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By David John Mowers

Oceanus, Acheron, Styx and Gyges, Phlegethon,

Phaeacians lament, mourn the loss, Scheria, dissolved in froths.

Virgil’s tale, found correct, a land too good, a nation wrecked,

Nausikaa, burn the ships; their minds released, cool airy nips,

Below the wave, watery grave, submerged to bottom, fathoms by stave,

Fathoms some more, until the whorl, descending to, another world.

Through Omphalos, to Land of Sleep, awaits a beast, where time has ceased,

Darkness here, underworld, cold and frigid, below the whirl,

In solemn grave, souls released, judged and counted, by the beast,

Deeper than, the deep itself, past drowning fairies and dying elves,

Who did mourn them? Those golden men, magic mariners, Mino's kin?

What wrong was seen? What vice not true? What awful sin? What did they do?

One thousand years, first black age, Two thousand more, to find the stage,

Cast off Aries and cast Orion, to find beginning, of Golden Lion.

Man of Heavens, Beast agrees, Bull of Sky, Ox of seas,

Land of Punt, Land of Éire, Ogyges blue, hearts on fire,

All the seashores, all the mines, Tribe of Dan, from ancient times,

Port of Sais, Port of Thera, Port of Lagash, bygone era,

Sailor’s horse, Minotaur, a lyre is crying, strummed guitar, nation dying, abattoir.

Ochre foams to sanguine depth, there they rested, where Kronos slept,

He’ll never answer, he doesn’t care, we’ll never know, if this was fair.

Our hearts in sadness, hands on the gates! I curse you Poseidon!

. . .and your Sea of Fates!
Every historical and mythological reference to the kingdom of Atlantis which was destroyed by it's founder; Poseidon. All of the characters including the archaeological agreement on the historical basis along with Geo-location as well as an approximate age of occurrence, extent of the kingdom set to metered rhyme.
Zywa Jun 2022
The thundersea foams,

I rest and the sun dries me --


with its softest hand.
"Schuimbekkend graag gezien" ("With foam at the mouth, so willingly seen", 2019, Marieke Lucas Rijneveld)

Collection "SoulSenseSun"
O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt
judy smith Nov 2016
Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses
You're not aware of this, darling,
but from the open door
I watched your drenching insides.
Water dripping on your arms, on your legs, on your feet
from your hair wrapped in bubbles
of leaking advertisements promising
softness and dandruff free scalp.

The strands were around your fingers,
sterile and making love.

And all those times, darling
while laying in bed
on crumpled sheet, I wonder
if you ever saw the blood of the rabbits in the lab
as the water dripped down the gentle foams of the shampoo
down to your temples -
down to your eyes.
#To all the animals slaughtered to satiate the misguided market of comfort and civilization.
CH Gorrie Dec 2012
I
I am in Cardiff
     Where foams pummel the jetty
I am in Cardiff
     Where crab skeletons blanch the beach
I am in Cardiff
     Where the Pilot Star became a conch
I was in the ruse of age
     Where the young kiss
I was in Joshua Tree
     Where the mind is thoughtless
I am a grove's wilting
I will be an unbearable urge
And I am shivering in Santa Ana near Bristol and 1st

II
There is intent when the addict mutters --
Estranged in his unhappy gutters --
"Life is cheap and love is free."
Hopelessness's epitome
Sits naked beyond the wall.

There is derision in the dealer's call --
Osmium-heat in an unimpeded fall --
"You can't change who you are."
Greed could tear down a star
To sculpt into a Cardiff shell.

Warrant breeds within a child's yell.

III**
I am in Cardiff
     Where foams pummel the jetty
I am in Cardiff
     Where crab skeletons blanch the beach
I am in Cardiff
     Where the Pilot Star became a conch
I was in the ruse of age
     Where the young kiss
I was in Joshua Tree
     Where the mind is thoughtless
I am a grove's wilting
I will be an unbearable urge
And I am shivering in Santa Ana near Bristol and 1st
Lora Lee Jul 2017
the tectonic plates
in me
are shifting
     as our continents
approach collide
my ocean is
getting closer
to the mountains
on your landscape
  tallest grasses blowing
         in wild demon dance,
                shaking their
          heads as heated
storm approaches
oven-baked air crackling
    with its own
         electric currents
Nothing can stop it
it's a magnetic force
              one to be
                   reckoned with
               surrendered to
as dust foams
like ocean froth
around our heads
clinging to us in tiny
starlit fragments
and soon will come
        the slick dive into
             wordless waters,
                    just skin on skin
        slippery mouth muscles
like entwined snakes
flick-flicking, shiny
in eye-lit cherry moons
Take my hand.
Just pull me in.
Enfold me,
          without talking
watch as my aura
rushes into you,
first a delicate whisk
             of cool light
to slake the thirst
of coal-licked caverns
then sparks
and bubbling oxidation
turning into liquid brushfire
Hold your palm
to my chest,
as if to keep
    my heart steady,
        my glowing flare of halo
  pressed into your
clavicle, taking in
the embryonic beats
soothing my torrid ache,
infusing minerals
in vitamin-laced libation
It is time to simply bask
in the new
crispness of radical
shake off
           the silt and salt
and rise up
into the spheres
      of memory
      of soulspeak
of collapsed time zones
budded breath
spiraling up
in curls,
       diaphanous
dark mist
ascending
                 into
           light
https://www.youtube.com/watch?v=MDACd-ShjHk

enough words
sometimes ..just breath and skin
( a wish sent out to the stars)
i go through this daily plot
waking, working, trudging
first world ease, office walls
wheeled chairs

afternoon run
tupperware lunch
dinner the night before

home again, dinner
dishes again,
play again,
daughter picks up
new phrases, new looks
vegetable strainer toy
"umbrella," she says

i see those eyes, my wife's
and i wonder

what is this place?
these walls, these roads,
those sitka pines and shrinking
glaciers?

how 'm i supposed to be a father
with all these things stretching out
vaster than reason, than comprehension

those talking heads, ranting this or that
liberty's *****, freedom's snatched,
the world warms, the world cools

