Submit your work, meet writers and drop the ads. Become a member
Francie Lynch Jan 2015
What could be worse
Than a garden
Full of gnomes and trolls?
Is it:
Lawn jockeys and yardells;
Chuck adjusting his carb every Sunday afternoon;
Bathtub ****** Marys beseaching us to love;
Metal flowers on outside garage walls;
Fish ponds with gills in the filter;
Red gravel flowerbeds with little white fences;
Cosmetic door knockers;
Swimming pools without diving boards;
Mirrors on fences;
Burning ******* in fire pits;
Backyard landfills;
Icicle lights;
Weedy neighbours and an east wind;
The screech of tires;
The thump of metal;
The sound of screaming;
The absence?

Yeah. Plenty could be worse.
Gnome: a wannabe
Sequel to Trolls and Leprechauns.
Hush, lover,
The moon is a still and silent icicle,
Blurred by clouds that glow and gasp,
The wind; it wants them gone.

Lover, hush,
Midnight will always, ever be blue
And you, dream lover, sweet and sure,
Will always chase the dawn.

Love, hush, hush,
The moon is a still and silent icicle
But we are not cold
Wrapped as we are, in each other, in our love.

Hush, love, hush,
I want you not as I want the coming summer,
With a longing for heat,
'Tis Winter Midnight-Wanting warms our blood.
Charles Sturies Apr 2017
Brrr
As the ice drops drop
from gutters,
as I make my way
along
on my missions.
It's so cold
sometimes;
I just don't know how
to bundle up right
how I got the chills
especially
when I don't know
what to do or where to go
when I first get the shivers
from the brrr cold.
There are all sorts or nuances
to being out in the cold
that drive me to
frustration,
drive me batty really,
like how the temperature
drops suddenly at duck and rises barely at dawn
how little drops people
in behavior
are spawned
how you just can't even yawn
and wait to see
on the road a fawn
Oh well that's
probably not scratching
the surface
in everything
apparently
but that's life
best I can do
on how to deal with the cold.
Charles Sturies
Kaycee33 Nov 2012
Blink for me stone rabbit, I know this world won't have it,
but I'm in my prism state,  subtracting a grave's chiselled dates,
and your blink, I'll equate, my stone rabbit,
to be magic, and safe in my prism state.

It will end soon, so let go of your bronze balloons,
my brother and sister cherubs pale as moon,
only through tears, your dance appears,
so let go and play-- before prismatic tears go away.

Flap in teacup bath, my still-sparrow of alabast,
to these chimes--in nature's draft,
they blot lines, as do my eyes,
on this grave-- a prism from tears are cast.

Blink for me stone rabbit, bring me some magic,
I know this world won't have it,
But in my prism state, subtracting chiselled dates,
a grille, of melting icicle--is my graveyard gate,
diffusing light like a fountain pond,
the tears running down my face--
dance cherubs to the sparrow's song,
blink for me, in locket symmetry--in stone magic--my stone rabbit.
Amber Grey Jul 2013
The summer I interned in New York, I fell in love with someone I'd only seen from a balcony window.

I'd fallen in love with strangers before, on buses and in lines, watching their shoulders straighten and their faces grimace in half-sunlight. I fell in love with these people the way you could fall in love with a poem, finding personality in the way that their eyes flicker nervously from left to right, tiny instances where their stanzas throw you into a daze. But this time was different. For once, I wished to know a stranger without the brim of my sunglasses, for once I felt something when I knew I'd never see him again.

His apartment was cluttered, bottles of water and the empty cans of energy drinks piled in a corner where a conscious person would have fit them in a bin. There were clothes on the floor, and although I knew his high rise box was laid out just as mine, he must have used the expected closet space for something else - his clothes were everywhere, crumpled in heaps on the floor that were too erratically placed to not have some sort of lingering system. Posters of people were taped to the wall, covering the matte eggshell white, edges falling occasionally to show signs that he wouldn’t always live there. I hoped that if he ever owned a home, that those staring portraits would be stapled or pasted thick to his walls, just because he would be the sort of person who wouldn’t change his mind about what he liked or what he wanted.

