackening lowering sky.
With a hoof it swayed the waves;
They opened here and there,
Till I spied deep ocean graves
Full of skeletons
That were men and women once
Foul or fair;
Full of things that creep
And fester in the deep
And never breathe the clean life-nurturing air.

The third bark held aloof
From the Monster with the hoof,
Despite his urgent beck,
And fraught with guile
Abominable his smile;
Till I saw him take a flying leap on to that deck.
Then full of awe,
With these same eyes I saw
His head incredible retract its horn
Rounding like babe's new born,
While silvery phosphorescence played
About his dis-horned head.
The sneer smoothed from his lip,
He beamed blandly on the ship;
All winds sank to a moan,
All waves to a monotone
(For all these seemed his realm),
While he laid a strong caressing hand upon the helm.

Then a cry well nigh of despair
Shrieked to heaven, a clamor of desperate prayer.
The harpers harped no more,
While the trumpeters sounded sore
An alarm to wake the dead from their bed:
To the rescue, to the rescue, now or never,
To the rescue, O ye living, O ye dead,
Or no more help or hope for ever!--
The planks strained as though they must part asunder,
The masts bent as though they must dip under,
And the winds and the waves at length
Girt up their strength,
And the depths were laid bare,
And heaven flashed fire and volleyed thunder
Through the rain-choked air,
And sea and sky seemed to kiss
In the horror and the hiss
Of the whole world shuddering everywhere.

Lo! a Flyer swooping down
With wings to span the globe,
And splendor for his robe
And splendor for his crown.
He lighted on the helm with a foot of fire,
And spun the Monster overboard:
And that monstrous thing abhorred,
Gnashing with balked desire,
Wriggled like a worm infirm
Up the Worm
Of the loathly figurehead.
There he crouched and gnashed;
And his head re-horned, and gashed
From the other's grapple, dripped ****** red.

I saw that thing accurst
Wreak his worst
On the first and second crew:
Some with baited hook
He angled for and took,
Some dragged overboard in a net he threw,
Some he did to death
With hoof or horn or blasting breath.

I heard a voice of wailing
Where the ships went sailing,
A sorrowful voice prevailing
Above the sound of the sea,
Above the singers' voices,
And musical merry noises;
All songs had turned to sighing,
The light was failing,
The day was dying--
Ah me,
That such a sorrow should be!

There was sorrow on the sea and sorrow on the land
When Love ship went down by the bottomless quicksand
To its grave in the bitter wave.
There was sorrow on the sea and sorrow on the land
When Worm ship went to pieces on the rock-bound strand,
And the bitter wave was its grave.
But land and sea waxed hoary
In whiteness of a glory
Never told in story
Nor seen by mortal eye,
When the third ship crossed the bar
Where whirls and breakers are,
And steered into the splendors of the sky;
That third bark and that least
Which had never seemed to feast,
Yet kept high festival above sun and moon and star.
Charles Leonard Nov 2021
It’s unusual for strong expressions to transform contextually in common usage.  “I’m *******.” is one great example. “I’m *******.” is, in origin and essence, a toned-down version of “I’m ******.” Whichever form you choose, both are self-proclaimed damnation. Unlike “I’m ******.” though, “I’m *******” has lost all coarseness and is seldom eschewed no matter how young or prim the lips that form the words. We hear it at work, on elementary school playgrounds, at church, on the news. It has become in the English language the universal acknowledgement of hapless circumstance, foregone conclusion and frustrated failure. And it translates easily from self to others to groups of any size and may be past, present or future tense. So next time you hear, “I/we/you/she/he/they are/we’re/will be *******.” pause ever so slightly and exchange “******” for “*******” and see if the transformation is as subtle but startling for you as it is for me.

In a similar vein, being a screwup is unfortunate but not nearly as bad as being a ******. Here again, two totally identical connotations of identical origin. One you hear everywhere, the other primarily in bars, the street, sporting events and among close friends and closer enemies talking or not talking politics.

George Carlin’s hilarious “Usage of the Word ****” routine gave numerous examples of how versatile is the word “****.” Some, but not all, could use “*****” but few of the interchangeable examples use the word ***** nearly as ******* effectively as the word ****. And some are not interchangeable at all: we don’t talk about things being “nearly as ******* effective.... It just doesn’t work. Similarly, “I’d like to ******* *****.” makes perfect sense but “I’d like to ******* ****.” makes no sense at all. So the words are not interchangeable.

But, for some reason, over time, the English language evolved, letting ******* mean ****** in a socially acceptable way while also letting ******* mean ****** in a ****** way or in a ******* way. And I have a theory how it happened.