Filipinos scream in the face  of angry
winds, the prim cut weatherman wildly
gestures at a colorful map, powerful
he says, historic
he says

more dripping mouthes,
government want guns now,
more money to ****** our phones
to send unmanned drones

our president's muhammad,
or jesus, or kenyan, or raciest
a genius or incompetent
everyone knows

just back home
a tiny algae grows and foams
thrashing in the autumn water
brown oxygen choking life
never found on our shores before
kills fish,

i imagine so much more

i hold my daughter in my lap
reading mother goose,
run my hand through her
thin smooth hair,
sometimes afraid
of what she'll see and hear
with her mother's eyes
and her father's ears
Yenson Jul 2020
Why would I rock with the foams
surging wet & airy lacking form & substance
why should I rock with foams
when all it does is kiss the sands & mingle with the dirt
why even contemplate the foams
frothy stained white suds  full of flotsam and rotten debris
why would I the rock of ages
be moved by the swells of the listless restless recessive mucky foams
I can see it lacks substance
and as it sprints & splinters in sodding grumbling disquiet
along captors boundaries & shoreline hideaways
I hear its ceaseless sad forlorn whispering songs & laments
layered in liquid fantasies as it trails for reach & a place to belong
puffed up foams of breezy no consequence
fated growth in bubbles only to ebb & return, return and ebb
Why would I rock with the foams
they are not solid
Foams plural not singular
David Adamson Jul 2015
Why do poets and photographers love fleeting things?
Angled shafts of sunlight piercing a mass
of clouds. A rainbow flashing from dragonfly wings.
Water drops beading like shards of glass.

The fluttering shape of a sycamore’s shade.
The sun sinking into its reflection
In a purple bay.  Smoke’s shadow. The rayed
Curve of a finger reaching for perfection.

Whatever churns, bursts, rocks, flies,
Foams, flickers, roils, evades
In pigments of impermanent dyes
We try to fix before it fades

Once I mourned the endless dying  
Of here and now, the present always past
Elegized each moment, sighing
Beauty is loss and can never last.

But now I think I had it wrong.  In fact
(I learned this from an artist’s eye)
Fleeting beauty reappears faster than we react,
At the speed of a daydream flashing by.

All around, light coalesces into form,
Form explodes into light,
And we live lavishly inside this storm
If we can learn to see it right.

Beauty multiplies, tapering, swelling:
Reshaping, reforming, now familiar, now strange.
This gaudy blur in which we’re dwelling
Is the permanence of change.
This is still a work in progress.  Comments very welcome.
bb Jun 2014
you are not twenty seven years old. you are twenty seven sorrows, twenty seven apologies, twenty seven broken pencils in a coffee mug. you used to keep memories like fireflies in jars, but now, you harvest them like organs, and you can't shake them to make you glow. i stuck a bird in where my heart should be but my pulse still sounds like a dial tone. the way a ticking clock drives a person insane is the way everything falls in love with you. the way everything falls in love with you is the way that delicate things break, and everything is delicate in the presence of a hurricane. you know how to be a storm, but no one loved you enough to show you how be a home, and the foundation you are built on is a broken as our mind - you are held together by tape and tiny hands , you are bound together by apologies and if anyone forgave you, you would simply fall apart. we must fold ourselves seventy seven times and tuck ourselves into the arms of the people we love, in hopes they never learn to read our language, and you are words written in a way that leaves everyone hanging onto each one by the skin of their teeth, even if they don't understand. I hope it's fine if i still try. if you are brave enough to touch the world, you will find that it is constantly on fire, and you never have to ask for a light.
you are not twenty seven years old, you are twenty seven wet matches, twenty seven empty rooms to scream in, twenty seven breakdowns in the bathroom. sometimes you are the sun and you can rise, but you are a deadly comedown (in any event, you are always glowing). I can hear you folding and unfolding like an origami flower, my hands know where you bend even though i have never touched you. i have seen the fear that drips through the cracks in your tough exterior, and i pried apart my own innocence to slip my way inside.  
  how many times do you groan before you finally heave and let the weight **** you? you know, contrary to what is generally believed, love knows bounds very well. it knows them and, it plunges over them, spills and overcomes you and foams around your feet before dragging you out to open see and mocks your cries for help until you finally stop thrashing and succumb to the sick trick that you have fallen for. i used to think love was a steady push and pull, but then i love you; when play tug of war with a ghost, you always end up with enough rope on your side to make a noose out of. i wanted to turn you on, not disgustingly, but in the way that i stumble in the dark, groping the wall for a switch. all of my nerves were hair triggers when you opened your mouth, now they are loud sirens and they scream when you are gone. a barely present as you would like to paint yourself out to be, i have felt you in places that are four dimensional, in the depths of my own murky consciousness that not even i know how to reach. the way a storm busts down a wooden door is the way that you enter a room,  the way you enter me. you know how to bend the light and you know how to break it, too. allow me to envelop myself in you like words in brackets, but never let me speak aloud. how many times can someone caress your jaw until it feels like you've been clocked repeatedly, and how many times can you fall in love with same person before you bust your mouth completely on their shoulder?
even after you have dragged me through this fire and made me bite all of the dust and all of the concrete beneath it, i have still loved you with a mouthful of broken teeth. now i am here to spit them out into your hands and make enough room in my throat to cough up my stifled pride.
Jami Samson May 2014
Brood of the journey,
Offspring of adventure;
Cradled in a crib
Of boat rides and bus drives,
Rocked in time with teenage nursery rhymes,
A million miles per hundred hour,
Marking dashed lines
Across the Philippine map
From Region IV-A
To Region V,
For four summer daysprings
And five summer nightfalls.
My umbilical cord recoiled in loops,
Through the roller coaster road,
Under the waterfall expressways,
Bumper-to-bumper with the hills,
Baby on board;
Pulled in my diesel pushcart,
Back to the womb of my motherland
And into the water that once broke
To give me my own air.
But I haven't breathed better until
Now that I swim again in her salty seasac.
How I have long starved my feet
Of her creamy sand
Which the skin between my toes
Suckle like breastmilk.
How short it has taken
For her colors to change
From seagreen in the dawn,
To aquamarine by ripe daylight,
To turquoise in the afternoon,
And to teal blue by dusk,
Upon having me in her arms.
I was as happy as a clam
When a welcome party was thrown
By the fish residence
And I was reunited
With my crustacean playmates
And their echinoderm pals.
During my stay,
I had the whistles of the sea breeze
As my morning wake-up call,
And by night
The sky is my ceiling,
Decorated with star glitters
And one would fall everytime
To turn off my night light
While the waves would splash
A cool blanket on me.
I would go on treasure hunts
To find the lost seashells;
Raiding coast-to-coast of the boundary,
Declaring tug-of-war,
Jumping in with both feet
And holding my breath,
Fighting the careless Captain Current
And his crew of buccaneers
Attacking in foams and spumes,
And I was unwavering,
Unflagging,
Yanking the *****
To victory.
With Merleau-Ponty,
To be free is to be situated;
But with these marlins,
It is dancing on the ocean floor.
Take it from the jellyfishes
Who just go with the flow
And follow the tide
Whether if it meant
Being washed ashore
Or sinking in the deep,
As long as their tentacles
Are free.
One day I visited
The underwater kingdoms;
Parts of Atlantis
Dispersed into an archipelago.
The Coral Cave,
Land of the soft and stony;
There lives the family
Of jelly-prickled corals
Who are all slimes and tickles,
Among their relatives,
The rose reefs,
Who are red as petals
But rough as thorns.
The Boulder Territory,
A colossal chamber castle
Filled with all the bathroom stones
To scrub your feet with,
But which upon being rushed in
By the cavalry of billows,
One would bruise themself
On the cliff floors
For fear of the enemy,
The barracuda;
Patroling the dark areas
Of the vicinity,
Lying in wait
For its next victim.
In the neighboring island
Just beyond the shoreline,
Is the Seaweed Seabed;
The base plantation
Of the seagrapes,
Natively Philippine Caviar,
Which are saltwater explosives
In the mouth
That come in bunches
Of crunchy, jelly green beads.
Last but not the least,
The Pebble Desert;
A torrid terrain
Of dunes and dunes of pebbles
Pink, peach, and pearl,
Cool in the eyes
As pastel *****
But hot in the feet
As burning coals.
Sometimes we create
The most beautiful things
To be mirrors of ourselves
Modeled from our brokenness
To cast back
A better image of us
In one piece
And be looked at
As something worth loving
If not something perfect,
And God must have been
Truly in smithereens
As to put together
A whole world of a looking glass
Reflecting His divine entirety
For us, His fallible caretakers
To see Him as someone
Worthy of our love,
Aside from perfect.
And I know that
He knows me too well
To know that
What I really mean to say
Is 'I love you'
When I would rather
Simplicity speak for beauty
And let majesty be mystic,
Than bother forcing
Some not-quite words
To fit His creation.
Sadly,
Even the starfish,
The child of the ocean
And the sky,
A blending of two worlds,
Yet still goes out on a limb
To be a part of a third one,
Can't stay too long
Where it doesn't belong,
And we all have to
Go back at some point
To the place
We just couldn't call home
Because we're always looking
For somewhere else.
But I have come to find
That home is not really where,
But who you're with.
So I shall never have to worry
For the Earth is three-fourths water
And the body is fifty percent of it;
The ocean and I
Will always share
The same whole.
#52. May.23.14
Chirayu Writer Feb 2016
"Tears Relieved my Life" -
                       An Inspiration Wanderlust
                                     Journey!...
"One drop of water blink off
from the eyes in the form of tear
it keens up the pain
To ask my Fear from where you came
And Till when you will go"!!...
that, for which I searched through the world, that was with me inside my Tears .. the reflection & shadow of my life become worse every time as a darkness of fear , Where my tear found a strong desire to crave my past memories in the seldom world to bring out the new world by wanderlust..
I made a desire to travel in the new line to walk up my life for one!!.. Where  my thoughts of light travels through the darkest part of the wandering waves to give such a time that is old, and bright as a new .
a wanderlust is the best desire to live a modest life !...
it Foams And Wander the waves
into the sea of ​​Runestone,
Here I sit with my dreams.
There the wind whistles, the shrine seagulls,
The waves traveling and foam .
I loved my tears that turn
into the snowing waves of love
And Feather flock till the end!....
                                                                                          -Chirayu..
Inspired by greatest poets As Rumi !!..
murari sinha Sep 2010
if the sinking-of-boat …ice-cream by name
be deducted from the swept-off-in-flood … by name roll no 31
then would the wings of the comics
cease to exist