I would watch him from the same eggshell white room of mine, with nothing on the walls and not a scrap of anything on the floor. From my blow up mattress to my suitcase of clothes, kitchen stocked of single servings and a solitary set of dishware. I had no curtains and no carpets, no television or pictures of friends huddled in an unexpected embrace. For all anyone knew, I could have been squatting. I would look out at him from the window spanning the entire north facing wall, aware that if he ever looked out, if his eyes ever darted south, he would see me cross legged on the tiled marble floor, hovering over an overheated laptop and cardboard coffee.

I would get home at seven forty-five, shower in the New York water that tasted like dust and gin, and towel off, walking to the balcony. He, just like I, had a long, narrow balcony spanning about four feet on the right edge of his loft, and I would lean on the edge of the concrete slab, smelling the foul city air, taxi music floating from the lumpy yellow marsh below. That was when he would unlock his door suddenly, sometime between eight and eight-ten. He would step with his entire body and move into his crowded room and stand still for a moment, as if to collect himself; restrain from tearing faces off the walls and pummeling fabric into the floor. Sometimes he'd shut the door closed with a twitch of his foot, untying the half apron around his waist with one hand and pulling the red tie strapped flat onto a black dress shirt loose with the other. Once, he did all that in succession and proceeded to slide against the shut door until he hit the ground, falling into himself like a dropped jack's ladder and rubbing his fingers from his jawline to his eyes, up into his hair and back over.

But most of the time, he would just force off his shoes, never untying the laces, and move to the balcony just as I did. He would go out to the balcony too, but he would always keep going, moving to sit on the edge of the short wall, socked feet dangling over the city. His legs would be splayed wide, hands placed right in front of him, flat on the ledge. He would look down at the golden sea below, and when he was done with it, spit a flickering cigarette into the glittering bank.

He would also smoke when he woke up. He got up at six, like clockwork, and would stumble back out into the smogged pilot's seat in a plaid bathrobe, hazy faced and staring down. I don’t think he was ever late. He would get dressed slowly and fix himself in the mirror for a good half hour at the left of his room, until finally turning around just to watch the door for a moment. Sometimes I could swear that he watched for so long that he must have thought it would up and race away.

He slept with the lights on. He never came home late. He didn’t go out at night, never blundered in at two in the morning with a lithe model girl, long hair framing icicle eyes. On weekends he would sleep all day, rising every few hours to go back on the edge of his balcony and smoke. He would stare at the faces on his walls, the callouses on his palms, the murmur below; but never, ever at the empty loft across the way, dotted with a blue plastic bed and a speck of a person.

I left New York in September, on a red eye flight vastly cheaper than the rest. I put my toothbrush and toothpaste into the front pocket of my luggage, squeezed the air out of my mattress, and left. I hadn't left a trace in that home of mine, and it didn’t leave any on me either. When I left New York, I felt nothing. It was almost like I had never set foot in the city, forgetting to socialize with the locals the way someone could leave their hat at a bar.

I never knew if the man across the canyon hated coming home to a loft like I did. I wondered if it bothered him too, the lack of walls or rooms to compartmentalize the space. I wondered if he didn’t like to eat at home, if he felt sick when he watched the sunrise. I wondered if when he looked at the tidepooled city, if he also saw salvation. If he wondered every day from eight to eight-ten about what a dangly thing of a human would seem like to the loft across if it was spit from the edge of a narrow, four foot balcony.
A bit long, I suppose. Thought I'd post some prose.
Jesse Renner Feb 2010
I want to make an icicle
From rain drops
That have fallen for miles,
Through clouds
With linings of every color,
Just to crash like cars
On old shingles
Gritty and grooved with age.

Those drops would converge
As they weave their way down  
A maze of gables and smoking vents
Finally to pool in rusty gutters,
That have not been cleaned out in years.

It’s cold in December, and windy in Manhattan.
Now All I need is discipline.
I must overflow,
Precisely.

Forming my icicle like a tooth
Slowly, and from the inside out
longer, sharper.

Until…SNAP
It’s no longer mine.

------------------------

My hope is that it hits,
Through hair, flesh and bone,
An unsuspecting mind.
Instantly frozen and rearranged.