Have you ever had to put a ***** in something directly over your head and maybe a bit out of reach? Of course you have. And like many a normal person you found the task embarrassingly difficult. After once or twice there’s yet again. You say, Ah ****! I have to ***** up.” And you knew you were ******. And you’d inevitably **** it up even if ever so slightly dropping the *****, or worse, falling off the ******* ladder. Then you’d really be ******! But you didn’t say that. No, that wouldn’t be polite. So you’d say you were ******* because you had to ***** up and would likely ***** it up and die trying falling off the ladder. And with so many people over and over again not so proficient with a ***** driver the language simply evolved.

Now I know you find this whole discussion a bit screwy. That’s okay. Even George found no reason to say something was “a bit fucky.”

Thank you.

2020 All screwy rights reserved
Nat Lipstadt Nov 2018
strike my eyes lovely


for S. B.

by way of introduction,
when you have gone to confession,
freely admitting you have nothing left for others to harvest,
no seed to plant a new crop, and lies and laughter, interchangeable,
there is no poetry left, not even raisin scone crumbs,
one good friend informs that a forgotten five month old poem,
a computer has selected & resurrected, for distinction

so months later you snicker for you have been seriously
self-kicked away from writing, all your vocabularies,
trite and yellowed overused, and you read
really good poetry and are
slapped-seen-outed by the impoverishment of
your own no-winsome word-smithy,
no delusions, even this, but a-quick script, more a thank you note,
and it’s the only lasting quality is the
genuine nature of its intent
but the poem itself falls bottom of the cliff, short on quality,
a victim of your dissatisfaction

let me explain better

she messages you while the time difference works in her favor,
she reads while you sleep the sleep of the soul-exhausted,
she, scoffing at your claims of motivation deprivation,
as she cherishes this forgotten one,
with words that cannot be ignored

the poem

                 strikes her eyes lovely

daggered, this morning phrase cannot go unchallenged  

for this a compliment that any poet would
weep for, be inspired by, stung into action,
provoked, ego flattered and challenged to-do more-better,
what writer could want for anything more!

who can own this ability  
accept this ultimatum of success, a cross-word crucification

to strike down lovely
the readers eyes, almost all once,
almost excuses me forever
for trying and failing so many times

you smile
but not in the chest where
lovely
needs to strike you

for if you cannot strike the readers eyes again and again, then...
let the moment gleam, and then disappear,
again and again, stored but not restorative

11/21/18
Miami
Vivian Mar 2015
there's basically
no difference between
clouds and fog, and
thunderstorms and reduced visibility
have both put the fear of God in me;
loving you is all
pain and lust, interchangeable,
interchangeable. slippery
squealing synthesizers, aching
for your touch and
dying to throw these
LCDs and LEDs and private
snapchats into the Recycle
Bin,
and I am glittering in the dark, swerving
across the median, drunk driving
on the thought of seeing you just a little
sooner than never.
JC Lucas Apr 2014
Interchangeability.
affixed to loss, affixed to
     loss of limb, or
             worse.
                                              She has the
                                              wildest hair.
                                      So wild it almost makes
                                            her look tame,
                                                   by
                                comparison. and she talks
                                            of magic,
                     no,
                         she talks magic.
                                      she speaks in smoke rings
                                             and with the light of god nestled
                                                            in her bounteous hair
                   those smoke rings float up to form
       halos
                    cresting her brow

                                           shining inner light out.
                                              she is lost.
or I am lost.
       either or, but not both.
we are interchangeably lost
                        and it is not that we are less lost together,
  simply that we are together,
              and that means
                     no matter
              how
                                                      ­    l
                                                           ­                                                              o
                              s
                               ­                                                     t
       ­  we become,
    we are found.

    I
          am:
Lost in liberation
                    in victory
                    in security
                    in madness
                    in
                      her.
Emma Erbach Jun 2013
Let's spend a week forgetting to be lonely.
I'll fly into Knoxville, drive east
until the roads run out. No one goes
to Harlan County unless they have to.
The mountains are giants, here, they almost
disguise the desolation-- the pieces
of people that got caught
when the mines collapsed.
You tell me to be careful, as if
this isn't my country, too.
As if I wasn't born with dirt beneath my fingernails.

I like how you treat me delicate.
I like to pretend I'm a flower.
You touch me like I'm breakable.
I want to protest that I'm not, but I'd be lying.
Look at me like you mean it, like I'm
the only clean water
you've drunk in weeks. The wells
have been choked with weeds.
So leave bite marks on my back as you
burn the brush.
There is a sweetness in me if you can find it.