what says the uninterrupted sound of water-falling
from the stomach of the moon

what writes the pus and blood
what writes the fuming-hot rice

the creepers and the herbs grow continuously
in the insomniac bath-tub

the sounds of the horse-hoof floated by the river
used to change the velocity of its clothes
both in the morning and evening

the birds from the cornice go to school
by dip-swimming

it may come one day when the fishes
become very angry and in the tale of the sweet-meat
the potter will destroy the jointly-built bee-hive

then all hurricane would be habituated to dinner
sans saliva

then there would be no such morning-walk
in the body of the trees
from which such a bore could be found out
through which an elderly saral may fly
into the blue translation of a squirrel

the magnetic field of the orange-pulp
and the productivity of the open window
reside in the same locality

if their frequency be touched  

then the the antenna of the mermaids
speared with sleeping-oil
may be injured

by burnings their eyes
the crow-birds knocks at
in the soap-foams
produced by the afternoon

the pond with a jumping deer
wants to make bite  

it is not known by this way
when a white hyphen
sticks to the palate of the shirt

now put off all the whispers
and let it be talked on the will-paper of the bees

why the pages from the honourable ash-trays
be excluded

those bunch of waters
that come out from the churning of the anises
and the jumps born of their *****
also make friends with the group-photos

now let this other night sends its best wishes
to the future candles
through a cell-phone
Eriko Mar 2016
watery eyes squinting against
the pink glamor of the setting sun,
casting marvelous streaks
of cherry cream soda foam
radiating from the heartfelt
warmth

dusk settling, a quiet raven
swinging in the swaying trees
and a fence line lining
the edge of evergreen forests
a white picket fence
cluttered with the ghosts
of memories

a pair of binoculars
held by a silent girl
olive and freckled
of the shower of tear drops
which cascaded from those nights
of aching compassion

facing the other side
solitude presence of one
walked of a thousand steps
back splayed by the salty foams
spat by the restlessness of the sea
an umbrella clasped in his grip

the rain drizzled, throwing
the pink sunsets into arrays
of sweet, sweet melodies
the girl of binocular
and boy of umbrella
a picket fence in between

a relief from destiny,
a rain check into reality
figures of speech echoing
slurring syllables
recounting marbles
that used to roll off
from their laughters
on lovely nights

a girl of binoculars
and boy of umbrellas
dreamt of once a meeting
of one such like this
the raven cries
fear not, deal not
what has there
to be done
when the pink
ceases to refill
your sweet dreams

and the girl smiled
the boy climbed over
the white picket fence
and held her hand,
holding the umbrella
to keep their warmth
sheltered deep within

the girl picked her binoculars
held it close to her pretty cheeks
above her lips,
navigating sights
knowing their memories
will far exceed than that
of the white picket fence
safra Jun 2019
are you
the slightest bit
of my favourite old
marigold?