Or if not hit
Shatter close enough to move
Those that crowd below.
raen Sep 2011
A visitor—
icicle fingers
tapping on my windows' pain—
white blanket in tow

Hurting enough, I paid him no mind
so he kept tap, tap, tapping
‘til cobweb-like cracks appeared:
a final, gentle tap
shatters my windows
My rainbow world
now smothered, pallid,
forced into boredom and slumber,
sunlight chased away

and I am never the same again…

Soul gets plunged deep in the cold
blinded by whiteness, numbed with simplicity
there is an eerie stillness,
almost as if no one dared to breathe,
even the barren trees refused to quiver

brittle dendrites seem to claw the sky
futile though, for they are frozen,
grasping at nothingness,
clouds stubborn and stoic,
brooding in silent grayness

…and then from within, a filigreed whisper escapes
palpable and brave~
it weaves its way through the branches,
gathering strength wherever it went
it beckons to the sky, which in turn

gives in and celebrates ~
letting dainty confetti fall
white, yet amazingly graceful  
each flake falls softly on the ground—
a fashionable brocade

trees softly sway now,
and dance to a winter song
the sky weeps with happiness
for seeing a glimpse of life—
diamond teardrops

they catch a bit of evasive sunlight,
of which I thought I’ve lost
and give birth to miniature rainbows…
all this time, Sunlight was there
I just
never knew
how to
catch
it.
Jose Flores Apr 2017
Your smile was a haven
A place I could visit under no circumstances
A blessing from god, but a gift by choice


You were cold, you were rough
Your outer shell was rigid, but your soul was smooth
Your breath was like frost, but your words, a kind tone
One of a kind creature, as you sat on your throne
Throne made of icicles, sitting alone
Awaiting your King, as you threw me out the door


But I didn’t care for I turned to stone
Yet you gave me your smile, a gift by choice
Made me feel safe, made me feel warm
Thawing your heart, felt like a chore
Yet I stuck around, you didn’t think I would
I didn’t think so either, but we still stand stood.
John Niederbuhl Mar 2017
I
Drip
Drip
Drip

From my
Tip
Tip
Tip

Like a
Tooth
Tooth
Tooth

From the
Roof
Roof
Roof

In freezing weather
I grow
Long
Long
Long

When the sun gets hot
I'll be


Gone
Gone
Gone
A talking icicle
Nigel Obiya Feb 2013
Anything is possible...
Even the impossible
Note that I said ‘the impossible’
And not ‘the seemingly impossible’...
This reality to me has always seemed plausible
Even when I was cold and hard-hearted, when inside my chest there was an icicle
This kind of faith kept me balanced
Like riding a bicycle
Through sanity and mental imbalance
Through all those self-deceptive lies we call…
‘Necessary evils’
When separating the good grain from the bad, do we ever make an exception and say to ourselves… “It isn't fit for consumption, but I’ll keep this grain… for it has but one necessary weevil…”?
If it isn't good for me, it simply isn't good
And I have to distance myself from it
And it is possible for I say it is
It may have seemed impossible previously
For that was how I saw it as
Not anymore
I will ease over this hurdle
And look forward to many more
Yes, look forward to them
For there are no limits anymore.
Shayne Campbell Oct 2015
You can glisten with a sharp edge
But remain untrue to your pledge
Frozen with a soul of cold hollow
Leaving a life so short and shallow

You have the strength to hold
But a push can break your soul
Tears fall from the tip of the cone
As the heat tests what you have sown

You can stand out beyond sight
Mesmerize apart from your kind
But in the end you are all the same
A bunch of icicles for the eye to tame
Martin Narrod Apr 2014
The plane is emotion.
The form is a gentle rider,
she pushes bullets off cliffs, she hugs the stars.
Catches the moon eyeing her with one
great big hand wrapped on its ****;
spins the bell of her dress
round and round.

Sifted from the Earth, man moody
cleft in heaps of his entrails,

no progress has been made.

My metal mother pulls hula hoops for zulu,
she rips down the shelves and pulls
Bobby Dylan from the wall. She says,
"grrrplleeopzhrka." And the smoke gets into
my eyes and burns my nostrils too.