Let's drink like teenagers; make sloppy love.
I want to *** at the same time and then lie around
giggling and smoking cigarettes.
Pull the blankets off the bed and trail them
through the house until we've ****** in every room, twice.
Let's build a pillow fort, drink cheap
wine out of mason jars, and then **** so hard
it falls down around us.
I want you to lose hours in me, whole days,
come up for air next Tuesday and we'll
cook breakfast at midnight. You make me so hungry.

Tell me about your childhood, tell me
the one thing you asked for every Christmas
and never got. I wanted
an Easy-Bake Oven. I wanted to play normal.
Tell me all the things you got but didn't ask for,
never wanted, didn't deserve.
I'll run my teeth across your earlobe
and let my hips listen to all the words
your tongue never learned to say.
We are both still just babies.

I like how you scare me.
How sometimes you hold my wrists together
when you tell me I'm beautiful
so I can't wriggle away, because you know
I've never been good at accepting compliments.
I can count the number of nights
we've spent together on one hand, but the months
of distance take more than just digits.
I used to think you hated me.
I used to hate myself for it.

I know the darkness in you. Three days down
in the mine with no canary and me just waiting
for you to reemerge.
You always seem to find your ways out of it.
I like to think of myself as a lodestone; you tell me
not to get arrogant, that being wounded and beautiful
aren't interchangeable, but I believe
they both can make us strong.
I want to write poems with my fingers
on the small of your back,
leave scratch marks as a reminder of
how far I've come. You make me forget to be sad.
You teach me not to take myself too seriously.
I want to be your canary.
Follow my voice out when it gets dangerous.
I'll only scream when I mean it.

Get a little lost in me. Undress until
I can feel the heartbeat in your **** reverberating up my spine.
So run your tongue down
my torso; forget to breathe, while you
Tell me the things that scare you.
Show me your seams. Somewhere beneath
all this rock there is a gold mine, so trace my veins
like a treasure map. Maybe someday
they will lead you home.
Stella Gamber Nov 2013
I can no longer tell the difference between kissing you and wrapping my lips around a bottle of whiskey,

is that your hands on my waist or are the warm sensations of alcohol caressing me again?

I get the spins, can’t think straight, my heart palpitating like I just did a line of blow off your fingertip,

I want you to take me in and sober me up
only to knock me off my feet again when our eyes meet,

I’m a sloppy drunk but I don’t care,
I’ll stumble my way home to you every night if you’ll let me.