yes, you were
you were marigold all around
bloomed awake all year round
but my beloved summer bloom
left my heart a bit too soon

marigold and its fair beauty
is not as pretty
as i always knew they would be

marigold and its golden locks bloom free
was never fragrant
as i always believed it would be

marigold fitted in early morning's gown
was never sweet
as honey tainted were their crowns

you are
every bit of marigold
that slipped between my bedroom door
and in my gardens marigold tore

you are
every bit of marigold
my favourite bloom in vase displays
in bundles of little amber bouquets

and so do my marigolds wilt fast
golden yellow will be
unpolished brass
these soils take them home
back as seeds in beds of river foams

"goodbye to my
-beloved marigold"
is what i should've said
a long time ago

-
Quentin Briscoe Nov 2011
Jumps start the gun..today on the run.. but thats just my mind...body laggin behind..But im feelin entergetic so Im Just freestyling lines...leaned against the pines...Running these powderd lines...parked in a fire lane collecting fines..Exhilarated heart beats turn into mental treats...as for my body it just starts to feel weak...points of mind blowing utopia..erupt body pausing phobias...and when this brain begins to die down and stop...well the body compulses, foams, and rocks
An Imitation Of Macpherson’s “Ossian”.


Dear are the days of youth! Age dwells on their remembrance
through the mist of time. In the twilight he recalls the
sunny hours of morn. He lifts his spear with trembling hand.
“Not thus feebly did I raise the steel before my fathers!”
Past is the race of heroes! But their fame rises on the
harp; their souls ride on the wings of the wind; they hear
the sound through the sighs of the storm, and rejoice in
their hall of clouds. Such is Calmar. The grey stone marks
his narrow house. He looks down from eddying tempests: he
rolls his form in the whirlwind, and hovers on the blast of
the mountain.

In Morven dwelt the Chief; a beam of war to Fingal. His
steps in the field were marked in blood. Lochlin’s sons had
fled before his angry spear; but mild was the eye of Calmar;
soft was the flow of his yellow locks: they streamed like
the meteor of the night. No maid was the sigh of his soul:
his thoughts were given to friendship,—to dark-haired
Orla, destroyer of heroes! Equal were their swords in
battle; but fierce was the pride of Orla:—gentle alone
to Calmar. Together they dwelt in the cave of Oithona.

From Lochlin, Swaran bounded o’er the blue waves. Erin’s
sons fell beneath his might. Fingal roused his chiefs to
combat. Their ships cover the ocean! Their hosts throng on
the green hills. They come to the aid of Erin.

Night rose in clouds. Darkness veils the armies. But the
blazing oaks gleam through the valley. The sons of Lochlin
slept: their dreams were of blood. They lift the spear in
thought, and Fingal flies. Not so the Host of Morven. To
watch was the post of Orla. Calmar stood by his side. Their
spears were in their hands. Fingal called his chiefs: they
stood around. The king was in the midst. Grey were his
locks, but strong was the arm of the king. Age withered not
his powers. “Sons of Morven,” said the hero, “to-morrow we
meet the foe. But where is Cuthullin, the shield of Erin? He
rests in the halls of Tura; he knows not of our coming. Who
will speed through Lochlin, to the hero, and call the chief
to arms? The path is by the swords of foes; but many are my
heroes. They are thunderbolts of war. Speak, ye chiefs! Who
will arise?”

“Son of Trenmor! mine be the deed,” said dark-haired Orla,
“and mine alone. What is death to me? I love the sleep of
the mighty, but little is the danger. The sons of Lochlin
dream. I will seek car-borne Cuthullin. If I fall, raise the
song of bards; and lay me by the stream of Lubar.”—
“And shalt thou fall alone?” said fair-haired Calmar. “Wilt
thou leave thy friend afar? Chief of Oithona! not feeble is
my arm in fight. Could I see thee die, and not lift the
spear? No, Orla! ours has been the chase of the roebuck, and
the feast of shells; ours be the path of danger: ours has
been the cave of Oithona; ours be the narrow dwelling on the
banks of Lubar.”—”Calmar,” said the chief of Oithona,
“why should thy yellow locks be darkened in the dust of
Erin? Let me fall alone. My father dwells in his hall of
air: he will rejoice in his boy; but the blue-eyed Mora
spreads the feast for her Son in Morven. She listens to the
steps of the hunter on the heath, and thinks it is the tread
of Calmar. Let her not say, ‘Calmar has fallen by the steel
of Lochlin: he died with gloomy Orla, the chief of the dark
brow.’ Why should tears dim the azure eye of Mora? Why
should her voice curse Orla, the destroyer of Calmar? Live
Calmar! Live to raise my stone of moss; live to revenge me
in the blood of Lochlin. Join the song of bards above my
grave. Sweet will be the song of Death to Orla, from the
voice of Calmar. My ghost shall smile on the notes of
Praise.” “Orla,” said the son of Mora, “could I raise the
song of Death to my friend? Could I give his fame to the
winds? No, my heart would speak in sighs: faint and broken
are the sounds of sorrow. Orla! our souls shall hear the
song together. One cloud shall be ours on high: the bards
will mingle the names of Orla and Calmar.”