In the great wind screen, footprints of man,
Native American blood weeps on my bright
Summer burning, no regency cleared. The
outlook denied. It sits stagnant, maddening
with its blockhead on sideways. Heavy, old
mutter hubbard wilting gold in her stare.

Mess comes. She spoils, her skin is loud
and anointed, her fecund white placard
is thinner than air. People look at each other,
a goblin, two trollops, the green woolen winter-wear
of a soldier in despair. Only a putrid noon, escaping,
cuts the flesh from the garden. Cuts out all the weakness,
the hope, the love, every thing owned, every one cleared.

The skin trap and oyster flap. The rich mixture of voices,
nothing holds common that bond, that few could look upon,
that youth could-

none of the old things work anymore.

Just a wicked boredom trickling in blood down her legs, just
the lust trickling down her legs, dear mommy, I obey.
And when the summer months set in mahogany, and the icicle
feat swallows us up, dear-
death
Winter
lips
moths buzzing
mouths
fuzzz
your sweet bomb
bon bon
a polar vortex
swirls eastward
on Siberian Tiger paws
bounding over
Appalachian Highlands
gobbling geography
gelling Great Lakes
spawning Erie blizzards
sculpting Wabash ice floes
clogging commerce all
along the Ohio River Valley

this voracious
juggernaut’s wide maw
bears icicle teeth
laughing as it swallows
Pittsburgh, Little Philly,
and a Big Apple, before
gorging itself on
generous portions
ladled into
simmering crocks
of steaming
Boston Baked Beans

growling
blue arctic
air blasts roar
bursts pipes
savages the heat
of blasting furnaces,
bubbling boilers, hot
belly stoves frantically
drinking oil, flaming gas
burning wood and
burping soot

the blistering
jet stream claws
screech a slashing
stratospheric hum
as Frigidaire blasts
swallows breath
brittles limbs
chafes cheeks
gnaws earlobes
crystallizes tears
nibbles nostrils
cubes snot
numbs toes
bites digits

diving sub zero
gradient subdues
batteries to
deaden states
delays buses
derails trains
cuts power
constricts veins
preys on
vagabonds
and animals

get the homeless
off the street!
bring the animals in
check on your
elderly neighbors
don’t get caught outside
and shut the **** door!
do you own stock
in the Public Service?

beware the polar vortex
and next months heating bill


Sonny Boy Williamson
& Otis Spann
Nine Below Zero

Oakland
1/6/14
jbm
Michael R Burch Mar 2020
Melting
by Michael R. Burch

for Beth

Entirely, as spring consumes the snow,
the thought of you consumes me: I am found
in rivulets, dissolved to what I know
of former winters’ passions. Underground,
perhaps one slender icicle remains
of what I was before, in some dark cave—
a stalactite, long calcified, now drains
to sodden pools whose milky liquid laves
the colder rock, thus washing something clean
that never saw the light, that never knew
the crust could break above, that light could stream:
so luminous,
                       so bright,
                                         so beautiful . . .
I lie revealed, and so I stand transformed,
and all because you smiled on me, and warmed.

Keywords/Tags: spring, melting, snow, winter, icicle, stalactite, underground, cave, transformation, love, warmth
Neon lights Oct 2014
Framed so poetically, there it stays
Never steps out of its flimsy boundary line but
it takes in everything with him
Inside a a static sea frame, there
roam all the wild guesses you
took:
all blue
all trapped, as erratic and diminishing as it was named.
Was you were to throw that time when
you tried to take to the sea
all into it?
There is no need to make me open my eyes to see something as obvious as this for a even a blind man can see it so crystal clear
in his pitch black vision
I'm closing my eyes and hope it stops
but

   I remember waking up
   somewhere in midnight term
   drowning in salty seas
   and making bitter coffee to
   recede the former taste.
   I found your diary on the sea
   shore with all of the demerara
   sugar sand
   disconnecting wires in my mind
   with overflowing water in the
   bathtub
   and getting electrocuted.
   Alarms when off buzzing with
   tick tocks
   I found myself with
   a pacemaker also
   your dying digital clock you had
   since forever, displaying
   blurs of phobia