- S.G.
Ren Apr 2016
lesbians will want to write about your hands
the way they wrap around warm cups of tea
and clench and unclench with rage and pride
she'll notice the delicate length of your fingers
how they feel pressing and bruising into soft flesh
the art they make, the stories they create
the blood sprouted from knuckles in societal protest
their kindness, their firmness, their warmth
lesbians memorize every mark and line of them
how they never strike her
how they settle in her own, how they feel inside her
how you use them to clasp your bra and pin up your hair
the way you draw them together, how they fold into you
when they touch to your lips, when they touch to hers
how they pass through her barriers, sneak under shirts
wake her from sleep, lull her to rest, appear in her dreams
lesbians will take them in her own
hold them to her mouth, her breast, her heart
wonder what they are doing at any time of the day
feature them in fantasies and daydreams
claim them as her own, as if they were hers
love them when they shake and when they are steady
she'll want your hands to be her hands and hers to be yours
interchangeable, familiar, worshiped
toywill Aug 2013
The Hawker Hurricane is a British fighter design from the 1930s. Some 14,000 Hurricane and Sea Hurricane fighters and fighter-bombers were built by the end of 1944。 August 1940 brought what has become the Hurricane's shining moment in history: The Battle of Britain. RAF Hurricanes accounted for more enemy aircraft kills than all other defenses combined, including all aircraft and ground defenses. Later in the war, the Hurricane served admirably in North Africa, Burma, Malta, and nearly every other theater in which the RAF participated. The Hurricane underwent many modifications during its life, resulting in many major variants, including the Mk IA, with interchangeable wings housing eight 7.7mm (0.303in) guns;the Mk IIC, with a Merlin ** engine; the Mk IID, a tankbuster with two 40mm anti-tank guns plus two 7.7mm guns. During the war, Hurricanes were sold to Egypt, Finland, India, the Irish, Persia, Turkey and the USSR Air Corps.More in http://www.rangorango.com/124-series-c-1_5.html
Hal Loyd Denton Oct 2012
I couldn’t love you more I loved you before the ocean was blue an ocean of emotion what about the
Time at Disney’s rivers of America we were setting in the River Bell and you invited the kids from
Melbourne to watch the show with us there was three girls’ three boys about eighteen they told us how
At the motel there wasn’t a shower curtain and they took a shower and the flood it caused it ended with
Cheerful down under good bys but the unknown haunts us there parting words were in a few days
We’re going to New Orleans they timed it just perfectly with Katrina we have no way of knowing about
Their Safety and the time the doctor said she thought you had cancer you were standing before the
Majestic gate how black the bars were on this side the shadow that it made but through the darkness
You could see how bright the bars were on the other side all was a blaze nothing ever was witnessed like
this before such clarity interesting as if logic was fine tuned things burned into your knowing with the
Warmest glow all was showing and bestowing it secret wonders you came back from the brink all added
To love’s undying flame then the time we ate at the happening place the Crazy Horse the same year
As Urban Cow Boy although it was southern California and it is west it was like we walked into Texas
Every Yuppie for miles was there dressed to the hilt in western wear it had something for a little kid
The next day we went to Knott’s Berry Farm we brought food from the Crazy Horse so we just set at the
Barbeque picnic tables I was eating steak but the fun was eating the purple onions the little kid was just
Young enough to be fooled what a face he made as I ate worms what fun you had then in southern
Florida we went to Wolf Man Jack’s club a great Ferris wheel out at the side of the building we listened
To Dell Shannon I guess we should have prayed and not just listened shortly thereafter he took
His own life but the knight was old time Rock and Roll and someone threw in the song Bogey and Ma Call
Because Key Largo was so close lower the black curtain of night it’s time to have those throw away
Knights that were without price but in my eyes your stature grew or the night we walked on the sands
Of Waikiki and the sea turned from turquoise blue to blackest black with the fringed waves in whitest
Magical white and then we strolled among the Hilton Garden with the burning torches you swayed as
Well as any Island girl and caught the rhythm of the sawing palms over head but as you know day
Follows knight and what a sight you made in those red shorts just above the knees and that white shirt
The only the way it could have been more perfect if it was a man’s white shirt and you had tied it in the
Front don’t worry I said a little prayer that night for imagination your heart beat took control the
Softest island breeze we were there but we were where all lovers congregate either Rome or the French
Country side among wine vineyards or the burnished sands that Valentino gave love its signature look in
This place of empty space silence hits a cord most adored you hear that single sound of wind hitting the
Walls of the greatest tabernacle the tabernacle of love in your love ones company maybe you can’t
Identify it but you spirit knows the rolls upon rolls of interchangeable wonder that we know you were a
Asleep the other day I set and watched your gentle breathing it made my heart beat stronger because I
Know the gentleness of your soul and all the kind acts you do for others and the reason I’ m writing this
It is your birthday so for them and me Happy Birthday my love
Makenzie Marie Jan 2015
PSA
I said no.
I know I said stop.
But I haven’t met a guy yet who understood that.

Yes
and No
are not interchangeable
And stop
never means go.

And it’s not her fault
for looking like that
And it’s not her fault
that all he wants is some ***.

But he won’t stop,
and his weight is crushing her
He won’t stop
and he’s forcing her.

The feeling of a man pulling at the back of your hair
isn't a great feeling ever
after you've been there
in her position
unable to control any of it
Unable to push him off
or away
because he’s holding your hands with a wild grip
and with a force that overpowers every ounce of your strength.
After that, the touch of a man will rarely make you swoon or sway.

And you won’t understand
the feeling of guilt that never quite goes away
That feeling that you are weak
and worthless
because all you could do was pray and take it.

Because society has taught her she did something wrong:
That she asked for it
that she invited it.
And maybe she was asking for something,
but that sure as hell wasn't it.
She didn't ask to be treated like she was worthless.

And PSA:
no woman is.
PSA: no woman or girl deserves to be taught by an experience that she is worth nothing. No woman or girl deserves to be taught that she never will be worth anything than what you did to her. No person deserves to be ignored. No person deserves blame for situations out of their control. No human being deserves to be treated or handled like dirt.
We are all human together, so for the love of God can we please stop pushing each other to the ground
Affected by Religion
Effects of Government
Continuing Infection
Copyright March 20 , 2016 by Randolph L Wilson * All Rights Reserved
Mateuš Conrad Nov 2015
i'm not working from standard definition,
nor am i too fond of the phonetic alphabet
that denotes the sounds of latin with /ˈlætɪn/,
working backwards, noticing the modern
excesses of those little bothersome flies
that insinuate the necessary stressors,
noticing the blatant similarity of how latin
was written and how english is written...
latin œ or æ is like the german ß...
interchangeable symbolism that's hardly more
o than e or a than e... but an interchange of s and z...
most noticeable in english,
for example the even word and the odd word:

size... zebra... symbol...
           desire... sophistry
           spasm... sequence
           sugar (no one says soo gar... sh')
           suspension... sorrow
silk... zero... satire...       
                                      
like i mentioned once... disease is not easy
with the prefix dis- relegating ease into
the realm of broken arms / fingers...
how it sounds and how it's written:
dißeaße / disease    
(primarily due to y in the prefix original,
  but when compounded changed into i and
  thus invoking the scharfes s -
  w polskim szarfes es)                                               
see.. it works a tomahawk into slicing tomatoes
right off the 100ºC scalp achieved when boiled...
you can even squeeze in a ripe potato if you wanted...
many e e e, many... i thought about reading philosophy
in english, but it was no use... i never solved
the enigma of the ditto ensuring first person, 'second person'
and "third person" how and why it was used...
joyce irish was used akin to the polish method...
hyphen-sequencing dialogue in one, two, three:

- i think.
- i take oaths!
- we're both commanding.
- reminder of the remember:
                                                       ­                                  etc.
usually it was just i said
and then                    "
that                             "
nothing.

it's ****** confusing, but english is the ideal
playground to write philosophy,
written philosophy is so weak in english that
only three maxims guard it (interchangeable to hide the weakness):
beauty is on the inside not the outside,
good things come to those who wait...
altruism per se / utilitarianism per se;
you can write with as much weaved fabric of words as you
like given the english scenario...
but i mind the forest for the acorn
and the crispy autumnal loss of chlorophyl kindred of snow crunch,
so i can twist further in the latinised kabbalah,
moving away from hidden nouns
and into the territory of unsophisticated
pause symbols... revelatory pardon with a and o hidden,
electrified hyphen or comma misplaced,
hence excess poetry extraction from the populace
not loving the musicology of modern grime,
hence the bewilderment of ancient lore of english
sentenced with: that thou shalt not lore;
why did rome survive in the most detested
part of the empire, so naked so ancient?
it's bewildering beyond the extent of natural bewilderment!

so if i were to ever teach english as a foreign language,
i'd more pretty much all the diacritic marks
of other european languages into english,
which is the diacritic blank canvas, and each of
the odd words would be written, for practice and
memorisation of an atypical english accent,
e.g. deßire, spaßm and all the -isms like
empiricißm, psychologißm, egoißm etc.;
and i certainly wouldn't mutilate the language
like native speakers have done with
pseudo-stenography -
'ere, 'av 'sum pears up... th' ladder,
                                         so we know u woz 'ere, lolz.

some might call k the "misnomer" / mis-sonus of c...
but q it also bargaining to take that same oath
of being entitled, as is s.
Elvira Manari Apr 2017
I was doubt; you were joy.
I was dark; and you, serene.
I was night; you were day.
I was the impala; you were the big cat
Or so it appeared.

It seems our roles were always interchangeable
As I preyed on you
You were vulnerable and weak in my arms
As vulnerable as man could be.

I could see it in your eyes
Eyes which led into your endless depth within.
Cat eyes, predatory eyes
That weakened me
That melted me
Hypnotized me
Out of reason.

Reason must have dripped away liquidly through my ears
On both sides of the pillow
When I lay down under your predatory gaze of love
All there would be left was the utmost feeling of belonging
Husband of my soul.
So strong was this feeling
So real was this feeling
So warm and true and endless
So encompassing
Subjecting human nature
To its' absoluteness.

In truth, you are the night.
And I am the light.
Though there is no joy in being the light of reason
The murderer of hopes and dreams
The enemy of happiness
The warden of aching hearts.

There is no joy in reason.
But it is reason that reigns.
Zywa Nov 2018
I entered the display case
of people educators
subsidizing snobs
the multirich and companies

among tourists and inhabitants
who want to be seen
in the museum café and
with sophisticated pastry lard
the conversation with careless clauses

they quote from an authority
whom nobody has to understand
to get the intention
of the praised artists

The shop was crowded
Spotlights on show-pieces
fancy coffee table books
and chic presents
for the season and the next holidays

Especially the past
is on sale, postcards
of the attractions
and sights of the city

interchangeable
like the collections
which graduated stylists
cast in international moulds
to magnets for visitors
Collection "The Yellow House Museum"

— The End —