They quit the circle of the Chiefs. Their steps are to the
Host of Lochlin. The dying blaze of oak dim-twinkles through
the night. The northern star points the path to Tura.
Swaran, the King, rests on his lonely hill. Here the troops
are mixed: they frown in sleep; their shields beneath their
heads. Their swords gleam, at distance in heaps. The fires
are faint; their embers fail in smoke. All is hushed; but
the gale sighs on the rocks above. Lightly wheel the Heroes
through the slumbering band. Half the journey is past, when
Mathon, resting on his shield, meets the eye of Orla. It
rolls in flame, and glistens through the shade. His spear is
raised on high. “Why dost thou bend thy brow, chief of
Oithona?” said fair-haired Calmar: “we are in the midst of
foes. Is this a time for delay?” “It is a time for
vengeance,” said Orla of the gloomy brow. “Mathon of Lochlin
sleeps: seest thou his spear? Its point is dim with the gore
of my father. The blood of Mathon shall reek on mine: but
shall I slay him sleeping, Son of Mora? No! he shall feel
his wound: my fame shall not soar on the blood of slumber.
Rise, Mathon, rise! The Son of Conna calls; thy life is his;
rise to combat.” Mathon starts from sleep: but did he rise
alone? No: the gathering Chiefs bound on the plain. “Fly!
Calmar, fly!” said dark-haired Orla. “Mathon is mine. I
shall die in joy: but Lochlin crowds around. Fly through the
shade of night.” Orla turns. The helm of Mathon is cleft;
his shield falls from his arm: he shudders in his blood. He
rolls by the side of the blazing oak. Strumon sees him fall:
his wrath rises: his weapon glitters on the head of Orla:
but a spear pierced his eye. His brain gushes through the
wound, and foams on the spear of Calmar. As roll the waves
of the Ocean on two mighty barks of the North, so pour the
men of Lochlin on the Chiefs. As, breaking the surge in
foam, proudly steer the barks of the North, so rise the
Chiefs of Morven on the scattered crests of Lochlin. The din
of arms came to the ear of Fingal. He strikes his shield;
his sons throng around; the people pour along the heath.
Ryno bounds in joy. Ossian stalks in his arms. Oscar shakes
the spear. The eagle wing of Fillan floats on the wind.
Dreadful is the clang of death! many are the Widows of
Lochlin. Morven prevails in its strength.

Morn glimmers on the hills: no living foe is seen; but the
sleepers are many; grim they lie on Erin. The breeze of
Ocean lifts their locks; yet they do not awake. The hawks
scream above their prey.

Whose yellow locks wave o’er the breast of a chief? Bright
as the gold of the stranger, they mingle with the dark hair
of his friend. ’Tis Calmar: he lies on the ***** of Orla.
Theirs is one stream of blood. Fierce is the look of the
gloomy Orla. He breathes not; but his eye is still a flame.
It glares in death unclosed. His hand is grasped in
Calmar’s; but Calmar lives! he lives, though low. “Rise,”
said the king, “rise, son of Mora: ’tis mine to heal the
wounds of Heroes. Calmar may yet bound on the hills of
Morven.”

“Never more shall Calmar chase the deer of Morven with
Orla,” said the Hero. “What were the chase to me alone? Who
would share the spoils of battle with Calmar? Orla is at
rest! Rough was thy soul, Orla! yet soft to me as the dew of
morn. It glared on others in lightning: to me a silver beam
of night. Bear my sword to blue-eyed Mora; let it hang in my
empty hall. It is not pure from blood: but it could not save
Orla. Lay me with my friend: raise the song when I am dark!”

They are laid by the stream of Lubar. Four grey stones mark
the dwelling of Orla and Calmar. When Swaran was bound, our
sails rose on the blue waves. The winds gave our barks to
Morven:—the bards raised the song.

“What Form rises on the roar of clouds? Whose dark Ghost
gleams on the red streams of tempests? His voice rolls on
the thunder. ’Tis Orla, the brown Chief of Oithona. He was
unmatched in war. Peace to thy soul, Orla! thy fame will not
perish. Nor thine, Calmar! Lovely wast thou, son of blue-
eyed Mora; but not harmless was thy sword. It hangs in thy
cave. The Ghosts of Lochlin shriek around its steel. Hear
thy praise, Calmar! It dwells on the voice of the mighty.
Thy name shakes on the echoes of Morven. Then raise thy fair
locks, son of Mora. Spread them on the arch of the rainbow,
and smile through the tears of the storm.
Asa D Bruss Oct 2014
I can't rip myself asunder from such a magnanimous prepositional
as this.
While the fishes hang from my window
like little ice-ickles in spring.
So foams the frosty beverage that tells the gills to sing.
Twilight music and the sonnets contained therein
have little left to offer us, save a right-winged jerry-bin.
So the muse of ages goes round and around and around
for the malarkey of a daffodil creates folds and hills
where none exist.
Asa D Bruss Oct 2014
I can't rip myself asunder from such a magnanimous prepositional
as this.
While the fishes hang from my window
like little ice-ickles in spring.
So foams the frosty beverage that tells the gills to sing.
Twilight music and the sonnets contained therein
have little left to offer us, save a right-winged jerry-bin.
So the muse of ages goes round and around and around
for the malarkey of a daffodil creates folds and hills
where none exist.
...who knows?
How blest the land that counts among
Her sons so many good and wise,
To execute great feats of tongue
When troubles rise.
Behold them mounting every stump,
By speech our liberty to guard.
Observe their courage--see them jump,
And come down hard!
"Walk up, walk up!" each cries aloud,
"And learn from me what you must do
To turn aside the thunder cloud,
The earthquake too.

"Beware the wiles of yonder quack
Who stuffs the ears of all that pass.
I--I alone can show that black
Is white as grass."

They shout through all the day and break
The silence of the night as well.
They'd make--I wish they'd go and make--
Of Heaven a Hell.

A advocates free silver, B
Free trade and C free banking laws.
Free board, clothes, lodging would from me
Win wamr applause.

Lo, D lifts up his voice: "You see
The single tax on land would fall
On all alike." More evenly
No tax at all.

"With paper money," bellows E,
"We'll all be rich as lords." No doubt--
And richest of the lot will be
The chap without.

As many "cures" as addle-wits
Who know not what the ailment is!
Meanwhile the patient foams and spits
Like a gin fizz.

Alas, poor Body Politic,
Your fate is all too clearly read:
To be not altogether quick,
Nor very dead.

You take your exercise in squirms,
Your rest in fainting fits between.
'Tis plain that your disorder's worms--
Worms fat and lean.

Worm Capital, Worm Labor dwell
Within your maw and muscle's scope.
Their quarrels make your life a Hell,
Your death a hope.