Am I wrong to be trying
to breath underwater
Would it be right to despise
the blue sea that should soothes us
that turned grey for all our
fears we threw in without hesitate
I put all of my fears into this sea,
as a glitched version of your
deceiving eye hue,
demerara sugar on the edge of
your lips lingering in my coffee
chronomentrophobia oh thalassophobia,
yet I was to choose between icy cold ocean air and
falling into clocks' icicle-like hands.
This
is much of an error as it is
a tsunami washing us with a tide of heartache like
over sugared coffee with still bitter taste that melted into
my inner cheeks when I had ulcers
and
you wearing wristwatch while holding my hands.
I spent the day researching phobias and learnt that there are phobia for almost everything. I am not suffering from any of two of this phobias. I also spent the day learning about sugar types and pacemaker and coffee. Sometimes I think phobias are beautiful in some unexplainable ways.
icy shards are left in
my heart: once
it was filled with the
soft radiance of something
special;
you: an icicle piercing
on my heart insistently
until you yanked it
With your own words. it was to be
a heap of pieces of abrasions
littering at my feet; yet it melted
into a cooling puddle of water
CH Gorrie Jul 2012
Countless strangers sit or stand in wonder
at tall statues and head-height tombs
of solid, austere men who cannot utter
a word to explain the cathedral’s gloom.
The ostentatious architecture’s croon
from a tattered breeze
dithers through deathless abbeys
where memorialized men lay strewn.

The vacillation of their hearts
remains hidden like it did in life,
their public presence disallowed it then
as carved marble and stone now imparts.
That common unresting inner strife;
what was and what could have been.

I know it well (as well as I can),
that unfinished man Frederic Leighton’s tomb,
his beautifully ebullient Flaming June
brought to mind as I gaze on the grave
breathlessly overwhelmed, trying to understand
how anyone can frown on how artists behave.

That thought-drowned sculptor Henry S. Moore
is situated among the others, beguiled
without grave, a resting statue, “Mother & Child”:
in the smoothed out bends of arching stone,
from troughs between figures down to the floor
I read his face, all it held and could hold alone.

Down the crypt on straight-cut-steps I descend,
pressing on further through candle-lit corridors,
commemorations surround in half-light that offends
receding memories on sandless shores.
Horatio Nelson, John Donne, Sir Flemming, Chris Wren,
each pass till I find a man I’d adore:
Philip Sidney, that grounded man, that defender of art,
consumed in the ensuing century’s heart.

Consumed likewise I stand
gasping, beached upon a strand
of a non-physical contagion;
we’ll suffer it all again.


Three minutes more or less I gaped
until my feet forced my face away
and weaved my soul among the wooden pews.
This hallowed place where the past is draped
is an icicle looped through the fray
of my ambition’s thinning view.

Another adoration there!
That visionary mythology sewer
William Blake, whose piteous glower
for mankind begot his lasting dream.
On his placard chiseled rhyming pairs
beg: take things, not as they seem.

My fingers run the lines of text
slowly, strongly, as if forced by the air.
I fall down a thousand winding stairs
taller than St. Paul’s in my heart.
I compose all my strength to regain context
of cathedral, pull away from Blake, part.

Up the stairs I climb
back to the street.
The rustling, busy fleet
of tourists entwines
about me in my haste
to get outside the tomb,
that time-reversed womb,
of men who didn’t waste
time, place, talent, skill,
but impressed their lives on eternity.
The clock is still,
I’m out in the street –
cathedral shadows
twirling high, then low,
over my body and feet.

What is there, inside that place, is intangible and petrified by reality;
it is trailing smoke from the pipes of sages who spoke,
in broken thoughts, sworn things that cannot be repealed.
It is time unwoven and crocheted again into patchworks of undefinable color.
I must have died a hundred times unaware of it all – out of nothing it called.
It was felt and known, ended and rebuilt accidentally out of the contagion of guilt.
It was a small drag off of nothing.
DaSH the Hopeful Nov 2017
You blend with shadows*
          And the cracks in sidewalks
                Brittle grime trickling down your hand
       You catch each bit between forefinger and thumb
    And turn them all into tiny broken men

           Stench streaming in smoke like ribbons
               Your skin is icicle cold
      But the smell ignites the sensory fears of those you draw close
Shattered skull love songs emit from your bones
    Calling all sinners to you to atone

You are the blackest person I know.
Not black by skin tone,
     **BUT BLACK BY SOUL.
September Mar 2018
tired because of the things he does,
always remembering where i was.

these fickle things nostalgia brings,
icicle fingers touching ribs—stings.
Genevieve H Mar 2014
Your words are warm
but there's a sense
of coldness, clearness
between us.

We're frozen shut;
both world-weary
holding each other's
icicle hands

unable to thaw
but freeze together
a blanket of frost
between us.
Lucero Dec 2014
There’s a girl who gives a ****,
She plunders down the road.
So boldly she is free to be,
That her life became her destiny.

The dragon, the witch, the soul mate,
Ceased on scene so desperately.
She cries and mourns like a flying beat,
Of rhythm trapped in an icicle.

She dreamed of lovely possibilities,
But her dreams were just fantasy.
The male she yearned for,
Was no more than false protrude.

This guy was just a friendly face,
And so he viewed her as a simple dude.
She tried so aimlessly,
To grab his shinning sight.

She knew she could be free,
But she lacked bravery.
The girl took a leap and fell like a sheep,
Into the ground with no retreat.

She could not form a connection,
Between her and him.
She failed and failed,
Until she realized there was a bond, all along.

She was not meant for him;
He was not meant for her.
They were meant to be,
Not soul mates, but tight knotted friends.
Absent Minded May 2010
beholden green
the hot road
rusting groundless leaves
icicle landscape