God send you find not such an end
To ills however sharp and huge!
God send you convalesce! God send
You vermifuge.
SassyJ Jan 2017
The pebbles of your core
shine in ruminated scores
like a sorcerer spiking more
unlisting storms and ores

Smile dear rock, from a mile
touch the source of love ice
melt those gorgeous pure eyes
to the specks of the shiny shores

The rocky waves smell of testicles
Vestibules and alleyways of fertility
sung by Cronus as he holds a knife
eager to mutilate from a skyview

The sandy waters sink in Gaia hymns
as the scythe shed the slices of foams
where scattered sperms stays awash
to wish swimmers an eternal beauty

Ohh sacred gods on the aphrodite hills
Spread love unseen, unknown,unheard
stain the precedent of the flowing wind
give me the hint, a seat on the sainted scent
Philipp K J Aug 2019
The ocean waves pave the way
For their snow-white kids to play
Up and down they wash the sands
Set the soft kids on the  banks

Spartan waves spring back sprightly
Hardened furls fling up brightly
Command its kids in rough voice
Stay back at shore to rejoice

The foam kids line up sulking
Parents persist on bulking
The uniform foams get toiled
The froth kids tend to be spoiled
Once there was a man who had only one friend.
Every day, just before the demise of a cyclamen orange burning ball on the horizon ~ he swam to the shore, waving with a magnificent tail, blowing bubbles and bundles of water and air into the wide open skies.

Under the darkening heavens, he sang the muffled song. Tempting his beloved. . .reaching magic, farther then any sonar's ability. Abnormal coldness froze Icelandic Beauty. But beneath the surface, life was warmer without wars. Dwarf seals were jumping into the laced ocean; trying to cry each time they were cut off the Earth's gravity.

This Mighty friend of an old man, was his only link to the global world. The man was old-fashioned; had no telecommunication facilities, his radio were gulls, stray cats, shepherd dogs and sheep on a green hill, behind his wooden hut.

Sometimes he looked over his shoulder, only to determine whether his elderly donkey is able to follow. . . or do they both need a little rest, just to postpone the books from the saddle for later and spread the beautifully ornamented Indian carpet under the great great grand olive tree ~ to take a reviving little nap in the shade.

When he woke up, the old man lit his wooden pipe, puffed few beautiful rings of indigo smoke, smirked to a buzzing bee and found that the air is still pure enough. The pressure was normal, the wind was playing with wave foams in the neighbouring bay.