St. Four leaf Clover
Skewers on the grill
Candy on a trail
5th avenue in snow

Busting sprouts
Dandelion Wine
Harvest yellow
Yuletide fire flame

Rain filled creeks
Dried up clay
The last hurricane
Rains turns to ice
Rex Allen McCoy Jan 2015
~~~
Droplets cling fast to an icicle
their silent plea echoes in vain
Mist gently lifts
in the wake of the sun
and tears
slip their bonds
once again
~
Ari Dec 2011
There is a cat at my window
I am still
ragdoll in its flooded mouth
arsonist in one sulfur eye
night in a silhouette
shadow without philosophy
syllable of jungle chill
be it alms seeker
spy
or courier
or smoke as a pirouette
all icicle and satin
black iris I see
blood beating its binary
pulsating lodestone
hanging from its ley line
like the lamp of an angler
when the sun is furthermost
and all gods are unbeknown
I am still
still
the cat sits at my window sill
Inspired by Syd Barret
Jackson Freeman May 2013
"Little lass with the pink parasol,
standing by the sea
where your face was forgotten
and your dress dirtied,
what can you tell me of the wind?
Have you noticed its paws
tugging at your parasol
and how it dances 'round your tip-toes
and freezes your eyelids
with icicle pins?
How it shields your drinking sight
from sunlight
by raising a blind of your hair?
Or
have you instead chosen to count the peaks on the waves?
How each pinch in the watery fabric
pistons up and down
in the oceanic mattress
with the nature sporadic
of a mad stellar twinkling.
What treasures belch age and air bubbles
under the surface
of a fingertip's breadth?
Of such sweet gems and precious metal
surely are the gifts of its deepest depths daring.
It has been counting the times you've dipped your nose under,
under fear of the fathom's fingers
finding your face to be pretty,
and withdrawing.
You'll catch cold, lass.
Standing by the sea so often; always.
At the least you will go mad
at the infinite sound of roaring laps
against the shore
and the gales born of sea and sky
scrubbing memories of stillness from your mind.
Little lass with the pink parasol,
what do you hope to find
standing here by thesea?"
I asked her.
She was silent.
And I heard every word her own,
though uttered tangibly
by winds of local overcast atmospheres.
In the wet soil 'neath my tarred heels
did a coolness rise,
finding my lungs dry and welcoming.
The horizon joined grey and blue
and she was eyeing the vanishing point.
My eyes joined hers in trek
and I found infinity.
Nothing was visible along the skyline.
Meaning anything was beyond it.
Nothing was visible beneath the tide.
Meaning anything was under it.
The wind suggested transparency
but a secretless wind is merely still air.
She said nothing
and I understood;
the sea seems larger
when you are close enough to be kissed by the waves
because you forget that the whole world is behind you.
I am right now
standing by the sea.
The little lass with the pink parasol.
She is here, too.
There’s a clumsiness
to the way I unbutton my shirt,
hoist it over my head
and let it snuffle to the floor.

I stand there, *******
and unkempt armpit hair on display
but you’ve already almost
totally disrobed,

the light from outside
licking your spine,
dribbling down a leg
like melted sunflower petals.

We catch each other’s eyes,
except you don’t catch eyes,
you see the other person
looking at you
and you know what’s next,

the standing ****,
dry skin and bellybuttons
viewed only by a fortunate few,
a bunch of names
like grapes squashed
into bed sheets
we won’t touch again.

I think this is supposed to be sexier,
my underwear flinging off,
boxer shorts champagne cork
towards the window,
your bra sunny side up
by the foot of the door.

Rather I watch you
peer at the skin I’m in
waiting for a shrill buzzer sound,
a number out of ten
and a spatter of applause
from a conjured-up crowd.

I think you look glorious.
I go to say this but my brain feels
as though it’s been whisked.
You walk over, slink your hands
towards my face,
put an icicle finger to my lips.
I’ve no idea what I’m doing
but you’ll show me the way.
Written: May 2017.
Explanation: A poem written in my own time - feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
(AP) Chicago vicinity hit hard yesterday by fierce bracing winds approximating unmanned chainsaws violently cutting across streets sidewalks heavy lakefront blizzard icy snow resembling slivers of broken glass slashing stinging skin news alert of return of dreaded snow worms attacking women and children technically known as Kinorhynchan Oligochaetes Nemertines these deadly transparent parasitic creatures slither slightly ticklish creep inside boots preferring hairless legs of children slimy vipers dig between toes devouring traces of toe jam then gnawing toenails until they reach foot bed where they fester in bitter dark brown green milky juices crippling little boys and girls in shaven women the elongated legless carnivorous ice worms disguised as mere icicle drippings climb up calf knee thigh ****** ****** ovaries feasting on female eggs their favorite food many northern women choose not to shave during winter season so as not to fall victim to the snow worms
Tessa F Sep 2013
It is on rainy days that I miss you the most.
The drops splashing against my window
Echo
Echo
Echo
Through my empty aching heart.
I can still feel the imprint of your body on the left side of my bed
Where sometimes I roll into
Roll into you
And fit there the way that we so perfectly do.
Your sweatshirt embraces me
Drowns me in you
Where I'll float in your warm arms.
Oh god
I can't breathe
Missing you crashes over me like a tidal wave
Raindrops like gunshots blow holes in my serenity
I need fresh air
I need your sweatshirt off
The rain should be like icicle knives
But they're
Butterflies.
Pitter patter fluttering on my face.
Raindrops wash over my skin
Stripping away my insecurities
I feel clean.
I feel your fingers sliding over me again.
Gentle and healing