Under the olives, hanging from the tree canopy, the quietness was fulfilling the old man's heart. Motionless peace was heard. Tranquility.
And the motion of a Humpback Whale. Leaving.
Imagined by
Impeccable Space
Poetic beauty
~~~~~~~~~~
murari sinha Sep 2010
thus do learn how to tolerate
the blow of wings
of the most inflammable flesh

after the successful sacrifice of the student-hostel
jumping into the peacock-foams
how dangerously is changing the total travel-route of the nail-polish

in the high tide of the coconut-kernel
that conquers the world
today the water-pigeon gets pain

only by the flute made of palm-leaf
can’t be written the pleasure-trip in boat
of the injured-knee night-queen that is deposited heavily
on the collar of the village-moonlight

even-then the gramophone would be playing on
even-then the courageous pheasant would proceed further
to throw towards the squirrel a dinner-sleep

then all the daughters in disguise of birds certainly
may come out from within the salted mosquito-net
burning open-ground in their  eyes

even after  
the small boats of the fig leaves                      
would slip from the chorus song
of the roses

then they are to be pulled forward to the river-bed
of the late afternoon

to make them understand again

that such Xerox-centre which can ignore its metallic-birth
does not grow even now  on either side of this muddy road

so look at to see how the  epenthesis
of the screwpine-leaf withdraws her beak from the old dome

and pours
all new mathematics

into the compact-disc stitched with the back of the sea-tortoise

if that’s not real
how in the left and right
such evil-company of the oxygen would creep

if the next part of this commentary
resumes from the umbilicus cavity of the x-mass
would the blood-sugar of the water-plankton be rising continuously

look there again
the feather of colour that is in her adolescence  
touches the cold magnet of her gamut
to disperse the cherry orchards

now if the doors of this brown triangle be got open

you can see on the screen one by one
the projection of the apex-points of the red-palash

and in the night-texture of the kathakali-kathak
they are supplying continuously  
small sun-shines in poly-packs
LD Goodwin Jun 2013
In a small bistro, on Bleeker Street.
They serve you a proper cup of cappuccino.
Made from an espresso maker
brought over from Milan in 1929,
and served in an  ivory colored china cup.
In the foam on top is the signature swirl of the Barista.
There is a handsome young waiter,
with a serving towel hung over his left arm,
and a crumber, in his back pocket.
He leans over, scrapes the remnants
of the previous customer's biscotti into his hand,
and says to you in a thick, dark curly haired,
Italian accent, sounding like a young
Giancarlo Giannini,
And what will you be having today Signorina?
You think to yourself,
I have worked all day at my mundane job
and here is a man who truly loves what he does for a living.
He most likely was born into a family of waiters,
and he loves serving me.
I would like a cappuccino please.
As he walks away, you take out your pen and paper
and begin your daily addiction of writing poetry.
He notices you, noticing him.
You can almost read his mind as he watches you write.
He watches your pen and paper and wonders....
Is this mysterious poetess
who has been sitting in the corner
writing about me?.
Waiting for the proper time to interrupt your fervent writing,
he brings your order and you take it to your lips.  
He watches from a distance,
anxiously awaiting the look on your face.
You have never had anything so wonderful.
The coffee flavor bursts on your tongue
and you are born again.
The gentle foam with its signature swirl is now on your upper lip,
and you give the young waiter a satisfied smile.
He rushes to your table
and takes the serving towel from his arm
to gently pat the foam from your lips.
You look into his dark eyes and see the new you,
the you who will no longer order just a cup of coffee.
The you who will seek out the signature foams of life,
and wear them on your lips forever more.
The handsome waiter smiles a smile of contentment,
his hard work has pleased you.
He brings you a fresh slice of torte Caprese and says,
Try this Signorina, it is my favorite.
You are now in heaven.
All of life dissolves in one single bite.
Scusa Signorina,
but I could not help noticing how beautiful you are and that you are writing a poem,
may I ask what it is about?

He looks deep into your impossibly blue eyes,
and you say to him.
*You!
Harrogate, TN June 2013
Thanks R.A.

When you think
Maybe, we ~
Are
Forlorn
For the time-
Being cruel to us
In most heartwrenching
Wonderful impossible
Way

love, Love,            
Never was I yours
To come at your
Thresholds

Blushed a little bit
Over my sunlit cheeks
Holding in my hand

A Damascus Rose
For my beloved~
For you

A jazzy blues done
None plus no one
Gets the whole bush
Unless walking hand in hand
Through garden divine
Loving
Like
Icecold queen n' king
Siddharta within our seams
Yet, I turn in my dreams
And look straight
In those lovely
Flames

Portruding in me
Fireflies lit
For me
To you

Cosmos exists as a play

Of darkness through
Light

Hurting me
Again
No
More
~~~~~~
Please
~~~~~
For a begining
You gently touch
My wrist, holding
It with desire
And say
- Here
You
Are -
My twin~flame!!

A
Long
Awaited
Wonder
This Day Is

Magnetic
Grip
. . .
Unutterly
Unyeilding

Pulling me close within
Your chocolate
Emerald wisdom
Vishnu Inevitability
Embrace

Emitting radiance
Embraced for as long
As we need to please
The almighty & amazing laws
Of physics

Nodding
In approval of
.
.
.
Weeee-
-omens
*
= =
Woed by
Thunderous pounds
Blood in our veins
Burning like the
Ocean waves
Rhythmic pace

Dreamy foams as
Satin
Lace
Overwhelming Us

Courageous
Navigators of
Our starry midnights

Building the arch of
Invisibility
For the rest
of the
World

Our tent
Under satin~silk
Is heavens
A
Relationship
Beautifully
Playful

Extraordinaire
& Serene
When I woke up to my sobriety, I found the people drunk
I tried to love and be romantic, I appeared as a punk
They say there are many fish in the sea, maybe the ship has sunk
Maybe the wine spread all over and left them all drunk...

And now to eat fish you have to drown it, submerge it into alcohol
Having no money to purchase alcohol leaves you in a dark cage; without sol
In this cage you attempt to distill yourself so to love again but no one comes along
You are left with melodies blue; lonely songs...

Sing your heart out until the tears gush
You are alone, no one there to brush
The tears fall down on the hard ground with vehement boiling touch
And you see yourself, pitiful and wounded hoping for lightning
Praying for the hope to grow like flowers of spring

But you cannot wait, you must get laid
So you find a means to an end and get paid
Only to have them laid
Trying to play on both sides of the fence to find the balance
But you lose a sense of purity, you've been played
You were falling in line with the rest of the herd
But this doesn't heal the places where you've been hurt
But sail on, you go for there is no one to hold
You try not to think about your broken heart or blackened soul
You submerge yourself in the loudness nonsensical and girls coiling poles
Wherever you look you find the hollow
you feel alive only when asleep for dreams reel you in the deep
You try your luck at hotties and find them shallow
You are stuck, half fastened and cuffed
So you begin to investigate the truth
you find myth and evil facts
you search for magic you see long-bearded men with pointed hats
you learn that the participants of the game are unaware of the game
And in time you identify the source
Where the strings of rivers are
where the squashes and foams of waterfalls reach
as you witness manipulation down the coral reef
who are these men, malevolent men or thieves?
Stealing pure bliss and romance
Denying the chance for love to soar to mountain top and have chieftain stance
and then you're back at the mirror...
You see the dirt on your hands
that you aren't as innocent as righteousness demands
so you think back to when you've been wrong
All the lies you've told, the people you've robbed
the hesitations, the sudden stops
The denials, delusions and proud decisions
And you find comfort in the fact that there is no perfection
Only moments just, and bonds of trust
overshadowing the appeals to heal when bowing to lust...

And that's when you know that you continue to journey to the beautiful
Cowards would have no claws, to hold on, the fake perfect people no flaws, to hide their true nature
At the center of it all, ****** and coarse artefacts, all you think of -
is what you've seen. You must be mad if it's not a dream.

You row with oars, on a small humble boat, you start anew
knowing that the wise can be fools
and that the minds of fools can be liberated with learning tools.
Kara MacLean Dec 2010
I always tell you that in my eyes,
your face is shaped like an hour glass.
It is only a small amount of time,
just one last drop of sand
before you make me feel calm.
Like the world is suddenly safe,
and in your arms i can be me,
without the baggage of worry and fear
that i carry with me throughout my days.
Your sweet skin is soft, and smells like the wax of a candle.
When you enter a room, I look beside me for something
Why didn't I get any flowers?
Where is my box of chocolates for you?
You mesmerize me, baby.
You have me wrapped up in your serenity,
in your loving and docile nature,
and your sweet ability to lull me to sleep.
You whisper in my ear and i hear the sound of the ocean,
peace and quiet.
The seagulls silently float on the edges of the water
and your voice is the soft and carefree wind.
My heart is open, and ready for you
and it wants nothing more than for you to stay.
So for every today's tomorrow,
And for each wave that foams beautifully on the sand,
I love you.
By: Kara MacLean
irinia Apr 2014
In the silent mornings or in the silent nights
there is a hunch there is a thigh there is a panther
I try to catch your shoulders using a violin
as a butterfly net
but if your hair chimes it's because it's dreaming
if your eyelid blossoms it's because of the wind
if your hand howls it's because it's night
if your ears sleep it's because they're famished
if your shoes laugh it's because they're thinking
and if your shoulders take flight it's because it's very late

If your hand falls silent it's because it's a seashell
if your veins race it's because of the mandrake
if the thigh listens it's because there are still leaves
if the blood foams it's the fault of the umbrellas

If your frock screams it's because it's dying
if your shadow flickers it's because it's burning
if your fingernail sits on the curtains it's because they're violet
if your foot whinnies it's because of the clouds
if the lungs fall asleep it's because it's dark
and if your shoulders choke
it is assuredly because of the trees.

Gellu Naum, Vasco da Gama and other pohems, Humanitas Publishing House, Bucharest, 2007
"Gellu Naum (1915-2001) may be said to have been the last of the Surrealists in the proper sense of the world. He was the last living link to that revolution of the human spirit which first defined itself in Andre Breton's Manifeste du surrealisme of 1924. " Alistair Blyth

I posted two of Naum's poems because I like the freshness and freedom of his associations and poetical images. I like the unexpected of his verse and its dream-like quality.
Streams light from moon
flows through window

in a different land though
I traverse to a dune

The Bedouin in white robe
on silhouetted camel

rides on a mystic trail
did his woman elope

Rise from sands spark
rider’s eyes glint

must find footprint
an end to disembark

Night a moonlit art
bounces camel’s ****

she left him in the dump
trampled on his heart

Overhead stars fade
weary hooves pine rest

in his hollowed breast
he finds of her no thread

Foams in mouth the beast
feels the deadly heat

hopes slow retreat
the eyes gather mist

His dagger sparkles white
closes eyes the moon

dawn comes too soon
burns his blood bright
Francis Oct 2016
I search this ocean of emotional wrath,
Rage building up from below the core,
I study the textbook acts of feeling hopeless,
In a world of halfwitted fools,
Whom I claim superiority over.

Behold! This artifact of false pride,
I discovered it as I meandered the ocean on my love boat,
Fighting constant rouge waves of selfishness,
It calmly floated through the white foams.

I defected on the **** deck,
Holding no desire for consideration of my mates,
Mates who could care less for me,
And my prejudice towards sailing on this body of water,
They then made me walk the plank.

My heart rate reaches a point of vulnerability,
As I struggle to hold my breath below the surf,
I lasted unusually longer than a month's worth of travel,
Floating on nothing but my buoyancy,
I reached shore,
Suffocating with no use of my hands and feet.

Ironically,
A lady fisherman retrieved me from the waves,
Reciting a prayer, then proceeding CPR,
I regain consciousness, gasping for air,
Forgetting what was to become of me,
I grab her by the torso of her slicker,
And kiss her passionately,
With no ***** given.

She did of course kiss me back,
Confused but delighted,
Once she realized what was occurring,
She pulled away smiling,
I gave her a glance projecting my ruthlessness,
Because I am in fact,
Superior to the king himself.

The sun looked innocent,
As the clouds rolled in viciously,
This storm seemed like an old friend,
I recall it's grubby warfare,
Kicking me around as I swayed to and fro,
On the mahogany of my dear rig,
A rig that has been stolen from me,
On the lost sea of emotional wrath.
Couldn't tell you what this means.
Akemi Feb 2016
Blood foams out of Mary’s mouth.
Grass on her skirt.
Grubs shift beneath her, trying to breathe.
Pink foam runs down her chin.
Jeremiah hasn’t moved in an hour.
Lying on the grass with his hair rotting.
Bathtub flesh tangled in senescence.
Jesus, where the **** did the time go?
It’s Autumn approaching Winter.
Little nooses run down tree branches and settle round all the leaves.
Hugging them until their necks sever like Isaiah’s.
Eve shakes his shoulder to wake him but his head just rolls further into the gutter.
A dazed expression of absolute revulsion.
Whatever.
I pick up a stick and pierce Eve’s flesh.
Over and over.
Because I’m bored.
And she’s there.
Barely perceiving her own existence.
Shaking the headless body of Isaiah.
While Mary collapses into a black hole.
And Jeremiah sinks into the ground.
12:37pm, January 27th 2016
Lynn Al-Abiad Nov 2016
Sur le bout de mes orteilles, je sautille au-dessus des écumes de l'océan
Ça sent le jasmin et les amandes
Le soleil effleure mes veines et l'eau salée éclabousse ma peau


----------


On the tip of my toes, I hop above the foams in the ocean
It smells like jasmine and almonds
The sun skims my veins and the salty water splashes my skin



- LynnAA
23/10/2016
Stanley Mungai Jun 2012
Down the dangerously steep mountains
She powerfully gurgles down
Clear and powerful
And ultimately into the sprawling Mwea plains
And though out of the steep
Still deliver her intimate brand
Of current flow power.

Sneaking silently around the curves
Bending towards her destiny
She now only whispers
A low murmur of liquid advice
“Please don’t
Defy, misuse or pollute me
For I love you
That’s why I came”

And I love to admire
The immense beauty of her flow
Old yet powerful
Her steps gaily like a fairy
And her ***** a mass of turbulence
Her valley heavy with vegetation
A forest out of a scary fairy tale.

But I love to watch her
Slim body
Snaking to the direction of the *****
The dance of white foams in the current
As she churns her way to the coast
Releasing a cold radiation
A caressing chill
The beauty of her source
The snow-capped lofty mountains
I can only give my love to you
To you my darling
That can only be
River Nyamindi.
*Water bodies are the source of life for all, love them and take care of them.
Pauline Morris Mar 2016
Will we meet upon the green grass hill
Will you come and sit with me still
Underneath the old oak tree
We can sit and gaze at the sea
We can watch the white top waves
As it beats toward the caves
The sea foams frothy white at the wide open mouth
And when the wind blows from the south

You can almost hear the pirates song
When they use to visit the cave, but those years are long gone
That's where they use to hide their treasures
But now only the waves laps in at it's leisure

You once asked me,"why don't you explore the cave by the sea"
"To find diamonds and the gold that there might be"
I only shot you a smile
Because I knew all the while
I had all ready found my diamond
And around you my arms I tightened

But that was many years ago
And the winds of time did blow
It aged our bodies, and took you away
So I made that climb up hill today

To sit up under that old oak tree
To reminisce of what use to be
To hold tight the ghost of your memory
For that's one thing time can't take from me
Pauline Morris Mar 2016
Will we meet upon the green grass hill
Will you come and sit with me still
Underneath the old oak tree
We can sit and gaze at the sea
We can watch the white top waves
As it beats toward the caves
The sea foams frothy white at the wide open mouth
And when the wind blows from the south

You can almost hear the pirates song
When they use to visit the cave, but those years are long gone
That's where they use to hide their treasures
But now only the waves laps in at it's leisure

You once asked me,"why don't you explore the cave by the sea"
"To find diamonds and the gold that there might be"
I only shot you a smile
Because I knew all the while
I had all ready found my diamond
And around you my arms I tightened

But that was many years ago
And the winds of time did blow
It aged our bodies, and took you away
So I made that climb up hill today

To sit up under that old oak tree
To reminisce of what use to be
To hold tight the ghost of your memory
For that's one thing time can't take from me

— The End —