I still miss you
On this rainy Saturday.
I glance into a puddle
Oh there you are my sunshine
You're never too far away.
Your heart is always holding mine
But still it is on rainy days that I miss you the most.
It is on rainy days that I kiss you the most.
Lora Lee Apr 2017
what is this
the sound of a voice
a faint crackle
over the line
burning icicle dipped
into ink of my dark
zipped in a fracture
           through space
woven in time
the sound of it
           penetrates
a heated
         arctic zing
of light
into the soul
and your words
caress places that
would not be reached
in life's daily hold

I would look into your eyes
my blues to yours
two vast oceans
never ending
This might express
the divinity
of the word "love"
This might express
a fraction of the feeling
                and this alone
could be all consuming
but the real expression
would be my mouth
devouring yours
      my tongue
exploring your lips
and all that's inside
my starlight
infusing your being
as we press into
the silken matter
as the levity of skin
that brushes like silk
as your actual saliva
and ***
are my nourishment,
like heaven's milk
and our cells
ignite in slow movement
as we gasp and sigh
the air around us
invisible velvet
I want beyond
internet
I want beyond
a small, mirrored screen
I need to drink your luster
as we inhale the soft, molten folds
as we break open
and drink deep
inner liquids
as we crack
and the flow of the
      electric river
slides
    through
and within,
intermingling
auras tingling

Just take me,
      already
let me feel the imprint
of your fingers
upon my wrists
let your kisses mark
my secret spaces
Rush into me
as a river
before we
  simultaneously
         combust
for if I have to hear your
vocal chords
one more time
I will
    explode
into
     fragments
of
     crystallized
                  dust
This was supposed to be for #npm internet but it applies to many things and speaks my heart when it comes to certain kinds of love

https://www.youtube.com/watch?v=bzSaQdYgDw4
1756

’Twas here my summer paused
What ripeness after then
To other scene or other soul
My sentence had begun.

To winter to remove
With winter to abide
Go manacle your icicle
Against your Tropic Bride.
Ayad Gharbawi Feb 2010
NOT LOOKING AT OURSELVES

August 7, 2009 - Damascus

Ayad bin Izzet


Why is it so hard to think of ourselves?
Why is it so hard to change bad habits that seem to possess us?
It seems to be a near certain fact, that humans do not like to think of themselves; certainly, very few seriously, deeply think about themselves. Who asks himself: “How do I look like to people?” “How do I sound to people, when I say this and that?” “Why is it people like certain aspects of my behaviour?”
When you open up such a subject to people in general, it is common to hear: “Look, I don’t care what people may think of me”. But an answer like that will not help you go far in this world. You do need to pay attention to what people think about you, otherwise you will be, de facto, behaving like a tyrannical dictator – you are, in effect, alienating and restricting the advancement of your varied self interests.
Why you ask me?
Because we all need people if we are going to succeed in our professional and social lives. Without the agreement of people you cannot succeed, unless if your work can survive within a hermit’s context.
So why are people so antagonistic to change themselves?
I think that for people they are scared of thinking about themselves because they fear what they might find out the nature of what is existing within themselves.
Another reason, is addiction. A person may simply be compulsively addicted to the harmful personality he has – yes, even if he knows that his personality is harmful to his own self interests.
I talk about this subject because we all do need to change our selves, our personalities - since all the troubles of our entire lives emanate from one source: we dysfunctional humans!
Where else do they come from?
And yet, anyone who has ever tried to explain to another person their faults will surely go nowhere. No one is interested. I know one lady who I call the ‘Pharmacist’ because she lovingly showers everyone else with advice, while she herself cannot bear to hear one word with respect to her faults. And then, as the years passed, I came to realize, why all people are basically ‘Pharmacists’!
People have an obstinacy that harder than leather, colder than an icicle; we simply will not improve, as human beings, if we remain this determined not to reform our minds.
And there is nothing else to add on this sorry subject.
How pathetically sad.
A fine epitaph on Humanity’s grave.
Pauline Morris Jun 2016
I want to write a love poem
The best the world has ever seen
About two shattered people
Fitting together at their broken seems

I want to write a love poem
That no one can forget
About two lonely people
That where a perfect fit

I want to write a love poem
That transcends past the stars
About two cosmic bodies
That's not imprisoned behind broken bars

I want to write a love poem
So great no one has ever known
Of two tattered spirits
That clung to each other and the love they shown

I want to write a love poem
That can survive any storm
About two people with icicle hearts
That true love burned bright and warmed

I want to write a love poem
But alas that I can not do
For I have never tasted love
So I have not a single clue
When the ice princess rejected her Romeo
A warm, heavy heart treaded on snow
Nothing to hold, nothing to let go
Freezing, she prayed mercy be shown.

Reflection, behold:
A sheet of ice protected warm water below
Life underneath safe against winter’s blow
But above the ground was a nonchalant midnight glow
Nights ceaseless, did days even flow?

Struck, stuck in winter, her heart did not know
That the icicle was already out, a long time ago
That time passes slow, and summer trees grow.
this shall too pass.

— The End —